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Coventry Patmore

Coventry Kersey Dighton Patmore (23 July 1823 – 26 November 1896) was an English poet[1] and literary critic. He is best known for his book of poetry The Angel in the House, a narrative poem about the Victorian ideal of a happy marriage.

Coventry Patmore
Portrait of Coventry Patmore, by John Singer Sargent, 1894.
BornCoventry Kersey Dighton Patmore
(1823-07-23)23 July 1823
Essex, England
Died26 November 1896(1896-11-26) (aged 73)
Lymington, England
OccupationPoet and critic
Signature

As a young man, Patmore worked for the British Museum in London. After the publication of his first book of poems in 1844, he became acquainted with members of the Pre-Raphaelite Brotherhood. After the death of his first wife, his grief over her death became a major theme in his poetry.

Life edit

Youth edit

The eldest son of author Peter George Patmore, Coventry Patmore was born at Woodford in Essex[2] and was privately educated. The boy was very close to his father Peter and showed an early interest in literature. Coventry Patmore's first goal was to become an artist; he earned the silver palette of the Society of Arts in 1838. In 1839, his family sent Patmore to school in France for six months,[3] where he began to write poetry. On his return to England, Peter Patmore planned to publish some of his son's youthful poems; however, Coventry Patmore had become interested in science, and set aside writing poetry.

 
Drawing of Coventry Patmore, by John Brett, 1855.

In 1846, with help from Richard Monckton Milnes, Coventry Patmore was appointed as the printed book supernumary assistant at the British Museum. He would hold this position for the next 19 years, while devoting his spare time to writing poetry. In 1847, Patmore married Emily Augusta Andrews,[2] the daughter of Dr. Andrews of Camberwell. By 1851, the couple had two sons: Coventry (born 1848) and Tennyson (born 1850). Three daughters followed – Emily (born 1853), Bertha (born 1855) and Gertrude (born 1857), before their last child, a son (Henry John), was born in 1860. Emily Andrews wrote children's stories.[3]

Inspired by the literary success of Alfred Tennyson, Patmore devoted more energy to his writing. In 1844, he published a small volume of Poems, which had limited commercial success. However, Patmore was more upset by a harsh review of his work in Blackwood's Magazine. Discouraged, Patmore bought up the remainder of the edition and destroyed it. His friends encouraged him to keep writing and gave him valuable feedback. Furthermore, the publication of Poems enabled him to network with other literary figures, including Dante Gabriel Rossetti. Rossetti introduced Patmore to William Holman Hunt, who brought Patmore into the Pre-Raphaelite Brotherhood, contributing his poem "The Seasons" to The Germ.

During his time at the British Museum, Patmore was instrumental in starting the Volunteer Movement in 1852. He wrote an important letter to The Times on the subject, and stirred up much enthusiasm among his colleagues. He also introduced academic David Masson to Emily Rosaline Orme, his wife Emily's niece, both of whom were strong supporters for women's suffrage and rights.[4]

Major publications edit

 
Patmore's wife Emily, the model for the Angel in the House, portrait by John Everett Millais.
 
Patmore's home at 85 Fortis Green, 1858–60.

In 1853, Patmore republished Tamerton Church Tower, the more successful of his pieces from Poems of 1844. He also added several new poems that showed more sophistication in conception and treatment. In 1854, Patmore published the first part of his best-known poem, The Angel in the House.[5][6][7] The Angel in the House is a long narrative and lyric poem, with four parts published between 1854 and 1862:

  • The Betrothed (1854)
  • The Espousals (1856), which eulogize his first wife;
  • Faithful for Ever (1860)
  • The Victories of Love (1862)

Patmore published the four works together in 1863. The works have come to symbolise the Victorian feminine ideal[8] – which was not necessarily the ideal amongst feminists of the period.[9]

By 1861 Patmore and his family was living in Elm Cottage, North End, Hampstead. On 5 July 1862[10] Emily Patmore died after a long illness, and shortly afterwards Patmore joined the Roman Catholic Church.

