fbpx
Wikipedia

Satire (film and television)

April 20, 2023

Satire is a television and film genre in the fictional or pseudo-fictional category that employs satirical techniques, be it of a political, religious, or social variety. Works using satire are often seen as controversial or taboo in nature, with topics such as race, class, system, violence, sex, war, and politics, criticizing or commenting on them, typically under the disguise of other genres including, but not limited to, comedies, dramas, parodies, fantasies and/or science fiction.[1]

Satire may or may not[2] use humor or other, non-humorous forms as an artistic vehicle to illuminate, explore, and critique[3] social conditions, systems of power[4] ("social, political, military, medical or academic institutions"[5]), hypocrisy, and other instances of human behavior.

Examples

Film

Main article: List of satirical films

Series

UK

USA

Japan

Backlash and censorship

Film director Jonathan Lynn generally advises against marketing one's work as "satire" because according to Lynn it "can substantially reduce viewing figures and box office" due to a presumed negative perception of satire in the [American] industry:

George S. Kaufman, the great Broadway playwright and director, and screenwriter, once said: 'Satire is what closes on Saturday night.' An excellent wisecrack, but it led the way to a general belief in America that satire is not commercial. When you pitch a satirical film idea, don't refer to it as satire. I used to, and I was met with the inevitable response that satirical films don't make money. This view is factually incorrect. Plenty have done so, if budgeted right.[43]

Film, more than television,[44] offers advantages for satire, such as the "possibility of achieving the proper balance" between realism and non-realism, using the latter to communicate about the former.[44] The ideal climate for a satirical film involves "fairly free" political conditions and/or independent producers with "modest" financial backing.[44]

  United States
In the case of American satire, Roger Rosenblatt postulated that post-9/11 political climate "caused irony's death." Satire has been subjected to official and unofficial pressures[45] concluding in self-censorship or outright removal of the material, with the reason given of satire not being economically viable.[46][38] In the case of television, controversial content creators have been historically constrained by Federal Communications Commission regulations (Gray et al., p. 181),[38] which threatens them with sanctions for airing alleged "indecent material"[45] but also by industry and corporate watchdogs. Since the 1930s, with notable example being the Hays Office, there have always been organizations that "watch[ed] closely over media content to ensure it doesn't threaten the commercial climate in general and their products in particular." Typical pressures put on American satire that present topics of (anti-)war, patriotism, sex, religion, ethnicity, and race.[45]
In another view, censorship and content sanitization cannot eliminate satire. Production of political satire between 1929 and 1960 was scarce but uninterrupted. Pro-government comic relief satire devoid of criticism was one strain of satire found on radio and television during the 1940s and 1950s that was "mass audience-oriented, nonradical," and focused on "[safe] plot lines [of] middle-class, suburban, white characters" typified by 1950s sitcoms, such as I Love Lucy, while the so-called edgier strain was rediscovered in the burgeoning stand-up comic scene in the late 1950s and forward. The latter was typified by comedy music albums of Tom Lehrer, standup comedy of Lenny Bruce, MAD magazine, and Chicago improvisational comedy troupe Second City.[47]
  Lebanon
The 1978 film Alexandria . . . Why? by Egyptian filmmaker Youssef Chahine was banned[48] in Lebanon and other Arab countries for satirical references of the 1952 Egyptian revolution.
  Russia
Satirical films about "life in Russia during the Stalin era" were banned.[44] In the 1990s, Russian television show producers were charged with "tax evasion and illegal currency dealings" after airing an episode showing a critical caricature of Boris Yeltsin but those charges were dropped after television network president condemned this action.[49]
  Georgia
The 1987 art film Repentance, initially banned[50] in Russia and Russia-controlled Eastern Europe, only[48] shown in Georgia before being internationally released in 1987 with permission of by-then head of state Mikhail Gorbachev,[51] contained satirical allusions to Stalin.[52] Academician Dmitry Likhachov considered the film "significant" for society as a whole: "The past does not die. It is necessary to publish in journals of mass circulation works which were not published in the past. The main theme in literature now is repentance."[51] Other Georgian films that were banned include My Grandmother (revived 1976), an art film with surreal and satirical elements, and Saba, a satirical drama by Mikheil Chiaureli.[53]

