fbpx
Wikipedia

Su Friedrich

January 01, 1970

Su Friedrich (born December 12, 1954) is an American avant-garde film director, producer, writer, and cinematographer. She has been a leading figure in avant-garde filmmaking and a pivotal force in the establishment of Queer Cinema.[1]

Su Friedrich
Born (1954-12-12) December 12, 1954 (age 69)
New Haven, Connecticut
Years active1978–present
Websitehttp://www.sufriedrich.com

Early life edit

Su Friedrich was born in 1954 in New Haven, Connecticut. Her mother was German and came to the US with Friedrich's father, Paul Friedrich who was working in Germany as a GI at the time.[2] Friedrich attended the University of Chicago (1971–72) and Oberlin College (1972–1975) from which she earned a B.A. in Art and Art History. She lives and works in Brooklyn, NY, and is a Professor in the Center for the Creative and Performing Arts at Princeton University, where she has taught film and video production since 1998. She made her first film, Hot Water, in 1978, and has produced and directed eighteen films and videos.[1]

Career edit

Friedrich's films regularly combine elements of narrative, documentary, and experimental styles of film-making and often focus on the roles of women, family, and homosexuality in contemporary America.[3] From the onset of her career in the late 1970s, Friedrich has been a leading figure in avant-garde filmmaking and a pivotal force in the establishment of Queer Cinema. Her work has radicalized film form and content by incorporating a feminist perspective and issues of lesbian identity and by creating a remarkable and innovative synthesis of experimental, narrative and documentary genres.[4] Friedrich's films are multi-lingual, moving between the personal and the political, from autobiographical films about family to the investigation of society's notions of sexual identity. Her cinematic palette includes home movies, archival footage, interviews, and scripted narratives.[5][6]

Friedrich is the recipient of the Cal Arts Alpert Award in the Arts[7] and has received fellowships from the Rockefeller Foundation and John Simon Guggenheim Memorial Foundation, as well as numerous grants from the New York State Council on the Arts, the New York Foundation for the Arts, Independent Television Service, and the Jerome Foundation.[8] Her films and videos are screened in the US, Canada, and Europe, and have been the subject of retrospectives at the Whitney Museum of American Art, the Rotterdam International Film Festival, The Stadtkino in Vienna, the Pacific Cinematheque in Vancouver, the National Film Theater in London, and many others. Friedrich's work is part of the collection at the Museum of Modern Art, the Art Institute of Chicago, the Royal Film Archive of Belgium, the Centre Pompidou in Paris, and the National Library of Australia. Her complete original film materials are being conserved at the Academy of Motion Picture Arts and Sciences Film Archive in Los Angeles.[1]

Friedrich's films have won many awards, including: for The Odds of Recovery, Best Documentary at Identities Festival in Vienna; for Hide and Seek, Best Narrative Film Award at the Athens International Film Festival, Outstanding Documentary Feature at Outfest '97 in Los Angeles, Special Jury Award at the New York Gay & Lesbian Film Festival and Juror's Choice Award at the Charlotte Film Festival; for Sink or Swim, Grand Prix at the Melbourne Film Festival, the Golden Gate Award at the San Francisco International Film Festival, Gold Juror's Choice Award at the Charlotte Film and Video Festival, Special Jury Award at the Atlanta Film Festival and Best Experimental Film Award at the USA Short Film and Video Festival; for Damned If You Don't, Best Experimental Film Award at the Athens Film Festival and Best Experimental Narrative Award at the Atlanta Film Festival; and for Cool Hands, Warm Heart, Special Merit Award at the Athens Film Festival. Friedrich also won the Peter S. Reed Lifetime Achievement Award in 2000.[9][1]

