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Wikipedia

WFAN-FM

WFAN-FM (101.9 FM), is a commercial radio station licensed to New York City. Owned by Audacy, Inc., the station simulcasts a sports radio format known as "Sports Radio 66 AM and 101.9 FM", or "The FAN", along with co-owned WFAN (660 AM). Its studios are in the Audacy facility in the Hudson Square neighborhood of Lower Manhattan.

WFAN-FM
Simulcast with WFAN, New York City
Broadcast areaNew York metropolitan area
Frequency101.9 MHz (HD Radio)
BrandingWFAN Sports Radio 66 and 101.9 FM, The Fan
Programming
Language(s)English
FormatSports radio
Subchannels
Affiliations
Ownership
Owner
History
First air date
October 31, 1940; 83 years ago (1940-10-31)
Former call signs
  • W2XWF (1940)
  • W55NY (1941–1943)
  • WFGG (1943–1945)
  • WGHF (1945–1955)
  • WBFM (1955–1964)
  • WPIX-FM (1964–1988)
  • WQCD (1988–2008)
  • WRXP (2008–2011)
  • WEMP (2011–2012)
  • WRXP (2012)
Former frequencies
  • 42.18 MHz (1940–1941)
  • 45.5 MHz (1941–1946)
  • 99.7 MHz (1946–1947)
Call sign meaning
Sports fanatic
Technical information[1]
Licensing authority
FCC
Facility ID67846
ClassB
ERP6,000 watts
HAAT415 meters (1,362 ft)
Transmitter coordinates
40°44′54.4″N 73°59′8.5″W / 40.748444°N 73.985694°W / 40.748444; -73.985694
Links
Public license information
  • Public file
  • LMS
WebcastListen live (via Audacy)
Websitewww.audacy.com/wfan

WFAN-FM has an effective radiated power (ERP) of 6,000 watts, transmitting from atop the Empire State Building.[2] WFAN-FM broadcasts using HD Radio technology. Its HD2 digital subchannel carries programming from CBS Sports Radio.

History edit

Early years edit

 
December 1945 station advertisement as WGHF, featuring the station's experimental broadcast facsimile service.[3]

The station traces its origin to an experimental Apex band radio station, W2XWF on 42.18 MHz, which was authorized in 1940 and licensed to radio engineer William G. H. Finch.[4]

In May 1940, the Federal Communications Commission (FCC) announced the establishment, effective January 1, 1941, of an FM radio band operating on 40 channels spanning 42–50 MHz.[5] On October 31, 1940, the first fifteen construction permits for commercial FM stations were issued, including one to W. G. H. Finch for a station in New York City at 45.5 MHz,[6] which was issued the call sign W55NY.[7] Effective November 1, 1943, the FCC modified its policy for FM call letters,[8] and the station was assigned new call letters of WFGG,[9] which were changed to WGHF in 1945. One of the uses of the station was to test Finch's sub-carrier facsimile system. By 1946, the station was broadcasting on 99.7 MHz, moving to 101.9 in 1947.[10]

In late 1948, it became the New York City affiliate of the farm-oriented Rural Radio Network based in Ithaca, New York, which owned a group of upstate stations that would later associate with WQXR. In 1955, its then-owner, Muzak, changed the call letters to WBFM.[11] The station aired a soft instrumental beautiful music radio format.

WPIX-FM edit

 
A WPIX-FM logo from the mid-1970s.

The station was purchased by the New York Daily News in late 1963.[12] WBFM adopted the WPIX-FM call letters on October 11, 1964, as the station was now co-owned with television station WPIX (channel 11).

Broadcasting from the "Pix Penthouse" on the 28th floor of the Daily News Building, WPIX-FM ushered in what was to become one of the most popular formats in FM radio, easy listening (later adult contemporary music), signaling the end of the dominance of beautiful music, jazz, classical and block programming on the FM band. WPIX-FM would be noted for not being able to settle on a format for any real length of time, and was derisively nicknamed "the format of the month station" by many in the New York City radio industry. The station went through 11 different formats during its post-easy listening period:

  • 1971–1975; 1976–1977: Adult top 40 - a top 40 format at the time that played new songs less often than top 40 leader WABC. While still focused on current music, it mixed in rock and roll oldies from about 1964 to what was then recent.
  • 1975: Top 40/disco. The New York Times reported, "Characterized by a strong bass, a simple melody, and terse repetitive lyrics...'Disco,' as this music is called...is becoming increasingly popular on AM and FM radio stations. WPIX-FM recently switched several hours of its nightly programming over to 'disco.'"[13] The nightly show "Disco 102" was first hosted by "Doctor" Jerry Carroll, then by Howard Hoffman when Carroll moved to afternoons. By the summer of 1976 the station was back to a gold leaning top 40 format which was popular on FM stations at the time.
  • 1977–1978: Top 40/rock music.
  • During this time, Mark Simone launched "The Simone Phone", a pioneering FM comedy talk show featuring then-producer/writer Tom Leykis, that contained popular features such as "Dial-A-Date", which were later borrowed by other radio shows.[citation needed] Simone moved to WMCA in 1979.
  • 1978–1980: New wave music/punk rock. At a time when other rock stations in New York were sticking with traditional AOR formats (WPLJ, WNEW-FM), adult Top 40 (WXLO) and oldies (WCBS-FM), WPIX staked out a groundbreaking format focused on new wave and punk but included older rock and roll as well, hence its advertising slogan: "From Elvis to Elvis" (meaning Elvis Presley to Elvis Costello.) It helped break in New York and nationally early records by Costello, The Police, Nick Lowe, The Clash, The Cars, Squeeze, Devo, The Kings, Iggy Pop, Lou Reed, Buzzcocks, Cheap Trick, Talking Heads, David Johansen, Tom Verlaine and Richard Lloyd, among others. The station was even featured in lyrics from the Squeeze song, 'I Think I'm Go Go' (P I X and rock and roll).[14]
  • March 1, 1980 – July 6, 1981: Rock-based top 40. A station spokesperson said WPIX-FM was "modifying the format to improve the product to make it more mass acceptable".[15]
  • July 6, 1981 – January 15, 1982: Album-oriented rock.
  • January 15 – February 28, 1982: CHR (top 40). Basically a transitional format to adult contemporary.
  • March 1982 – 1985: Adult contemporary music. Beginning in January 1983, WPIX-FM positioned itself as "nothing but love songs". A series of TV commercials featuring clay animation cherubs, and starring artists such as the Pointer Sisters, Bette Midler, Sheena Easton and Carly Simon[16] were credited with bringing new listeners to the station. The tagline was, "Your ex wants you back!"[17]
  • 1985: Hot adult contemporary, a mix of love songs and eclectic music as "the ballads and beat of New York". Also in 1985, the station began running a nighttime show called "The PIX Penthouse", which played contemporary R&B and soul music as well as smooth jazz. It had been used through the 1960s as the station's tagline for its easy listening format. ("The PIX Penthouse Party" had been originally used as a program title during WPIX-FM's Punk/New Wave era and was notable for playing 1960s music that influenced Punk and New Wave Rock.)
  • August 16, 1986 – March 1987: Adult contemporary music/standards/AAA "The Bright and Lively Sound of New York".[18]
  • March 1987: Hot adult contemporary during the day and urban adult contemporary evenings.
  • September 1987 – August 10, 1988: Hot adult contemporary during the day and overnights using "Easy Rock" as a slogan. Smooth jazz in the evenings.

