Multiplex (movie theater)

"Megaplex" redirects here. For other uses, see Megaplex (disambiguation).

A multiplex is a movie theater complex with multiple screens within a single complex. They are usually housed in a specially designed building. Sometimes, an existing venue undergoes a renovation where the existing auditoriums are split into smaller ones, or more auditoriums are added in an extension or expansion of the building. The largest of these complexes can sit thousands of people and are sometimes referred to as a megaplex.

A typical AMC Theatres megaplex with 30 screens at Ontario Mills in Ontario, California.

The difference between a multiplex and a megaplex is related to the number of screens, but the dividing line is not well-defined. Some say that 16 screens and stadium seating make a megaplex, while others say that at least 24 screens are required.^[1] Megaplex theaters may have stadium seating or normal seating, and may have other amenities often not found at smaller movie theaters; multiplex theatres often feature regular seating.^{[citation needed]}

The Kinepolis-Madrid Ciudad de la Imagen megaplex in Spain is the largest movie theater in the world, with 25 screens and a seating capacity of 9,200, including one 996-seat auditorium.^[2][3][4]

History

Origins

The question of who was the inventor of the multiplex is "one of the longest-running debates in movie theater history."^[5] In a 2004 book, Ross Melnick and Andreas Fuchs identified five leading candidates: James Edwards, Sumner Redstone, Stanley Durwood, Charles Porter, and Nat Taylor.^[5]

In 1915, exhibitor Charles Porter opened the Duplex Theatre in Detroit, Michigan, the first known instance of a dual-auditorium movie theater.^[6] It had twin 750-seat auditoriums in a single building, sharing a common box office and entrance.^[6] The Duplex Theatre's history is poorly documented and it is unknown why Porter built his theater that way, though it was apparently a bit too advanced for its time.^[6] It closed in 1922.^[6]

In about 1915 two adjacent theatres in Moncton, New Brunswick, under the same ownership were converted to share a single entrance on Main Street. After patrons entered the door, there were separate ticket booths for each theatre, and different programs were shown. The arrangement was so unusual that it was featured by Robert Ripley in his Believe It or Not! comic strip.^[7] Before multiplexes, some cinemas did show different films at the same time in one auditorium, such as in Cairo, Egypt, reported in 1926.^[8]

In 1930, the Regal Twins in Manchester, England became the world's first multiplex followed by Studio 1 and 2 in Oxford Street in London in 1936.^[8]

In 1937 James Edwards twinned his Alhambra Theater in the Los Angeles area by converting an adjacent storefront into a second "annex" screen. While both screens would show the same feature movie, one would also offer a double bill. It did not convert to showing different movies on both screens until some time after Nat Taylor (see below).^[9] On February 25, 1940, the Patricia Theater in Aiken, South Carolina made news by becoming what is believed to be the first two-screen theater in the United States showing different movies when operator H. Bert Ram added a screen to an adjoining building and shared a common box office. The main screen remained the Patricia Theatre and the Patricia Annex became known as the Little Patricia.^[10]

In December 1947 Nat Taylor, the operator of the Elgin Theatre in Ottawa, Canada, opened a smaller second theater ("Little Elgin") next door to his first theater. It was not until 1957, however, that Taylor decided to run different movies in each theater, when he became annoyed at having to replace films that were still making money with new releases.^[9] Taylor opened dual-screen theaters in 1962 in Place Ville Marie in Montreal, Quebec, and at Yorkdale Plaza in Toronto, Ontario, in 1964.

Also in late 1947, but in Havana, Cuba, the Duplex movie theater was built to share the vestibule and ancillary facilities with the previously existing Rex Cinema (open since 1938); they were both designed by the same architect, Luis Bonich. The programming was coordinated, so that one of them showed documentary and news reels. while the other was showing feature films.^[11][12] They were in use at least until the 1990s.

In 1963 AMC Theatres opened the two-screen Parkway Twin at the Ward Parkway Shopping Center in Kansas City, a concept which company president Stanley Durwood later claimed to have come up with in 1962, realizing he could double the revenue of a single theater "by adding a second screen and still operate with the same size staff".^[9][13] Also, the shopping center structure where the Parkway was located could not support a large theater, so two small theaters were built to avoid that issue, and at first both theaters played the same film.

