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The Happiest Millionaire

The Happiest Millionaire is a 1967 American musical film starring Fred MacMurray, based upon the true story of Philadelphia millionaire Anthony Drexel Biddle. The film, featuring music by the Sherman Brothers, was nominated for an Academy Award for Best Costume Design by Bill Thomas. The screenplay by A. J. Carothers was adapted from the play, based on the book My Philadelphia Father by Cordelia Drexel Biddle.[3] Walt Disney acquired the rights to the play in the early 1960s. The film was the last live-action musical film to be produced by Walt before his death on December 15, 1966.

The Happiest Millionaire
1967 Theatrical poster
Directed byNorman Tokar
Screenplay byA. J. Carothers
Story byA. J. Carothers
Based onMy Philadelphia Father
by Cordelia Drexel Biddle
Produced byWalt Disney
Bill Anderson
Starring
CinematographyEdward Colman
Edited byCotton Warburton
Music byJack Elliott
Production
company
Distributed byBuena Vista Distribution
Release dates
  • June 23, 1967 (1967-06-23)
(Hollywood premiere)
  • November 30, 1967 (1967-11-30)
(Radio City Music Hall)
Running time
164 minutes
(Los Angeles premiere)
144 minutes
(New York City premiere)
118 minutes
(General release)
172 minutes
(Director's cut)
CountryUnited States
LanguageEnglish
Budget$5 million[1]
Box office$5 million (U.S./Canada rentals)[2]

Plot

In autumn of 1916, Irish immigrant John Lawless (Tommy Steele) has applied for a butler position with eccentric Philadelphia millionaire Anthony J. Drexel Biddle (Fred MacMurray). Even though the family is a bit strange, Lawless soon learns that he fits right in. Mr. Biddle takes a liking to him immediately.

Mr. Biddle busies himself with his Biddle Boxing and Bible School (located in his stable) and with his alligators in the conservatory. He is also anxious to get America into the war in Europe, despite the government's policy of neutrality. His wife, Cordelia (Greer Garson), stands quietly by, accepting his eccentricities with a sense of pride and class. Their two sons, Tony and Livingston (Paul Petersen and Eddie Hodges) are headed off to boarding school, not to be seen again. Their daughter, Cordy (Lesley Ann Warren), is a tomboy with a mean right hook who was educated by private tutors and has had limited contact with conventional society. She is frustrated by her apparent inability to attract suitors and wants to see what is beyond the Biddle manor.

Mr. Biddle reluctantly lets Cordy go to a boarding school as well after some prodding from both Cordy and from his Aunt Mary (Gladys Cooper). Cordy's roommate teaches her how to lure men with feminine wiles, and at a social dance hosted by her aunt and uncle, Cordy meets Angier Buchanan Duke (John Davidson) and they fall in love. He tells Cordy that he is fascinated with the invention of the automobile and wants to head to Detroit, Michigan, to make his fortune there, instead of taking over his family's tobacco business.

That winter, Cordy comes back to her parents' home and tells them that she is engaged. At first, this is a difficult thing for Mr. Biddle to take. He does not want to give up his little girl. But, after meeting Angier and witnessing first-hand his Jiu Jitsu fighting skills, Mr. Biddle takes a liking to him and accepts the engagement. Then Cordy travels with Angier to New York City to meet his mother (Geraldine Page). Soon the Biddles and the Dukes are making arrangements for a very grand wedding.

It is by now the spring of 1917, and constant condescending comments from Angier's mother anger Cordy. To make matters worse, their families' elaborate planning for the "social event of the season," makes both Cordy and Angier feel pushed aside. The tension reaches a climax when Cordy learns that Angier has abandoned his plans for Detroit, and is instead taking his place in the family business, following his mother's wishes. Cordy angrily calls the wedding off, thinking of Angier as a mama's boy, and Angier storms out of the house. Both families are instantly in a tremendous state of upheaval. Mr. Biddle sends John Lawless to look after Angier.

John finds Angier at the local tavern, contemplating what he will do next, and tries to convince Angier to go back to Cordy. However, Angier is stubborn and thinks of other ways to deal with his problems, among other things saying that he wants to join the Foreign Legion. Angier unwittingly starts a bar fight (with a little help from John) and is hauled off to jail.

