Dhīraśankarābharaṇaṃ, commonly known as Śankarābharaṇaṃ, is a rāga in Carnatic music. It is the 29th Melakarta rāga in the 72 Melakarta rāga system of Carnatic music. Since this raga has many Gamakās (ornamentations), it is glorified as "Sarva Gamaka Maaṇika Rakti Rāgaṃ".
By scale wise, the Śankarābharaṇaṃ scale corresponds to Bilaval in the Hindustani music system. The Western equivalent is the major scale, or the Ionian mode.[1][2] Hence this rāga is one of the most popular scales across the world, known with different names in different musical styles.
Its nature is mellifluous and smooth. This rāga offers a large scope for compositions. It is ideal for a melodious, but still laid back majestic presentation.
It is the 5th rāga in the 5th Chakra Bāṇa. The mnemonic name is Bāṇa-Ma. The mnemonic phrase is sa ri ga ma pa da ni sa[1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):
The notes in this scale are shadjam, chatushruti rishabham, antara gandharam, shuddha madhyamam, paṅchamam, chatushruti dhaivatam and Kakali Nishadam. As it is a Melakarta rāga, by definition it is a Sampurṇa rāga (has all seven notes in ascending and descending scale). It is the Shuddha Madhyamam equivalent of 65th Melakarta rāga Kaḷyāṇi.
Janya Rāgas
Due to the even spacing of svarās, many janya rāgas can be derived from Śaņkarābharaṇaṃ. It is one of the melakarta rāgas that has high number of Janya rāgas (derived scales) associated with it.
Many of the Janya rāgas are very popular on their own, lending themselves to elaboration, interpretation and evoking different moods. Some of them are Arabhi, Atana, Bilahari, Devagaandhaari, Jana Ranjani, Hamsadhvani, Kadanakutuhalam, Niroshta, Shuddha Sāveri, Pahādi, Purnachandrika, Janaranjani, Kedaram, Kurinji, Navroj, Sarasvati-manohari, Naagadhvani etc.
See List of Janya rāgas for full list of rāgas associated with Śaṃkarābharaṇaṃ.
Compositions
Śankarābharaṇaṃ has been decorated with compositions by almost all composers. A few of the compositions are listed here.
Samakarardha Sariirini by Saint Gnanananda Teertha (Ogirala Veeraraghava Sarma) in Telugu
Rama Ninnuvina by Thyagaraja
Swara Raga Sudha by Thyagaraja
Muthuswami Dikshitar also has a list of 22 "Nottu Svara" compositions, based on Western Major Scale notes to his credit.
Related rāgas
This section covers the theoretical and scientific aspect of this rāga.
Śaṃkarābharaṇaṃ's notes when shifted using Graha bhedam, yields 5 other major Melakarta rāgas, namely, Kalyāṇi, Hanumatodi, Natabhairavi, Kharaharapriya and Harikambhoji. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāga. Refer table below for illustration of this concept.
Rāga
Mela #
C
D
E
F
G
A
B
C
D
E
F
G
A
B
C
Śaṃkarābharaṇaṃ
29
S
R2
G3
M1
P
D2
N3
S'
R2'
G3'
M1'
P'
D2'
N3'
S' '
Kharaharapriya
22
S
R2
G2
M1
P
D2
N2
S'
Hanumatodi
08
S
R1
G2
M1
P
D1
N2
S'
Kaḷyāṇi
65
S
R2
G3
M2
P
D2
N3
S'
Harikambhoji
28
S
R2
G3
M1
P
D2
N2
S'
Natabhairavi
20
S
R2
G2
M1
P
D1
N2
S'
Not a Melakarta
--
S
R1
G2
M1
M2
D1
N2
S'
Shankarābharanam
29
S
R2
G3
M1
P
D2
N3
S'
Notes on above table
C as the base for Śaṃkarābharaṇaṃ is chosen for above illustration only for convenience, as Carnatic music does not enforce strict frequency/note structure. The shadjam (S) is fixed by the artist as per the vocal range or the instrument's base frequency. All the other svarams are relative to this shadjam, falling into a geometric progression-like frequency pattern.
