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Wings (1927 film)

Wings is a 1927 American silent and synchronized sound film known for winning the first Academy Award for Best Picture. Due to the general public's apathy towards silent films, the film was quickly re-released in 1928 with synchronized sound. While the sound version of the film has no audible dialogue, it was released with a synchronized musical score with sound effects.

Wings
Film poster
Directed byWilliam A. Wellman
Written byTitles:
Julian Johnson
Screenplay byHope Loring
Louis D. Lighton
Story byJohn Monk Saunders
Produced byLucien Hubbard
Adolph Zukor
Jesse L. Lasky
B.P. Schulberg
Otto Hermann Kahn
(uncredited)[1][a]
StarringClara Bow
Charles (Buddy) Rogers
Richard Arlen
Gary Cooper
CinematographyHarry Perry
Edited byE. Lloyd Sheldon
Lucien Hubbard (uncredited)
Music byJ.S. Zamecnik (uncredited)
Production
company
Distributed byParamount Famous Lasky Corporation
Release dates
  • August 12, 1927 (1927-08-12) (New York City, premiere)
  • January 15, 1928 (1928-01-15) (Los Angeles)
  • January 5, 1929 (1929-01-05) (United States)
Running time
Original release:
111 minutes[2]
Restoration:
144 minutes[3]
CountryUnited States
LanguagesSound (Synchronized)
(English Intertitles)
Budget$2 million[4]
Box office$3.8 million (U.S. and Canada rentals)[5]

The film stars Clara Bow, Charles "Buddy" Rogers, and Richard Arlen. Rogers and Arlen portray World War I combat pilots in a romantic rivalry over a woman. It was produced by Lucien Hubbard, directed by William A. Wellman, and released by Paramount Famous Lasky Corporation. Gary Cooper appears in a small role, which helped launch his career in Hollywood.

The film, a romantic action-war picture, was rewritten by scriptwriters Hope Loring and Louis D. Lighton from a story by John Monk Saunders to accommodate Bow, Paramount's biggest star at the time. Wellman was hired, as he was the only director in Hollywood at the time who had World War I combat pilot experience, although Richard Arlen and John Monk Saunders had also served in the war as military aviators. The film was shot on location on a budget of $2 million (equivalent to $34.42 million in 2023) at Kelly Field in San Antonio, between September 7, 1926, and April 7, 1927. Hundreds of extras and some 300 pilots were involved in the filming, including pilots and planes of the United States Army Air Corps which were brought in for the filming and to provide assistance and supervision. Wellman extensively rehearsed the scenes for the Battle of Saint-Mihiel over ten days with some 3,500 infantrymen on a battlefield made for the production on location. Although the cast and crew had much spare time during the filming because of weather delays, shooting conditions were intense, and Wellman frequently conflicted with the military officers brought in to supervise the picture.

Acclaimed for its technical prowess and realism upon release, the film became the yardstick against which future aviation films were measured, mainly because of its realistic air-combat sequences. It went on to win the inaugural Academy Award for Outstanding Picture at the first Academy of Motion Picture Arts and Sciences award ceremony in 1929,[6] the only fully silent film to do so.[b] It also won the Academy Award for Best Engineering Effects (Roy Pomeroy). Wings was one of the first widely released films to show nudity. In 1997, Wings was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant", and the film was re-released to Cinemark theaters to coincide with the 85th Anniversary for a limited run in May 2012. The film was re-released again for its 90th anniversary in 2017. The Academy Film Archive preserved Wings in 2002.

The film entered the public domain in the United States in 2023.[7]

Plot edit

Wings (1927)
 
Bow as Mary Preston

Jack Powell and David Armstrong are rivals in the same small American town, both vying for the attentions of pretty Sylvia Lewis. Jack fails to realize that "the girl next door", Mary Preston, is desperately in love with him. The two young men both enlist to become combat pilots in the Army Air Service. When they leave for training camp, Jack mistakenly believes Sylvia prefers him, but she actually prefers David and lets him know about her feelings, but is too kindhearted to turn down Jack's affection.

The two men endure a rigorous training period, where they are enemies. But during a bloody boxing match, they realize each other's courage and become best friends. Upon graduating, they are sent to France to fight against Imperial Germany.

Jack and David are billeted together. Their tent mate is Cadet White, but their acquaintance is all too brief; White is killed in an air crash the same day.

Mary joins the war effort by becoming an ambulance driver. She later learns of Jack's reputation as the ace known as "The Shooting Star" and encounters him while on leave in Paris. She finds him, but he is too drunk to recognize her. She takes him back to his room and puts him to bed, but when two military police barge-in while she is innocently changing from a borrowed dress back into her uniform in the same room, she is forced to resign and return to the United States.

The climax of the story comes with the epic Battle of Saint-Mihiel. David is shot down and presumed dead. However, he survives the crash landing, steals a German biplane, and heads for the Allied lines. By a tragic stroke of bad luck, Jack spots the enemy aircraft and, bent on avenging his friend, begins an attack. He is successful in downing the aircraft and lands to retrieve a souvenir of his victory. The owner of the land where David's aircraft crashed urges Jack to come to the dying man's side. He agrees and becomes distraught when he realizes what he has done. David consoles him, and before he dies, forgives his comrade.

At the war's end, Jack returns home to a hero's welcome. He visits David's grieving parents to return his friend's effects. During the visit, he begs their forgiveness for causing David's death. Mrs. Armstrong says it is not Jack who is responsible for her son's death, but the war. Then, Jack is reunited with Mary and realizes he loves her.

Cast edit

Uncredited cast in order of appearance
George Irving Mr. Powell
Hedda Hopper Mrs. Powell
Evelyn Selbie dressing room attendant
Robert Livingston recruit in examination office
William A. Wellman doughboy
Nigel De Brulier French peasant
Zalla Zarana French peasant girl
Douglas Haig little French boy
Thomas Carrigan aviator
Charles Barton soldier flirting with Mary
James Pierce military policeman
Carl von Haartman German officer
Thomas Carr aviator
Dick Grace aviator

Music edit

The film featured a theme song entitled "Wings" which was composed by J. S Zamecnik and Ballard Macdonald.

Production edit

Script and experience edit

 
Director William A. Wellman was an experienced airman himself

The film was written by John Monk Saunders (with uncredited story ideas contributed by Byron Morgan), Hope Loring and Louis D. Lighton (screenplay), produced by Lucien Hubbard (who also did uncredited co-editing), directed by William A. Wellman, with an original orchestral score by J.S. Zamecnik, which was also uncredited. It was rewritten to accommodate Clara Bow, as she was Paramount's biggest star, but she wasn't happy about her part: "Wings is...a man's picture and I'm just the whipped cream on top of the pie".[8]

Producers Lucien Hubbard and Jesse L. Lasky hired director Wellman as he was the only director in Hollywood at the time who had World War I combat pilot experience.[9][10] Actor Richard Arlen and writer John Monk Saunders had also served in World War I as military aviators. Arlen was able to do his own flying in the film and Rogers, a non-pilot, underwent flight training during the course of the production, so that, like Arlen, Rogers could also be filmed in closeup in the air. Lucien Hubbard offered flying lessons to all, and despite the number of aircraft in the air, only two incidents occurred—one involved stunt pilot Dick Grace, who broke his neck falling out of the cockpit after a controlled crash;[11] while the other was the fatal crash of an Army Air Service pilot.[12] Wellman was able to attract War Department support and involvement in the project, and displayed considerable prowess and confidence in dealing with planes and pilots onscreen, knowing "exactly what he wanted", bringing with it a "no-nonsense attitude" according to military film historian Lawrence H. Suid.[13]

