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Elizabeth Robins Pennell

Elizabeth Robins Pennell (February 21, 1855 – February 7, 1936) was an American writer who, for most of her adult life, made her home in London. A researcher summed her up in a work published in 2000 as "an adventurous, accomplished, self-assured, well-known columnist, biographer, cookbook collector, and art critic";[1] in addition, she wrote travelogues, mainly of European cycling voyages, and memoirs, centred on her London salon. Her biographies included the first in almost a century of the proto-feminist Mary Wollstonecraft, one of her uncle the folklorist Charles Godfrey Leland, and one of her friend the painter Whistler. In recent years, her art criticism has come under scrutiny, and her food criticism has been reprinted.

Sketch of Pennell by her husband Joseph

Early life edit

She grew up in Philadelphia. Her mother died when she was very young, and she was sent away to a convent school from the ages of 8 to 17. When she returned to her father's home, he had remarried, and she was bored with the demands and restrictions of being a proper Catholic young lady. She wanted to work, and, with the encouragement of her uncle, the writer and folklorist Charles Godfrey Leland, she took up writing as a career. She started with articles in periodicals such as Atlantic Monthly, and through this work she met a young Quaker artist named Joseph Pennell, who had also had to face down parental disapproval to pursue his creative calling. This began a fruitful collaboration between writer and illustrator.[2]

First book, marriage, move to London edit

 
Cover of Mary Wollstonecraft, Pennell's first book

Her first book was the first full-length biography of Mary Wollstonecraft (1759–97) since the hastily published Memoirs of the Author of A Vindication of the Rights of Woman by her widower William Godwin.[3] Pennell's biography drew on three main sources: Godwin's Memoirs; a London publisher named Charles Kegan Paul, who had written a sketch about the husband and wife a few years previously; and a curator at the British Library, Richard Garnett. It was published in 1884 by the Roberts Brothers of Boston, as one of the first in their Famous Women series, and also in London by the Walter Scott Publishing Company.

In June that year, Elizabeth Robins married Joseph Pennell.[4] The couple accepted a travel writing commission from The Century Magazine and set off for Europe, making several cycling journeys, in 1884 from London to Canterbury and then in 1885 through France. Her uncle had travelled widely in Europe and settled in London, and so did the Pennells, basing themselves in the British capital for more than thirty years, with frequent visits to the Continent. They made a good working team, producing many articles and books together, and supporting each other in their work. For many years they opened their home on Thursday evenings as a literary and artistic salon; some of the people who enjoyed their hospitality included: "critics Sir Edmund Gosse and William Archer; artists Aubrey Beardsley and James McNeill Whistler; authors Henry James, Max Beerbohm, Oscar Wilde, and George Bernard Shaw; and publishers John Lane and William E. Henley."[5] Pennell wrote of these gatherings in her memoirs, Our House and the People in It (1910), Our House and London Out of Our Windows (1912), and Nights: Rome & Venice in the Aesthetic Eighties, London & Paris in the Fighting Nineties (1916).

Her works and their appraisal edit

Art criticism edit

Pennell's main work was as an art and, later, a food critic, writing for periodicals including the Daily Chronicle and the Pall Mall Gazette.[6] Scholar Meaghan Clarke ties "real-life women art journalists" such as Pennell to the literary figures and hacks that populate George Gissing's New Grub Street, as well as to the concept of the New Woman. "Like journalism and, one might argue, because of journalism, the London art world was undergoing an intensive popularization during the 1880s and 1890s." Keeping up (as Clarke puts it) "a peripatetic pace in search of copy", Pennell went to Paris in May for the art salons, and regularly visited the London galleries (from Cork Street and Bond Street in the fashionable West End to philanthropic art projects in the slums of the East End) to review the exhibitions. She wrote critically of Walter Besant’s People’s Palace at Mile End (similar in spirit to Samuel and Henrietta Barnett’s St Jude's at Whitechapel).[7]