The next morning, Mr. Biddle comes to bail Angier out. He tells Angier he has to forget about his own dreams and accept his place in the family business. His words have the desired effect, inspiring Angier to defy his mother and elope with Cordy and go to Detroit. Cordy, however, believes her father talked Angier into it, so to prove his sincerity, amid the cheering of the cellmates, Angier throws Cordy over his shoulder and carries her out of the jail house to start their new life together.

Longer version

After Mr. and Mrs. Biddle return home a delegation of Marines arrive to inform him he has been made a "provisional captain" in the Marine Corps; and is wanted immediately to go to Parris Island to continue training the recruits, now that America is finally entering the War. Mr. Biddle accepts with delight, and the hearty congratulations of his suddenly appearing Bible Boxing Class.

A car with two people (presumably Cordie and Angie) drives toward a city skyline (presumably Detroit) dominated by factories clouding the sky at sunset.

Cast

Production

Origins

The film had its origins in the 1955 book My Philadelphia Father by Cordelia Biddle, as told to Kyle Crichton.[4] The New York Times said the story was told with "charm."[5] There was early interest in the book for stage adaptation.[6] Crichton adapted the story into a play called The Happiest Millionaire,[7] which opened on Broadway on November 20, 1956, at the Lyceum Theatre. Walter Pidgeon portrayed Anthony J. Drexel Biddle and George Grizzard played Angie. It was Pidgeon's first appearance on Broadway in 21 years, and MGM obtained film rights in exchange for permitting him to appear in the play. Howard Erskine and Joseph Hayes produced the play, and Guthrie McClintock was to direct,[8] but he left the production before opening night.[9] The New York Times called the production "decent and amusing" and Pidgeon "wonderful."[10] The production ran for 271 performances, closing on July 13, 1957.

Development

In the early 1960s, Walt Disney acquired the rights to the play, but he had no intent of making it into a musical at first. After the box-office success of Mary Poppins, My Fair Lady and The Sound of Music, the first of which he had produced, the film's original producer Bill Walsh decided to make the film into a musical. However, Disney reassigned him to Blackbeard's Ghost, replacing him with Bill Anderson.[11]

The Sherman Brothers, who wrote the film's music, wanted Rex Harrison for the lead role,[11][12] but Disney insisted on Fred MacMurray.[13] Regardless, Harrison would not have been available, as he was shooting Doctor Dolittle for 20th Century Fox.

In January 1966, a key role went to Tommy Steele, who had achieved success on Broadway in Half a Sixpence.[14] Lesley Ann Warren, whom Disney had seen in the 1965 CBS television production of Rodgers and Hammerstein's Cinderella, made her screen debut in the film. She also met future husband Jon Peters during the film's production.[15] The role of MacMurray's wife went to Greer Garson, who called the film "... a delightful Life with Father type picture. I don't have much to do but I love working with Fred MacMurray."[16]

Music

  1. "Fortuosity" Tommy Steele
  2. "What's Wrong with That?" Fred MacMurray
  3. "Watch Your Footwork" Paul Petersen and Eddie Hodges
  4. "Valentine Candy" Lesley Ann Warren
  5. "Strengthen the Dwelling" Fred MacMurray and Biddle Bible Class
  6. "I'll Always Be Irish" Tommy Steele, Fred MacMurray and Lesley Ann Warren
  7. "Bye-Yum Pum Pum" Joyce Bulifant and Lesley Ann Warren
  8. "Are We Dancing?" John Davidson and Lesley Ann Warren
  9. "I Believe in This Country" Fred MacMurray
  10. "Detroit" John Davidson and Lesley Ann Warren
  11. "When a Man Has a Daughter" Fred MacMurray
  12. "There Are Those" Gladys Cooper, Tommy Steele and Geraldine Page
  13. "Let's Have a Drink on It" John Davidson, Tommy Steele, and Chorus
  14. "It Won't Be Long 'Til Christmas" (Roadshow version only) Greer Garson and Fred MacMurray
  15. "Finale (Let's Have a Drink On It)" Tommy Steele and Chorus
  16. "Off Rittenhouse Square" (Unused song)

The song "Detroit" contains the lyric "F.O.B. Detroit". According to the Shermans, Disney overheard them singing the song and misheard the phrase as "S.O.B.", then scolded them for using such language in a Disney movie. The Shermans corrected Disney and the three laughed about it.[17]

The original cast soundtrack was released on Buena Vista Records in stereo (STER-5001) and mono (BV-5001) versions. A second cast recording with studio singers and orchestrations by Tutti Camarata appeared on Disneyland Records in stereo (STER-1303) and mono (DQ-1303).[18]

The cast soundtrack was re-released on CD in 2002 (60781-7), remastered from the original eight-track master tapes to reduce the heavy reverb from the original LP.[19] The soundtrack is currently available on iTunes.

