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Pixel aspect ratio

Pixel aspect ratio (often abbreviated PAR) is a mathematical ratio that describes how the width of a pixel in a digital image compares to the height of that pixel.

Pixel aspect ratio 1:1
Pixel aspect ratio 2:1

Most digital imaging systems display an image as a grid of tiny, square pixels. However, some imaging systems, especially those that must be compatible with standard-definition television motion pictures, display an image as a grid of rectangular pixels, in which the pixel width and height are different. Pixel aspect ratio describes this difference.

Use of pixel aspect ratio mostly involves pictures pertaining to standard-definition television and some other exceptional cases. Most other imaging systems, including those that comply with SMPTE standards and practices, use square pixels.

PAR is also known as sample aspect ratio and abbreviated SAR, though it can be confused with storage aspect ratio.

Introduction

The ratio of the width to the height of an image is known as the aspect ratio, or more precisely the display aspect ratio (DAR) – the aspect ratio of the image as displayed; for TV, DAR was traditionally 4:3 (a.k.a. fullscreen), with 16:9 (a.k.a. widescreen) now the standard for HDTV. In digital images, there is a distinction with the storage aspect ratio (SAR), which is the ratio of pixel dimensions. If an image is displayed with square pixels, then these ratios agree; if not, then non-square, "rectangular" pixels are used, and these ratios disagree. The aspect ratio of the pixels themselves is known as the pixel aspect ratio (PAR) – for square pixels this is 1:1 – and these are related by the identity:

SAR × PAR = DAR.

Rearranging (solving for PAR) yields:

PAR = DAR/SAR.

For example, a 640 × 480 VGA image has a SAR of 640/480 = 4:3, and if displayed on a 4:3 display (DAR = 4:3) has square pixels, hence a PAR of 1:1. By contrast, a 720 × 576 D-1 PAL image has a SAR of 720/576 = 5:4, but is displayed on a 4:3 display (DAR = 4:3).

In analog images such as film there is no notion of pixel, nor notion of SAR or PAR, but in the digitization of analog images the resulting digital image has pixels, hence SAR (and accordingly PAR, if displayed at the same aspect ratio as the original).

Non-square pixels arise often in early digital TV standards, related to digitalization of analog TV signals – whose vertical and "effective" horizontal resolutions differ and are thus best described by non-square pixels – and also in some digital video cameras and computer display modes, such as Color Graphics Adapter (CGA). Today they arise also in transcoding between resolutions with different SARs.

Actual displays do not generally have non-square pixels, though digital sensors might; they are rather a mathematical abstraction used in resampling images to convert between resolutions.

There are several complicating factors in understanding PAR, particularly as it pertains to digitization of analog video:

  • First, analog video does not have pixels, but rather a raster scan, and thus has a well-defined vertical resolution (the lines of the raster), but not a well-defined horizontal resolution, since each line is an analog signal. However, by a standardized sampling rate, the effective horizontal resolution can be determined by the sampling theorem, as is done below.
  • Second, due to overscan, some of the lines at the top and bottom of the raster are not visible, as are some of the possible image on the left and right – see Overscan: Analog to digital resolution issues. Also, the resolution may be rounded (DV NTSC uses 480 lines, rather than the 486 that are possible).
  • Third, analog video signals are interlaced – each image (frame) is sent as two "fields", each with half the lines. Thus either the pixels are twice as tall as they would be without interlacing, or the image is deinterlaced.

Background

Video is presented as a sequential series of images called video frames. Historically, video frames were created and recorded in analog form. As digital display technology, digital broadcast technology, and digital video compression evolved separately, it resulted in video frame differences that must be addressed using pixel aspect ratio. Digital video frames are generally defined as a grid of pixels used to present each sequential image. The horizontal component is defined by pixels (or samples), and is known as a video line. The vertical component is defined by the number of lines, as in 480 lines.

Standard-definition television standards and practices were developed as broadcast technologies and intended for terrestrial broadcasting, and were therefore not designed for digital video presentation. Such standards define an image as an array of well-defined horizontal "Lines", well-defined vertical "Line Duration" and a well-defined picture center. However, there is not a standard-definition television standard that properly defines image edges or explicitly demands a certain number of picture elements per line. Furthermore, analog video systems such as NTSC 480i and PAL 576i, instead of employing progressively displayed frames, employ fields or interlaced half-frames displayed in an interwoven manner to reduce flicker and double the image rate for smoother motion.