Notable air personalities during the WPIX-FM period included Mark Simone, Alan Colmes, Meg Griffin, Ted David and Jerry Carroll (a.k.a. "Dr. Jerry"). Another WPIX-FM personality, Ken Harper, host of the all-night "Manhattan After Hours", from 1964 to 1968, went on to produce "The Wiz" on Broadway.[19]

The station gave up quickly on both the Disco and the Rock and Roll/New Wave formats, only to see both genres of music become popular several years later.

From 1966 to 1988, WPIX-FM simulcast the Christmas music played during WPIX television's annual Yule Log program on Christmas Eve and Christmas morning.

CD101.9 edit

 
WQCD's most notable logo, which was used with some changes until 2005.

Beginning with "The PIX Penthouse" in 1985, WPIX-FM started to play contemporary jazz after dark to boost its nighttime ratings, and beginning in September 1987, the station's evening programming was entirely dedicated to the genre. Then, on August 10, 1988, the station adopted a jazz-based adult contemporary format during the day and retained all jazz at night.

Later that month, on August 22, the station modified into a full-time smooth jazz radio format, with the new call letters WQCD and the new branding, "CD 101.9".[20] While the genre had varying degrees of presence on most Top 40 and AC stations at the time, New York City had not had a full-time commercial jazz station since 1980, when WRVR (106.7 FM, now WLTW) became country music station WKHK following an ownership change two years earlier. The re-launch of 101.9 was accompanied by a new television advertising campaign which featured Al Jarreau, Miles Davis, Kenny G, Bobby McFerrin and Herb Alpert[21]–all artists whose music formed the core of the new smooth jazz format, which proved successful and long-lasting for a station that had not been used to stability in its programming.

WQCD's early music blend featured contemporary jazz mixed with soft rock and urban adult contemporary, along with some new-age music (the "CD" branding came from the station promoting that it played between 70 and 80 minutes of music between commercial breaks, the length of an average compact disc). The station programmed an equal balance between vocal and instrumental music. At night the station played strictly contemporary jazz music, with a majority of it instrumental. As time went on, WQCD phased-out soft-rock cuts and became a full-time contemporary jazz station. The playlist continued to feature large amounts of instrumental jazz, with some new age, and several urban adult contemporary songs. This formula would largely be unchanged for over 15 years.

When the Daily News changed ownership in 1991, WQCD and WPIX were retained by the newspaper's former corporate parent, the Tribune Company. In 1997 Tribune sold WQCD to Emmis Communications. The combination of WQCD and Emmis's two existing New York stations, WQHT (97.1 FM) and WRKS-FM (98.7 FM), gave the Indianapolis-based company an FM triopoly in the New York market. In 1998, Emmis moved WQCD out of the Daily News Building, and along with WQHT and WRKS into a newly constructed common facility at 395 Hudson Street.

WQCD ran an experiment from November 22, 2004, until August 2005, when the station's playlist included chill music, a relaxing sound based on the music found on the beaches of Ibiza. The ratings were not satisfactory, and the experiment ended. The station retained the tagline, "CD101.9, Your Chill-Out Station" during its successful transition back to the standard smooth jazz format. WQCD's on-air staff remained unusually stable in the generally volatile radio climate, led by morning host Dennis Quinn. Midday host Deborah Rath had been with parent company Emmis since 1988, as a veteran of both WRKS and WQHT. Afternoon drive host Paul Cavalconte was a veteran of New York jazz, classical, and rock stations, adult standards WNEW. Evening host Sharon Davis called WQCD home for nearly a decade. Other notable long-term airstaff members include Ray White, Pat Prescott, Russ Davis, Steve Harris, Ian Karr, Maria Von Dickersohn, Meryl Kubrick and John Vidaver. Rafe Gomez hosted "The Groove Boutique", a nationally syndicated groove jazz mix show that aired on Saturday nights beginning in 2003. "The Groove Boutique" was a finalist in the 2005 Best Mix Show category of the 8th annual New York Radio Market Achievements in Radio (A.I.R.) awards.[22]

101.9 RXP edit

On February 5, 2008, at 4:00 pm, Emmis Communications announced a change to a rock format under the WRXP call letters and the tagline 101.9 RXP: The New York Rock Experience. The last songs played on "CD 101.9" were "Shining Star" by The Manhattans and an instrumental rendition of "Street Life" by U-Nam, while the first two songs played on "RXP" were "Rock and Roll" by Velvet Underground and "Supernatural Superserious" by R.E.M. With the exception of Paul Cavalconte, the entire WQCD air staff was released including Dennis Quinn, who had survived every other format change at 101.9 since joining the station in 1971. Only program director Blake Lawrence was retained from the previous format for WRXP. Emmis cited a declining audience for smooth jazz, which moved to the station's HD2 subchannel. (An online version of CD101.9 would eventually be launched in late summer 2015.)

WRXP was the first alternative rock station in New York City since WXRK's format flip to active rock in April 2005. Even though classified as alternative rock (with a slight adult album alternative lean), Nielsen BDS and Mediabase reported WRXP as an AAA, with suburban station WXPK recognized as the main AAA station in the New York City market. By 2011, WRXP was classified as an alternative rock station by both Nielsen BDS and Mediabase.

WRXP's first on-air personality was Brian Schock. Until leaving the station to return to San Diego in January 2009, he was also the station's assistant program director and music director. Station management promised to hire a New York rock-savvy airstaff for the rest of the station's dayparts.[23] Among those hired were veteran radio and MTV personality Matt Pinfield as the morning drive host; Steve Craig as midday host; and Brian Phillips as evening host. The weekend air staff included Dave Greek, Greg Russ and Jennifer Kajzer, as well as Cavalconte, the only personality retained from the WQCD smooth jazz format. In March 2009, WRXP announced that Nik Carter, formerly of WXRK, and later with VH1, joined as the station as its afternoon drive personality.

On June 16, 2008, Leslie Fram, formerly of WNNX in Atlanta, was appointed Program Director. She also co-hosted the WRXP morning drive (and later midday) show with Pinfield.[24] On November 9, 2008, Anything Anything with Rich Russo debuted on the station.

Merlin Media edit

On June 21, 2011, it was announced that majority ownership of WRXP was acquired by Merlin Media LLC, a new entity headed by veteran radio executive Randy Michaels.[25] The sale, which the Federal Communications Commission (FCC) approved in September 2011, included two other Emmis-owned stations in Chicago, WLUP-FM and WKQX. Merlin registered several domains for what the new format of the station would be, including a return of WYNY's country music format, but many suggested an all-news radio format.

All of WRXP's DJs, except for Cavalconte, were dismissed, and at 5 p.m. on July 15, 2011, WRXP's rock format ended with "Long Live Rock" by The Who. WRXP's website (MyRXP.com) continued operation after the station left the airwaves, offering its music format via streaming online audio and later a Spotify playlist (with occasional new songs added) until Merlin acquired the domain name.

