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Prêt-à-Porter (film)

January 01, 1970

Prêt-à-Porter, released in the United States as Ready to Wear (Prêt-à-Porter), is a 1994 American satirical comedy-drama film co-written, directed, and produced by Robert Altman[3] and shot on location during the Paris Fashion Week with a host of international stars, models, and designers.[4]

Prêt-à-Porter
US theatrical promotional poster
Directed byRobert Altman
Written by
  • Robert Altman
  • Barbara Shulgasser
Produced byRobert Altman
Starring
Cinematography
  • Jean Lépine
  • Pierre Mignot
Edited by
Music byMichel Legrand
Distributed byMiramax Films
Release dates
  • December 23, 1994 (1994-12-23) (New York City)
  • December 25, 1994 (1994-12-25) (United States)
Running time
133 minutes[1]
CountryUnited States
Languages
  • English
  • French
  • Italian
  • Russian
  • Spanish
Budget$18 million (estimated)[2]
Box office$46.8 million

The film features an extensive ensemble cast, including Anouk Aimée, Marcello Mastroianni, Sophia Loren, Kim Basinger, Stephen Rea, Lauren Bacall, Julia Roberts, Tim Robbins, Lili Taylor, and Sally Kellerman.

Plot edit

Models, designers, industry hot shots and journalists gather for Paris Fashion Week, to work, bicker, and try to seduce each other. Early on, Fashion Council head Olivier de la Fontaine chokes to death on a sandwich, leaving behind a wife, a mistress, and a mysterious Russian companion who has fled the scene.

As the death is being investigated, Fashion Week continues. Injecting herself between the designers, American television personality Kitty gets sound bites from the high-fashion types throughout the length of the show.

Meanwhile, Anne and Joe are two American journalists, thrown together into the same over-booked room. They are meant to cover the show for their respective papers, but skip out on the majority of the festivities to have a hotel-room tryst during the week.

Three rival magazine editors from Harper's Bazaar, British Vogue and Elle vie for the exclusive services of Milo O'Brannigan, a trendy photographer who sexually humiliates the three; leading them to vow vengeance against him.

Sergei, a fading icon (and the mysterious Russian with Olivier when he died) and Isabella (Olivier's widow) hope to rekindle a romance from decades ago, but as they attempt to be intimate, Sergei falls asleep.

In the end, Fontaine's former mistress Simone sends her models down the catwalk nude in protest of her son Jack's (who incidentally had been cheating on his model girlfriend with another model) sale of her brand. Kitty quits on the spot, as the nudity confuses her. The final scene is of Olivier de la Fontaine's funeral procession, after the police declared him dead from choking on a sandwich.

Cast edit

The film includes various cameo appearances from fashion industry figures, including designers Jean-Paul Gaultier and Björk modeling for him, Thierry Mugler, Sonia Rykiel, Christian LaCroix, Gianfranco Ferré, and Issey Miyake, and models such as Christy Turlington, Helena Christensen, Linda Evangelista, Claudia Schiffer, Carla Bruni, and Naomi Campbell.[5] Cher, Björk, Rossy de Palma and Harry Belafonte also make cameos.[6]

Production edit

Robert Altman was inspired to make the film after accompanying his wife Kathryn to a Sonia Rykiel fashion show in Paris in 1984.[5][7][8] "I couldn't believe what I saw. It was such a circus. It was just too theatrical not to want to film," Altman said in a 1994 interview.[2] For research, in the fall of 1993 Altman attended several fashion shows including those of Issey Miyake, Yohji Yamamoto, Jean-Paul Gaultier and Yves Saint Laurent.[7]

The film itself was shot at the 1994 Spring/Summer season of Paris Fashion Week.[9]

In reference to the scene in which Simone's models walk down the runway completely naked, Robert Altman said, "The actors knew, but most of the audience didn't, so I got the surprise reactions I was hoping for. Those women were wonderful. However, I think that without Ute Lemper, the pregnant bride at the end of the show, the scene wouldn't have had that same impact. And without that scene the whole film probably wouldn't make as much sense." [10]

Release edit

In the United States, the film was released on December 25, 1994 under the title Ready to Wear (Prêt-à-Porter), while the original title was used in other countries.[11][4] The US DVD and VHS title was Robert Altman's Ready to Wear.