The 7th Graha bhedam of Śaṃkarābharaṇaṃ has both madhyamams (Ma) and no panchamam (Pa) and hence will not be considered a valid melakarta (rāga having all 7 swarams and only 1 of each). This is only a classification issue with respect to melakarta scales, while this structure could be theoretically used well to create good music.
Interesting features
The swaras are regularly spaced in these ragas. Hence these six ragas give very good melody, scope for elaboration, experimentation and exploration of phrases. In practice, Natabhairavi is not elaborated extensively much. Harikambhoji is taken up for elaboration, but not as much as the rest of the 4 ragas, namely, Śaṃkarābharaṇaṃ, Todi, Kaḷyāṇi and Kharaharapriya. One of these 4 rāgas is sung as the main rāga in a concert quite often.
As can be seen in the illustration, these rāgas can be played using just the white keys of a piano/ organ/ keyboard (rāga in simplified fashion).
^ abRagas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
^Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
March 17, 2023
sankarabharanam, raga, dhīraśankarābharaṇaṃ, commonly, known, Śankarābharaṇaṃ, rāga, carnatic, music, 29th, melakarta, rāga, melakarta, rāga, system, carnatic, music, since, this, raga, many, gamakās, ornamentations, glorified, sarva, gamaka, maaṇika, rakti, r. Dhirasankarabharaṇaṃ commonly known as Sankarabharaṇaṃ is a raga in Carnatic music It is the 29th Melakarta raga in the 72 Melakarta raga system of Carnatic music Since this raga has many Gamakas ornamentations it is glorified as Sarva Gamaka Maaṇika Rakti Ragaṃ ShankaraabharanamMela29th Dheera ShankaraabharanamChakraBaṇaArohanamS R G M P D N ṠAvarohanamṠ N D P M G R SSynonymDheera ShankaraabharanamEquivalentBilaval thaatIonian modeBy scale wise the Sankarabharaṇaṃ scale corresponds to Bilaval in the Hindustani music system The Western equivalent is the major scale or the Ionian mode 1 2 Hence this raga is one of the most popular scales across the world known with different names in different musical styles Its nature is mellifluous and smooth This raga offers a large scope for compositions It is ideal for a melodious but still laid back majestic presentation Contents 1 Structure and Lakshana 2 Janya Ragas 3 Compositions 4 Related ragas 4 1 Interesting features 5 Film Songs Tamil 6 Janya 1 Ragam Pahadi Pahari 6 1 Film Songs Tamil 7 Janya 2 Ragam Maand 7 1 Carnatic Compositions 7 2 Film Songs Tamil 8 Janya 3 Ragam Begada 8 1 Carnatic Compositions 8 2 Film Songs Tamil 9 Notes 10 ReferencesStructure and Lakshana Edit Saṃkarabharaṇaṃ scale with shadjam at C It is the 5th raga in the 5th Chakra Baṇa The mnemonic name is Baṇa Ma The mnemonic phrase is sa ri ga ma pa da ni sa 1 Its arohaṇa avarohaṇa structure is as follows see swaras in Carnatic music for details on below notation and terms arōhaṇa S R G M P D N Ṡ a avarōhaṇa Ṡ N D P M G R S b The notes in this scale are shadjam chatushruti rishabham antara gandharam shuddha madhyamam paṅchamam chatushruti dhaivatam and Kakali Nishadam As it is a Melakarta raga by definition it is a Sampurṇa raga has all seven notes in ascending and descending