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Sufi literature

Sufi literature consists of works in various languages that express and advocate the ideas of Sufism.

Page from a 1381 copy of the Kawākib al-durrīya of al-Būṣīrī (d. 1294)

Sufism had an important influence on medieval literature, especially poetry, that was written in Arabic, Persian, Turkic and Urdu. Sufi doctrines and organizations provided more freedom to literature than did the court poetry of the period. The Sufis borrowed elements of folklore in their literature.

The works of Nizami, Nava'i, Hafez, Sam'ani and Jami were more or less related to Sufism. The verse of such Sufi poets as Sanai (died c. 1140), Attar (born c. 1119), and Rumi (died 1273) protested against oppression with an emphasis on divine justice and criticized evil rulers, religious fanaticism and the greed and hypocrisy of the orthodox Muslim clergy. The poetic forms used by these writers were similar to the folk song, parable and fairy tale.

History

Sufi literature written in Persian flourished from the 12th to 15th centuries. Later major poets linked with the Sufi tradition included Hatef Esfahani (17th century), Bedil (18th century), and Ahmad NikTalab (20th century). However, Sufi literature for the longest time in history had been scattered in different languages and geographic regions.[1][2] From the 19th and 20th centuries onwards, the historiography of Sufism, especially in the west, has been the meticulous collection of diverse sources and facts regarding the subject.[3] As compared to, say, broadly speaking, English or German literature, Sufi literature has been controversial because of the origin of Sufism itself as a tradition. Some scholars argue Sufism is a tendency within Islam whereas others argue that Sufism, as in the way of thinking, predates Islam. Radical Islamic scholars of an older generation, some even in contemporary times, dismiss the Sufi tradition as something that is purely mystical and therefore deny Sufism's spiritual lineage to Islam.[4] Their argument is Sufism comes in the way of recognising the true nature of Islam. Nevertheless, the process of accumulating data on Sufism by many European Orientalist scholars led to the birth of significant discourses within Sufi literature that dominated western thought on the subject for a long time. Even before the 19th century, as argued by Carl Ernst, some Orientalist scholars attempted to disassociate Sufi literature from Islam, based on positive and negative tendencies.[5] In his work, Ernst challenges such interpretations and those made by the colonial Orientalists and native fundamentalists.

Sufi literature entered Europe during the Middle Ages.[3] Alexander D Knysh, a professor of Islamic studies at the University of Michigan, claims the first serious attempts to address Sufism in academic discourses can be traced back to the 17th century.[3] The discussions by scholars in the west around this time were concerned with critically analysing and translating the Sufi literature. Notably, the literary output of renowned Persian poets such as Sadi, Attar, Rumi, Jami, and Hafez. However, Knysch also points out a rather contrasting image of Sufism that appears within the personal memoirs and travelogues of western travellers in the Middle East and Central Asia in the 18th and 19th centuries. Mostly produced for the most part by western travellers, colonial administrators, and merchants, they perceived Sufi literature and the overall tradition as exotic, erratic behaviour, and strange practices by the dervishes.[3] In such works, literary concerns were mixed with a larger goal to illustrate a systematic and accurate account of various Sufi communities, practices, and doctrines.[3] Although such scholars were intrigued by the nature of Sufi literature and many of the individual Sufi dervishes, they were hesitant in considering the mystical elements of Sufism to be something inherent to the larger Islamic religion. This is because they did not consider Islam and Christianity in the same light and therefore considered Islam to be incapable of producing the kind of theological discussions present within Sufi literature.[3] For instance, Joseph Garcin de Tassy (1794–1878), a French Orientalist, translated and produced a large number of works on Islamic, Persian, and Hindustani discourses. He admired the Persian language and literature yet showed a conventional anti-Islamic prejudice notable of his time. He perceived Sufi literature vis-à-vis Christian heretics but considered the former as a distorted version of the latter. He thought Islamic cultures restrict human autonomy and material pleasures.[3] Such views on Sufi literature were commonly shared at the time by several European Orientalists who were originally trained as either philologists or Biblical studies scholars.[3]