Analog-to-digital conversion

As a result of computers becoming powerful enough to serve as video editing tools, video digital-to-analog converters and analog-to-digital converters were made to overcome this incompatibility. To convert analog video lines into a series of square pixels, the industry adopted a default sampling rate at which luma values were extracted into pixels. The luma sampling rate for 480i pictures was 12+311 MHz and for 576i pictures was 14+34 MHz.

The term pixel aspect ratio was first coined when ITU-R BT.601 (commonly known as "Rec. 601") specified that standard-definition television pictures are made of lines of exactly 720 non-square pixels. ITU-R BT.601 did not define the exact pixel aspect ratio but did provide enough information to calculate the exact pixel aspect ratio based on industry practices: The standard luma sampling rate of precisely 13+12 MHz. Based on this information:

  • The pixel aspect ratio for 480i would be 10:11 as:
     
  • The pixel aspect ratio for 576i would be 59:54 as:
     

SMPTE RP 187 further attempted to standardize the pixel aspect ratio values for 480i and 576i. It designated 177:160 for 480i or 1035:1132 for 576i. However, due to significant difference with practices in effect by industry and the computational load that they imposed upon the involved hardware, SMPTE RP 187 was simply ignored. SMPTE RP 187 information annex A.4 further suggested the use of 10:11 for 480i.

As of this writing, ITU-R BT.601-6, which is the latest edition of ITU-R BT.601, still implies that the pixel aspect ratios mentioned above are correct.

Digital video processing

As stated above, ITU-R BT.601 specified that standard-definition television pictures are made of lines of 720 non-square pixels, sampled with a precisely specified sampling rate. A simple mathematical calculation reveals that a 704 pixel width would be enough to contain a 480i or 576i standard 4:3 picture:

  • A 4:3 480-line picture, digitized with the Rec. 601-recommended sampling rate, would be 704 non-square pixels wide.
     
  • A 4:3 576-line picture, digitized with the Rec. 601-recommended sampling rate, would be 702.915254 non-square pixels wide.
     

Unfortunately, not all standard TV pictures are exactly 4:3: As mentioned earlier, in analog video, the center of a picture is well-defined but the edges of the picture are not standardized. As a result, some analog devices (mostly PAL devices but also some NTSC devices) generated motion pictures that were horizontally (slightly) wider. This also proportionately applies to anamorphic widescreen (16:9) pictures. Therefore, to maintain a safe margin of error, ITU-R BT.601 required sampling 16 more non-square pixels per line (8 more at each edge) to ensure saving all video data near the margins.

This requirement, however, had implications for PAL motion pictures. PAL pixel aspect ratios for standard (4:3) and anamorphic wide screen (16:9), respectively 59:54 and 118:81, were awkward for digital image processing, especially for mixing PAL and NTSC video clips. Therefore, video editing products chose the almost equivalent values, respectively 12:11 and 16:11, which were more elegant and could create PAL digital images at exactly 704 pixels wide, as illustrated:

  • For PAL 4:3:
     
  • For PAL 16:9:
     

Inconsistency in defined pixel aspect ratio values

Commonly found on the Internet and in various other published media are numerous sources that introduce different and highly incompatible values as the pixel aspect ratios of various video pictures and video systems. (See the Supplementary sources section.)

To neutrally judge the accuracy and/or feasibility of these sources, please note that as the digital motion picture was invented years after the traditional motion picture, all video pictures targeted for standard definition television and compatible media, digital or otherwise, have (and must have) specifications compatible with standard definition television. Therefore, the pixel aspect ratio of digital video must be calculated from the specification of common traditional equipment rather than the specifications of digital video. Otherwise, any pixel aspect ratio that is calculated from a digital video source is only usable in certain cases for the same kind of video sources and cannot be considered/used as a general pixel aspect ratio of any standard definition television system.

In addition, unlike digital video that has well-defined picture edges, traditional video systems have never standardized a well-defined edge for the picture. Therefore, the pixel aspect ratio of common standard television systems cannot be calculated based on edges of pictures. Such a calculated aspect ratio value would not be entirely wrong, but also cannot be considered as the general pixel aspect ratio of any specific video system. The use of such values would be restricted only to certain cases.

