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Wikipedia

Final Cut Pro

May 24, 2023

Final Cut Pro (often abbreviated FCP or FCPX) is a professional non-linear video-editing application initially developed by Macromedia, and, since 1998, by Apple as part of its pro apps collection. Final Cut Pro allows users to import, edit, and process video footage, and output it to a wide variety of formats.

Final Cut Pro
A 2018 screenshot of Final Cut Pro
Original author(s)Macromedia Inc.
Developer(s)Apple Inc. (1998–present)
Macromedia Inc. (before 1998)
Initial releaseApril 1999
Stable release
10.6.5 / October 24, 2022; 6 months ago (2022-10-24)[1]
Operating systemmacOS (11.5.1 or newer) iPadOS (16.4 or newer)
TypeVideo editing software
LicenseProprietary
Websiteapple.com/final-cut-pro/

In the 2000s, Final Cut Pro developed a large and expanding user base, mainly video hobbyists and independent filmmakers. It also made inroads with film and television editors who have traditionally used Avid Media Composer. According to a 2007 SCRI study, Final Cut Pro made up 49% of the United States professional editing market, with Avid at 22%.[2] A published survey in 2008 by the American Cinema Editors Guild placed their users at 21% Final Cut Pro (and growing from previous surveys of this group), while all others were on an Avid system of some kind.[3] In 2011, Final Cut Pro 7 was replaced with the fully rewritten Final Cut Pro X, which initially lacked many features from previous versions, though frequent updates have brought back many of these features. Final Cut Pro for iPad will be available on May 23.[4]

Features

Final Cut Pro provides non-linear, non-destructive editing of any QuickTime-compatible video format including DV, HDV, P2 MXF (DVCProHD), XDCAM (via plug-in), 2K, 4K, 5K, and 8K film formats[5] and can import projects directly from iMovie for iOS and iPadOS. It supports a number of simultaneously composited video tracks (limited mainly by video form capability); unlimited audio tracks; multi-camera editing for combining video from multiple camera sources (referred to as angles); 360º video editing support; as well as the standard ripple, roll, slip, slide, scrub, razor blade and time remapping edit functions. It comes with a range of video transitions and a range of video and audio filters such as keying tools, mattes and vocal de-poppers and de-essers. It also has multiple color-correction tools including color wheels, sliders and curves, video scopes and a selection of generators, such as slugs, test cards, and noise.[5]

The functionality of Final Cut Pro can be extended with plug-ins which may provide additional effects, titles, transitions, and more. Apple maintains the APIs and documentation for everyone to develop such plug-ins.[6]

Interface

  • Event browser: Replacing “bins” in other NLEs, the event browser is where the original media is found and can be searched and sorted by various forms of metadata. Keyword ranges, favorite and rejected ranges, and smart collections allow for faster sorting of a large number of clips.
  • Magnetic timeline: Inventing an alternative to track-based timelines found in traditional NLEs, Final Cut's magnetic timeline uses clip connections to keep connected clips and secondary storylines in sync with clips located on the primary storyline. By default, clips move around each other "magnetically", filling in any gaps and avoiding clip collisions by automatically bumping clips out of the way vertically. The magnetic connections are also user-definable.
  • Roles: In order to separate and organize different audio types on the magnetic timeline, editors can designate what "role' each clip plays. Introduced in version 10.0.1, Roles can be assigned to clips as an alternate way of creating organizational functionality. A Role (or Sub-Role) gets assigned to clips to identify what it is (for example Video, Titles, Dialogue, Effects, Music). Upon Sharing a Master File of the Project the various Roles can be split out as stems or in a multitrack file for broadcast delivery or other distribution needs.
  • Content auto-analysis: Found in the import window and event browser is the option to analyze media for shot type and facial recognition or fix potential problems like audio loudness, audio hum, channel grouping, background noise, color balance, pulldown removal, and stabilization. This process generates metadata that can automatically be organized as Keywords and can be grouped into Smart Collections.
  • Synchronized clips: Video and audio clips recorded on separate devices can be synched automatically by timecode, audio waveforms, and markers together as a single clip.
  • Compound clips: Nested sequences from the original Final Cut Pro have been replaced by compound clips. A selection of video and audio clips can be nested into a single compound clip. This compound clip can be opened in its own timeline or broken apart for further editing. It can also be reused in different projects.
  • Closed captions: Introduced in version 10.4.1, closed captions can be created right in the timeline or imported into the timeline from an external file.
  • Multicam editing: Introduced in version 10.0.3, multiple camera angles can be synchronized automatically and combined into a multicam clip. Once in the timeline, a multicam clip can be cut up into different angles by using the angle viewer. A multicam clip can be opened in the angle editor where new angles can be added, synched, relabeled, and rearranged at any time.
  • Auditions: Clips can be grouped together in the event browser or on the timeline as auditions. Once in the timeline, an audition allows the user to choose between different clips in their edit while the timeline ripples automatically in order to preview two or more different versions of a cut.
  • 3D titles: Introduced in version 10.2.0, text can be extruded, textured, lit, and shaded with materials and environments in 3D. This allows users to create titles like those found in Hollywood movies directly in the application.[7]
  • 360 degree video editing: Introduced in version 10.4. import and edit 360° equirectangular video in a wide range of formats and frame sizes.
  • Advanced color grading
  • Wide-gamut high dynamic range

Technical features

While inheriting the name from its predecessor, Final Cut Pro, Final Cut Pro X is a completely re-written application. As a native 64-bit application it takes advantage of more than 4GB of RAM. It utilizes all CPU cores with Grand Central Dispatch. Open CL support allows GPU accelerated processing for improved performance for playback, rendering, and transcoding. It is resolution-independent, supporting images sizes from SD to beyond 4K. Final Cut Pro X supports playback of many native camera and audio formats.[8] It can also transcode video clips to the Apple ProRes codec for improved performance.[9][10] Many tasks are performed in the background such as auto-saving, rendering, transcoding, and media management, allowing the user an uninterrupted experience.[11] Final Cut Pro X was developed for macOS only.[12][13]

Workflow integration

Motion 5
Titles, motion graphics, effects generated in Motion 5 can be published to Final Cut Pro X. Inside the Final Cut Pro X, editors can modify the parameters and contents of the effects, as long as the permission for such modifications is turned on in the Motion 5 project file.
Adobe Photoshop
In Final Cut Pro X 10.0.3 and later, the editor can import Photoshop projects onto the storyline similar to a still image. A Photoshop project with layers is treated similar to a compound clip and the layers are preserved after being imported into the Final Cut Pro X. Individual layers of the Photoshop project can be toggled on or off inside the Final Cut Pro X by double-clicking the imported project and going into the compound clip editing panel. Other adjustments to the Photoshop project should be performed on the imported Photoshop project using Adobe Photoshop program with updates happening in real-time inside Final Cut Pro X.