Sufi poetry emerged as a form of mystical Islamic devotional literature that expresses themes such as divine love and the mystical union between man and God, often through the metaphors of secular love poetry. Over the centuries, non-mystical poetry has in turn made significant use of the Sufi vocabulary, producing a mystical-secular ambiguity in Persian, Turkish, and Urdu-language literatures.[6]

Themes

 
Illuminated frontispiece of the poetry of Rumi, c. 1461

The Sufi conception of love was introduced first by Rabia of Basra, a female mystic from the eighth century. Throughout Rumi's work the "death" and "love" appear as the dual aspects of Rumi's conception of self-knowledge. Love is understood to be "all-consuming" in the sense that it encompasses the whole personality of the lover. The influence of this tradition in Sufism was likely drawn from Persian or Hindu sources; no comparable idea is known from ninth century Christianity or Judaism. In a literary wordplay Fakhreddin Eraqi changed the words of the shahada (la ilaha illa'llah) to la ilaha illa'l-'ishq ("there is no deity save Love"). For his part, Rumi, in his writings, developed the concept of love as a direct manifestation of the will of God, in part as a calculated response to objections coming from the orthodox wing of Islam: "Not a single lover would seek union if the beloved were not seeking it".[7] The concepts of unity and oneness of mankind also appear in Rumi's works. For example, the poem "Who Am I?"[8]

Notable works

See also

References

  1. ^ Melchert, Christopher (2015). The Cambridge companion to Sufism. Lloyd V. J. Ridgeon. New York, NY. pp. 3–23. ISBN 978-1-139-08759-9. OCLC 898273387.
  2. ^ Sufism in the West. Jamal Malik, John R. Hinnells. London: Routledge. 2006. pp. 32–37. ISBN 0-203-08720-8. OCLC 71148720.{{cite book}}: CS1 maint: others (link)
  3. ^ a b c d e f g h Knysh, Alexander (2005). A companion to the history of the Middle East. Youssef M. Choueiri. Malden, MA. pp. 108–119. ISBN 978-1-4051-0681-8. OCLC 57506558.
  4. ^ "Introduction to Sufi Literature in North India". Sahapedia. Retrieved 2022-12-02.
  5. ^ Ernst, Carl. "Sufism, Islam, and Globalization in the Contemporary World: Methodological Reflections on a Changing Field of Study". {{cite journal}}: Cite journal requires |journal= (help)
  6. ^ Sufi literature. Britannica. Retrieved 5 April 2022.
  7. ^ Milani, Milad. Sufism in the Secret History of Persia. Routledge (2013), 36.
  8. ^ Aminrazavi, Mehdi (2015). Sufism and american literary masters. State Univ Of New York Pr. ISBN 1438453523. OCLC 908701099.

Further reading

  • Arin Salamah-Qudsi (2020), "A New Study Model for Arabic Sufi Prose", Middle Eastern Literatures 23(1–2): 79–96. doi:10.1080/1475262X.2021.1878647
  • Chopra, R. M. (1999). Great Sufi Poets of The Punjab. Iran Society, Calcutta.
  • Chopra, R. M. (2016). Sufism (Origin, growth, eclipse, resurgence). Anuradha Prakashan, New Delhi. ISBN 978-93-85083-52-5.

