fbpx
Wikipedia

Michael Gielen

January 20, 2023

For the New Zealand bishop, see Michael Gielen (bishop).

Michael Andreas Gielen (20 July 1927 – 8 March 2019) was an Austrian conductor and composer known for promoting contemporary music in opera and concert. Principally active in Europe, his performances are characterized by precision and vivacity, aiding his ability to interpret the complex contemporary music he specialized in.

Michael Gielen
Gielen in 1965
Born
Michael Andreas Gielen

(1927-07-20)20 July 1927
Dresden, Germany
Died8 March 2019(2019-03-08) (aged 91)
Mondsee, Austria
Occupations
  • Conductor
  • Composer
Organizations
Awards

Raised in Argentina, he first worked in Vienna and was Generalmusikdirektor (GMD) of the Royal Swedish Opera. He conducted notable world premieres such as György Ligeti's Requièm, Karlheinz Stockhausen's Carré, and Bernd Alois Zimmermann's opera Die Soldaten and his Requiem für einen jungen Dichter. He directed the Oper Frankfurt from 1977 to 1987, installing more contemporary operas, winning stage directors such as Hans Neuenfels and Ruth Berghaus, and reviving operas such as Schreker's Die Gezeichneten. During his era, the company became one of the leading operas.

Gielen was also principal conductor of the National Orchestra of Belgium (1969–1973), the Cincinnati Symphony Orchestra (1980–1986) and the Southwest German Radio Symphony Orchestra (1986–1999). As a composer, he worked in the tradition of the Second Viennese School, often setting modern literature to music. His works were premiered with performers such as Joan Carroll, Siegfried Palm, Aloys Kontarsky and the LaSalle Quartet.

Early years

Gielen was born in Dresden to Rose (née Steuermann) and Josef Gielen [de].[1] His father was a theatre and opera director from 1924 at the Staatstheater Dresden, who staged the premiere of Kaiser/Weill's Der Protagonist at the Semperoper in 1926. His mother Rose came from a Jewish family in Sambor (then Austria-Hungary, now Ukraine). She was an actress who had given up acting when their first child Carola was born, but appeared occasionally, for example as a speaker in the premiere of Arnold Schönberg's Pierrot lunaire in Dresden in 1919, rehearsed with her brother Eduard Steuermann.[1][2][3] The footballplayer Zygmunt Steuermann was their younger brother.[4] The boy Michael first attended a reformed school from 1934 until it was closed by the Nazis. Both children were baptized and raised Catholic to counter Nazi indoctrination.[1]

Clemens Krauss called Josef Gielen to the Staatsoper Berlin in 1936, where Michael attended primary school for a year, and then the Kaiserin-Augusta-Gymnasium.[1] When his father's contract was dissolved in 1937,[1] he found a position at the Vienna Burgtheater. The family followed there in 1938.[1] Michael attended a grammar school and took piano lessons. Josef Gielen successfully staged at the Teatro Colón in Buenos Aires, Argentina, in 1938 and 1939, and managed to get immigration papers for his wife and the two children. In 1940, the family left for Argentina, leaving most of their belongings behind.[1]

Career

Gielen began his career as a pianist in Buenos Aires, where he studied with Erwin Leuchter [de].[1] As a répétiteur at the Teatro Colón at age 20, he played the basso continuo to the recitatives, in the style of the time, in a performance of Bach's St Matthew Passion conducted by Wilhelm Furtwängler.[5] In 1949, he gave an early performance of Arnold Schönberg's complete piano works.[1][5] In this period he also shortly studied philosophy.

In 1950, Gielen moved to Vienna where his father had become director of the Burgtheater. Michael Gielen was conductor and répétiteur, who conducted at the Wiener Staatsoper from 1954 to 1960,[1] assisting conductors such as Karl Böhm, Herbert von Karajan and Clemens Krauss.[5] He conducted contemporary music outside the opera house.[6]

 
Gielen (right) after the premiere of Ein Traumspiel by Aribert Reimann (centre), June 1965

His next operatic appointment, from 1960, was at the Royal Swedish Opera, where he was Generalmusikdirektor (GMD) for the first time, until 1965.[1] He conducted a production of Stravinsky's The Rake's Progress, which Ingmar Bergman staged as a radicalised Christian Passion (radikalisierte christliche Passion), in the presence of the composer.[5]