The film was R-rated by the Motion Picture Association of America (MPAA). However, following an advertisement by Columbia Records for the soundtrack album featuring a naked Helena Christensen in The New York Times which also said "See the Movie", the MPAA threatened to rescind its rating unless the company agreed not to use the image advertising the film.[11][12]

For the film's German release, a line referring to German designer Karl Lagerfeld as a "plagiarist" was removed.[13] Though Lagerfeld had filed a court injunction against the film's release in his home country, the film's German distributor, Senator Film, agreed to cut the reference and the release went ahead as planned.[13]

Box office edit

The film had a weak debut at the US box office.[14] By the end of its run, the film grossed U$11,300,653 at the box office in the United States and Canada.[15][16] It grossed $35.5 million internationally[17] for a worldwide total of $46.8 million.

Critical reception edit

Prêt-à-Porter holds a 24% approval rating on Rotten Tomatoes based on 25 reviews, with an average rating of 4.75/10.[18]

Roger Ebert gave the film two-and-a-half stars out of four and thought it "should have gone further and been meaner; too many of [Altman's] jokes are generic slapstick, instead of being aimed squarely at industry's targets."[19] Gene Siskel gave it one-and-a-half out of four stars and called it "a true bomb as director Robert Altman, on a very hot streak, improbably finds absolutely nothing funny or fresh to say about the fashion industry and the 'journalists' who cover it with a wet kiss. Lacking a screenplay, Altman's intercutting among boring caricatures grows old quickly, and after 2½ hours, it may occur to you: 'I could have been shopping.'"[20] Janet Maslin of The New York Times wrote that Altman's "laissez-faire satirical style proves ineffectual for shooting fish in this barrel. Fashion is too self-conscious to be skewered so casually."[21] Rita Kempley of The Washington Post called the film "a mess" that was "most compelling when Altman turns his camera on the kitschy runway shows themselves ... Perhaps Altman should have made this film as a documentary instead."[6] Kenneth Turan of the Los Angeles Times wrote that the film "sounds like Altman's most recent successes, 'The Player' and 'Short Cuts.' But there is a difference between creative improvisation and absolute chaos, and while those films were delicately balanced balls that magically stayed in the air, Ready to Wear, with a script credited to Altman and Barbara Shulgasser, has a haphazard 'Let's go to Paris and see what happens' feeling that wastes everyone's time and talent."[22] Owen Gleiberman of Entertainment Weekly gave the film a grade of C− and wrote, "Virtually everything that happens is held up for our ridicule, yet it's never quite clear what we're supposed to be laughing at. The characters aren't really mocked for their attitudes, their obsessions with glamour and money and style. They aren't savaged in any specific, observational ways that could truly be called satirical. They're made fun of simply because they're silly, trivial human beings—walking punchlines in a joke that never arrives. It's like watching an Altman film that's been drained by a vampire."[23]

John Simon of the National Review said Prêt-à-Porter was a picture that only a director's mother could love, and that the film, which has a runtime of over two hours, wears out its welcome in ten minutes.[24]

The response from the fashion community was similarly tepid. In a review that was published in December 1994, fashion critic Suzy Menkes wrote, "For fashion folks, the film just didn't come off - either as an extended skit, or as a bitchy or brutal dissection of the industry...Most people did not think that Altman had done for fashion with Ready to Wear what he did to the United States Army in M*A*S*H or for Hollywood in The Player."[25]

Year-end lists edit

Accolades edit

Soundtrack edit

  1. "Here Comes the Hotstepper" (Heartical Mix) - Ini Kamoze
  2. "My Girl Josephine" - Super Cat
  3. "Here We Come" - Salt-N-Pepa
  4. "Natural Thing" - M People
  5. "70's Love Groove" - Janet Jackson
  6. "Jump On Top of Me" - The Rolling Stones
  7. "These Boots Are Made for Walkin'" - Sam Phillips
  8. "Pretty" (Remix) - The Cranberries
  9. "Third Time Lucky" - Basia
  10. "Martha" - Eric Mouquet, Michel Sanchez forming the group Deep Forest
  11. "Close to You" - The Brand New Heavies
  12. "Keep Givin' Me Your Love" (West End Mix) - Cece Peniston
  13. "Get Wild" - The New Power Generation
  14. "Supermodel Sandwich" - Terence Trent D'Arby
  15. "Lemon" (Perfecto Mix) - U2