In 1864 Patmore married Marianne Byles, daughter of James Byles of Bowden Hall, Gloucester. Patmore Buxted Hall in Surrey in 1865, which he described in How I managed my Estate (1886). In 1877 Patmore published The Unknown Eros,[11] which some commentators believe contains his finest poetic work,[12] and in 1878 Amelia, his own favourite among his poems, together with an essay on English Metrical Law. This departure into criticism continued in 1879 with a volume of papers entitled Principle in Art, and again in 1893 with Religio Poetae.

Patmore's second wife Marianne died in 1880, and in 1881 he married Harriet Robson[2] from Bletchingley in Surrey (born 1840), his children's governess. Their son Francis was born in 1882. Patmore also had a deep friendship with the poet Alice Meynell, lasting several years. He ultimately fell in love with her, forcing Meynell to end their relationship.[13]

In later years Patmore lived at Lymington, where he died in 1896.[14] He was buried in Lymington churchyard.[15]

Evaluation edit

A collected edition of Patmore's poems appeared in two volumes in 1886, with a characteristic preface which might serve as the author's epitaph. "I have written little", it runs; "but it is all my best; I have never spoken when I had nothing to say, nor spared time or labour to make my words true. I have respected posterity; and should there be a posterity which cares for letters, I dare to hope that it will respect me." The sincerity which underlies this statement, combined with a certain lack of humour which peers through its naïveté, points to two of the principal characteristics of Patmore's earlier poetry; characteristics which came to be almost unconsciously merged and harmonized as his style and his intention drew together into unity.

 
"Spring Cottage, Hamstead, 1860." Caricature by Max Beerbohm.

As happy love had been his earlier, the grief of loss became, in great measure, his later theme; touching and sublime thoughts upon love, death, and immortality are conveyed through strikingly poetic imagery and unusual form in the odes of The Unknown Eros, his best work. The collection is full not only of passages but entire poems in which exalted thought is expressed in poetry of the richest and most dignified melody.[2] Spirituality informs his inspiration; the poetry is glowing and alive. The magnificent piece in praise of winter, the solemn and beautiful cadences of "Departure", and the homely but elevated pathos of "The Toys", are in their manner unsurpassed in English poetry. His somewhat reactionary political opinions, which also find expression in his odes, find less praise today although they can certainly be said to reflect, as do his essays, a serious and very active mind. Patmore is today one of the least-known but best-regarded Victorian poets.

His son Henry John Patmore (1860–83) also became a poet.

Works edit

  • Principles in Art. London: George Bell and Sons, 1889.
  • Courage in Politics and other Essays. London: Oxford University Press, 1921.

Articles edit

  • "William Barnes, the Dorset Poet," The Library Magazine, Vol. II, November 1886/March 1887.
  • “Distinction,” The Eclectic Magazine, Vol. LII, 1890
  • "Three Essayettes," The Eclectic Magazine, Vol. LVI, July/December 1892.

References and sources edit

References edit

  1. ^ "Coventry Patmore, the Poet of Love", The Literary Digest, 27 February 1897.
  2. ^ a b c d Meynell, Alice. "Coventry Patmore." The Catholic Encyclopedia Vol. 11. New York: Robert Appleton Company, 1911. 4 June 2019  This article incorporates text from this source, which is in the public domain.
  3. ^ a b "Coventry Patmore", Poetry Foundation
  4. ^ Crawford, Elizabeth. (1999). The women's suffrage movement : a reference guide, 1866-1928. London: UCL Press. ISBN 0-203-03109-1. OCLC 53836882.
  5. ^ "Mr. Coventry Patmore's Poems," The National Review, Vol. VI, January/April 1858.
  6. ^ McSweeney, Kerry (2000). "The Angel in the House", Victorian Poetry, Vol. 38, Number 2, Summer.
  7. ^ Hartnell, Elaine (1996). "'Nothing but Sweet and Womanly': A Hagiography of Patmore's Angel", Victorian Poetry, Vol. 34, No. 4, Coventry Patmore: 1823–1896. In Memoriam.
  8. ^ Gosse, Edmund (1897). "The History of a Poem", The North American Review, Vol. 164, No. 484.
  9. ^ Freiwald, Bina (1988). "Of Selfsame Desire: Patmore's The Angel in the House", Texas Studies in Literature and Language, Vol. 30, No. 4.
  10. ^ "Advertising". South Australian Register (1839–1900). Adelaide. 13 September 1862. p. 2. Retrieved 28 September 2012 – via National Library of Australia.
  11. ^ Page, Frederick (1917). "Coventry Patmore's 'Unknown Eros'", The Catholic World, Vol. CV, April/September.
  12. ^ See Vesica piscis.
  13. ^ Badeni 1981, pp. 115–129.
  14. ^ "Coventry Patmore Dead," The Catholic World, Vol. LXIV, October 1896/March 1897.
  15. ^ Kerrigan, Michael (1998). Who Lies Where – A guide to famous graves. London: Fourth Estate. p. 74. ISBN 1-85702-258-0.