Modern standards and practices

In modern digital imaging systems and high-definition televisions, especially those that comply with SMPTE standards and practices, only square pixels are used for broadcast and display. However, some formats (ex., HDV, DVCPRO HD) use non-square pixels internally for image storage, as a way to reduce the amount of data that must be processed, thus limiting the necessary transfer rates and maintaining compatibility with existing interfaces.

Issues of non-square pixels

Directly mapping an image with a certain pixel aspect ratio on a device whose pixel aspect ratio is different makes the image look unnaturally stretched or squashed in either the horizontal or vertical direction. For example, a circle generated for a computer display with square pixels looks like a vertical ellipse on a standard-definition NTSC television that uses vertically rectangular pixels. This issue is more evident on wide-screen TVs.

Pixel aspect ratio must be taken into consideration by video editing software products that edit video files with non-square pixels, especially when mixing video clips with different pixel aspect ratios. This would be the case when creating a video montage from various cameras employing different video standards (a relatively rare situation). Special effects software products must also take the pixel aspect ratio into consideration, since some special effects require calculation of the distances from a certain point so that they look visually correct. An example of such effects would be radial blur, motion blur, or even a simple image rotation.

Use of pixel aspect ratio

Pixel aspect ratio value is used mainly in digital video software, where motion pictures must be converted or reconditioned to use video systems other than the original. The video player software may use pixel aspect ratio to properly render digital video on screen. Video editing software uses pixel aspect ratio to properly scale and render a video into a new format.

The pixel aspect ratio support is also required to display, without distortion, legacy digital images from computer standards and video-games what existed in the 80s. In that generation, square pixels were too expensive to produce, so machines and video cards like the SNES, CGA, EGA, Hercules, C64, MSX, PC-88, X68000 etc had non-square pixels.[1]

Confusion with display aspect ratio

 
DVD Flick 1.3.0.7: Example of a computer program that has mislabeled picture aspect ratio as pixel aspect ratio

Pixel aspect ratio is often confused with different types of image aspect ratios; the ratio of the image width and height. Due to non-squareness of pixels in Standard-definition TV, there are two types of such aspect ratios: storage aspect ratio (SAR) and display aspect ratio (abbreviated DAR, also known as image aspect ratio and picture aspect ratio). Also, pixel aspect ratio (PAR) is also known as sample aspect ratio (abbreviated SAR) in some industrial standards (such as H.264[2]) and output of programs (such as ffmpeg[3]). Note the reuse of the abbreviations PAR and SAR. This article uses only the terms pixel aspect ratio, display aspect ratio and storage aspect ratio to avoid ambiguity.

Storage aspect ratio is the ratio of the image width to height in pixels, and can be easily calculated from the video file. Display aspect ratio is the ratio of image width to height (in a unit of length such as centimeters or inches) when displayed on screen, and is calculated from the combination of pixel aspect ratio and storage aspect ratio.

However, users who know the definition of these concepts may get confused as well. Poorly crafted user-interfaces or poorly written documentations can easily cause such confusion: Some video-editing software applications often ask users to specify an "aspect ratio" for their video file, presenting him or her with the choices of "4:3" and "16:9". Sometimes, these choices may be "PAL 4:3", "NTSC 4:3", "PAL 16:9" and "NTSC 16:9". In such situations, the video editing program is implicitly asking for the pixel aspect ratio of the video file by asking for information about the video system from which the video file originated. The program then uses a table (similar to the one below) to determine the correct pixel aspect ratio value.

Generally speaking, to avoid confusion, it can be assumed that video editing products never ask for the storage aspect ratio as they can directly retrieve or calculate it. Non-square-pixel–aware applications also need only to ask for either pixel aspect ratio or display aspect ratio, from either of which they can calculate the other.

Pixel aspect ratios of common video formats

Pixel aspect ratio values for common standard-definition video formats are listed below. Note that for PAL video formats, two different types of pixel aspect ratio values are listed:

  1. Rec.601, a Rec.601-compliant value, which is considered the real pixel aspect ratio of standard-definition video of that type.
  2. Digital, which is roughly equivalent to Rec.601 and is more suitable to use in Digital Video Editing software.

Note that sources differ on PARs for common formats – for example, 576 lines (PAL) displayed at 4:3 (DAR) corresponds to either PAR of 12:11 (if 704×576, SAR = 11:9), or a PAR of 16:15 (if 720×576, SAR = 5:4). See references for sources giving both, and SDTV: Resolution for a table of storage, display and pixel aspect ratios. Also note that CRT televisions do not have pixels, but scanlines.