scale It is the Shuddha Madhyamam equivalent of 65th Melakarta raga Kaḷyaṇi Janya Ragas EditDue to the even spacing of svaras many janya ragas can be derived from Sankarabharaṇaṃ It is one of the melakarta ragas that has high number of Janya ragas derived scales associated with it Many of the Janya ragas are very popular on their own lending themselves to elaboration interpretation and evoking different moods Some of them are Arabhi Atana Bilahari Devagaandhaari Jana Ranjani Hamsadhvani Kadanakutuhalam Niroshta Shuddha Saveri Pahadi Purnachandrika Janaranjani Kedaram Kurinji Navroj Sarasvati manohari Naagadhvani etc See List of Janya ragas for full list of ragas associated with Saṃkarabharaṇaṃ Compositions EditSankarabharaṇaṃ has been decorated with compositions by almost all composers A few of the compositions are listed here Chalamela a popular Adathaalavarnam by Maharaja Swathi Thirunal in Telugu Nrityati Nrityati By Swati Thirunal in Sanskrit Eduṭa Nilacite Bhakti Bhikṣamiyave Maryada Kadura Svararagasudharasa Sundaresvaruṇi Manasu Svadhinamaina and Eṃduku Peddalavale by Tyagaraja in Telugu Dakṣhiṇamurte Sadasivam Upasmahe Akṣhayaliṃgavibho and Sri kamalamba by Muthuswami Dikshitar in Sanskrit Pogadirelo Ranga 6th Navaratna Malike Kande naa kanasinali Enagu aane by Purandara Dasa in Kannada Yenu Olle Hariye By Kanaka Dasa in Kannada Sarōjadala Netri and Devi Minanetri by Syama Sastri in Telugu Devi Jagath Janani Bhaktha Paraayana by Swathi Thirunal Maharaja in Sanskrit Rajeevaksha Baro By Swati Thirunal in Kannada Alarulu Kuriyaga Aḍinade by Annamacharya in Telugu Samakarardha Sariirini by Saint Gnanananda Teertha Ogirala Veeraraghava Sarma in Telugu Rama Ninnuvina by Thyagaraja Swara Raga Sudha by ThyagarajaMuthuswami Dikshitar also has a list of 22 Nottu Svara compositions based on Western Major Scale notes to his credit Related ragas EditThis section covers the theoretical and scientific aspect of this raga Saṃkarabharaṇaṃ s notes when shifted using Graha bhedam yields 5 other major Melakarta ragas namely Kalyaṇi Hanumatodi Natabhairavi Kharaharapriya and Harikambhoji Graha bhedam is the step taken in keeping the relative note frequencies same while shifting the shadjam to the next note in the raga Refer table below for illustration of this concept Raga Mela C D E F G A B C D E F G A B CSaṃkarabharaṇaṃ 29 S R2 G3 M1 P D2 N3 S R2 G3 M1 P D2 N3 S Kharaharapriya 22 S R2 G2 M1 P D2 N2 S Hanumatodi 08 S R1 G2 M1 P D1 N2 S Kaḷyaṇi 65 S R2 G3 M2 P D2 N3 S Harikambhoji 28 S R2 G3 M1 P D2 N2 S Natabhairavi 20 S R2 G2 M1 P D1 N2 S Not a Melakarta S R1 G2 M1 M2 D1 N2 S Shankarabharanam 29 S R2 G3 M1 P D2 N3 S Notes on above tableC as the base for Saṃkarabharaṇaṃ is chosen for above illustration only for convenience as Carnatic music does not enforce strict frequency note structure The shadjam S is fixed by the artist as per the vocal range or the instrument s base frequency All the other svarams are relative to this shadjam falling into a geometric progression like frequency pattern The 7th Graha bhedam of Saṃkarabharaṇaṃ has both madhyamams Ma and no panchamam Pa and hence will not be considered