Sources edit

  •   This article incorporates text from a publication now in the public domainChisholm, Hugh, ed. (1911). "Patmore, Coventry Kersey Dighton". Encyclopædia Britannica. Vol. 20 (11th ed.). Cambridge University Press. p. 928.
  • Badeni, June (1981). The slender tree : a life of Alice Meynell. Padstow, Cornwall: Tabb House. ISBN 0-907018-01-7.
  • Meynell, Alice (1911). "Coventry Patmore" . In Herbermann, Charles (ed.). Catholic Encyclopedia. Vol. 11. New York: Robert Appleton Company.
  • Garnett, Richard (1901). "Patmore, Coventry Kersey Dighton" . In Lee, Sidney (ed.). Dictionary of National Biography (1st supplement). London: Smith, Elder & Co.
  • Maynard, John. "Patmore, Coventry Kersey Deighton (1823–1896)". Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/21550. (Subscription or UK public library membership required.)

Further reading edit

  • Betham-Edwards, Matilda (1911). "Coventry Patmore." In: Friendly Faces of Three Nationalities. London: Chapman & Hall, pp. 73–85.
  • Bréguy, Katherine (1909–10). "Coventry Patmore," Part II, The Catholic World, Vols. XC/XCI, pp. 796–806, 14–27.
  • Brooks, Michael (1979). "John Ruskin, Coventry Patmore, and the Nature of Gothic", Victorian Periodicals Review, Vol. XII, No. 4, pp. 130–140.
  • Burdett, Osbert (1919), "Coventry Patmore", The Dublin Review: 245–260.
  • ——— (1921), The Idea of Coventry Patmore, London: Oxford University Press.
  • Cadbury, William (1966). "The Structure of Feeling in a Poem by Patmore: Meter, Phonology, Form", Victorian Poetry, Vol. IV, No. 4, pp. 237–251.
  • Champneys, Basil (1900). Memoirs and Correspondence of Coventry Patmore, Vol. II. London: George Bell & Sons.
  • Crook, J. Mordaunt (1996). "Coventry Patmore and the Aesthetics of Architecture", Victorian Poetry, Vol. XXXIV, No. 4, pp. 519–543.
  • Dunn, John J. (1969). "Love and Eroticism: Coventry Patmore's Mystical Imagery", Victorian Poetry, Vol. VII, No. 3, pp. 203–219.
  • Edmond, Rod (1981). "Death Sequences: Patmore, Hardy, and the New Domestic Elegy", Victorian Poetry, Vol. XIX, No. 2, pp. 151–165.
  • Egan, Maurice Francis (1899). "The Ode Structure of Coventry Patmore." In: Studies in Literature. St. Louis, Missouri.: B. Herder, pp. 82–108.
  • Fisher, Benjamin F. (1996). "The Supernatural in Patmore's Poetry", Victorian Poetry, Vol. XXXIV, No. 4, pp. 544–557.
  • Fontana, Ernest (2003). "Patmore, Pascal, and Astronomy", Victorian Poetry, Vol. XLI, No. 2, pp. 277–286.
  • Forman, H. Buxton (1871). "Coventry Patmore." In: Our Living Poets: An Essay in Criticism. London: Tinsley Brothers, pp. 257–271.
  • Freeman, John (1917), "Coventry Patmore and Francis Thompson", The Moderns: Essays in Literary Criticism, Thomas Y. Crowell Co.
  • ——— (1923), "Coventry Patmore", The North American Review, 218 (813).
  • Garnett, Richard (1897), "Recollections of Coventry Patmore", The Living Age, XIII.
  • ——— (1905), "Mr. Gosse on Coventry Patmore", The Bookman, XXVIII (163).
  • Gelpi, Barbara Charlesworth (1996). "King Cophetua and Coventry Patmore", Victorian Poetry, Vol. 34, No. 4, Coventry Patmore: 1823–1896. In Memoriam.
  • Gosse, Edmund (1897), "Coventry Patmore: A Portrait", The Living Age, XIII.