The films have been reviewed in numerous publications, including Variety, Premiere, The Village Voice, Artforum, The New York Times, The Nation, Film Quarterly, The Millennium Film Journal, Film Comment, Sight and Sound, Flash Art, Cineaste, The Independent, Heresies Art Journal, Afterimage, and The L.A. Weekly. Essays on her work as well as excerpts from her scripts have appeared in numerous books, including Women's Experimental Cinema (2007), 501 Movie Directors (2007), Contemporary American Independent Film: From the Margins to the Mainstream (2005), Visionary Film: The American Avant-Garde, 1943–2000 (2002), Left In the Dark (2002), The Wedding Complex: Forms of Belonging in Modern American Culture (2002), Girl Director: A How-To Guide (2001), Collecting Visible Evidence (1999), Experimental Ethnography (1999), The New American Cinema (1998), Play It Again, Sam (1998), Film Fatales (1998), Cinematernity (1996), Screen Writings (1994), Women's Films (1994), Queer Looks (1993), Avant-Garde Film: Motion Studies (1993), Vampires and Violets (1992), and Critical Cinema: Volume Two (1992).

The moving image collection of Su Friedrich is held at the Academy Film Archive. The archive preserved Cool Hands, Warm Heart in 2019.[10]

Filmography edit

Year Title Length Format Color Sound
1978 Hot Water 12min. super-8 b&w sound
1979 Cool Hands, Warm Heart 16min. 16mm b&w silent
1979 Scar Tissue 6min. 16mm b&w silent
1981 Gently Down the Stream 14min. 16mm b&w silent
1982 But No One 9min. 16mm b&w silent
1985 The Ties That Bind 55min. 16mm b&w sound
1987 Damned If You Don't 42min. 16mm b&w sound
1990 Sink or Swim 48min. 16mm b&w sound
1991 First Comes Love 22min. 16mm b&w sound
1993 Rules of the Road 31min. 16mm color sound
1993 Lesbian Avengers Eat Fire, Too 60min. video color sound
1996 Hide and Seek 65min. 16mm b&w sound
2002 The Odds of Recovery 65min. 16mm color sound
2004 The Head of a Pin 21min. video color sound
2005 Seeing Red 27min. video color sound
2008 From the Ground Up 54min. video color sound
2012 Practice Makes Perfect 12min. video color sound
2012 Gut Renovation 81min. video color sound
2013 Queen Takes Pawn 6.5min. video color sound
2016 I Cannot Tell You How I Feel 42min. video color sound
2018 Edited by: The Companion Film, version 1 76min. video b&w and color sound
2019 Edited by: The Companion Film, version 2 113min. video b&w and color sound
2020 Cinetracts 5/10/20 2min. video color sound
2022 Today 57min. video color sound

Gently Down the Stream edit

The short film consists of texts and rephotographed imagery, which both represents Friedrich's fourteen dreams that are taken from eight years of her journals. Imagery of the Virgin Mary and Christ, a woman rowing a machine in gym, another woman swimming in pool, and body of water are presented with a hand-scratched word at a time, and pulled audience in Friedrich's flow of consciousness in the process to reconstruct and analyze her dream.[11]

The Ties That Bind edit

The Ties That Bind is a documentary of Friedrich's mother, who was born in Ulm in Germany and grew up with the Third Reich. The film centered narrative by mother about her personal history in Germany, rise of Nazism, life during the war, and the day when the war was over, in form of an interview by a daughter/director. Mother's voice is illustrated by various imagery, including Friedrich's travel to Germany, scene of anti-nuclear demo in New York, as well as the mother's personal moving images. As the title of The Ties That Bind suggests, this film depicts the ties that lie between the past and present, between mother and daughter.[11][12]

Damned If You Don’t edit

Damned If You Don’t is the film about Catholicism and lesbianism, particularly the sexuality of nuns. The narrative in the film has three layers in its structure; a young woman seducing a young nun; adaptation of Powell and Pressburger's film, Black Narcissus (1947) that is about a nun in the convent in Himalayas; reading of Judith C. Brown's Immodest Acts: The Life of a Lesbian Nun in Renaissance Italy. By exploiting the layered narratives, Damned If You Don’t reveals a common assumption in melodrama that all desire is heterosexual, and shows a new direction of depiction of female desire, pleasure and sexuality.[11][13][14]

Sink or Swim edit

Through a series of twenty six short stories, Sink or Swim describes the childhood events that shaped a girl's ideas about fatherhood, family relations, work and play. As the stories unfold, a dual portrait emerges: that of a father who cared more for his career than for his family, and of a daughter who was deeply affected by his behavior. Working in counterpoint to the forceful text are sensual black and white images that depict both the extraordinary and ordinary events of daily life.[15]

