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Artforum

April 21, 2023

For the nonprofit organization, see Artforum Culture Foundation.

Artforum is an international monthly magazine specializing in contemporary art. The magazine is distinguished from other magazines by its unique 10½ x 10½ inch square format, with each cover often devoted to the work of an artist. Notably, the Artforum logo is a bold and condensed iteration of the Akzidenz-Grotesk font, a feat for an American publication to have considering how challenging it was to obtain fonts favored by the Swiss school via local European foundries in the 1960s.[1]

Artforum
May 2019 cover
EditorDavid Velasco
Former editorsTim Griffin, Michelle Kuo, Ingrid Sischy, Jack Bankowsky
Categoriesart magazine
FrequencyMonthly
FounderJohn P. Irwin, Jr.
Founded1962
CompanyArtforum Inc.
CountryUSA
Based inNew York City
LanguageEnglish
Websitewww.artforum.com
ISSN0004-3532

John P. Irwin, Jr named the magazine after the ancient Roman word forum hoping to capture the similarity of the Roman marketplace to the art world's lively engagement with public debate and commercial exchange. The magazine features in-depth articles and reviews of contemporary art, as well as book reviews, columns on cinema and popular culture, personal essays, commissioned artworks and essays, and numerous full-page advertisements from prominent galleries around the world.[2]

History

Artforum was founded in San Francisco in 1962 by John P. Irwin, Jr. Irwin was a salesman for Pisani Printing Company and would make frequent stops to the galleries around Brannan Street and the Financial District for deliveries. Gallerists and artists, like Philip Leider, suggested to Irwin that he should start a local arts publication that catered to the West Coast arts scene since they were tired of reading about the same New York-based artists in Art in America, Arts Magazine, or Art News. Through the backing of Pisani Printing Company, Irwin successfully launched the magazine in a small office off of Howard Street. The first issue featured a cover with a work by the kinetic sculpture by Swiss painter Jean Tinguely suggesting the inchoate and indistinct identity of the fledgling publication. “That center section will contain a lot of divergent and contradictory opinion[s],” reads an editorial note in the first issue.[3]

The next publisher/owner Charles Cowles moved the magazine to Los Angeles in 1965 before finally settling it in New York City in 1967, where it maintains offices today.[4] The move to New York also encompassed a shift in the style of work championed by the magazine, moving away from California style art to late modernism, then the leading style of art in New York City. One of Leider's final essays for the magazine, “How I Spent My Summer Vacation, or, Art and Politics in Nevada, Berkeley, San Francisco and Utah," is a reflective first-person account of a cross-country road trip visiting earthworks, such as Michael Heizer’s Double Negative (1969) and Robert Smithson’s Spiral Jetty (1970). The essay grapples with the relationship between politics and art.[5]

The departure of Philip Leider as editor-in-chief in 1971 and the tenure of John Coplans as the new editor-in-chief roughly coincided with a shift towards more fashionable trends and away from late modernism. A focus on minimal art, conceptual art, body art, land art and performance art provided a platform for artists such as Robert Smithson, Donald Judd, Sol LeWitt and others. In 1980, after opening his own gallery in New York City, Charles Cowles divested himself of the magazine. A sister magazine, Bookforum, was started in 1994.

In 2003, the Columbia-Bard graduate Tim Griffin became the editor-in-chief of the magazine. He sought to bring back a serious-tone and invited academics and cultural theorists who were mostly suspicious of art and the market. The writers were mostly European male theorists like Slavoj Zizek, Giorgio Agamben, Alain Badiou, Toni Negri, and Jacques Rancière.[6] The magazine shed light on a new emergence of digital neo-appropriation artists such as Wade Guyton, Seth Price, and Kelley Walker and eventually featured a cover by artist Danh Vō.[6]