Kimberly Morse Jones writes that "Pennell's criticism constitutes a vital component of a wider movement in Victorian criticism that came to be known as the New Art Criticism", listing Alfred Lys Baldry, D.S. MacColl, George Moore, R.A.M. Stevenson, Charles Whibley and Frederick Wedmore as fellow contributors to this movement.[8]

Food criticism edit

Pennell's place in the literary history of cooking and eating has recently been reappraised, as she "paved the way for food writers such as Elizabeth David, M. F. K. Fisher, and Jane Grigson," according to Jacqueline Block Williams.[9]

Pennell was a regular contributor to a column in the Pall Mall Gazette, entitled "The Wares of Autolycus". (The reference is to a character in Shakespeare's A Winter's Tale.) She commented that it was "daily written by women and I daresay believed by us to be the most entertaining array of unconsidered trifles that any Autolycus had ever offered to any eager world"; she compiled her culinary essays as The Feasts of Autolycus: the Diary of a Greedy Woman (1896).[10] This compilation was reprinted in 2000 as The Delights of Delicate Eating, and Pennell appears as one of the "forgotten female aesthetes" that Shaeffer evaluates in her book of that title,[11] one who "aimed to reconfigure meals as high art, employing the language of aestheticism to turn eating into an act of intellectual appreciation".[12] Clarke holds that Pennell demonstrated a "continuity" between "her thoughts on other types of taste".[12]

Cookbook collecting edit

To enable her to write these light but erudite columns, Pennell bought cookbooks to use as reference material. At one point she owned more than 1000 volumes, including a rare first edition of Hannah Glasse, which led to her becoming, in the view of culinary historian Cynthia D. Bertelsen, "one of the most well-known cookbook collectors in the world".[5] Pennell compiled a bibliography of her culinary library, which appeared first in articles for The Atlantic and then in a book entitled My Cookery Books, focussing on C17 and C18 English writers. Much of this collection eventually went to the Rare Book and Special Collections Division at the Library of Congress, where curator Leonard N. Beck gave it a professional evaluation, pairing her collection with that of food chemist Katherine Bitting[13] See the Elizabeth Robins Pennell Collection.[14] The title, Two Loaf-Givers, refers to the Old English etymology of "lady"; a digital version is available.[15]

Biographies edit

Following her success with Mary Wollstonecraft, Pennell wrote other biographies, producing in 1906 the first one of her uncle,[16] Charles Leland, who had written, or compiled, Aradia, or the Gospel of the Witches (1899), a book very influential in the development of the Neopagan religion of Wicca. The Pennells were friends and correspondents of the painter James Abbott McNeill Whistler, and they wrote a lengthy biography of him in 1911. (Her fellow art critic Lady Colin Campbell, whose famous portrait by Giovanni Boldini Pennell had praised, was also close to Whistler.) Pennell also wrote a biography, after his death in 1928, of her husband.

Cycle tourism edit

 
A Humber tandem tricycle, circa 1885

The final string to her bow was as a cyclist. She praised cycling in general, and the ease with which it enabled city dwellers to escape to the countryside, for its fresh air and views. She claimed that "there is no more healthful or more stimulating form of exercise; there is no physical pleasure greater than that of being borne along, at a good pace, over a hard, smooth road by your own exertions".[17] She disparaged racing (for men but especially for women), preferring long unpressured travel, and wondering if she had inadvertently "broken the record as a touring wheel-woman".[18]

She started off cycling in the 1870s, while she still lived in Philadelphia.[19] On moving to London, she and her husband exchanged their Coventry Rotary tandem tricycle for a Humber model, going on to experiment with a single tricycle, a tandem bicycle, and finally a single bicycle with a step-through ("dropped") frame.[20]