a valid melakarta raga having all 7 swarams and only 1 of each This is only a classification issue with respect to melakarta scales while this structure could be theoretically used well to create good music Interesting features Edit The swaras are regularly spaced in these ragas Hence these six ragas give very good melody scope for elaboration experimentation and exploration of phrases In practice Natabhairavi is not elaborated extensively much Harikambhoji is taken up for elaboration but not as much as the rest of the 4 ragas namely Saṃkarabharaṇaṃ Todi Kaḷyaṇi and Kharaharapriya One of these 4 ragas is sung as the main raga in a concert quite often As can be seen in the illustration these ragas can be played using just the white keys of a piano organ keyboard raga in simplified fashion Film Songs Tamil EditSong Movie Composer SingerChandrodhayam Idhile Kannagi S V Venkatraman P U ChinnappaMadi Meethu Annai Illam K V Mahadevan T M Soundararajan P SusheelaKonji Konji Pesi Kaithi Kannayiram P SusheelaManam Padaithen Kandhan KarunaiAththaan En Aththaan Paava Mannippu Viswanathan RamamoorthyKaadhellenum Vadivam Kanden BhagyalakshmiKaana Vandha KaatchiyennaEnna Enna Vaarththaigalo Vennira AadaiOre Raagam Ore Thaalam ManapanthalKaatru Vandhal Kathiruntha Kangal P B Sreenivas P SusheelaKanpadume Pirar Kanpadume P B SreenivasPaadadha Paatellam VeerathirumaganMaadi Mele Maadikati Kadhalikka NeramillaiEnna Paarvai K J Yesudas P SusheelaKaadhalika Neramillai Sirkazhi GovindarajanRoja Malare Raajakumari Veerathirumagan P B Sreenivas P SusheelaPoga Poga Theriyum Server SundaramAndru Vandhadhum Periya Idathu Penn T M Soundararajan P SusheelaNaan Maanthoppil Enga Veettu PillaiAandavan Padachan Nichaya Thaamboolam T M SoundararajanAdho Andha Paravai Pola Aayirathil OruvanNaan Kavignanum Ilai Padithal Mattum PodhumaMoondrezhuthil En Moochu Dheiva ThaaiKadhal Embadhu Paadha Kaanikkai P B Sreenivas P Susheela L R Eswari J P ChandrababuEpo Vechikalam Bandha Pasam J P ChandrababuEnna Paravai Sirakadithu Karthigai Deepam R Sudarsanam T M Soundararajan ver 1 P Susheela ver 2 Pudhu Naadagathil Ooty Varai Uravu M S Viswanathan T M SoundararajanKettavarellam Paadalam ThangaiAnubhavi Raja Anubhavi Anubavi Raja Anubavi P Susheela L R EswariMaanendru Pennukoru P SusheelaNaan Paadum Paatile BhavaniLove Birds Anbe VaaMaharaja Oru Maharaani Iru Malargal T M Soundararajan Shoba ChandrasekharEnni Irundhadhu Ragam Neelambari Touches Andha 7 Naatkal Malaysia Vasudevan Vani JairamVidiya Vidiya Solli Pokkiri Raja S P Balasubrahmanyam P SusheelaDil Dil Dil Manadhil Mella Thirandhathu KadhavuAadungal Paadungal Guru Ilaiyaraaja S P BalasubrahmanyamPudhucheri Katcheri SingaravelanThene Thenpaandi Udaya GeethamNilaave Vaa Mouna RagamYerikkarai Poongaatre Nee Pora Vazhi Thooral Ninnu Pochchu K J YesudasThaalattudhe Vaanam Kadal Meengal P Jayachandran S JanakiPudhu Maapilaiku Apoorva Sagodharargal S P Balasubrahmanyam S P SailajaAalapol Vellapol Ejamaan S P Balasubrahmanyam K S ChithraPaarthathenna Paarvai NaangalIndha Minminiku Sigappu Rojakkal Malaysia Vasudevan S JanakiMalaiyaala Karaiyoram Rajadhi Raja ManoGermaniyin Senthen Malare