After a brief period of dead air, WRXP (whose call sign was changed to WEMP on July 21) switched to a stunt of adult contemporary music branded as "101.9 FM New", which served as a transition to the station's new format.[26] The first song on "FM New" was "All Summer Long" by Kid Rock. "101.9 FM New" featured a live morning show that began at 6:00 a.m. on July 18, hosted by Paul Cavalconte (who had been with 101.9 since 1998), with Jeff McKay (a New York traffic reporter formerly of Shadow Traffic and WINS) providing traffic reports and weather updates (until the next day, when meteorologist Scott Derek began).[27] News reports and news blocks were gradually introduced beginning with a 3 p.m. newscast on July 25, 2011, anchored by Dave Packer and Mike Barker.

FM News 101.9 edit

On August 12, 2011, the station ended its adult contemporary stunt and became an all-news station as "FM News 101.9". It followed in the footsteps of its Chicago sister station WWWN (the former and current WKQX), which flipped to all-news on July 29.[28][29] As conceived by Merlin's then-COO, Walter Sabo, "FM News" was what Sabo considered a "redefining" of the all-news format.[30] The on-air presentation was generally looser and conversational in tone, while an emphasis was placed on lifestyle, health, and entertainment features.[31] The initial news staff at WEMP included people with experience in New York radio, including WINS alums Catherine Smith, Alice Stockton-Rossini, and Brett Larson, as well as former WCBS anchor Therese Crowley and WRXP holdover Paul Cavalconte.[32]

Over time, the "FM News" approach on WEMP was adjusted. The reliance on lifestyle and entertainment features was decreased. The station turned towards a tighter on-air presentation and hard news format. Several new features were added, including "10 minutes of non-stop news" at :00, :20 and :40 past the hour (similar to the fact that WINS delivers news headlines at these intervals), the "Top 5 Trending Stories" leading off every hour, with hourly sports and business updates.[33][34]

The station also advertised "traffic and weather on the 5s". Coinciding with the on-air changes was a major promotional push, including television ads.[35] Promotions tweaked WINS' longtime "22 minutes" slogan, with WEMP proclaiming "Give us 10 minutes, we'll give you the world."[36] (After WINS owner CBS Radio sent a cease-and-desist letter to Merlin Media, WEMP dropped the slogan, and replaced it by "non-stop news".) Then, Merlin Media fought back against WINS by demanding that station not to call itself as "New York's One and Only All-News Station" (to highlighting its round-the-clock newswheel as opposed to WCBS carrying some live sports broadcasts). Merlin Media said this was misleading according to WEMP's format at the time.[37]

In the time FM News was in operation, it was plagued by a variety of technical issues after management in Chicago decided to automate the news, much as some music stations automate their playlists. The controversial approach led to a number of on-air gaffes, including wrong time checks and news stories misplaced. The only live elements on the air were traffic reports, which were reportedly demanded by a manager at WEMP, despite the traffic reports being recorded by their Chicago sister station. The expanded traffic reports became one of the few successes of the radio station, and several months later, Chicago's "FM News 101.1" would also return to the live traffic reports.

WEMP and its all-news format struggled to make gains in Arbitron ratings. For example, in the period ending January 4, 2012, Arbitron rated WEMP at a 0.5, far behind both of the CBS Radio-owned all-news stations in New York, category leader WINS at 3.2 and WCBS at 2.8 in that month.[38] (WEMP's share was lower than one of the last ratings books for WRXP, a 2.6 share in July 2011.)[39]

New Rock 101.9 edit

In July 2012, there was speculation that Merlin Media would convert WEMP to a news/talk hybrid, similar to its sister stations in Philadelphia, WWIQ, and Chicago, WIQI, which was also struggling in ratings with all-news and had added some talk programming.[40] Instead, Merlin had other plans for the station.

On July 17, 2012, at 10 am, Merlin management held meetings with the news staffs of both WEMP and WIQI.[41] While the meeting took place, a pre-recorded newscast from earlier in the day on "FM News 101.9" was abruptly cut off and replaced by the reporting of one final story – an announcement that the all-news format was ending immediately.

"This is the final story being covered by FM News. It is to announce that a format change is about to occur at 101.9. In just a few moments, FM News will become New Rock 101.9. The final line of our final story is this: A special note of thanks to everyone involved with FM News for their passion and support. Sometimes just saying thank you isn't enough, but in this case, it'll have to do. Thank you... and good-bye."

After a brief period of dead air, WEMP then returned to an alternative rock format under the "New Rock 101.9" branding, with "No Sleep Till Brooklyn" by the Beastie Boys, as the first song played.[42] (At the very same time, WIQI transitioned from all-news to adult hits.)[43][44] In a press release, Merlin CEO Randy Michaels called dropping all-news from both WEMP and WIQI "a difficult decision to make" but one that had to be made in light of "minimal audience engagement".[41] Most "FM News 101.9" staffers were released by Merlin, with a handful retained by the company to serve as reporters for Merlin's WWIQ in Philadelphia.[45]

"New Rock 101.9" ("New Rock for New York") featured a playlist that included current and recent alternative rock songs and artists.[43] The presentation included an irreverent attitude and the "backselling" (identification of artist and song title) at the end of many current songs.[42] To coincide with the format change back to rock, Merlin Media made two noteworthy moves: It filed a request with the FCC on July 18 to revert the station's call sign from WEMP to WRXP.[46] The call letters were officially changed on July 25.[47] Merlin also obtained WRXP-related domain names from the station's previous owner, Emmis Communications, including MyRXP.com (which would redirect to the station's NewRock1019.com website).[48][non-primary source needed] "New Rock 101.9" ran with limited on-air talent, including former WRXP host Brian Phillips on middays, with the possibility that other former 'RXP staffers would be invited to rejoin the station.[47]

WFAN-FM edit

WRXP made some gains in the Arbitron ratings with its revived alternative format. The station jumped to a 1.6 share in July, and then to a 2.1 share in August. But Merlin Media was faced with a high debt load from recent purchases and the cost of its failed news format. Additionally, one of Merlin's investors was seeking buyers for the company's stations.[49]

Merlin announced on October 8, 2012, that it had agreed to sell WRXP to CBS Radio. With the purchase (estimated at $75 million), CBS said it would convert WRXP to a simulcast of its sports radio station, WFAN.[50] The simulcast began at 11:57 p.m. on November 1, 2012, after Jeff Buckley's "Last Goodbye" brought a close to WRXP's "New Rock" format.[51] A call sign change from WRXP to WFAN-FM took effect the next day, November 2. CBS operated WFAN-FM under a local marketing agreement (LMA) until closing its purchase on December 10, 2012.[52][53] The LMA officially relieved Merlin Media of its only New York radio property and allowed it to concentrate on its stations in the Chicago and Philadelphia markets.[54]

The purchase of 101.9 by CBS put WFAN back on equal footing with ESPN Radio affiliate WEPN, which made its own AM-to-FM move in April 2012 (to the former WRKS). It also improved daytime coverage for WFAN; for years, radio frequency interference had rendered it all but unlistenable in parts of Manhattan. Speculation at the time suggested that the move would also allow CBS to split the WFAN simulcast at a later date and ensure a full-power New York home for its new national sports network, CBS Sports Radio, which began daily programming in January 2013 (and currently airs on WFAN-FM's HD2 subchannel). Such a move would have mirrored CBS-owned sports talk pairings in markets such as Baltimore, where WJZ airs CBS Sports Radio full-time and WJZ-FM airs local sports talk.[55] CBS (and later, Entercom) chose not to break the simulcast, with Cumulus Media's suburban station WFAS (1230) serving as the de facto CBS Sports Radio flagship instead.