Ecosystem

Before version 10, Final Cut Pro could be extended using the FXScript scripting language.[14]

Since its release, Final Cut Pro X has supported the construction of effect, transition, and title plugins by publishing custom-built effects from Apple Motion. This has led to a third-party ecosystem of developers building effects from simple color corrections to complex templates.[15] Third-party plug-ins can also be created through Apple's FxPlug API, the successor of FXScript.[16] As Projects, Events, and Libraries are stored in a database format; this has allowed many third-party developers to build workflow tools by utilizing FCPXML.[17]

History

Creation

Randy Ubillos led the team that developed the first three versions of Adobe Premiere. His group was then hired by Macromedia to develop KeyGrip, a more professional video editing program based on Apple's QuickTime, for Macromedia. However, Macromedia was unable to release the product, since they had licensed a component from Truevision, and the latter had a licensing agreement with Microsoft that prohibited the component's use in conjunction with QuickTime. As a result, and due to Macromedia's decision to focus on the web market, it sold its desktop applications, including KeyGrip.

In 1998, KeyGrip was renamed Final Cut, and was demonstrated as a 0.9 alpha in a private room at the NAB Show. The demonstration showed both Mac and Windows versions of the software, with the Mac version using a Truevision RTX dual-stream real-time card with limited real-time effects. When no buyer was found for the program, Apple acquired the development team as a defensive measure. As Apple was unable to find a buyer for Final Cut, it continued development work, adding FireWire support and releasing the program as Final Cut Pro at NAB 1999.

Early versions

To ensure that Final Cut Pro had strong support for third-party self-paced and instructor-led training from the start, Apple partnered with DVcreators.net to release a training disc called "Final Cut Pro PowerStart" at the NAB show on the day of Final Cut Pro's release. Apple also worked with DVcreators.net to host hundreds of free and paid Final Cut Pro seminars and workshops in 60 cities around the world in the following years, a strategy that some credit with significantly contributing to Final Cut Pro's early market awareness and success.

After the release of Final Cut Pro, Adobe Premiere maintained a strong market share on Windows, but began to decline on Mac as its older codebase was more difficult to maintain. In 2003, Apple launched a trade-in program that allowed Premiere users to exchange their discs for a free copy of Final Cut Express or receive a $500 discount on Final Cut Pro.[18][19]

One of the factors that contributed to the success of Final Cut Pro was the relative maturity of QuickTime and its native support for new DV cameras connected via FireWire. The first fully broadcast quality, globally distributed TV show produced using Final Cut Pro was Women of Wrestling in 2000, which used the Pinnacle CinéWave uncompressed video card. The Oxygen Network also used the software to produce shows such as SheCommerce during its network launch in early 2000.[20]

In late 2001, independent producer Michael A. Bloom credited Final Cut Pro as being crucial to the production of his controversial film PlayCouples, A New Era of Swinging (2003). In an interview with Larry King, Bloom claimed that the relatively new platform did not fail once while rendering the film, unlike his experiences with Avid Media Composer. Bloom had been an advocate for Final Cut Pro since using it for beta testing under an agreement between his production company and The Oxygen Network. The studio motion picture The Rules of Attraction was also edited using beta versions of Final Cut Pro 3, demonstrating that successful 3:2 pulldown matchback to 24fps was possible with an easy-to-use software product.[19] The film's director, Roger Avary, became a spokesperson for Final Cut Pro, appearing in print advertisements worldwide. His endorsement of the product helped to give mainstream editors like Walter Murch confidence in its readiness for professional use. In August 2002, Final Cut Pro received a Primetime Emmy Engineering Award for its impact on the television industry.[21][19]

Final Cut Pro 4 to 7

Final Cut Pro 4 was released in April 2003, and included three new applications: Compressor for transcoding between video formats, LiveType for advanced titling (such as the creation of animated lower thirds), and Soundtrack for creating royalty-free music soundtracks. It also included Cinema Tools, which had previously been sold separately for filmmakers working with telecine.

In April 2004, Final Cut Pro 4.5 was released and branded as "Final Cut Pro HD" due to its native support for Panasonic's tape-based DVCPRO HD format for compressed 720p and 1080i HD over FireWire. (While the software had been capable of uncompressed HD editing since version 3.0, it required expensive video cards and high-speed storage at the time.)

Final Cut Pro 5 was announced at a pre-NAB event in April 2005 and shipped in May of that year. It added support for the HDV format for compressed HD, which had previously been supported in Final Cut Pro's scaled-down cousin, Final Cut Express. Final Cut Pro 5 also added support for Panasonic's P2 format, which allowed for the recording of DVCPRO HD video to memory cards rather than tape.

In January 2006, Apple stopped selling Final Cut Pro as a standalone product and began offering it only as part of the Final Cut Studio bundle. In March 2006, a universal binary 5.1 version of Final Cut Pro was released as part of Final Cut Studio, and upgrades were made available by sending the original installation discs back to Apple with a fee. One notable difference in the Intel versions of Final Cut and Motion was that they no longer recognized After Effects plugins, but instead supported Apple's own universal plugin architecture, FxPlug.

On April 15, 2007, Apple unveiled Final Cut Pro 6 as the centerpiece of the Final Cut Studio 2 bundle. Despite not having a booth at NAB 2009, the product was widely represented on the show floor by various vendors, including the Red Digital Cinema team, which relied heavily on Final Cut Pro during development.

On July 23, 2009, Final Cut Pro 7 (also referred to informally by users as Final Cut Studio 3) was released, though it remained a 32-bit application.

Final Cut Pro X

Final Cut Pro X was unveiled on April 12, 2011 at the NAB Show, and released to the Mac App Store on June 21, 2011 along with new versions of Motion and Compressor.[22][23][24][25] Final Cut Pro X was fully-rewritten in 64-bit, with a new interface, workflow enhancements and improved automation, and new features such as ColorSync integration, a resolution-independent playback system, and Core Animation-based system scaling. As part of the release, Final Cut Studio was discontinued, along with Color, Soundtrack Pro, and DVD Studio Pro.