External links

  •   Media related to Sufi literature at Wikimedia Commons

sufi, literature, consists, works, various, languages, that, express, advocate, ideas, sufism, page, from, 1381, copy, kawākib, durrīya, būṣīrī, 1294, sufism, important, influence, medieval, literature, especially, poetry, that, written, arabic, persian, turki. Sufi literature consists of works in various languages that express and advocate the ideas of Sufism Page from a 1381 copy of the Kawakib al durriya of al Buṣiri d 1294 Sufism had an important influence on medieval literature especially poetry that was written in Arabic Persian Turkic and Urdu Sufi doctrines and organizations provided more freedom to literature than did the court poetry of the period The Sufis borrowed elements of folklore in their literature The works of Nizami Nava i Hafez Sam ani and Jami were more or less related to Sufism The verse of such Sufi poets as Sanai died c 1140 Attar born c 1119 and Rumi died 1273 protested against oppression with an emphasis on divine justice and criticized evil rulers religious fanaticism and the greed and hypocrisy of the orthodox Muslim clergy The poetic forms used by these writers were similar to the folk song parable and fairy tale Contents 1 History 2 Themes 3 Notable works 4 See also 5 References 6 Further reading 7 External linksHistory EditSufi literature written in Persian flourished from the 12th to 15th centuries Later major poets linked with the Sufi tradition included Hatef Esfahani 17th century Bedil 18th century and Ahmad NikTalab 20th century However Sufi literature for the longest time in history had been scattered in different languages and geographic regions 1 2 From the 19th and 20th centuries onwards the historiography of Sufism especially in the west has been the meticulous collection of diverse sources and facts regarding the subject 3 As compared to say broadly speaking English or German literature Sufi literature has been controversial because of the origin of Sufism itself as a tradition Some scholars argue Sufism is a tendency within Islam whereas others argue that Sufism as in the way of thinking predates Islam Radical Islamic scholars of an older generation some even in contemporary times dismiss the Sufi tradition as something that is purely mystical and therefore deny Sufism s spiritual lineage to Islam 4 Their argument is Sufism comes in the way of recognising the true nature of Islam Nevertheless the process of accumulating data on Sufism by many European Orientalist scholars led to the birth of significant discourses within Sufi literature that dominated western thought on the subject for a long time Even before the 19th century as argued by Carl Ernst some Orientalist scholars attempted to disassociate Sufi literature from Islam based on positive and negative tendencies 5 In his work Ernst challenges such interpretations and those made by the colonial Orientalists and native fundamentalists Sufi literature entered Europe during the Middle Ages 3 Alexander D Knysh a professor of Islamic studies at the University of Michigan claims the first serious attempts to address Sufism in academic discourses can be traced back to the 17th century 3 The discussions by scholars in the west around this time were concerned with critically analysing and translating the Sufi literature Notably the literary output of renowned Persian poets such as Sadi Attar Rumi Jami and Hafez However Knysch also points out a rather contrasting image of Sufism that appears within the personal memoirs and travelogues of western travellers in the Middle East and Central Asia in the 18th and 19th centuries Mostly produced for the most part by western travellers colonial administrators and merchants they perceived Sufi literature and the overall tradition as exotic erratic behaviour and strange practices by the dervishes 3 In such works literary concerns were mixed with a larger goal to illustrate a systematic and accurate account of various Sufi communities practices and doctrines 3 Although such scholars were intrigued by the nature of Sufi literature and many of the individual Sufi dervishes they were hesitant in considering the mystical elements of Sufism to be something inherent to the larger Islamic religion This is because they did not consider Islam and Christianity in the same light and therefore considered Islam to be incapable of producing the kind of theological discussions present within Sufi literature 3 For instance Joseph Garcin de Tassy 1794 1878 a French Orientalist translated and produced a large number of works on Islamic Persian and