On February 2, 2017, CBS Radio announced it would merge with Entercom (now Audacy, Inc.).[56] The merger was approved on November 9, 2017, and was consummated on November 17.[57][58]

References edit

  1. ^ "Facility Technical Data for WFAN-FM". Licensing and Management System. Federal Communications Commission.
  2. ^ "WFAN-FM 101.9 MHz - New York, NY". radio-locator.com.
  3. ^ WGHF (advertisement), Broadcasting, December 17, 1945, page 83.
  4. ^ William Finch, 93; Held Many Patents In Radio Technology by Alfonso Narvaez, The New York Times, November 17, 1990.
  5. ^ "FCC Order No. 67" Federal Register, May 25, 1940, page 2011.
  6. ^ "New FM Call Letters Proposed", Broadcasting, November 15, 1940, page 77.
  7. ^ The initial policy for commercial FM station call signs included an initial "W" for commercial stations located east of the Mississippi River, followed by the last two digits of a station's frequency assignment, "55" in this case, and closing with a one or two character regional identifier, which for New York City was "NY".
  8. ^ "Standard Broadcast Station Call Letters for All Outlets Starting Nov. 1, FCC Rule", The Billboard, September 4, 1943, page 7.
  9. ^ "New Calls Named For FM Stations", Broadcasting, October 4, 1943, page 49.
  10. ^ New York Radio Guide: WFAN-FM (nyradioguide.com)
  11. ^ "Call Letters Assigned" Broadcasting - Telecasting November 28, 1955. pg. 103.
  12. ^ "WPIX Buys Radio Station" – The New York Times, December 10, 1963. pg.87.
  13. ^ Dena Kleiman (July 12, 1975). "The 'Hustle' Restores New Touch To Old Dancing". The New York Times. Retrieved July 30, 2020.
  14. ^ Rose, Frank (February 4, 1980). "Is Real Rock Radio Normal?". New York. New York Media, LLC. p. 64. ISSN 0028-7369 – via Google Books.
  15. ^ John Rockwell (March 21, 1980). "The Pop Life". The New York Times. Retrieved July 30, 2020.
  16. ^ "Carly Simon 1984 WPIX Radio Station Commercial" – via YouTube.
  17. ^ "WPIX-FM 102 Commercial (Sheena Easton), 1984". Archived from the original on December 13, 2021 – via YouTube.
  18. ^ Kevin Goldman (August 15, 1986). "Radio Format Changes Signal a Hot Contest". Newsday. Melville, NY.
  19. ^ "Ken Harper". thewizthemusical.com.
  20. ^ Paul D. Colford (August 9, 1988). "WPIX: New Format, New Letters". Newsday. Melville, NY.
  21. ^ "CD 101.9 - Jazz Radio Commercial - NYC Area - 1988" – via YouTube.
  22. ^ . NYMRAD.org. Archived from the original on February 9, 2006. Retrieved July 4, 2021.
  23. ^ Hinckley, David (February 6, 2008). "WQCD plays taps for jazz & is reborn as rock WRXP". Daily News. New York, NY. Retrieved February 19, 2008.
  24. ^ Hinckley, David (May 19, 2008). "New WRXP jock got an early start". Daily News. New York, NY.
  25. ^ Hinckley, David (June 21, 2011). "Rock could sink at WRXP with sale of station to new media group". Daily News. New York, NY.
  26. ^ "The End Of WRXP 101.9 New York - 14 and 15 July 2011" – via YouTube.
  27. ^ Hinckley, David (July 20, 2011). "WRXP still in standstill over future of station; Merlin Media aims to change rock hits to news talk". Daily News. New York. Retrieved July 20, 2011.
  28. ^ "Merlin Formally Launches FM News 101.9 In New York," from FMQB, August 15, 2011
  29. ^ "Rock Radio Station in New York Shifts to FM News Format," from The New York Times, August 14, 2011
  30. ^ "Merlin Media COO Walter Sabo defends WEMP 101.9 FM's news coverage, claims good balance," from Daily News (New York), August 17, 2011
  31. ^ "First Listen: WEMP (101.9 News) New York," from Radio-Info, August 15, 2011
  32. ^ "WEMP/101.9 Debuts News Format, Struggles to Find Sound," from FishbowlNY, posted August 16, 2011
  33. ^ "News entrant WEMP radio, struggling to get an audience, continues to tweak format," from Daily News (New York), October 31, 2011
  34. ^ "Fresh Listen: WEMP (FM News 101.9) New York," from Radio-Info, January 23, 2012
  35. ^ "Merlin Media is running TV ads in New York," from Radio-Info, January 12, 2012
  36. ^ "Radio legal battle brews '22 minutes' tagline," from Daily News (New York), January 19, 2012
  37. ^ "WEMP will drop lines associated with WINS, but wants WINS to kill one of its own slogans," from Daily News (New York), January 23, 2012
  38. ^ Barmash, Jerry (January 25, 2012). "Christmas Music Means Another Ratings Win for WLTW". FishbowlNY. Retrieved January 31, 2012.
  39. ^ Barmash, Jerry (July 13, 2011). "WLTW Keeps Number One, WCBS-FM Returns to Number Two". FishbowlNY. Retrieved January 31, 2012.
  40. ^ "Breaking: End of Line for Merlin's WEMP as FM News," from FishbowlNY, posted July 16, 2012
  41. ^ a b "FM News 101.1 Ends, Flips To Adult Hits I101," from Chicagoland Radio & Media, July 17, 2012
  42. ^ a b "New Rock 101.9 Debuts," from FormatChange.com, posted July 17, 2012
  43. ^ a b "Merlin Flips FM News In Chicago & New York," from Radio Insight, July 17, 2012
  44. ^ "Merlin Brings Alternative Back To New York, Adult Hits To Chicago". All Access.
  45. ^ "Merlin Media Looks to Regain its Prior Identity at 101.9," from FishbowlNY, July 19, 2012
  46. ^ "WRXP" call letters to return to New York City, on Merlin-run 101.9 from Radio-Info.com, July 18, 2012
  47. ^ a b "WRXP Officially Back at 101.9," from FishbowlNY, July 25, 2012
  48. ^ "Source: Radio Insight on Twitter, posted 7/25/2012".
  49. ^ "Outpouring of support for Don Wade 'overwhelming,'" from Time Out Chicago, September 25, 2012
  50. ^ "Merlin Sells WRXP/New York To CBS; WFAN To FM". All Access. October 8, 2012. Retrieved October 8, 2012.
  51. ^ Source: RadioDiscussions.com, posted November 1, 2012
  52. ^ "WFAN to Begin FM Simulcast Friday," from Media Bistro, October 29, 2012
  53. ^ "CBS Radio Completes Purchase Of 101.9 WFAN-FM," from CBSNewYork.com, December 10, 2012
  54. ^ "Merlin Sells WRXP/New York To CBS Radio, Will Flip To WFAN Simulcast," from FMQB, October 8, 2012
  55. ^ "WFAN Finds Another Home, on the FM Dial," from The New York Times, October 8, 2012
  56. ^ "CBS Radio To Merge With Entercom - RadioInsight". February 2, 2017.
  57. ^ "Entercom Receives FCC Approval for Merger with CBS Radio". Entercom. November 9, 2017. Retrieved November 17, 2017.
  58. ^ Venta, Lance (November 17, 2017). "Entercom Completes CBS Radio Merger". Radio Insight. Retrieved November 17, 2017.

