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Arthur Danto

March 15, 2024

"Danto" redirects here. For the Polish singer, see Louis Danto.

Arthur Coleman Danto (January 1, 1924 – October 25, 2013) was an American art critic, philosopher, and professor at Columbia University. He was best known for having been a long-time art critic for The Nation and for his work in philosophical aesthetics and philosophy of history, though he contributed significantly to a number of fields, including the philosophy of action. His interests included thought, feeling, philosophy of art, theories of representation, philosophical psychology, Hegel's aesthetics, and the philosophers Friedrich Nietzsche and Jean-Paul Sartre.

Arthur Coleman Danto
Danto, 2012
Born(1924-01-01)January 1, 1924
Ann Arbor, Michigan, U.S.
DiedOctober 25, 2013(2013-10-25) (aged 89)
New York City, U.S.
Alma materWayne State University
Columbia University
Era20th-century philosophy
RegionWestern philosophy
SchoolAnalytic
Main interests
Philosophy of art
Philosophy of history
Philosophy of action
Notable ideas
Narrative sentences
Basic actions
End of Art
Post-historical Art
Indiscernibles

Life and career edit

Danto was born in Ann Arbor, Michigan, January 1, 1924, and grew up in Detroit.[1] He was raised in a Reform Jewish home.[2] After spending two years in the Army, Danto studied art and history at Wayne University (now Wayne State University). While an undergraduate he intended to become an artist, and began making prints in the Expressionist style in 1947 (these are now great rarities). He then pursued graduate study in philosophy at Columbia University.[1] From 1949 to 1950, Danto studied in Paris on a Fulbright scholarship under Jean Wahl,[3] and in 1951 returned to teach at Columbia.[1]

Upon retirement in 1992 he was named Johnsonian Professor Emeritus of Philosophy.[1] He was twice awarded fellowships from the Guggenheim Foundation and was a member of the American Academy of Arts and Sciences, elected in 1980. He was one of the signers of the Humanist Manifesto.[4] Danto died on October 25, 2013, aged 89 in Manhattan, New York City.[1]

Philosophical work edit

Arthur Danto argued that "a problem is not a philosophical problem unless it is possible to imagine that its solution will consist in showing how appearance has been taken for reality."[5] While science deals with empirical problems, philosophy according to Danto examines indiscernible differences that lie outside of experience.[6] Noel Carroll, writing as an art critic, has criticized Danto's anthropology stating that Danto "believe[d] that persons are essentially systems of representation."[7]

"Artworld" and the definition of art edit

Danto laid the groundwork for an institutional definition of art[8] that sought to answer the questions raised by the emerging phenomenon of twentieth-century art. The definition of the term “art” is a subject of constant contention and many books and journal articles have been published arguing over the answer to the question "What is Art?" In terms of classificatory disputes about art, Danto takes a conventional approach. Non-conventional definitions take a concept like the aesthetic as an intrinsic characteristic in order to account for the phenomena of art. Conventional definitions reject this connection to aesthetic, formal, or expressive properties as essential to defining art but rather, in either an institutional or historical sense, say that “art” is basically a sociological category. Danto's "institutional definition of art" defines art as whatever art schools, museums, and artists consider art, regardless of further formal definition. Danto wrote on this subject in several of his works and a detailed treatment is to be found in Transfiguration of the Commonplace.[9][10]

Danto stated, “A work of art is a meaning given embodiment.” Danto further stated, also in Veery journal, “Criticism, other than of content, is really of the mode of embodiment.” [11]

The 1964 essay "The Artworld" in which Danto coined the term “artworld” (as opposed to the existing "art world", though they mean the same), by which he meant cultural context or “an atmosphere of art theory”,[12] first appeared in The Journal of Philosophy and has since been widely reprinted. It has had considerable influence on aesthetic philosophy and, according to professor of philosophy Stephen David Ross, "especially upon George Dickie's institutional theory of art. Dickie defined an art work as an artifact 'which has had conferred upon it the status of candidate for appreciation by some person or persons acting in behalf of a certain social institution (the artworld)' (p. 43.)"[13]