  • ——— (1905), Coventry Patmore, Literary lives; ed. By W.R. Nicoll, Charles Scribner's Sons, hdl:2027/uc1.b4678523.
  • Gwynn, Aubrey (1924). "A Daughter of Coventry Patmore", Studies: An Irish Quarterly Review, Vol. XIII, No. 51, pp. 443–456.
  • Harris, Frank (1920). "Coventry Patmore." In: Contemporary Portraits. New York: Published by the author, pp. 191–210.
  • Hind, C. Lewis (1922). "Coventry Patmore." In: More Authors and I. London: John Lane the Bodley Head, pp. 240–246.
  • Johnson, Lionel (1911). "Coventry Patmore's Genius." In: Post Liminium: Essays and Critical Papers. London: Elkin Mathews, pp. 238–245.
  • Latham, David (2012). "Coventry Patmore's Fine Line," The Journal of Pre-Raphaelite Studies, Vol. XXI, pp. 5–13.
  • Leslie, Shane (1932). "Coventry Patmore." In: Studies in Sublime Failure. London: Ernest Benn, pp. 113–178.
  • Lubbock, Percy (1908). "Coventry Patmore," Quarterly Review, Vol. CCVIII, pp. 356–376.
  • Maynard, John (1996). "The Unknown Patmore", Victorian Poetry, Vol. XXXIV, No. 4, pp. 443–455.
  • Meynell, Alice (1908). "Mr. Coventry Patmore's Odes." In: The Rhythm of Life and Other Essays. London: John Lane, the Bodley Head, pp. 89–96.
  • Meynell, Alice (1922). "Coventry Patmore." In The Second Person Singular. London: Oxford University Press, pp. 94–109.
  • O'Keefee, Henry E. (1920). "Coventry Patmore." In: Though and Memories. New York: The Paulist Press, pp. 30–54.
  • Oliver, Edward James (1956). Coventry Patmore. New York: Sheed & Ward.
  • Page, Frederick (1921), "Coventry Patmore: Points of View", The Catholic World, CXIII (678).
  • ——— (1933), Patmore: A Study in Poetry, Oxford University Press.
  • Patmore, Derek (1949). The Life and Times of Coventry Patmore. London: Constable.
  • Pearce, Brian Louis (1996). "Coventry Patmore (1823–1896)", RSA Journal, Vol. CXLIV, No. 5467, pp. 69–71.
  • Pierson, Robert M. (1996). "Coventry Patmore's Ideas Concerning English Prosody and "The Unknown Eros" Read Accordingly", Victorian Poetry, Vol. XXXIV, No. 4, pp. 493–518.
  • Roberts, Gerald (2012). "Hopkins and Patmore: Tory Politics and Poetry", History Today, Vol. LXII, No. 1, pp. 30–36.
  • Reid, John Cowie (1957). The Mind and Art of Coventry Patmore London: Routledge & Paul.
  • Roth, Sister Mary Augustine (1961), Coventry Patmore's "Essay on English Metrical Law (PDF), The Catholic University of America Press.
  • Russell, Matthew (1877). "Coventry Patmore," The Irish Monthly, Vol. V, pp. 529–537.
  • Symons, Arthur (1920). "Coventry Patmore," The North American Review, Vol. CCXI, No. 771, pp. 266–272.
  • Tovey, Duncan (1897). "Coventry Patmore." In: Reviews and Essays in English Literature. London: George Bell & Sons, pp. 156–168.
  • Weinig, Mary Anthony (1981). Coventry Patmore. Boston: Twayne Publishers.
  • Woodworth, Elizabeth (2006). "Elizabeth Barrett Browning, Coventry Patmore, and Alfred Tennyson on Napoleon III: The Hero-Poet and Carlylean Heroics", Victorian Poetry, Vol. XLIV, No. 4, pp. 543–560.
  • Vere, Audrey de (1889). "Coventry Patmore's Poetry." In: Essays, Chiefly Literary and Ethical. London: Macmillan & Co., pp. 126–150

