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Welcome to New York (song)

April 10, 2024

Not to be confused with Welcome to New York City.

"Welcome to New York" is a song by the American singer-songwriter Taylor Swift from her fifth studio album, 1989 (2014). Written by Swift and Ryan Tedder, the song was inspired by Swift's relocation to New York City in April 2014. Its lyrics explore a newfound freedom in the city and a lighthearted attitude towards past heartbreaks.

"Welcome to New York"
Promotional single by Taylor Swift
from the album 1989
ReleasedOctober 20, 2014 (2014-10-20)
StudioConway Recording (Los Angeles)
Genre
Length3:32
LabelBig Machine
Songwriter(s)
Producer(s)

Swift, Tedder, and Noel Zancanella produced "Welcome to New York", a track driven by pulsing synthesizers, programmed drums, and multitracked vocals. Music critics described the genre as synth-pop, electropop, and disco. The song was released for download on October 20, 2014, a week ahead of 1989's release. "Welcome to New York" received mixed reviews from critics, most of whom criticized the lyrics as unsophisticated for a New York tribute song. Some defenders praised the production as bright and catchy and interpreted the lyrics as being supportive of LGBT rights.

The song peaked within the top 20 of music charts in Canada, New Zealand, and Scotland. In the U.S., it reached number 48 on the Billboard Hot 100 and was certified platinum by the Recording Industry Association of America. Swift donated all proceeds from the sales to the New York City Department of Education. She included the track in the set list of the 1989 World Tour (2015) and performed it on a few dates of her later tours. Following the 2019 dispute regarding the ownership of Swift's back catalog, she re-recorded the song as "Welcome to New York (Taylor's Version)" for her re-recorded album 1989 (Taylor's Version) (2023).

Background edit

 
Ryan Tedder (pictured) co-wrote and co-produced "Welcome to New York" with Swift.

The singer-songwriter Taylor Swift abandoned the country stylings of her past music and embraced a pop production for her fifth studio album, 1989 (2014), which she marketed as her "first official" pop album.[1] Her musical inspiration was 1980s synth-pop and its experimentation with synthesizers, drum pads, and overlapped vocals.[2][3] She began writing the album in mid-2013 while touring in support of her fourth album, Red (2012),[4] and enlisted prominent contemporary pop producers including Ryan Tedder, whom she contacted via a Voice Memo.[5][6]

One of Swift's inspirations on 1989 was her relocation to New York City from Nashville.[7] In a Rolling Stone interview, she recalled that she was "so intimidated" by the city and its "blaring honesty" that she thought she could not "make it here because [she] wasn't [...] bold enough, brave enough".[8] Swift eventually felt ready to embrace it when she bought a penthouse in the Tribeca neighborhood in April 2014.[9] She came to New York unattached to anybody romantically, after having received media attention for her dating life.[10] According to Swift, her "wide-eyed optimism" prompted her to see New York as a place that inspired her to take on "endless potential and possibilities".[9]

Writing and production edit

"Welcome to New York" encapsulates Swift's feelings when she first moved to New York. She put it first on 1989's track list because she wanted to highlight New York as a memorable event in her life and a formative aesthetic influence of the album.[9][11] In the lyrics, a narrator expresses their newfound sense of freedom ("Everybody here was someone else before")[12] and compares living in New York to having a nice beat they could dance to.[13] They move on from past heartbreaks ("Took our broken hearts, put them in a drawer"),[14][15] celebrate the bright lights and energy,[16] but maintain their identity ("The lights are so bright / But they never blind me, me")—Vogue's Alex Frank interpreted this as an answer to "Empire State of Mind" (2009) by Jay-Z and Alicia Keys.[17] The second verse's lyrics, "And you can want who you want / Boys and boys and girls and girls", generated interpretations from some publications as Swift's support for diversity and LGBT rights.[16] The music scholar Eric Smialek contended that the lyrics received media attention due to "popular belief" that Swift was politically inactive. According to Smialek, the LGBT representation is "not foregrounded" but displays "at least incidental awareness and advocacy".[18]

 
"Welcome to New York"
A synth-pop song, "Welcome to New York" features a pulsing Juno-106 synthesizer, programmed drum machines, and multitracked vocals. The lyrics were inspired by Swift's feelings when she first moved to New York City in 2014.
Problems playing this file? See media help.