In 2015, the United States Library of Congress selected Sink or Swim for preservation in the National Film Registry, finding it "culturally, historically, or aesthetically significant".[16]

Hide and Seek edit

Hide and Seek is an exploration into lesbian adolescence in the 1960s. Lou is a 12-year-old girl who daydreams in a tree house, tries not to watch a sex education film, wins a rock throwing contest, and is horrified to discover that her best friend is taking an interest in earrings and boys. Interwoven with Lou's story are the mostly hilarious, sometimes painful recollections of adult lesbians who try to figure out how they ever got from there to here. Completing the picture are clips from a wide array of old scientific and educational films blended with the black and white images of Lou's world.[17][18]

From the Ground Up edit

Friedrich's work has always used personal narrative to support strong political beliefs. With her recent movie From the Ground Up she follows the coffee road from bean to purchased brew, in a quest to understand how the cup of coffee [she'd] just gotten at the pushcart could cost only fifty cents. Beginning with the farmers in the Guatemalan countryside, we follow the bean from the exporter in Guatemala City, to the importer in Charleston, SC, then on to the roaster in Queens before it ends up in the Manhattan pushcart. Rather than make a traditional social documentary, Friedrich made a film that echoed her own experience, which was that of being stunned by the unimaginable scale and complexity of the coffee industry and the often grueling physical labor required to get those seedling to eventually yield a cup of coffee. During the making of the film Friedrich became a supporter of the fair trade coffee movement, and dedicated the film to the movement and the people involved.[19][20]

Gut Renovation edit

Documentary about the gentrification of Williamsburg, Brooklyn and the displacement of long-term businesses and residents.[21]

See also edit

References edit

  1. ^ a b c d "Su Friedrich". Lewis Center for the Arts. Retrieved July 24, 2023.
  2. ^ Su Friedrich, interview, in Scott MacDonald, A Critical Cinema 2: Interviews with Independent Filmmakers, Berkeley: University of California Press, 305.
  3. ^ Lynn Bell, Su Friedrich, Senses of Cinema, website
  4. ^ Zryd, Michael; Bell, Lynn (July 29, 2021). "Friedrich, Su – Senses of Cinema". Retrieved July 24, 2023.
  5. ^ "Princeton's Su Friedrich and Her Website Salute the Vital, Often Unsung Work of Women Editors Throughout History". CineMontage. October 11, 2019. Retrieved July 24, 2023.
  6. ^ "Friedrich, Su". avant-garde film index. June 29, 2012. Retrieved July 24, 2023.
  7. ^ "Su Friedrich | The Herb Alpert Award in the Arts". herbalpertawards.org. March 23, 2013. Retrieved March 12, 2017.
  8. ^ "Su Friedrich | Another eXperiment by Women Film Festival". August 1, 2016. Retrieved July 24, 2023.
  9. ^ . www.petersreedfoundation.com. Archived from the original on March 13, 2017. Retrieved March 12, 2017.
  10. ^ "Su Friedrich Collection". Academy Film Archive. October 13, 2015.
  11. ^ a b c Scott MacDonald, "Su Friedrich: Reappropriations.” Film Quarterly Vol.41 No.2 Winter 1987–1988: 34–43.
  12. ^ "An Analysis of Found Footage Strategies in Su Friedrich's The Ties that Bind. Part One: Context". offscreen.com. Retrieved July 24, 2023.
  13. ^ Liz Kotz, "Anything But Idyllic", Columbia Readers on Lesbians and Gay Men in Media, Society and politics. New York: Columbia UP, 1999. Print
  14. ^ Chris Holmlund, Feminist Makeovers: The Celluloid Surgery of Valie Export and Su Friedrich, Play Iy Again, Sam; Retkes on Remarks, edited by Andrew Horton and Stuart Y. McDougal, 1998 Berkeley: University of california Press 217–237.
  15. ^ William C. Weiss, “Carrying on: Leslie Thornton, Su Friedrich, Abigail Child and American Avant-Garde Film of the Eighties.” Canadian journal of Film Studies, Vol.10 no.1 Spring: 70–95. Weiss noted that, in Sink or Swim, accumulated images and allusions “leave little doubt about the girl/woman’s sexual orientation”, however, unlike some of Friedrich’s other films, such as Gently Down the Stream (1981), Damned if You Don’t (1987), and Hide and Seek (1996), lesbian desire is not a major theme.
  16. ^ Mike Barnes (December 16, 2015). "'Ghostbusters,' 'Top Gun,' 'Shawshank' Enter National Film Registry". The Hollywood Reporter. Retrieved December 16, 2015.
  17. ^ "Su Friedrich. Hide and Seek. 1996 | MoMA". The Museum of Modern Art. Retrieved July 24, 2023.
  18. ^ "Hide and Seek | ITVS". itvs.org. Retrieved July 24, 2023.
  19. ^ Notes, From the Ground Up, Su Friedrich, 2008
  20. ^ Friedrich, Su (July 3, 2019), From the Ground Up (2007) by Su Friedrich, retrieved July 24, 2023
  21. ^ Holden, Stephen (March 5, 2013), "A Work in Progress, From the Inside Out", New York Times, retrieved May 28, 2013