External links edit

  • Works by Coventry Patmore at Project Gutenberg
  • Works by or about Coventry Patmore at Internet Archive
  • Works by Coventry Patmore, at Hathi Trust
  • Works by Coventry Patmore at LibriVox (public domain audiobooks)  
  • Poem of the Week: The Two Deserts by Coventry Patmore
  • "Archival material relating to Coventry Patmore". UK National Archives.  
  • Coventry Patmore Collection at John J. Burns Library, Boston College
  • Portrait of Coventry Patmore in original frame by artist John Singer Sargent

coventry, patmore, coventry, kersey, dighton, patmore, july, 1823, november, 1896, english, poet, literary, critic, best, known, book, poetry, angel, house, narrative, poem, about, victorian, ideal, happy, marriage, portrait, john, singer, sargent, 1894, bornc. Coventry Kersey Dighton Patmore 23 July 1823 26 November 1896 was an English poet 1 and literary critic He is best known for his book of poetry The Angel in the House a narrative poem about the Victorian ideal of a happy marriage Coventry PatmorePortrait of Coventry Patmore by John Singer Sargent 1894 BornCoventry Kersey Dighton Patmore 1823 07 23 23 July 1823Essex EnglandDied26 November 1896 1896 11 26 aged 73 Lymington EnglandOccupationPoet and criticSignature As a young man Patmore worked for the British Museum in London After the publication of his first book of poems in 1844 he became acquainted with members of the Pre Raphaelite Brotherhood After the death of his first wife his grief over her death became a major theme in his poetry Contents 1 Life 1 1 Youth 1 2 Major publications 2 Evaluation 3 Works 3 1 Articles 4 References and sources 4 1 References 4 2 Sources 5 Further reading 6 External linksLife editYouth edit The eldest son of author Peter George Patmore Coventry Patmore was born at Woodford in Essex 2 and was privately educated The boy was very close to his father Peter and showed an early interest in literature Coventry Patmore s first goal was to become an artist he earned the silver palette of the Society of Arts in 1838 In 1839 his family sent Patmore to school in France for six months 3 where he began to write poetry On his return to England Peter Patmore planned to publish some of his son s youthful poems however Coventry Patmore had become interested in science and set aside writing poetry nbsp Drawing of Coventry Patmore by John Brett 1855 In 1846 with help from Richard Monckton Milnes Coventry Patmore was appointed as the printed book supernumary assistant at the British Museum He would hold this position for the next 19 years while devoting his spare time to writing poetry In 1847 Patmore married Emily Augusta Andrews 2 the daughter of Dr Andrews of Camberwell By 1851 the couple had two sons Coventry born 1848 and Tennyson born 1850 Three daughters followed Emily born 1853 Bertha born 1855 and Gertrude born 1857 before their last child a son Henry John was born in 1860 Emily Andrews wrote children s stories 3 Inspired by the literary success of Alfred Tennyson Patmore devoted more energy to his writing In 1844 he published a small volume of Poems which had limited commercial success However Patmore was more upset by a harsh review of his work in Blackwood s Magazine Discouraged Patmore bought up the remainder of the edition and destroyed it His friends encouraged him to keep writing and gave him valuable feedback Furthermore the publication of Poems enabled him to network with other literary figures including Dante Gabriel Rossetti Rossetti introduced Patmore to William Holman Hunt who brought Patmore into the Pre Raphaelite Brotherhood contributing his poem The Seasons to The Germ During his time at the British Museum Patmore was instrumental in starting the Volunteer Movement in 1852 He wrote an important letter to The Times on the subject and stirred up much enthusiasm among his colleagues He also introduced academic David Masson to Emily Rosaline Orme his wife Emily s niece both of whom were strong supporters for women s suffrage and