Uta Hagen
Uta Thyra Hagen (12 June 1919 – 14 January 2004) was a German-American actress and theatre practitioner. She originated the role of Martha in the 1962 Broadway premiere of Who's Afraid of Virginia Woolf? by Edward Albee, who called her "a profoundly truthful actress." Because Hagen was on the Hollywood blacklist, in part because of her association with Paul Robeson, her film opportunities dwindled and she focused her career on New York theatre.
Uta Hagen | |
|---|---|
| Born | Uta Thyra Hagen 12 June 1919 |
| Died | 14 January 2004 (aged 84) New York City, U.S. |
| Education | University of Wisconsin–Madison, Royal Academy of Dramatic Art |
| Occupation(s) | Actress, Author |
| Years active | 1937–2001 |
| Spouses | |
| Children | 1 |
She later became a highly influential acting teacher at New York's Herbert Berghof Studio and authored best-selling acting texts, Respect for Acting, with Haskel Frankel,[1] and A Challenge for the Actor. Her most substantial contributions to theatre pedagogy were a series of "object exercises" that built on the work of Konstantin Stanislavski and Yevgeny Vakhtangov.
She was elected to the American Theater Hall of Fame in 1981.[2] She twice won the Tony Award for Best Actress in a Play and received a Special Tony Award for Lifetime Achievement in 1999.
Life and career edit
Early life edit
Born in Göttingen, Germany,[3] daughter of Thyra A. (née Leisner), a trained opera singer, and Oskar Hagen,[4] an art historian and musician, Hagen and her family emigrated to the United States in 1924. Uta was raised in Madison, Wisconsin; her father taught at the University of Wisconsin–Madison.[5] She appeared in productions of the University of Wisconsin High School and in summer stock productions of the Wisconsin Players. She studied acting briefly at the Royal Academy of Dramatic Art in 1936.[6] After spending one semester at the University of Wisconsin–Madison, where her father was the head of the department of art history, she left for New York City in 1937.[7] Her first professional role was as Ophelia opposite Eva Le Gallienne in the title role of Hamlet in Dennis, Massachusetts, in 1936.[3]
Career edit
Hagen was cast, early on, as Ophelia by the actress-manager Eva Le Gallienne. Hagen went on to play (at age 18) the leading ingénue role of Nina in a Broadway production of Anton Chekhov's The Seagull with Alfred Lunt and Lynn Fontanne.[3] "The Lunts," she later stated, "were an enormous influence on my life." She admired "their passion for the theatre, and their discipline."[8] The New York Times' critic Brooks Atkinson hailed her Nina as "grace and aspiration incarnate."[9]
She played George Bernard Shaw's Saint Joan (1951) on Broadway, and Desdemona in a production which toured. Later she acted with Paul Robeson in Shakespeare's Othello; her then-husband José Ferrer was Iago. She took over the role of Blanche DuBois in A Streetcar Named Desire for the national tour, which was directed by Harold Clurman. In Respect for Acting, she credited her discoveries with Clurman as the springboard for what she would later explore with her husband Herbert Berghof: "how to find a true technique of acting, how to make a character flow through me." She played Blanche (on the road and on Broadway) opposite at least four different Stanley Kowalskis, including Anthony Quinn and Marlon Brando.
Primarily noted for stage roles, Hagen won her first Tony Award in 1951 for her performance as the self-sacrificing wife Georgie in Clifford Odets' The Country Girl. She won again in 1963 for originating the role of Martha in Edward Albee's Who's Afraid of Virginia Woolf?. In 1981 she was elected to the American Theater Hall of Fame and in 1999 received a "Special Lifetime Achievement Tony Award."
Although she appeared in some movies after 1972, the Hollywood blacklist limited her output in film and television. She would later comment about being blacklisted, "that fact kept me pure."[3]
She was nominated for a Daytime Emmy Award as "Outstanding Supporting Actress in a Drama Series" for her performance on the television soap opera One Life to Live.
She taught at HB Studio, a New York City acting school. She began there in 1947, and married its co-founder, Herbert Berghof, on 25 January 1957. Hagen was an influential acting teacher who taught, among others, Matthew Broderick, Christine Lahti, Amanda Peet, Hope Davis, Jason Robards, Sigourney Weaver, Katie Finneran, Liza Minnelli, Whoopi Goldberg, Jack Lemmon, Charles Nelson Reilly, Manu Tupou, Debbie Allen, Herschel Savage, George Segal, Jon Stewart, and Al Pacino. She was a voice coach to Judy Garland, teaching her a German accent for the picture Judgment at Nuremberg.[10] Garland's performance earned her an Academy Award nomination.