According to the Stanford Encyclopedia of Philosophy, "Danto's definition has been glossed as follows: something is a work of art if and only if (i) it has a subject (ii) about which it projects some attitude or point of view (has a style) (iii) by means of rhetorical ellipsis (usually metaphorical) which ellipsis engages audience participation in filling in what is missing, and (iv) where the work in question and the interpretations thereof require an art historical context (Danto with Noël Carroll). Clause (iv) is what makes the definition institutionalist. The view has been criticized for entailing that art criticism written in a highly rhetorical style is art, lacking but requiring an independent account of what makes a context art historical, and for not applying to music."[12]

After about 2005, Danto attempted to streamline his definition of art down to two principles: (i) art must have content or meaning and (ii) the art must embody that meaning in some appropriate manner.[14]

The philosophical disenfranchisement of art edit

Danto's Hegelian position on the history of art and its reception was emphasized in his 1984 plenary address to the World Congress of Aesthetics held in Montreal in that year, and later published as the opening chapter in his book The Philosophical Disenfranchisement of Art.[15] In the essay, Danto takes a contrary position to that of Plato who emphasized that art and artistic endeavors occupied an inferior position of importance among the endeavors of philosophers. Danto summarizes this ancient position of the Socratics with the phrase that "art is dangerous" on page four of the essay, which he then criticizes in the remainder of the essay.[16]

The Hegelian end of art edit

The basic meaning of the term "art" has changed several times over the centuries and continued to evolve during the 20th century as well. Danto describes the history of Art in his own contemporary version of Hegel's dialectical history of art. "Danto is not claiming that no-one is making art anymore; nor is he claiming that no good art is being made any more. But he thinks that a certain history of western art has come to an end, in about the way that Hegel suggested it would."[17] The "end of art" refers to the beginning of our modern era of art in which art no longer adheres to the constraints of imitation theory but serves a new purpose. Art began with an "era of imitation, followed by an era of ideology, followed by our post-historical era in which, with qualification, anything goes... In our narrative, at first only mimesis [imitation] was art, then several things were art but each tried to extinguish its competitors, and then, finally, it became apparent that there were no stylistic or philosophical constraints. There is no special way works of art have to be. And that is the present and, I should say, the final moment in the master narrative. It is the end of the story."[18]

Art criticism edit

Arthur Danto was an art critic for The Nation from 1984 to 2009, and also published numerous articles in other journals. In addition, he was an editor of The Journal of Philosophy and a contributing editor of the Naked Punch Review and Artforum. In art criticism, he published several collected essays, including Encounters and Reflections: Art in the Historical Present (Farrar, Straus & Giroux, 1990), which won the National Book Critics Circle Prize for Criticism in 1990; Beyond the Brillo Box: The Visual Arts in Post-Historical Perspective (Farrar, Straus & Giroux, 1992); Playing With the Edge: The Photographic Achievement of Robert Mapplethorpe (University of California, 1995); The Madonna of the Future: Essays in a Pluralistic Art World (Farrar, Straus & Giroux, 2000); and Unnatural Wonders: Essays from the Gap Between Art and Life (Columbia University Press, 2007).

In 1996, he received the Frank Jewett Mather Award for art criticism from the College Art Association.[19] Danto artist friend Sean Scully, to honor his long-term friendship with Danto, published the book Danto on Scully, bringing together the series of five essays Danto had written on the artist over the previous 20 years after Danto's death in 2013.[20]