The first journey that she turned into a book was A Canterbury Pilgrimage, a homage to Chaucer's Canterbury Tales, as a gentle introduction to cycling in England. Over the next few years, the pair took several trips together, including another literary pilgrimage, this time on the trail of Laurence Sterne's 1765 travel novel A Sentimental Journey Through France and Italy. On a later leg of this 1885 journey they "wheeled" a tandem tricycle from Florence to Rome, attracting more attention than she was comfortable with, as possibly the first female rider that the Italians had ever seen.[20] In 1886, now each on safety bicycles, they journeyed to Eastern Europe.[21] This was at a key time in the history of the bicycle, and, of course, in the history of women's rights as well, and they were both intertwined, in the figure of the New Woman. Suffragists and social activists such as Susan B. Anthony and Frances Willard recognised the transformative power of the bicycle. By the time the Pennells had gone Over the Alps on a Bicycle (1898), Annie Londonderry had already become the first woman to bicycle around the world. There was a ready audience for Robins Pennell's books, and the last-mentioned was chosen as a book of the month.[22]

Later life edit

The Pennells moved back to the United States towards the end of World War I, settling in New York City. After her husband's death, she moved from Brooklyn to Manhattan, dying there in February 1936.[4] Their books, especially her significant cookbook collection (reduced to 433) and a 300-strong collection on fine printing and bibliography, were bequeathed to the Library of Congress. Her papers and those of her husband are held by university archives.

Pennell often made her contributions under pen names[23] such as "N.N." (No Name), "A.U." (Author Unknown) and "P.E.R." (her initials jumbled up).[8]

Publications edit

  • Life of Mary Wollstonecraft (Roberts Brothers, 1884, part of the "Famous Women" series)
  • A Canterbury Pilgrimage (Seeley & Co., 1885)
  • An Italian Pilgrimage (Seeley & Co., 1887) with Joseph Pennell.
  • Our Sentimental Journey through France and Italy (1888) with Joseph Pennell.
  • Our Journey to the Hebrides (with Joseph Pennell) (1889)
  • The Stream of Pleasure: a Narrative of a Journey on the Thames from Oxford to London (with Joseph Pennell) (1891)
  • To Gipsyland (The Century Co., 1893)
  • Tantallon Castle (1895) (see Tantallon Castle
  • London's Underground Railways(1895)
  • The Feasts of Autolycus: the Diary of a Greedy Woman (1896). A compilation of the culinary essays she first published in the Pall Mall Gazette. Re-issued 1901 as The Delights of Delicate Eating. (Also, A Guide for the Greedy, by a Greedy Woman: being a new and revised edition of "The Feasts of Autolycus".) Reprinted in 2000 with an introduction by Jacqueline Block Williams.
  • Around London by Bicycle (1897)
  • Over the Alps on a Bicycle (1898) with Joseph Pennell
  • Lithography and Lithographers (1898) with Joseph Pennell (see also 1915)
  • My Cookery Books (1903). From the Collections at the Library of Congress
  • Charles Godfrey Leland: a Biography (Houghton, Mifflin & Co., 1906)
  • French Cathedrals, Monasteries and Abbeys, and Sacred Sites of France (New York, The Century Co.) 1909
  • Our House and the People in It (Houghton, Mifflin & Co., 1910) (Also Our House and London Out of Our Windows 1912.)
  • The Life of James McNeill Whistler (J. B. Lippincott company, 1911) with Joseph Pennell.
  • Our Philadelphia (1914) with Joseph Pennell.
  • Lithography and Lithographers (1915) with Joseph Pennell 'Not merely a new edition. The book is new though based upon the old!--(Preface) (see also 1898).
  • Nights: Rome & Venice in the Aesthetic Eighties, London & Paris in the Fighting Nineties (J. B. Lippincott Company, 1916)
  • The Lovers (W. Heinemann, 1917)
  • The Whistler Journal (J. B. Lippincott Company, 1921)
  • Italy's Garden of Eden (1927)
  • The Art of Whistler (1928)
  • The Life and Letters of Joseph Pennell (1929)
  • Whistler the Friend (1930)
  • (anthologized in) American Food Writing: an Anthology with Classic Recipes, ed. Molly O'Neill (Library of America, 2007) ISBN 1-59853-005-4