In 1965, the first triplex was opened in Burnaby, Canada by Taylor Twentieth Century Theaters.^[8] AMC followed up on the Parkway Twin with a four-screen theater in Kansas City, the Metro Plaza, in 1966 and a six-screen theater in 1969.^[14][8] Durwood's insight was that one box office and one concession stand could easily serve two (or more) attached auditoriums. Another AMC innovation was to offset the starting times of films, so that staff members who previously had downtime while films were playing at a single-auditorium theater would now be kept continuously busy servicing other auditoriums. Over the next two decades, AMC Theatres under Durwood's leadership continued to innovate as it built one multiplex after another with more screens and more spacious auditoriums across the United States. According to Melnick and Fuchs, although Durwood was technically not the first person to build a multi-auditorium movie theater, he was "the man perhaps most responsible for driving the industry into 'splitsville'".^[15]

In 1965 Martin's Westgate Cinemas became one of the first indoor two-screen theaters in Atlanta, Georgia. Located in East Point, Georgia, it was later converted into a three-screen venue after a fire partially destroyed one of the theaters. The Disney family film Those Calloways had its world premiere at the Westgate,^[16] the only film to have been so honored at that theater.

In 1973, Sumner Redstone, as the head of National Amusements, was the first film exhibitor to trademark and regularly use the term "multiplex."^[17]

Screen wars

Opening in April 1979, the 18-screen Cineplex, co-founded by Nat Taylor in Toronto's Eaton Centre, became the world's largest multitheatre complex under one roof.^[18] It was expanded to 21 screens by at least 1981.^[19]

In November 1988, Kinepolis Brussels opened with 25 screens,^[20] and is often credited as being the first "megaplex".^[21][22]

On December 13, 1996, AMC Ontario Mills 30, a 30-screen theater, opened in Ontario, California, and became the theater with the most screens in the world.^[23][24] This was eventually tied by other AMC 30-screen theaters.

Effects

During the 1980s and 1990s, AMC Theatres was at the forefront of a massive boom in multiplex and megaplex construction across the United States.^[25] From 1988 to 2000, the number of screens in the United States exploded from roughly 23,000 to 37,000.^[25] By the end of 1997, the United States was home to 149 megaplexes with over 2,800 screens.^[26] The newer venues, especially the megaplexes, often wiped out smaller theaters and led to market consolidation.^[26][27] Aging single-screen movie houses in congested downtown areas simply could not compete against the new suburban megaplexes with their profusion of convenient choices (in terms of films and showtimes), gigantic screens, stadium seating, spacious parking lots, and state-of-the-art projection and surround sound technology.^[26] From 1995 to 2004, the total number of theaters in the United States fell from 7,151 to 5,629.^[27]

Multiplexes and megaplexes supposedly have two major advantages over traditional single-screen movie theaters: they can share common infrastructure and staff across multiple auditoriums, and variations in auditorium size enable them to better match capacity to demand.^[25] However, movie theater operators eventually discovered the problem with stadium-size movie theaters is that they share the same flawed business model as stadiums: high fixed operating costs, combined with the fact that very few films in any given year can actually fill all those seats (average occupancy is around 10-15%).^[27] Nearly all major U.S. movie theater companies ultimately went bankrupt as a result of this hasty development process.^[27] Among the few that were able to avoid bankruptcy were AMC Theatres and Cinemark Theatres.

The boom in new screens in the U.S. in the late 1990s and early 2000s pushed Hollywood to change its distribution model. As multiplex and megaplex owners realized they could screen blockbuster hits all day by staggering showtimes across multiple screens, movie studios leaned into the trend and shifted towards blockbuster content.^[28]

Largest cinema complex

Kinepolis Madrid opened in Spain on 17 September 1998; it is the world's largest cinema complex in terms of number of seats and has a total seating capacity of 9,200 with 25 screens, each seating between 211 and 996 people.^[2][3][4] The world's tallest cinema complex is the Cineworld Glasgow Renfrew Street in Glasgow, Scotland, United Kingdom at 203 feet. Opened in 2001, it has 18 screens and seats 4,300 people.^[29][30]

Around the world

Australia

 

Event Cinemas is the largest film exhibitor in Australia and New Zealand.