External links edit

  • Official website
  • WFAN in the FCC FM station database
  • WFAN in Nielsen Audio's FM station database
  • FCC History Cards for WFAN-FM (Covering 1940-1981 as W55NY / WFGG / WGHF / WBFM / WPIX-FM)

Format Changes edit

  • CD101.9 to New York Chill
  • CD101.9 to 101-9 RXP
  • 101-9 RXP Signs Off
  • 101-9 RXP to 101.9 FM New (Stunt Format; Later 101.9 FM News)
  • FM News 101.9 to 101.9 New Rock
  • 101.9 New Rock to WFAN-FM

wfan, wqcd, redirects, here, other, uses, wqcd, disambiguation, this, article, possibly, contains, original, research, please, improve, verifying, claims, made, adding, inline, citations, statements, consisting, only, original, research, should, removed, july,. WQCD FM redirects here For other uses see WQCD disambiguation This article possibly contains original research Please improve it by verifying the claims made and adding inline citations Statements consisting only of original research should be removed July 2021 Learn how and when to remove this message WFAN FM 101 9 FM is a commercial radio station licensed to New York City Owned by Audacy Inc the station simulcasts a sports radio format known as Sports Radio 66 AM and 101 9 FM or The FAN along with co owned WFAN 660 AM Its studios are in the Audacy facility in the Hudson Square neighborhood of Lower Manhattan WFAN FMSimulcast with WFAN New York CityNew York New YorkUnited StatesBroadcast areaNew York metropolitan areaFrequency101 9 MHz HD Radio BrandingWFAN Sports Radio 66 and 101 9 FM The FanProgrammingLanguage s EnglishFormatSports radioSubchannelsHD2 Infinity Sports NetworkHD3 BetQLAffiliationsInfinity Sports NetworkWestwood One SportsBrooklyn NetsNew York GiantsNew York YankeesRutgers Scarlet KnightsOwnershipOwnerAudacy Inc Audacy License LLC as Debtor in Possession Sister stationsWCBSWCBS FMWFANWINSWINS FMWNEW FMWXBKHistoryFirst air dateOctober 31 1940 83 years ago 1940 10 31 Former call signsW2XWF 1940 W55NY 1941 1943 WFGG 1943 1945 WGHF 1945 1955 WBFM 1955 1964 WPIX FM 1964 1988 WQCD 1988 2008 WRXP 2008 2011 WEMP 2011 2012 WRXP 2012 Former frequencies42 18 MHz 1940 1941 45 5 MHz 1941 1946 99 7 MHz 1946 1947 Call sign meaningSports fanaticTechnical information 1 Licensing authorityFCCFacility ID67846ClassBERP6 000 wattsHAAT415 meters 1 362 ft Transmitter coordinates40 44 54 4 N 73 59 8 5 W 40 748444 N 73 985694 W 40 748444 73 985694LinksPublic license informationPublic fileLMSWebcastListen live via Audacy Websitewww wbr audacy wbr com wbr wfan WFAN FM has an effective radiated power ERP of 6 000 watts transmitting from atop the Empire State Building 2 WFAN FM broadcasts using HD Radio technology Its HD2 digital subchannel carries programming from CBS Sports Radio Contents 1 History 1 1 Early years 1 2 WPIX FM 1 3 CD101 9 1 4 101 9 RXP 1 5 Merlin Media 1 6 FM News 101 9 1 7 New Rock 101 9 1 8 WFAN FM 2 References 3 External links 3 1 Format ChangesHistory editEarly years edit nbsp December 1945 station advertisement as WGHF featuring the station s experimental broadcast facsimile service 3 The station traces its origin to an experimental Apex band radio station W2XWF on 42 18 MHz which was authorized in 1940 and licensed to radio engineer William G H Finch 4 In May 1940 the Federal Communications Commission FCC announced the establishment effective January 1 1941 of an FM radio band operating on 40 channels spanning 42 50 MHz 5 On October 31 1940 the first fifteen construction permits for commercial FM stations were issued including one to W G H Finch for a station in New York City at 45 5 MHz 6 which was issued the call sign W55NY 7 Effective November 1 1943 the FCC modified its policy for FM call letters 8 and the station was assigned new call letters of WFGG 9 which were changed to WGHF in 1945 One of the uses of the station was to test Finch s sub carrier facsimile system By 1946 the station was broadcasting on 99 7 MHz moving to 101 9 in 1947 10 In late 1948 it became the New York City affiliate of the farm oriented Rural Radio Network based in Ithaca New York which owned a group of upstate stations that would later associate with WQXR In 1955 its then owner Muzak changed the call letters to WBFM 11 The station aired a soft instrumental beautiful music radio format WPIX FM edit nbsp A WPIX FM logo from the mid 1970s The station was purchased by the New York Daily News in late 1963 12 WBFM adopted the WPIX FM call letters on October 11 1964 as the station was now co owned with television station WPIX channel 11 Broadcasting from the Pix Penthouse on the 28th floor of the Daily News Building WPIX FM ushered in what was to become one of the most popular formats in FM radio easy listening later adult contemporary music signaling the end of the dominance of beautiful music jazz classical and block programming on the FM band WPIX FM would be noted for not being able to settle on a format for any real length of time and was derisively nicknamed the format of the month station by many in the New York City radio industry The station went through 11 different formats during its post easy listening period 1971 1975 1976 1977 Adult top 40 a top 40 format at the time that played new songs less often than top 40 leader WABC While still focused on current music it mixed in rock and roll oldies from about 1964 to what was then recent 1975 Top 40 disco The New York Times reported Characterized by a strong bass a simple melody and terse repetitive lyrics Disco as this music is called is becoming increasingly popular on AM and FM radio stations WPIX FM recently switched several hours of its nightly programming over to disco 13 The nightly show Disco 102 was first hosted by Doctor Jerry Carroll then by Howard Hoffman when Carroll moved to afternoons By the summer of 1976 the station was back to a gold leaning top 40 format which was popular on FM stations at the time 1977 1978 Top 40 rock music During this time Mark Simone launched The Simone Phone a pioneering FM comedy talk show featuring then producer writer Tom Leykis that contained popular features such as Dial A Date which were later borrowed by other radio shows citation needed Simone moved to WMCA in 1979 1978 1980 New wave music punk rock At a time when other rock stations in New York were sticking with traditional AOR formats WPLJ WNEW FM adult Top 40 WXLO and oldies WCBS FM WPIX staked out a groundbreaking format focused on new wave and punk but included older rock and roll as well hence its advertising slogan From Elvis to Elvis meaning Elvis Presley to Elvis Costello It helped break in New York and nationally early records by Costello The Police Nick Lowe The Clash The Cars Squeeze Devo The Kings Iggy Pop Lou Reed Buzzcocks Cheap Trick Talking Heads David Johansen Tom Verlaine and Richard Lloyd among others The station was even featured in lyrics from the Squeeze song I Think I m Go Go P I X and rock and roll 14 March 1 1980 July 6 1981 Rock based top 40 A station spokesperson said WPIX FM was modifying the format to improve the product to make it more mass acceptable 15 July 6 1981 January 15 1982 Album oriented rock January 15 February 28 1982 CHR top 40 Basically a transitional format to adult contemporary March 1982 1985 Adult contemporary music Beginning in January 1983 WPIX FM positioned itself as nothing but love songs A series of TV commercials featuring clay animation cherubs and starring artists such as the Pointer Sisters Bette Midler Sheena Easton and Carly Simon 16 were credited with bringing new listeners to the station The tagline was