Ullasa Paravaigal S P Balasubrahmanyam S JanakiAnjali Anjali Anjali Anjali Sathya Karthik Raja Yuvan Shankar Raja Bhavatharini Venkat Prabhu Premji Amaran Parthi Bhaskar Hari Bhaskar VaishnaviKanmani Anbodu Kadhalan Gunaa Kamal Haasan S JanakiKuzhaloodhum Kannanukku Mella Thirandhathu Kadhavu K S ChithraDillu Baru Jaane Kalaignan Mano K S ChithraNila Kaayum Neeram Chembaruthi Mano S JanakiPattu PooveApril Mayilae Idhayam Ilaiyaraaja Deepan Chakravarthy S N SurendarNaan Erikarai Chinna Thayee K J Yesudas Swarnalatha Ilaiyaraaja Pathos O Vennila Kadhal Desam A R Rahman Unni KrishnanKandukondain Kandukondain Ragam Nalinakanthi Touches also Kandukondain Kandukondain Hariharan Mahalakshmi IyerAalala Kanda charanam in Charukesi Mazhai thuli in hariKambhoji Sangamam Hariharan M S VishwanathanIni Achcham Achcham Illai Indira Sujatha Mohan Anuradha Sriram G V Prakash Shweta Mohan EstherThoda Thoda Malarndhadhenna S P Balasubrahmanyam K S ChithraKangalil Enne UzhavanPennalla Pennalla S P BalasubrahmanyamMoongilile Paatisaikum Kaatralaiyai Raagam Thedum Pallavi T RajendarMazhaiyum Neeye Azhagan Maragadha ManiSa Sa Sa Sani thapa niveathaa Nee Pathi Naan PathiNaadodi Paattu Paada Harichandra AgoshShenbaga Poovai Paasamalargal V S Narasimhan S P Balasubrahmanyam Sujatha MohanNalam Nalamariya Aval Kadhal Kottai Deva S P Balasubrahmanyam Anuradha SriramVetri Nichayam Annaamalai S P BalasubrahmanyamPulveli Pulveli Aasai K S Chithra Unni Krishnan Humming only Raasithaan Kairaasithaan En Aasai Machan S P Balasubrahmanyam K S ChithraEnna Kathai Solla Annanagar Mudhal Theru ChandraboseVanampadi Padum Neram Ellame En Thangachi Shankar GaneshOh Nenje Darling Darling Darling S P Balasubrahmanyam S P Charan Pallavi VasanthSollathae Sollamale Bobby Hariharan K S ChithraIrupathu Kodi Nilavugal Thulladha Manamum Thullum S A Rajkumar HariharanUnnodu Vaazhadha Amarkalam Bharadwaj K S ChithraAval Ulaghazhagi Lesa Lesa Harris Jayaraj KarthikEnna Ithu Enna Ithu Nala Damayanthi Ramesh Vinayakam Ramesh Vinayakam ChinmayiNaan Nee Madras Santhosh Narayanan Shakthisree Gopalan DheeRakita Rakita Rakita Jagame Thanthiram Dhanush Santhosh NarayananJanya 1 Ragam Pahadi Pahari EditAscending S R2 G3 P D2 P D2 S Descending N3 D2 P G3 M1 G3 R2 S N3 D2 P D2 S Film Songs Tamil Edit Song Movie Composer SingerKodi Kodi Inbam Aadavantha Deivam K V Mahadevan T R Mahalingam P Susheela P LeelaUnnai Arinthaal Vettaikkaran T M SoundararajanKatti Thangam Vetti Thayai Katha ThanayanNeela Chelai Katti Konda Thiruvilaiyadal P SusheelaAththai Magane Paadha Kaanikkai Viswanathan RamamoorthyKannuku Kulam Yedu KarnanThannilavu Theniraikka Padithal Mattum PodhumaPakkathu Veettu Paruva Machaan KarpagamVaa Endrathu Kathiruntha KangalPonnai Virumbum Aalayamani T M SoundararajanYaar Yaar Aval Pasamalar P B Sreenivas P SusheelaThulli Thirintha Kathiruntha Kangal P B SreenivasNaadu Athai Naadu Nadodi T M Soundararajan P SusheelaManam Ennum Medai Mele Vallavanukku Vallavan VedhaInnum Parthukondirunthal Vallavan OruvanPonmeni Thazhuvamal Reused tune Yaar Nee P SusheelaIppadiyor Thalattu Avargal M S Viswanathan S JanakiVizhiye Kathai Ezhudhu Urimaikural K J Yesudas P