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The four tones of Middle Chinese—level (平), rising (上), departing (去), and entering (入) tones—are categorized into level (平) tones and oblique (仄) tones. Tones that are not level are oblique. When tone patterns are used in poetry, the pattern in which level and oblique tones occur in one line is often the inverse of that of the line next to it. For example, in the poem 春望 (pinyin: chūn wàng, Spring View) by Du Fu, the tone pattern of the first line is 仄仄平平仄, while that of the second line is 平平仄仄平:
In Classical Chinese poetry, the presence or absence of formal tonal constraints regarding tone pattern varies according to the poetic form of a specific poem. Sometimes the rules governing the permissible tone patterns for a poem were quite strict, yet still allowed for a certain amount of liberty and variation, as in the case of regulated verse. In the fixed-tone pattern type of verse, poems were written according to preexisting models known as "tunes". This was the case with the ci and the qu: an individual poem was written so that its tone pattern (and line lengths) were the same as one of the model types, the poetic variation was in the change in the particular wording of the lyrics.
tone, pattern, this, article, does, cite, sources, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, march, 2015, learn, when, remove, t. This article does not cite any sources Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Tone pattern news newspapers books scholar JSTOR March 2015 Learn how and when to remove this template message This article may be expanded with text translated from the corresponding article in Chinese Click show for important translation instructions View a machine translated version of the Chinese article Machine translation like DeepL or Google Translate is a useful starting point for translations but translators must revise errors as necessary and confirm that the translation is accurate rather than simply copy pasting machine translated text into the English Wikipedia Consider adding a topic to this template there are already 749 articles in the main category and specifying topic will aid in categorization Do not translate text that appears unreliable or low quality If possible verify the text with references provided in the foreign language article You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation A model attribution edit summary is Content in this edit is translated from the existing Chinese Wikipedia article at zh 平仄 see its history for attribution You should also add the template Translated zh 平仄 to the talk page For more guidance see Wikipedia Translation Tone patterns Chinese 平仄 pinyin pingze Jyutping ping4 zak1 Pe h ōe ji piaⁿ cheh are common constraints in classical Chinese poetry The four tones of Middle Chinese level 平 rising 上 departing 去 and entering 入 tones are categorized into level 平 tones and oblique 仄 tones Tones that are not level are oblique When tone patterns are used in poetry the pattern in which level and oblique tones occur in one line is often the inverse of that of the line next to it For example in the poem 春望 pinyin chun wang Spring View by Du Fu the tone pattern of the first line is 仄仄平平仄 while that of the second line is 平平仄仄平 國 仄 破 仄 山 平 河 平 在 仄 城 平 春 平 草 仄 木 仄 深 平 Contents 1 In poetry 2 See also 2 1 General 2 2 Tone pattern in poetryIn poetry EditIn Classical Chinese poetry the presence or absence of formal tonal constraints regarding tone pattern varies according to the poetic form of a specific poem Sometimes the rules governing the permissible tone patterns for a poem were quite strict yet still allowed for a certain amount of liberty and variation as in the case of regulated verse In the fixed tone pattern type of verse poems were written according to preexisting models known as tunes This was the case with the ci and the qu an individual poem was written so that its tone pattern and line lengths were the same as one of the model types the poetic variation was in the change in the particular wording of the lyrics See also EditGeneral Edit Tone linguistics Four tones of Middle ChineseTone pattern in poetry Edit Chinese Sanqu poetry Ci poetry Qu poetry Regulated verse This poetry related article is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Tone pattern amp oldid 1104126085, wikipedia, wiki, book, books, library,