Television adaptation edit

In August 2021, a television series adaptation of the film was reported to be in development at Paramount+, with Miramax Television being mentioned as the producer.[30] In October 2023, development on the series shifted to the BBC, with Paramount+ no longer involved.[31]

References edit

  1. ^ . British Board of Film Classification. Archived from the original on February 5, 2017. Retrieved February 4, 2017.
  2. ^ a b Lindsey, Craig (September 20, 2022). "Harvey's Hellhole: Pret-A-Porter". Crooked Marquee. Retrieved September 26, 2022.
  3. ^ Maslin, Janet (2007). . Movies & TV Dept. The New York Times. Archived from the original on December 19, 2007. Retrieved April 2, 2009.
  4. ^ a b "Prêt-à-Porter (Ready to Wear). 1994. Directed by Robert Altman The Model's Handbook. 1956. Directed by Robert Altman". MoMA. Retrieved September 26, 2022.
  5. ^ a b Defares, Giselle (December 26, 2015). "Why 'Prêt-à-Porter' is the ultimate fashion film". HelloGiggles. Retrieved September 26, 2022.
  6. ^ a b Kempley, Rita (December 25, 1994). "Altman's Got Nothing to Wear". The Washington Post. Retrieved September 26, 2022.
  7. ^ a b Pener, Degen (October 17, 1993). "EGOS & IDS; Coming Soon: The Inside Of Fashion". The New York Times. ISSN 0362-4331. Retrieved September 26, 2022.
  8. ^ Covington, Richard (August 14, 1994). "ON LOCATION : Acid-Washed Fashion". Los Angeles Times. from the original on October 29, 2020. Retrieved September 27, 2022.
  9. ^ Menkes, Suzy (October 12, 1993). "The Players of Ready-to-Wear, by Altman". The New York Times. ISSN 0362-4331. Retrieved September 26, 2022.
  10. ^ "Su questo circo devo fare un film". repubblica.it. Retrieved April 23, 2024.
  11. ^ a b Eller, Claudia (December 7, 1994). "Is Altman Dressed for Success?". Los Angeles Times. Retrieved September 27, 2022.
  12. ^ Evans, Greg (December 16, 1994). "Miramax hijinks don't 'Wear' well with Valenti". Variety. p. 6.
  13. ^ a b Snow, Shauna (March 22, 1995). "Lagerfeld Insult Deleted: "Ready to Wear (Pret-a-Porter)"". Los Angeles Times. Retrieved September 26, 2022.
  14. ^ "Dumb' Laughs = a Smart Payoff : Box office: Jim Carrey vehicle pulls a 'Gump,' taking in $16.2 million on an otherwise slow film-going weekend". Los Angeles Times. Retrieved December 31, 2010.
  15. ^ Prêt-à-Porter at Box Office Mojo
  16. ^ "Prêt-à-Porter (1994) - Financial Information". The Numbers.
  17. ^ Klady, Leonard (February 19, 1996). "B.O. with a vengeance: $9.1 billion worldwide". Variety. p. 1.
  18. ^ Ready to Wear (Prêt-à-Porter) at Rotten Tomatoes
  19. ^ Ebert, Roger (December 25, 1994). "Ready to Wear (Prêt-à-Porter)". RogerEbert.com. Retrieved December 14, 2018.
  20. ^ Siskel, Gene (December 30, 1994). "'Ready to Wear' quickly starts to unravel in Altman's hands". Chicago Tribune. Section 7, page B.
  21. ^ Maslin, Janet (December 23, 1994). "FILM REVIEW; Altman's Swipe At Fashion". The New York Times. Retrieved September 26, 2022.
  22. ^ Turan, Kenneth. "MOVIE REVIEW : 'Ready to Wear': Latest in Altman's Fashion Line". Los Angeles Times. Retrieved September 26, 2022.
  23. ^ Gleiberman, Owen (December 23, 1994). "Ready to Wear (Pret-a-Porter)". Entertainment Weekly. Retrieved September 26, 2022.
  24. ^ Simon, John (2005). John Simon on Film: Criticism 1982–2001. Applause Books. p. 452.
  25. ^ Menkes, Suzy (December 15, 2015). "Robert Altman fails to impress followers of fashion: fashion archive, 15 Dec 1994". the Guardian. Retrieved September 27, 2022.
  26. ^ Maslin, Janet (December 27, 1994). "CRITIC'S NOTEBOOK; The Good, Bad and In-Between In a Year of Surprises on Film". The New York Times. Retrieved July 19, 2020.
  27. ^ Arnold, William (December 30, 1994). "'94 Movies: Best and Worst". Seattle Post-Intelligencer (Final ed.). p. 20.
  28. ^ Archerd, Army (December 23, 1994). "Miramax celebrates its Globe nods". Variety. Retrieved September 26, 2022.
  29. ^ "1994 Award Winners". nationalboardofreview.org. Retrieved September 26, 2022.
  30. ^ Petski, Denise (August 25, 2021). "'Prêt-à-Porter' TV Series Based On Robert Altman's Movie In Works At Paramount+ From Miramax TV". Deadline Hollywood. Retrieved August 25, 2021.
  31. ^ Goldbart, Max (October 23, 2023). "Miramax's 'Prêt-à-Porter' TV Series Moves From Paramount+ To The BBC; Remains In Development". Deadline Hollywood. Retrieved October 23, 2023.