The reaction was extremely mixed, with veteran film editor Walter Murch initially refusing to use it, citing a lack of features compared to Final Cut Pro 7.[26] Support for translating timelines from Final Cut Pro 7 to Final Cut Pro X was notably missing, requiring editors to preserve a copy of Final Cut Pro 7 to edit older projects.[27] An online petition asking Apple to continue development of Final Cut Pro 7 or to sell it to a third-party gathered 1,600 signatures within a week.[28] Some of the missing features in Final Cut Pro X that were essential for professional video production included the lack of an edit decision list (EDL), XML and Open Media Framework Interchange (OMF) support, the inability to import projects created in previous versions of Final Cut Pro, the absence of a multicam editing tool, missing support for third-party I/O hardware output, and videotape capture being limited to FireWire video devices, including capture with third-party hardware.[29] These missing features were addressed within the first six months of the product's life. EDL export, a product of the early days of videotape editing, is now supported through third-party software[30] and creating an AAF (a newer version of OMF)[31] for passing projects to Pro Tools through X2Pro. In a 2015 interview, Murch was much less critical of the tool and suggested that he was interested in using it.[26] Other movie producers,[who?] have agreed that Final Cut Pro X's initial shortcomings have been fixed.[32][33]

One of the notable changes introduced in Final Cut Pro X was the Magnetic Timeline, which replaced the track-based timeline of previous versions. This initially caused issues with exporting audio stems for broadcast and distribution, but this was addressed with the release of version 10.0.1, which introduced Video and Audio Roles, allowing users to export multitrack QuickTime files or stems.[34][35] Files can be exported as AFF using a third-party app called X2Pro or through Logic Pro X.

With version 10.0.6 released on October 23, 2012, Apple added native support for Redcode Raw and MXF through a third party plugin. Prior to the introduction of version 10.1, Project and Event Libraries were separate folders. Events contained all the original media and Project Libraries contained the actual edited Projects on timelines. The Project and Event Libraries were stored in a user's Movie folder or on the root level of an external hard drive. These Libraries automatically opened in Final Cut Pro X depending on which hard drives were mounted. That all changed on December 19, 2013, when Project and Event Libraries were merged into a new Library model. Libraries contained Events which in turn contained Projects. And unlike before Libraries could be opened and closed by the user. Media could be stored internally in the Library or kept outside the Library. Media management was further refined in version 10.1.2, released on June 27, 2014.[36] MXF import, edit, and export became natively supported with version 10.1.4.[37]

Version 10.2, released during the NAB Show 2015, introduced 3D Titles in both Final Cut Pro X and Motion. The Color Board was merged with a new Color Correction effect to allow for more flexibility in stacking layers of effects, and Apple added the ability to apply Keying or Shape Masks to any effect.[38] Version 10.3 introduced a redesigned interface with Magnetic Timeline 2, support for iXML metadata when importing audio, significantly improved audio editing, support for wide-gamut color and REC 2020 color import, edit, and export, and support for MXF-wrapped Apple ProRes.

Version 10.4 introduced color wheels and color curves, 360º video editing, and high-dynamic-range (HDR) video, and the HEVC and HEIF formats.[39] In April 2018, Apple said that there were more than 2.5 million users of Final Cut Pro X.[40] In version 10.4.1, released during the NAB Show 2018, closed captioning was added, along with support for ProRes RAW. In November 2020, in tandem with the release of macOS Big Sur, the X was dropped from the name, and the product became again known as Final Cut Pro.[41]

Final Cut Pro for iPad

In May 2023, Final Cut Pro for iPad was announced and will be available on May 23. It requires an iPad with an M-series chip and will be available only as a subscription for $4.99 a month or $49 a year.[42][43]

Made with Final Cut Pro

With Final Cut Pro 1 to 7

With Final Cut Pro X

Film

Television

See also

  • Motion, a companion app by Apple for motion graphics and effects
  • Compressor, a companion app by Apple for advanced encoding
  • Apple ProRes, a video-encoding format
  • iMovie, Apple's consumer video-editing app
  • Final Cut Studio, a discontinued software suite which included Final Cut Pro and other Apple film-editing apps
  • Final Cut Express, a discontinued edition of Final Cut with fewer features sold at a lower price

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  103. ^ "Multi-award Winning Production Company Delivering Prime Time Content in More than 30 Countries Builds a State-of- The-Art Facility Around Final Cut Pro X".
  104. ^ "Spanish Post Production Manager and Senior Editor David López Explains Why the Award-Winning Prime Time TV Show Salvados Went FCPX".
  105. ^ "Cut People on Facebook". Facebook. Archived from the original on April 27, 2022.[user-generated source]
  106. ^ "Focus on Making an HBO Documentary 4/28/21". YouTube.