Your ex wants you back 17 1985 Hot adult contemporary a mix of love songs and eclectic music as the ballads and beat of New York Also in 1985 the station began running a nighttime show called The PIX Penthouse which played contemporary R amp B and soul music as well as smooth jazz It had been used through the 1960s as the station s tagline for its easy listening format The PIX Penthouse Party had been originally used as a program title during WPIX FM s Punk New Wave era and was notable for playing 1960s music that influenced Punk and New Wave Rock August 16 1986 March 1987 Adult contemporary music standards AAA The Bright and Lively Sound of New York 18 March 1987 Hot adult contemporary during the day and urban adult contemporary evenings September 1987 August 10 1988 Hot adult contemporary during the day and overnights using Easy Rock as a slogan Smooth jazz in the evenings Notable air personalities during the WPIX FM period included Mark Simone Alan Colmes Meg Griffin Ted David and Jerry Carroll a k a Dr Jerry Another WPIX FM personality Ken Harper host of the all night Manhattan After Hours from 1964 to 1968 went on to produce The Wiz on Broadway 19 The station gave up quickly on both the Disco and the Rock and Roll New Wave formats only to see both genres of music become popular several years later From 1966 to 1988 WPIX FM simulcast the Christmas music played during WPIX television s annual Yule Log program on Christmas Eve and Christmas morning CD101 9 edit nbsp WQCD s most notable logo which was used with some changes until 2005 Beginning with The PIX Penthouse in 1985 WPIX FM started to play contemporary jazz after dark to boost its nighttime ratings and beginning in September 1987 the station s evening programming was entirely dedicated to the genre Then on August 10 1988 the station adopted a jazz based adult contemporary format during the day and retained all jazz at night Later that month on August 22 the station modified into a full time smooth jazz radio format with the new call letters WQCD and the new branding CD 101 9 20 While the genre had varying degrees of presence on most Top 40 and AC stations at the time New York City had not had a full time commercial jazz station since 1980 when WRVR 106 7 FM now WLTW became country music station WKHK following an ownership change two years earlier The re launch of 101 9 was accompanied by a new television advertising campaign which featured Al Jarreau Miles Davis Kenny G Bobby McFerrin and Herb Alpert 21 all artists whose music formed the core of the new smooth jazz format which proved successful and long lasting for a station that had not been used to stability in its programming WQCD s early music blend featured contemporary jazz mixed with soft rock and urban adult contemporary along with some new age music the CD branding came from the station promoting that it played between 70 and 80 minutes of music between commercial breaks the length of an average compact disc The station programmed an equal balance between vocal and instrumental music At night the station played strictly contemporary jazz music with a majority of it instrumental As time went on WQCD phased out soft rock cuts and became a full time contemporary jazz station The playlist continued to feature large amounts of instrumental jazz with some new age and several urban adult contemporary songs This formula would largely be unchanged for over 15 years When the Daily News changed ownership in 1991 WQCD and WPIX were retained by the newspaper s former corporate parent the Tribune Company In 1997 Tribune sold WQCD to Emmis Communications The combination of WQCD and Emmis s two existing New York stations WQHT 97 1 FM and WRKS FM 98 7 FM gave the Indianapolis based company an FM triopoly in the New York market In 1998 Emmis moved WQCD out of the Daily News Building and along with WQHT and WRKS into a newly constructed common facility at 395 Hudson Street WQCD ran an experiment from November 22 2004 until August 2005 when the station s playlist included chill music a relaxing sound based on the music found on the beaches of Ibiza The ratings were not satisfactory and the experiment ended The station retained the tagline CD101 9 Your Chill Out Station during its successful transition back to the standard smooth jazz format WQCD s on air staff remained unusually stable in the generally volatile radio climate led by morning host Dennis Quinn Midday host Deborah Rath had been with parent company Emmis since 1988 as a veteran of both WRKS and WQHT Afternoon drive host Paul Cavalconte was a veteran of New York jazz classical and rock stations adult standards WNEW Evening host Sharon Davis called WQCD home for nearly a decade Other notable long term airstaff members include Ray White Pat Prescott Russ Davis Steve Harris Ian Karr Maria Von Dickersohn Meryl Kubrick and John Vidaver Rafe Gomez hosted The Groove Boutique a nationally syndicated groove jazz mix show that aired on Saturday nights beginning in 2003 The Groove Boutique was a finalist in the 2005 Best Mix Show category of the 8th annual New York Radio Market Achievements in Radio A I R awards 22 101 9 RXP edit On February 5 2008 at 4 00 pm Emmis Communications announced a change to a rock format under the WRXP call letters and the tagline 101 9 RXP The New York Rock Experience The last songs played on CD 101 9 were Shining Star by The Manhattans and an instrumental rendition of Street Life by U Nam while the first two songs played on RXP were Rock and Roll by Velvet Underground and Supernatural Superserious by R E M With the exception of Paul Cavalconte the entire WQCD air staff was released including Dennis Quinn who had survived every other format change at 101 9 since joining the station in 1971 Only program director Blake Lawrence was retained from the previous format for WRXP Emmis cited a declining audience for smooth jazz which moved to the station s HD2 subchannel An online version of CD101 9 would eventually be launched in late summer 2015 WRXP was the first alternative rock station in New York City since WXRK s format flip to active rock in April 2005 Even though classified as alternative rock with a slight adult album alternative lean Nielsen BDS and Mediabase reported WRXP as an AAA with suburban station WXPK recognized as the main AAA station in the New York City market By 2011 WRXP was classified as an alternative rock station by both Nielsen BDS and Mediabase WRXP s first on air personality was Brian Schock Until leaving the station to return to San Diego in January 2009 he was also the station s assistant program director and music director Station management promised to hire a New York rock savvy airstaff for the rest of the station s dayparts 23 Among those hired were veteran radio and MTV personality Matt Pinfield as the morning drive host Steve Craig as midday host and Brian Phillips as evening host The weekend air staff included Dave Greek Greg Russ and Jennifer Kajzer as well as Cavalconte the only personality retained from the WQCD smooth jazz format In March 2009 WRXP announced that Nik Carter formerly of WXRK and later with VH1 joined as the station as its afternoon drive personality On June 16 2008 Leslie Fram formerly of WNNX in Atlanta was appointed Program Director She also co hosted the WRXP morning drive and later midday show with Pinfield 24 On November 9 2008 Anything Anything with Rich Russo debuted on the station Merlin Media edit On June 21 2011 it was announced that majority ownership of WRXP was acquired