He took to freelance conducting in 1965, including the premiere of Bernd Alois Zimmermann's opera Die Soldaten in Cologne that year,[1] a work that had been deemed to be impossible to perform.[5] He premiered Aribert Reimann's opera Ein Traumspiel on 20 June 1965 at the Opernhaus Kiel.[1][7] He then had a contract with the Netherlands Opera.[1]

From 1977 to 1987, Gielen was GMD at the Oper Frankfurt, where he worked with the dramaturge Klaus Zehelein towards more contemporary operas.[1][8] In 1979, he revived Schreker's opera Die Gezeichneten there, which had premiered in Frankfurt in 1918.[9] During his time in Frankfurt, later called the Gielen Era,[6] he collaborated with stage directors such as Hans Neuenfels for Verdi's Aida and Ruth Berghaus for Wagner's Der Ring des Nibelungen.[10] The time was described as the Ära Gielen/Zehelein (Gielen/Zehelein era)[1] and made Frankfurt an internationally recognised opera.[5]

Gielen was also principal conductor of the Belgian National Orchestra (1969–73) and the Cincinnati Symphony Orchestra (1980–86).[6][11][12][13] He was from 1986 to 1999 the conductor of the SWR Sinfonieorchester Baden-Baden und Freiburg (Southwest German Radio Symphony Orchestra), and made it known as the leading orchestra for premieres, notably at the Donaueschinger Musiktage. From 1991, he collaborated in Berlin with the Staatsoper Unter den Linden and the Berliner Sinfonie-Orchester (now Konzerthausorchester Berlin).[5]

He demonstrated a mastery of the most complex contemporary scores, and conducted many premieres, including Helmut Lachenmann's Fassade and Klangschatten – mein Saitenspiel, György Ligeti's Requiem, and Karlheinz Stockhausen's Carré. He premiered Zimmermann's Requiem für einen jungen Dichter in Düsseldorf in 1969.[14] In 1973 he recorded Schönberg's opera Moses und Aron, used as a soundtrack for the film Moses und Aron.[6]

In October 2014, Gielen announced his retirement from conducting for health reasons, particularly seriously deteriorated eyesight.[15] He died in Mondsee, Austria, on 8 March 2019 of pneumonia.[8][16][5][17]

Recordings

With the SWR, Gielen recorded various symphonies, including a complete cycle of both Mahler and Beethoven,[18][19] as well as select ones by Brahms.[18] Recordings of later composers include works by Bruckner, Stravinsky,[19] Schönberg, Berg and Webern; his recording of Moses und Aron is its first commercial stereo recording.[18] Among the many works by modern and contemporary composers he recorded were those by Kagel, Ligeti, Nono, Zimmermann and Rihm.[18]

His recordings—and conducting in general—are noted for their relentless precision, exactness and veracity over sentimentality. These characteristics were particular helpful in performing complex contemporary works.[18][19]

Compositions

Gielen began to compose in 1946, and kept composing throughout his career as a conductor.[5] He was influenced by the tradition of the Second Viennese School, and his small oeuvre includes settings of poems by Hans Arp, Paul Claudel, Stefan George, and Pablo Neruda.[1] His die glocken sind auf falscher spur after Hans Arp was premiered in 1970 with soprano Joan Carroll, cellist Siegfried Palm, pianist Aloys Kontarsky, Wilhelm Bruck, Christoph Caskel and the composer at the Saarländischer Rundfunk festival, "Musik im 20.Jahrhundert"[20][1] His string quartet Un vieux souvenir after Baudelaire's Les Fleurs du mal, composed from 1983, was premiered in 1985 in Cincinnati by the LaSalle Quartet.[1]

His compositions are listed by the Akademie der Künste:[21]

  • 1946 Violin Sonata
  • 1948 Der Einsame for bass and piano, after Friedrich Nietzsche
  • 1949 Variations for string quartet
  • 1950 Chorale variations on "Christus der uns selig macht"
  • 1954 Musik 1954 for baritone, strings, piano, timpani and trombone
  • 1959 Variationen für 40 Instrumente, four poems by Stefan George for choir and orchestra
  • 1960–1963 Pentaphonie "Un dia sobresale" – "Ein Tag tritt hervor" after Pablo Neruda
  • 1967–1969 die glocken sind auf falscher spur. Melodramen und Zwischenspiele nach Gedichten von Hans Arp
  • 1971–1974 Mitbestimmungsmodell for orchestra players and a conductor
  • 1976 Einige Schwierigkeiten bei der Überwindung der Angst for orchestra
  • 1983 Un vieux souvenir, string quartet
  • 1988 Pflicht und Neigung for winds, percussion and keyboard instruments
  • 1989 Rückblick for three cellos
  • 1991 Sonata for cello solo
  • 2001 Klavierstück in sieben Sätzen for piano