Filming edit

Aerial and battle sequences edit

 
A Thomas-Morse MB-3 at Selfridge Field, one of the types of planes used in the film

Wings was shot and completed on a budget of $2 million at Kelly Field, San Antonio, Texas between September 7, 1926 and April 7, 1927.[10] Primary scout aircraft flown in the film were Thomas-Morse MB-3s standing in for American-flown SPADs and Curtiss P-1 Hawks painted in German livery. Developing the techniques needed for filming closeups of the pilots in the air and capturing the speed and motion of the planes onscreen took time, and little usable footage was produced in the first two months.[14] Wellman soon realized that Kelly Field did not have the adequate numbers of planes or skilled pilots to perform the needed aerial maneuvers, and he had to request technical assistance and a supply of planes and pilots from Washington. The Air Corps sent six planes and pilots from the 1st Pursuit Group stationed at Selfridge Field near Detroit, including then-2nd Lt. Elmer J. Rogers Jr. and 2d Lt. Clarence S. "Bill" Irvine who became Wellman's adviser. Irvine was responsible for engineering an airborne camera system to provide close-ups and for the planning of the dogfights, and when one of the pilots broke his neck, performed in one of the battle scenes himself.[12][14][c]

The training scenes include shots of trainees in an early flight simulator, the Ruggles Orientator.

Hundreds of extras were brought in to shoot the picture, and some 300 pilots were involved in the filming.[15] Because the aerial battles required ideal weather to shoot, the production team had to wait on one occasion for 18 consecutive days for proper conditions in San Antonio.[10] If possible, Wellman attempted to capture footage in the air in contrast to clouds in the background, above or in front of cloud banks to generate a sense of velocity and danger. Wellman later explained, "motion on the screen is a relative thing. A horse runs on the ground or leaps over fencers or streams. We know he is going rapidly because of his relation to the immobile ground".[14] Against the clouds, Wellman enabled the planes to "dart at each other", and to "swoop down and disappear in the clouds", and to give the audience the sense of the disabled planes plummeting. During the delay in the aerial shooting, Wellman extensively rehearsed the scenes for the Battle of Saint-Mihiel over ten days with some 3500 infantrymen.[16] A large battlefield with trenches and barbed wire was created on location for the filming. Wellman took responsibility for the meticulously planned explosions himself, detonating them at the right time from his control panel.[16] According to Peter Hopkinson, at least 20 young men, including cameraman William Clothier, were given hand-held cameras to film "anything and everything" during the filming.[17]

Wellman frequently conflicted with the military officers brought in to supervise the picture, especially the infantry commander whom he considered to have "two monumental hatreds: fliers and movie people". After one argument Wellman retorted to the commander, "You're just a goddamn fool because the government has told me you have to give me all your men and do just exactly what I want you to do."[14] Although Wellman paid much attention to technical details in shooting, he used cars and clothing of the year during the filming, forgetting to use those of World War I.[18] He took six weeks to fully edit the film and prepare it for release.[19]

Cast exploits edit

 
Bow featured in trailer for film

Whereas most Hollywood productions of the day took little more than a month to shoot, Wings took approximately nine months to complete in total. Although Wellman was generating spectacular aerial footage and making Hollywood film history, Paramount expressed concerns with the cost of production and expanding budget. They sent an executive to San Antonio to complain to Wellman who swiftly told him that he had two options, "a trip home or a trip to the hospital".[16] According to biographer Frank T. Thompson, Wellman approached producer David O. Selznick regarding a contract predicament asking him what he should do to which Selznick replied, "Just keep your mouth shut. You've got 'em where it hurts."[19] Otto Kahn, the financier bankrolling the production, arrived on set as Wellman was filming the St-Mihiel battle sequence, inadvertently disrupted Wellman's detonation timings, and caused several extras to be seriously injured. Wellman loudly and profanely ordered Kahn off the set. That evening, Kahn visited Wellman in his hotel room, told him he was impressed with his direction, and he could have whatever he needed to finish the picture.[11]

 
Arlen as David Armstrong

The cast and crew had a lot of time on their hands between shooting sequences, and according to director Wellman, "San Antonio became the Armageddon of a magnificent sexual Donnybrook". He recalled that they stayed at the Saint Anthony Hotel for nine months and by the time they left the elevator girls were all pregnant.[10] He stated that Clara Bow openly flirted with the male cast members and several of the pilots which was reciprocated, despite having become engaged to Victor Fleming the day after arriving in San Antonio on September 16, 1926.[20] Gary Cooper, appearing in a role which helped launch his career in Hollywood, began a tumultuous affair during the production with Bow.[21] Cooper reportedly showed Howard Hughes the script to the film and he was not impressed, considering the drama in it to be "sudsy", although he informed Cooper that he looked forward to seeing how Wellman would accomplish the technical aerial sequences.[21] Bow strongly detested the wardrobe that Paramount designer Travis Banton made for the film. She slit the necklines and cut off the sleeves of her costumes, much to Banton's chagrin.[22]

Notable scenes edit

 
Richard Arlen and Charles Rogers in the famous kiss scene.

Wings is also one of the first widely released films to show nudity. In the enlistment office, nude men are visible from behind undergoing physical exams, through a door which opens and closes several times.[23] Bow's breasts are revealed for a second during the Paris bedroom scene when military police barge in while she is changing.

A boom was built with the camera mounted on an extension to shoot the Café de Paris scene[24] and one of the couples in the long shot is a same-sex female couple.

In the scene in which Rogers becomes drunk, the intoxication displayed on screen was genuine, as although 22 years of age, he had never tasted liquor before, and quickly became inebriated from drinking champagne.[25]

During Dave's death scene, Jack is plainly observed kissing him on the left cheek near the left corner of Dave’s mouth, which has led to interpretations of this film as depicting cinema's first LGBT, male-male kiss.[26][27] However, there are also interpretations that the kiss is merely fraternal. While there is no general consensus, D.W. Griffith's Intolerance (1916), Cecil B. DeMille's Manslaughter (1922), and Josef von Sternberg's Morocco (1930) have also been suggested.[28] [29]

Release and reception edit

 
Poster variation with open header space for customizing a theater's promotion of film

Wellman dedicated the film "to those young warriors of the sky whose wings are folded about them forever".[18] A sneak preview was shown May 19, 1927, at the Texas Theater on Houston Street in San Antonio. The premiere was held at the Criterion Theater, in New York City, on August 12, 1927, and was screened for 63 weeks before being moved to second-run theaters.[30] The film eventually opened in Los Angeles on January 15, 1928. The original Paramount release of Wings was color tinted and had some sequences in an early widescreen process known as Magnascope, also used in the 1926 Paramount film Old Ironsides. The original release also had the aerial scenes use the Handschiegl color process for flames and explosions. Some prints had synchronized sound effects and music, using the General Electric Kinegraphone (later RCA Photophone) sound-on-film process.[4]