The largest megaplex in the Southern Hemisphere is the 26-screen Marion MEGAPLEX in Adelaide, South Australia. The megaplex was originally a 30-screen megaplex branded as Greater Union but was modified to accommodate Gold Class and V-Max screens and was re-branded as Event Cinemas. The auditoriums sit on top of Westfield Marion, which is the largest shopping complex in Adelaide.

Brazil

In 1999, the 18-screen UCI New York City Center multiplex was opened in Barra da Tijuca, Rio de Janeiro to become the largest in Brazil.

Canada

Canada's largest movie theaters over the years have been located in Toronto. As mentioned above the 18- (later 21-) screen Cineplex was the movie theater with the most screens in the world until the late 1980s, but remained the largest movie theater in Canada until it was closed at the turn of the 21st century. In 1998, AMC expanded to Canada, building large movie theatres with as many as 24 screens before opening a 30-plex there in 1999, which is the AMC Interchange 30. Then in 2008, the 24-screen AMC Yonge Dundas 24, adjacent to the Eaton Centre, was completed. Cineplex Entertainment purchased the theater in 2012, along with several other Canadian AMC megaplexes, bringing the company full circle. After that, some more were closed or sold to Empire Theatres. AMC exited Canada by closing the AMC Interchange 30 in 2014.

France

France's largest movie theaters are: 27-screen UGC Ciné Cité Les Halles (3,913 seats) in Paris, 23-screen Kinépolis - Château du Cinéma in Lomme (7,286 seats), 22-screen UGC Ciné Cité Strasbourg (5,275 seats) and 20-screen MK2 Bibliothèque in Paris (3,500 seats).

Greece

Greece' s largest multiplex is Village Rentis, that features 18 mainstream screens, two comfort (special type of a mainstream screen, better seating and less auditorium), three RealD 3D screens and one summer screen. In total it features 21 screens.

India

In India, the mushrooming of multiplexes started since the mid-1990s. Cinema chains such as INOX, PVR, Carnival Cinemas, SPI Cinemas,Asian Cinemas, Cinepolis and Big Cinemas operate multiplexes across the country. The largest multiplex in India is the 16-screen megaplex Mayajaal in Chennai.

Japan

The first multiplex in Japan was built by Warner Bros. in 1993 but the multiplexes were outside Japan's nine largest cities until Shochiku built Cinema World to the west of Tokyo in 1995.^[31] By 2000, multiplexes accounted for 44% of the market with the number of screens in Japan increasing rapidly from less than 2,000 in 1998 to nearly 3,000 in 2001.^[32] The expansion in screens and multiplexes also reduced the reliance on the grosses from the nine key cities, with over half of a film's Japanese gross now coming from outside those markets.^[33]

Netherlands

In the Netherlands there weren't many multiplexes until the millennial change. In April 2000 Pathé ArenA opened its doors in the ArenAPoort area in Amsterdam. It's the largest multiplex in the Netherlands and features 14 screens and 3250 seats in total. Nowadays^[when?] a lot of other multiplexes are being set up, but so far none of them have surpassed Pathé ArenA's capacity.

Spain

Multiplexes (multicines) are very popular in Spain and they can be found in or close to most cities, displacing the traditional single-screen theaters.^[34] Many middle-sized and large cities have several of them, and they are also common in malls. The average number of screens per theater was 5.2 in 2016.^[35]

The Kinepolis-Madrid Ciudad de la Imagen megaplex has been the largest movie theater in the world since 1998, with 25 screens and a seating capacity of 9,200 including a 996-seat auditorium.^[2][3][4] Kinepolis-Valencia, built in 2001, boasts 24 screens and 8,000 seats.