Awards

References

  1. ^ a b c d e f g h i j k l m n o p q r s t u Maurer Zenck, Claudia (2014). "Michael Gielen". In Maurer Zenck, Claudia; Petersen, Peter; Fetthauer, Sophie (eds.). Lexikon verfolgter Musiker und Musikerinnen der NS-Zeit. Hamburg: Universität Hamburg. Retrieved 9 March 2019.
  2. ^ Hutton, Mary Ellyn (23 March 2010). "Michael Gielen in Good Company". musicincincinnati.com. Retrieved 13 August 2015.
  3. ^ Hillebrand, Jörg (15 July 2007). "Michael Gielen – "Ich ziehe mich zurück"" (in German). Deutsche Welle. Retrieved 13 August 2015.
  4. ^ Zmarł wybitny dyrygent. Miał 91 lat Deutsche Welle (Polish program), 9 march 2019.
  5. ^ a b c d e f g h i Brachmann, Jan (9 March 2019). "Zum Tod von Michael Gielen / Der Vision eines Elysiums verweigerte er sich" (in German). FAZ. Retrieved 9 March 2019.
  6. ^ a b c d Roth, Wilhelm (20 July 2017). "Dirigent, der in Frankfurt einst eine Ära begründete, wird 90 Jahre alt: Unermüdlich trieb Michael Gielen die Moderne voran". Frankfurter Neue Presse (in German). Retrieved 20 July 2017.[dead link]
  7. ^ Jacobi, Johannes (25 June 1965). "Ein Traumspiel / Oper (nach Strindberg) von Aribert Reimann Stadttheater in Kiel". Die Zeit (in German). Retrieved 9 March 2019.
  8. ^ a b Neuhoff, Bernhard (8 March 2019). "Dirigent und Komponist / Zum Tod von Michael Gielen" (in German). BR. Retrieved 8 March 2019.
  9. ^ a b Peters, Rainer (2010). "The Ernst von Siemens Music Prize-Winner Michael Gielen". Ernst von Siemens Musikstiftung. from the original on 6 July 2011. Retrieved 12 August 2010.
  10. ^ Rockwell, John (28 April 1987). "Opera: Wagner's 'Ring des Nibelungen' in Nigeria". The New York Times. Retrieved 17 August 2010.
  11. ^ Gelfand, Janelle (7 April 1995). "Conductor Gielen enjoying his reunion with CSO". The Cincinnati Enquirer. Cincinnati, Ohio. p. 89. Retrieved 19 May 2020 – via Newspapers.com.
  12. ^ Dietz Krebs, Betty (14 September 1980). "CSO audiences face director's challenge". Dayton Daily News. Dayton, Ohio. p. 104. Retrieved 19 May 2020 – via Newspapers.com.
  13. ^ Cooklis, Ray (12 September 1983). "Michael Gielen Accepts West German Post". The Cincinnati Enquirer. Cincinnati, Ohio. p. 15. Retrieved 19 May 2020 – via Newspapers.com.
  14. ^ "Requiem für einen jungen Dichter" (in German). Schott. 15 December 1969. Retrieved 26 April 2017.
  15. ^ "Michael Gielen beendet Dirigenten-Karriere". WDR (Kulturnachrichten). 30 October 2014. Retrieved 26 August 2015.
  16. ^ Schreiber, Wolfgang (8 March 2019). "Tod von Michael Gielen / Die Wahrheitsliebe der Musik". Süddeutsche Zeitung (in German). Retrieved 8 March 2019.
  17. ^ Allen, David (14 March 2019). "Michael Gielen, renowned German conductor, at 91". The Boston Globe. Boston. p. C8. Retrieved 19 May 2020 – via Newspapers.com.
  18. ^ a b c d e Schwinger, Wolfram (2001). "Gielen, Michael". Grove Music Online. Revised by Martin Elste [de]. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630.article.11109. ISBN 978-1-56159-263-0. (subscription or UK public library membership required)
  19. ^ a b c Allen, David (13 March 2019). "Michael Gielen, Uncompromising German Maestro, Is Dead at 91". The New York Times. Retrieved 6 May 2021.
  20. ^ "die glocken sind auf falscher spur". Breitkopf & Härtel. Wiesbaden. 2019. Retrieved 9 March 2019.
  21. ^ a b "Michael Gielen". Akademie der Künste. Berlin. 2019. Retrieved 9 March 2019.
  22. ^ a b c Boisits, Barbara (2019). "Gielen, Michael Andreas". Oesterreichisches Musiklexikon online. Retrieved 9 March 2019.