External links edit

January 01, 1970
prêt, porter, film, prêt, porter, released, united, states, ready, wear, prêt, porter, 1994, american, satirical, comedy, drama, film, written, directed, produced, robert, altman, shot, location, during, paris, fashion, week, with, host, international, stars, . Pret a Porter released in the United States as Ready to Wear Pret a Porter is a 1994 American satirical comedy drama film co written directed and produced by Robert Altman 3 and shot on location during the Paris Fashion Week with a host of international stars models and designers 4 Pret a PorterUS theatrical promotional posterDirected byRobert AltmanWritten byRobert Altman Barbara ShulgasserProduced byRobert AltmanStarringAnouk Aimee Marcello Mastroianni Sophia Loren Kim Basinger Stephen Rea Lauren Bacall Julia Roberts Tim Robbins Lili Taylor Sally Kellerman Tracey Ullman Linda Hunt Rupert Everett Forest Whitaker Richard E Grant Danny Aiello Teri Garr Lyle Lovett Jean Rochefort Michel Blanc Jean Pierre Cassel Ute Lemper Anne Canovas Francois CluzetCinematographyJean Lepine Pierre MignotEdited byGeraldine Peroni Suzy ElmigerMusic byMichel LegrandDistributed byMiramax FilmsRelease datesDecember 23 1994 1994 12 23 New York City December 25 1994 1994 12 25 United States Running time133 minutes 1 CountryUnited StatesLanguagesEnglish French Italian Russian SpanishBudget 18 million estimated 2 Box office 46 8 million The film features an extensive ensemble cast including Anouk Aimee Marcello Mastroianni Sophia Loren Kim Basinger Stephen Rea Lauren Bacall Julia Roberts Tim Robbins Lili Taylor and Sally Kellerman Contents 1 Plot 2 Cast 3 Production 4 Release 4 1 Box office 4 2 Critical reception 4 3 Year end lists 4 4 Accolades 5 Soundtrack 6 Television adaptation 7 References 8 External linksPlot editModels designers industry hot shots and journalists gather for Paris Fashion Week to work bicker and try to seduce each other Early on Fashion Council head Olivier de la Fontaine chokes to death on a sandwich leaving behind a wife a mistress and a mysterious Russian companion who has fled the scene As the death is being investigated Fashion Week continues Injecting herself between the designers American television personality Kitty gets sound bites from the high fashion types throughout the length of the show Meanwhile Anne and Joe are two American journalists thrown together into the same over booked room They are meant to cover the show for their respective papers but skip out on the majority of the festivities to have a hotel room tryst during the week Three rival magazine editors from Harper s Bazaar British Vogue and Elle vie for the exclusive services of Milo O Brannigan a trendy photographer who sexually humiliates the three leading them to vow vengeance against him Sergei a fading icon and the mysterious Russian with Olivier when he died and Isabella Olivier s widow hope to rekindle a romance from decades ago but as they attempt to be intimate Sergei falls asleep In the end Fontaine s former mistress Simone sends her models down the catwalk nude in protest of her son Jack s who incidentally had been cheating on his model girlfriend with another model sale of her brand Kitty quits on the spot as the nudity confuses her The final scene is of Olivier de la Fontaine s funeral procession after the police declared him dead from choking on a sandwich Cast editMarcello Mastroianni as Sergei Sergio Sophia Loren as Isabella de la Fontaine Anouk Aimee as Simone Lowenthal Rupert Everett as Jack Lowenthal Julia Roberts as Anne Eisenhower Tim Robbins as Joe Flynn Kim Basinger as Kitty Potter Stephen Rea as Milo O Brannigan Forest Whitaker as Cy Bianco Richard E Grant as Cort Romney Lauren Bacall as Slim Chrysler Lyle Lovett as Clint Lammeraux Lili Taylor as Fiona Ulrich Sally Kellerman