Further reading edit

  • Barbara Mennel: Su Friedrich. Contemporary Film Directors. University of Illinois Press 2023, ISBN 978-0-252-04528-8.
  • Sonia Misra, Rox Samer (Hrg.): Su Friedrich – Interviews. Conversations with Filmmakers Series. In: Film Studies, Women's, Gender, and Sexuality Studies. University Press of Mississippi 2022, ISBN 978-1-4968-3816-2.
  • Scott MacDonald: From Zygote to global cinema via Sue Friedrichs's films. In: Journal of Film and Video, Vol. 44, No. 1/2, International Issues (Spring and Summer 1992), S. 30-4. Published By: University of Illinois Press.
  • Gilad Padva: Autobiography, autogynography, and autoqueerography. In: Queer Nostalgia in Cinema and Pop Culture. Palgrave Macmillan 2014, S. 129–138, ISBN 978-1-349-44317-8.

External links edit

January 01, 1970
friedrich, this, article, includes, list, general, references, lacks, sufficient, corresponding, inline, citations, please, help, improve, this, article, introducing, more, precise, citations, march, 2013, learn, when, remove, this, message, born, december, 19. This article includes a list of general references but it lacks sufficient corresponding inline citations Please help to improve this article by introducing more precise citations March 2013 Learn how and when to remove this message Su Friedrich born December 12 1954 is an American avant garde film director producer writer and cinematographer She has been a leading figure in avant garde filmmaking and a pivotal force in the establishment of Queer Cinema 1 Su FriedrichBorn 1954 12 12 December 12 1954 age 69 New Haven ConnecticutYears active1978 presentWebsitehttp www sufriedrich com Contents 1 Early life 2 Career 3 Filmography 3 1 Gently Down the Stream 3 2 The Ties That Bind 3 3 Damned If You Don t 3 4 Sink or Swim 3 5 Hide and Seek 3 6 From the Ground Up 3 7 Gut Renovation 4 See also 5 References 6 Further reading 7 External linksEarly life editSu Friedrich was born in 1954 in New Haven Connecticut Her mother was German and came to the US with Friedrich s father Paul Friedrich who was working in Germany as a GI at the time 2 Friedrich attended the University of Chicago 1971 72 and Oberlin College 1972 1975 from which she earned a B A in Art and Art History She lives and works in Brooklyn NY and is a Professor in the Center for the Creative and Performing Arts at Princeton University where she has taught film and video production since 1998 She made her first film Hot Water in 1978 and has produced and directed eighteen films and videos 1 Career editFriedrich s films regularly combine elements of narrative documentary and experimental styles of film making and often focus on the roles of women family and homosexuality in contemporary America 3 From the onset of her career in the late 1970s Friedrich has been a leading figure in avant garde filmmaking and a pivotal force in the establishment of Queer Cinema Her work has radicalized film form and content by incorporating a feminist perspective and issues of lesbian identity and by creating a remarkable and innovative synthesis of experimental narrative and documentary genres 4 Friedrich s films are multi lingual moving between the personal and the political from autobiographical films about family to the investigation of society s notions of sexual identity Her cinematic palette includes home movies archival footage interviews and scripted narratives 5 6 Friedrich is the recipient of the Cal Arts Alpert Award in the Arts 7 and has received fellowships from the Rockefeller Foundation and John Simon Guggenheim Memorial Foundation as well as numerous grants from the New York State Council on the Arts the New York Foundation for the Arts Independent Television Service and the Jerome Foundation 8 Her films and videos are screened in the US Canada and Europe and have been the subject of retrospectives at the Whitney Museum of American Art the Rotterdam International Film Festival The Stadtkino in Vienna the Pacific Cinematheque in Vancouver the National Film Theater