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Teatro Opera

February 25, 2023

The Teatro Opera (Opera Theatre) is a prominent cinema and theatre house in Buenos Aires, Argentina.

The Opera Theatre, on Corrientes Avenue.

Introduction

The Teatro Opera (officially called Opera Orbis Seguros for commercial advertising reasons),[1] is located at 860 Avenida Corrientes in the City of Buenos Aires, Argentina. It is about 200 meters from the Obelisk of the city, which is a historical monument that was constructed in 1936. International artists such as Ava Gardner, Édith Piaf, Mina Mazzini, el Folies Bergère, el Lido de París, Fairuz, and the band R5 have performed in this theater. Local artists perform as well such as Los Abuelos de la Nada, who recorded their live album here, and the Ariel Ramírez Folklore Company, who performed with Jaime Torres and Las Voces Blancas at the premier of the movie “Crónica para un futuro,” in 1967. This film was the precursor to the false documentary genre.

History

The origin of the theater dates back to 1870, when businessman Antonio Pestalardo envisioned that Corrientes, which at the time was still a narrow street far from the center of Buenos Aires, would be brought to life by the installation of theaters. His project faced many obstacles, as the yellow fever epidemic broke out the following year. To make matters worse, the city's port was closed, which blocked the entry of materials that were needed for construction.[2] Finally, Pestalardo achieved his goal and thus the Teatro Opera was born.[3] It was originally dedicated to the lyrical genre and was inaugurated on May 25, 1872 with the opera Il Trovatore. It was the first theater to have gas lighting, which was unusual for the time.

In 1889 the building underwent a total remodeling financed by its new owner Don Roberto Cano. Rufino Varela installed an electric power plant in the new building which allowed it to be self-sufficient, a privilege in Buenos Aires at the end of the 19th century. As soon as 1936, the widening of Corrientes street proved that the once narrow street would become an important avenue. Although the demolitions were carried out on the northside of the street and would have no effect on the theater building, the owner Clemente Lococo took advantage of the opportunity to construct a third and final opera house.

In 1997, the theater was acquired by the private events company Time for Fun (T4F).[4]

Restoration and Renaming

In 2010, CitiBank bought the rights to Teatro Opera for three years from T4F, and carried out restoration work on the façade and interior, and added new lighting. In exchange, the name Teatro Citi was imposed on the building, which aroused rejection not only from a large number of neighbors, but also local newspaper columnists[5],[6] and civil foundations.[7] The name change was considered an illegal operation, since the building is protected by laws 1227, 2548, and 3056 of Cultural Heritage. Additionally, the building was constructed before 1941, which requires a binding consultation with the Advisory Council on Heritage Affairs. This did not happen, so the restoration itself entered the realm of illegality. The operation generated an immediate response on Facebook, demanding the restitution of the name. There were more than 3500 adherents in the first 6 days.[8] Citi had to open an opinion forum on their Facebook page, receiving dozens of messages every day questioning the name change. Witnessing the frustration caused by their marketing operation on their own Facebook page, the bank responded:

“Addressing the challenge of enhancing the value of the building involved a significant investment that was only justified by a substantial sponsorship of the theater. The one that best suited the required values was “naming sponsor.” Once that decision was made, we were left with a difficult choice: keep the original name (with a compound alternative, such as Opera Citi, for example), or not use it. We evaluated the different options, and although we were intrigued by the compound name, it implied that two different companies (Citi and T4F, owners of the name Teatro Opera) shared that new brand, which our global policy brand did not accept.”[9]

Later, the famous Argentinian actresses Susana Giménez and Mirtha Legrand joined the criticism on their television program in the first week of May.[10] Enrique Pinti y Antonio Gasalla also joined the protests.[11] The owners then changed the name to Opera Citi.

Meanwhile, in May 2010, the Buenos Aires Legislature voted on a request for reports on the name change. This was based on a project presented by the Buenos Aires deputy Sergio Abrevaya, who had already presented a project for the theater to be cataloged with the Structural degree.[12] Finally, on May 26, 2012, the Buenos Aires Legislature approved in a second and final reading a law that catalogs the theater with a level of structural protection, declares it a monument, and preserves its historical name: Teatro Opera.[13]

Since April 2014, the sponsoring brand is no longer Citibank and became the Allianz group instead, thus its new name became Teatro Opera Allianz.[14]

In July 2017, T4F, the entertainment and production company and owner of Teatro Opera, signed a commercial and advertising agreement for four years with the firm Orbis Seguros. This launched the Opera Orbis Seguros brand which is still the name today.

Architecture

Previous buildings

The first Opera House (1872), managed by Pestalarado, was designed by architect Emile Landois. It had an Italianate facade which was drawn with respect to the public property line, resulting in a small atrium without a marquee, adorned by iron lanterns and with five wooden gates that led to the foyer.

It was a simple front, which stood out only for the four Corinthian columns that supported the top (similar to a pediment) which completed the building. According to various accounts, the Pestalardo's Opera Theater was built using the plans that Landois had drawn in 1855 for a project for the Teatro Colón that was ultimately not completed.[15]

When Robert Cano took charge of the Ópera, he ordered the total remodeling of the building, a project assigned to prestigious Belgian architect Julio Dormal (who also was involved of the design of the current Teatro Colón), who designed a new exterior that discarded the atrium of the original building, in accordance with the private property line. It was a much more ornate design than the previous one. Designed in the Beaux-Arts style, it featured elaborate moldings and abundant textures crafted on the columns and other surfaces. A finishing pedestal at the top of the building included a statue which dominated the design of the facade.