SusheelaThenaatrankaraiyinile Uttharavindri Ulle Vaa L R EswariBharathi Kannamma Ninaithale Inikkum S P Balasubrahmanyam Vani JairamOre Jeevan Neeya Shankar GaneshPullankuzhal Mozhi Tamil Oorum UravumOre Naal Unnai Naan Ilamai Oonjal Aadukirathu IlaiyaraajaVaan Megangale Puthiya Vaarpugal Malaysia Vasudevan S JanakiPani Vizhum Poo Nilave Thaipongal Malaysia Vasudevan S P SailajaAlli Thantha Bhoomi Nandu Malaysia VasudevanVizhiyil En Vizhiyil Ram Lakshman S P Balasubrahmanyam P SusheelaOru Iniya Manathu Johnny Sujatha MohanAzhagae Azhagu Raja Paarvai K J YesudasMagizham Poove Unnai Parthu Puthiya Adimaigal K J Yesudas P SusheelaRamanin Mohanam Netrikkan K J Yesudas S JanakiEngey Enn Jeevane Uyarndha UllamChinna Chinna Sol Eduthu RajakumaranSeer Kondu Vaa Naan Paadum Paadal S P Balasubrahmanyam S JanakiMounamana Neram Salangai OliSalaiyoram Payanangal MudivathillaiNilavondru Kanden KairasikkaranKannil Enna Un Kannil Neer VazhindalVaa Vennila Mella Thirandhathu KadhavuVaigai Nathioram Rickshaw MamaKoondukulla Unna Vachu Chinna GounderNadu Samathile Thirumathi PalanisamyKuthalakuyile Kuthalakuyile Malaysia Vasudevan MinminiEnnodu Paattu Paadungal Udaya Geetham S P BalasubrahmanyamPoguthae Poguthae Kadalora KavithaigalYedhedho Ennam Valarthen Punnagai Mannan K S ChithraNinaitthathu Yaro Paattukku Oru Thalaivan Mano JikkiIndha Maan Unthan Sontha Maan Karakattakkaran Ilaiyaraaja K S ChithraVechalum Vekkama Ponnalum Michael Madana Kama Rajan Malaysia Vasudevan S JanakiDhoori Dhoori Manathil Oru Dhoori Innisai Mazhai S P Balasubrahmanyam Shoba ChandrasekharOru Kolakili Sonnathey Pon Vilangu P Jayachandran SunandhaKezhukkaale Sevathu Nattupura Pattu Arunmozhi Devie NeithiyarPoovarasan Poove Kadavul Arunmozhi Sujatha MohanPoo Poothadu Mumbai Xpress Sonu Nigam Shreya Ghoshal ShaanPungatru Un Peru Solla Vettri Vizhaa S P Balasubrahmanyam K S ChithraMarugo MarugoAdi Vaanmathi SivaEnnatthil Yedho Kallukkul Eeram S JanakiRaasave Unna Nambi Muthal MariyathaiThanner Kudam Sakkarai DevanAlli Alli Veesuthama Atha Maga Rathiname Gangai AmaranGaleer Galeer Endre Devathai 1979 ShyamYedho Nadakkirathu Manithan Chandrabose K J Yesudas K S ChithraNeela Kuyilgal Rendu Viduthalai S P Balasubrahmanyam Chandrabose and chorusManasula Enna Nenache Periya Idathu Pillai K J Yesudas P SusheelaMela Mela Nadanthu Urimai Geetham Manoj Gyan S P Balasubrahmanyam VidhyaThulli Thulli Pogum Penne Velicham K J YesudasKangala Minnala Endrendrum Kadhal S P Balasubrahmanyam K S ChithraO Thendrale S P BalasubrahmanyamMegam Andha Megam Aayiram Pookkal Malarattum V S NarasimhanMaiyil Thogai Ragasiya Police Laxmikant PyarelalInnum Konjam Maryan A R Rahman Vijay Prakash Swetha MohanChitthirai Nilavu Vandicholai Chinraasu P Jayachandran MinminiHosanna Vinnaithaandi Varuvaayaa Vijay Prakash Suzanne BlaazeMoongil Thottam Kadal Abhay Jodhpurkar HariniEnakke Enakka Jeans P Unnikrishnan PallaviUnakaga Ragam Bihag touches also Bigil Sreekanth Hariharan Madhura Dhara TalluriAdhikaalai Naan Paadum Boopalamea Pudhu Padagan S Thanu S P Balasubrahmanyam K S ChithraKathivaithu Kangal Irandum Mannavaru Chinnavaru Geethapriyan Sukhwinder Singh RanjaniUn Per