rights 4 Major publications edit nbsp Patmore s wife Emily the model for the Angel in the House portrait by John Everett Millais nbsp Patmore s home at 85 Fortis Green 1858 60 In 1853 Patmore republished Tamerton Church Tower the more successful of his pieces from Poems of 1844 He also added several new poems that showed more sophistication in conception and treatment In 1854 Patmore published the first part of his best known poem The Angel in the House 5 6 7 The Angel in the House is a long narrative and lyric poem with four parts published between 1854 and 1862 The Betrothed 1854 The Espousals 1856 which eulogize his first wife Faithful for Ever 1860 The Victories of Love 1862 Patmore published the four works together in 1863 The works have come to symbolise the Victorian feminine ideal 8 which was not necessarily the ideal amongst feminists of the period 9 By 1861 Patmore and his family was living in Elm Cottage North End Hampstead On 5 July 1862 10 Emily Patmore died after a long illness and shortly afterwards Patmore joined the Roman Catholic Church In 1864 Patmore married Marianne Byles daughter of James Byles of Bowden Hall Gloucester Patmore Buxted Hall in Surrey in 1865 which he described in How I managed my Estate 1886 In 1877 Patmore published The Unknown Eros 11 which some commentators believe contains his finest poetic work 12 and in 1878 Amelia his own favourite among his poems together with an essay on English Metrical Law This departure into criticism continued in 1879 with a volume of papers entitled Principle in Art and again in 1893 with Religio Poetae Patmore s second wife Marianne died in 1880 and in 1881 he married Harriet Robson 2 from Bletchingley in Surrey born 1840 his children s governess Their son Francis was born in 1882 Patmore also had a deep friendship with the poet Alice Meynell lasting several years He ultimately fell in love with her forcing Meynell to end their relationship 13 In later years Patmore lived at Lymington where he died in 1896 14 He was buried in Lymington churchyard 15 Evaluation editA collected edition of Patmore s poems appeared in two volumes in 1886 with a characteristic preface which might serve as the author s epitaph I have written little it runs but it is all my best I have never spoken when I had nothing to say nor spared time or labour to make my words true I have respected posterity and should there be a posterity which cares for letters I dare to hope that it will respect me The sincerity which underlies this statement combined with a certain lack of humour which peers through its naivete points to two of the principal characteristics of Patmore s earlier poetry characteristics which came to be almost unconsciously merged and harmonized as his style and his intention drew together into unity nbsp Spring Cottage Hamstead 1860 Caricature by Max Beerbohm As happy love had been his earlier the grief of loss became in great measure his later theme touching and sublime thoughts upon love death and immortality are conveyed through strikingly poetic imagery and unusual form in the odes of The Unknown Eros his best work The collection is full not only of passages but entire poems in which exalted thought is expressed in poetry of the richest and most dignified melody 2 Spirituality informs his inspiration the poetry is glowing and alive The magnificent piece in praise of winter the solemn and beautiful cadences of Departure and the homely but elevated pathos of The Toys are in their manner unsurpassed in English poetry His somewhat reactionary political opinions which also find expression in his odes find less praise today although they can certainly be said to reflect as do his essays a serious and very active mind Patmore is today one of the least known but best regarded Victorian poets His son Henry John Patmore 1860 83 also became a poet Works editPrinciples in Art London George Bell and Sons 1889 Courage in Politics and other Essays London Oxford University Press 1921 Articles edit William Barnes