Because Swift wanted a 1980s-influenced sound, Tedder programmed the song with a Juno-106 synthesizer, which he described as a "very 1980s" instrument. He finished the first draft in three hours and completed the first demo later that week. While touring in Switzerland, Tedder produced four other versions. Though he preferred one later version, Swift chose the one closest to the first demo as the final version.[19] Swift and Tedder produced "Welcome to New York" with Noel Zancanella, who played additional synthesizers and programmed the drums. Tedder and Smith Carlson recorded the track at Conway Recording Studios in Los Angeles, California. It was mixed by Serban Ghenea at MixStar Studios in Virginia Beach, Virginia, and mastered by Tom Coyne at Sterling Sound Studios in New York. The track is 3 minutes and 32 seconds long.[20]

"Welcome to New York" opens with pulsing synthesizers and programmed drum machines that create clapping-like rhythms.[16][21] Swift's vocals are multitracked and processed with electronic elements.[16][21] According to the musicologist James E. Perone, the composition is monothematic, demonstrated by repetitions of one single pitch throughout both the verses and the refrains.[16] In contemporary reviews, music critics characterized the genre as synth-pop.[a] Lindsay Zoladz from Vulture described it as electropop,[25] and Rob Sheffield of Rolling Stone deemed it a "disco ode" to New York, the birthplace of disco.[26] The song's pulsing synth production sets the tone for 1989's 1980s-indebted sound.[27] There were comparisons to music by other artists: Perone said the synthesizers and drum machines called to mind 1980s artists Cyndi Lauper and Prince,[16] NME's Matthew Horton wrote the "synth jab" evoked the band OMD,[28] and The New Zealand Herald found the production reminiscent of Robyn.[29]

Release edit

Big Machine Records released "Welcome to New York" for download via the iTunes Store on October 20, 2014, a week ahead of 1989's release.[30][31] Swift had shared a 30-second sample of the song via YouTube a day prior.[32] In the United States, the song peaked at number 48 on the Billboard Hot 100[33] and was certified platinum by the Recording Industry Association of America (RIAA) for accumulating one million units based on sales and streams.[34] In the United Kingdom, it peaked at numbers 16 and 39 on the Scottish and UK singles charts respectively[35][36] and was certified silver by the British Phonographic Industry (BPI) for surpassing 200,000 units.[37] It peaked at number 23 on the singles chart of Australia,[38] where it was certified double-platinum by the Australian Recording Industry Association (ARIA) for surpassing 140,000 units.[39] Elsewhere, it was a top-10 song in New Zealand (peaking at number 6),[40] and reached the top 30 in Hungary (16),[41] Canada (19),[42] Spain (21),[43] and Denmark (27).[44]

Swift donated all proceeds of the sales of "Welcome to New York" to the New York City Department of Education.[45] NYC & Company named Swift an official tourism ambassador for New York City,[46] a move that generated media controversy;[47][48] various publications regarded the song as a "gentrification anthem" that did not represent an authentic New York and the Nashville-based Swift as an unfit candidate compared to New York-born-and-raised celebrities such as Robert De Niro and Jennifer Lopez.[49] NYC & Co's spokesman defended Swift and said that the campaign was "a new approach" that focused on "the wonderment and excitement" of a person first arriving at the city.[50] The urban studies scholar Alessandro Busà commented that Swift was a fitting choice for NYC & Co's promotion of a "new New York City", which he described as a "sanitized, young, rather hipsterish brand".[51]

"Welcome to New York (Taylor's Version)" edit

"Welcome to New York (Taylor's Version)"
Song by Taylor Swift
from the album 1989 (Taylor's Version)
ReleasedOctober 27, 2023 (2023-10-27)
StudioMandarin Oriental (Milan)
Length3:32
LabelRepublic
Songwriter(s)
Producer(s)
Lyric video
"Welcome to New York (Taylor's Version)" on YouTube

After signing a new contract with Republic Records, Swift began re-recording her first six studio albums in November 2020.[52] The decision followed a public 2019 dispute between Swift and talent manager Scooter Braun, who acquired Big Machine Records, including the masters of Swift's albums which the label had released.[53][54] By re-recording the albums, Swift had full ownership of the new masters, which enabled her to control the licensing of her songs for commercial use and therefore substituted the Big Machine–owned masters.[55]

The re-recording of "Welcome to New York", subtitled "Taylor's Version", was released as part of 1989's re-recording, 1989 (Taylor's Version), on October 27, 2023.[56] Swift, Tedder, and Zancanella produced "Welcome to New York (Taylor's Version)", which was recorded by Tedder and Rich Rich at the Mandarin Oriental in Milan, Italy; mixed by Ghenea at MixStar Studios in Virginia Beach, Virginia; and mastered by Randy Merrill at Sterling Sound in Edgewater, New Jersey. Tedder and Zancanella played the synthesizers, the former provided background vocals and played additional piano, and the latter programmed the drums.[57]