in London and many others Friedrich s work is part of the collection at the Museum of Modern Art the Art Institute of Chicago the Royal Film Archive of Belgium the Centre Pompidou in Paris and the National Library of Australia Her complete original film materials are being conserved at the Academy of Motion Picture Arts and Sciences Film Archive in Los Angeles 1 Friedrich s films have won many awards including for The Odds of Recovery Best Documentary at Identities Festival in Vienna for Hide and Seek Best Narrative Film Award at the Athens International Film Festival Outstanding Documentary Feature at Outfest 97 in Los Angeles Special Jury Award at the New York Gay amp Lesbian Film Festival and Juror s Choice Award at the Charlotte Film Festival for Sink or Swim Grand Prix at the Melbourne Film Festival the Golden Gate Award at the San Francisco International Film Festival Gold Juror s Choice Award at the Charlotte Film and Video Festival Special Jury Award at the Atlanta Film Festival and Best Experimental Film Award at the USA Short Film and Video Festival for Damned If You Don t Best Experimental Film Award at the Athens Film Festival and Best Experimental Narrative Award at the Atlanta Film Festival and for Cool Hands Warm Heart Special Merit Award at the Athens Film Festival Friedrich also won the Peter S Reed Lifetime Achievement Award in 2000 9 1 The films have been reviewed in numerous publications including Variety Premiere The Village Voice Artforum The New York Times The Nation Film Quarterly The Millennium Film Journal Film Comment Sight and Sound Flash Art Cineaste The Independent Heresies Art Journal Afterimage and The L A Weekly Essays on her work as well as excerpts from her scripts have appeared in numerous books including Women s Experimental Cinema 2007 501 Movie Directors 2007 Contemporary American Independent Film From the Margins to the Mainstream 2005 Visionary Film The American Avant Garde 1943 2000 2002 Left In the Dark 2002 The Wedding Complex Forms of Belonging in Modern American Culture 2002 Girl Director A How To Guide 2001 Collecting Visible Evidence 1999 Experimental Ethnography 1999 The New American Cinema 1998 Play It Again Sam 1998 Film Fatales 1998 Cinematernity 1996 Screen Writings 1994 Women s Films 1994 Queer Looks 1993 Avant Garde Film Motion Studies 1993 Vampires and Violets 1992 and Critical Cinema Volume Two 1992 The moving image collection of Su Friedrich is held at the Academy Film Archive The archive preserved Cool Hands Warm Heart in 2019 10 Filmography editYear Title Length Format Color Sound 1978 Hot Water 12min super 8 b amp w sound 1979 Cool Hands Warm Heart 16min 16mm b amp w silent 1979 Scar Tissue 6min 16mm b amp w silent 1981 Gently Down the Stream 14min 16mm b amp w silent 1982 But No One 9min 16mm b amp w silent 1985 The Ties That Bind 55min 16mm b amp w sound 1987 Damned If You Don t 42min 16mm b amp w sound 1990 Sink or Swim 48min 16mm b amp w sound 1991 First Comes Love 22min 16mm b amp w sound 1993 Rules of the Road 31min 16mm color sound 1993 Lesbian Avengers Eat Fire Too 60min video color sound 1996 Hide and Seek 65min 16mm b amp w sound 2002 The Odds of Recovery 65min 16mm color sound 2004 The Head of a Pin 21min video color sound 2005 Seeing Red 27min video color sound 2008 From the Ground Up 54min video color sound 2012 Practice Makes Perfect 12min video color sound 2012 Gut Renovation 81min video color sound 2013 Queen Takes Pawn 6 5min video color sound 2016 I Cannot Tell You How I Feel 42min video color sound 2018 Edited by The Companion Film version 1 76min video b amp w and color sound 2019 Edited by The Companion Film version 2 113min video b amp w and color sound 2020 Cinetracts 5 10 20 2min video color sound 2022 Today 57min video color sound Gently Down the Stream edit The short film consists of texts and rephotographed imagery which both represents Friedrich s fourteen dreams that are taken from eight years of her journals Imagery of the Virgin Mary and Christ a woman rowing a machine