Michelle Kuo, a PhD candidate at Harvard and respected critic, was announced as the editor-in-chief in 2010 after Tim Griffin resigned to pursue other work. The magazine followed a similar, sober tone of under its new leadership with roundtable discussions, book and exhibition reviews, and lively hyper-academic discourse.[7] In October 2017, publisher Knight Landesman resigned in the wake of allegations of sexual misconduct with nine women including a former employee who filed a lawsuit.[8][9][10][11] Artforum initially backed Landesman, saying the allegations were "unfounded" and suggested that lawsuit was “an attempt to exploit a relationship that she herself worked hard to create and maintain.”[12][13] The magazine's editor Michelle Kuo resigned at the end of the year in response to the publishers' handling of the allegations.[14] Kuo released a statement in Artnews noting, "We need to make the art world a more equitable, just, and safe place for women at all levels. And that can only be achieved when organizations and communities are bound by shared trust, honesty, and accountability."[15] Artforum staff released a statement condemning the way the publishers had handled the allegations.[10][16]

A new era of Artforum emerged under the leadership of David Velasco in January 2018. In his first issue, featuring a self-portrait by the born HIV-positive artist Kia LaBeija, Velasco wrote a poignant statement: “The art world is misogynist. Art history is misogynist. Also racist, classist, transphobic, ableist, homophobic. I will not accept this. Intersectional feminism is an ethics near and dear to so many on our staff. Our writers too. This is where we stand. There’s so much to be done. Now, we get to work.” Art critic Jerry Saltz immediately praised the new direction the magazine had taken, noting, "And just like that, an Artforum that needed to disappear was gone." The new editorial direction included writing and photographic essays by Molly Nesbit, philosopher and curator Paul B. Preciado, critic Johanna Fatemen, and artists such as Donald Moffet.[6]

Artist Nan Goldin published a harrowing text and photographic account of her addiction to the prescription pain-relief drug OxyContin in a 2018 piece that prompted the founding of P.A.I.N., a campaign to expose the role of Purdue Pharma and the Sackler family in the opioid epidemic in America.[17] This campaign coincided with Christopher Glazek's breaking report in Esquire[18] and several weeks later Patrick Radden Keefe's report in The New Yorker[19] on the Sacklers' "criminal misbranding." Both journalists reported that the drug that led doctors to believe Oxycontin was less addictive that had been reported. Goldin demanded in her essay that the Sacklers donate half of their fortune to drug rehabilitation clinics and programs.[20] Thessaly La Force of the New York Times Style Magazine wrote of the artist, "It is rare these days to see a lone artist like Goldin — especially one both critically and commercially successful, whose work is in dozens of important museum collections, including the Metropolitan Museum of Art and the Museum of Modern Art — step into the ring as an activist."[17]

In 2019, Hannah Black, Ciarán Finlayson, and Tobi Haslett published an essay in Artforum titled "The Tear Gas Biennial," decrying Warren Kanders, co-chair of the board of the Whitney Museum, and his "toxic philanthropy."[21] Although Kanders had donated an estimated $10 million to the museum, the source of his fortune comes from Safariland LLC, a company that manufactures riot gear, tear gas and other chemical weapons used by police and the military to enforce violent order.[22] Although the Geneva Convention in 1925 outlawed the use of tear gas in all international military conflict, the tear gas fired at peaceful protesters and civilians by the police and military during the George Floyd protests in 2020 as well as on migrants on the US-Mexico border is the same brand of tear gas manufactured by Defense Technology, a subsidy of Safariland.[23] A wave of artists from the Biennial, including Korakrit Arunanondchai, Meriem Bennani, Nicole Eisenman and Nicholas Galanin, demanded immediate removal of their work from the Biennial within hours after the essay was published.[24] After mounting pressure from artists, critics, and gallerists urging the public to boycott the show, Kanders stepped down from his leadership position at the museum.[25] The essay was instrumental in his resignation, and in the museum cutting ties with Kanders' financial endowments that were directly connected to the promotion and use of military weaponry and violence during peaceful social unrest.[26]

In December 2022, Artforum was acquired by Penske Media.[27]