External links

  • Official website
  • Official release notes for Final Cut Pro 10.0 and above

May 24, 2023
final, often, abbreviated, fcpx, professional, linear, video, editing, application, initially, developed, macromedia, since, 1998, apple, part, apps, collection, allows, users, import, edit, process, video, footage, output, wide, variety, formats, 2018, screen. Final Cut Pro often abbreviated FCP or FCPX is a professional non linear video editing application initially developed by Macromedia and since 1998 by Apple as part of its pro apps collection Final Cut Pro allows users to import edit and process video footage and output it to a wide variety of formats Final Cut ProA 2018 screenshot of Final Cut ProOriginal author s Macromedia Inc Developer s Apple Inc 1998 present Macromedia Inc before 1998 Initial releaseApril 1999Stable release10 6 5 October 24 2022 6 months ago 2022 10 24 1 Operating systemmacOS 11 5 1 or newer iPadOS 16 4 or newer TypeVideo editing softwareLicenseProprietaryWebsiteapple wbr com wbr final cut pro wbr In the 2000s Final Cut Pro developed a large and expanding user base mainly video hobbyists and independent filmmakers It also made inroads with film and television editors who have traditionally used Avid Media Composer According to a 2007 SCRI study Final Cut Pro made up 49 of the United States professional editing market with Avid at 22 2 A published survey in 2008 by the American Cinema Editors Guild placed their users at 21 Final Cut Pro and growing from previous surveys of this group while all others were on an Avid system of some kind 3 In 2011 Final Cut Pro 7 was replaced with the fully rewritten Final Cut Pro X which initially lacked many features from previous versions though frequent updates have brought back many of these features Final Cut Pro for iPad will be available on May 23 4 Contents 1 Features 1 1 Interface 1 2 Technical features 1 3 Workflow integration 2 Ecosystem 3 History 3 1 Creation 3 2 Early versions 3 3 Final Cut Pro 4 to 7 3 4 Final Cut Pro X 3 5 Final Cut Pro for iPad 4 Made with Final Cut Pro 4 1 With Final Cut Pro 1 to 7 4 2 With Final Cut Pro X 5 See also 6 References 7 External linksFeatures EditFinal Cut Pro provides non linear non destructive editing of any QuickTime compatible video format including DV HDV P2 MXF DVCProHD XDCAM via plug in 2K 4K 5K and 8K film formats 5 and can import projects directly from iMovie for iOS and iPadOS It supports a number of simultaneously composited video tracks limited mainly by video form capability unlimited audio tracks multi camera editing for combining video from multiple camera sources referred to as angles 360º video editing support as well as the standard ripple roll slip slide scrub razor blade and time remapping edit functions It comes with a range of video transitions and a range of video and audio filters such as keying tools mattes and vocal de poppers and de essers It also has multiple color correction tools including color wheels sliders and curves video scopes and a selection of generators such as slugs test cards and noise 5 The functionality of Final Cut Pro can be extended with plug ins which may provide additional effects titles transitions and more Apple maintains the APIs and documentation for everyone to develop such plug ins 6 Interface Edit Event browser Replacing bins in other NLEs the event browser is where the original media is found and can be searched and sorted by various forms of metadata Keyword ranges favorite and rejected ranges and smart collections allow for faster sorting of a large number of clips Magnetic timeline Inventing an alternative to track based timelines found in traditional NLEs Final Cut s magnetic timeline uses clip connections to keep connected clips and secondary storylines in sync with clips located on the primary storyline By default clips move around each other magnetically filling in any gaps and avoiding clip collisions by automatically bumping clips out of the way vertically The magnetic connections are also user definable Roles In order to separate and organize different audio types on the magnetic timeline editors can designate what role each clip plays Introduced in version 10 0 1 Roles can be assigned to clips as an alternate way of creating organizational functionality A Role or Sub Role gets assigned to clips to identify what it is for example Video Titles Dialogue Effects Music Upon Sharing a Master File of the Project the various Roles can be split out as stems or in a multitrack file for broadcast delivery or other distribution needs Content auto analysis Found in the import window and event browser is the option to analyze media for shot type and facial recognition or fix potential problems like audio loudness audio hum channel grouping background noise color balance pulldown removal and stabilization This process generates metadata that can automatically be organized as Keywords and can be grouped into Smart Collections Synchronized clips Video and audio clips recorded on separate devices can be synched automatically by timecode audio waveforms and markers together as a single clip Compound clips Nested sequences from the original Final Cut Pro have been replaced by compound clips A selection of video and audio clips can be nested into a single compound clip This compound clip can be opened in its own timeline or broken apart for further editing It can also be reused in different projects Closed captions Introduced in version 10 4 1 closed captions can be created right in the timeline or imported into the timeline from an external file Multicam editing Introduced in version 10 0 3 multiple camera angles can be synchronized automatically and combined into a multicam clip Once in the timeline a multicam clip can be cut up into different angles by using the angle viewer A multicam clip can be opened in the angle editor where new angles can be added synched relabeled and rearranged at any time Auditions Clips can be grouped together in the event browser or on the timeline as auditions Once in the timeline an audition allows the user to choose between different clips in their edit while the timeline ripples automatically in order to preview two or more different versions of a cut 3D titles Introduced in version 10 2 0 text can be extruded textured lit and shaded with materials and environments in 3D This allows users to create titles like those found in Hollywood movies directly in the application 7 360 degree video editing Introduced in version 10 4 import and edit 360 equirectangular video in a wide range of formats and frame sizes Advanced color grading Wide gamut high dynamic rangeTechnical features Edit While inheriting the name from its predecessor Final Cut Pro Final Cut Pro X is a completely re written application As a native 64 bit application it takes advantage of more than 4GB of RAM It utilizes all CPU cores with Grand Central Dispatch Open CL support allows GPU accelerated processing for improved performance for playback rendering and transcoding It is