Publications edit

Books edit

Essay collections edit

Articles, book chapters and other works edit

Notes edit

  1. ^ a b c d e Johnson, Ken (October 27, 2013). "Arthur C. Danto, a Philosopher of Art, Is Dead at 89". The New York Times. Retrieved October 28, 2013.
  2. ^ Italie, Hillel (October 28, 2013). "Groundbreaking art critic Arthur Danto dies at 89". The Times of Israel. Retrieved August 6, 2017.
  3. ^ Arthur Danto - Interviewed by Zoe Sutherland 2018-09-29 at the Wayback Machine. Naked Punch, 10 July 2010
  4. ^ . American Humanist Association. Archived from the original on October 20, 2012. Retrieved October 7, 2012.
  5. ^ Arthur Danto, Connections to the World: The Basic Concepts of Philosophy (New York: Harper and Row, 1989), p.6.
  6. ^ Noel Carroll, "Danto's Comic Vision: Philosophical Method and Literary Style," Philosophy and Literature 39.2 (October 2015), p. 556.
  7. ^ Noel Carroll, "Danto's Comic Vision: Philosophical Method and Literary Style," Philosophy and Literature 39.2 (October 2015), p. 563 n. 8.
  8. ^ This theory has been described as an "influential theory about the nature of art", according to Philosophy Now, November 2013
  9. ^ Danto, Arthur (1981). The transfiguration of the commonplace: a philosophy of art. Harvard University Press. ISBN 978-0-674-90346-3.
  10. ^ Maes, Hans R.V. and Puolakka, Kalle (2012) "Arthur Danto: The Transfiguration of the Commonplace," [Preprint, final version in:] 50 Key Texts in Art History. Routledge. ISBN 9780415497701
  11. ^ "Philosopher Art Critic Arthur C. Danto". VEERY JOURNAL. Retrieved September 24, 2020.
  12. ^ a b Adajian, Thomas. "The Definition of Art", The Stanford Encyclopedia of Philosophy, London, Oct 23, 2007.
  13. ^ Ross, Stephen David (1984). Art and its Significance. SUNY Press. p. 469. ISBN 0-87395-764-4. Note: Ross also refers to Dickie's book Art and the Aesthetic (Cornell University Press, 1974).
  14. ^ Danto, Arthur (2014). Remarks on Art and Philosophy. New York: Acadia Summer Arts Program ASAP available through D.A.P./Distributed Art Publishers. pp. 113–114. ISBN 978-0-9797642-6-4.
  15. ^ The Philosophical Disenfranchisement of Art. By Arthur Danto. Columbia Univ Press. 1986. Page 1.
  16. ^ The Philosophical Disenfranchisement of Art. By Arthur Danto. Columbia Univ Press. 1986. Page 4.
  17. ^ Cloweny, David W. (December 21, 2009). . Rowan university. Archived from the original on December 27, 2009. Retrieved December 21, 2009.
  18. ^ Danto, Arthur Coleman (1998). After the end of art: contemporary art and the pale of history. Princeton University Press. p. 47. ISBN 0-691-00299-1. As quoted by Professor David W. Cloweny on his website. [1] 2009-12-27 at the Wayback Machine
  19. ^ "Awards". The College Art Association. Retrieved October 11, 2010.
  20. ^ Danto, Arthur C. (2015). Danto on Scully. Dap-distributed Art. ISBN 978-3-7757-3963-4.
  21. ^ Hoving, Thomas (July 11, 2004). . The New York Times. ISSN 0362-4331. Archived from the original on May 28, 2015. Retrieved March 11, 2022.
  22. ^ from: Danto, Arthur, Juli Cho Bailer "Karen LaMonte: Absence Adorned." Tacoma, WA: Museum of Glass, International Center for Contemporary Art, (2005)