"Welcome to New York (Taylor's Version)" peaked at number 16 on the Billboard Global 200.[58] It debuted in the top 20 of singles charts in Australia (11),[59] the Philippines (11),[60] New Zealand (14),[61] the United States (number 14),[62] and Canada (15).[42] In the United States, the song's top-20 debut extended Swift's record for the most top-20 chart entries by a female artist.[62]

Critical reception edit

"Welcome to New York" received a mixed reaction from critics. Most criticisms regarded the lyrics as unsophisticated and superficial for a New York tribute song[16][24] and subpar for Swift's artistry.[63] They added that Swift's depiction and love of New York neglected the real-life socioeconomic issues that most city residents had to face.[64][65] Jason Lipshutz of Billboard wrote: "while Swift perkily admires [the city], she doesn't remark on the subway rats or waking up in closet-sized bedrooms."[66] The synth production also received negative comments from two Time critics as being "cheesy" and "lifeless".[16] Jon Caramanica from The New York Times described the track as "shimmery [...] if slightly dim",[12] and Fact's Aimee Cliff complained how the song "manages to reduce an entire city to a pristine skyline seen from a top floor window".[67] Caramanica, Cliff, and Zoladz picked "Welcome to New York" as one of 1989's weakest tracks,[12][67][25] as did Parade's Samuel R. Murrian and Spin's Al Shipley in retrospective reviews.[68][69]

Speaking to Billboard regarding the reaction, Swift said it made her think differently but defended the song because she was focusing on how to capture a "momentary emotion". She added, "To take a song and try to apply it to every situation everyone is going through—economically, politically, in an entire metropolitan area—is asking a little much of a piece of a [sic] music."[64] There were some sympathetic comments.[70] Robert Christgau said, "I think it's silly to demand sociology from someone who can't stroll Central Park without bodyguards."[65] PopMatters reviewer Corey Baesley wrote that "Welcome to New York" was both "undeniably catchy" and "completely unlistenable", but the song was a reasonable album opener because "it's a manifesto, not an overture".[71] In Consequence of Sound, Sasha Geffen opined that the track is not about New York City itself but "New York City the idea—an aspirational playground always situated slightly out of reach".[14] Daniel D'Addario of Time highlighted the LGBT implications and described the song as a "new kind of equality anthem".[72]

Some reviews were more appreciative. Roison O'Connor from The Independent contended that the song received an "unfair rap" from critics and complimented it as "a blast of fresh air".[63] Spin magazine's Andrew Unterberger highlighted the track as a representation of Swift's adulthood and mature perspective,[73] and Marah Eakin of The A.V. Club deemed it catchy.[74] Perone labeled the track as "an engaging, popular, and very interesting song within the Swift canon".[16] Reviewing the re-recording "Taylor's Version", some critics commented that its production and energy remained the identical to those of the original song.[75][76] The Independent's Adam White said the re-recorded track "goes harder with its synths",[77] and the Financial Times' Ludovic Hunter-Tilney labelled it an "irresistibly bright tribute" to New York City.[78] "Welcome to New York" featured as one of Swift's best songs on lists by Clash (2021)[79] and Billboard (2023).[80]

Live performances and other uses edit

 
Swift on the 1989 World Tour, where she performed "Welcome to New York" as the opening number

On October 27, 2014, to celebrate the album's release, Swift held a concert called "1989 Secret Sessions" in Manhattan. It featured tracks from 1989, including "Welcome to New York", and was live streamed by Yahoo! and iHeartRadio.[81] During promotion of the album, Swift performed "Welcome to New York" on TV shows including Late Show with David Letterman[82] and Good Morning America.[83] She also performed the song during two events in 2019: the Amazon Prime Day concert[84] and Z100's iHeartRadio Jingle Ball.[85] "Welcome to New York" was the opener in the set list for Swift's 2015 tour, the 1989 World Tour.[86] Swift performed it as a "surprise song" outside the regular set list during two concerts of her later tours: at the East Rutherford show as part of her Reputation Stadium Tour on July 20, 2018,[87] and again at East Rutherford as part of the Eras Tour on May 28, 2023.[88]