Sources

  • Michael Gielen at AllMusic
  • Michael Gielen composers21.com
  • Michael Gielen (Conductor) Bach Cantatas Website

Literature

  • Michael Gielen: Unbedingt Musik. Erinnerungen. Insel, Frankfurt am Main 2005; ISBN 3-458-17272-6.
  • Michael Gielen, Paul Fiebig: Mahler im Gespräch. Die zehn Sinfonien. Metzler, Stuttgart 2002; ISBN 3-476-01933-0.

Further reading

  • "A musician in search of a definite performance". The Age. Melbourne. 30 May 1992. p. 144. Retrieved 19 May 2020 – via Newspapers.com.
  • Rhein, John von (13 January 2001). "Taking risks". Chicago Tribune. Chicago. p. 57. Retrieved 19 May 2020 – via Newspapers.com.
  • Eckle, Georg Albrecht (19 July 2007). "Der Leuchturm". Der Tagesspiegel (in German). Berlin. Retrieved 9 March 2019.
  • Koch, Gerhard R. (July 2007). . neue musikzeitung (in German). Regensburg. Archived from the original on 29 September 2007. Retrieved 9 March 2019.
  • Weber, M. (12 July 2007). "Ein Vermittler, ein Missionar". Die Zeit (in German). Hamburg. Retrieved 9 March 2019.

External links

  • Literature by and about Michael Gielen in the German National Library catalogue
  • Michael Andreas Gielen, Music Information Center Austria
  • "Ehrendirigent des SWR-Sinfonieorchesters legt Taktstock aus gesundheitlichen Gründen nieder", magazin.klassik.com 30 October 2014
  • Conductor / Composer Michael Gielen / A Conversation with Bruce Duffie, 22 March 1996