Further reading edit

  • A Companion to Arthur Danto, Lydia Goehr, Jonathan Gilmore (eds.) Wiley, 2022
  • Arthur Danto's Philosophy of Art, by Noël Carroll, Brill, 2021
  • Arthur Danto and the End of Art'', by Raquel Cascales, Cambridge Scholars Publishing, 2019
  • The Philosophy of Arthur C. Danto, Randall E. Auxier, Lewis Edwin Hahn (eds.) Open Court Publishing, 2011
  • Action, Art, History: Engagements with Arthur C. Danto: A collection of essays edited by Daniel Herwitz and Michael Kelly, including contributions by Frank Ankersmit, Hans Belting, Stanley Cavell, Donald Davidson, Lydia Goehr, Gregg Horowitz, Philip Kitcher, Daniel Immerwahr, Daniel Herwitz and Michael Kelly and replies by Danto himself.
  • Danto and his Critics (1993). A collection of essays including contributions by David Carrier, Richard Wollheim, Jerry Fodor, and George Dickie.
  • Danto and His Critics: Art History, Historiography and After the End of Art. An issue of History and Theory Journal where philosophers David Carrier, Frank Ankersmit, Noël Carroll, Michael Kelly, Brigitte Hilmer, Robert Kudielka, Martin Seeland and Jacob Steinbrenner address his work; includes a final reply by the author.
  • Tiziana Andina, Arthur Danto: Philosopher of Pop, Cambridge Scholars Publishing, 2011
  • D. Seiple, "Arthur C. Danto," in Philip B. Dematteis, ed., Dictionary of Literary Biography 273 (2003), 39-48 [author postprint]
  • D. Seiple, "Creativity and Spirit in the Work of Arthur Danto" (at academia.edu)
  • D. Seiple, "The Spirit of Arthur Danto," in Randall E. Auxier and Lewis Edwin Hahn, ed., The Philosophy of Arthur C. Danto, The Library of Living Philosophers XXXIII, 671-700 (2013) ISBN 978-0812697322 [author postprint]

External links edit

 
Wikiquote has quotations related to Arthur Danto.