Non-square aspect ratios of common video formats
Video system DAR Picture
dimensions
(px × px)
SAR PAR PAR (decimal) Width (px) Type
PAL 4∶3 704 × 576 72∶59 59∶54 1.0925 769, 385 Rec.601
11∶9 12∶11 1.09 768, 384 digital
720 × 576 5∶4 16∶15 1.06
16∶9 704 × 576 72∶59 118∶81 1.456790123 1026, 513 Rec.601
11∶9 16∶11 1.45 1024, 512 digital
720 × 576 5∶4 64∶45 1.42
NTSC 4∶3 704 × 480 22∶15 10∶11 0.90 640, 320
16∶9 40∶33 1.21 853, 427
HDV / HDCAM 16∶9 1440 × 1080 4∶3 4∶3 1.3 1920
Sample aspect ratios with predefined indicators in the H.26x family of video codecs
Index Aspect ratio
0 unspecified
1 1∶1
2 12∶11
3 10∶11
4 16∶11
5 40∶33
6 24∶11
7 20∶11
8 32∶11
9 80∶33
10 18∶11
11 15∶11
12 64∶33
13 160∶99
14 4∶3
15 3∶2
16 2∶1
255 extended

References

Main sources

  • International Telecommunication Union - Radiocommunication Sector (ITU-R) (January 2007). "Recommendation BT.601-6: Studio encoding parameters of digital television for standard 4:3 and wide screen 16:9 aspect ratios". ITU Online Bookstore. Retrieved October 1, 2008.
    As of the retrieval date, a free membership of ITU Online Bookstore would allow free download of up to three ITU-R Recommendations.
  • Consumer Electronics Association (March 2008). . Archived from the original on November 7, 2011. Retrieved September 1, 2009.
    • This standard, which is the basis for HDMI, specifies 16:15 (1.0666) as the pixel aspect ratio of 4:3 576i/p and 8:9 (0.888) as the pixel aspect ratio of 4:3 480i/p.
  • Pirazzi, Chris. "Square and Non-Square Pixels". Retrieved October 1, 2008.
  • Pirazzi, Chris. "Programmers' Guide to Video Systems". Retrieved October 1, 2008.
  • Poynton, Charles (2002). Digital Video and HDTV: Algorithms and Interfaces. San Francisco: Morgan Kaufmann Publishers. ISBN 1-55860-792-7.
  • European Broadcasting Union (1999). "EBU Technical Recommendation R92-1999: Active picture area and picture centring in analogue and digital 625/50 television systems" (PDF). Retrieved June 12, 2011.

Supplementary sources

  • Adobe Systems Incorporated. "Aspect Ratios (-> Common Pixel Aspect Ratios)". Adobe Premiere Pro CS4 Documentations. Retrieved January 25, 2009.
    • A PDF version of Adobe Premiere Pro CS4 Documentations is also available from Adobe web site.
    • This source specifies 12:11 (1.09) as the pixel aspect ratio of 576i.
  • Adobe Systems Incorporated. "Pixel aspect ratio and frame aspect ratio (-> Common Pixel Aspect Ratios)". Adobe After Effect CS4 Documentations. Retrieved January 25, 2009.
    • A PDF version of Adobe After Effects CS4 Documentations is also available from Adobe web site.
    • This source specifies 12:11 (1.09) as the pixel aspect ratio of 576i.
  • Jukka Aho. . Archived from the original on August 16, 2014. Retrieved January 25, 2009.
    • This source calculates different pixel aspect ratio values for 480i and 576i pictures.
  • Brother John. "The importance of the ITU-R BT.601 for the PAR (Translated from German)". Retrieved November 26, 2010.
    • An in depth analysis on the discrepancies of the pixel aspect ratios provided in various specifications.
    • Creative Commons Attribution, Noncommercial-Share Alike 3.0 Germany (CC by-sa)
    • English translation: [1]

Notes

  1. ^ "Dot clock rates". pineight.com. Retrieved 2018-09-23.
  2. ^ "Advanced video coding for generic audiovisual services". p. 25 (7). Retrieved 2022-06-10.
  3. ^ "ffprobe shows PAR as SAR". ffmpeg.org. Retrieved 2022-06-10.