January 20, 2023
michael, gielen, zealand, bishop, bishop, michael, andreas, gielen, july, 1927, march, 2019, austrian, conductor, composer, known, promoting, contemporary, music, opera, concert, principally, active, europe, performances, characterized, precision, vivacity, ai. For the New Zealand bishop see Michael Gielen bishop Michael Andreas Gielen 20 July 1927 8 March 2019 was an Austrian conductor and composer known for promoting contemporary music in opera and concert Principally active in Europe his performances are characterized by precision and vivacity aiding his ability to interpret the complex contemporary music he specialized in Michael GielenGielen in 1965BornMichael Andreas Gielen 1927 07 20 20 July 1927Dresden GermanyDied8 March 2019 2019 03 08 aged 91 Mondsee AustriaOccupationsConductor ComposerOrganizationsRoyal Swedish Opera Oper Frankfurt Southwest German Radio Symphony OrchestraAwardsHessian Cultural Prize Theodor W Adorno Award Frankfurter Musikpreis Duisburger Musikpreis Ernst von Siemens Music Prize Order of Merit of the Federal Republic of GermanyRaised in Argentina he first worked in Vienna and was Generalmusikdirektor GMD of the Royal Swedish Opera He conducted notable world premieres such as Gyorgy Ligeti s Requiem Karlheinz Stockhausen s Carre and Bernd Alois Zimmermann s opera Die Soldaten and his Requiem fur einen jungen Dichter He directed the Oper Frankfurt from 1977 to 1987 installing more contemporary operas winning stage directors such as Hans Neuenfels and Ruth Berghaus and reviving operas such as Schreker s Die Gezeichneten During his era the company became one of the leading operas Gielen was also principal conductor of the National Orchestra of Belgium 1969 1973 the Cincinnati Symphony Orchestra 1980 1986 and the Southwest German Radio Symphony Orchestra 1986 1999 As a composer he worked in the tradition of the Second Viennese School often setting modern literature to music His works were premiered with performers such as Joan Carroll Siegfried Palm Aloys Kontarsky and the LaSalle Quartet Contents 1 Early years 2 Career 3 Recordings 4 Compositions 5 Awards 6 References 7 Sources 8 Literature 9 Further reading 10 External linksEarly years EditGielen was born in Dresden to Rose nee Steuermann and Josef Gielen de 1 His father was a theatre and opera director from 1924 at the Staatstheater Dresden who staged the premiere of Kaiser Weill s Der Protagonist at the Semperoper in 1926 His mother Rose came from a Jewish family in Sambor then Austria Hungary now Ukraine She was an actress who had given up acting when their first child Carola was born but appeared occasionally for example as a speaker in the premiere of Arnold Schonberg s Pierrot lunaire in Dresden in 1919 rehearsed with her brother Eduard Steuermann 1 2 3 The footballplayer Zygmunt Steuermann was their younger brother 4 The boy Michael first attended a reformed school from 1934 until it was closed by the Nazis Both children were baptized and raised Catholic to counter Nazi indoctrination 1 Clemens Krauss called Josef Gielen to the Staatsoper Berlin in 1936 where Michael attended primary school for a year and then the Kaiserin Augusta Gymnasium 1 When his father s contract was dissolved in 1937 1 he found a position at the Vienna Burgtheater The family followed there in 1938 1 Michael attended a grammar school and took piano lessons Josef Gielen successfully staged at the Teatro Colon in Buenos Aires Argentina in 1938 and 1939 and managed to get immigration papers for his wife and the two children In 1940 the family left for Argentina leaving most of their belongings behind 1 Career EditGielen began his career as a pianist in Buenos Aires where he studied with Erwin Leuchter de 1 As a repetiteur at the Teatro Colon at age 20 he played the basso continuo to the recitatives in the style of the time in a performance of Bach s St Matthew Passion conducted by Wilhelm Furtwangler 5 In 1949 he gave an early performance of Arnold Schonberg s complete piano works 1 5 In this period he also shortly studied philosophy In 1950 Gielen moved to Vienna where his father had become director of the Burgtheater Michael Gielen was conductor and repetiteur who conducted at the Wiener Staatsoper from 1954 to 1960 1 assisting conductors such as Karl Bohm Herbert von Karajan and Clemens Krauss 5 He conducted contemporary music outside the opera house 6 Gielen right after the premiere of Ein Traumspiel by Aribert Reimann centre June 1965 His next operatic appointment from 1960 was at the Royal Swedish Opera where he was Generalmusikdirektor GMD for the first time until 1965 1 He conducted a production of Stravinsky s The Rake s Progress which Ingmar Bergman staged as a radicalised Christian Passion radikalisierte christliche