March 15, 2024
arthur, danto, danto, redirects, here, polish, singer, louis, danto, arthur, coleman, danto, january, 1924, october, 2013, american, critic, philosopher, professor, columbia, university, best, known, having, been, long, time, critic, nation, work, philosophica. Danto redirects here For the Polish singer see Louis Danto Arthur Coleman Danto January 1 1924 October 25 2013 was an American art critic philosopher and professor at Columbia University He was best known for having been a long time art critic for The Nation and for his work in philosophical aesthetics and philosophy of history though he contributed significantly to a number of fields including the philosophy of action His interests included thought feeling philosophy of art theories of representation philosophical psychology Hegel s aesthetics and the philosophers Friedrich Nietzsche and Jean Paul Sartre Arthur Coleman DantoDanto 2012Born 1924 01 01 January 1 1924Ann Arbor Michigan U S DiedOctober 25 2013 2013 10 25 aged 89 New York City U S Alma materWayne State UniversityColumbia UniversityEra20th century philosophyRegionWestern philosophySchoolAnalyticMain interestsPhilosophy of artPhilosophy of historyPhilosophy of actionNotable ideasNarrative sentencesBasic actionsEnd of ArtPost historical ArtIndiscernibles Contents 1 Life and career 2 Philosophical work 2 1 Artworld and the definition of art 2 2 The philosophical disenfranchisement of art 2 3 The Hegelian end of art 3 Art criticism 4 Publications 4 1 Books 4 1 1 Essay collections 4 2 Articles book chapters and other works 5 Notes 6 Further reading 7 External linksLife and career editDanto was born in Ann Arbor Michigan January 1 1924 and grew up in Detroit 1 He was raised in a Reform Jewish home 2 After spending two years in the Army Danto studied art and history at Wayne University now Wayne State University While an undergraduate he intended to become an artist and began making prints in the Expressionist style in 1947 these are now great rarities He then pursued graduate study in philosophy at Columbia University 1 From 1949 to 1950 Danto studied in Paris on a Fulbright scholarship under Jean Wahl 3 and in 1951 returned to teach at Columbia 1 Upon retirement in 1992 he was named Johnsonian Professor Emeritus of Philosophy 1 He was twice awarded fellowships from the Guggenheim Foundation and was a member of the American Academy of Arts and Sciences elected in 1980 He was one of the signers of the Humanist Manifesto 4 Danto died on October 25 2013 aged 89 in Manhattan New York City 1 Philosophical work editArthur Danto argued that a problem is not a philosophical problem unless it is possible to imagine that its solution will consist in showing how appearance has been taken for reality 5 While science deals with empirical problems philosophy according to Danto examines indiscernible differences that lie outside of experience 6 Noel Carroll writing as an art critic has criticized Danto s anthropology stating that Danto believe d that persons are essentially systems of representation 7 Artworld and the definition of art edit Danto laid the groundwork for an institutional definition of art 8 that sought to answer the questions raised by the emerging phenomenon of twentieth century art The definition of the term art is a subject of constant contention and many books and journal articles have been published arguing over the answer to the question What is Art In terms of classificatory disputes about art Danto takes a conventional approach Non conventional definitions take a concept like the aesthetic as an intrinsic characteristic in order to account for the phenomena of art Conventional definitions reject this connection to aesthetic formal or expressive properties as essential to defining art but rather in either an institutional or historical sense say that art is basically a sociological category Danto s institutional definition of art defines art as whatever art schools museums and artists consider art regardless of further formal definition Danto wrote on this subject in several of his works and a detailed treatment is to be found in Transfiguration of the Commonplace 9 10 Danto stated A work of art is a meaning given embodiment Danto further stated also in Veery journal Criticism other than of content is really of the mode of embodiment 11 The 1964 essay The Artworld in which Danto coined the term artworld as opposed to the existing art world though they mean the same by which he meant cultural context or an atmosphere of art theory 12 first appeared in The Journal of Philosophy and has since been widely reprinted It has had considerable influence on aesthetic philosophy and according to professor of philosophy Stephen David Ross especially upon George Dickie s institutional theory of art Dickie defined an art work as an artifact which has had conferred upon it the status of candidate for appreciation by some person or persons acting in behalf of a certain social institution the artworld p 43 13 According to the Stanford Encyclopedia of Philosophy Danto s definition has been glossed as follows something is a work of art if and only if i it has a subject ii about which it projects some attitude or point of view has a style iii by means of rhetorical ellipsis usually metaphorical which ellipsis engages audience participation in filling in what is missing and iv where the work in