External links

  • The Pixel Aspect Ratio Acid Test
  • Pixel Calculator

pixel, aspect, ratio, confused, with, picture, aspect, ratio, this, article, includes, list, general, references, lacks, sufficient, corresponding, inline, citations, please, help, improve, this, article, introducing, more, precise, citations, july, 2009, lear. Not to be confused with Picture aspect ratio This article includes a list of general references but it lacks sufficient corresponding inline citations Please help to improve this article by introducing more precise citations July 2009 Learn how and when to remove this template message Pixel aspect ratio often abbreviated PAR is a mathematical ratio that describes how the width of a pixel in a digital image compares to the height of that pixel Pixel aspect ratio 1 1 Pixel aspect ratio 2 1 Most digital imaging systems display an image as a grid of tiny square pixels However some imaging systems especially those that must be compatible with standard definition television motion pictures display an image as a grid of rectangular pixels in which the pixel width and height are different Pixel aspect ratio describes this difference Use of pixel aspect ratio mostly involves pictures pertaining to standard definition television and some other exceptional cases Most other imaging systems including those that comply with SMPTE standards and practices use square pixels PAR is also known as sample aspect ratio and abbreviated SAR though it can be confused with storage aspect ratio Contents 1 Introduction 2 Background 2 1 Analog to digital conversion 2 2 Digital video processing 3 Inconsistency in defined pixel aspect ratio values 4 Modern standards and practices 5 Issues of non square pixels 6 Use of pixel aspect ratio 7 Confusion with display aspect ratio 8 Pixel aspect ratios of common video formats 9 References 9 1 Main sources 9 2 Supplementary sources 9 3 Notes 10 External linksIntroduction EditThe ratio of the width to the height of an image is known as the aspect ratio or more precisely the display aspect ratio DAR the aspect ratio of the image as displayed for TV DAR was traditionally 4 3 a k a fullscreen with 16 9 a k a widescreen now the standard for HDTV In digital images there is a distinction with the storage aspect ratio SAR which is the ratio of pixel dimensions If an image is displayed with square pixels then these ratios agree if not then non square rectangular pixels are used and these ratios disagree The aspect ratio of the pixels themselves is known as the pixel aspect ratio PAR for square pixels this is 1 1 and these are related by the identity SAR PAR DAR Rearranging solving for PAR yields PAR DAR SAR For example a 640 480 VGA image has a SAR of 640 480 4 3 and if displayed on a 4 3 display DAR 4 3 has square pixels hence a PAR of 1 1 By contrast a 720 576 D 1 PAL image has a SAR of 720 576 5 4 but is displayed on a 4 3 display DAR 4 3 In analog images such as film there is no notion of pixel nor notion of SAR or PAR but in the digitization of analog images the resulting digital image has pixels hence SAR and accordingly PAR if displayed at the same aspect ratio as the original Non square pixels arise often in early digital TV standards related to digitalization of analog TV signals whose vertical and effective horizontal resolutions differ and are thus best described by non square pixels and also in some digital video cameras and computer display modes such as Color Graphics Adapter CGA Today they arise also in transcoding between resolutions with different SARs Actual displays do not generally have non square pixels though digital sensors might they are rather a mathematical abstraction used in resampling images to convert between resolutions There are several complicating factors in understanding PAR particularly as it pertains to digitization of analog video First analog video does not have pixels but rather a raster scan and thus has a well defined vertical resolution the lines of the raster but not a well defined horizontal resolution since each line is an analog signal However by a standardized sampling rate the effective horizontal resolution can be determined by the sampling theorem as is done below Second due to overscan some of the lines at the top and bottom of the raster are not visible as are some of the possible image on the left and right see Overscan Analog to digital resolution issues Also the resolution may be rounded DV NTSC uses 480 lines rather than the 486 that are possible Third analog video signals are interlaced each image frame is sent as two fields each with half the lines Thus either the pixels are twice as tall as they would be without interlacing or the image is deinterlaced Background EditSee also Aspect ratio image Distinctions Video is presented as a sequential series of images called video frames Historically video frames were created and recorded in analog form As digital display technology digital broadcast technology and digital video compression evolved separately it resulted in video frame differences that must be addressed using pixel aspect ratio