"Are We Dancing?" was included on the 1992 CD compilation The Sherman Brothers. The song along with "Fortuosity" was included on the 2009 Sherman Brothers Songbook compilation set.

The Supremes covered "It Won't Be Long 'Til Christmas" for their planned album of Disney covers, but the tracks from that session were not released until the 1980s.[20]

Release

When Walt Disney died on December 15, 1966, the film's first cut had already been completed.[13] Disney told Anderson to use his own judgement, but added, "Don't let the distribution people rush you..." Anderson wanted to shorten the film, as he disliked the musical number "It Won't Be Long 'Til Christmas" as performed by Greer Garson.[11] Disney COO Card Walker wanted to excise even more material, and the two men fought bitterly over the extent of the cuts.[11] The film opened at 164 minutes on a "reserved seating" basis.[21]

Robert Sherman was in England during the film's Hollywood premiere at the Pantages Theatre, but he became furious when he discovered in the Los Angeles Times that a theater in the vicinity was showing a double feature of The Shaggy Dog and The Absent-Minded Professor at a much lower price.[13] In order to satisfy requests from Radio City Music Hall, the site of the film's New York premiere, the studio cut 20 minutes from the film after the premiere. For the general release, the film was shortened even further to 118 minutes. It was not reissued and did not appear on television until 1984, when the 164-minute version was screened at the Los Angeles International Film Expo and aired on The Disney Channel.[22]

Home media

The film was first released on VHS format in 1983, then reissued in 1986. Both releases are of the 144-minute version.

Anchor Bay Entertainment released separate DVDs of both the long and short versions on July 20, 1999. The long version, presented on home video for the first time, was in 1.66:1 non-anamorphic widescreen, but the short version was 1.33:1.[23]

Disney re-released the film on DVD on June 1, 2004, featuring only the long version and including the intermission music at the end of Act I and the exit music at the end of Act II, elements that had been missing from the Anchor Bay release.

The film became available on the Disney+ streaming service on June 11, 2021.

Reception

Writing in The New York Times, Bosley Crowther panned the film: "...the whole picture is vulgar. It is an over-decorated, over-fluffed, over-sentimentalized endeavor to pretend the lace-curtain millionaires are—or were—every bit as folksy as the old prize-fighters and the Irish brawlers in the saloon."[24]

Roger Ebert of the Chicago Sun-Times wrote that "... adults will find the plot thin and the characters one-dimensional. Lots of kids will find little to hold their interest except the alligators. The children will wonder how John Davidson could have possibly been cast in such an innocent and naive role when he looks at least 25 years old. I mean, that's a little late to steal your first kiss. As for the musical numbers, I found them eminently forgettable, with the sole exception of a nicely staged Irish reel."[25]

Reviewing the film for Life, Richard Schickel remarked: "What is missing, quite literally, is magic. The movie's length, period, cost, even its eccentric central figure indicate Disney was trying for another Mary Poppins. It desperately needs her magic umbrella to lift MacMurray and the whole project off the ground. But the people who created the highest moments in Poppins with the dance across the rooftops are absent."[26]

Charles Champlin of the Los Angeles Times stated that the film was "a disappointment" and compared it unfavorably to Mary Poppins: "There is no such unity of interest and identification in The Happiest Millionaire. If there is not really anybody to root against (except maybe Geraldine Page as the tart-tongued Mrs. Duke), there are too many people to root for, and each of them is pursuing his own story-line."[27]