References and notes

  1. ^ a b c d e f talesofcinema (31 March 2016) "20 Great Satire Movies on American Life in Decline". tasteofcinema.
  2. ^ Jackson II, Hogg (2010, p. 654)
  3. ^ a b c d Encyclopedia of Identity (edited by Ronald L. Jackson II and Michael A. Hogg, 2010), SAGE, ISBN 9781412951531.
  4. ^ Nillson J (2013), American Film Satire in the 1990s: Hollywood Subversion, Springer, ISBN 9781137300997
  5. ^ Blake, Marc; Bailey, Sara (2013). Writing the Horror Movie. London; New York: Bloomsbury. p. 132. ISBN 9781441195067.
  6. ^ a b c d e f g h i talesofcinema (25 June 2015). "10 High- Concept Political Satire Films That Are Worth Viewing". talesofcinema
  7. ^ The Discreet Charm of the Boureoisie|The Criterion Collection
  8. ^ Network movie review & film summary (1976)|Roger Ebert
  9. ^ "George Romero made horror about the here and now, plus: his five best films". Time Out New York. Retrieved 20 August 2020.
  10. ^ In 1982, the hilarious documentary “The Atomic Café” reminded us that the threat of nuclear war was no joke-Night Flight
  11. ^ a b c d e f g h talesofcinema (1 May 2014). "The 15 Best Satirical Movies of All Time". tasteofcinema.
  12. ^ talesofcinema (12 November 2016) "The 15 Best Satire Movies of All Time". tasteofcinema.
  13. ^ Man Bites Dog (1992)|The Criterion Collection
  14. ^ Cogan B, Kelso T (2009). Encyclopedia of Politics, the Media, and Popular Culture. ABC-CLIO, p. 119, ISBN 9780313343797
  15. ^ 'The Truman Show' (PG) - The Washington Post
  16. ^ Bamboozled (2000)|The Criterion Collection
  17. ^ Why Are People So Mad About 'Don't Look Up?' - The Atlantic
  18. ^ Triangle of Sadness is a Satire That Skillfully Goes Overboard
  19. ^ a b Davis, Jessica Milner (2017). Satire and Politics: The Interplay of Heritage and Practice, Springer, ISBN 9783319567747.
  20. ^ McSweeney T, Joy S (2019). Through the Black Mirror: Deconstructing the Side Effects of the Digital Age. Springer. p. 4. ISBN 9783030194581
  21. ^ Bogle, Donald (2001). Primetime Blues: African Americans on Network Television. Farrar, Straus and Giroux, p. 117, ISBN 0-374-12720-4.
  22. ^ Williams, Carol T. (1992). It's Time for My Story: Soap Opera Sources, Structure, and Response], Praeger, p. 32, ISBN 9780275942977.
  23. ^ Mittell, Jason (2010). Television and American Culture, Oxford University Press, p. 294-295, ISBN 9780195306675
  24. ^ In the Peanut Gallery with Mystery Science Theater 3000: Essays on Film, Fandom, Technology and the Culture of Riffing by Shelley E. Barba · 2014 - Google Books (pg.180)
  25. ^ MST3K FAQ -- What is this MST3K thing, anyway?
  26. ^ Mystery Science Theater 3000: The Definitive Oral History of a TV Masterpiece|WIRED
  27. ^ Levy, Emanuel (1999). Cinema of Outsiders: The Rise of American Independent Film. New York University Press. ISBN 0-8147-5123-7.
  28. ^ Tanner '88|The Criterion Collection
  29. ^ Turner, Chris (9 September 2004a). Planet Simpson: How a Cartoon Masterpiece Documented an Era and Defined a Generation. Introduction by Douglas Coupland (1st ed.). London: Ebury Press. ISBN 978-0-09-189756-7. OCLC 56457550., p. 24. Quote: "There have been, over the years, two great self-immodaltions on The Simpsons. These are Episode 9F16 ('The Front') and Episode 4F12 ('The Itchy & Scratchy & Poochie Show'). In both episodes, the writers and producers of the 'Itchy & Scratchy' cartoons are depicted as doppelgangers of the staff of The Simpsons"
  30. ^ a b c Boy Culture: An Encyclopedia (2010) (ed. Shirley R. Steinberg, Michael Kehler, Lindsay Cornish). Greenwood, p. 279, ISBN 9780313350849.
  31. ^ a b c The Deep End of South Park: Critical Essays on Television's Shocking Cartoon Series. McFarland. 2009. pp. 4–7. ISBN 978-0-7864-4307-9. Retrieved 18 September 2020.. Quote (p. 7): "Parker and Stone's satiric focus is not directed solely toward aspects of religious worship. They have tackled such challenging topics as euthanasia ("Death"), the right to die ("Best Friends Forever"), the war in Iraq ("I'm a Little Bit Country"), the plight of the rainforests ("Rainforest, Schmainforest"), Hurricane Katrina ("Two Days Before the Day After Tomorrow"), gay marriage ("Follow that Egg"), anti-tobacco legislation ("Butt Out"), geriatric driving ("Grey Dawn"), and Barbra Streisand ("Mecha Streisand")[.]"