Later in life, Hagen returned to the stage, earning accolades for leading roles in Mrs. Warren's Profession (1985), Collected Stories, and Mrs. Klein. After Berghof's death in 1990, she became the school's chairperson.[11]
She also wrote Respect for Acting (1973) and A Challenge for the Actor (1991), which advocate realistic (as opposed to "formalistic") acting. In her mode of realism, the actor puts his own psyche to use in finding identification with the role," trusting that a form will result.[12] In Respect for Acting, Hagen credited director Harold Clurman with a turn-around in her perspective on acting:
In 1947, I worked in a play under the direction of Harold Clurman. He opened a new world in the professional theatre for me. He took away my 'tricks'. He imposed no line readings, no gestures, no positions on the actors. At first I floundered badly because for many years I had become accustomed to using specific outer directions as the material from which to construct the mask for my character, the mask behind which I would hide throughout the performance. Mr Clurman refused to accept a mask. He demanded ME in the role. My love of acting was slowly reawakened as I began to deal with a strange new technique of evolving in the character. I was not allowed to begin with, or concern myself at any time with, a preconceived form. I was assured that a form would result from the work we were doing.
Hagen later "disassociated" herself from Respect for Acting.[8] In Challenge for the Actor, she redefined a term which she had initially called "substitution," an esoteric technique for mixing elements of an actor's life with his/her character work, calling it "transference" instead. Respect for Acting was used as a textbook for many college acting classes. She also wrote a 1976 cookbook, Love for Cooking. In 2002, she was awarded the National Medal of Arts by President George W. Bush at a ceremony held at the White House.
Harvey Korman talks about studying under her during his Archive of American Television interview in 2004.[13] David Hyde Pierce worked with Hagen in the Richard Alfieri play Six Dance Lessons in Six Weeks, at the Geffen Playhouse in 2001.[14] Hyde Pierce spoke at her 2004 memorial at Manhattan's Majestic Theater.[15]
Students of Uta Hagen edit
- Gene Wilder
- Robert DeNiro
- Steve McQueen
- Tony Goldwyn
- Orson Bean
- Faye Dunaway
- Gene Hackman
- Laura Esterman
- Hal Holbrook
- Sandy Dennis
- Griffin Dunne
- Sally Kirkland[16]
- Robert LuPone
- Barbara Feldon
- Tovah Feldshuh
- Michael Paré[17]
- Katie Finneran
- Constance Ford
- Victor Garber
- Jerry Stiller
- Anne Meara
- Rita Gardner
- Charles Nelson Reilly
- Lee Grant
- Charles Grodin
- Eileen Heckart
- William Hickey
- Gerald Hiken
- Anne Jackson
- Harvey Korman[13]
- Geraldine Page
- Jason Robards, Jr.
- Matthew Broderick
- Corey Parker[18]
- Whoopi Goldberg
- Amanda Peet
- Jack Lemmon
- Lindsay Crouse
- Fritz Weaver
- Prunella Scales
- Kevin Sussman
- Rochelle Oliver
- Peter Boyle
Personal life edit
Uta Hagen was married to José Ferrer from 1938 until 1948.[3] They had one child together, their daughter Leticia (born 15 October 1940). They divorced partly because of Hagen's long-concealed affair with Paul Robeson, her co-star in Othello. Hagen married Herbert Berghof on 25 January 1957, a union that lasted for 33 years until his death in 1990. Hagen died in Greenwich Village in 2004 after suffering a stroke in 2001.[3]
In popular culture edit
In 2009, Weird Al Yankovic’s “Skipper Dan” referenced Uta Hagen in the opening verse:
I starred in every high school play
Blew every drama teacher away
I graduated first in my class at Juilliard
Took every acting workshop I could
And I dreamed of Hollywood
While I read my Uta Hagen
and studied the Bard[19]
Theatre edit
- Her name was in the song La Vie Bohème from the 1996 rock opera Rent written and composed by Jonathan Larson: "To the stage, To Uta, To Buddha, Pablo Neruda too."[20]
Work edit
Stage edit
| Film edit
Television edit
|
Awards and nominations edit
- 1951 Tony Award, Actress—Play, The Country Girl[21]
- 1963 Tony Award, Actress—Play, Who's Afraid of Virginia Woolf?