Solla Minsara Kanna Deva Hariharan Sujatha MohanThoongu Moonchi Surieyan S Janaki S P BalasubrahmanyamOh Laali Adimai Changili Gopal Sharma SwarnalathaOru Pen Pura Annaamalai K J YesudasAasai Aasaiyai Aanandham S A RajkumarPoonthendrale Nee Padivaa Manasukkul Mathappu P Jayachandran Sunandha ver 1 K S Chithra ver 2 Oru Pouranami Raja Hariharan Mahalakshmi IyerIrupathu Kodi Nilavugal Thulladha Manamum Thullum HariharanMaankutty Maankutty Priyamaana Thozhi Hariharan Sujatha MohanChinna Chinna Kannadi Pookal Srinivas ChinmayiNadodi Mannargale Vaaname Ellai Maragadha Mani K S Chithra amp ChorusPachchai Thee Neeyada Baahubali The Beginning Karthik Damini BhatlaEnge Andha Vennila Varushamellam Vasantham Sirpy Unni MenonPutham Puthu Oorukku Chinna MadamKannil Aadum Roja Captain Swarnalatha S P BalasubrahmanyamPuthu Roja Puthiruchu Gokulam Mano SwarnalathaAzhagooril Poothvale Thirumalai Vidyasagar S P Balasubrahmanyam Sujatha MohanHitler Penne Poi Tippu Sujatha MohanEera Nila Aravindhan Yuvan Shankar Raja S P Balasubrahmanyam Mahanadhi ShobanaOh Mane Mane Maane Rishi Hariharan ver 1 Sujatha Mohan ver 2Oru Malayoram Avan Ivan Vijay Yesudas Priyanka Srinisha Jayaseelan NithyashreeThendrale Pesum Thendrale Chandralekha 1994 M S Geethan K S Chithra ManoPoove Vai Pesum Pothu 12B Harris Jayaraj Mahalakshmi Iyer Harish RaghavendraPineaple Kannathodu Samudhiram Sabesh Murali Shankar Mahadevan Sujatha MohanAzhagu Katteri Goripalayam Surjith VijithaMay Madham Shahjahan Mani Sharma Devan Sujatha MohanAiythaaney Aiythaaney Mudhal Idam D Imman D Imman ChinmayiJanya 2 Ragam Maand EditAscending S G3 M1 D2 N3 SDescending S N3 D2 P M1 G3 R2 S Carnatic Compositions Edit Maand Thillana by Lalgudi Jayaraman Paindhaane Hanuman by Arunachala Kavi Ramanai Bhajithaal by Papanasam Sivan Aadugindraan Kannan by Suddhanandha Bharathi Muralidhara Gopala by Periyasamy Thooran popularised by ML Vasanthakumari Aarumo Aaval by Kannan Iyengar another song popularised by MLV Neeraja Dhala Nayana by Sambasiva Iyer popularised by Maharajapuram Santhanam Vaanathin Meedhu Mayilaada by Ramalinga Adigal popularised by MS SubbulakshmiFilm Songs Tamil Edit Song Movie Composer SingerUlaginile Avvaiyar film M D Parthasarathy P S Anandaraman amp Mayavaram Venu K B SundarambalMaasila Nilave Ragamalika Maand Khambodhi Punnagavarali Ambikapathy G Ramanathan T M Soundararajan P BhanumathiUlavum Thendral Manthiri Kumari Thiruchi Loganathan JikkiAaduvome Pallu Paaduvome Naam Iruvar R Sudarsanam D K PattammalAayiram Kan Podhadhu Paavai Vilakku K V Mahadevan C S JayaramanOru Naal Podhuma Thiruvilaiyadal M BalamuralikrishnaKumari Pennin Enga Veettu Pillai Viswanathan Ramamoorthy T M Soundararajan P SusheelaNenjam Marappathillai Nenjam Marappathillai P B Sreenivas P SusheelaAzhage Vaa Aandavan Kattalai P SusheelaAayiram Penmai Malaratume Vaazhkai PadaguPoothirunthu Kathirunthen Valli Deivanai N S ThyagarajanAayiram Pookkal Aayiram Pookkal Malarattum V S NarasimhanKadhal Enbathu Naalai Namadhe M S Viswanathan K J Yesudas P SusheelaNaan Endral Adhu Avalum Suryagandhi S P Balasubrahmanyam J JayalalithaaNadanai Kandeanadi Ragam kathanakuthuhalam touches in