On Artforum

  • A book by Amy Newman chronicling the early history of the magazine, Challenging Art: Artforum 1962–1974, was published by Soho Press in 2000.
  • Sarah Thornton's documentary book Seven Days in the Art World (2008) contains a chapter titled "The Magazine" which is set in the offices of Artforum. In it, Thornton says, "Artforum is to art what Vogue is to fashion and Rolling Stone was to rock and roll. It’s a trade magazine with crossover cachet and an institution with controversial clout."[28]

Notable contributors

Editors-in-chief

  • David Velasco (January 2018–)
  • Michelle Kuo (September 2010–December 2017)
  • Tim Griffin (September 2003–Summer 2010)[2]
  • Jack Bankowsky (September 1992–Summer 2003)
  • Ida Panicelli (March 1988–Summer 1992)
  • Ingrid Sischy (February 1980–February 1988)
  • Joseph Masheck (March 1977–January 1980)
  • In February 1977 Nancy Foote operated as the managing editor without a head editor
  • John Coplans (January 1972–January 1977)
  • Philip Leider (June 1962–December 1971)

(Philip Leider left the magazine at the end of the Summer 1971 issue, but remained on the masthead until December 1971)

References

  1. ^ "A radical history of Artforum - e-flux conversations". conversations.e-flux.com. Retrieved 2020-06-22.
  2. ^ a b Mandarino, Grant (March 7, 2010). "Taking stock of the "Griffin years" at Artforum". artnet.
  3. ^ Allen, Gwen. "Read about it in Artforum!". Art Practical. Retrieved 2020-06-22.
  4. ^ "Experiments in Print: A Survey of Los Angeles Artists' Magazines from 1955 to 1986". East of Borneo. Retrieved 2019-07-16.
  5. ^ Allen, Gwen. "Read about it in Artforum!". Art Practical. Retrieved 2020-06-23.
  6. ^ a b c Saltz, Jerry (2018-01-02). "Wherever the New Artforum Is Heading, I'm Along for the Ride". Vulture. Retrieved 2020-06-23.
  7. ^ "Artnet News: Michelle Kuo to be editor-in-chief at Artforum, "No Soul For Sale" at Tate Modern - artnet Magazine". www.artnet.com. Retrieved 2020-06-23.
  8. ^ "Artforum Publisher Knight Landesman Accused of Sexual Misconduct". artnet News. 2017-10-24. Retrieved 2017-11-27.
  9. ^ Feuer, Alan (2017-10-25). "Women Accuse Knight Landesman, Art World Mainstay, of Sexual Harassment". The New York Times. ISSN 0362-4331. Retrieved 2017-11-27.
  10. ^ a b Sayej, Nadja (2017-10-31). "'It's hurting everyone': the truth about sexual misconduct in the art world". The Guardian. ISSN 0261-3077. Retrieved 2017-11-27.