Hindustani discourses He admired the Persian language and literature yet showed a conventional anti Islamic prejudice notable of his time He perceived Sufi literature vis a vis Christian heretics but considered the former as a distorted version of the latter He thought Islamic cultures restrict human autonomy and material pleasures 3 Such views on Sufi literature were commonly shared at the time by several European Orientalists who were originally trained as either philologists or Biblical studies scholars 3 Sufi poetry emerged as a form of mystical Islamic devotional literature that expresses themes such as divine love and the mystical union between man and God often through the metaphors of secular love poetry Over the centuries non mystical poetry has in turn made significant use of the Sufi vocabulary producing a mystical secular ambiguity in Persian Turkish and Urdu language literatures 6 Themes Edit Illuminated frontispiece of the poetry of Rumi c 1461 The Sufi conception of love was introduced first by Rabia of Basra a female mystic from the eighth century Throughout Rumi s work the death and love appear as the dual aspects of Rumi s conception of self knowledge Love is understood to be all consuming in the sense that it encompasses the whole personality of the lover The influence of this tradition in Sufism was likely drawn from Persian or Hindu sources no comparable idea is known from ninth century Christianity or Judaism In a literary wordplay Fakhreddin Eraqi changed the words of the shahada la ilaha illa llah to la ilaha illa l ishq there is no deity save Love For his part Rumi in his writings developed the concept of love as a direct manifestation of the will of God in part as a calculated response to objections coming from the orthodox wing of Islam Not a single lover would seek union if the beloved were not seeking it 7 The concepts of unity and oneness of mankind also appear in Rumi s works For example the poem Who Am I 8 Notable works EditThe Mathnawi and Diwan e Shams e Tabriz i of Rumi Diwan of Hafez by Hafiz Shirazi Fuṣuṣ ul Ḥikam The Bezels of Wisdom and Tarjuman al Ashwaq The Interpreter of Desires by Ibn Arabi Kimiya yi sa adat The Alchemy of Happiness by Al Ghazali The Conference of the Birds by Farid al Din Attar The Diwan of Yunus by Yunus Emre The Qaṣidat ul Burda Poem of the Mantle of al Buṣiri Asrar ut Tawḥid The Secrets of Unity by Shaikh Abu Sa id Abu l Khair al Fatḥ al mubin fi madḥ al amin Clear Inspiration on Praise of the Trusted One by ʿA ishah bint Yusuf al Baʿuniyyah Diwan e Akhtar by Hazrat Hakim Akhtar Dala il al Barakat by Muhammad Tahir ul Qadri Kulliyyat e Hasrat by Muhammad Abdul Qadeer Siddiqi Qadri Hasrat Lataife Ashrafi by Ashraf Jahangir Semnani Tassawwuff by Syed Waheed Ashraf The poems of Sultan Bahu Some poems of Ahmad NikTalabSee also EditHistory of Sufism Islamic poetry Mehfil Na at Nasheed Persian literature QawwaliReferences Edit Melchert Christopher 2015 The Cambridge companion to Sufism Lloyd V J Ridgeon New York NY pp 3 23 ISBN 978 1 139 08759 9 OCLC 898273387 Sufism in the West Jamal Malik John R Hinnells London Routledge 2006 pp 32 37 ISBN 0 203 08720 8 OCLC 71148720 a href Template Cite book html title Template Cite book cite book a CS1 maint others link a b c d e f g h Knysh Alexander 2005 A companion to the history of the Middle East Youssef M Choueiri Malden MA pp 108 119 ISBN 978 1 4051 0681 8 OCLC 57506558 Introduction to Sufi Literature in North India Sahapedia Retrieved 2022 12 02 Ernst Carl Sufism Islam and Globalization in the Contemporary World Methodological Reflections on a Changing Field of Study a href Template Cite journal html title Template Cite journal cite journal a Cite journal requires journal help Sufi literature Britannica Retrieved 5 April 2022 Milani Milad Sufism in the Secret History of Persia Routledge 2013 36 Aminrazavi Mehdi 2015 Sufism and american literary masters State Univ Of New York Pr ISBN 1438453523 OCLC 908701099 Further reading EditArin Salamah Qudsi 2020 A New Study Model for Arabic Sufi Prose Middle Eastern Literatures 23 1 2 79 96 doi 10 1080 1475262X 2021 1878647 Chopra R M 1999 Great Sufi Poets of The Punjab Iran Society Calcutta Chopra R M 2016 Sufism Origin growth eclipse resurgence Anuradha Prakashan New Delhi ISBN 978 93 85083 52 5 External links Edit Media related to Sufi literature at Wikimedia Commons Portals Religion Islam Education Psychology Art Retrieved from https en wikipedia org w index php title Sufi literature amp oldid 1133278627, wikipedia, wiki, book, books, library,

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