by Merlin Media LLC a new entity headed by veteran radio executive Randy Michaels 25 The sale which the Federal Communications Commission FCC approved in September 2011 included two other Emmis owned stations in Chicago WLUP FM and WKQX Merlin registered several domains for what the new format of the station would be including a return of WYNY s country music format but many suggested an all news radio format All of WRXP s DJs except for Cavalconte were dismissed and at 5 p m on July 15 2011 WRXP s rock format ended with Long Live Rock by The Who WRXP s website MyRXP com continued operation after the station left the airwaves offering its music format via streaming online audio and later a Spotify playlist with occasional new songs added until Merlin acquired the domain name After a brief period of dead air WRXP whose call sign was changed to WEMP on July 21 switched to a stunt of adult contemporary music branded as 101 9 FM New which served as a transition to the station s new format 26 The first song on FM New was All Summer Long by Kid Rock 101 9 FM New featured a live morning show that began at 6 00 a m on July 18 hosted by Paul Cavalconte who had been with 101 9 since 1998 with Jeff McKay a New York traffic reporter formerly of Shadow Traffic and WINS providing traffic reports and weather updates until the next day when meteorologist Scott Derek began 27 News reports and news blocks were gradually introduced beginning with a 3 p m newscast on July 25 2011 anchored by Dave Packer and Mike Barker FM News 101 9 edit On August 12 2011 the station ended its adult contemporary stunt and became an all news station as FM News 101 9 It followed in the footsteps of its Chicago sister station WWWN the former and current WKQX which flipped to all news on July 29 28 29 As conceived by Merlin s then COO Walter Sabo FM News was what Sabo considered a redefining of the all news format 30 The on air presentation was generally looser and conversational in tone while an emphasis was placed on lifestyle health and entertainment features 31 The initial news staff at WEMP included people with experience in New York radio including WINS alums Catherine Smith Alice Stockton Rossini and Brett Larson as well as former WCBS anchor Therese Crowley and WRXP holdover Paul Cavalconte 32 Over time the FM News approach on WEMP was adjusted The reliance on lifestyle and entertainment features was decreased The station turned towards a tighter on air presentation and hard news format Several new features were added including 10 minutes of non stop news at 00 20 and 40 past the hour similar to the fact that WINS delivers news headlines at these intervals the Top 5 Trending Stories leading off every hour with hourly sports and business updates 33 34 The station also advertised traffic and weather on the 5s Coinciding with the on air changes was a major promotional push including television ads 35 Promotions tweaked WINS longtime 22 minutes slogan with WEMP proclaiming Give us 10 minutes we ll give you the world 36 After WINS owner CBS Radio sent a cease and desist letter to Merlin Media WEMP dropped the slogan and replaced it by non stop news Then Merlin Media fought back against WINS by demanding that station not to call itself as New York s One and Only All News Station to highlighting its round the clock newswheel as opposed to WCBS carrying some live sports broadcasts Merlin Media said this was misleading according to WEMP s format at the time 37 In the time FM News was in operation it was plagued by a variety of technical issues after management in Chicago decided to automate the news much as some music stations automate their playlists The controversial approach led to a number of on air gaffes including wrong time checks and news stories misplaced The only live elements on the air were traffic reports which were reportedly demanded by a manager at WEMP despite the traffic reports being recorded by their Chicago sister station The expanded traffic reports became one of the few successes of the radio station and several months later Chicago s FM News 101 1 would also return to the live traffic reports WEMP and its all news format struggled to make gains in Arbitron ratings For example in the period ending January 4 2012 Arbitron rated WEMP at a 0 5 far behind both of the CBS Radio owned all news stations in New York category leader WINS at 3 2 and WCBS at 2 8 in that month 38 WEMP s share was lower than one of the last ratings books for WRXP a 2 6 share in July 2011 39 New Rock 101 9 edit In July 2012 there was speculation that Merlin Media would convert WEMP to a news talk hybrid similar to its sister stations in Philadelphia WWIQ and Chicago WIQI which was also struggling in ratings with all news and had added some talk programming 40 Instead Merlin had other plans for the station On July 17 2012 at 10 am Merlin management held meetings with the news staffs of both WEMP and WIQI 41 While the meeting took place a pre recorded newscast from earlier in the day on FM News 101 9 was abruptly cut off and replaced by the reporting of one final story an announcement that the all news format was ending immediately This is the final story being covered by FM News It is to announce that a format change is about to occur at 101 9 In just a few moments FM News will become New Rock 101 9 The final line of our final story is this A special note of thanks to everyone involved with FM News for their passion and support Sometimes just saying thank you isn t enough but in this case it ll have to do Thank you and good bye After a brief period of dead air WEMP then returned to an alternative rock format under the New Rock 101 9 branding with No Sleep Till Brooklyn by the Beastie Boys as the first song played 42 At the very same time WIQI transitioned from all news to adult hits 43 44 In a press release Merlin CEO Randy Michaels called dropping all news from both WEMP and WIQI a difficult decision to make but one that had to be made in light of minimal audience engagement 41 Most FM News 101 9 staffers were released by Merlin with a handful retained by the company to serve as reporters for Merlin s WWIQ in Philadelphia 45 New Rock 101 9 New Rock for New York featured a playlist that included current and recent alternative rock songs and artists 43 The presentation included an irreverent attitude and the backselling identification of artist and song title at the end of many current songs 42 To coincide with the format change back to rock Merlin Media made two noteworthy moves It filed a request with the FCC on July 18 to revert the station s call sign from WEMP to WRXP 46 The call letters were officially changed on July 25 47 Merlin also obtained WRXP related domain names from the station s previous owner Emmis Communications including MyRXP com which would redirect to the station s NewRock1019 com website 48 non primary source needed New Rock 101 9 ran with limited on air talent including former WRXP host Brian Phillips on middays with the possibility that other former RXP staffers would be invited to rejoin the station 47 WFAN FM edit WRXP made some gains in the Arbitron ratings with its revived alternative format The station jumped to a 1 6 share in July and then to a 2 1 share in August But Merlin Media was faced with a high debt load from recent purchases and the cost of its failed news format Additionally one of Merlin s investors was seeking buyers for the company s stations 49 Merlin announced on October 8 2012 that it had agreed to sell WRXP to