  11. ^ Christie Smythe and Katya Kazakina, "Artforum Publisher Quits After Sexual Harassment Complaint." Bloomberg News October 25, 2017. https://www.bloomberg.com/news/articles/2017-10-25/artforum-publisher-quits-after-sexual-harassment-complaint
  12. ^ "The Gray Market: What the Knight Landesman Scandal Tells Us About the Art World". artnet News. 2017-10-30. Retrieved 2017-11-27.
  13. ^ Greenberger, Alex (2017-10-24). "Artforum Responds to Reports of Sexual Misconduct by Publisher Knight Landesman". ARTnews. Retrieved 2017-11-27.
  14. ^ Russeth, Andrew (2017-10-26). "Artforum Editor-in-Chief Michelle Kuo on Why She Resigned". ARTnews. Retrieved 2017-11-27.
  15. ^ "Artforum Editor-in-Chief Michelle Kuo on Why She Resigned – ARTnews.com". www.artnews.com. Retrieved 2020-06-23.
  16. ^ "Artforum Staff Condemns Magazine's Management of Allegations". artforum.com. Retrieved 2017-11-27.
  17. ^ a b Force, Thessaly La (2018-06-11). "Nan Goldin Survived an Overdose to Fight the Opioid Epidemic". The New York Times. ISSN 0362-4331. Retrieved 2020-06-21.
  18. ^ "The Secretive Family Making Billions From the Opioid Crisis". Esquire. 2017-10-16. Retrieved 2023-02-12.
  19. ^ Radden Keefe, Patrick (2017-10-23). "The Family That Built an Empire of Pain". The New Yorker. Retrieved 2023-02-12.
  20. ^ "Nan Goldin". www.artforum.com. Retrieved 2020-06-21.
  21. ^ "How Protest Works Now: Understanding "The Tear Gas Biennial" and its Historic Effect". Momus. 2019-07-27. Retrieved 2020-06-21.
  22. ^ "Warren Kanders, Former Whitney Museum Vice Chair, Vows to Exit Tear Gas Trade". Hyperallergic. 2020-06-09. Retrieved 2020-06-21.
  23. ^ Sadeghi, McKenzie. "Fact check: It's true tear gas is a chemical weapon banned in war". USA TODAY. Retrieved 2020-06-21.
  24. ^ Moynihan, Colin (2019-07-19). "Eight Artists Withdraw From Whitney Biennial Over Board Member's Ties to Tear Gas". The New York Times. ISSN 0362-4331. Retrieved 2020-06-21.
  25. ^ "Warren Kanders Resigns From the Whitney Museum's Board, Following Months of Protest and a Renewed Artist Boycott". artnet News. 2019-07-25. Retrieved 2020-06-21.
  26. ^ "The Decisive Moment". Columbia Journalism Review. Retrieved 2020-06-22.
  27. ^ Cascone, Sarah (2022-12-07). "'Artforum' Has Been Acquired by Penske Media in a Major Shakeup for the Art-Publishing Industry". Artnet News. Retrieved 2022-12-08.
  28. ^ [1] Sarah Thornton, Seven Days in the Art World (2008)