charanam Rajaraja Cholan Kunnakudi Vaidyanathan P Susheela B RadhaRaasaave Unna Naan Ennithan Thanikattu Raja Ilayaraja S P SailajaKungumam Thaane Oru Pennukku Raja Enga RajaChellapillai Saravanan Penjenmam K J Yesudas P SusheelaKuyiley Kuyiley Pulan Visaranai K J Yesudas Uma RamananYele Ilankiliye amp Singara Cheemaiyile Ninaivu Chinnam P Susheela ver 1 Ilayaraja ver 2 Dhoori Dhoori Thendral Sudum S Janaki Yuvan Shankar Raja Bhavatharini P Susheela Pathos Vanna Chindhu Koyil Kaalai Mano S JanakiAdichen Kadhal Parisu Ponmana Selvan Mano K S ChitraMachan Un Machini Raman Abdullah Malgudi SubhaChinna Kuyil Paadum Pattu Poove Poochooda Vaa K S ChitraVaanaththil Irunthu Ragamalika Mohanam Maand Vellaiya Thevan Arunmozhi Uma RamananSinagarama Nalla in charanam Periya Marudhu Uma RamananAalappol Velappol Ragam Shankarabharanam touches also Ejamaan S P Balasubrahmanyam K S ChitraAnjali Anjali Duet A R RahmanMaanooththu Manthaiyile Kizhakku Cheemayile S P Balasubrahmanyam SasirekhaSowkiyama Kannae Sangamam Nithyashree MahadevanSwasame Swasame Ragamalika Kedar Hamirkalyani Maand Thenali S P Balasubrahmanyam Sadhana SargamKhwaja Endhan Khwaja Jodhaa Akbar A R RahmanAye Mr Minor Kaaviya Thalaivan Shashaa Tirupati HaricharanMaya Maya Sarvam Thaala Mayam ChinmayiMaayava Thooyava Iravin Nizhal Shreya GhoshalO Meghame Chinna Chinna Aasaigal Chandrabose K J Yesudas Vani JairamSathi Malli Poocharame Azhagan Maragadha Mani S P BalasubrahmanyamMarakamudiyavillai Jaathi Malli S P Balasubrahmanyam K S ChitraPaithiyamaanene Kadal Pookkal Deva Harini P UnnikrishnanPutham Pudhu Malargal Kaalamellam Kadhal Vaazhga K S ChitraKaddu Thirande Kidakinrathu Vasool Raja MBBS Bharadwaj Hariharan Sadhana SargamNarayana Narayana Ramanujan Ramesh Vinayakam Vani Jayaram Karthik SureshSandana Poongatrae Azhagiya Theeye Lavanya Ramesh VinayakamYaaroodum Sollakkathai Chinmayi Ramesh VinayakamUn Kannanguzhiyil Thittam Irandu Satish Raghunathan Karthika VaidyanathanKonji Konji The Legend 2022 Harris Jayaraj KK Shreya GhoshalJanya 3 Ragam Begada EditAscending S G3 R2 G3 M1 P D2 P SDescending S N3 D2 P M1 G3 R2 Carnatic Compositions Edit Naadopasana by Tyagaraja Thyagaraja Namasthe and Vallabha Nayakasya by Dikshitar Varuvar Azhaithu Vaadi by Ramalinga Adigal Ganarasamudaniin Bhuvaneshwari by Papanasam Sivan Vaa Muruga Vaa by Spencer Venugopal Nandri Kooruvame by T Lakshmana Pillai Shankari Neeve by Subbaraya Sastri Kalayami Raghuramam by Swati Thirunal Kadaikkan vaithennai by Ramasamy Sivan Abimanamennadu Galgu by Patnam Subramaniya Iyer Elle Ilangiliye a ThiruppavaiFilm Songs Tamil Edit Song Movie Composer SingerNijama Idhu Nijama Haridas Papanasam Sivan M K Thyagaraja BhagavatharNotes Edit Alternate notations Hindustani S R G M P D N ṠWestern C D E F G A B C Alternate notations Hindustani Ṡ N D P M G R SWestern C B A G F E D CReferences Edit India portal Music portal a b Ragas in Carnatic music by Dr S Bhagyalekshmy Pub 1990 CBH Publications Raganidhi by P Subba Rao Pub 1964 The Music Academy of Madras Retrieved from https en wikipedia org w index php title Sankarabharanam raga amp oldid 1143848184, wikipedia, wiki, book, books, library,