The singer-songwriter Ryan Adams recorded a cover version of "Welcome to New York" for his 2015 track-by-track cover album of Swift's 1989. His version features an acoustic arrangement backed by building strings, guitar strums, piano, and drums.[89][90][91] Adams sings with vocals that critics described as "aching"[92] and "clenched-teeth".[91] Dan Caffrey from Consequence of Sound said Adams's "Welcome to New York" incorporates influences of power pop that resemble the music of Tom Petty.[93] PopMatters writer Evan Sawdey deemed the song the weakest track on Swift's 1989 but complimented Adams for giving it a "warmer, more humanistic treatment",[89] and The Observer critic Emily Mackay regarded it as "a desperate hit of Springsteenian yearning" that was among the album's better songs.[94] By contrast, Sarah Murphy from Exclaim! opined that the cover was "rendered ridiculous when sung by a weathered rock star".[95]

Credits and personnel edit

"Welcome to New York" (2014)[20]

"Welcome to New York (Taylor's Version)" (2023)[57]

  • Taylor Swift – lead vocals, songwriter, producer
  • Bryce Bordone – engineer for mix
  • Serban Ghenea – mixing
  • Randy Merrill – mastering
  • Rich Rich – recording engineer
  • Christopher Rowe – vocals recording
  • Ryan Tedder – recording engineer, producer, songwriter, piano, synthesizer, background vocals
  • Noel Zancanella – drum programming, producer, synthesizer

Charts edit

Certifications edit

Certifications for "Welcome to New York"
Region Certification Certified units/sales
Australia (ARIA)[39] 2× Platinum 140,000‡
United Kingdom (BPI)[37] Silver 200,000‡
United States (RIAA)[34] Platinum 1,000,000‡

‡ Sales+streaming figures based on certification alone.

Notes edit

  1. ^ Attributed to USA Today's Brian Mansfield,[21] Slate's Forrest Wickman,[22] the Boston Herald's Jed Gottlieb,[23] and the New York Daily News' Jim Farber[24]

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Cited literature edit

  • Busà, Alessandro (2017). "The Power Branders of New York City". The Creative Destruction of New York City: Engineering the City for the Elite. Oxford University Press. pp. 171–208. ISBN 978-0-19-061009-8.
  • Perone, James E. (2017). The Words and Music of Taylor Swift. The Praeger Singer-Songwriter Collection. ABC-CLIO. ISBN 978-1-4408-5295-4.
  • Smialek, Eric (2021). "Who Needs to Calm Down? Taylor Swift and Rainbow Capitalism". Contemporary Music Review. 40 (1): 99–119. doi:10.1080/07494467.2021.1956270. S2CID 238241132 – via Taylor & Francis.