See also

References

  1. ^ Bart, Peter (May 14, 1966). "Hollywood Finds Harmony Paying: Recent Success of Musicals on Film Sparks a Revival". The New York Times. p. 17.
  2. ^ "Big Rental Films of 1968". Variety. January 8, 1969. p. 15.
  3. ^ Burt, Nathaniel (1999). The Perennial Philadelphians: The Anatomy of an American Aristocracy. University of Pennsylvania Press. p. 55. ISBN 978-0-812-21693-6.
  4. ^ Poore, Charles (May 5, 1955). "Books of The Times". The New York Times. p. 31.
  5. ^ The Happy Millionaire: My PHILADELPHIA FATHER By Cordelia Drexel Biddle as told to Kyle Crichton. Illustrated. 256 pp. New york: Doubleday & Co. $4. By CLEVELAND AMORY. New York Times 8 May 1955: BR6.
  6. ^ GENERAL AND SON TO PRODUCE PLAYS: C.W. Christenberrys, Sr. and Jr., Form Company--Katz Musical First Project By LOUIS CALTA. New York Times 10 May 1955: 24.
  7. ^ OCT. 24 BOW SET FOR 'LARK' HERE: Longacre Theatre Is Chosen for Bloomgarden Offering -Producer Casting 'Diary' By LOUIS CALTA. New York Times. 25 June 1955: 8.
  8. ^ PIDGEON TO STAR IN CRICHTON PLAY: Film Actor Will Return Here in 'The Happiest Millionaire' After 21-Year Absence A Change of Plans By SAM ZOLOTOW. New York Times 10 July 1956: 27.
  9. ^ Calta, Louis (October 13, 1956). "M'CLINTIC LEAVES CRICHTON COMEDY: Director in Disagreement on 'Happiest Millionaire'-- Erskine Takes Over Play by Fry Tomorrow O'Neill Premiere Monday". The New York Times. p. 15.
  10. ^ Atkinson, Brooks (November 21, 1956). "Theatre: Happy Evening: The Cast". The New York Times. p. 21.
  11. ^ a b c d Gheiz, Didier (2009). Walt's People - Volume 8. Xlibris Corporation. p. 246. ISBN 978-1-4415-5183-2.
  12. ^ "Shermans---They Feel a Song Coming On". Los Angeles Times. January 31, 1966. p. C14.
  13. ^ a b c Gheiz, Didier (2009). Walt's People - Volume 8. Xlibris Corporation. pp. 203, 206–208. ISBN 978-1-4415-5183-2.
  14. ^ "Gwynne Makes a Lovable Munster". Los Angeles Times. January 4, 1966. p. B8.
  15. ^ Masters, Kim; Nancy Griffin (1997). Hit & Run: How Jon Peters and Peter Guber Took Sony For a Ride in Hollywood. New York, NY: Simon & Schuster. pp. 20–21. ISBN 0684832666. "When I met Jon, I was appearing in The Happiest Millionaire — a perfect Jon Peters story," says Lesley Ann Warren.
  16. ^ Scott, Vernon (June 21, 1966). "Greer Garson Keeps Herself Busy". Times Herald. The Washington Post. p. B5.
  17. ^ Walt Disney's "The Happiest Millionaire", Original Cast Soundtrack, Buena Vista Records STER 5001, 1966
  18. ^ Murray, R. Michael (1997). The Golden Age of Walt Disney Records: 1933-1988. Dubuque, Iowa: Antique Trader Books. p. 33. ISBN 0-930625-70-6.
  19. ^ Hollis, Tim; Greg Ehrbar (2006). Mouse Tracks: The Story of Walt Disney Records. University Press of Mississippi. p. 100. ISBN 1-57806-849-5.
  20. ^ Taraborrelli, J. Randy (2007). Diana Ross: An Unauthorized Biography. New York, NY: Kensington Publishing Corporation. p. 504. ISBN 978-0-8065-2850-2.
  21. ^ Champlin, Charles (May 28, 1967). "Disney After Disney: Roy & the Seven". Los Angeles Times. p. K8.
  22. ^ Holliss, Richard; Sibley, Brian (1988). The Disney Studio Story. London: Octopus Books Limited. p. 202. ISBN 0-517-57078-5.
  23. ^ King, Susan (July 29, 1999). "Choices to Make 'Millionaire' Fans Happy". Los Angeles Times. Retrieved December 28, 2013.
  24. ^ Crowther, Bosley (December 1, 1967). "Screen: Thin Blue Blood: Music Hall Attraction". The New York Times. Retrieved January 14, 2020.
  25. ^ Ebert, Roger (October 16, 1967). "The Happiest Millionaire movie review (1967)". Chicago Sun-Times. Retrieved January 14, 2020 – via RogerEbert.com.
  26. ^ Schickel, Richard (January 5, 1968). "Walt's Good — and Bad — Goodbye". Life. Vol. 64, no. 1. p. 11. Retrieved January 14, 2020 – via Google Books.
  27. ^ Champlin, Charles (July 9, 1967). "So Little From So Much". Los Angeles Times. p. 11. Retrieved January 14, 2020 – via Newspapers.com.