Digital video frames are generally defined as a grid of pixels used to present each sequential image The horizontal component is defined by pixels or samples and is known as a video line The vertical component is defined by the number of lines as in 480 lines Standard definition television standards and practices were developed as broadcast technologies and intended for terrestrial broadcasting and were therefore not designed for digital video presentation Such standards define an image as an array of well defined horizontal Lines well defined vertical Line Duration and a well defined picture center However there is not a standard definition television standard that properly defines image edges or explicitly demands a certain number of picture elements per line Furthermore analog video systems such as NTSC 480i and PAL 576i instead of employing progressively displayed frames employ fields or interlaced half frames displayed in an interwoven manner to reduce flicker and double the image rate for smoother motion Analog to digital conversion Edit As a result of computers becoming powerful enough to serve as video editing tools video digital to analog converters and analog to digital converters were made to overcome this incompatibility To convert analog video lines into a series of square pixels the industry adopted a default sampling rate at which luma values were extracted into pixels The luma sampling rate for 480i pictures was 12 3 11 MHz and for 576i pictures was 14 3 4 MHz The term pixel aspect ratio was first coined when ITU R BT 601 commonly known as Rec 601 specified that standard definition television pictures are made of lines of exactly 720 non square pixels ITU R BT 601 did not define the exact pixel aspect ratio but did provide enough information to calculate the exact pixel aspect ratio based on industry practices The standard luma sampling rate of precisely 13 1 2 MHz Based on this information The pixel aspect ratio for 480i would be 10 11 as 12 3 11 13 1 2 10 11 displaystyle 12 tfrac 3 11 div 13 tfrac 1 2 tfrac 10 11 The pixel aspect ratio for 576i would be 59 54 as 14 3 4 13 1 2 59 54 displaystyle 14 tfrac 3 4 div 13 tfrac 1 2 tfrac 59 54 SMPTE RP 187 further attempted to standardize the pixel aspect ratio values for 480i and 576i It designated 177 160 for 480i or 1035 1132 for 576i However due to significant difference with practices in effect by industry and the computational load that they imposed upon the involved hardware SMPTE RP 187 was simply ignored SMPTE RP 187 information annex A 4 further suggested the use of 10 11 for 480i As of this writing ITU R BT 601 6 which is the latest edition of ITU R BT 601 still implies that the pixel aspect ratios mentioned above are correct Digital video processing Edit As stated above ITU R BT 601 specified that standard definition television pictures are made of lines of 720 non square pixels sampled with a precisely specified sampling rate A simple mathematical calculation reveals that a 704 pixel width would be enough to contain a 480i or 576i standard 4 3 picture A 4 3 480 line picture digitized with the Rec 601 recommended sampling rate would be 704 non square pixels wide x 480 10 11 4 3 x 480 11 4 10 3 704 displaystyle frac x 480 times frac 10 11 frac 4 3 Rightarrow x frac 480 times 11 times 4 10 times 3 704 A 4 3 576 line picture digitized with the Rec 601 recommended sampling rate would be 702 915254 non square pixels wide x 576 59 54 4 3 x 576 54 4 59 3 702 915254 displaystyle frac x 576 times frac 59 54 frac 4 3 Rightarrow x frac 576 times 54 times 4 59 times 3 approx 702 915254 Unfortunately not all standard TV pictures are exactly 4 3 As mentioned earlier in analog video the center of a picture is well defined but the edges of the picture are not standardized As a result some analog devices mostly PAL devices but also some NTSC devices generated motion pictures that were horizontally slightly wider This also proportionately applies to anamorphic widescreen 16 9 pictures Therefore to maintain a safe margin of error ITU R BT 601 required sampling 16 more non square pixels per line 8 more at each edge to ensure saving all video data near the margins This requirement however had implications for PAL motion pictures PAL pixel aspect ratios for standard 4 3 and anamorphic wide screen 16 9 respectively 59 54 and 118 81 were awkward for digital image processing especially for mixing PAL and NTSC video clips Therefore video editing products chose the almost equivalent values respectively 12 11 and 16 11 which were more elegant and could create PAL digital images at exactly 704 pixels wide as illustrated For PAL 4 3 4 3 704 576 12 11 displaystyle frac 4 3 div frac 704 576 color blue frac 12 11 For PAL 16 9 16 9 704 576 16 11 displaystyle frac 16 9 div frac 704 576 color blue frac 16 11 Inconsistency in defined pixel aspect ratio values EditCommonly found on the Internet and in various other published media are numerous sources that introduce different and highly incompatible values as the pixel aspect ratios of various video pictures and video systems See the Supplementary