as Sissy Wanamaker Tracey Ullman as Nina Scant Linda Hunt as Regina Krumm Teri Garr as Louise Hamilton Danny Aiello as Major Hamilton Ute Lemper as Albertine Rossy de Palma as Pilar Chiara Mastroianni as Sophie Choiset Jean Pierre Cassel as Olivier de la Fontaine Georgianna Robertson as Dane Simpson Jean Rochefort as Inspector Tantpis Michel Blanc as Inspector Forget Francois Cluzet as Nina s assistant Kasia Figura as Sissy s assistant Sam Robards as Regina s assistant Alexandra Vandernoot as Sandra de la Notte The film includes various cameo appearances from fashion industry figures including designers Jean Paul Gaultier and Bjork modeling for him Thierry Mugler Sonia Rykiel Christian LaCroix Gianfranco Ferre and Issey Miyake and models such as Christy Turlington Helena Christensen Linda Evangelista Claudia Schiffer Carla Bruni and Naomi Campbell 5 Cher Bjork Rossy de Palma and Harry Belafonte also make cameos 6 Production editRobert Altman was inspired to make the film after accompanying his wife Kathryn to a Sonia Rykiel fashion show in Paris in 1984 5 7 8 I couldn t believe what I saw It was such a circus It was just too theatrical not to want to film Altman said in a 1994 interview 2 For research in the fall of 1993 Altman attended several fashion shows including those of Issey Miyake Yohji Yamamoto Jean Paul Gaultier and Yves Saint Laurent 7 The film itself was shot at the 1994 Spring Summer season of Paris Fashion Week 9 In reference to the scene in which Simone s models walk down the runway completely naked Robert Altman said The actors knew but most of the audience didn t so I got the surprise reactions I was hoping for Those women were wonderful However I think that without Ute Lemper the pregnant bride at the end of the show the scene wouldn t have had that same impact And without that scene the whole film probably wouldn t make as much sense 10 Release editIn the United States the film was released on December 25 1994 under the title Ready to Wear Pret a Porter while the original title was used in other countries 11 4 The US DVD and VHS title was Robert Altman s Ready to Wear The film was R rated by the Motion Picture Association of America MPAA However following an advertisement by Columbia Records for the soundtrack album featuring a naked Helena Christensen in The New York Times which also said See the Movie the MPAA threatened to rescind its rating unless the company agreed not to use the image advertising the film 11 12 For the film s German release a line referring to German designer Karl Lagerfeld as a plagiarist was removed 13 Though Lagerfeld had filed a court injunction against the film s release in his home country the film s German distributor Senator Film agreed to cut the reference and the release went ahead as planned 13 Box office edit The film had a weak debut at the US box office 14 By the end of its run the film grossed U 11 300 653 at the box office in the United States and Canada 15 16 It grossed 35 5 million internationally 17 for a worldwide total of 46 8 million Critical reception edit Pret a Porter holds a 24 approval rating on Rotten Tomatoes based on 25 reviews with an average rating of 4 75 10 18 Roger Ebert gave the film two and a half stars out of four and thought it should have gone further and been meaner too many of Altman s jokes are generic slapstick instead of being aimed squarely at industry s targets 19 Gene Siskel gave it one and a half out of four stars and called it a true bomb as director Robert Altman on a very hot streak improbably finds absolutely nothing funny or fresh to say about the fashion industry and the journalists who cover it with a wet kiss Lacking a screenplay Altman s intercutting among boring caricatures grows old quickly and after 2 hours it may occur to you I could have been shopping 