External links

happiest, millionaire, this, article, about, film, album, album, 1967, american, musical, film, starring, fred, macmurray, based, upon, true, story, philadelphia, millionaire, anthony, drexel, biddle, film, featuring, music, sherman, brothers, nominated, acade. This article is about the film For the album see The Happiest Millionaire album The Happiest Millionaire is a 1967 American musical film starring Fred MacMurray based upon the true story of Philadelphia millionaire Anthony Drexel Biddle The film featuring music by the Sherman Brothers was nominated for an Academy Award for Best Costume Design by Bill Thomas The screenplay by A J Carothers was adapted from the play based on the book My Philadelphia Father by Cordelia Drexel Biddle 3 Walt Disney acquired the rights to the play in the early 1960s The film was the last live action musical film to be produced by Walt before his death on December 15 1966 The Happiest Millionaire1967 Theatrical posterDirected byNorman TokarScreenplay byA J CarothersStory byA J CarothersBased onMy Philadelphia Fatherby Cordelia Drexel BiddleProduced byWalt DisneyBill AndersonStarringFred MacMurray Tommy Steele Greer Garson Gladys Cooper Geraldine Page Hermione Baddeley John Davidson Lesley Ann WarrenCinematographyEdward ColmanEdited byCotton WarburtonMusic byJack ElliottProductioncompanyWalt Disney ProductionsDistributed byBuena Vista DistributionRelease datesJune 23 1967 1967 06 23 Hollywood premiere November 30 1967 1967 11 30 Radio City Music Hall Running time164 minutes Los Angeles premiere 144 minutes New York City premiere 118 minutes General release 172 minutes Director s cut CountryUnited StatesLanguageEnglishBudget 5 million 1 Box office 5 million U S Canada rentals 2 Contents 1 Plot 1 1 Longer version 2 Cast 3 Production 3 1 Origins 3 2 Development 4 Music 5 Release 5 1 Home media 6 Reception 7 See also 8 References 9 External linksPlot EditIn autumn of 1916 Irish immigrant John Lawless Tommy Steele has applied for a butler position with eccentric Philadelphia millionaire Anthony J Drexel Biddle Fred MacMurray Even though the family is a bit strange Lawless soon learns that he fits right in Mr Biddle takes a liking to him immediately Mr Biddle busies himself with his Biddle Boxing and Bible School located in his stable and with his alligators in the conservatory He is also anxious to get America into the war in Europe despite the government s policy of neutrality His wife Cordelia Greer Garson stands quietly by accepting his eccentricities with a sense of pride and class Their two sons Tony and Livingston Paul Petersen and Eddie Hodges are headed off to boarding school not to be seen again Their daughter Cordy Lesley Ann Warren is a tomboy with a mean right hook who was educated by private tutors and has had limited contact with conventional society She is frustrated by her apparent inability to attract suitors and wants to see what is beyond the Biddle manor Mr Biddle reluctantly lets Cordy go to a boarding school as well after some prodding from both Cordy and from his Aunt Mary Gladys Cooper Cordy s roommate teaches her how to lure men with feminine wiles and at a social dance hosted by her aunt and uncle Cordy meets Angier Buchanan Duke John Davidson and they fall in love He tells Cordy that he is fascinated with the invention of the automobile and wants to head to Detroit Michigan to make his fortune there instead of taking over his family s tobacco business That winter Cordy comes back to her parents home and tells them that she is engaged At first this is a difficult thing for Mr Biddle to take He does not want to give up his little girl But after meeting Angier and witnessing first hand his Jiu Jitsu fighting skills Mr Biddle takes a liking to him and accepts the engagement Then Cordy travels with Angier to New York City to meet his mother Geraldine Page Soon the Biddles and the Dukes are making arrangements for a very grand wedding It is by now the spring of 1917 and constant condescending comments from Angier s mother anger Cordy To make matters worse their families elaborate planning for the social event of the season makes both Cordy and Angier feel pushed aside The tension reaches a climax when Cordy learns that Angier has abandoned his plans for Detroit and is instead taking his place in the family business following his mother s wishes Cordy angrily calls the wedding off thinking of Angier as a mama s boy and Angier storms out of the house Both families are instantly in a tremendous state of upheaval Mr Biddle sends John Lawless to look