United Kingdom

As noted above, the world's first multiplex, the Regal Twins, opened in Manchester in 1930.^[8] The first triplex in the UK was the ABC Cinema in Lothian Road, Edinburgh which opened 29 November 1969.^[8] The Regal Twins were converted in 1972 to a five screen complex (Studios 1 to 5) by Star Group, as the first five-cinema complex in Britain.^[36]

In 1985, AMC Cinemas opened a ten-screen cinema at The Point in Milton Keynes. This was AMC's first multiplex outside of the United States^[37][38] and saw a turnaround in the decline of the UK cinema industry. Cannon followed it with an eight-screen cinema in Salford Quays in 1986.^[39] The success of the cinema at Milton Keynes led to further expansion by AMC in the UK to the MetroCentre in Gateshead and then to Dudley, Telford, Warrington and by royal appointment to London, before it eventually sold its UK division to a joint venture which it had formed with United Artists and Cinema International Corporation, which later became UCI Cinemas in 1989.^[37][40] By the end of 1992, the 5 major exhibitors (UCI, MGM, Warner, National Amusements and Odeon Cinemas) had built 525 multiplex screens in the last eight years in the UK, with cinema admissions increasing from an all-time low of 54 million in 1984 to over 100 million. The increase in multiplexes led to 77% of the UK's screens being owned by the 5 major exhibitors.^[41] The increase in multiplexes around the country also reduced the importance of London from a revenue standpoint.^[42] Non-multiplex cinemas are now rare in the UK. In July 2000, Star City, Birmingham opened with a 30-screen Warner Village Cinemas (now a 25-screen Vue Cinemas with 5,079 seats),^[43] at the time the largest cinema in Europe.^[44]

United States

 

Rave Motion Pictures Ann Arbor (now a Cinemark)

The first triplex in the United States was created with the addition of a third screen to the Cheri theater in Boston in June 1967 owned by Ben Sack.^[45]

In the United States, only 10% of the 16,712 indoor movie theaters in 1981 had more than one screen, with 80% of the 10% only having two screens.^[46] The largest had 7 screens.^[46]

In 1982, the 14-screen Cineplex in the Beverly Center Mall in West Hollywood, California, became the country's largest upon opening.^[47] The Beverly Center Cinemas closed in June 2010.

Cineplex joined with Universal Studios to build an 18-screen multiplex in Universal City, California (now part of Universal CityWalk Hollywood), which opened July 4, 1987.^[24][48]

In December 1988, Studio 28 in Grand Rapids, Michigan, expanded from 12 to 20 screens with a seating capacity of 6,000.^[49] Studio 28 closed in November 2008.

By 1994, building of multiplexes with 14-24 screens with 2,500 to 3,500 seats was the norm. The expansion of multiplexes also concentrated the market with the top ten exhibitors controlling 47% of the nation's screens compared to 27% in 1986.^[50] The AMC Grand 24 opened in Dallas, Texas, on May 19, 1995, as the first 24-screen megaplex built from the ground up in the United States and the largest theater complex in the U.S.^[51][24][50] A 21-screen Edwards Theater opened at the Irvine Spectrum Center in Irvine, California, the same year.^[24] After a lease renewal dispute with the property owner, the AMC Grand 24 closed in November 2010.^[52] The building has been divided and reopened in 2012 as a Toby Keith–owned nightclub and a 14-screen first-run movie theater operated by Southern Theatres as the "AmStar 14". This theatre is now the Studio Movie Grill Northwest Highway as of 2013^[update].^[53]

AMC Theatres has since built many megaplexes with up to 30 screens, starting with the AMC Ontario Mills 30 in 1996, which was the largest theater in the world when it opened.^[24] Three months after the AMC opened in Ontario, California, Edwards built their biggest theater across the street, the 22-screen Ontario Palace 22.^[24]

By 2004, only 25% of movie theaters in the United States had one screen and there were over 500 multiplexes with more than 16 screens.^[24]