sources section To neutrally judge the accuracy and or feasibility of these sources please note that as the digital motion picture was invented years after the traditional motion picture all video pictures targeted for standard definition television and compatible media digital or otherwise have and must have specifications compatible with standard definition television Therefore the pixel aspect ratio of digital video must be calculated from the specification of common traditional equipment rather than the specifications of digital video Otherwise any pixel aspect ratio that is calculated from a digital video source is only usable in certain cases for the same kind of video sources and cannot be considered used as a general pixel aspect ratio of any standard definition television system In addition unlike digital video that has well defined picture edges traditional video systems have never standardized a well defined edge for the picture Therefore the pixel aspect ratio of common standard television systems cannot be calculated based on edges of pictures Such a calculated aspect ratio value would not be entirely wrong but also cannot be considered as the general pixel aspect ratio of any specific video system The use of such values would be restricted only to certain cases Modern standards and practices EditIn modern digital imaging systems and high definition televisions especially those that comply with SMPTE standards and practices only square pixels are used for broadcast and display However some formats ex HDV DVCPRO HD use non square pixels internally for image storage as a way to reduce the amount of data that must be processed thus limiting the necessary transfer rates and maintaining compatibility with existing interfaces Issues of non square pixels EditDirectly mapping an image with a certain pixel aspect ratio on a device whose pixel aspect ratio is different makes the image look unnaturally stretched or squashed in either the horizontal or vertical direction For example a circle generated for a computer display with square pixels looks like a vertical ellipse on a standard definition NTSC television that uses vertically rectangular pixels This issue is more evident on wide screen TVs Pixel aspect ratio must be taken into consideration by video editing software products that edit video files with non square pixels especially when mixing video clips with different pixel aspect ratios This would be the case when creating a video montage from various cameras employing different video standards a relatively rare situation Special effects software products must also take the pixel aspect ratio into consideration since some special effects require calculation of the distances from a certain point so that they look visually correct An example of such effects would be radial blur motion blur or even a simple image rotation Use of pixel aspect ratio EditPixel aspect ratio value is used mainly in digital video software where motion pictures must be converted or reconditioned to use video systems other than the original The video player software may use pixel aspect ratio to properly render digital video on screen Video editing software uses pixel aspect ratio to properly scale and render a video into a new format The pixel aspect ratio support is also required to display without distortion legacy digital images from computer standards and video games what existed in the 80s In that generation square pixels were too expensive to produce so machines and video cards like the SNES CGA EGA Hercules C64 MSX PC 88 X68000 etc had non square pixels 1 Confusion with display aspect ratio EditMain article Aspect ratio image DVD Flick 1 3 0 7 Example of a computer program that has mislabeled picture aspect ratio as pixel aspect ratio Pixel aspect ratio is often confused with different types of image aspect ratios the ratio of the image width and height Due to non squareness of pixels in Standard definition TV there are two types of such aspect ratios storage aspect ratio SAR and display aspect ratio abbreviated DAR also known as image aspect ratio and picture aspect ratio Also pixel aspect ratio PAR is also known as sample aspect ratio abbreviated SAR in some industrial standards such as H 264 2 and output of programs such as ffmpeg 3 Note the reuse of the abbreviations PAR and SAR This article uses only the terms pixel aspect ratio display aspect ratio and storage aspect ratio to avoid ambiguity Storage aspect ratio is the ratio of the image width to height in pixels and can be easily calculated from the video file Display aspect ratio is the ratio of image width to height in a unit of length such as centimeters or inches when displayed on screen and is calculated from the combination of pixel aspect ratio and storage aspect ratio However users who know the definition of these concepts may get confused as well Poorly crafted user interfaces or poorly written documentations can easily cause such confusion Some video editing software applications often ask users to specify an aspect ratio for their video file presenting him or her with the choices