Further reading

  • Saltz, Jerry (January 2, 2018). "Wherever the New Artforum Is Heading, I'm Along for the Ride". Vulture. Retrieved January 4, 2018.

External links

  • Artforum website

April 21, 2023
artforum, nonprofit, organization, culture, foundation, international, monthly, magazine, specializing, contemporary, magazine, distinguished, from, other, magazines, unique, inch, square, format, with, each, cover, often, devoted, work, artist, notably, logo,. For the nonprofit organization see Artforum Culture Foundation Artforum is an international monthly magazine specializing in contemporary art The magazine is distinguished from other magazines by its unique 10 x 10 inch square format with each cover often devoted to the work of an artist Notably the Artforum logo is a bold and condensed iteration of the Akzidenz Grotesk font a feat for an American publication to have considering how challenging it was to obtain fonts favored by the Swiss school via local European foundries in the 1960s 1 ArtforumMay 2019 coverEditorDavid VelascoFormer editorsTim Griffin Michelle Kuo Ingrid Sischy Jack BankowskyCategoriesart magazineFrequencyMonthlyFounderJohn P Irwin Jr Founded1962CompanyArtforum Inc CountryUSABased inNew York CityLanguageEnglishWebsitewww wbr artforum wbr comISSN0004 3532John P Irwin Jr named the magazine after the ancient Roman word forum hoping to capture the similarity of the Roman marketplace to the art world s lively engagement with public debate and commercial exchange The magazine features in depth articles and reviews of contemporary art as well as book reviews columns on cinema and popular culture personal essays commissioned artworks and essays and numerous full page advertisements from prominent galleries around the world 2 Contents 1 History 2 On Artforum 3 Notable contributors 4 Editors in chief 5 References 6 Further reading 7 External linksHistoryArtforum was founded in San Francisco in 1962 by John P Irwin Jr Irwin was a salesman for Pisani Printing Company and would make frequent stops to the galleries around Brannan Street and the Financial District for deliveries Gallerists and artists like Philip Leider suggested to Irwin that he should start a local arts publication that catered to the West Coast arts scene since they were tired of reading about the same New York based artists in Art in America Arts Magazine or Art News Through the backing of Pisani Printing Company Irwin successfully launched the magazine in a small office off of Howard Street The first issue featured a cover with a work by the kinetic sculpture by Swiss painter Jean Tinguely suggesting the inchoate and indistinct identity of the fledgling publication That center section will contain a lot of divergent and contradictory opinion s reads an editorial note in the first issue 3 The next publisher owner Charles Cowles moved the magazine to Los Angeles in 1965 before finally settling it in New York City in 1967 where it maintains offices today 4 The move to New York also encompassed a shift in the style of work championed by the magazine moving away from California style art to late modernism then the leading style of art in New York City One of Leider s final essays for the magazine How I Spent My Summer Vacation or Art and Politics in Nevada Berkeley San Francisco and Utah is a reflective first person account of a cross country road trip visiting earthworks such as Michael Heizer s Double Negative 1969 and Robert Smithson s Spiral Jetty 1970 The essay grapples with the relationship between politics and art 5 The departure of Philip Leider as editor in chief in 1971 and the tenure of John Coplans as the new editor in chief roughly coincided with a shift towards more fashionable trends and away from late modernism A focus on minimal art conceptual art body art land art and performance art provided a platform for artists such as Robert Smithson Donald Judd Sol LeWitt and others In 1980 after opening his own gallery in New York City Charles Cowles divested himself of the magazine A sister magazine Bookforum was started in 1994 In 2003 the Columbia Bard graduate Tim Griffin became the editor in chief of the magazine He sought to bring back a serious tone and invited academics and cultural theorists who were mostly suspicious of art and the market The writers were mostly European male theorists like Slavoj Zizek Giorgio Agamben Alain Badiou Toni Negri and Jacques Ranciere 6 The magazine shed light on a new emergence of digital neo appropriation artists such as Wade Guyton Seth Price and Kelley Walker and eventually featured a cover by artist Danh Vō 6 Michelle Kuo a PhD candidate at Harvard and respected critic was announced as the editor in chief in 2010 after Tim Griffin resigned to pursue other work The magazine followed a similar sober tone of