the Dorset Poet The Library Magazine Vol II November 1886 March 1887 Distinction The Eclectic Magazine Vol LII 1890 Three Essayettes The Eclectic Magazine Vol LVI July December 1892 References and sources editReferences edit Coventry Patmore the Poet of Love The Literary Digest 27 February 1897 a b c d Meynell Alice Coventry Patmore The Catholic Encyclopedia Vol 11 New York Robert Appleton Company 1911 4 June 2019 nbsp This article incorporates text from this source which is in the public domain a b Coventry Patmore Poetry Foundation Crawford Elizabeth 1999 The women s suffrage movement a reference guide 1866 1928 London UCL Press ISBN 0 203 03109 1 OCLC 53836882 Mr Coventry Patmore s Poems The National Review Vol VI January April 1858 McSweeney Kerry 2000 The Angel in the House Victorian Poetry Vol 38 Number 2 Summer Hartnell Elaine 1996 Nothing but Sweet and Womanly A Hagiography of Patmore s Angel Victorian Poetry Vol 34 No 4 Coventry Patmore 1823 1896 In Memoriam Gosse Edmund 1897 The History of a Poem The North American Review Vol 164 No 484 Freiwald Bina 1988 Of Selfsame Desire Patmore s The Angel in the House Texas Studies in Literature and Language Vol 30 No 4 Advertising South Australian Register 1839 1900 Adelaide 13 September 1862 p 2 Retrieved 28 September 2012 via National Library of Australia Page Frederick 1917 Coventry Patmore s Unknown Eros The Catholic World Vol CV April September See Vesica piscis Badeni 1981 pp 115 129 Coventry Patmore Dead The Catholic World Vol LXIV October 1896 March 1897 Kerrigan Michael 1998 Who Lies Where A guide to famous graves London Fourth Estate p 74 ISBN 1 85702 258 0 Sources edit nbsp This article incorporates text from a publication now in the public domain Chisholm Hugh ed 1911 Patmore Coventry Kersey Dighton Encyclopaedia Britannica Vol 20 11th ed Cambridge University Press p 928 Badeni June 1981 The slender tree a life of Alice Meynell Padstow Cornwall Tabb House ISBN 0 907018 01 7 Meynell Alice 1911 Coventry Patmore In Herbermann Charles ed Catholic Encyclopedia Vol 11 New York Robert Appleton Company Garnett Richard 1901 Patmore Coventry Kersey Dighton In Lee Sidney ed Dictionary of National Biography 1st supplement London Smith Elder amp Co Maynard John Patmore Coventry Kersey Deighton 1823 1896 Oxford Dictionary of National Biography online ed Oxford University Press doi 10 1093 ref odnb 21550 Subscription or UK public library membership required Further reading editBetham Edwards Matilda 1911 Coventry Patmore In Friendly Faces of Three Nationalities London Chapman amp Hall pp 73 85 Breguy Katherine 1909 10 Coventry Patmore Part II The Catholic World Vols XC XCI pp 796 806 14 27 Brooks Michael 1979 John Ruskin Coventry Patmore and the Nature of Gothic Victorian Periodicals Review Vol XII No 4 pp 130 140 Burdett Osbert 1919 Coventry Patmore The Dublin Review 245 260 1921 The Idea of Coventry Patmore London Oxford University Press Cadbury William 1966 The Structure of Feeling in a Poem by Patmore Meter Phonology Form Victorian Poetry Vol IV No 4 pp 237 251 Champneys Basil 1900 Memoirs and Correspondence of Coventry Patmore Vol II London George Bell amp Sons Crook J Mordaunt 1996 Coventry Patmore and the Aesthetics of Architecture Victorian Poetry Vol XXXIV No 4 pp 519 543 Dunn John J 1969 Love and Eroticism Coventry Patmore s Mystical Imagery Victorian Poetry Vol VII No 3 pp 203 219 Edmond Rod 1981 Death Sequences Patmore Hardy and the New Domestic Elegy Victorian Poetry Vol XIX No 2 pp 151 165 Egan Maurice Francis 1899 The Ode Structure of Coventry Patmore In Studies in Literature St Louis Missouri B Herder pp 82 108 Fisher Benjamin F 1996 The Supernatural in Patmore s Poetry Victorian Poetry Vol XXXIV No 4 pp 544 557 Fontana Ernest 2003 Patmore Pascal and Astronomy Victorian Poetry Vol XLI No 2 pp 277 286 Forman H Buxton 1871 Coventry Patmore In Our Living Poets An Essay in Criticism London Tinsley Brothers pp 257 271 Freeman John 1917 Coventry Patmore and Francis Thompson The Moderns Essays