after Angier John finds Angier at the local tavern contemplating what he will do next and tries to convince Angier to go back to Cordy However Angier is stubborn and thinks of other ways to deal with his problems among other things saying that he wants to join the Foreign Legion Angier unwittingly starts a bar fight with a little help from John and is hauled off to jail The next morning Mr Biddle comes to bail Angier out He tells Angier he has to forget about his own dreams and accept his place in the family business His words have the desired effect inspiring Angier to defy his mother and elope with Cordy and go to Detroit Cordy however believes her father talked Angier into it so to prove his sincerity amid the cheering of the cellmates Angier throws Cordy over his shoulder and carries her out of the jail house to start their new life together Longer version Edit After Mr and Mrs Biddle return home a delegation of Marines arrive to inform him he has been made a provisional captain in the Marine Corps and is wanted immediately to go to Parris Island to continue training the recruits now that America is finally entering the War Mr Biddle accepts with delight and the hearty congratulations of his suddenly appearing Bible Boxing Class A car with two people presumably Cordie and Angie drives toward a city skyline presumably Detroit dominated by factories clouding the sky at sunset Cast EditFred MacMurray as Anthony J Drexel Biddle Cordy s father Greer Garson as Cordelia Bradley Biddle Cordy s mother Gladys Cooper as Aunt Mary Geraldine Page as Sarah Pearson Angier Duke Angier s mother Tommy Steele as John Lawless the butler a recent immigrant from Ireland Hermione Baddeley as Mrs Worth the Biddle s maid John Davidson as Angier Buchanan Duke Cordy s fiance Lesley Ann Warren as Cordelia Cordy Drexel Biddle Paul Petersen as Anthony Biddle Cordy s brother Eddie Hodges as Livingston Biddle Cordy s brother Joyce Bulifant as Rosemary Cordy s roommate Sean McClory as Police Sgt Jim McMullan as Lt Powell William Wellman Jr as Lt Grayson Aron Kincaid as Walter Blakely Larry Merrill as Charlie Taylor Frances Robinson as Aunt GladysProduction EditOrigins Edit This section may contain material unrelated or insufficiently related to the topic of the article Please help improve this section or discuss this issue on the talk page October 2020 Learn how and when to remove this template message The film had its origins in the 1955 book My Philadelphia Father by Cordelia Biddle as told to Kyle Crichton 4 The New York Times said the story was told with charm 5 There was early interest in the book for stage adaptation 6 Crichton adapted the story into a play called The Happiest Millionaire 7 which opened on Broadway on November 20 1956 at the Lyceum Theatre Walter Pidgeon portrayed Anthony J Drexel Biddle and George Grizzard played Angie It was Pidgeon s first appearance on Broadway in 21 years and MGM obtained film rights in exchange for permitting him to appear in the play Howard Erskine and Joseph Hayes produced the play and Guthrie McClintock was to direct 8 but he left the production before opening night 9 The New York Times called the production decent and amusing and Pidgeon wonderful 10 The production ran for 271 performances closing on July 13 1957 Development Edit In the early 1960s Walt Disney acquired the rights to the play but he had no intent of making it into a musical at first After the box office success of Mary Poppins My Fair Lady and The Sound of Music the first of which he had produced the film s original producer Bill Walsh decided to make the film into a musical However Disney reassigned him to Blackbeard s Ghost replacing him with Bill Anderson 11 The Sherman Brothers who wrote the film s music wanted Rex Harrison for the lead role 11 12 but Disney insisted on Fred MacMurray 13 Regardless Harrison would not have been available as he was shooting Doctor Dolittle for 20th Century Fox In January 1966 a key role went to Tommy Steele who had achieved success on Broadway in Half a Sixpence 14 Lesley Ann Warren whom Disney had seen in the 1965 CBS television production of Rodgers and Hammerstein s Cinderella made her screen debut in the film She also met future husband Jon Peters during the film s production 15 The role of MacMurray s wife went to Greer Garson who called the film a delightful Life with Father type picture I don t have much to do but I love working with Fred MacMurray 16 Music Edit Fortuosity Tommy Steele What s Wrong with That Fred MacMurray Watch Your Footwork Paul Petersen and Eddie Hodges Valentine