References edit

  1. ^ Jacqueline Block Williams, introduction to 2000 reprint of The Delights of Delicate Eating
  2. ^ From the introduction to the 2000 reprint of The delights of delicate eating.
  3. ^ A Routledge literary sourcebook on Mary Wollstonecraft's A vindication of the rights of woman. Adriana Craciun, 2002, p36
  4. ^ a b . Archived from the original on 2006-09-01. Retrieved 2007-05-09.
  5. ^ a b . Archived from the original on 2018-04-03. Retrieved 2011-07-18.
  6. ^ Robins, Anna Gruetzner. Walter Sickert: the Complete Writings on Art. Page 84. Oxford University Press, 2000.
  7. ^ Clarke, Meaghan. "New Woman on Grub Street: Art in the City". palgrave.com. Retrieved 31 December 2022.
  8. ^ a b "Bibliography of the New Art Criticism of Elizabeth Robins Pennell (1890–95)" by Kimberly Morse Jones. Victorian Periodicals Review, Volume 41, Number 3, Fall 2008, pp. 270–287.
  9. ^ Introduction to 2000 reprint of The Delights of Delicate Eating
  10. ^ Wong, Alex. “The Gourmand as Essayist: Irony and Style in the Culinary Essays of Elizabeth Robins Pennell.” Elizabeth Robins Pennell: Critical Essays, edited by Dave Buchanan and Kimberly Morse Jones, Edinburgh University Press, 2021, pp. 153–71, http://www.jstor.org/stable/10.3366/j.ctv1hm8htz.13. Accessed 7 May 2022.
  11. ^ Forgotten Female Aesthetes:Literary Culture in Late-Victorian England. University of virginia Press. Talia Schaffer
  12. ^ a b Clarke, Meaghan. (PDF). manchesteruniversitypress.co.uk. Archived from the original (PDF) on 2011-09-27.
  13. ^ Two Loaf-Givers: Or a Tour through the Gastronomic Libraries of Katherine Golden Bitting and Elizabeth Robins Pennell. by Leonard N. Beck ISBN 0-8444-0404-7 (0-8444-0404-7)
  14. ^ "Elizabeth Robins Pennell Collection (Selected Special Collections: Rare Book and Special Collections, Library of Congress)". loc.gov.
  15. ^ "From the Rare Book and Special Collections Division". loc.gov.
  16. ^ Grimassi, Raven. Encyclopedia of Wicca & Witchcraft. Page 252. Llewellyn Worldwide, 2000.
  17. ^ "Cycling", in St. Nicholas. XVII (July 1890):732-40, cite in "In Praise of Bicycling and Women", Rambler Newsletter. part 1part 2
  18. ^ Robins Pennell, Elizabeth (1894). Ladies in the Field: Sketches of Sport. London: Ward & Downey. p. 264.
  19. ^ p 16 Over the Alps on Bicycle (1898). "I steered from the precipice and tried to come round with the dignity that befits my twenty years of cycling."
  20. ^ a b Robins Pennell, Elizabeth (1894). Ladies in the Field: Sketches of Sport. London: Ward & Downey. p. 250.
  21. ^ Around the World on Two Wheels: Annie Londonderry's Extraordinary Ride By Peter Zheutlin. Page 33. Citadel Press, 2008
  22. ^ by Sandow's Magazine of Physical Culture, July to December 1899
  23. ^ Sullivan, Graeme. Art Practice as Research: Inquiry in the Visual Arts. Page 14. Sage Publications Inc., 2005.