  32. ^ a b c d Gillota, David (1 July 2013). Ethnic Humor in Multiethnic America. Rutgers University Press. pp. 96–99, 104. ISBN 9780813561509. Retrieved 18 September 2020.
  33. ^ Leyshon, Andrew (2014). Reformatted: Code, Networks, and the Transformation of the Music Industry, OUP Oxford, p. 69, ISBN 9780191024740. Quote: "Stan, Kyle, and Kenny are arrested by the FBI for filesharing and then given an illustration of the consequences of their actions through the 'hardship' endured by musicians who consequently had to 'forego' royalty income. Metallica's drummer, Lars Ulrich, a strident opponent of Napster, is depicted as crying by the edge of his swimming pool. The boys are informed by the agent that Ulrich 'was hoping to have a gold-plated shark tank bar installed right next to the pool, but thanks to people downloading his music for free, he must now wait a few months before he can afford it' (Comedy Central, 2003: 'Christian Hard Rock [sic],' South Park, season 7, episode 9)."
  34. ^ Hanley, Richard (2011). South Park and Philosophy: Bigger, Longer, and More Penetrating, Open Court, p. 301 (38–39), ISBN 9780812697742.
  35. ^ Music in Television: Channels of Listening (2011), edited by James Deaville, p. 163, ISBN 9781136826368.
  36. ^ Blake, Marc; Bailey, Sara (2013). Writing the Horror Movie. London; New York: Bloomsbury. p. 22. ISBN 9781441195067.
  37. ^ Gillota, David (1 July 2013). Ethnic Humor in Multiethnic America. Rutgers University Press. p. 59. ISBN 9780813561509. Retrieved 18 September 2020.
  38. ^ a b c Gray J., Jones J.P., Thompson E. (2009). Satire TV: Politics and Comedy in the Post-network Era. NYU Press. ISBN 9780814731994. Quote: [T]he economics of cable programming showed that while satirical programming is popular, there are limitations to the types of satirical programs that make economic sense in the post-network era."
  39. ^ Cornell J, R.U. Sirious (2015). Transcendence: The Disinformation Encyclopedia of Transhumanism and the Singularity, Red Wheel Weiser, p. 309, ISBN 9781609259594.
  40. ^ Drazen, Patrick (2014). Anime Explosion!: The What? Why? and Wow! of Japanese Animation, Revised and Updated Edition. Stone Bridge Press. ISBN 9781611725506.
  41. ^ Telotte, J.P. (2008), The Essential Science Fiction Television Reader, University Press of Kentucky, p. 298 (pp. 134-35), ISBN 9780813138732.
  42. ^ Dani Cavallaro (January 2013). Japanese Aesthetics and Anime: The Influence of Tradition. pp. 81–83. ISBN 978-0786471515.
  43. ^ Jonathan Lynn (2011). Comedy Rules: From the Cambridge Footlights to Yes, Prime Minister. Faber & Faber. p. 146. ISBN 9780571277971. Retrieved 4 July 2014.
  44. ^ a b c d Hodgart, Matthew John Caldwell (1969). Satire: Origins and Principles, Transaction Publishers, p. 242, ISBN 9781412833646.
  45. ^ a b c Freedman, Leonard (2008). The Offensive Art: Political Satire and Its Censorship around the World from Beerbohm to Borat: Political Satire and Its Censorship around the World from Beerbohm to Borat, ABC-CLIO, p. 35, ISBN 9780313356018.
  46. ^ Gournelos T, Greene V (2011). A Decade of Dark Humor: How Comedy, Irony, and Satire Shaped Post- 9/11 America, Univ. Press of Mississippi, pages xxix, 63, 224, ISBN 9781617030079.
  47. ^ Kayorie, James Stephen Merritt (2019). "Introduction". In Baumgartner, Jody C. (ed.). American Political Humor: Masters of Satire and Their Impact on U.S. Policy and Culture. Santa Barbara, California: ABC-CLIO. pp. 240–250. ISBN 9781440854866.
  48. ^ a b de Baets, Antoon (2002) Censorship of Historical Thought: A World Guide, 1945–2000, Greenwood Publishing Group, p. 529, ISBN 9780313311932.
  49. ^ Censorship: A World Encyclopedia (edited by Derek Jones, 2001), Routledge, p. 423, ISBN 9781136798641.
  50. ^ Reform and human rights: the Gorbachev record. Washington, D.C.: U.S. Government Printing Office. 1988., p. 75.
  51. ^ a b Marsh, R. (1995). History and Literature in Contemporary Russia, Springer, pp. 34–35, ISBN 9780230377790.
  52. ^ The New York Times Biographical Service, A compilation of current biographical information of general interest, Volume 25, Arno Press (1994). Quote: "Mr. Abduladze was best known for his 1984 film "Repentance," a fierce satire of Stalinism that won the special jury prize."
  53. ^ Inside Soviet Film Satire (edited by Andrew Horton, 2005), Cambridge University Press, p. 111. ISBN 9780521021074.