under its new leadership with roundtable discussions book and exhibition reviews and lively hyper academic discourse 7 In October 2017 publisher Knight Landesman resigned in the wake of allegations of sexual misconduct with nine women including a former employee who filed a lawsuit 8 9 10 11 Artforum initially backed Landesman saying the allegations were unfounded and suggested that lawsuit was an attempt to exploit a relationship that she herself worked hard to create and maintain 12 13 The magazine s editor Michelle Kuo resigned at the end of the year in response to the publishers handling of the allegations 14 Kuo released a statement in Artnews noting We need to make the art world a more equitable just and safe place for women at all levels And that can only be achieved when organizations and communities are bound by shared trust honesty and accountability 15 Artforum staff released a statement condemning the way the publishers had handled the allegations 10 16 A new era of Artforum emerged under the leadership of David Velasco in January 2018 In his first issue featuring a self portrait by the born HIV positive artist Kia LaBeija Velasco wrote a poignant statement The art world is misogynist Art history is misogynist Also racist classist transphobic ableist homophobic I will not accept this Intersectional feminism is an ethics near and dear to so many on our staff Our writers too This is where we stand There s so much to be done Now we get to work Art critic Jerry Saltz immediately praised the new direction the magazine had taken noting And just like that an Artforum that needed to disappear was gone The new editorial direction included writing and photographic essays by Molly Nesbit philosopher and curator Paul B Preciado critic Johanna Fatemen and artists such as Donald Moffet 6 Artist Nan Goldin published a harrowing text and photographic account of her addiction to the prescription pain relief drug OxyContin in a 2018 piece that prompted the founding of P A I N a campaign to expose the role of Purdue Pharma and the Sackler family in the opioid epidemic in America 17 This campaign coincided with Christopher Glazek s breaking report in Esquire 18 and several weeks later Patrick Radden Keefe s report in The New Yorker 19 on the Sacklers criminal misbranding Both journalists reported that the drug that led doctors to believe Oxycontin was less addictive that had been reported Goldin demanded in her essay that the Sacklers donate half of their fortune to drug rehabilitation clinics and programs 20 Thessaly La Force of the New York Times Style Magazine wrote of the artist It is rare these days to see a lone artist like Goldin especially one both critically and commercially successful whose work is in dozens of important museum collections including the Metropolitan Museum of Art and the Museum of Modern Art step into the ring as an activist 17 In 2019 Hannah Black Ciaran Finlayson and Tobi Haslett published an essay in Artforum titled The Tear Gas Biennial decrying Warren Kanders co chair of the board of the Whitney Museum and his toxic philanthropy 21 Although Kanders had donated an estimated 10 million to the museum the source of his fortune comes from Safariland LLC a company that manufactures riot gear tear gas and other chemical weapons used by police and the military to enforce violent order 22 Although the Geneva Convention in 1925 outlawed the use of tear gas in all international military conflict the tear gas fired at peaceful protesters and civilians by the police and military during the George Floyd protests in 2020 as well as on migrants on the US Mexico border is the same brand of tear gas manufactured by Defense Technology a subsidy of Safariland 23 A wave of artists from the Biennial including Korakrit Arunanondchai Meriem Bennani Nicole Eisenman and Nicholas Galanin demanded immediate removal of their work from the Biennial within hours after the essay was published 24 After mounting pressure from artists critics and gallerists urging the public to boycott the show Kanders stepped down from his leadership position at the museum 25 The essay was instrumental in his resignation and in the museum cutting ties with Kanders financial endowments that were directly connected to the promotion and use of military weaponry and violence during peaceful social unrest 26 In December 2022 Artforum was acquired by Penske Media 27 On ArtforumA book by Amy Newman chronicling the early history of the magazine Challenging Art Artforum 1962 1974 was published by Soho Press in 2000 Sarah Thornton s documentary book Seven Days in the Art World 2008 contains a chapter titled The Magazine which is set in the offices of Artforum In it Thornton says Artforum is to art what Vogue is to fashion and Rolling Stone was to rock and roll It s a trade magazine