April 10, 2024
welcome, york, song, confused, with, welcome, york, city, welcome, york, song, american, singer, songwriter, taylor, swift, from, fifth, studio, album, 1989, 2014, written, swift, ryan, tedder, song, inspired, swift, relocation, york, city, april, 2014, lyrics. Not to be confused with Welcome to New York City Welcome to New York is a song by the American singer songwriter Taylor Swift from her fifth studio album 1989 2014 Written by Swift and Ryan Tedder the song was inspired by Swift s relocation to New York City in April 2014 Its lyrics explore a newfound freedom in the city and a lighthearted attitude towards past heartbreaks Welcome to New York Promotional single by Taylor Swiftfrom the album 1989ReleasedOctober 20 2014 2014 10 20 StudioConway Recording Los Angeles GenreSynth pop electropop discoLength3 32LabelBig MachineSongwriter s Taylor Swift Ryan TedderProducer s Taylor Swift Ryan Tedder Noel ZancanellaSwift Tedder and Noel Zancanella produced Welcome to New York a track driven by pulsing synthesizers programmed drums and multitracked vocals Music critics described the genre as synth pop electropop and disco The song was released for download on October 20 2014 a week ahead of 1989 s release Welcome to New York received mixed reviews from critics most of whom criticized the lyrics as unsophisticated for a New York tribute song Some defenders praised the production as bright and catchy and interpreted the lyrics as being supportive of LGBT rights The song peaked within the top 20 of music charts in Canada New Zealand and Scotland In the U S it reached number 48 on the Billboard Hot 100 and was certified platinum by the Recording Industry Association of America Swift donated all proceeds from the sales to the New York City Department of Education She included the track in the set list of the 1989 World Tour 2015 and performed it on a few dates of her later tours Following the 2019 dispute regarding the ownership of Swift s back catalog she re recorded the song as Welcome to New York Taylor s Version for her re recorded album 1989 Taylor s Version 2023 Contents 1 Background 2 Writing and production 3 Release 3 1 Welcome to New York Taylor s Version 4 Critical reception 5 Live performances and other uses 6 Credits and personnel 7 Charts 7 1 Welcome to New York 7 2 Welcome to New York Taylor s Version 8 Certifications 9 Notes 10 References 10 1 Cited literatureBackground edit nbsp Ryan Tedder pictured co wrote and co produced Welcome to New York with Swift The singer songwriter Taylor Swift abandoned the country stylings of her past music and embraced a pop production for her fifth studio album 1989 2014 which she marketed as her first official pop album 1 Her musical inspiration was 1980s synth pop and its experimentation with synthesizers drum pads and overlapped vocals 2 3 She began writing the album in mid 2013 while touring in support of her fourth album Red 2012 4 and enlisted prominent contemporary pop producers including Ryan Tedder whom she contacted via a Voice Memo 5 6 One of Swift s inspirations on 1989 was her relocation to New York City from Nashville 7 In a Rolling Stone interview she recalled that she was so intimidated by the city and its blaring honesty that she thought she could not make it here because she wasn t bold enough brave enough 8 Swift eventually felt ready to embrace it when she bought a penthouse in the Tribeca neighborhood in April 2014 9 She came to New York unattached to anybody romantically after having received media attention for her dating life 10 According to Swift her wide eyed optimism prompted her to see New York as a place that inspired her to take on endless potential and possibilities 9 Writing and production edit Welcome to New York encapsulates Swift s feelings when she first moved to New York She put it first on 1989 s track list because she wanted to highlight New York as a memorable event in her life and a formative aesthetic influence of the album 9 11 In the lyrics a narrator expresses their newfound sense of freedom Everybody here was someone else before 12 and compares living in New York to having a nice beat they could dance to 13 They move on from past heartbreaks Took our broken hearts put them in a drawer 14 15 celebrate the bright lights and energy 16 but maintain their identity The lights are so bright But they never blind me me Vogue s Alex Frank interpreted this as an answer to Empire State of Mind 2009 by Jay Z and Alicia Keys 17 The second verse s lyrics And you can want who you want Boys and boys and girls and girls generated interpretations from some publications as Swift s support for diversity and LGBT rights 16 The music scholar Eric Smialek contended that the lyrics received media attention due to popular belief that Swift was politically inactive According to Smialek the LGBT representation is not foregrounded but displays at least incidental awareness and advocacy 18 nbsp Welcome to New York source source track A synth pop song Welcome to New York features a pulsing Juno 106 synthesizer programmed drum machines and multitracked vocals The lyrics were inspired by Swift s feelings when she first moved to New York City in 2014 Problems playing this file See media help Because Swift wanted a 1980s influenced sound Tedder programmed the song with a