Passion in the presence of the composer 5 He took to freelance conducting in 1965 including the premiere of Bernd Alois Zimmermann s opera Die Soldaten in Cologne that year 1 a work that had been deemed to be impossible to perform 5 He premiered Aribert Reimann s opera Ein Traumspiel on 20 June 1965 at the Opernhaus Kiel 1 7 He then had a contract with the Netherlands Opera 1 From 1977 to 1987 Gielen was GMD at the Oper Frankfurt where he worked with the dramaturge Klaus Zehelein towards more contemporary operas 1 8 In 1979 he revived Schreker s opera Die Gezeichneten there which had premiered in Frankfurt in 1918 9 During his time in Frankfurt later called the Gielen Era 6 he collaborated with stage directors such as Hans Neuenfels for Verdi s Aida and Ruth Berghaus for Wagner s Der Ring des Nibelungen 10 The time was described as the Ara Gielen Zehelein Gielen Zehelein era 1 and made Frankfurt an internationally recognised opera 5 Gielen was also principal conductor of the Belgian National Orchestra 1969 73 and the Cincinnati Symphony Orchestra 1980 86 6 11 12 13 He was from 1986 to 1999 the conductor of the SWR Sinfonieorchester Baden Baden und Freiburg Southwest German Radio Symphony Orchestra and made it known as the leading orchestra for premieres notably at the Donaueschinger Musiktage From 1991 he collaborated in Berlin with the Staatsoper Unter den Linden and the Berliner Sinfonie Orchester now Konzerthausorchester Berlin 5 He demonstrated a mastery of the most complex contemporary scores and conducted many premieres including Helmut Lachenmann s Fassade and Klangschatten mein Saitenspiel Gyorgy Ligeti s Requiem and Karlheinz Stockhausen s Carre He premiered Zimmermann s Requiem fur einen jungen Dichter in Dusseldorf in 1969 14 In 1973 he recorded Schonberg s opera Moses und Aron used as a soundtrack for the film Moses und Aron 6 In October 2014 Gielen announced his retirement from conducting for health reasons particularly seriously deteriorated eyesight 15 He died in Mondsee Austria on 8 March 2019 of pneumonia 8 16 5 17 Recordings EditWith the SWR Gielen recorded various symphonies including a complete cycle of both Mahler and Beethoven 18 19 as well as select ones by Brahms 18 Recordings of later composers include works by Bruckner Stravinsky 19 Schonberg Berg and Webern his recording of Moses und Aron is its first commercial stereo recording 18 Among the many works by modern and contemporary composers he recorded were those by Kagel Ligeti Nono Zimmermann and Rihm 18 His recordings and conducting in general are noted for their relentless precision exactness and veracity over sentimentality These characteristics were particular helpful in performing complex contemporary works 18 19 Compositions EditGielen began to compose in 1946 and kept composing throughout his career as a conductor 5 He was influenced by the tradition of the Second Viennese School and his small oeuvre includes settings of poems by Hans Arp Paul Claudel Stefan George and Pablo Neruda 1 His die glocken sind auf falscher spur after Hans Arp was premiered in 1970 with soprano Joan Carroll cellist Siegfried Palm pianist Aloys Kontarsky Wilhelm Bruck Christoph Caskel and the composer at the Saarlandischer Rundfunk festival Musik im 20 Jahrhundert 20 1 His string quartet Un vieux souvenir after Baudelaire s Les Fleurs du mal composed from 1983 was premiered in 1985 in Cincinnati by the LaSalle Quartet 1 His compositions are listed by the Akademie der Kunste 21 1946 Violin Sonata 1948 Der Einsame for bass and piano after Friedrich Nietzsche 1949 Variations for string quartet 1950 Chorale variations on Christus der uns selig macht 1954 Musik 1954 for baritone strings piano timpani and trombone 1959 Variationen fur 40 Instrumente four poems by Stefan George for choir and orchestra 1960 1963 Pentaphonie Un dia sobresale Ein Tag tritt hervor after Pablo Neruda 1967 1969 die glocken sind auf falscher spur Melodramen und Zwischenspiele nach Gedichten von Hans Arp 1971 1974 Mitbestimmungsmodell for orchestra players and a conductor 1976 Einige Schwierigkeiten bei der Uberwindung der Angst for orchestra 1983 Un vieux souvenir string quartet 1988 Pflicht und Neigung for winds percussion and keyboard instruments 1989 Ruckblick for three cellos 1991 Sonata for cello solo 2001 Klavierstuck in sieben Satzen for pianoAwards Edit1985 Hessian Cultural Prize 22 1986 Theodor W Adorno Award 1 1999 Frankfurter Musikpreis 22 2006 Duisburger Musikpreis 22 2010 Ernst von Siemens Music Prize 1 9 June 2010 Knight Commander s Cross of the Order of Merit of the Federal Republic of Germany Grosses Verdienstkreuz mit Stern 21 References Edit a b c d e f g h i j k l m n o p q r s t u Maurer Zenck Claudia 2014 Michael Gielen In Maurer Zenck Claudia