CBS Radio With the purchase estimated at 75 million CBS said it would convert WRXP to a simulcast of its sports radio station WFAN 50 The simulcast began at 11 57 p m on November 1 2012 after Jeff Buckley s Last Goodbye brought a close to WRXP s New Rock format 51 A call sign change from WRXP to WFAN FM took effect the next day November 2 CBS operated WFAN FM under a local marketing agreement LMA until closing its purchase on December 10 2012 52 53 The LMA officially relieved Merlin Media of its only New York radio property and allowed it to concentrate on its stations in the Chicago and Philadelphia markets 54 The purchase of 101 9 by CBS put WFAN back on equal footing with ESPN Radio affiliate WEPN which made its own AM to FM move in April 2012 to the former WRKS It also improved daytime coverage for WFAN for years radio frequency interference had rendered it all but unlistenable in parts of Manhattan Speculation at the time suggested that the move would also allow CBS to split the WFAN simulcast at a later date and ensure a full power New York home for its new national sports network CBS Sports Radio which began daily programming in January 2013 and currently airs on WFAN FM s HD2 subchannel Such a move would have mirrored CBS owned sports talk pairings in markets such as Baltimore where WJZ airs CBS Sports Radio full time and WJZ FM airs local sports talk 55 CBS and later Entercom chose not to break the simulcast with Cumulus Media s suburban station WFAS 1230 serving as the de facto CBS Sports Radio flagship instead On February 2 2017 CBS Radio announced it would merge with Entercom now Audacy Inc 56 The merger was approved on November 9 2017 and was consummated on November 17 57 58 References edit Facility Technical Data for WFAN FM Licensing and Management System Federal Communications Commission WFAN FM 101 9 MHz New York NY radio locator com WGHF advertisement Broadcasting December 17 1945 page 83 William Finch 93 Held Many Patents In Radio Technology by Alfonso Narvaez The New York Times November 17 1990 FCC Order No 67 Federal Register May 25 1940 page 2011 New FM Call Letters Proposed Broadcasting November 15 1940 page 77 The initial policy for commercial FM station call signs included an initial W for commercial stations located east of the Mississippi River followed by the last two digits of a station s frequency assignment 55 in this case and closing with a one or two character regional identifier which for New York City was NY Standard Broadcast Station Call Letters for All Outlets Starting Nov 1 FCC Rule The Billboard September 4 1943 page 7 New Calls Named For FM Stations Broadcasting October 4 1943 page 49 New York Radio Guide WFAN FM nyradioguide com Call Letters Assigned Broadcasting Telecasting November 28 1955 pg 103 WPIX Buys Radio Station The New York Times December 10 1963 pg 87 Dena Kleiman July 12 1975 The Hustle Restores New Touch To Old Dancing The New York Times Retrieved July 30 2020 Rose Frank February 4 1980 Is Real Rock Radio Normal New York New York Media LLC p 64 ISSN 0028 7369 via Google Books John Rockwell March 21 1980 The Pop Life The New York Times Retrieved July 30 2020 Carly Simon 1984 WPIX Radio Station Commercial via YouTube WPIX FM 102 Commercial Sheena Easton 1984 Archived from the original on December 13 2021 via YouTube Kevin Goldman August 15 1986 Radio Format Changes Signal a Hot Contest Newsday Melville NY Ken Harper thewizthemusical com Paul D Colford August 9 1988 WPIX New Format New Letters Newsday Melville NY CD 101 9 Jazz Radio Commercial NYC Area 1988 via YouTube 8th Annual A I R Awards Winners NYMRAD org Archived from the original on February 9 2006 Retrieved July 4 2021 Hinckley David February 6 2008 WQCD plays taps for jazz amp is reborn as rock WRXP Daily News New York NY Retrieved February 19 2008 Hinckley David May 19 2008 New WRXP jock got an early start Daily News New York NY Hinckley David June 21 2011 Rock could sink at WRXP with sale of station to new media group Daily News New York NY The End Of WRXP 101 9 New York 14 and 15 July 2011 via YouTube Hinckley David July 20 2011 WRXP still in standstill over future of station Merlin Media aims to change rock hits to news talk Daily News New York Retrieved July 20 2011 Merlin Formally Launches FM News 101 9 In New York from FMQB August 15 2011 Rock Radio Station in New York Shifts to FM News Format from The New York Times August 14 2011 Merlin Media COO Walter Sabo defends WEMP 101 9 FM s news coverage claims good balance from Daily News New York August 17 2011 First Listen WEMP 101 9 News New York from Radio Info August 15 2011 WEMP 101 9 Debuts News Format Struggles to Find Sound from FishbowlNY posted August 16 2011 News entrant WEMP radio struggling to get an audience continues to tweak format from Daily News New York October 31 2011 Fresh Listen WEMP FM News 101 9 New York from Radio Info January 23 2012 Merlin Media is running TV ads in New York from Radio Info January 12 2012 Radio legal battle brews 22 minutes tagline from Daily News New York January 19 2012 WEMP will drop lines associated with WINS but wants WINS to kill one of its own slogans from Daily News New York January 23 2012 Barmash Jerry January 25 2012 Christmas Music Means Another Ratings Win for WLTW FishbowlNY Retrieved January 31 2012 Barmash Jerry July 13 2011 WLTW Keeps Number One WCBS FM Returns to Number Two FishbowlNY Retrieved January 31 2012 Breaking End of Line for Merlin s WEMP as FM News from FishbowlNY posted July 16 2012 a b FM News 101 1 Ends Flips To Adult Hits I101 from Chicagoland Radio amp Media July 17 2012 a b New Rock 101 9 Debuts from FormatChange com posted July 17 2012 a b Merlin Flips FM News In Chicago amp New York from Radio Insight July 17 2012 Merlin Brings Alternative Back To New York Adult Hits To Chicago All Access Merlin Media Looks to Regain its Prior Identity at 101 9 from FishbowlNY July 19 2012 WRXP call letters to return to New York City on Merlin run 101 9 from Radio Info com July 18 2012 a b WRXP Officially Back at 101 9 from FishbowlNY July 25 2012 Source Radio Insight on Twitter posted 7 25 2012 Outpouring of support for Don Wade overwhelming from Time Out Chicago September 25 2012 Merlin Sells WRXP New York To CBS WFAN To FM All Access October 8 2012 Retrieved October 8 2012 Source RadioDiscussions com posted November 1 2012 WFAN to Begin FM Simulcast Friday from Media Bistro October 29 2012 CBS Radio Completes Purchase Of 101 9 WFAN FM from CBSNewYork com December 10 2012 Merlin Sells WRXP New York To CBS Radio Will Flip To WFAN Simulcast from FMQB October 8 2012 WFAN Finds Another Home on the FM Dial from The New York Times October 8 2012 CBS Radio To Merge With Entercom RadioInsight February 2 2017 Entercom Receives FCC Approval for Merger with CBS Radio Entercom November 9 2017 Retrieved November 17 2017 Venta Lance November 17 2017 Entercom Completes CBS Radio Merger Radio Insight Retrieved November 17 2017 External links editOfficial website WFAN in the FCC FM station database WFAN in Nielsen Audio s FM station database FCC History Cards for WFAN FM Covering 1940 1981 as W55NY WFGG WGHF WBFM WPIX FM Format Changes edit CD101 9 to New York Chill CD101 9 to 101 9 RXP 101 9 RXP Signs Off 101 9 RXP to 101 9 FM New Stunt Format Later 101 9 FM News FM News 101 9 to 101 9 New Rock 101 9 New Rock to WFAN FM Retrieved from https en wikipedia org w index php title WFAN FM amp oldid 1221076295, wikipedia, wiki, book, books, library,

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