Wings was an immediate success upon release and became the yardstick against which successive aviation films were measured for years thereafter, in terms of "authenticity of combat and scope of production".[18] One of the reasons for its resounding popularity was the public infatuation with aviation in the wake of Charles Lindbergh's transatlantic flight.[31] The Air Corps who had supervised production expressed satisfaction with the end product.[18] The critical response was equally enthusiastic and the film was widely praised for its realism and technical prowess, despite a superficial plot, "an aviation picnic" as Gene Brown called it.[32][33] The combat scenes of the film were so realistic that one writer studying the film in the early 1970s was wondering if Wellman had used actual imagery of planes crashing to earth during World War I.[34] One critic observed: "The exceptional quality of Wings lies in its appeal as a spectacle and as a picture of at least some of the actualities of flying under wartime conditions."[18] Another wrote: "Nothing in the line of war pictures ever has packed a greater proportion of real thrills into an equal footage. As a spectacle, Wings is a technical triumph. It piles punch upon punch until the spectator is almost nervously exhausted".[34] Mordaunt Hall of The New York Times praised the cinematography of the flying scenes and the direction and acting of the entire cast in his review dated August 13, 1927. Hall notes only two criticisms, one slight on Richard Arlen's performance and of the ending, which he described as "like so many screen stories, much too sentimental, and there is far more of it than one wants."[35]

According to Variety, Wings earned approximately $3.8 million in theater rentals from the United States and Canada,[5] earning it a place among the top 100 popular movies of all time at the domestic box office after adjusting for inflation and the size of the population in its era.[36]

On review aggregator Rotten Tomatoes, the film holds a score of 93% based on 61 reviews, with an average rating of 7.6/10. The website's critics consensus reads, "Subsequent war epics may have borrowed heavily from the original Best Picture winner, but they've all lacked Clara Bow's luminous screen presence and William Wellman's deft direction."[37]

Accolades edit

On May 16, 1929, the first Academy Award ceremony was held at the Hotel Roosevelt in Hollywood to honor outstanding film achievements of 1927–1928. Wings was entered in a number of categories and was the first film to win the Academy Award for Best Picture (then called "Best Picture, Production") and Best Engineering Effects for Roy Pomeroy for the year. It remains the only silent film to win Best Picture.

Sunrise: A Song of Two Humans, which won Unique and Artistic Production, was considered an equal top winner of the night but the following year, the Academy dropped the Unique and Artistic Production award and decided retroactively that the award won by Wings was the highest honor that could be awarded.[38] The statuette, not yet known as the "Oscar", was presented by Douglas Fairbanks to Clara Bow on behalf of the producers, Adolph Zukor and B.P. Schulberg.[39]

Legacy edit

The Cross and Cockade, a World War I pilots association, decided to host a tribute to Wings in 1968. They found Paramount did not even have photos. They recreated stock film, reprinted the picture and had a retrospective inviting the director and stars Richard Arlen and Buddy Rogers. The brochure was available for a small period of years but is reprinted in a book narrated by Richard Arlen, published by Judy Watson, titled Wings and other Recollections of Early Hollywood ISBN 1507552386 and LCCN 2015-900786.

For many years, Wings was considered a lost film until a print was found in the Cinémathèque Française film archive in Paris and quickly copied from nitrate film to safety film stock.[4][40] It was again shown in theaters, including some theaters where the film was accompanied by Wurlitzer pipe organs.[41]

In retrospect, film scholar Scott Eyman in his 1997 book The Speed of Sound: Hollywood and the Talkie Revolution 1926–1930 highlights both the diverse structure and adapted aspects of Wings in that transitional period in American cinematography:

Ironically, a mass-market silent spectacular like William Wellman's Wings effortlessly showcases far more visual variety than mainstream American films have offered since: it displays shifts from brutal realism to nonrealistic techniques associated with Soviet avant-garde or impressionistic French cinema – double exposures, subjective point-of-view shots, trick effects, symbolic illustrations on the titles, and so on.[42]

In 1997, Wings was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[43][44][45] In 2006, director Wellman's son, William Wellman Jr., authored a book about the film and his father's participation in the making of it, titled The Man and His Wings: William A. Wellman and the Making of the First Best Picture.[46]

The film was the focus of an episode of the television series Petticoat Junction that originally aired November 9, 1968, the show's sixth season. Arlen and Rogers were scheduled to appear during the film's opening at one of the local cinemas in 1928. They opted instead to attend the New York screening that was held the same night. Uncle Joe writes a letter chiding the pair for forsaking the town. To atone and generate publicity, they agreed to attend a second opening, 40 years later. This episode features actual clips from the movie.[47][48]

Arlen and Rogers also appeared together as themselves on a December 18, 1967, episode of The Lucy Show titled "Lucy and Carol Burnett: Part 2". They are introduced as the stars of Wings at a ceremony to mark the graduation of Lucille Ball and Carol Burnett from stewardess training. They appear on stage beneath stills taken from the film and later in the ceremony, star in a musical with Ball and Burnett, as two World War I pilots.[49]

Restoration edit

As the original negatives are lost, the closest to an original copy is a spare negative rediscovered in Paramount's vaults subsequent to the Cinémathèque Française print. Suffering from decay and defects, the negative was fully restored with modern technology. For the restored version of Wings, the original music score was re-orchestrated. The sound effects were recreated at Skywalker Sound using archived audio tracks. The scenes using the Handschiegl color process were also recreated for the restored version.[50]

The first restored version was released on Laserdisc in the US in 1985, was one of the earliest discs with digital sound, and featured an organ score by Gaylord Carter. This version would be released in a double feature with The Big Parade for its Japanese Laserdisc release.

In 1996, Paramount issued a VHS release.[51] In 2012, the company issued a "meticulously restored" version for DVD and Blu-ray.[50] The remastered version in high definition coincided with the centennial anniversary of Paramount. It opens with a logo montage, which starts with the 2010-2013 version of the previous logo or the 2011-2012 "100 Years" version of the current logo and looks back at previous logos from the past 100 years, starting with the 1990 version of the 1986 logo, up into the opening logo of the film.[50] On May 2 and 16, 2012, select Cinemark theaters screened an exclusive limited re-release twice daily to coincide with the film's 85th Anniversary. It received a worldwide limited release for its 90th anniversary celebration.[52][53]

The film was preserved by the Academy Film Archive, in conjunction with the Library of Congress and Paramount Pictures, in 2002.[54]

See also edit

References edit

Notes edit

  1. ^ Wellman, William on production of Wings in episode Hollywood Goes to War where he stated Otto Kahn was a financier on Wings visiting the production on location in Texas.
  2. ^ The 2011 winner The Artist, mostly silent but with synchronized sound, contained recorded dialogue at the end.
  3. ^ Primary stunt pilot Dick Grace broke his neck when an aircraft supposed to flip over after being shot down on takeoff failed to do so.[12]