Candy Lesley Ann Warren Strengthen the Dwelling Fred MacMurray and Biddle Bible Class I ll Always Be Irish Tommy Steele Fred MacMurray and Lesley Ann Warren Bye Yum Pum Pum Joyce Bulifant and Lesley Ann Warren Are We Dancing John Davidson and Lesley Ann Warren I Believe in This Country Fred MacMurray Detroit John Davidson and Lesley Ann Warren When a Man Has a Daughter Fred MacMurray There Are Those Gladys Cooper Tommy Steele and Geraldine Page Let s Have a Drink on It John Davidson Tommy Steele and Chorus It Won t Be Long Til Christmas Roadshow version only Greer Garson and Fred MacMurray Finale Let s Have a Drink On It Tommy Steele and Chorus Off Rittenhouse Square Unused song The song Detroit contains the lyric F O B Detroit According to the Shermans Disney overheard them singing the song and misheard the phrase as S O B then scolded them for using such language in a Disney movie The Shermans corrected Disney and the three laughed about it 17 The original cast soundtrack was released on Buena Vista Records in stereo STER 5001 and mono BV 5001 versions A second cast recording with studio singers and orchestrations by Tutti Camarata appeared on Disneyland Records in stereo STER 1303 and mono DQ 1303 18 The cast soundtrack was re released on CD in 2002 60781 7 remastered from the original eight track master tapes to reduce the heavy reverb from the original LP 19 The soundtrack is currently available on iTunes Are We Dancing was included on the 1992 CD compilation The Sherman Brothers The song along with Fortuosity was included on the 2009 Sherman Brothers Songbook compilation set The Supremes covered It Won t Be Long Til Christmas for their planned album of Disney covers but the tracks from that session were not released until the 1980s 20 Release EditWhen Walt Disney died on December 15 1966 the film s first cut had already been completed 13 Disney told Anderson to use his own judgement but added Don t let the distribution people rush you Anderson wanted to shorten the film as he disliked the musical number It Won t Be Long Til Christmas as performed by Greer Garson 11 Disney COO Card Walker wanted to excise even more material and the two men fought bitterly over the extent of the cuts 11 The film opened at 164 minutes on a reserved seating basis 21 Robert Sherman was in England during the film s Hollywood premiere at the Pantages Theatre but he became furious when he discovered in the Los Angeles Times that a theater in the vicinity was showing a double feature of The Shaggy Dog and The Absent Minded Professor at a much lower price 13 In order to satisfy requests from Radio City Music Hall the site of the film s New York premiere the studio cut 20 minutes from the film after the premiere For the general release the film was shortened even further to 118 minutes It was not reissued and did not appear on television until 1984 when the 164 minute version was screened at the Los Angeles International Film Expo and aired on The Disney Channel 22 Home media Edit The film was first released on VHS format in 1983 then reissued in 1986 Both releases are of the 144 minute version Anchor Bay Entertainment released separate DVDs of both the long and short versions on July 20 1999 The long version presented on home video for the first time was in 1 66 1 non anamorphic widescreen but the short version was 1 33 1 23 Disney re released the film on DVD on June 1 2004 featuring only the long version and including the intermission music at the end of Act I and the exit music at the end of Act II elements that had been missing from the Anchor Bay release The film became available on the Disney streaming service on June 11 2021 Reception EditWriting in The New York Times Bosley Crowther panned the film the whole picture is vulgar It is an over decorated over fluffed over sentimentalized endeavor to pretend the lace curtain millionaires are or were every bit as folksy as the old prize fighters and the Irish brawlers in the saloon 24 Roger Ebert of the Chicago Sun Times wrote that adults will find the plot thin and the characters one dimensional Lots of kids will find little to hold their interest except the alligators The children will wonder how John Davidson could have possibly been cast in such an innocent and naive role when he looks at least 25 years old I mean that s a little late to steal your first kiss As for the musical numbers I found them eminently forgettable with the sole exception of a nicely staged Irish reel 25 Reviewing the film for Life Richard Schickel remarked What is missing quite literally is magic The movie s