question and the interpretations thereof require an art historical context Danto with Noel Carroll Clause iv is what makes the definition institutionalist The view has been criticized for entailing that art criticism written in a highly rhetorical style is art lacking but requiring an independent account of what makes a context art historical and for not applying to music 12 After about 2005 Danto attempted to streamline his definition of art down to two principles i art must have content or meaning and ii the art must embody that meaning in some appropriate manner 14 The philosophical disenfranchisement of art edit Danto s Hegelian position on the history of art and its reception was emphasized in his 1984 plenary address to the World Congress of Aesthetics held in Montreal in that year and later published as the opening chapter in his book The Philosophical Disenfranchisement of Art 15 In the essay Danto takes a contrary position to that of Plato who emphasized that art and artistic endeavors occupied an inferior position of importance among the endeavors of philosophers Danto summarizes this ancient position of the Socratics with the phrase that art is dangerous on page four of the essay which he then criticizes in the remainder of the essay 16 The Hegelian end of art edit The basic meaning of the term art has changed several times over the centuries and continued to evolve during the 20th century as well Danto describes the history of Art in his own contemporary version of Hegel s dialectical history of art Danto is not claiming that no one is making art anymore nor is he claiming that no good art is being made any more But he thinks that a certain history of western art has come to an end in about the way that Hegel suggested it would 17 The end of art refers to the beginning of our modern era of art in which art no longer adheres to the constraints of imitation theory but serves a new purpose Art began with an era of imitation followed by an era of ideology followed by our post historical era in which with qualification anything goes In our narrative at first only mimesis imitation was art then several things were art but each tried to extinguish its competitors and then finally it became apparent that there were no stylistic or philosophical constraints There is no special way works of art have to be And that is the present and I should say the final moment in the master narrative It is the end of the story 18 Art criticism editArthur Danto was an art critic for The Nation from 1984 to 2009 and also published numerous articles in other journals In addition he was an editor of The Journal of Philosophy and a contributing editor of the Naked Punch Review and Artforum In art criticism he published several collected essays including Encounters and Reflections Art in the Historical Present Farrar Straus amp Giroux 1990 which won the National Book Critics Circle Prize for Criticism in 1990 Beyond the Brillo Box The Visual Arts in Post Historical Perspective Farrar Straus amp Giroux 1992 Playing With the Edge The Photographic Achievement of Robert Mapplethorpe University of California 1995 The Madonna of the Future Essays in a Pluralistic Art World Farrar Straus amp Giroux 2000 and Unnatural Wonders Essays from the Gap Between Art and Life Columbia University Press 2007 In 1996 he received the Frank Jewett Mather Award for art criticism from the College Art Association 19 Danto artist friend Sean Scully to honor his long term friendship with Danto published the book Danto on Scully bringing together the series of five essays Danto had written on the artist over the previous 20 years after Danto s death in 2013 20 Publications editBooks edit Nietzsche as Philosopher 1965 Analytical Philosophy of History 1965 What Philosophy Is 1968 Analytical Philosophy of Knowledge 1968 republished within additional material as Narration and Knowledge 1985 Mysticism and Morality Oriental Thought and Moral Philosophy 1969 Analytical Philosophy of Action 1973 Jean Paul Sartre 1975 second edition Sartre 1991 The Transfiguration of the Commonplace 1981 The Philosophical Disenfranchisement of Art 1986 Connections to the World The Basic Concepts of Philosophy 1989 with new preface 1997 Encounters and Reflections Art in the Historical Present 1990 Beyond the Brillo Box The Visual Arts in Post Historical Perspective 1992 After the End of Art 1997 The Abuse of Beauty 2003 Andy Warhol 2009 What Art Is 2013 Remarks on Art and Philosophy 2014 Art and Posthistory Conversations on the End of Aesthetics written with Demetrio Paparoni 2022 Essay collections edit The State of the Art 1987 Encounters and Reflections Art in the Historical Present 1990 Embodied Meanings Critical Essays and Aesthetic Meditations 1994 The Wake of Art Criticism Philosophy and the Ends of Taste 1998 Philosophizing Art Selected Essays 1999 The Body Body Problem Selected Essays 1999 The Madonna of the Future Essays in a Pluralistic Art World 2000 Unnatural Wonders Essays from the Gap Between Art and Life 2007 Articles book chapters and other works edit The Artworld 1964 Journal of Philosophy LXI 571 584 Introduction to Playing With the Edge The Photographic Achievement of Robert Mapplethorpe 1995 Hegel s End of Art Thesis 1999 preprint of article in Wellbery David E ed A New History of German Literature 2004 The world as ruckus Red Grooms and the spirit of Comedy in Red Grooms 