Juno 106 synthesizer which he described as a very 1980s instrument He finished the first draft in three hours and completed the first demo later that week While touring in Switzerland Tedder produced four other versions Though he preferred one later version Swift chose the one closest to the first demo as the final version 19 Swift and Tedder produced Welcome to New York with Noel Zancanella who played additional synthesizers and programmed the drums Tedder and Smith Carlson recorded the track at Conway Recording Studios in Los Angeles California It was mixed by Serban Ghenea at MixStar Studios in Virginia Beach Virginia and mastered by Tom Coyne at Sterling Sound Studios in New York The track is 3 minutes and 32 seconds long 20 Welcome to New York opens with pulsing synthesizers and programmed drum machines that create clapping like rhythms 16 21 Swift s vocals are multitracked and processed with electronic elements 16 21 According to the musicologist James E Perone the composition is monothematic demonstrated by repetitions of one single pitch throughout both the verses and the refrains 16 In contemporary reviews music critics characterized the genre as synth pop a Lindsay Zoladz from Vulture described it as electropop 25 and Rob Sheffield of Rolling Stone deemed it a disco ode to New York the birthplace of disco 26 The song s pulsing synth production sets the tone for 1989 s 1980s indebted sound 27 There were comparisons to music by other artists Perone said the synthesizers and drum machines called to mind 1980s artists Cyndi Lauper and Prince 16 NME s Matthew Horton wrote the synth jab evoked the band OMD 28 and The New Zealand Herald found the production reminiscent of Robyn 29 Release editBig Machine Records released Welcome to New York for download via the iTunes Store on October 20 2014 a week ahead of 1989 s release 30 31 Swift had shared a 30 second sample of the song via YouTube a day prior 32 In the United States the song peaked at number 48 on the Billboard Hot 100 33 and was certified platinum by the Recording Industry Association of America RIAA for accumulating one million units based on sales and streams 34 In the United Kingdom it peaked at numbers 16 and 39 on the Scottish and UK singles charts respectively 35 36 and was certified silver by the British Phonographic Industry BPI for surpassing 200 000 units 37 It peaked at number 23 on the singles chart of Australia 38 where it was certified double platinum by the Australian Recording Industry Association ARIA for surpassing 140 000 units 39 Elsewhere it was a top 10 song in New Zealand peaking at number 6 40 and reached the top 30 in Hungary 16 41 Canada 19 42 Spain 21 43 and Denmark 27 44 Swift donated all proceeds of the sales of Welcome to New York to the New York City Department of Education 45 NYC amp Company named Swift an official tourism ambassador for New York City 46 a move that generated media controversy 47 48 various publications regarded the song as a gentrification anthem that did not represent an authentic New York and the Nashville based Swift as an unfit candidate compared to New York born and raised celebrities such as Robert De Niro and Jennifer Lopez 49 NYC amp Co s spokesman defended Swift and said that the campaign was a new approach that focused on the wonderment and excitement of a person first arriving at the city 50 The urban studies scholar Alessandro Busa commented that Swift was a fitting choice for NYC amp Co s promotion of a new New York City which he described as a sanitized young rather hipsterish brand 51 Welcome to New York Taylor s Version edit Welcome to New York Taylor s Version Song by Taylor Swiftfrom the album 1989 Taylor s Version ReleasedOctober 27 2023 2023 10 27 StudioMandarin Oriental Milan Length3 32LabelRepublicSongwriter s Taylor Swift Ryan TedderProducer s Taylor Swift Ryan Tedder Noel ZancanellaLyric video Welcome to New York Taylor s Version on YouTubeAfter signing a new contract with Republic Records Swift began re recording her first six studio albums in November 2020 52 The decision followed a public 2019 dispute between Swift and talent manager Scooter Braun who acquired Big Machine Records including the masters of Swift s albums which the label had released 53 54 By re recording the albums Swift had full ownership of the new masters which enabled her to control the licensing of her songs for commercial use and therefore substituted the Big Machine owned masters 55 The re recording of Welcome to New York subtitled Taylor s Version was released as part of 1989 s re recording 1989 Taylor s Version on October 27 2023 56 Swift Tedder and Zancanella produced Welcome to New York Taylor s Version which was recorded by Tedder and Rich Rich at the Mandarin Oriental in Milan Italy mixed by Ghenea at MixStar Studios in Virginia Beach Virginia and mastered by Randy Merrill at Sterling Sound in Edgewater New Jersey Tedder and Zancanella played the synthesizers the former provided background vocals and played additional piano and the latter programmed the drums 57 Welcome to New York Taylor s Version peaked at number 16 on the Billboard Global 200 58 It debuted in the top 20 of singles charts in Australia 11 59 the Philippines 11 60 New Zealand 14 61 the United States number 14 62 and Canada 15 42 In the United States the song