External links edit

Further reading edit

  • Schaffer, Talia. The Forgotten Female Aesthetes: Literary Culture in Late-Victorian England. University of Virginia Press, 2008.
  • Morse Jones, Kimberly, Elizabeth Robins Pennell: Nineteenth-Century Pioneer of Modern Art Criticism. Ashgate, 2015.

elizabeth, robins, pennell, confused, with, writer, elizabeth, robins, 1862, 1952, february, 1855, february, 1936, american, writer, most, adult, life, made, home, london, researcher, summed, work, published, 2000, adventurous, accomplished, self, assured, wel. Not to be confused with the writer Elizabeth Robins 1862 1952 Elizabeth Robins Pennell February 21 1855 February 7 1936 was an American writer who for most of her adult life made her home in London A researcher summed her up in a work published in 2000 as an adventurous accomplished self assured well known columnist biographer cookbook collector and art critic 1 in addition she wrote travelogues mainly of European cycling voyages and memoirs centred on her London salon Her biographies included the first in almost a century of the proto feminist Mary Wollstonecraft one of her uncle the folklorist Charles Godfrey Leland and one of her friend the painter Whistler In recent years her art criticism has come under scrutiny and her food criticism has been reprinted Sketch of Pennell by her husband Joseph Contents 1 Early life 2 First book marriage move to London 3 Her works and their appraisal 3 1 Art criticism 3 2 Food criticism 3 3 Cookbook collecting 3 4 Biographies 3 5 Cycle tourism 4 Later life 5 Publications 6 References 7 External links 8 Further readingEarly life editShe grew up in Philadelphia Her mother died when she was very young and she was sent away to a convent school from the ages of 8 to 17 When she returned to her father s home he had remarried and she was bored with the demands and restrictions of being a proper Catholic young lady She wanted to work and with the encouragement of her uncle the writer and folklorist Charles Godfrey Leland she took up writing as a career She started with articles in periodicals such as Atlantic Monthly and through this work she met a young Quaker artist named Joseph Pennell who had also had to face down parental disapproval to pursue his creative calling This began a fruitful collaboration between writer and illustrator 2 First book marriage move to London edit nbsp Cover of Mary Wollstonecraft Pennell s first book Her first book was the first full length biography of Mary Wollstonecraft 1759 97 since the hastily published Memoirs of the Author of A Vindication of the Rights of Woman by her widower William Godwin 3 Pennell s biography drew on three main sources Godwin s Memoirs a London publisher named Charles Kegan Paul who had written a sketch about the husband and wife a few years previously and a curator at the British Library Richard Garnett It was published in 1884 by the Roberts Brothers of Boston as one of the first in their Famous Women series and also in London by the Walter Scott Publishing Company In June that year Elizabeth Robins married Joseph Pennell 4 The couple accepted a travel writing commission from The Century Magazine and set off for Europe making several cycling journeys in 1884 from London to Canterbury and then in 1885 through France Her uncle had travelled widely in Europe and settled in London and so did the Pennells basing themselves in the British capital for more than thirty years with frequent visits to the Continent They made a good working team producing many articles and books together and supporting each other in their work For many years they opened their home on Thursday evenings as a literary and artistic salon some of the people who enjoyed their hospitality included critics Sir Edmund Gosse and William Archer artists Aubrey Beardsley and James McNeill Whistler authors Henry James Max Beerbohm Oscar Wilde and George Bernard Shaw and publishers John Lane and William E Henley 5 Pennell wrote of these gatherings in her memoirs Our House and the People in It 1910 Our House and London Out of Our Windows 1912 and Nights Rome amp Venice in the Aesthetic Eighties London amp Paris in the Fighting Nineties 1916 Her works and their appraisal editArt criticism edit Pennell s main work was as an art and later a food critic writing for periodicals