References

1. Melnick, Ross; Fuchs, Andreas (2004). Cinema Treasures: A New Look at Classic Movie Theaters. St. Paul: MBI Publishing Company. p. 181. ISBN 9780760314920. Retrieved 21 February 2022.
2. Watts, Christopher. "Mega-ambitious". forbes.com. Retrieved 5 April 2018.
3. Bennett, Laura (20 June 2010). "Moviegoing in the land of Almodóvar". Boston.com. Retrieved 5 April 2018 – via The Boston Globe.
4. "Fabulous Fifteen - Film Journal International". www.filmjournal.com. Retrieved 5 April 2018.
5. Melnick, Ross; Fuchs, Andreas (2004). Cinema Treasures: A New Look at Classic Movie Theaters. St. Paul: MBI Publishing Company. p. 145. ISBN 9780760314920. Retrieved 21 February 2022.
6. Melnick, Ross; Fuchs, Andreas (2004). Cinema Treasures: A New Look at Classic Movie Theaters. St. Paul: MBI Publishing Company. p. 146. ISBN 9780760314920. Retrieved 21 February 2022.
7. Larracey, E. W. (1991). The History of Moncton, Volume 2, Moncton: The City of Moncton, p 127. ISBN 0-9694634-2-1
8. Robertson, Patrick (1993). The Guinness Book of Movie Facts & Feats (5th ed.). Abbeville Press. p. 213. ISBN 1558596976.
9. "The Many Births of the Multiplex". Cinelog.org. June 27, 2009. Retrieved November 17, 2009.
10. "Aiken to be 17th City to Show Film ("Gone with the Wind"); Little Patricia to Open Same Day." Aiken Standard, 14 February 1940, p. 5 and see http://cinematreasures.org/theaters/20886/photos/131821
11. "Rex Cinema". Cinema Treasures. Retrieved May 3, 2020.
12. Melnick, Ross & Andrea Fuchs. Cinema Treasures: A New Look at Classic Movie Theatres. St. Paul: MBI, 2004. Page 147
13. Klady, Leonard (July 19, 1999). "Obituaries: Stanley Durwood". Variety. p. 40.
14. "Stan Durwood; Multiplex Theater Pioneer". Los Angeles Times. July 16, 1999. Retrieved November 17, 2009.^{[permanent dead link]}
15. Melnick, Ross; Fuchs, Andreas (2004). Cinema Treasures: A New Look at Classic Movie Theaters. St. Paul: MBI Publishing Company. p. 180. ISBN 9780760314920. Retrieved 21 February 2022.
16. "Those Calloways (1965)". Retrieved 5 April 2018 – via www.imdb.com.
17. Melnick, Ross; Fuchs, Andreas (2004). Cinema Treasures: A New Look at Classic Movie Theaters. St. Paul: MBI Publishing Company. p. 174. ISBN 9780760314920. Retrieved 21 February 2022.
18. Adilman, Sid (August 5, 1979). "Cineplex 18: Movies for Many Tastes". Los Angeles Times. Retrieved November 17, 2009. Cineplex opened mid-April...
19. Andrew H. Malcolm (November 22, 1981). "Toronto Movie Bazaar". The New York Times. Retrieved November 17, 2009.
20. John Tagliabue (January 27, 2000). "Now Playing Europe: Invasion of the Multiplex; With Subplots on Pride and Environment". The New York Times. Retrieved November 17, 2009.
21. Acland, Charles R. (2003). Screen Traffic: Movies, Multiplexes, and Global Culture. p. 136. ISBN 978-0822331636.
22. Edmunds, Marlene (June 15, 1998). "Kinepolis Keeps the Plexes Coming". Variety. p. 74.
23. Degen Pener (June 6, 1997). "Tyrannosaurus Plex". Entertainment Weekly. Retrieved November 17, 2009.
24. Hayes, Dade; Bing, Jonathan (2004). Open Wide: How Hollywood Box Office Became a National Obsession. Miramax Books. pp. 311-317. ISBN 1401352006.
25. Ulin, Jeffrey C. (2013). The Business of Media Distribution: Monetizing Film, TV and Video Content in an Online World. New York and London: Focal Press. p. 123. ISBN 9781136057663. Retrieved 7 January 2022.
26. Melnick, Ross; Fuchs, Andreas (2004). Cinema Treasures: A New Look at Classic Movie Theaters. St. Paul: MBI Publishing Company. p. 184. ISBN 9780760314920. Retrieved 21 February 2022.