length period cost even its eccentric central figure indicate Disney was trying for another Mary Poppins It desperately needs her magic umbrella to lift MacMurray and the whole project off the ground But the people who created the highest moments in Poppins with the dance across the rooftops are absent 26 Charles Champlin of the Los Angeles Times stated that the film was a disappointment and compared it unfavorably to Mary Poppins There is no such unity of interest and identification in The Happiest Millionaire If there is not really anybody to root against except maybe Geraldine Page as the tart tongued Mrs Duke there are too many people to root for and each of them is pursuing his own story line 27 See also EditList of American films of 1967References Edit Bart Peter May 14 1966 Hollywood Finds Harmony Paying Recent Success of Musicals on Film Sparks a Revival The New York Times p 17 Big Rental Films of 1968 Variety January 8 1969 p 15 Burt Nathaniel 1999 The Perennial Philadelphians The Anatomy of an American Aristocracy University of Pennsylvania Press p 55 ISBN 978 0 812 21693 6 Poore Charles May 5 1955 Books of The Times The New York Times p 31 The Happy Millionaire My PHILADELPHIA FATHER By Cordelia Drexel Biddle as told to Kyle Crichton Illustrated 256 pp New york Doubleday amp Co 4 By CLEVELAND AMORY New York Times 8 May 1955 BR6 GENERAL AND SON TO PRODUCE PLAYS C W Christenberrys Sr and Jr Form Company Katz Musical First Project By LOUIS CALTA New York Times 10 May 1955 24 OCT 24 BOW SET FOR LARK HERE Longacre Theatre Is Chosen for Bloomgarden Offering Producer Casting Diary By LOUIS CALTA New York Times 25 June 1955 8 PIDGEON TO STAR IN CRICHTON PLAY Film Actor Will Return Here in The Happiest Millionaire After 21 Year Absence A Change of Plans By SAM ZOLOTOW New York Times 10 July 1956 27 Calta Louis October 13 1956 M CLINTIC LEAVES CRICHTON COMEDY Director in Disagreement on Happiest Millionaire Erskine Takes Over Play by Fry Tomorrow O Neill Premiere Monday The New York Times p 15 Atkinson Brooks November 21 1956 Theatre Happy Evening The Cast The New York Times p 21 a b c d Gheiz Didier 2009 Walt s People Volume 8 Xlibris Corporation p 246 ISBN 978 1 4415 5183 2 Shermans They Feel a Song Coming On Los Angeles Times January 31 1966 p C14 a b c Gheiz Didier 2009 Walt s People Volume 8 Xlibris Corporation pp 203 206 208 ISBN 978 1 4415 5183 2 Gwynne Makes a Lovable Munster Los Angeles Times January 4 1966 p B8 Masters Kim Nancy Griffin 1997 Hit amp Run How Jon Peters and Peter Guber Took Sony For a Ride in Hollywood New York NY Simon amp Schuster pp 20 21 ISBN 0684832666 When I met Jon I was appearing in The Happiest Millionaire a perfect Jon Peters story says Lesley Ann Warren Scott Vernon June 21 1966 Greer Garson Keeps Herself Busy Times Herald The Washington Post p B5 Walt Disney s The Happiest Millionaire Original Cast Soundtrack Buena Vista Records STER 5001 1966 Murray R Michael 1997 The Golden Age of Walt Disney Records 1933 1988 Dubuque Iowa Antique Trader Books p 33 ISBN 0 930625 70 6 Hollis Tim Greg Ehrbar 2006 Mouse Tracks The Story of Walt Disney Records University Press of Mississippi p 100 ISBN 1 57806 849 5 Taraborrelli J Randy 2007 Diana Ross An Unauthorized Biography New York NY Kensington Publishing Corporation p 504 ISBN 978 0 8065 2850 2 Champlin Charles May 28 1967 Disney After Disney Roy amp the Seven Los Angeles Times p K8 Holliss Richard Sibley Brian 1988 The Disney Studio Story London Octopus Books Limited p 202 ISBN 0 517 57078 5 King Susan July 29 1999 Choices to Make Millionaire Fans Happy Los Angeles Times Retrieved December 28 2013 Crowther Bosley December 1 1967 Screen Thin Blue Blood Music Hall Attraction The New York Times Retrieved January 14 2020 Ebert Roger October 16 1967 The Happiest Millionaire movie review 1967 Chicago Sun Times Retrieved January 14 2020 via RogerEbert com Schickel Richard January 5 1968 Walt s Good and Bad Goodbye Life Vol 64 no 1 p 11 Retrieved January 14 2020 via Google Books Champlin Charles July 9 1967 So Little From So Much Los Angeles Times p 11 Retrieved January 14 2020 via Newspapers com External links EditOfficial website The Happiest Millionaire at IMDb The Happiest Millionaire at Rotten Tomatoes The Happiest Millionaire at the TCM Movie Database The Happiest Millionaire at the Internet Broadway Database The Happiest Millionaire DVD review Retrieved from https en wikipedia org w index php title The Happiest Millionaire amp oldid 1152260406, wikipedia, wiki, book, books, library,

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