2004 21 The Poetry of Meaning and Loss The Glass Dresses of Karen LaMonte 2005 22 with Robert Fleck and Beate Sontgen Peter Fischli David Weiss a survey of their oeuvre 2005 Weaving as Metaphor in Sheila Hicks Weaving as Metaphor 2006 Architectural Principles in the Art of Sean Scully Border Crossings August 2007 103 2007 Notes edit a b c d e Johnson Ken October 27 2013 Arthur C Danto a Philosopher of Art Is Dead at 89 The New York Times Retrieved October 28 2013 Italie Hillel October 28 2013 Groundbreaking art critic Arthur Danto dies at 89 The Times of Israel Retrieved August 6 2017 Arthur Danto Interviewed by Zoe Sutherland Archived 2018 09 29 at the Wayback Machine Naked Punch 10 July 2010 Humanist Manifesto II American Humanist Association Archived from the original on October 20 2012 Retrieved October 7 2012 Arthur Danto Connections to the World The Basic Concepts of Philosophy New York Harper and Row 1989 p 6 Noel Carroll Danto s Comic Vision Philosophical Method and Literary Style Philosophy and Literature 39 2 October 2015 p 556 Noel Carroll Danto s Comic Vision Philosophical Method and Literary Style Philosophy and Literature 39 2 October 2015 p 563 n 8 This theory has been described as an influential theory about the nature of art according to Philosophy Now November 2013 Danto Arthur 1981 The transfiguration of the commonplace a philosophy of art Harvard University Press ISBN 978 0 674 90346 3 Maes Hans R V and Puolakka Kalle 2012 Arthur Danto The Transfiguration of the Commonplace Preprint final version in 50 Key Texts in Art History Routledge ISBN 9780415497701 Philosopher Art Critic Arthur C Danto VEERY JOURNAL Retrieved September 24 2020 a b Adajian Thomas The Definition of Art The Stanford Encyclopedia of Philosophy London Oct 23 2007 Ross Stephen David 1984 Art and its Significance SUNY Press p 469 ISBN 0 87395 764 4 Note Ross also refers to Dickie s book Art and the Aesthetic Cornell University Press 1974 Danto Arthur 2014 Remarks on Art and Philosophy New York Acadia Summer Arts Program ASAP available through D A P Distributed Art Publishers pp 113 114 ISBN 978 0 9797642 6 4 The Philosophical Disenfranchisement of Art By Arthur Danto Columbia Univ Press 1986 Page 1 The Philosophical Disenfranchisement of Art By Arthur Danto Columbia Univ Press 1986 Page 4 Cloweny David W December 21 2009 Arthur Danto Rowan university Archived from the original on December 27 2009 Retrieved December 21 2009 Danto Arthur Coleman 1998 After the end of art contemporary art and the pale of history Princeton University Press p 47 ISBN 0 691 00299 1 As quoted by Professor David W Cloweny on his website 1 Archived 2009 12 27 at the Wayback Machine Awards The College Art Association Retrieved October 11 2010 Danto Arthur C 2015 Danto on Scully Dap distributed Art ISBN 978 3 7757 3963 4 Hoving Thomas July 11 2004 The Man Who Makes a Ruckus of New York The New York Times ISSN 0362 4331 Archived from the original on May 28 2015 Retrieved March 11 2022 from Danto Arthur Juli Cho Bailer Karen LaMonte Absence Adorned Tacoma WA Museum of Glass International Center for Contemporary Art 2005 Further reading editA Companion to Arthur Danto Lydia Goehr Jonathan Gilmore eds Wiley 2022 Arthur Danto s Philosophy of Art by Noel Carroll Brill 2021 Arthur Danto and the End of Art by Raquel Cascales Cambridge Scholars Publishing 2019 The Philosophy of Arthur C Danto Randall E Auxier Lewis Edwin Hahn eds Open Court Publishing 2011 Action Art History Engagements with Arthur C Danto A collection of essays edited by Daniel Herwitz and Michael Kelly including contributions by Frank Ankersmit Hans Belting Stanley Cavell Donald Davidson Lydia Goehr Gregg Horowitz Philip Kitcher Daniel Immerwahr Daniel Herwitz and Michael Kelly and replies by Danto himself Danto and his Critics 1993 A collection of essays including contributions by David Carrier Richard Wollheim Jerry Fodor and George Dickie Danto and His Critics Art History Historiography and After the End of Art An issue of History and Theory Journal where philosophers David Carrier Frank Ankersmit Noel Carroll Michael Kelly Brigitte Hilmer Robert Kudielka Martin Seeland and Jacob Steinbrenner address his work includes a final reply by the author Tiziana Andina Arthur Danto Philosopher of Pop Cambridge Scholars Publishing 2011 D Seiple Arthur C Danto in Philip B Dematteis ed Dictionary of Literary Biography 273 2003 39 48 author postprint D Seiple Creativity and Spirit in the Work of Arthur Danto at academia edu D Seiple The Spirit of Arthur Danto in Randall E Auxier and Lewis Edwin Hahn ed The Philosophy of Arthur C Danto The Library of Living Philosophers XXXIII 671 700 2013 ISBN 978 0812697322 author postprint External links edit nbsp Wikiquote has quotations related to Arthur Danto Is it art an interview with Alan Saunders of ABC Radio National 03 2006 Biography Arthur C Danto s Biography on Columbia University Website Archived by Wayback Machine Arthur Danto obituary The Daily Telegraph Archived by Wayback Machine Obituary in November December 2013 edition of Philosophy Now magazine Danto on Art The Partially Examined Life Episode 16 podcast by interpreters without Danto participating Arthur Danto at IMDb Retrieved from https en wikipedia org w index php title Arthur Danto amp oldid 1212603374, wikipedia, wiki, book, books, library,

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