resolution independent supporting images sizes from SD to beyond 4K Final Cut Pro X supports playback of many native camera and audio formats 8 It can also transcode video clips to the Apple ProRes codec for improved performance 9 10 Many tasks are performed in the background such as auto saving rendering transcoding and media management allowing the user an uninterrupted experience 11 Final Cut Pro X was developed for macOS only 12 13 Workflow integration Edit Motion 5 Titles motion graphics effects generated in Motion 5 can be published to Final Cut Pro X Inside the Final Cut Pro X editors can modify the parameters and contents of the effects as long as the permission for such modifications is turned on in the Motion 5 project file Adobe Photoshop In Final Cut Pro X 10 0 3 and later the editor can import Photoshop projects onto the storyline similar to a still image A Photoshop project with layers is treated similar to a compound clip and the layers are preserved after being imported into the Final Cut Pro X Individual layers of the Photoshop project can be toggled on or off inside the Final Cut Pro X by double clicking the imported project and going into the compound clip editing panel Other adjustments to the Photoshop project should be performed on the imported Photoshop project using Adobe Photoshop program with updates happening in real time inside Final Cut Pro X Ecosystem EditBefore version 10 Final Cut Pro could be extended using the FXScript scripting language 14 Since its release Final Cut Pro X has supported the construction of effect transition and title plugins by publishing custom built effects from Apple Motion This has led to a third party ecosystem of developers building effects from simple color corrections to complex templates 15 Third party plug ins can also be created through Apple s FxPlug API the successor of FXScript 16 As Projects Events and Libraries are stored in a database format this has allowed many third party developers to build workflow tools by utilizing FCPXML 17 History EditCreation Edit Randy Ubillos led the team that developed the first three versions of Adobe Premiere His group was then hired by Macromedia to develop KeyGrip a more professional video editing program based on Apple s QuickTime for Macromedia However Macromedia was unable to release the product since they had licensed a component from Truevision and the latter had a licensing agreement with Microsoft that prohibited the component s use in conjunction with QuickTime As a result and due to Macromedia s decision to focus on the web market it sold its desktop applications including KeyGrip In 1998 KeyGrip was renamed Final Cut and was demonstrated as a 0 9 alpha in a private room at the NAB Show The demonstration showed both Mac and Windows versions of the software with the Mac version using a Truevision RTX dual stream real time card with limited real time effects When no buyer was found for the program Apple acquired the development team as a defensive measure As Apple was unable to find a buyer for Final Cut it continued development work adding FireWire support and releasing the program as Final Cut Pro at NAB 1999 Early versions Edit To ensure that Final Cut Pro had strong support for third party self paced and instructor led training from the start Apple partnered with DVcreators net to release a training disc called Final Cut Pro PowerStart at the NAB show on the day of Final Cut Pro s release Apple also worked with DVcreators net to host hundreds of free and paid Final Cut Pro seminars and workshops in 60 cities around the world in the following years a strategy that some credit with significantly contributing to Final Cut Pro s early market awareness and success After the release of Final Cut Pro Adobe Premiere maintained a strong market share on Windows but began to decline on Mac as its older codebase was more difficult to maintain In 2003 Apple launched a trade in program that allowed Premiere users to exchange their discs for a free copy of Final Cut Express or receive a 500 discount on Final Cut Pro 18 19 One of the factors that contributed to the success of Final Cut Pro was the relative maturity of QuickTime and its native support for new DV cameras connected via FireWire The first fully broadcast quality globally distributed TV show produced using Final Cut Pro was Women of Wrestling in 2000 which used the Pinnacle CineWave uncompressed video card The Oxygen Network also used the software to produce shows such as SheCommerce during its network launch in early 2000 20 In late 2001 independent producer Michael A Bloom credited Final Cut Pro as being crucial to the production of his controversial film PlayCouples A New Era of Swinging 2003 In an interview with Larry King Bloom claimed that the relatively new platform did not fail once while rendering the film unlike his experiences with Avid Media Composer Bloom had been an advocate for Final Cut Pro since using it for beta testing under an agreement between his production company and The Oxygen Network The studio motion picture The Rules of Attraction was also edited using beta versions of Final Cut Pro 3 demonstrating that successful 3 2 pulldown matchback to 24fps was possible with an easy to use software product 19 The film s director Roger Avary became a spokesperson for Final Cut Pro appearing in print advertisements worldwide His endorsement of the product helped to give mainstream editors like Walter Murch confidence in its readiness for professional use In August 2002 Final Cut Pro received a Primetime Emmy Engineering Award for its impact on the television industry 21 19 Final Cut Pro 4 to 7 Edit Final Cut Pro 4 was released in April 2003 and included three new applications Compressor for transcoding between video formats LiveType for advanced titling such as the creation of animated lower thirds and Soundtrack for creating royalty free music soundtracks It also included Cinema Tools which had previously been sold separately for filmmakers working with telecine In April 2004 Final Cut Pro 4 5 was released and branded as Final Cut Pro HD due to its native support for Panasonic s tape based DVCPRO HD format for compressed 720p and 1080i HD over FireWire While the software had been capable of uncompressed HD editing since version 3 0 it required expensive video cards and high speed storage at the time Final Cut Pro 5 was announced at a pre NAB event in April 2005 and shipped in May of that year It added support for the HDV format for compressed HD which had previously been supported in Final Cut Pro s scaled down cousin Final Cut Express Final Cut Pro 5 also added support for Panasonic s P2 format which allowed for the recording of DVCPRO HD video to memory cards rather than tape In January 2006 Apple stopped selling Final Cut Pro as a standalone product and began offering it only as part of the Final Cut Studio bundle In March 2006 a universal binary 5 1 version of Final Cut Pro was released as part of Final Cut Studio and upgrades were made available by