- Special 1999 Tony Award for Lifetime Achievement[22]
- 1999 Fellow of the American Academy of Arts and Sciences[23]
- 2002 National Medal of Arts
Quotes edit
This section needs expansion. You can help by adding to it. (April 2024) |
References edit
- ^ Hagen, Uta (1973) [1960]. Respect for Acting. New York: Wiley Publishing, Inc. ISBN 978-0-02547-390-4.
- ^ "Elected to the Theater Hall of Fame". The New York Times. 3 March 1981. Retrieved 14 November 2013.
- ^ a b c d e f "Uta Hagen, 84; Tony Winner, Teacher at Famed Acting School". Los Angeles Times. 16 January 2004. p. 164. Retrieved 7 March 2019 – via Newspapers.com.
- ^ Current Biography Yearbook. H. W. Wilson Company. 1964. Retrieved 14 November 2013 – via Google Books.
- ^ "Dr. Oskar Hagen to talk on art". Cornell Daily Sun. 21 March 1930. Retrieved 4 April 2019.
- ^ Port of New York, passenger list of the S.S. Westernland, 24 December 1936, sheet 165.
- ^ Miles, S. A. (Fall 2000). "Lady Invincible". Wisconsin Academy Review. 46 (4): 19–23. Retrieved 28 February 2019.
- ^ a b Buckley, Michael (18 January 2004). . Playbill. Archived from the original on 20 October 2012. Retrieved 30 March 2011.
- ^ Gussow, Mel (15 January 2004). "Uta Hagen, Tony-Winning Broadway Star and Teacher of Actors, Dies at 84". The New York Times.
- ^ Fricke, John (2010). Judy: A Legendary Film Career. Philadelphia: Running Press. ISBN 978-0-7624-4368-0. OCLC 751694891.
- ^ Hagen, Uta (2023). Respect for Acting. Haskel Frankel (Expanded ed.). San Francisco, CA. p. 225. ISBN 978-1-119-91359-7. OCLC 1361694692.
{{cite book}}: CS1 maint: location missing publisher (link) - ^ Hagen, Uta 1991. A Challenge for the Actor. New York: Scribner's. ISBN 0-684-19040-0
- ^ a b "Harvey Korman". Archive of American Television. 20 April 2004. Retrieved 18 June 2012.
- ^ Oxman, Steven (10 June 2001). "Review: 'Six Dance Lessons in Six Weeks'". Variety. Retrieved 29 September 2016.
- ^ "Uta Hagen Memorial". The New York Times. 20 March 2004. Retrieved 18 June 2012.
- ^ "The Sally Kirkland vu from the land of the silver screen". August 2000.
- ^ Frank Garcia; Mark Phillips (2013). Science Fiction Television Series, 1990-2004: Histories, Casts and Credits for 58 Shows. McFarland & Company, Inc. pp. 321–322. ISBN 978-0-7864-2483-2.
- ^ Migdal, Sylvan (27 January 2004). "Uta Hagen, legendary actor and teacher, dies at 84". *The Villager. Retrieved 28 February 2019.
- ^ "Lyrics". Musixmatch.
- ^ "To Uta". genius.com.
- ^ "1951 Tony Awards". Infoplease.com. Retrieved 14 November 2013.
- ^ . HB Studio. Archived from the original on 11 July 2010. Retrieved 28 February 2019.
- ^ Book of Members, 1780–2010: Chapter H (PDF). American Academy of Arts and Sciences. Retrieved 25 July 2014.
- ^ "Uta Hagen Quotes". BrainyQuote. Retrieved 14 November 2013.
- ^ "Uta Hagen Quotes". BrainyQuote. Retrieved 14 November 2013.
External links edit
- Media related to Uta Hagen at Wikimedia Commons
- Uta Hagen at the Internet Broadway Database
- Uta Hagen at the Internet Off-Broadway Database
- Uta Hagen at IMDb
- Uta Hagen and Herbert Berghof papers, 1889–2004 at Billy Rose Theatre Division at the New York Public Library, Library for the Performing Arts