Citations edit

  1. ^ Brownlow, Kevin and David Gill, Hollywood: A Celebration of American Silent Film (13-part television documentary series). New York: HBO Home Video, 1980.
  2. ^ "WINGS (A)". Famous Lasky Film Service. British Board of Film Classification. January 12, 1928. Retrieved May 7, 2014.
  3. ^ "WINGS (PG)". Paramount Pictures. British Board of Film Classification. February 22, 2013. Retrieved May 7, 2014.
  4. ^ a b c Bennett, Carl. "Progressive Silent Film List: Wings". Silent Era. 2012. Retrieved: February 27, 2012.
  5. ^ a b Cohn, Lawrence (October 15, 1990). "All Time Film Rental Champs". Variety. p. M-194. ISSN 0042-2738.
  6. ^ "Dorothy Wellman dies at 95". Variety. September 17, 2009. Retrieved February 2, 2013.
  7. ^ "Preserved Projects". Academy Film Archive.
  8. ^ Porter 2005, p. 148.
  9. ^ Wellman, Jr., William (March–April 1970). "William Wellman: Rebel Director". Action. Vol. 5, no. 2. Directors Guild of America. pp. 13–15.
  10. ^ a b c d Stenn 2000, p. 73.
  11. ^ a b "Hollywood Goes to War". Hollywood. January 29, 1980. 36:24 minutes in. Retrieved October 30, 2022 – via YouTube.
  12. ^ a b c Lusier, Tim (2004). . SilentsAreGolden. Archived from the original on December 28, 2012. Retrieved February 2, 2013.
  13. ^ Suid 2002, p. 35.
  14. ^ a b c d Suid 2002, p. 36.
  15. ^ Farmer 2006, p. 36.
  16. ^ a b c Suid 2002, p. 37.
  17. ^ Hopkinson 2007, p. 217.
  18. ^ a b c d e Suid 2002, p. 39.
  19. ^ a b Thompson 1983, p. 72.
  20. ^ Stenn 2000, p. 73-4.
  21. ^ a b Porter 2005, p. 147.
  22. ^ Stenn 2000, p. 75.
  23. ^ Mast 1986, pp. 213–214.
  24. ^ Brownlow 1968, p. 170.
  25. ^ Stenn 2000, p. 74.
  26. ^ Russo, Vito (1981). The Celluloid Closet: Homosexuality in the Movies. New York: Harper & Row. pp. 85–86. ISBN 978-0-06-337019-7. Retrieved February 14, 2022.
  27. ^ "Before Brokeback: The First Same-Sex Kiss in Cinema (1927)". Open Culture. January 26, 2012.
  28. ^ Strike, Karen (October 16, 2016). "The First Same-Sex Kiss in Cinema (1916)". Flashbak. Retrieved January 30, 2022.
  29. ^ Monteil, Abby (October 14, 2021). "A history of LGBTQ+ representation in film". Stacker. Retrieved January 30, 2022.
  30. ^ Thompson 2002, p. 25.
  31. ^ Farmer 2006, p. 14.
  32. ^ Suid 2002, p. 28-39.
  33. ^ Brown 1984, p. 4-5.
  34. ^ a b Suid 2002, p. 38.
  35. ^ Hall, Mourdant (August 13, 1927). "The Screen: The Flying Fighters". The New York Times. Retrieved February 2, 2013.
  36. ^ "Top 100 Movies 1927-2021 by Box Office Popularity". Best Movies Of. Retrieved July 17, 2022.
  37. ^ "Wings". Rotten Tomatoes. Fandango Media. Retrieved August 13, 2023.
  38. ^ "The 1st Academy Awards (1929) Nominees and Winners". AMPAS. Retrieved February 2, 2013.
  39. ^ Stenn 2000, p. 159.
  40. ^ "Silent Oscar winner Wings out for anniversary". Euronews. January 19, 2012. Retrieved October 1, 2015.
  41. ^ "Datebook" magazine, San Francisco Chronicle.[full citation needed]
  42. ^ Eyman 1997, p. 220.
  43. ^ The Code of Federal Regulations of the United States of America. U.S. Government Printing Office. 1999. p. 93.
  44. ^ "Complete National Film Registry Listing". Library of Congress: National Film Preservation Board. Retrieved June 10, 2020.
  45. ^ "New to the National Film Registry". Library of Congress. December 1997. Retrieved June 10, 2020.
  46. ^ Wellman 2006.
  47. ^ Petticoat Junction; Season 6, Episode 6: Wings. Retrieved October 30, 2022 – via YouTube.
  48. ^ Humphrey, Hal (October 25, 1968). "Out of the Air: Buddy Rogers–47 Years Later". East Liverpool Review. p. 15. Retrieved June 12, 2023.
  49. ^ . December 18, 1967. Archived from the original on May 11, 2014. Retrieved February 2, 2013 – via YouTube.
  50. ^ a b c "Paramount Home Entertainment proudly presents the very first Best Picture Academy Award® Winner on Blu-ray™ and DVD for the first time ever-Wings". Paramount Home Entertainment. November 15, 2011. Retrieved February 2, 2013.
  51. ^ Wings. Wings VHS. ASIN 6300215482.
  52. ^ "Oscar-winning silent film returns to cinemas work". BBC News. May 3, 2012. Retrieved February 2, 2013.
  53. ^ Beggs, Scott (May 2, 2012). "'Wings,' The First Best Picture Winner to Hit Big Screens Again". Film School Rejects. Retrieved June 10, 2020.
  54. ^ "Preserved Projects". Academy Film Archive.

Bibliography edit

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  • Brownlow, Kevin (1968). The Parade's Gone by. University of California Press. ISBN 978-0-520-03068-8.
  • Danesi, Marcel (2013). The History of the Kiss: The Birth of Popular Culture. Palgrave Macmillan. ISBN 978-1-137-37685-5.
  • Dolan, Edward F. (1985). Hollywood Goes to War. Hamlyn. ISBN 978-0-600-50053-7.
  • Eyman, Scott (1997). The Speed of Sound: Hollywood and the Talkie Revolution 1926-1930. Simon & Schuster. ISBN 978-1-4391-0428-6.
  • Farmer, Jim (November 2006). "The Making of Flyboys". Air Classics. Vol. 42, no. 11.
  • Hardwick, Jack; Schnepf, Ed (1989). A Viewer's Guide to Aviation Movies: The Making of the Great Aviation Films. General Aviation Series. Vol. 2. Challenge Publications.
  • Hopkinson, Peter (2007). Screen of Change. UKA Press. ISBN 978-1-905796-12-0.
  • Mast, Gerald (1986). The Movies in Our Midst: Documents in the Cultural History of Film in America. University of Chicago Press. ISBN 978-0-226-50979-2.
  • Oldfield, Barney (Spring 1991). "'WINGS' A Movie and an Inspiration". Air Power History. 38 (1): 55–58. JSTOR 26272296. Retrieved February 14, 2022.
  • Orriss, Bruce W. (1986). When Hollywood Ruled the Skies. Aero Associates. ISBN 978-0-87910-056-8.
  • Porter, Darwin (2005). Howard Hughes: Hell's Angel. Blood Moon Productions, Ltd. ISBN 978-0-9748118-1-9.
  • Silke, James R. (June 2019). "Fists, Dames & Wings!" (PDF). Air Classics. Vol. 55, no. 6. ISSN 0002-2241.
  • Suid, Lawrence H. (2002). Guts & Glory: The Making of the American Military Image in Film. University Press of Kentucky. ISBN 978-0-8131-9018-1.
  • Stenn, David (2000). Clara Bow: Runnin' Wild. Rowman & Littlefield. ISBN 978-0-8154-1025-6.
  • Thompson, Frank T. (1983). William A. Wellman. Scarecrow Press. ISBN 978-0-8108-1594-0.
  • Thompson, Frank T. (2002). Texas Hollywood: Filmmaking in San Antonio since 1910. Maverick Publishing Company. ISBN 978-1-893271-21-0.
  • Gallagher, John Andrew; Thompson, Frank T. (2018). Nothing Sacred: The Cinema of William Wellman. Men With Wings Press. ISBN 978-0-9987699-2-9.
  • Wellman, William A. Jr. (2006). The Man and His Wings: William A. Wellman and the Making of the First Best Picture. Greenwood Publishing Group. ISBN 978-0-275-98541-7.