sending the original installation discs back to Apple with a fee One notable difference in the Intel versions of Final Cut and Motion was that they no longer recognized After Effects plugins but instead supported Apple s own universal plugin architecture FxPlug On April 15 2007 Apple unveiled Final Cut Pro 6 as the centerpiece of the Final Cut Studio 2 bundle Despite not having a booth at NAB 2009 the product was widely represented on the show floor by various vendors including the Red Digital Cinema team which relied heavily on Final Cut Pro during development On July 23 2009 Final Cut Pro 7 also referred to informally by users as Final Cut Studio 3 was released though it remained a 32 bit application Final Cut Pro X Edit Final Cut Pro X was unveiled on April 12 2011 at the NAB Show and released to the Mac App Store on June 21 2011 along with new versions of Motion and Compressor 22 23 24 25 Final Cut Pro X was fully rewritten in 64 bit with a new interface workflow enhancements and improved automation and new features such as ColorSync integration a resolution independent playback system and Core Animation based system scaling As part of the release Final Cut Studio was discontinued along with Color Soundtrack Pro and DVD Studio Pro The reaction was extremely mixed with veteran film editor Walter Murch initially refusing to use it citing a lack of features compared to Final Cut Pro 7 26 Support for translating timelines from Final Cut Pro 7 to Final Cut Pro X was notably missing requiring editors to preserve a copy of Final Cut Pro 7 to edit older projects 27 An online petition asking Apple to continue development of Final Cut Pro 7 or to sell it to a third party gathered 1 600 signatures within a week 28 Some of the missing features in Final Cut Pro X that were essential for professional video production included the lack of an edit decision list EDL XML and Open Media Framework Interchange OMF support the inability to import projects created in previous versions of Final Cut Pro the absence of a multicam editing tool missing support for third party I O hardware output and videotape capture being limited to FireWire video devices including capture with third party hardware 29 These missing features were addressed within the first six months of the product s life EDL export a product of the early days of videotape editing is now supported through third party software 30 and creating an AAF a newer version of OMF 31 for passing projects to Pro Tools through X2Pro In a 2015 interview Murch was much less critical of the tool and suggested that he was interested in using it 26 Other movie producers who have agreed that Final Cut Pro X s initial shortcomings have been fixed 32 33 One of the notable changes introduced in Final Cut Pro X was the Magnetic Timeline which replaced the track based timeline of previous versions This initially caused issues with exporting audio stems for broadcast and distribution but this was addressed with the release of version 10 0 1 which introduced Video and Audio Roles allowing users to export multitrack QuickTime files or stems 34 35 Files can be exported as AFF using a third party app called X2Pro or through Logic Pro X With version 10 0 6 released on October 23 2012 Apple added native support for Redcode Raw and MXF through a third party plugin Prior to the introduction of version 10 1 Project and Event Libraries were separate folders Events contained all the original media and Project Libraries contained the actual edited Projects on timelines The Project and Event Libraries were stored in a user s Movie folder or on the root level of an external hard drive These Libraries automatically opened in Final Cut Pro X depending on which hard drives were mounted That all changed on December 19 2013 when Project and Event Libraries were merged into a new Library model Libraries contained Events which in turn contained Projects And unlike before Libraries could be opened and closed by the user Media could be stored internally in the Library or kept outside the Library Media management was further refined in version 10 1 2 released on June 27 2014 36 MXF import edit and export became natively supported with version 10 1 4 37 Version 10 2 released during the NAB Show 2015 introduced 3D Titles in both Final Cut Pro X and Motion The Color Board was merged with a new Color Correction effect to allow for more flexibility in stacking layers of effects and Apple added the ability to apply Keying or Shape Masks to any effect 38 Version 10 3 introduced a redesigned interface with Magnetic Timeline 2 support for iXML metadata when importing audio significantly improved audio editing support for wide gamut color and REC 2020 color import edit and export and support for MXF wrapped Apple ProRes Version 10 4 introduced color wheels and color curves 360º video editing and high dynamic range HDR video and the HEVC and HEIF formats 39 In April 2018 Apple said that there were more than 2 5 million users of Final Cut Pro X 40 In version 10 4 1 released during the NAB Show 2018 closed captioning was added along with support for ProRes RAW In November 2020 in tandem with the release of macOS Big Sur the X was dropped from the name and the product became again known as Final Cut Pro 41 Final Cut Pro for iPad Edit In May 2023 Final Cut Pro for iPad was announced and will be available on May 23 It requires an iPad with an M series chip and will be available only as a subscription for 4 99 a month or 49 a year 42 43 Made with Final Cut Pro EditThis section needs additional citations for verification Please help improve this article by adding citations to reliable sources in this section Unsourced material may be challenged and removed September 2012 Learn how and when to remove this template message With Final Cut Pro 1 to 7 Edit O Brother Where Art Thou 2000 44 The Rules of Attraction 2002 19 Full Frontal 2002 19 The Ring 2002 Cold Mountain 2003 Academy Award nominee for Best Editing Walter Murch 19 Intolerable Cruelty 2003 Open Water 2003 Napoleon Dynamite 2004 The Ladykillers 2004 Sky Captain and the World of Tomorrow 2004 Super Size Me 2004 Corpse Bride 2005 Dreamer Inspired by a True Story 2005 Happy Endings 2005 In the Shadow of the Palms 2005 Jarhead 2005 Little Manhattan 2005 Me and You and Everyone We Know 2005 300 2007 19 Black Snake Moan 2006 Happy Feet 2006 Inland Empire 2006 Zodiac 2007 The Simpsons Movie 2007 No Country for Old Men 2007 Academy Award nominee for Best Editing Roderick Jaynes Reign Over Me 2007 Youth Without Youth 2007 Balls of Fury 2007 Gabriel 2007 Enchanted 2007 Traitor 2008 Burn After Reading 2008 The X Files I Want to Believe 2008 The Curious Case of Benjamin Button 2008 Academy Award nominee for Best Editing Kirk Baxter and Angus Wall X Men Origins Wolverine 2009 500 Days of Summer 2009 Where the Wild Things Are 2009 19 A Serious Man 2009 Tetro 2009 By the People The Election of Barack Obama 2009 Gamer 2009 Eat Pray Love 2010 Twixt 2011 The Social Network 2011 45 Academy Award winner for Best Editing