with crossover cachet and an institution with controversial clout 28 Notable contributorsHilton Als Walter Darby Bannard Dodie Bellamy Andrew Berardini Maurice Berger Hannah Black Yve Alain Bois Lizzie Borden Dennis Cooper Arthur C Danto John Elderfield Manny Farber Hal Foster Michael Fried Christopher Glazek RoseLee Goldberg Nan Goldin Kim Gordon Clement Greenberg Tobi Haslett Dave Hickey A M Homes Gary Indiana Donald Judd Max Kozloff Rosalind Krauss Rachel Kushner Thomas Lawson Lucy Lippard Greil Marcus Annette Michelson Robert Morris artist Sarah Nicole Prickett Barbara Rose Roberta Smith Robert Smithson Amy Taubin Edmund WhiteEditors in chiefDavid Velasco January 2018 Michelle Kuo September 2010 December 2017 Tim Griffin September 2003 Summer 2010 2 Jack Bankowsky September 1992 Summer 2003 Ida Panicelli March 1988 Summer 1992 Ingrid Sischy February 1980 February 1988 Joseph Masheck March 1977 January 1980 In February 1977 Nancy Foote operated as the managing editor without a head editor John Coplans January 1972 January 1977 Philip Leider June 1962 December 1971 Philip Leider left the magazine at the end of the Summer 1971 issue but remained on the masthead until December 1971 References A radical history of Artforum e flux conversations conversations e flux com Retrieved 2020 06 22 a b Mandarino Grant March 7 2010 Taking stock of the Griffin years at Artforum artnet Allen Gwen Read about it in Artforum Art Practical Retrieved 2020 06 22 Experiments in Print A Survey of Los Angeles Artists Magazines from 1955 to 1986 East of Borneo Retrieved 2019 07 16 Allen Gwen Read about it in Artforum Art Practical Retrieved 2020 06 23 a b c Saltz Jerry 2018 01 02 Wherever the New Artforum Is Heading I m Along for the Ride Vulture Retrieved 2020 06 23 Artnet News Michelle Kuo to be editor in chief at Artforum No Soul For Sale at Tate Modern artnet Magazine www artnet com Retrieved 2020 06 23 Artforum Publisher Knight Landesman Accused of Sexual Misconduct artnet News 2017 10 24 Retrieved 2017 11 27 Feuer Alan 2017 10 25 Women Accuse Knight Landesman Art World Mainstay of Sexual Harassment The New York Times ISSN 0362 4331 Retrieved 2017 11 27 a b Sayej Nadja 2017 10 31 It s hurting everyone the truth about sexual misconduct in the art world The Guardian ISSN 0261 3077 Retrieved 2017 11 27 Christie Smythe and Katya Kazakina Artforum Publisher Quits After Sexual Harassment Complaint Bloomberg News October 25 2017 https www bloomberg com news articles 2017 10 25 artforum publisher quits after sexual harassment complaint The Gray Market What the Knight Landesman Scandal Tells Us About the Art World artnet News 2017 10 30 Retrieved 2017 11 27 Greenberger Alex 2017 10 24 Artforum Responds to Reports of Sexual Misconduct by Publisher Knight Landesman ARTnews Retrieved 2017 11 27 Russeth Andrew 2017 10 26 Artforum Editor in Chief Michelle Kuo on Why She Resigned ARTnews Retrieved 2017 11 27 Artforum Editor in Chief Michelle Kuo on Why She Resigned ARTnews com www artnews com Retrieved 2020 06 23 Artforum Staff Condemns Magazine s Management of Allegations artforum com Retrieved 2017 11 27 a b Force Thessaly La 2018 06 11 Nan Goldin Survived an Overdose to Fight the Opioid Epidemic The New York Times ISSN 0362 4331 Retrieved 2020 06 21 The Secretive Family Making Billions From the Opioid Crisis Esquire 2017 10 16 Retrieved 2023 02 12 Radden Keefe Patrick 2017 10 23 The Family That Built an Empire of Pain The New Yorker Retrieved 2023 02 12 Nan Goldin www artforum com Retrieved 2020 06 21 How Protest Works Now Understanding The Tear Gas Biennial and its Historic Effect Momus 2019 07 27 Retrieved 2020 06 21 Warren Kanders Former Whitney Museum Vice Chair Vows to Exit Tear Gas Trade Hyperallergic 2020 06 09 Retrieved 2020 06 21 Sadeghi McKenzie Fact check It s true tear gas is a chemical weapon banned in war USA TODAY Retrieved 2020 06 21 Moynihan Colin 2019 07 19 Eight Artists Withdraw From Whitney Biennial Over Board Member s Ties to Tear Gas The New York Times ISSN 0362 4331 Retrieved 2020 06 21 Warren Kanders Resigns From the Whitney Museum s Board Following Months of Protest and a Renewed Artist Boycott artnet News 2019 07 25 Retrieved 2020 06 21 The Decisive Moment Columbia Journalism Review Retrieved 2020 06 22 Cascone Sarah 2022 12 07 Artforum Has Been Acquired by Penske Media in a Major Shakeup for the Art Publishing Industry Artnet News Retrieved 2022 12 08 1 Sarah Thornton Seven Days in the Art World 2008 Further readingSaltz Jerry January 2 2018 Wherever the New Artforum Is Heading I m Along for the Ride Vulture Retrieved January 4 2018 External linksArtforum website Retrieved from https en wikipedia org w index php title Artforum amp oldid 1139637438, wikipedia, wiki, book, books, library,

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