Petersen Peter Fetthauer Sophie eds Lexikon verfolgter Musiker und Musikerinnen der NS Zeit Hamburg Universitat Hamburg Retrieved 9 March 2019 Hutton Mary Ellyn 23 March 2010 Michael Gielen in Good Company musicincincinnati com Retrieved 13 August 2015 Hillebrand Jorg 15 July 2007 Michael Gielen Ich ziehe mich zuruck in German Deutsche Welle Retrieved 13 August 2015 Zmarl wybitny dyrygent Mial 91 lat Deutsche Welle Polish program 9 march 2019 a b c d e f g h i Brachmann Jan 9 March 2019 Zum Tod von Michael Gielen Der Vision eines Elysiums verweigerte er sich in German FAZ Retrieved 9 March 2019 a b c d Roth Wilhelm 20 July 2017 Dirigent der in Frankfurt einst eine Ara begrundete wird 90 Jahre alt Unermudlich trieb Michael Gielen die Moderne voran Frankfurter Neue Presse in German Retrieved 20 July 2017 dead link Jacobi Johannes 25 June 1965 Ein Traumspiel Oper nach Strindberg von Aribert Reimann Stadttheater in Kiel Die Zeit in German Retrieved 9 March 2019 a b Neuhoff Bernhard 8 March 2019 Dirigent und Komponist Zum Tod von Michael Gielen in German BR Retrieved 8 March 2019 a b Peters Rainer 2010 The Ernst von Siemens Music Prize Winner Michael Gielen Ernst von Siemens Musikstiftung Archived from the original on 6 July 2011 Retrieved 12 August 2010 Rockwell John 28 April 1987 Opera Wagner s Ring des Nibelungen in Nigeria The New York Times Retrieved 17 August 2010 Gelfand Janelle 7 April 1995 Conductor Gielen enjoying his reunion with CSO The Cincinnati Enquirer Cincinnati Ohio p 89 Retrieved 19 May 2020 via Newspapers com Dietz Krebs Betty 14 September 1980 CSO audiences face director s challenge Dayton Daily News Dayton Ohio p 104 Retrieved 19 May 2020 via Newspapers com Cooklis Ray 12 September 1983 Michael Gielen Accepts West German Post The Cincinnati Enquirer Cincinnati Ohio p 15 Retrieved 19 May 2020 via Newspapers com Requiem fur einen jungen Dichter in German Schott 15 December 1969 Retrieved 26 April 2017 Michael Gielen beendet Dirigenten Karriere WDR Kulturnachrichten 30 October 2014 Retrieved 26 August 2015 Schreiber Wolfgang 8 March 2019 Tod von Michael Gielen Die Wahrheitsliebe der Musik Suddeutsche Zeitung in German Retrieved 8 March 2019 Allen David 14 March 2019 Michael Gielen renowned German conductor at 91 The Boston Globe Boston p C8 Retrieved 19 May 2020 via Newspapers com a b c d e Schwinger Wolfram 2001 Gielen Michael Grove Music Online Revised by Martin Elste de Oxford Oxford University Press doi 10 1093 gmo 9781561592630 article 11109 ISBN 978 1 56159 263 0 subscription or UK public library membership required a b c Allen David 13 March 2019 Michael Gielen Uncompromising German Maestro Is Dead at 91 The New York Times Retrieved 6 May 2021 die glocken sind auf falscher spur Breitkopf amp Hartel Wiesbaden 2019 Retrieved 9 March 2019 a b Michael Gielen Akademie der Kunste Berlin 2019 Retrieved 9 March 2019 a b c Boisits Barbara 2019 Gielen Michael Andreas Oesterreichisches Musiklexikon online Retrieved 9 March 2019 Sources EditMichael Gielen at AllMusic Michael Gielen composers21 com Michael Gielen Conductor Bach Cantatas WebsiteLiterature EditMichael Gielen Unbedingt Musik Erinnerungen Insel Frankfurt am Main 2005 ISBN 3 458 17272 6 Michael Gielen Paul Fiebig Mahler im Gesprach Die zehn Sinfonien Metzler Stuttgart 2002 ISBN 3 476 01933 0 Further reading Edit A musician in search of a definite performance The Age Melbourne 30 May 1992 p 144 Retrieved 19 May 2020 via Newspapers com Rhein John von 13 January 2001 Taking risks Chicago Tribune Chicago p 57 Retrieved 19 May 2020 via Newspapers com Eckle Georg Albrecht 19 July 2007 Der Leuchturm Der Tagesspiegel in German Berlin Retrieved 9 March 2019 Koch Gerhard R July 2007 Anti Schamane Michael Gielen zum achtzigsten Geburtstag neue musikzeitung in German Regensburg Archived from the original on 29 September 2007 Retrieved 9 March 2019 Weber M 12 July 2007 Ein Vermittler ein Missionar Die Zeit in German Hamburg Retrieved 9 March 2019 External links EditLiterature by and about Michael Gielen in the German National Library catalogue Michael Andreas Gielen Music Information Center Austria Ehrendirigent des SWR Sinfonieorchesters legt Taktstock aus gesundheitlichen Grunden nieder magazin klassik com 30 October 2014 Conductor Composer Michael Gielen A Conversation with Bruce Duffie 22 March 1996Cultural officesPreceded byAndre Cluytens Music Director Belgian National Orchestra1969 1971 Succeeded byAndre VandernootPreceded byKazimierz Kord Chief Conductor Southwest German Radio Symphony Orchestra1986 1999 Succeeded bySylvain Cambreling Retrieved from https en wikipedia org w index php title Michael Gielen amp oldid 1130671594, wikipedia, wiki, book, books, library,

article

, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games.