Kirk Baxter and Angus Wall Courageous 2011 John Carter 2012 Hemingway amp Gellhorn 2012 The Patrol 2013 A Most Violent Year 2014 Focus 2015 46 What Happened Miss Simone 2015 47 Whiskey Tango Foxtrot 2016 48 Saved By Grace 2016 49 79 Parts 2016 50 Parasite 2019 51 52 Academy Award nominee for Best Editing Yang Jin mo With Final Cut Pro X Edit Film Young Detective Dee Rise of the Sea Dragon 2013 53 Loreak 2014 54 Focus 2015 55 56 Well Wishes 2015 57 What Happened Miss Simone 2015 58 La isla del viento 2015 59 600 Miles 2015 citation needed Minimalism A Documentary About the Important Things 2015 Just Let Go 2015 An Autumn Without Berlin 2015 The Chosen 2015 Amama 2015 Saved by Grace 2016 60 Whiskey Tango Foxtrot 2016 61 Saturday s Warrior 2016 62 Voice from the Stone 2016 63 El Hombre de las Mil Caras 2016 64 Bokeh 2016 65 Everything Else 2016 66 La Historia de Jan 2016 67 Geostorm 2017 citation needed The Unknown Soldier 2017 68 Flesh And Blood 2017 69 Daisy Winters 2017 70 Handia 2017 Escape Room 2017 Brothers Nest 2018 La llum d Elna 2017 Sleep Has Her House 2017 71 Dead Envy 2018 72 Gabriel 2018 73 Off The Tracks Documentary 2018 74 Dantza 2018 Scramble the Seawolves Documentary 2018 Jezebel 2019 75 The Banker 2020 76 Faith Based 2020 77 Wild Amsterdam 2018 Documentary 78 Fragments of Truth Documentary 2018 79 The Isle 2018 80 81 Unhinged 2017 82 Sleep Has Her House 2017 83 Psychosynthesis 2019 84 Shadows on the Road 2018 85 Against the Clock 2019 86 Chasing Molly 2019 87 Follow Me 2020 Budapest Heist 2020 Monsters of Man 2020 88 Gaia 2021 89 90 Bo Burnham Inside 2021 Blood Red Sky 2021 91 Thariode 2021 Vazhiye 2022 Becoming the Queen of the North 2022 92 Television BBC Have I Got News For You 2020 93 BBC News 2014 94 Trailer Park Boys 2012 95 Leverage 2012 96 George to the Rescue 2013 97 The Hong Kong Affair 2013 Drag Queens of London 2014 citation needed O J Speaks The Hidden Tapes 2015 98 Paramedics Emergency Response 2015 99 Challenger Disaster Lost Tapes 2016 100 Rebellion 2016 Sex on the Edge 2016 citation needed Conquistadores Adventum 2017 Diana In Her Own Words 2017 101 Students on the Edge 2018 citation needed La Peste 2018 102 Dogs Of Berlin 2018 Apollo Missions to the Moon 2019 Matchday Inside FC Barcelona 2019 103 Salvados 2019 104 La Linea Shadow of Narco 2020 105 Q Into the Storm 2021 106 See also EditMotion a companion app by Apple for motion graphics and effects Compressor a companion app by Apple for advanced encoding Apple ProRes a video encoding format iMovie Apple s consumer video editing app Final Cut Studio a discontinued software suite which included Final Cut Pro and other Apple film editing apps Final Cut Express a discontinued edition of Final Cut with fewer features sold at a lower priceList of video editing software Comparison of video editing softwareReferences Edit Final Cut Pro FCP passes the million mark TVB Europe May 1 2008 Archived from the original on January 4 2009 Retrieved January 22 2010 American Cinema Editors Society 2008 Equipment Survey American Cinema Editors Society June 21 2009 Archived from the original on July 24 2011 Retrieved February 21 2010 About Final Cut Pro for iPad Apple Support May 11 2023 Retrieved May 18 2023 a b Final Cut Pro X Tech Specs Apple Professional Video Applications Apple Developer Documentation Retrieved February 1 2023 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link Apple Press Info Apple Updates Final Cut Pro X Motion and Compressor www apple com Retrieved July 12 2016 Final Cut Pro X Supported media formats support apple com Retrieved July 12 2016 Learn about media formats and how to create optimized media in Final Cut Pro X Apple Support support apple com Retrieved July 14 2016 Optimize Transcode Render Share in FCPX fcpx tv Archived from the original on November 30 2018 Retrieved July 14 2016 Quick Tip Control Rendering and Background Tasks In Final Cut Pro X The Beat A Blog by PremiumBeat August 13 2011 Retrieved July 14 2016 Final Cut Pro X Tech Specs Apple Retrieved July 12 2016 Final Cut Pro X What Is Apple www apple com Retrieved July 12 2016 Wiggins Peter What will happen to FXScript plugins when FCPX is released fcp co Retrieved February 4 2023 Final Cut Pro X Resources Ecosystem Apple Retrieved July 11 2016 About the FxPlug SDK developer apple com Retrieved July 14 2016 What to do with Final Cut Pro XML www kenstone net Retrieved July 14 2016 Apple Offers Premiere Users Easy Switch to Final Cut Pro Apple July 16 2003 Archived from the original on January 5 2010 Retrieved January 22 2010 a b c d e f g h Burley Shane August 5 2008 The History of Final Cut Pro Bright Hub Retrieved January 23 2010 said Bill on November 24 2013 It Doesn t Suck Final Cut Pro X Babbling Retrieved January 6 2023 Apple s Final Cut Pro Wins Emmy Award Apple August 20 2002 Archived from the original on April 23 2009 Retrieved January 22 2010 NAB 2011 Final Cut Pro Supermeet Coverage Final Cut Pro X Announced MacRumors April 12 2011 Dove Jackie Apple released Final Cut Pro X on 21st June Macworld Retrieved June 24 2011 Apple Demos Final Cut Pro X at NAB 2011 Mac Rumors April 12 2011 Retrieved April 16 2011 Coldewey Devin Apple Announces Final Cut Pro X At NAB 299 In June TechCrunch Retrieved July 12 2016 a b Young Rick October 12 2015 Walter Murch 2015 FCPX Avid Premiere Pro retrieved July 5 2017 Leitner David June 22 2011 FCP X First Musings Filmmaker Magazine Filmmaker Magazine Publication with a focus on independent film offering articles links and resources Retrieved May 18 2023 Petition seeks to bring back old Final Cut Pro Final Cut Pro X The Missing Features The Beat A Blog by PremiumBeat June 21 2011 Retrieved July 14 2016 FCP X Create EDL Files Larry Jordan larryjordan com Retrieved July 14 2016 What is the difference between the OMF and AAF formats Why do I want to use one vs the other avid force com Retrieved July 14 2016 7 professional editors share their FCPX experiences February 7 2012 Retrieved July 14 2016 Why Should Final Cut Pro 7 Editors Consider Final Cut Pro X Larry Jordan larryjordan com Retrieved July 14 2016 Export Stems out of your Final Cut Pro X Timeline Using Roles The Beat A Blog by PremiumBeat November 11 2011 Retrieved July 14 2016 Wiggins Peter Using Roles in FCPX with Media Stems Export How does it work and can it replace OMF Retrieved July 14 2016 Update your Final Cut Pro X libraries to Final Cut Pro X 10 1 and later Apple Support support apple com Retrieved July 14 2016 FCPX 10 1 4 Why It s a Good Thing FCPWORKSFCPWORKS www fcpworks com December 4 2014 Retrieved July 14 2016 Final Cut Pro X updates to 10 2 by Scott Simmons ProVideo Coalition April 13 2015 Retrieved July 14 2016 Final Cut Pro X introduces 360 degree VR video editing Final Cut Pro X update introduces ProRes RAW and advanced closed captioning Apple Inc Esposito Filipe November 13 2020 Apple drops the X from Final Cut Pro branding adds support for M1 Macs 9to5Mac Retrieved November 13 2020 Cunningham Andrew May 9 2023 Apple brings Final Cut Pro and Logic Pro to iPad