27. Ulin, Jeffrey C. (2013). The Business of Media Distribution: Monetizing Film, TV and Video Content in an Online World. New York and London: Focal Press. p. 124. ISBN 9781136057663. Retrieved 7 January 2022.
28. "The Megaplex!".
29. Barr, G. "UGC / Cineworld City Centre". www.scottishcinemas.org.uk. Retrieved 5 April 2018.
30. "Cineworld". www.attractions.glasgowvant.com. Retrieved 5 April 2018.
31. "Shochiku makes multiplex move". Variety. September 18, 1995. Retrieved March 13, 2021.
32. Herskovitz, Jon (January 29, 2001). "Japan's plex boom unmatched by B.O". Variety. p. 58.
33. Schwarzacher, Lukas (September 16, 2002). "Screen boom stomps island". Variety. p. B1.
34. 20Minutos (10 April 2007). "Aumenta número de salas de cine en España, aunque cada vez son más pequeñas". 20minutos.es. Retrieved 5 April 2018.
35. "¿CUÁNTOS CINES HAY EN ESPAÑA? ¿CUÁNTOS CINES TIENE CADA COMUNIDAD AUTÓNOMA? - El Blog de Cine Español". www.elblogdecineespanol.com. 7 June 2016. Retrieved 5 April 2018.
36. Manchester Evening News. 26 January 1972. {{cite news}}: Missing or empty |title= (help)
37. . Archived from the original on 2015-01-04. Retrieved 3 January 2015.
38. "How multiplex cinemas saved the British film industry 25 years ago". The Guardian. The Guardian, UK. 25 November 2010. Retrieved 3 January 2015.
39. Patience Coster, ed. (1988). BFI Film & Television Yearbook - 1988/89. British Film Institute. p. 192. ISBN 0851702171.
40. Tusher, Will (14 December 1988). "AMC Exits Partnership in the U.K.". Daily Variety. p. 1.
41. Ilott, Terry (January 4, 1993). "Multiplexing still perplexing". Variety. p. 52.
42. Groves, Don (November 4, 1991). "Exhibs enjoy steady growth". Variety. p. 58.
43. Simpson, David (9 February 2020). "Multiplex Cinemas Introduction". Cinema Theatre Association. Retrieved 2 May 2020.
44. Younge, Gary (26 July 2000). "The Big Picture". The Guardian. Retrieved 2 May 2020.
45. "Boston's Cheri III; Only Triple-Cinema in U.S.". Variety. April 19, 1967. p. 6.
46. Motion Picture Almanac. New York: Quigley Publishing Company. 1983. p. 30A. ISBN 0-900610-28-X.
47. Aljean Harmetz (July 28, 1982). "14 screens housed in 1 theater complex". Pittsburgh Post-Gazette. Archived from the original on January 25, 2013. Retrieved November 17, 2009.
48. "About Universal Cinema". www.universalstudioshollywood. Retrieved May 9, 2020.
49. Jack Loeks' Studio 28 in Grand Rapids, MI. Cinema Treasures. Retrieved on 2013-07-12.
50. Noglows, Paul (August 22, 1994). "Here Come the Megaplexes". Variety.
51. Melnick, Ross & Fuchs, Andrea (2004). Cinema Treasures: A New Look at Classic Movie Theaters. pp. 180–81. ISBN 978-0760314920. "[T]he new 'megaplex' theater, defined as containing 20 or more screens"; "Durwood opened the AMC Grand 24 (Dallas) in May 1995".
52. Wilonsky, Robert (May 27, 2010). "It's Curtains For the AMC Grand 24". Dallas Observer. Unfair Park blog. Retrieved May 27, 2010.
53. Wilonksy, Robert (September 1, 2011). "So, the Old AMC Grand 24 Will Remain a Movie Theater After All. Half of It, Anyway. Sri Lanka The first multiplex CINECITY was opened in 2000 which consisted four screens . Now the second one is operational in colombo , majestic - which too has four screens". Dallas Observer. Unfair Park blog. Retrieved September 1, 2011.

• William Echikson, "Taking the Megaplex on the Road", Business Week, no. 3547 (Oct. 6, 1997), p. 21.

External links