in gym another woman swimming in pool and body of water are presented with a hand scratched word at a time and pulled audience in Friedrich s flow of consciousness in the process to reconstruct and analyze her dream 11 The Ties That Bind edit The Ties That Bind is a documentary of Friedrich s mother who was born in Ulm in Germany and grew up with the Third Reich The film centered narrative by mother about her personal history in Germany rise of Nazism life during the war and the day when the war was over in form of an interview by a daughter director Mother s voice is illustrated by various imagery including Friedrich s travel to Germany scene of anti nuclear demo in New York as well as the mother s personal moving images As the title of The Ties That Bind suggests this film depicts the ties that lie between the past and present between mother and daughter 11 12 Damned If You Don t edit Damned If You Don t is the film about Catholicism and lesbianism particularly the sexuality of nuns The narrative in the film has three layers in its structure a young woman seducing a young nun adaptation of Powell and Pressburger s film Black Narcissus 1947 that is about a nun in the convent in Himalayas reading of Judith C Brown s Immodest Acts The Life of a Lesbian Nun in Renaissance Italy By exploiting the layered narratives Damned If You Don t reveals a common assumption in melodrama that all desire is heterosexual and shows a new direction of depiction of female desire pleasure and sexuality 11 13 14 Sink or Swim edit Through a series of twenty six short stories Sink or Swim describes the childhood events that shaped a girl s ideas about fatherhood family relations work and play As the stories unfold a dual portrait emerges that of a father who cared more for his career than for his family and of a daughter who was deeply affected by his behavior Working in counterpoint to the forceful text are sensual black and white images that depict both the extraordinary and ordinary events of daily life 15 In 2015 the United States Library of Congress selected Sink or Swim for preservation in the National Film Registry finding it culturally historically or aesthetically significant 16 Hide and Seek edit Hide and Seek is an exploration into lesbian adolescence in the 1960s Lou is a 12 year old girl who daydreams in a tree house tries not to watch a sex education film wins a rock throwing contest and is horrified to discover that her best friend is taking an interest in earrings and boys Interwoven with Lou s story are the mostly hilarious sometimes painful recollections of adult lesbians who try to figure out how they ever got from there to here Completing the picture are clips from a wide array of old scientific and educational films blended with the black and white images of Lou s world 17 18 From the Ground Up edit Friedrich s work has always used personal narrative to support strong political beliefs With her recent movie From the Ground Up she follows the coffee road from bean to purchased brew in a quest to understand how the cup of coffee she d just gotten at the pushcart could cost only fifty cents Beginning with the farmers in the Guatemalan countryside we follow the bean from the exporter in Guatemala City to the importer in Charleston SC then on to the roaster in Queens before it ends up in the Manhattan pushcart Rather than make a traditional social documentary Friedrich made a film that echoed her own experience which was that of being stunned by the unimaginable scale and complexity of the coffee industry and the often grueling physical labor required to get those seedling to eventually yield a cup of coffee During the making of the film Friedrich became a supporter of the fair trade coffee movement and dedicated the film to the movement and the people involved 19 20 Gut Renovation edit Documentary about the gentrification of Williamsburg Brooklyn and the displacement of long term businesses and residents 21 See also editList of female film and television directors