including the Daily Chronicle and the Pall Mall Gazette 6 Scholar Meaghan Clarke ties real life women art journalists such as Pennell to the literary figures and hacks that populate George Gissing s New Grub Street as well as to the concept of the New Woman Like journalism and one might argue because of journalism the London art world was undergoing an intensive popularization during the 1880s and 1890s Keeping up as Clarke puts it a peripatetic pace in search of copy Pennell went to Paris in May for the art salons and regularly visited the London galleries from Cork Street and Bond Street in the fashionable West End to philanthropic art projects in the slums of the East End to review the exhibitions She wrote critically of Walter Besant s People s Palace at Mile End similar in spirit to Samuel and Henrietta Barnett s St Jude s at Whitechapel 7 Kimberly Morse Jones writes that Pennell s criticism constitutes a vital component of a wider movement in Victorian criticism that came to be known as the New Art Criticism listing Alfred Lys Baldry D S MacColl George Moore R A M Stevenson Charles Whibley and Frederick Wedmore as fellow contributors to this movement 8 Food criticism edit Pennell s place in the literary history of cooking and eating has recently been reappraised as she paved the way for food writers such as Elizabeth David M F K Fisher and Jane Grigson according to Jacqueline Block Williams 9 Pennell was a regular contributor to a column in the Pall Mall Gazette entitled The Wares of Autolycus The reference is to a character in Shakespeare s A Winter s Tale She commented that it was daily written by women and I daresay believed by us to be the most entertaining array of unconsidered trifles that any Autolycus had ever offered to any eager world she compiled her culinary essays as The Feasts of Autolycus the Diary of a Greedy Woman 1896 10 This compilation was reprinted in 2000 as The Delights of Delicate Eating and Pennell appears as one of the forgotten female aesthetes that Shaeffer evaluates in her book of that title 11 one who aimed to reconfigure meals as high art employing the language of aestheticism to turn eating into an act of intellectual appreciation 12 Clarke holds that Pennell demonstrated a continuity between her thoughts on other types of taste 12 Cookbook collecting edit To enable her to write these light but erudite columns Pennell bought cookbooks to use as reference material At one point she owned more than 1000 volumes including a rare first edition of Hannah Glasse which led to her becoming in the view of culinary historian Cynthia D Bertelsen one of the most well known cookbook collectors in the world 5 Pennell compiled a bibliography of her culinary library which appeared first in articles for The Atlantic and then in a book entitled My Cookery Books focussing on C17 and C18 English writers Much of this collection eventually went to the Rare Book and Special Collections Division at the Library of Congress where curator Leonard N Beck gave it a professional evaluation pairing her collection with that of food chemist Katherine Bitting 13 See the Elizabeth Robins Pennell Collection 14 The title Two Loaf Givers refers to the Old English etymology of lady a digital version is available 15 Biographies edit Following her success with Mary Wollstonecraft Pennell wrote other biographies producing in 1906 the first one of her uncle 16 Charles Leland who had written or compiled Aradia or the Gospel of the Witches 1899 a book very influential in the development of the Neopagan religion of Wicca The Pennells were friends and correspondents of the painter James Abbott McNeill Whistler and they wrote a lengthy biography of him in 1911 Her fellow art critic Lady Colin Campbell whose famous portrait by Giovanni Boldini Pennell had praised was also close to Whistler Pennell also wrote a biography after his death in 1928 of her husband Cycle tourism edit See also Bicycling and feminism nbsp A Humber tandem tricycle circa 1885 The final string to her bow was as a cyclist She praised cycling in general and the ease with which it enabled city dwellers to escape to the countryside for its fresh air and views She claimed that there is no more healthful or more stimulating form of exercise there is no physical pleasure greater than that of being borne along