20 Janet Maslin of The New York Times wrote that Altman s laissez faire satirical style proves ineffectual for shooting fish in this barrel Fashion is too self conscious to be skewered so casually 21 Rita Kempley of The Washington Post called the film a mess that was most compelling when Altman turns his camera on the kitschy runway shows themselves Perhaps Altman should have made this film as a documentary instead 6 Kenneth Turan of the Los Angeles Times wrote that the film sounds like Altman s most recent successes The Player and Short Cuts But there is a difference between creative improvisation and absolute chaos and while those films were delicately balanced balls that magically stayed in the air Ready to Wear with a script credited to Altman and Barbara Shulgasser has a haphazard Let s go to Paris and see what happens feeling that wastes everyone s time and talent 22 Owen Gleiberman of Entertainment Weekly gave the film a grade of C and wrote Virtually everything that happens is held up for our ridicule yet it s never quite clear what we re supposed to be laughing at The characters aren t really mocked for their attitudes their obsessions with glamour and money and style They aren t savaged in any specific observational ways that could truly be called satirical They re made fun of simply because they re silly trivial human beings walking punchlines in a joke that never arrives It s like watching an Altman film that s been drained by a vampire 23 John Simon of the National Review said Pret a Porter was a picture that only a director s mother could love and that the film which has a runtime of over two hours wears out its welcome in ten minutes 24 The response from the fashion community was similarly tepid In a review that was published in December 1994 fashion critic Suzy Menkes wrote For fashion folks the film just didn t come off either as an extended skit or as a bitchy or brutal dissection of the industry Most people did not think that Altman had done for fashion with Ready to Wear what he did to the United States Army in M A S H or for Hollywood in The Player 25 Year end lists edit 8th worst Janet Maslin The New York Times 26 Dishonorable mention William Arnold Seattle Post Intelligencer 27 Accolades edit Award Category Subject Result Golden Globe Awards 28 Best Motion Picture Musical or Comedy Pret a Porter Nominated Best Supporting Actress Sophia Loren Nominated National Board of Review Awards 29 Best Acting by an Ensemble Marcello Mastroianni Sophia Loren Jean Pierre Cassel Kim Basinger Chiara Mastroianni Stephen Rea Anouk Aimee Rupert Everett Rossy de Palma Tara Leon Georgianna Robertson Lili Taylor Ute Lemper Forest Whitaker Tom Novembre Richard E Grant Anne Canovas Julia Roberts Tim Robbins Lauren Bacall Lyle Lovett Tracey Ullman Sally Kellerman Linda Hunt Teri Garr Danny Aiello Jean Rochefort Michel Blanc WonSoundtrack edit Here Comes the Hotstepper Heartical Mix Ini Kamoze My Girl Josephine Super Cat Here We Come Salt N Pepa Natural Thing M People 70 s Love Groove Janet Jackson Jump On Top of Me The Rolling Stones These Boots Are Made for Walkin Sam Phillips Pretty Remix The Cranberries Third Time Lucky Basia Martha Eric Mouquet Michel Sanchez forming the group Deep Forest Close to You The Brand New Heavies Keep Givin Me Your Love West End Mix Cece Peniston Get Wild The New Power Generation Supermodel Sandwich Terence Trent D Arby Lemon Perfecto Mix U2Television adaptation editIn August 2021 a television series adaptation of the film was reported to be in development at Paramount with Miramax Television being mentioned as the producer 30 In October 2023 development on the series shifted to the BBC with Paramount no longer involved 31 References edit Pret a Porter Ready to Wear British Board of Film Classification Archived from the original