List of lesbian filmmakers List of LGBT related films directed by women Women s cinemaReferences edit a b c d Su Friedrich Lewis Center for the Arts Retrieved July 24 2023 Su Friedrich interview in Scott MacDonald A Critical Cinema 2 Interviews with Independent Filmmakers Berkeley University of California Press 305 Lynn Bell Su Friedrich Senses of Cinema website Zryd Michael Bell Lynn July 29 2021 Friedrich Su Senses of Cinema Retrieved July 24 2023 Princeton s Su Friedrich and Her Website Salute the Vital Often Unsung Work of Women Editors Throughout History CineMontage October 11 2019 Retrieved July 24 2023 Friedrich Su avant garde film index June 29 2012 Retrieved July 24 2023 Su Friedrich The Herb Alpert Award in the Arts herbalpertawards org March 23 2013 Retrieved March 12 2017 Su Friedrich Another eXperiment by Women Film Festival August 1 2016 Retrieved July 24 2023 Peter S Reed 2000 www petersreedfoundation com Archived from the original on March 13 2017 Retrieved March 12 2017 Su Friedrich Collection Academy Film Archive October 13 2015 a b c Scott MacDonald Su Friedrich Reappropriations Film Quarterly Vol 41 No 2 Winter 1987 1988 34 43 An Analysis of Found Footage Strategies in Su Friedrich s The Ties that Bind Part One Context offscreen com Retrieved July 24 2023 Liz Kotz Anything But Idyllic Columbia Readers on Lesbians and Gay Men in Media Society and politics New York Columbia UP 1999 Print Chris Holmlund Feminist Makeovers The Celluloid Surgery of Valie Export and Su Friedrich Play Iy Again Sam Retkes on Remarks edited by Andrew Horton and Stuart Y McDougal 1998 Berkeley University of california Press 217 237 William C Weiss Carrying on Leslie Thornton Su Friedrich Abigail Child and American Avant Garde Film of the Eighties Canadian journal of Film Studies Vol 10 no 1 Spring 70 95 Weiss noted that in Sink or Swim accumulated images and allusions leave little doubt about the girl woman s sexual orientation however unlike some of Friedrich s other films such as Gently Down the Stream 1981 Damned if You Don t 1987 and Hide and Seek 1996 lesbian desire is not a major theme Mike Barnes December 16 2015 Ghostbusters Top Gun Shawshank Enter National Film Registry The Hollywood Reporter Retrieved December 16 2015 Su Friedrich Hide and Seek 1996 MoMA The Museum of Modern Art Retrieved July 24 2023 Hide and Seek ITVS itvs org Retrieved July 24 2023 Notes From the Ground Up Su Friedrich 2008 Friedrich Su July 3 2019 From the Ground Up 2007 by Su Friedrich retrieved July 24 2023 Holden Stephen March 5 2013 A Work in Progress From the Inside Out New York Times retrieved May 28 2013Further reading editBarbara Mennel Su Friedrich Contemporary Film Directors University of Illinois Press 2023 ISBN 978 0 252 04528 8 Sonia Misra Rox Samer Hrg Su Friedrich Interviews Conversations with Filmmakers Series In Film Studies Women s Gender and Sexuality Studies University Press of Mississippi 2022 ISBN 978 1 4968 3816 2 Scott MacDonald From Zygote to global cinema via Sue Friedrichs s films In Journal of Film and Video Vol 44 No 1 2 International Issues Spring and Summer 1992 S 30 4 Published By University of Illinois Press Gilad Padva Autobiography autogynography and autoqueerography In Queer Nostalgia in Cinema and Pop Culture Palgrave Macmillan 2014 S 129 138 ISBN 978 1 349 44317 8 External links editOfficial website Su Friedrich at IMDb Su Friedrich at Senses of Cinema Su Friedrich at Outcast Films Scar Tissue at UbuWeb From the Ground Up at Microcinema From the Ground Up Nassau Weekly review by Martina Car From The Ground Up Curledupdvd com review by Trent Daniel Seeing Red The New York Times review by Stuart Klawans Sink or Swim Chicago Reader review by Fred Camper The Films of Su Friedrich Outcast Films Senses of Cinema review by William C Wees Media Arts Fellowship Retrieved from https en wikipedia org w index php title Su Friedrich amp oldid 1184937432, wikipedia, wiki, book, books, library,

article

, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games.