at a good pace over a hard smooth road by your own exertions 17 She disparaged racing for men but especially for women preferring long unpressured travel and wondering if she had inadvertently broken the record as a touring wheel woman 18 She started off cycling in the 1870s while she still lived in Philadelphia 19 On moving to London she and her husband exchanged their Coventry Rotary tandem tricycle for a Humber model going on to experiment with a single tricycle a tandem bicycle and finally a single bicycle with a step through dropped frame 20 The first journey that she turned into a book was A Canterbury Pilgrimage a homage to Chaucer s Canterbury Tales as a gentle introduction to cycling in England Over the next few years the pair took several trips together including another literary pilgrimage this time on the trail of Laurence Sterne s 1765 travel novel A Sentimental Journey Through France and Italy On a later leg of this 1885 journey they wheeled a tandem tricycle from Florence to Rome attracting more attention than she was comfortable with as possibly the first female rider that the Italians had ever seen 20 In 1886 now each on safety bicycles they journeyed to Eastern Europe 21 This was at a key time in the history of the bicycle and of course in the history of women s rights as well and they were both intertwined in the figure of the New Woman Suffragists and social activists such as Susan B Anthony and Frances Willard recognised the transformative power of the bicycle By the time the Pennells had gone Over the Alps on a Bicycle 1898 Annie Londonderry had already become the first woman to bicycle around the world There was a ready audience for Robins Pennell s books and the last mentioned was chosen as a book of the month 22 Later life editThe Pennells moved back to the United States towards the end of World War I settling in New York City After her husband s death she moved from Brooklyn to Manhattan dying there in February 1936 4 Their books especially her significant cookbook collection reduced to 433 and a 300 strong collection on fine printing and bibliography were bequeathed to the Library of Congress Her papers and those of her husband are held by university archives Pennell often made her contributions under pen names 23 such as N N No Name A U Author Unknown and P E R her initials jumbled up 8 Publications editLibrary resources about Elizabeth Robins Pennell Resources in your library Resources in other libraries By Elizabeth Robins Pennell Online books Resources in your library Resources in other libraries Life of Mary Wollstonecraft Roberts Brothers 1884 part of the Famous Women series A Canterbury Pilgrimage Seeley amp Co 1885 An Italian Pilgrimage Seeley amp Co 1887 with Joseph Pennell Our Sentimental Journey through France and Italy 1888 with Joseph Pennell Our Journey to the Hebrides with Joseph Pennell 1889 The Stream of Pleasure a Narrative of a Journey on the Thames from Oxford to London with Joseph Pennell 1891 To Gipsyland The Century Co 1893 Tantallon Castle 1895 see Tantallon Castle London s Underground Railways 1895 The Feasts of Autolycus the Diary of a Greedy Woman 1896 A compilation of the culinary essays she first published in the Pall Mall Gazette Re issued 1901 as The Delights of Delicate Eating Also A Guide for the Greedy by a Greedy Woman being a new and revised edition of The Feasts of Autolycus Reprinted in 2000 with an introduction by Jacqueline Block Williams Around London by Bicycle 1897 Over the Alps on a Bicycle 1898 with Joseph Pennell Lithography and Lithographers 1898 with Joseph Pennell see also 1915 My Cookery Books 1903 From the Collections at the Library of Congress Charles Godfrey Leland a Biography Houghton Mifflin amp Co 1906 French Cathedrals Monasteries and Abbeys and Sacred Sites of France New York The Century Co 1909 Our House and the People in It Houghton Mifflin amp Co 1910 Also Our House and London Out of Our Windows 1912 The Life of James McNeill Whistler J B Lippincott company 1911 with Joseph Pennell Our Philadelphia 1914 with Joseph Pennell Lithography and Lithographers 1915 with Joseph Pennell Not merely a new edition The book is new though based upon the old Preface see also 1898 Nights Rome amp Venice in the Aesthetic Eighties London amp Paris in the Fighting Nineties J B Lippincott Company 