as 50 per year subscriptions Ars Technica Retrieved May 10 2023 Apple brings Final Cut Pro and Logic Pro to iPad Apple Newsroom Retrieved May 9 2023 O Brother Where Art Thou 2000 Editing The Social Network in Final Cut Pro with Angus Wall and Kirk Baxter Creative Planet Network February 15 2012 Retrieved April 16 2021 Wiggins Peter How the Hollywood feature film Focus was edited on Final Cut Pro X Part One Retrieved July 23 2016 Wiggins Peter Post Production on What Happened Miss Simone An Oscar Nominated Documentary Edited on Final Cut Pro X Retrieved July 23 2016 Wiggins Peter How the Hollywood film Whiskey Tango Foxtrot was edited on Final Cut Pro X Retrieved July 23 2016 Courtens Ronny Hollywood veteran Lance Bachelder explains why he has chosen to use Final Cut Pro X on his latest feature film Saved By Grace Retrieved July 23 2016 FCPRadio TV LIVE 79 PARTS Edited in FCPX Director amp Editor Interview retrieved January 6 2023 How Parasite Uses Brilliant Design and Invisible VFX to Transcend Language January 13 2020 Final Cut Pro 7 suffit pour monter une Palme d or a Cannes MacGeneration in French Retrieved January 6 2023 Final Cut Pro X In Action Detective Dee Apple www apple com Archived from the original on August 28 2016 Retrieved July 11 2016 Wiggins Peter Loreak Spain s official submission in the 2016 Oscars best foreign language film category was edited on Final Cut Pro X Retrieved July 11 2016 Final Cut Pro X In Action Focus Apple Archived from the original on March 7 2015 Retrieved July 11 2016 Final Cut Pro X resurrected Focus advanced workflow postPerspective Randi Altman s postPerspective postperspective com March 18 2015 Retrieved July 11 2016 SAG AFTRA Foundation May 13 2016 The Business Q amp A with WELL WISHES retrieved July 11 2016 Wiggins Peter Post Production on What Happened Miss Simone An Oscar Nominated Documentary Edited on Final Cut Pro X Retrieved July 11 2016 ENTREVISTA Montando cine con Final Cut Pro X March 11 2015 Courtens Ronny Hollywood veteran Lance Bachelder explains why he has chosen to use Final Cut Pro X on his latest feature film Saved By Grace Retrieved July 11 2016 ART OF THE CUT JAN KOVAC CUTS WHISKEY TANGO FOXTROT ON FCP X by Steve Hullfish ProVideo Coalition March 9 2016 Retrieved July 11 2016 Wiggins Peter Post producing the budget feature Saturday s Warrior on Final Cut Pro X Retrieved July 11 2016 Steve Hullfish May 30 2016 ART OF THE CUT CLAYTON CONDIT CUTS VOICE FROM THE STONE ON FCP X ProVideo Coalition Manuel Terceno Explains Why He Used Final Cut Pro X to Edit 2 Award Winning Spanish Movies from 2017 and a Prestigious Drama Television Series to be Released in 2018 X2Pro Audio Convert Zealous Pictures is Enthusiastic about Marquis X2Pro for First Feature Film Bokeh Retrieved July 15 2016 Why Final Cut Pro X Todo Lo Demas by Mike Matzdorff ProVideo Coalition March 26 2017 ENTREVISTA El montaje de la Historia de Jan con FCPX November 2 2016 Courtens Ronny November 27 2016 Organising and Managing 480 Hours of Footage in FCPX Editing One of Europe s Major Feature Films of 2017 FCP co Retrieved December 11 2017 Follow a Final Cut Pro X editor edit a feature film online Why Final Cut Pro X A Producer s POV Feature Film Daisy Winters by Mike Matzdorff ProVideo Coalition October 2017 Sleep Has Her House Scott Barley scottbarley com Retrieved August 16 2022 Indie Feature Film Cut in FCPX 10 3 4 June 29 2017 Editing a Boxing Movie on FCPX An Updated Journey Off the Tracks A Documentary About How Final Cut Pro X is Disrupting the Post Production Industry How Jezebel the Netflix Acquired Feature Was Cut on Final Cut Pro X Final Cut Pro X and 35mm Film Can be Friends by Emilie Southern ProVideo Coalition March 24 2020 Deliver 8K Dailies in Minutes with this New Workflow from LumaForge June 27 2019 We Are Publishing the First Videos from FCPX World in Broadcast at IBC Editing a massive documentary in Final Cut Pro X shot on RED August 4 2017 Honeyball Will willhoneyball November 29 2016 FCPdotCO I just edited a feature in 6 weeks using fcpx and I upgraded to 10 3 mid project Couldn t have done it in any other NLE t co aXHTdcuGmu Tweet Retrieved December 29 2020 via Twitter Honeyball Will willhoneyball November 28 2016 Colourful picture lock TheIsleMovie fizzgingerfilms fcpx t co NJ7THNDvLy Tweet Retrieved December 29 2020 via Twitter Dan Allen Filmmaker on Facebook Facebook Archived from the original on April 27 2022 user generated source Sleep Has Her House Scott Barley scottbarley com Retrieved January 6 2023 Cutting My Latest Feature Psychosynthesis on FCP X Still My Favorite Creative Editorial Tool November 15 2019 The Unique Finishing Workflow I Used to Grade Mix amp Master My Feature Film April 19 2018 Editing Against the Clock in FCPX director editor guitarist My Second Feature Film CHASING MOLLY cut in FCPX Release MAY 7 2019 director editor guitarist Behind the Scenes of Mark Toia s Feature Film Debut Monsters of Man December 7 2020 Gaia Film February 1 2021 Retrieved August 22 2022 Bouwer Jaco June 18 2021 Gaia Drama Fantasy Horror Film Initiative Africa retrieved August 22 2022 Blood Red Sky an Interview with FCP Editor Knut Hake Editing Becoming the Queen of the North on Final Cut Pro X 18 05 23 YouTube How the Prime Time BBC1 Series Have I Got News For You was Edited on Final Cut Pro X During Lockdown Retrieved June 11 2020 The BBC adopts Final Cut Pro X for news gathering Marquis Retrieved September 4 2014 X2Pro Audio Convert Marquis X2Pro is Big Hit with Trailer Park Boys Retrieved July 15 2016 Final Cut Pro X In Action Electric Entertainment Apple www apple com Archived from the original on July 10 2016 Retrieved July 11 2016 Wiggins Peter How Emmy winning George to the Rescue gets cut on Final Cut Pro X for NBC Retrieved July 11 2016 Southern Patrick Final Cut Pro X cuts the major A amp E documentary O J Speaks The Hidden tapes Retrieved July 11 2016 Paramedics Emergency Response Retrieved March 5 2018 Wiggins Peter How I learned to stop worrying and love Final Cut Pro X Retrieved July 11 2016 ART OF THE CUT with documentary editor David Tillman by Steve Hullfish ProVideo Coalition March 6 2018 Courtens Ronny Cut With FCPX The Prestigious Period Mystery Thriller La Peste Surpasses Game Of Thrones To Become The Most Watched Television Series In Spain fcp co Retrieved April 27 2020 Multi award Winning Production Company Delivering Prime Time Content in More than 30 Countries Builds a State of The Art Facility Around Final Cut Pro X Spanish Post Production Manager and Senior Editor David Lopez Explains Why the Award Winning Prime Time TV Show Salvados Went FCPX Cut People on Facebook Facebook Archived from the original on April 27 2022 user generated source Focus on Making an HBO Documentary 4 28 21 YouTube External links EditOfficial website Official release notes for Final Cut Pro 10 0 and above Retrieved from https en wikipedia org w index php title Final Cut Pro amp oldid 1156455932, wikipedia, wiki, book, books, library,

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