in Literary Criticism Thomas Y Crowell Co 1923 Coventry Patmore The North American Review 218 813 Garnett Richard 1897 Recollections of Coventry Patmore The Living Age XIII 1905 Mr Gosse on Coventry Patmore The Bookman XXVIII 163 Gelpi Barbara Charlesworth 1996 King Cophetua and Coventry Patmore Victorian Poetry Vol 34 No 4 Coventry Patmore 1823 1896 In Memoriam Gosse Edmund 1897 Coventry Patmore A Portrait The Living Age XIII 1905 Coventry Patmore Literary lives ed By W R Nicoll Charles Scribner s Sons hdl 2027 uc1 b4678523 Gwynn Aubrey 1924 A Daughter of Coventry Patmore Studies An Irish Quarterly Review Vol XIII No 51 pp 443 456 Harris Frank 1920 Coventry Patmore In Contemporary Portraits New York Published by the author pp 191 210 Hind C Lewis 1922 Coventry Patmore In More Authors and I London John Lane the Bodley Head pp 240 246 Johnson Lionel 1911 Coventry Patmore s Genius In Post Liminium Essays and Critical Papers London Elkin Mathews pp 238 245 Latham David 2012 Coventry Patmore s Fine Line The Journal of Pre Raphaelite Studies Vol XXI pp 5 13 Leslie Shane 1932 Coventry Patmore In Studies in Sublime Failure London Ernest Benn pp 113 178 Lubbock Percy 1908 Coventry Patmore Quarterly Review Vol CCVIII pp 356 376 Maynard John 1996 The Unknown Patmore Victorian Poetry Vol XXXIV No 4 pp 443 455 Meynell Alice 1908 Mr Coventry Patmore s Odes In The Rhythm of Life and Other Essays London John Lane the Bodley Head pp 89 96 Meynell Alice 1922 Coventry Patmore In The Second Person Singular London Oxford University Press pp 94 109 O Keefee Henry E 1920 Coventry Patmore In Though and Memories New York The Paulist Press pp 30 54 Oliver Edward James 1956 Coventry Patmore New York Sheed amp Ward Page Frederick 1921 Coventry Patmore Points of View The Catholic World CXIII 678 1933 Patmore A Study in Poetry Oxford University Press Patmore Derek 1949 The Life and Times of Coventry Patmore London Constable Pearce Brian Louis 1996 Coventry Patmore 1823 1896 RSA Journal Vol CXLIV No 5467 pp 69 71 Pierson Robert M 1996 Coventry Patmore s Ideas Concerning English Prosody and The Unknown Eros Read Accordingly Victorian Poetry Vol XXXIV No 4 pp 493 518 Roberts Gerald 2012 Hopkins and Patmore Tory Politics and Poetry History Today Vol LXII No 1 pp 30 36 Reid John Cowie 1957 The Mind and Art of Coventry Patmore London Routledge amp Paul Roth Sister Mary Augustine 1961 Coventry Patmore s Essay on English Metrical Law PDF The Catholic University of America Press Russell Matthew 1877 Coventry Patmore The Irish Monthly Vol V pp 529 537 Symons Arthur 1920 Coventry Patmore The North American Review Vol CCXI No 771 pp 266 272 Tovey Duncan 1897 Coventry Patmore In Reviews and Essays in English Literature London George Bell amp Sons pp 156 168 Weinig Mary Anthony 1981 Coventry Patmore Boston Twayne Publishers Woodworth Elizabeth 2006 Elizabeth Barrett Browning Coventry Patmore and Alfred Tennyson on Napoleon III The Hero Poet and Carlylean Heroics Victorian Poetry Vol XLIV No 4 pp 543 560 Vere Audrey de 1889 Coventry Patmore s Poetry In Essays Chiefly Literary and Ethical London Macmillan amp Co pp 126 150External links edit nbsp Poetry portal nbsp Wikisource has original works by or about Coventry Patmore nbsp Wikiquote has quotations related to Coventry Patmore nbsp Wikimedia Commons has media related to Coventry Patmore Works by Coventry Patmore at Project Gutenberg Works by or about Coventry Patmore at Internet Archive Works by Coventry Patmore at Hathi Trust Works by Coventry Patmore at LibriVox public domain audiobooks nbsp Poem of the Week The Two Deserts by Coventry Patmore Archival material relating to Coventry Patmore UK National Archives nbsp Coventry Patmore Collection at John J Burns Library Boston College Portrait of Coventry Patmore in original frame by artist John Singer Sargent Retrieved from https en wikipedia org w index php title Coventry Patmore amp oldid 1214106798, wikipedia, wiki, book, books, library,

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