1916 The Lovers W Heinemann 1917 The Whistler Journal J B Lippincott Company 1921 Italy s Garden of Eden 1927 The Art of Whistler 1928 The Life and Letters of Joseph Pennell 1929 Whistler the Friend 1930 anthologized in American Food Writing an Anthology with Classic Recipes ed Molly O Neill Library of America 2007 ISBN 1 59853 005 4References edit Jacqueline Block Williams introduction to 2000 reprint of The Delights of Delicate Eating From the introduction to the 2000 reprint of The delights of delicate eating A Routledge literary sourcebook on Mary Wollstonecraft s A vindication of the rights of woman Adriana Craciun 2002 p36 a b Biographical Sketch of Joseph and Elizabeth R Pennell Archived from the original on 2006 09 01 Retrieved 2007 05 09 a b A Greedy Woman The Long Delicious Shelf Life of Elizabeth Robins Pennell Cynthia D Bertelsen August 2009 Fine Books Magazine Archived from the original on 2018 04 03 Retrieved 2011 07 18 Robins Anna Gruetzner Walter Sickert the Complete Writings on Art Page 84 Oxford University Press 2000 Clarke Meaghan New Woman on Grub Street Art in the City palgrave com Retrieved 31 December 2022 a b Bibliography of the New Art Criticism of Elizabeth Robins Pennell 1890 95 by Kimberly Morse Jones Victorian Periodicals Review Volume 41 Number 3 Fall 2008 pp 270 287 Introduction to 2000 reprint of The Delights of Delicate Eating Wong Alex The Gourmand as Essayist Irony and Style in the Culinary Essays of Elizabeth Robins Pennell Elizabeth Robins Pennell Critical Essays edited by Dave Buchanan and Kimberly Morse Jones Edinburgh University Press 2021 pp 153 71 http www jstor org stable 10 3366 j ctv1hm8htz 13 Accessed 7 May 2022 Forgotten Female Aesthetes Literary Culture in Late Victorian England University of virginia Press Talia Schaffer a b Clarke Meaghan Bribery with sherry and the influence of weak tea Women Critics as Arbiters of Taste in the late Victorian and Edwardian Press PDF manchesteruniversitypress co uk Archived from the original PDF on 2011 09 27 Two Loaf Givers Or a Tour through the Gastronomic Libraries of Katherine Golden Bitting and Elizabeth Robins Pennell by Leonard N Beck ISBN 0 8444 0404 7 0 8444 0404 7 Elizabeth Robins Pennell Collection Selected Special Collections Rare Book and Special Collections Library of Congress loc gov From the Rare Book and Special Collections Division loc gov Grimassi Raven Encyclopedia of Wicca amp Witchcraft Page 252 Llewellyn Worldwide 2000 Cycling in St Nicholas XVII July 1890 732 40 cite in In Praise of Bicycling and Women Rambler Newsletter part 1part 2 Robins Pennell Elizabeth 1894 Ladies in the Field Sketches of Sport London Ward amp Downey p 264 p 16 Over the Alps on Bicycle 1898 I steered from the precipice and tried to come round with the dignity that befits my twenty years of cycling a b Robins Pennell Elizabeth 1894 Ladies in the Field Sketches of Sport London Ward amp Downey p 250 Around the World on Two Wheels Annie Londonderry s Extraordinary Ride By Peter Zheutlin Page 33 Citadel Press 2008 by Sandow s Magazine of Physical Culture July to December 1899 Sullivan Graeme Art Practice as Research Inquiry in the Visual Arts Page 14 Sage Publications Inc 2005 External links edit nbsp Wikimedia Commons has media related to Elizabeth Robins Pennell nbsp Wikisource has the text of a 1921 Collier s Encyclopedia article about Elizabeth Robins Pennell Works by Elizabeth Robins Pennell at Project Gutenberg Works by Elizabeth Robins Pennell at LibriVox public domain audiobooks nbsp Works by or about Elizabeth Robins Pennell at Internet Archive Finding aid to the Pennell family papers Ms Coll 50 at the University of Pennsylvania Libraries Joseph and Elizabeth R Pennell s papers Archived 2012 02 18 at the Wayback Machine at the Harry Ransom Center at The University of Texas at Austin Elizabeth Robins Pennell Collection at the Library of CongressFurther reading editSchaffer Talia The Forgotten Female Aesthetes Literary Culture in Late Victorian England University of Virginia Press 2008 Morse Jones Kimberly Elizabeth Robins Pennell Nineteenth Century Pioneer of Modern Art Criticism Ashgate 2015 Retrieved from https en wikipedia org w index php title Elizabeth Robins Pennell amp oldid 1217344379, wikipedia, wiki, book, books, library,

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