s top 20 debut extended Swift s record for the most top 20 chart entries by a female artist 62 Critical reception edit Welcome to New York received a mixed reaction from critics Most criticisms regarded the lyrics as unsophisticated and superficial for a New York tribute song 16 24 and subpar for Swift s artistry 63 They added that Swift s depiction and love of New York neglected the real life socioeconomic issues that most city residents had to face 64 65 Jason Lipshutz of Billboard wrote while Swift perkily admires the city she doesn t remark on the subway rats or waking up in closet sized bedrooms 66 The synth production also received negative comments from two Time critics as being cheesy and lifeless 16 Jon Caramanica from The New York Times described the track as shimmery if slightly dim 12 and Fact s Aimee Cliff complained how the song manages to reduce an entire city to a pristine skyline seen from a top floor window 67 Caramanica Cliff and Zoladz picked Welcome to New York as one of 1989 s weakest tracks 12 67 25 as did Parade s Samuel R Murrian and Spin s Al Shipley in retrospective reviews 68 69 Speaking to Billboard regarding the reaction Swift said it made her think differently but defended the song because she was focusing on how to capture a momentary emotion She added To take a song and try to apply it to every situation everyone is going through economically politically in an entire metropolitan area is asking a little much of a piece of a sic music 64 There were some sympathetic comments 70 Robert Christgau said I think it s silly to demand sociology from someone who can t stroll Central Park without bodyguards 65 PopMatters reviewer Corey Baesley wrote that Welcome to New York was both undeniably catchy and completely unlistenable but the song was a reasonable album opener because it s a manifesto not an overture 71 In Consequence of Sound Sasha Geffen opined that the track is not about New York City itself but New York City the idea an aspirational playground always situated slightly out of reach 14 Daniel D Addario of Time highlighted the LGBT implications and described the song as a new kind of equality anthem 72 Some reviews were more appreciative Roison O Connor from The Independent contended that the song received an unfair rap from critics and complimented it as a blast of fresh air 63 Spin magazine s Andrew Unterberger highlighted the track as a representation of Swift s adulthood and mature perspective 73 and Marah Eakin of The A V Club deemed it catchy 74 Perone labeled the track as an engaging popular and very interesting song within the Swift canon 16 Reviewing the re recording Taylor s Version some critics commented that its production and energy remained the identical to those of the original song 75 76 The Independent s Adam White said the re recorded track goes harder with its synths 77 and the Financial Times Ludovic Hunter Tilney labelled it an irresistibly bright tribute to New York City 78 Welcome to New York featured as one of Swift s best songs on lists by Clash 2021 79 and Billboard 2023 80 Live performances and other uses edit nbsp Swift on the 1989 World Tour where she performed Welcome to New York as the opening numberOn October 27 2014 to celebrate the album s release Swift held a concert called 1989 Secret Sessions in Manhattan It featured tracks from 1989 including Welcome to New York and was live streamed by Yahoo and iHeartRadio 81 During promotion of the album Swift performed Welcome to New York on TV shows including Late Show with David Letterman 82 and Good Morning America 83 She also performed the song during two events in 2019 the Amazon Prime Day concert 84 and Z100 s iHeartRadio Jingle Ball 85 Welcome to New York was the opener in the set list for Swift s 2015 tour the 1989 World Tour 86 Swift performed it as a surprise song outside the regular set list during two concerts of her later tours at the East Rutherford show as part of her Reputation Stadium Tour on July 20 2018 87 and again at East Rutherford as part of the Eras Tour on May 28 2023 88 The singer songwriter Ryan Adams recorded a cover version of Welcome to New York for his 2015 track by track cover album of Swift s 1989 His version features an acoustic arrangement backed by building strings guitar strums piano and drums 89 90 91 Adams sings with vocals that critics described as aching 92 and clenched teeth 91 Dan Caffrey from Consequence of Sound said Adams s Welcome to New York incorporates influences of power pop that resemble the music of Tom Petty 93 PopMatters writer Evan Sawdey deemed the song the weakest track on Swift s 1989 but complimented Adams for giving it a warmer more humanistic treatment 89 and The Observer critic Emily Mackay regarded it as a desperate hit of Springsteenian yearning that was among the album s better songs 94 By contrast Sarah Murphy from Exclaim opined that the cover was rendered ridiculous when sung by a weathered rock star 95 Credits and personnel edit Welcome to New York 2014 20 Taylor Swift vocals songwriter producer Smith Carlson recording Tom Coyne mastering Eric Eylands assistant recording Serban Ghenea mixing John Hanes engineered for mix Ryan Tedder producer recording songwriter background vocals piano Juno Matthew Tryba assistant recording Noel Zancanella producer drum