External links edit

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Not to be confused with The Wings film Wings is a 1927 American silent and synchronized sound film known for winning the first Academy Award for Best Picture Due to the general public s apathy towards silent films the film was quickly re released in 1928 with synchronized sound While the sound version of the film has no audible dialogue it was released with a synchronized musical score with sound effects WingsFilm posterDirected byWilliam A WellmanWritten byTitles Julian JohnsonScreenplay byHope LoringLouis D LightonStory byJohn Monk SaundersProduced byLucien HubbardAdolph ZukorJesse L LaskyB P SchulbergOtto Hermann Kahn uncredited 1 a StarringClara BowCharles Buddy RogersRichard ArlenGary CooperCinematographyHarry PerryEdited byE Lloyd SheldonLucien Hubbard uncredited Music byJ S Zamecnik uncredited ProductioncompanyParamount Famous Lasky CorporationDistributed byParamount Famous Lasky CorporationRelease datesAugust 12 1927 1927 08 12 New York City premiere January 15 1928 1928 01 15 Los Angeles January 5 1929 1929 01 05 United States Running timeOriginal release 111 minutes 2 Restoration 144 minutes 3 CountryUnited StatesLanguagesSound Synchronized English Intertitles Budget 2 million 4 Box office 3 8 million U S and Canada rentals 5 The film stars Clara Bow Charles Buddy Rogers and Richard Arlen Rogers and Arlen portray World War I combat pilots in a romantic rivalry over a woman It was produced by Lucien Hubbard directed by William A Wellman and released by Paramount Famous Lasky Corporation Gary Cooper appears in a small role which helped launch his career in Hollywood The film a romantic action war picture was rewritten by scriptwriters Hope Loring and Louis D Lighton from a story by John Monk Saunders to accommodate Bow Paramount s biggest star at the time Wellman was hired as he was the only director in Hollywood at the time who had World War I combat pilot experience although Richard Arlen and John Monk Saunders had also served in the war as military aviators The film was shot on location on a budget of 2 million equivalent to 34 42 million in 2023 at Kelly Field in San Antonio between September 7 1926 and April 7 1927 Hundreds of extras and some 300 pilots were involved in the filming including pilots and planes of the United States Army Air Corps which were brought in for the filming and to provide assistance and supervision Wellman extensively rehearsed the scenes for the Battle of Saint Mihiel over ten days with some 3 500 infantrymen on a battlefield made for the production on location Although the cast and crew had much spare time during the filming because of weather delays shooting conditions were intense and Wellman frequently conflicted with the military officers brought in to supervise the picture Acclaimed for its technical prowess and realism upon release the film became the yardstick against which future aviation films were measured mainly because of its realistic air combat sequences It went on to win the inaugural Academy Award for Outstanding Picture at the first Academy of Motion Picture Arts and Sciences award ceremony in 1929 6 the only fully silent film to do so b It also won the Academy Award for Best Engineering Effects Roy Pomeroy Wings was one of the first widely released films to show nudity In 1997 Wings was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally historically or aesthetically significant and the film was re released to Cinemark theaters to coincide with the 85th Anniversary for a limited run in May 2012 The film was re released again for its 90th anniversary in 2017 The Academy Film Archive preserved Wings in 2002 The film entered the public domain in the United States in 2023 7 Contents 1 Plot 2 Cast 3 Music 4 Production 4 1 Script and experience 4 2 Filming 4 2 1 Aerial and battle sequences 4 2 2 Cast exploits 4 2 3 Notable scenes 5 Release and reception 5 1 Accolades 6 Legacy 7 Restoration 8 See also 9 References 9 1 Notes 9 2 Citations 9 3 Bibliography 10 External linksPlot edit source source source source source source source Wings 1927 nbsp Bow as Mary Preston Jack Powell and David Armstrong are rivals in the same small American town both vying for the attentions of pretty Sylvia Lewis Jack fails to realize that the girl next door Mary Preston is desperately in love with him The two young men both enlist to become combat pilots in the Army Air Service When they leave for training camp Jack mistakenly believes Sylvia prefers him but she actually prefers David and lets him know about her feelings but is too kindhearted to turn down Jack s affection The two men endure a rigorous training period where they are enemies But during a bloody boxing match they realize each other s courage and become best friends Upon graduating they are sent to France to fight against Imperial Germany Jack and David are billeted together Their tent mate is Cadet White but their acquaintance is all too brief White is killed in an air crash the same day Mary joins the war effort by becoming an ambulance driver She later learns of Jack s reputation as the ace known as The Shooting Star and encounters him while on leave in Paris She finds him but he is too drunk to recognize her She takes him back to his room and puts him to bed but when two military police barge in while she is innocently changing from a borrowed dress back into her uniform in the same room she is forced to resign and return to the United States The climax of the story comes with the epic Battle of Saint Mihiel David is shot down and presumed dead However he survives the crash landing steals a German biplane and heads for the Allied lines By a tragic stroke of bad luck Jack spots the enemy aircraft and bent on avenging his friend begins an attack He is successful in downing the aircraft and lands to retrieve a souvenir of his victory The owner of the land where David s aircraft crashed urges Jack to come to the dying man s side He agrees and becomes distraught when he realizes what he has done David consoles him and before he dies forgives his comrade At the war s end Jack returns home to a hero s welcome He visits David s grieving parents to return his friend s effects During the visit he begs their forgiveness for causing David s death Mrs Armstrong says it is not Jack who is responsible for her son s death but the war Then Jack is reunited with Mary and realizes he loves her Cast editClara Bow as Mary Preston Charles Buddy Rogers as Jack Powell Richard Arlen as David Armstrong Jobyna Ralston as Sylvia Lewis El Brendel as Herman Schwimpf Richard Tucker as Air Commander Gary Cooper as Cadet White Gunboat Smith as Sergeant Henry B Walthall as Mr Armstrong Roscoe Karns as Lieutenant Cameron Julia Swayne Gordon as Mrs Armstrong Arlette Marchal as Celeste Uncredited cast in order of appearance George Irving Mr Powell Hedda Hopper Mrs Powell Evelyn Selbie dressing room attendant Robert Livingston recruit in examination office William A Wellman doughboy Nigel De Brulier French peasant Zalla Zarana French peasant girl Douglas Haig little French boy Thomas Carrigan aviator Charles Barton soldier flirting with Mary James Pierce military policeman Carl von Haartman German officer Thomas Carr aviator Dick Grace aviatorMusic editThe film featured a theme song entitled Wings which was composed by J S Zamecnik and Ballard Macdonald Production editScript and experience edit nbsp Director William A Wellman was an experienced airman himself The film was written by John Monk Saunders with uncredited story ideas contributed by Byron Morgan Hope Loring and Louis D Lighton screenplay produced by Lucien Hubbard who also did uncredited co editing directed by William A Wellman with an original orchestral score by J S Zamecnik which was also uncredited It was rewritten to accommodate Clara Bow as she was Paramount s biggest star