April 20, 2023
satire, film, television, satire, television, film, genre, fictional, pseudo, fictional, category, that, employs, satirical, techniques, political, religious, social, variety, works, using, satire, often, seen, controversial, taboo, nature, with, topics, such,. Satire is a television and film genre in the fictional or pseudo fictional category that employs satirical techniques be it of a political religious or social variety Works using satire are often seen as controversial or taboo in nature with topics such as race class system violence sex war and politics criticizing or commenting on them typically under the disguise of other genres including but not limited to comedies dramas parodies fantasies and or science fiction 1 Satire may or may not 2 use humor or other non humorous forms as an artistic vehicle to illuminate explore and critique 3 social conditions systems of power 4 social political military medical or academic institutions 5 hypocrisy and other instances of human behavior Contents 1 Examples 1 1 Film 1 2 Series 2 Backlash and censorship 3 References and notesExamples EditFilm Edit Main article List of satirical films A Nous la Liberte 1931 6 The Trial 1962 6 Dr Strangelove 1964 6 Wild in the Streets 1968 1 Mr Freedom 1969 6 Joe 1970 1 The Discreet Charm of the Bourgeoisie 1972 6 7 Death Race 2000 1975 1 Network 1976 8 Dawn of the Dead 1978 9 The Atomic Cafe 1982 10 Videodrome 1983 6 Brazil 1985 11 Heathers 1988 11 They Live 1988 6 Pump Up the Volume 1990 1 Barton Fink 1991 11 Man Bites Dog 1992 12 13 Bullets Over Broadway 1994 11 Starship Troopers 1997 14 The Truman Show 1998 15 American Beauty 1999 11 Fight Club 1999 11 South Park Bigger Longer amp Uncut 1999 6 Bamboozled 2000 6 16 Chicago 2002 11 Thank You for Smoking 2005 11 Idiocracy 2006 1 Don t Look Up 2021 17 Triangle of Sadness 2022 18 Series Edit UK Yes Minister 1980 1984 19 Yes Prime Minister 1986 1988 19 The Day Today 1994 Brass Eye 1997 2001 The Thick Of It 2005 2012 Black Mirror 2011 such as 20 Fifteen Million Merits 2011 1 02 The Waldo Moment 2013 Nosedive 2016 USA The Richard Pryor Show 1977 21 Mary Hartman Mary Hartman 1978 22 Married with Children 1987 1997 23 Mystery Science Theater 3000 1988 1999 24 25 26 Tanner 88 1988 mini series 27 28 The Simpsons 1989 such as 29 The Front 1993 4 19 The Itchy amp Scratchy amp Poochie Show 1997 8 14 South Park 1997 such as 3 Jewbilee 1999 3 09 30 Red Hot Catholic Love 2002 6 08 31 The Death Camp of Tolerance 2002 6 14 32 I m a Little Bit Country 2003 7 04 32 Christian Rock Hard 2003 7 09 33 Goobacks 2004 8 07 32 Stupid Spoiled Whore Video Playset 2004 8 12 30 Best Friends Forever 2005 9 04 31 Trapped in the Closet 2005 9 12 31 Smug Alert 2006 10 02 30 Go God Go XII 2006 10 13 34 With Apologies to Jesse Jackson 2007 11 01 32 Britney s New Look 2008 12 02 35 The Tale of Scrotie McBoogerballs 2010 Taming Strange 2013 Family Guy 1999 3 Reno 911 2003 3 Masters of Horror episode Homecoming 2005 1 06 36 The Sarah Silverman Program episode Face Wars 2007 2 09 37 The Boondocks 2005 2014 38 Better Off Ted 2009 2010 39 Community 2009 2015 The Amazing World of Gumball 2011 2019 Rick and Morty 2013 Japan Key the Metal Idol 1994 1997 40 Paranoia Agent 2004 41 Ouran High School Host Club 2006 42 Backlash and censorship EditFilm director Jonathan Lynn generally advises against marketing one s work as satire because according to Lynn it can substantially reduce viewing figures and box office due to a presumed negative perception of satire in the American industry George S Kaufman the great Broadway playwright and director and screenwriter once said Satire is what closes on Saturday night An excellent wisecrack but it led the way to a general belief in America that satire is not commercial When you pitch a satirical film idea