programming synthesizer Welcome to New York Taylor s Version 2023 57 Taylor Swift lead vocals songwriter producer Bryce Bordone engineer for mix Serban Ghenea mixing Randy Merrill mastering Rich Rich recording engineer Christopher Rowe vocals recording Ryan Tedder recording engineer producer songwriter piano synthesizer background vocals Noel Zancanella drum programming producer synthesizerCharts edit Welcome to New York edit 2014 chart performance of Welcome to New York Chart 2014 PeakpositionAustralia ARIA 38 23Canada Canadian Hot 100 42 19Denmark Tracklisten 44 27Euro Digital Song Sales Billboard 96 20France SNEP 97 85Hungary Single Top 40 41 16Ireland IRMA 98 55Japan Japan Hot 100 99 80New Zealand Recorded Music NZ 40 6Scotland OCC 35 16Spain PROMUSICAE 43 21UK Singles OCC 36 39US Billboard Hot 100 33 482023 chart performance of Welcome to New York Chart 2023 PeakpositionPortugal AFP 100 59 Welcome to New York Taylor s Version edit Chart performance for Welcome to New York Taylor s Version Chart 2023 PeakpositionAustralia ARIA 59 11Canada Canadian Hot 100 42 15Global 200 Billboard 58 16Greece International IFPI 101 30Ireland Billboard 102 16New Zealand Recorded Music NZ 61 14Philippines Billboard 60 11Singapore RIAS 103 19Sweden Sverigetopplistan 104 80UK Billboard 105 12UK Singles Downloads OCC 106 96UK Streaming OCC 107 15US Billboard Hot 100 33 14Vietnam Vietnam Hot 100 108 76Certifications editCertifications for Welcome to New York Region Certification Certified units salesAustralia ARIA 39 2 Platinum 140 000 United Kingdom BPI 37 Silver 200 000 United States RIAA 34 Platinum 1 000 000 Sales streaming figures based on certification alone Notes edit Attributed to USA Today s Brian Mansfield 21 Slate s Forrest Wickman 22 the Boston Herald s Jed Gottlieb 23 and the New York Daily News Jim Farber 24 References edit Light Alan December 5 2014 Billboard Woman of the Year Taylor Swift on Writing Her Own Rules Not Becoming a Cliche and the Hurdle of Going Pop Billboard Archived from the original on December 26 2014 Retrieved February 27 2019 Eells Josh September 16 2014 Taylor Swift Reveals Five Things to Expect on 1989 Rolling Stone Archived from the original on November 16 2018 Retrieved November 16 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2023 Wood Mikael September 21 2015 Review Ryan Adams Turns to Taylor Swift for Help On His Version of 1989 Los Angeles Times Archived from the original on September 23 2015 Retrieved November 3 2023 a b Zaleski Annie September 21 2015 Ryan Adams Transforms Taylor Swift s 1989 Into A Melancholy Masterpiece The A V Club Archived from the original on February 12 2018 Retrieved February 12 2018 Beviglia Jim September 21 2015 Ryan Adams 1989 American Songwriter Archived from the original on November 3 2023 Retrieved November 3 2023 Caffrey Dan September 28 2015 Album Review Ryan Adams 1989 Consequence of Sound Archived from the original on October 28 2020 Retrieved December 1 2020 Mackay Emily September 27 2015 Ryan Adams 1989 Review Respectful Take on Taylor Swift The Observer Archived from the original on November 3 2023 Retrieved November 3 2023 Murphy Sarah September 22 2015 Ryan Adams 1989 Exclaim Archived from the original on November 3 2023 Retrieved November 3 2023 Taylor Swift Chart History Euro Digital Song Sales Billboard Retrieved March 12 2018 Taylor Swift Welcome To New York in French Les classement single Retrieved October 31 2014 Irish charts com Discography Taylor Swift Irish Singles Chart Retrieved January 29 2020 Taylor Swift Chart History Japan Hot 100 Billboard Retrieved November 15 2014 Taylor Swift Welcome to New York AFP Top 100 Singles Retrieved November 9 2023 Digital Singles Chart International IFPI Greece Archived from the original on November 13 2023 Retrieved November 8 2023 Taylor Swift Chart History Ireland Songs Billboard Archived from the original on November 7 2023 Retrieved November 7 2023 RIAS Top Charts Week 44 27 Oct 2 Nov 2023 RIAS Archived from the original on November 7 2023 Retrieved November 7 2023 Taylor Swift Welcome to New York Taylor s Version Singles Top 100 Retrieved November 7 2023 Taylor Swift Chart History U K Songs Billboard Archived from the original on November 7 2023 Retrieved November 7 2023 Official Singles Downloads Chart Top 100 Official Charts Company Retrieved November 3 2023 Official Streaming Chart Top 100 Official Charts Company Archived from the original on November 3 2023 Retrieved November 3 2023 Taylor Swift Chart History Billboard Vietnam Hot 100 Billboard Archived from the original on June 6 2022 Retrieved November 11 2023 Cited literature edit Busa Alessandro 2017 The Power Branders of New York City The Creative Destruction of New York City Engineering the City for the Elite Oxford University Press pp 171 208 ISBN 978 0 19 061009 8 Perone James E 2017 The Words and Music of Taylor Swift The Praeger Singer Songwriter Collection ABC CLIO ISBN 978 1 4408 5295 4 Smialek Eric 2021 Who Needs to Calm Down Taylor Swift and Rainbow Capitalism Contemporary Music Review 40 1 99 119 doi 10 1080 07494467 2021 1956270 S2CID 238241132 via Taylor amp Francis Retrieved from https en wikipedia org w index php title Welcome to New York song amp oldid 1217458999, wikipedia, wiki, book, books, 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