but she wasn t happy about her part Wings is a man s picture and I m just the whipped cream on top of the pie 8 Producers Lucien Hubbard and Jesse L Lasky hired director Wellman as he was the only director in Hollywood at the time who had World War I combat pilot experience 9 10 Actor Richard Arlen and writer John Monk Saunders had also served in World War I as military aviators Arlen was able to do his own flying in the film and Rogers a non pilot underwent flight training during the course of the production so that like Arlen Rogers could also be filmed in closeup in the air Lucien Hubbard offered flying lessons to all and despite the number of aircraft in the air only two incidents occurred one involved stunt pilot Dick Grace who broke his neck falling out of the cockpit after a controlled crash 11 while the other was the fatal crash of an Army Air Service pilot 12 Wellman was able to attract War Department support and involvement in the project and displayed considerable prowess and confidence in dealing with planes and pilots onscreen knowing exactly what he wanted bringing with it a no nonsense attitude according to military film historian Lawrence H Suid 13 Filming edit Aerial and battle sequences edit nbsp A Thomas Morse MB 3 at Selfridge Field one of the types of planes used in the film Wings was shot and completed on a budget of 2 million at Kelly Field San Antonio Texas between September 7 1926 and April 7 1927 10 Primary scout aircraft flown in the film were Thomas Morse MB 3s standing in for American flown SPADs and Curtiss P 1 Hawks painted in German livery Developing the techniques needed for filming closeups of the pilots in the air and capturing the speed and motion of the planes onscreen took time and little usable footage was produced in the first two months 14 Wellman soon realized that Kelly Field did not have the adequate numbers of planes or skilled pilots to perform the needed aerial maneuvers and he had to request technical assistance and a supply of planes and pilots from Washington The Air Corps sent six planes and pilots from the 1st Pursuit Group stationed at Selfridge Field near Detroit including then 2nd Lt Elmer J Rogers Jr and 2d Lt Clarence S Bill Irvine who became Wellman s adviser Irvine was responsible for engineering an airborne camera system to provide close ups and for the planning of the dogfights and when one of the pilots broke his neck performed in one of the battle scenes himself 12 14 c The training scenes include shots of trainees in an early flight simulator the Ruggles Orientator Hundreds of extras were brought in to shoot the picture and some 300 pilots were involved in the filming 15 Because the aerial battles required ideal weather to shoot the production team had to wait on one occasion for 18 consecutive days for proper conditions in San Antonio 10 If possible Wellman attempted to capture footage in the air in contrast to clouds in the background above or in front of cloud banks to generate a sense of velocity and danger Wellman later explained motion on the screen is a relative thing A horse runs on the ground or leaps over fencers or streams We know he is going rapidly because of his relation to the immobile ground 14 Against the clouds Wellman enabled the planes to dart at each other and to swoop down and disappear in the clouds and to give the audience the sense of the disabled planes plummeting During the delay in the aerial shooting Wellman extensively rehearsed the scenes for the Battle of Saint Mihiel over ten days with some 3500 infantrymen 16 A large battlefield with trenches and barbed wire was created on location for the filming Wellman took responsibility for the meticulously planned explosions himself detonating them at the right time from his control panel 16 According to Peter Hopkinson at least 20 young men including cameraman William Clothier were given hand held cameras to film anything and everything during the filming 17 Wellman frequently conflicted with the military officers brought in to supervise the picture especially the infantry commander whom he considered to have two monumental hatreds fliers and movie people After one argument Wellman retorted to the commander You re just a goddamn fool because the government has told me you have to give me all your men and do just exactly what I want you to do 14 Although Wellman paid much attention to technical details in shooting he used cars and clothing of the year during the filming forgetting to use those of World War I 18 He took six weeks to fully edit the film and prepare it for release 19 Cast exploits edit nbsp Bow featured in trailer for film Whereas most Hollywood productions of the day took little more than a month to shoot Wings took approximately nine months to complete in total Although Wellman was generating spectacular aerial footage and making Hollywood film history Paramount expressed concerns with the cost of production and expanding budget They sent an executive to San Antonio to complain to Wellman who swiftly told him that he had two options a trip home or a trip to the hospital 16 According to biographer Frank T Thompson Wellman approached producer David O Selznick regarding a contract predicament asking him what he should do to which Selznick replied Just keep your mouth shut You ve got em where it hurts 19 Otto Kahn the financier bankrolling the production arrived on set as Wellman was filming the St Mihiel battle sequence inadvertently disrupted Wellman s detonation timings and caused several extras to be seriously injured Wellman loudly and profanely ordered Kahn off the set That evening Kahn visited Wellman in his hotel room told him he was impressed with his direction and he could have whatever he needed to finish the picture 11 nbsp Arlen as David Armstrong The cast and crew had a lot of time on their hands between shooting sequences and according to director Wellman San Antonio became the Armageddon of a magnificent sexual Donnybrook He recalled that they stayed at the Saint Anthony Hotel for nine months and by the time they left the elevator girls were all pregnant 10 He stated that Clara Bow openly flirted with the male cast members and several of the pilots which was reciprocated despite having become engaged to Victor Fleming the day after arriving in San Antonio on September 16 1926 20 Gary Cooper appearing in a role which helped launch his career in Hollywood began a tumultuous affair during the production with Bow 21 Cooper reportedly showed Howard Hughes the script to the film and he was not impressed considering the drama in it to be sudsy although he informed Cooper that he looked forward to seeing how Wellman would accomplish the technical aerial sequences 21 Bow strongly detested the wardrobe that Paramount designer Travis Banton made for the film She slit the necklines and cut off the sleeves of her costumes much to Banton s chagrin 22 Notable scenes edit nbsp Richard Arlen and Charles Rogers in the famous kiss scene Wings is also one of the first widely released films to show nudity In the enlistment office nude men are visible from behind undergoing physical exams through a door which opens and closes several times 23 Bow s breasts are revealed for a second during the Paris bedroom scene when military police barge in while she is changing A boom was built with the camera mounted on an extension to shoot the Cafe de Paris scene 24 and one of the couples in the long shot is a same sex female couple In the scene in which Rogers becomes drunk the intoxication displayed on screen was genuine as although 22 years of age he had never tasted liquor before and quickly became inebriated from drinking champagne 25 During Dave s death scene Jack is plainly observed kissing him on the left cheek near the left corner of Dave s mouth which has led to interpretations of this film as depicting cinema s first LGBT male male kiss 