don t refer to it as satire I used to and I was met with the inevitable response that satirical films don t make money This view is factually incorrect Plenty have done so if budgeted right 43 Film more than television 44 offers advantages for satire such as the possibility of achieving the proper balance between realism and non realism using the latter to communicate about the former 44 The ideal climate for a satirical film involves fairly free political conditions and or independent producers with modest financial backing 44 United States In the case of American satire Roger Rosenblatt postulated that post 9 11 political climate caused irony s death Satire has been subjected to official and unofficial pressures 45 concluding in self censorship or outright removal of the material with the reason given of satire not being economically viable 46 38 In the case of television controversial content creators have been historically constrained by Federal Communications Commission regulations Gray et al p 181 38 which threatens them with sanctions for airing alleged indecent material 45 but also by industry and corporate watchdogs Since the 1930s with notable example being the Hays Office there have always been organizations that watch ed closely over media content to ensure it doesn t threaten the commercial climate in general and their products in particular Typical pressures put on American satire that present topics of anti war patriotism sex religion ethnicity and race 45 In another view censorship and content sanitization cannot eliminate satire Production of political satire between 1929 and 1960 was scarce but uninterrupted Pro government comic relief satire devoid of criticism was one strain of satire found on radio and television during the 1940s and 1950s that was mass audience oriented nonradical and focused on safe plot lines of middle class suburban white characters typified by 1950s sitcoms such as I Love Lucy while the so called edgier strain was rediscovered in the burgeoning stand up comic scene in the late 1950s and forward The latter was typified by comedy music albums of Tom Lehrer standup comedy of Lenny Bruce MAD magazine and Chicago improvisational comedy troupe Second City 47 Lebanon The 1978 film Alexandria Why by Egyptian filmmaker Youssef Chahine was banned 48 in Lebanon and other Arab countries for satirical references of the 1952 Egyptian revolution Russia Satirical films about life in Russia during the Stalin era were banned 44 In the 1990s Russian television show producers were charged with tax evasion and illegal currency dealings after airing an episode showing a critical caricature of Boris Yeltsin but those charges were dropped after television network president condemned this action 49 Georgia The 1987 art film Repentance initially banned 50 in Russia and Russia controlled Eastern Europe only 48 shown in Georgia before being internationally released in 1987 with permission of by then head of state Mikhail Gorbachev 51 contained satirical allusions to Stalin 52 Academician Dmitry Likhachov considered the film significant for society as a whole The past does not die It is necessary to publish in journals of mass circulation works which were not published in the past The main theme in literature now is repentance 51 Other Georgian films that were banned include My Grandmother revived 1976 an art film with surreal and satirical elements and Saba a satirical drama by Mikheil Chiaureli 53 References and notes Edit a b c d e f talesofcinema 31 March 2016 20 Great Satire Movies on American Life in Decline tasteofcinema Jackson II Hogg 2010 p 654 a b c d Encyclopedia of Identity edited by Ronald L Jackson II and Michael A Hogg 2010 SAGE ISBN 9781412951531 Nillson J 2013 American Film Satire in the 1990s Hollywood Subversion