on February 5 2017 Retrieved February 4 2017 a b Lindsey Craig September 20 2022 Harvey s Hellhole Pret A Porter Crooked Marquee Retrieved September 26 2022 Maslin Janet 2007 Ready to Wear 1994 Movies amp TV Dept The New York Times Archived from the original on December 19 2007 Retrieved April 2 2009 a b Pret a Porter Ready to Wear 1994 Directed by Robert Altman The Model s Handbook 1956 Directed by Robert Altman MoMA Retrieved September 26 2022 a b Defares Giselle December 26 2015 Why Pret a Porter is the ultimate fashion film HelloGiggles Retrieved September 26 2022 a b Kempley Rita December 25 1994 Altman s Got Nothing to Wear The Washington Post Retrieved September 26 2022 a b Pener Degen October 17 1993 EGOS amp IDS Coming Soon The Inside Of Fashion The New York Times ISSN 0362 4331 Retrieved September 26 2022 Covington Richard August 14 1994 ON LOCATION Acid Washed Fashion Los Angeles Times Archived from the original on October 29 2020 Retrieved September 27 2022 Menkes Suzy October 12 1993 The Players of Ready to Wear by Altman The New York Times ISSN 0362 4331 Retrieved September 26 2022 Su questo circo devo fare un film repubblica it Retrieved April 23 2024 a b Eller Claudia December 7 1994 Is Altman Dressed for Success Los Angeles Times Retrieved September 27 2022 Evans Greg December 16 1994 Miramax hijinks don t Wear well with Valenti Variety p 6 a b Snow Shauna March 22 1995 Lagerfeld Insult Deleted Ready to Wear Pret a Porter Los Angeles Times Retrieved September 26 2022 Dumb Laughs a Smart Payoff Box office Jim Carrey vehicle pulls a Gump taking in 16 2 million on an otherwise slow film going weekend Los Angeles Times Retrieved December 31 2010 Pret a Porter at Box Office Mojo Pret a Porter 1994 Financial Information The Numbers Klady Leonard February 19 1996 B O with a vengeance 9 1 billion worldwide Variety p 1 Ready to Wear Pret a Porter at Rotten Tomatoes Ebert Roger December 25 1994 Ready to Wear Pret a Porter RogerEbert com Retrieved December 14 2018 Siskel Gene December 30 1994 Ready to Wear quickly starts to unravel in Altman s hands Chicago Tribune Section 7 page B Maslin Janet December 23 1994 FILM REVIEW Altman s Swipe At Fashion The New York Times Retrieved September 26 2022 Turan Kenneth MOVIE REVIEW Ready to Wear Latest in Altman s Fashion Line Los Angeles Times Retrieved September 26 2022 Gleiberman Owen December 23 1994 Ready to Wear Pret a Porter Entertainment Weekly Retrieved September 26 2022 Simon John 2005 John Simon on Film Criticism 1982 2001 Applause Books p 452 Menkes Suzy December 15 2015 Robert Altman fails to impress followers of fashion fashion archive 15 Dec 1994 the Guardian Retrieved September 27 2022 Maslin Janet December 27 1994 CRITIC S NOTEBOOK The Good Bad and In Between In a Year of Surprises on Film The New York Times Retrieved July 19 2020 Arnold William December 30 1994 94 Movies Best and Worst Seattle Post Intelligencer Final ed p 20 Archerd Army December 23 1994 Miramax celebrates its Globe nods Variety Retrieved September 26 2022 1994 Award Winners nationalboardofreview org Retrieved September 26 2022 Petski Denise August 25 2021 Pret a Porter TV Series Based On Robert Altman s Movie In Works At Paramount From Miramax TV Deadline Hollywood Retrieved August 25 2021 Goldbart Max October 23 2023 Miramax s Pret a Porter TV Series Moves From Paramount To The BBC Remains In Development Deadline Hollywood Retrieved October 23 2023 External links editReady to Wear Pret a Porter at IMDb nbsp Ready to Wear Pret a Porter at AllMovie Ready to Wear Pret a Porter at Box Office Mojo Ready to Wear Pret a Porter at Rotten Tomatoes Retrieved from https en wikipedia org w index php title Pret a Porter film amp oldid 1220452404, wikipedia, wiki, book, books, library,

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