26 27 However there are also interpretations that the kiss is merely fraternal While there is no general consensus D W Griffith s Intolerance 1916 Cecil B DeMille s Manslaughter 1922 and Josef von Sternberg s Morocco 1930 have also been suggested 28 29 Release and reception edit nbsp Poster variation with open header space for customizing a theater s promotion of film Wellman dedicated the film to those young warriors of the sky whose wings are folded about them forever 18 A sneak preview was shown May 19 1927 at the Texas Theater on Houston Street in San Antonio The premiere was held at the Criterion Theater in New York City on August 12 1927 and was screened for 63 weeks before being moved to second run theaters 30 The film eventually opened in Los Angeles on January 15 1928 The original Paramount release of Wings was color tinted and had some sequences in an early widescreen process known as Magnascope also used in the 1926 Paramount film Old Ironsides The original release also had the aerial scenes use the Handschiegl color process for flames and explosions Some prints had synchronized sound effects and music using the General Electric Kinegraphone later RCA Photophone sound on film process 4 Wings was an immediate success upon release and became the yardstick against which successive aviation films were measured for years thereafter in terms of authenticity of combat and scope of production 18 One of the reasons for its resounding popularity was the public infatuation with aviation in the wake of Charles Lindbergh s transatlantic flight 31 The Air Corps who had supervised production expressed satisfaction with the end product 18 The critical response was equally enthusiastic and the film was widely praised for its realism and technical prowess despite a superficial plot an aviation picnic as Gene Brown called it 32 33 The combat scenes of the film were so realistic that one writer studying the film in the early 1970s was wondering if Wellman had used actual imagery of planes crashing to earth during World War I 34 One critic observed The exceptional quality of Wings lies in its appeal as a spectacle and as a picture of at least some of the actualities of flying under wartime conditions 18 Another wrote Nothing in the line of war pictures ever has packed a greater proportion of real thrills into an equal footage As a spectacle Wings is a technical triumph It piles punch upon punch until the spectator is almost nervously exhausted 34 Mordaunt Hall of The New York Times praised the cinematography of the flying scenes and the direction and acting of the entire cast in his review dated August 13 1927 Hall notes only two criticisms one slight on Richard Arlen s performance and of the ending which he described as like so many screen stories much too sentimental and there is far more of it than one wants 35 According to Variety Wings earned approximately 3 8 million in theater rentals from the United States and Canada 5 earning it a place among the top 100 popular movies of all time at the domestic box office after adjusting for inflation and the size of the population in its era 36 On review aggregator Rotten Tomatoes the film holds a score of 93 based on 61 reviews with an average rating of 7 6 10 The website s critics consensus reads Subsequent war epics may have borrowed heavily from the original Best Picture winner but they ve all lacked Clara Bow s luminous screen presence and William Wellman s deft direction 37 Accolades edit On May 16 1929 the first Academy Award ceremony was held at the Hotel Roosevelt in Hollywood to honor outstanding film achievements of 1927 1928 Wings was entered in a number of categories and was the first film to win the Academy Award for Best Picture then called Best Picture Production and Best Engineering Effects for Roy Pomeroy for the year It remains the only silent film to win Best Picture Sunrise A Song of Two Humans which won Unique and Artistic Production was considered an equal top winner of the night but the following year the Academy dropped the Unique and Artistic Production award and decided retroactively that the award won by Wings was the highest honor that could be awarded 38 The statuette not yet known as the Oscar was presented by Douglas Fairbanks to Clara Bow on behalf of the producers Adolph Zukor and B P Schulberg 39 Legacy editThe Cross and Cockade a World War I pilots association decided to host a tribute to Wings in 1968 They found Paramount did not even have photos They recreated stock film reprinted the picture and had a retrospective inviting the director and stars Richard Arlen and Buddy Rogers The brochure was available for a small period of years but is reprinted in a book narrated by Richard Arlen published by Judy Watson titled Wings and other Recollections of Early Hollywood ISBN 1507552386 and LCCN 2015 900786 For many years Wings was considered a lost film until a print was found in the Cinematheque Francaise film archive in Paris and quickly copied from nitrate film to safety film stock 4 40 It was again shown in theaters including some theaters where the film was accompanied by Wurlitzer pipe organs 41 In retrospect film scholar Scott Eyman in his 1997 book The Speed of Sound Hollywood and the Talkie Revolution 1926 1930 highlights both the diverse structure and adapted aspects of Wings in that transitional period in American cinematography Ironically a mass market silent spectacular like William Wellman s Wings effortlessly showcases far more visual variety than mainstream American films have offered since it displays shifts from brutal realism to nonrealistic techniques associated with Soviet avant garde or impressionistic French cinema double exposures subjective point of view shots trick effects symbolic illustrations on the titles and so on 42 In 1997 Wings was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally historically or aesthetically significant 43 44 45 In 2006 director Wellman s son William Wellman Jr authored a book about the film and his father s participation in the making of it titled The Man and His Wings William A Wellman and the Making of the First Best Picture 46 The film was the focus of an episode of the television series Petticoat Junction that originally aired November 9 1968 the show s sixth season Arlen and Rogers were scheduled to appear during the film s opening at one of the local cinemas in 1928 They opted instead to attend the New York screening that was held the same night Uncle Joe writes a letter chiding the pair for forsaking the town To atone and generate publicity they agreed to attend a second opening 40 years later This episode features actual clips from the movie 47 48 Arlen and Rogers also appeared together as themselves on a December 18 1967 episode of The Lucy Show titled Lucy and Carol Burnett Part 2 They are introduced as the stars of Wings at a ceremony to mark the graduation of Lucille Ball and Carol Burnett from stewardess training They appear on stage beneath stills taken from the film and later in the ceremony star in a musical with Ball and Burnett as two World War I pilots 49 Restoration editAs the original negatives are lost the closest to an original copy is a spare negative rediscovered in Paramount s vaults subsequent to the Cinematheque Francaise print Suffering from decay and defects the negative was fully restored with modern technology For the restored version of Wings the original music score was re orchestrated The sound effects were recreated at Skywalker Sound using archived audio tracks The scenes using the Handschiegl color process were also recreated for the restored version 50 The first restored version was released on Laserdisc in the US in 1985 was one of the earliest discs with digital sound and featured an organ score by Gaylord Carter This version would be released in a double feature with The Big Parade for its Japanese Laserdisc