Springer ISBN 9781137300997 Blake Marc Bailey Sara 2013 Writing the Horror Movie London New York Bloomsbury p 132 ISBN 9781441195067 a b c d e f g h i talesofcinema 25 June 2015 10 High Concept Political Satire Films That Are Worth Viewing talesofcinema The Discreet Charm of the Boureoisie The Criterion Collection Network movie review amp film summary 1976 Roger Ebert George Romero made horror about the here and now plus his five best films Time Out New York Retrieved 20 August 2020 In 1982 the hilarious documentary The Atomic Cafe reminded us that the threat of nuclear war was no joke Night Flight a b c d e f g h talesofcinema 1 May 2014 The 15 Best Satirical Movies of All Time tasteofcinema talesofcinema 12 November 2016 The 15 Best Satire Movies of All Time tasteofcinema Man Bites Dog 1992 The Criterion Collection Cogan B Kelso T 2009 Encyclopedia of Politics the Media and Popular Culture ABC CLIO p 119 ISBN 9780313343797 The Truman Show PG The Washington Post Bamboozled 2000 The Criterion Collection Why Are People So Mad About Don t Look Up The Atlantic Triangle of Sadness is a Satire That Skillfully Goes Overboard a b Davis Jessica Milner 2017 Satire and Politics The Interplay of Heritage and Practice Springer ISBN 9783319567747 McSweeney T Joy S 2019 Through the Black Mirror Deconstructing the Side Effects of the Digital Age Springer p 4 ISBN 9783030194581 Bogle Donald 2001 Primetime Blues African Americans on Network Television Farrar Straus and Giroux p 117 ISBN 0 374 12720 4 Williams Carol T 1992 It s Time for My Story Soap Opera Sources Structure and Response Praeger p 32 ISBN 9780275942977 Mittell Jason 2010 Television and American Culture Oxford University Press p 294 295 ISBN 9780195306675 In the Peanut Gallery with Mystery Science Theater 3000 Essays on Film Fandom Technology and the Culture of Riffing by Shelley E Barba 2014 Google Books pg 180 MST3K FAQ What is this MST3K thing anyway Mystery Science Theater 3000 The Definitive Oral History of a TV Masterpiece WIRED Levy Emanuel 1999 Cinema of Outsiders The Rise of American Independent Film New York University Press ISBN 0 8147 5123 7 Tanner 88 The Criterion Collection Turner Chris 9 September 2004a Planet Simpson How a Cartoon Masterpiece Documented an Era and Defined a Generation Introduction by Douglas Coupland 1st ed London Ebury Press ISBN 978 0 09 189756 7 OCLC 56457550 p 24 Quote There have been over the years two great self immodaltions on The Simpsons These are Episode 9F16 The Front and Episode 4F12 The Itchy amp Scratchy amp Poochie Show In both episodes the writers and producers of the Itchy amp Scratchy cartoons are depicted as doppelgangers of the staff of The Simpsons a b c Boy Culture An Encyclopedia 2010 ed Shirley R Steinberg Michael Kehler Lindsay Cornish Greenwood p 279 ISBN 9780313350849 a b c The Deep End of South Park Critical Essays on Television s Shocking Cartoon Series McFarland 2009 pp 4 7 ISBN 978 0 7864 4307 9 Retrieved 18 September 2020 Quote p 7 Parker and Stone s satiric focus is not directed solely toward aspects of religious worship They have tackled such challenging topics as euthanasia Death the right to die Best Friends Forever the war in Iraq I m a Little Bit Country the plight of the rainforests Rainforest Schmainforest Hurricane Katrina Two Days Before the Day After Tomorrow gay marriage Follow that Egg anti tobacco legislation Butt Out geriatric driving Grey Dawn and Barbra Streisand Mecha Streisand a b c d Gillota David 1 July 2013 Ethnic Humor in Multiethnic America Rutgers University Press pp 96 99 104 ISBN 9780813561509 Retrieved 18 September 2020 Leyshon Andrew 2014 Reformatted Code Networks and the Transformation of the Music Industry OUP Oxford p 69 ISBN 9780191024740 Quote Stan Kyle and Kenny are arrested by the FBI for