of 4 3 and 16 9 Sometimes these choices may be PAL 4 3 NTSC 4 3 PAL 16 9 and NTSC 16 9 In such situations the video editing program is implicitly asking for the pixel aspect ratio of the video file by asking for information about the video system from which the video file originated The program then uses a table similar to the one below to determine the correct pixel aspect ratio value Generally speaking to avoid confusion it can be assumed that video editing products never ask for the storage aspect ratio as they can directly retrieve or calculate it Non square pixel aware applications also need only to ask for either pixel aspect ratio or display aspect ratio from either of which they can calculate the other Pixel aspect ratios of common video formats EditPixel aspect ratio values for common standard definition video formats are listed below Note that for PAL video formats two different types of pixel aspect ratio values are listed Rec 601 a Rec 601 compliant value which is considered the real pixel aspect ratio of standard definition video of that type Digital which is roughly equivalent to Rec 601 and is more suitable to use in Digital Video Editing software Note that sources differ on PARs for common formats for example 576 lines PAL displayed at 4 3 DAR corresponds to either PAR of 12 11 if 704 576 SAR 11 9 or a PAR of 16 15 if 720 576 SAR 5 4 See references for sources giving both and SDTV Resolution for a table of storage display and pixel aspect ratios Also note that CRT televisions do not have pixels but scanlines Non square aspect ratios of common video formats Video system DAR Picture dimensions px px SAR PAR PAR decimal Width px TypePAL 4 3 704 576 72 59 59 54 1 0925 769 385 Rec 60111 9 12 11 1 09 768 384 digital720 576 5 4 16 15 1 0616 9 704 576 72 59 118 81 1 456790123 1026 513 Rec 60111 9 16 11 1 45 1024 512 digital720 576 5 4 64 45 1 42NTSC 4 3 704 480 22 15 10 11 0 90 640 32016 9 40 33 1 21 853 427HDV HDCAM 16 9 1440 1080 4 3 4 3 1 3 1920Sample aspect ratios with predefined indicators in the H 26x family of video codecs Index Aspect ratio0 unspecified1 1 12 12 113 10 114 16 115 40 336 24 117 20 118 32 119 80 3310 18 1111 15 1112 64 3313 160 9914 4 315 3 216 2 1255 extendedReferences EditMain sources Edit International Telecommunication Union Radiocommunication Sector ITU R January 2007 Recommendation BT 601 6 Studio encoding parameters of digital television for standard 4 3 and wide screen 16 9 aspect ratios ITU Online Bookstore Retrieved October 1 2008 As of the retrieval date a free membership of ITU Online Bookstore would allow free download of up to three ITU R Recommendations Consumer Electronics Association March 2008 CEA Standard CEA 861 E A DTV Profile for Uncompressed High Speed Digital Interfaces Archived from the original on November 7 2011 Retrieved September 1 2009 This standard which is the basis for HDMI specifies 16 15 1 0666 as the pixel aspect ratio of 4 3 576i p and 8 9 0 888 as the pixel aspect ratio of 4 3 480i p Pirazzi Chris Square and Non Square Pixels Retrieved October 1 2008 Pirazzi Chris Programmers Guide to Video Systems Retrieved October 1 2008 Poynton Charles 2002 Digital Video and HDTV Algorithms and Interfaces San Francisco Morgan Kaufmann Publishers ISBN 1 55860 792 7 European Broadcasting Union 1999 EBU Technical Recommendation R92 1999 Active picture area and picture centring in analogue and digital 625 50 television systems PDF Retrieved June 12 2011 Supplementary sources Edit Adobe Systems Incorporated Aspect Ratios gt Common Pixel Aspect Ratios Adobe Premiere Pro CS4 Documentations Retrieved January 25 2009 A PDF version of Adobe Premiere Pro CS4 Documentations is also available from Adobe web site This source specifies 12 11 1 09 as the pixel aspect ratio of 576i Adobe Systems Incorporated Pixel aspect ratio and frame aspect ratio gt Common Pixel Aspect Ratios Adobe After Effect CS4 Documentations Retrieved January 25 2009 A PDF version of Adobe After Effects CS4 Documentations is also available from Adobe web site This source specifies 12 11 1 09 as the pixel aspect ratio of 576i Jukka Aho A Quick Guide to Digital Video Resolution and Aspect Ratio Conversions Archived from the original on August 16 2014 Retrieved January 25 2009 This source calculates different pixel aspect ratio values for 480i and 576i pictures Brother John The importance of the ITU R BT 601 for the PAR Translated from German Retrieved November 26 2010 An in depth analysis on the discrepancies of the pixel aspect ratios provided in various specifications Creative Commons Attribution Noncommercial Share Alike 3 0 Germany CC by sa English translation 1 Notes Edit Dot clock rates pineight com Retrieved 2018 09 23 Advanced video coding for generic audiovisual services p 25 7 Retrieved 2022 06 10 ffprobe shows PAR as SAR ffmpeg org Retrieved 2022 06 10 External links EditThe Pixel Aspect Ratio Acid Test Pixel Calculator Retrieved from https en wikipedia org w index php title Pixel aspect ratio amp oldid 1148280531, wikipedia, wiki, book, books, library,

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