release In 1996 Paramount issued a VHS release 51 In 2012 the company issued a meticulously restored version for DVD and Blu ray 50 The remastered version in high definition coincided with the centennial anniversary of Paramount It opens with a logo montage which starts with the 2010 2013 version of the previous logo or the 2011 2012 100 Years version of the current logo and looks back at previous logos from the past 100 years starting with the 1990 version of the 1986 logo up into the opening logo of the film 50 On May 2 and 16 2012 select Cinemark theaters screened an exclusive limited re release twice daily to coincide with the film s 85th Anniversary It received a worldwide limited release for its 90th anniversary celebration 52 53 The film was preserved by the Academy Film Archive in conjunction with the Library of Congress and Paramount Pictures in 2002 54 See also editList of early sound feature films 1926 1929 List of rediscovered films The House That Shadows Built 1931 promotional film by Paramount Wings 1927 film score References editNotes edit Wellman William on production of Wings in episode Hollywood Goes to War where he stated Otto Kahn was a financier on Wings visiting the production on location in Texas The 2011 winner The Artist mostly silent but with synchronized sound contained recorded dialogue at the end Primary stunt pilot Dick Grace broke his neck when an aircraft supposed to flip over after being shot down on takeoff failed to do so 12 Citations edit Brownlow Kevin and David Gill Hollywood A Celebration of American Silent Film 13 part television documentary series New York HBO Home Video 1980 WINGS A Famous Lasky Film Service British Board of Film Classification January 12 1928 Retrieved May 7 2014 WINGS PG Paramount Pictures British Board of Film Classification February 22 2013 Retrieved May 7 2014 a b c Bennett Carl Progressive Silent Film List Wings Silent Era 2012 Retrieved February 27 2012 a b Cohn Lawrence October 15 1990 All Time Film Rental Champs Variety p M 194 ISSN 0042 2738 Dorothy Wellman dies at 95 Variety September 17 2009 Retrieved February 2 2013 Preserved Projects Academy Film Archive Porter 2005 p 148 Wellman Jr William March April 1970 William Wellman Rebel Director Action Vol 5 no 2 Directors Guild of America pp 13 15 a b c d Stenn 2000 p 73 a b Hollywood Goes to War Hollywood January 29 1980 36 24 minutes in Retrieved October 30 2022 via YouTube a b c Lusier Tim 2004 Daredevils in the Air Three of the Greats Wilson Locklear and Grace SilentsAreGolden Archived from the original on December 28 2012 Retrieved February 2 2013 Suid 2002 p 35 a b c d Suid 2002 p 36 Farmer 2006 p 36 a b c Suid 2002 p 37 Hopkinson 2007 p 217 a b c d e Suid 2002 p 39 a b Thompson 1983 p 72 Stenn 2000 p 73 4 a b Porter 2005 p 147 Stenn 2000 p 75 Mast 1986 pp 213 214 Brownlow 1968 p 170 Stenn 2000 p 74 Russo Vito 1981 The Celluloid Closet Homosexuality in the Movies New York Harper amp Row pp 85 86 ISBN 978 0 06 337019 7 Retrieved February 14 2022 Before Brokeback The First Same Sex Kiss in Cinema 1927 Open Culture January 26 2012 Strike Karen October 16 2016 The First Same Sex Kiss in Cinema 1916 Flashbak Retrieved January 30 2022 Monteil Abby October 14 2021 A history of LGBTQ representation in film Stacker Retrieved January 30 2022 Thompson 2002 p 25 Farmer 2006 p 14 Suid 2002 p 28 39 Brown 1984 p 4 5 a b Suid 2002 p 38 Hall Mourdant August 13 1927 The Screen The Flying Fighters The New York Times Retrieved February 2 2013 Top 100 Movies 1927 2021 by Box Office Popularity Best Movies Of Retrieved July 17 2022 Wings Rotten Tomatoes Fandango Media Retrieved August 13 2023 The 1st Academy Awards 1929 Nominees and Winners AMPAS Retrieved February 2 2013 Stenn 2000 p 159 Silent Oscar winner Wings out for anniversary Euronews January 19 2012 Retrieved October 1 2015 Datebook magazine San Francisco Chronicle full citation needed Eyman 1997 p 220 The Code of Federal Regulations of the United States of America U S Government Printing Office 1999 p 93 Complete National Film Registry Listing Library of Congress National Film Preservation Board Retrieved June 10 2020 New to the National Film Registry Library of Congress December 1997 Retrieved June 10 2020 Wellman 2006 Petticoat Junction Season 6 Episode 6 Wings Retrieved October 30 2022 via YouTube Humphrey Hal October 25 1968 Out of the Air Buddy Rogers 47 Years Later East Liverpool Review p 15 Retrieved June 12 2023 The Lucy Show Episode Lucy Becomes an Airline Stewardess Pt 2 December 18 1967 Archived from the original on May 11 2014 Retrieved February 2 2013 via YouTube a b c Paramount Home Entertainment proudly presents the very first Best Picture Academy Award Winner on Blu ray and DVD for the first time ever Wings Paramount Home Entertainment November 15 2011 Retrieved February 2 2013 Wings Wings VHS ASIN 6300215482 Oscar winning silent film returns to cinemas work BBC News May 3 2012 Retrieved February 2 2013 Beggs Scott May 2 2012 Wings The First Best Picture Winner to Hit Big Screens Again Film School Rejects Retrieved June 10 2020 Preserved Projects Academy Film Archive Bibliography edit Brown Gene 1984 The New York Times Encyclopedia of Film 1896 1928 Times Books ISBN 978 0 8129 1046 9 Brownlow Kevin 1968 The Parade s Gone by University of California Press ISBN 978 0 520 03068 8 Danesi Marcel 2013 The History of the Kiss The Birth of Popular Culture Palgrave Macmillan ISBN 978 1 137 37685 5 Dolan Edward F 1985 Hollywood Goes to War Hamlyn ISBN 978 0 600 50053 7 Eyman Scott 1997 The Speed of Sound Hollywood and the Talkie Revolution 1926 1930 Simon amp Schuster ISBN 978 1 4391 0428 6 Farmer Jim November 2006 The Making of Flyboys Air Classics Vol 42 no 11 Hardwick Jack Schnepf Ed 1989 A Viewer s Guide to Aviation Movies The Making of the Great Aviation Films General Aviation Series Vol 2 Challenge Publications Hopkinson Peter 2007 Screen of Change UKA Press ISBN 978 1 905796 12 0 Mast Gerald 1986 The Movies in Our Midst Documents in the Cultural History of Film in America University of Chicago Press ISBN 978 0 226 50979 2 Oldfield Barney Spring 1991 WINGS A Movie and an Inspiration Air Power History 38 1 55 58 JSTOR 26272296 Retrieved February 14 2022 Orriss Bruce W 1986 When Hollywood Ruled the Skies Aero Associates ISBN 978 0 87910 056 8 Porter Darwin 2005 Howard Hughes Hell s Angel Blood Moon Productions Ltd ISBN 978 0 9748118 1 9 Silke James R June 2019 Fists Dames amp Wings PDF Air Classics Vol 55 no 6 ISSN 0002 2241 Suid Lawrence H 2002 Guts amp Glory The Making of the American Military Image in Film University Press of Kentucky ISBN 978 0 8131 9018 1 Stenn David 2000 Clara Bow Runnin Wild Rowman amp Littlefield ISBN 978 0 8154 1025 6 Thompson Frank T 1983 William A Wellman Scarecrow Press ISBN 978 0 8108 1594 0 Thompson Frank T 2002 Texas Hollywood Filmmaking in San Antonio since 1910 Maverick Publishing Company ISBN 978 1 893271 21 0 Gallagher John Andrew Thompson Frank T 2018 Nothing Sacred The Cinema of William Wellman Men With Wings Press ISBN 978 0 9987699 2 9 Wellman William A Jr 2006 The Man and His Wings William A Wellman and the Making of the First Best Picture Greenwood Publishing Group ISBN 978 0 275 98541 7 External links edit nbsp Wikimedia Commons has media related to Wings film nbsp Wikisource has original text related to this article Wings film Wings at IMDb nbsp Wings at the TCM Movie Database Wings at AllMovie Wings at the American Film Institute Catalog Wings essay by Dino Everett at National Film Registry Wings is available for free viewing and download at the Internet Archive Wings at Virtual History Q amp A With Paramount s VP of Archives on the restoration of Wings Wings at Rotten Tomatoes Retrieved from https en wikipedia org w index php title Wings 1927 film amp oldid 1217294175, wikipedia, wiki, book, books, library,

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