filesharing and then given an illustration of the consequences of their actions through the hardship endured by musicians who consequently had to forego royalty income Metallica s drummer Lars Ulrich a strident opponent of Napster is depicted as crying by the edge of his swimming pool The boys are informed by the agent that Ulrich was hoping to have a gold plated shark tank bar installed right next to the pool but thanks to people downloading his music for free he must now wait a few months before he can afford it Comedy Central 2003 Christian Hard Rock sic South Park season 7 episode 9 Hanley Richard 2011 South Park and Philosophy Bigger Longer and More Penetrating Open Court p 301 38 39 ISBN 9780812697742 Music in Television Channels of Listening 2011 edited by James Deaville p 163 ISBN 9781136826368 Blake Marc Bailey Sara 2013 Writing the Horror Movie London New York Bloomsbury p 22 ISBN 9781441195067 Gillota David 1 July 2013 Ethnic Humor in Multiethnic America Rutgers University Press p 59 ISBN 9780813561509 Retrieved 18 September 2020 a b c Gray J Jones J P Thompson E 2009 Satire TV Politics and Comedy in the Post network Era NYU Press ISBN 9780814731994 Quote T he economics of cable programming showed that while satirical programming is popular there are limitations to the types of satirical programs that make economic sense in the post network era Cornell J R U Sirious 2015 Transcendence The Disinformation Encyclopedia of Transhumanism and the Singularity Red Wheel Weiser p 309 ISBN 9781609259594 Drazen Patrick 2014 Anime Explosion The What Why and Wow of Japanese Animation Revised and Updated Edition Stone Bridge Press ISBN 9781611725506 Telotte J P 2008 The Essential Science Fiction Television Reader University Press of Kentucky p 298 pp 134 35 ISBN 9780813138732 Dani Cavallaro January 2013 Japanese Aesthetics and Anime The Influence of Tradition pp 81 83 ISBN 978 0786471515 Jonathan Lynn 2011 Comedy Rules From the Cambridge Footlights to Yes Prime Minister Faber amp Faber p 146 ISBN 9780571277971 Retrieved 4 July 2014 a b c d Hodgart Matthew John Caldwell 1969 Satire Origins and Principles Transaction Publishers p 242 ISBN 9781412833646 a b c Freedman Leonard 2008 The Offensive Art Political Satire and Its Censorship around the World from Beerbohm to Borat Political Satire and Its Censorship around the World from Beerbohm to Borat ABC CLIO p 35 ISBN 9780313356018 Gournelos T Greene V 2011 A Decade of Dark Humor How Comedy Irony and Satire Shaped Post 9 11 America Univ Press of Mississippi pages xxix 63 224 ISBN 9781617030079 Kayorie James Stephen Merritt 2019 Introduction In Baumgartner Jody C ed American Political Humor Masters of Satire and Their Impact on U S Policy and Culture Santa Barbara California ABC CLIO pp 240 250 ISBN 9781440854866 a b de Baets Antoon 2002 Censorship of Historical Thought A World Guide 1945 2000 Greenwood Publishing Group p 529 ISBN 9780313311932 Censorship A World Encyclopedia edited by Derek Jones 2001 Routledge p 423 ISBN 9781136798641 Reform and human rights the Gorbachev record Washington D C U S Government Printing Office 1988 p 75 a b Marsh R 1995 History and Literature in Contemporary Russia Springer pp 34 35 ISBN 9780230377790 The New York Times Biographical Service A compilation of current biographical information of general interest Volume 25 Arno Press 1994 Quote Mr Abduladze was best known for his 1984 film Repentance a fierce satire of Stalinism that won the special jury prize Inside Soviet Film Satire edited by Andrew Horton 2005 Cambridge University Press p 111 ISBN 9780521021074 Retrieved from https en wikipedia org w index php title Satire film and television amp oldid 1145235482, wikipedia, wiki, book, books, library,

article

, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games.