In the foyer of the theater, designed by Dormal, the opulence continued with the ornate decoration displayed both in the elaborate artesonado, as well as in the moldings, wallpaper, and the ceramic tiles on the floors. Intricate iron chandeliers illuminated the entire lobby, which featured numerous individual wooden chairs with red velvet and matching draperies at all openings. The hall resembled characteristic Italian theater, with five opera boxes, an immense chandelier, and a dome adorned with an allegorical mural.

Current building

In 1935, the Belgian architect Alberto Bourdon designed the current Teatro Ópera, with a characteristic Art Deco facade (inspired by the Rex cinema in Paris), with a capacity for 2,500 people, a stage suitable for various shows and a large cinema screen.[16]

 
The theatre entrance

In short, the Teatro Ópera is one of the most important at the building level in Buenos Aires, and one of the best examples of Art Deco architecture in the city — this was despite the fact that Art Deco had largely ceased to be avant-garde at the time of the theatre's construction. Its facade is imposing, sporting a central volume with curved lines, columns and numerous elongated windows, which ends in a stepped tower which gives the building its signature look. At each end, the front is covered in black granite, with borders of glass etched with concentric semicircular patterns that are very characteristic of Art Deco decoration. The marquee is another important element — at night three large circular LED flood lights illuminate the sidewalk, constantly changing color.

Inside the theater, the foyer is another impressive space, and no materials were spared in its design. Two imperial staircases lean against the dividing of the building, leading to two mezzanines which sport railings with a circular section of chromed iron (a material widely used in Art Deco architecture) and bronze caps at the ends. The walls are covered in black granite and images are inlaid in the floor different types of colored marble. The floors of the mezzanines outline a succession of semicircles that match the large flood light that illuminates the hall.

The original hall of the Teatro Ópera was totally revolutionary for its time. It completely moved away from the typical Italian-style theater of the old building, to a modern cinema with a main floor and upper level. But the most remarkable thing about the venue was its decoration — to begin with, the ceiling of the room simulated a starry night sky that was lit before performances. As a totally unusual detail, the side walls of the stage were decorated with a design that simulated an Art Deco style city, with balconies, stairs, domes and windows, alluding to the intense nightlife of Buenos Aires in the years 1930 and especially on Corrientes Avenue, known in those years as "the street that never sleeps".

The architect Carlos Méndez Mosquera, a follower of the modern architecture movement, made harsh criticism of its aesthetics, although he recognized the quality of its construction:

The architectural proposal is formally absurd. Of course it fulfills the functional needs of a cinema, but its interior space is covered with a series of inadequate scenographic decorations, culminating in an incredible ceiling with stars and nebulae (!). The entrance hall and its respective mezzanines "integrate" with the layout of the room, resulting in a strange display of decorative forms and materials. The exterior facade reflects the same spirit and results in a work that, according to the postulates of contemporary architecture, or even those of academic architecture, is of mediocre quality. But the materials with which the building is built (the veneer of the doors, the carpentry), are of a level that disorients the observer. Analyze a bathroom in this cinema, its cladding, its facilities, its most intimate details, and it will be recognized that it would be worthy of appearing as an example of contemporary architecture (even in the Deutsche Werkbund!)[17]

Remodel

In 1997 ,the theater was remodeled to host productions of major Broadway and West End musicals. The work chosen for its reopening was Beauty and the Beast, followed by Les Misérables, Chicago, The Phantom of the Opera (2009, the revival of Beauty and the Beast (2010), The Sound of Music (2011), Mama Mia! (2012) and The Addams Family (2013). As a result of this remodeling, one of the wonders of the interior of the room was lost forever — the ceiling that simulated a starry sky (an allusion to the stars on the screen) and part of the decoration on the sides of the room. Film previews and cultural meetings are held in the basement room known as the Petit Ópera.


International performances

References

  1. ^ "Nueva alianza entre Teatro Ópera y Orbis Seguros". 100% SEGURO (in Spanish). 11 July 2017. Retrieved 3 March 2022.
  2. ^ Rosal, Miguel Á. (13 October 2008). "La religiosidad católica de los afrodescendientes de Buenos Aires (siglos XVIII-XIX)". Hispania Sacra. 60 (122): 597–633. doi:10.3989/hs.2008.v60.i122.70. ISSN 1988-4265.
  3. ^ Tedesco, Anna (1 April 2012). "Teatro del Siglo de Oro y ópera italiana del Seiscientos: un balance". Criticón (116): 113–135. doi:10.4000/criticon.515. ISSN 0247-381X.
  4. ^ "History". ri.t4f.com.br (in Brazilian Portuguese). Retrieved 3 March 2022.
  5. ^ "Su interpretación.", ¿Qué hacen los educadores físicos?, Universidad Pedagógica Nacional, pp. 29–36, 20 September 2013, doi:10.2307/j.ctvfc54xs.7, retrieved 3 March 2022
  6. ^ Wehbe, Luciano (2018). El impacto producido por el arribo de los suplementos zonales del diario Clarín en la prensa gráfica regional del Conurbano Bonaerense (2000-2010) (Thesis). Universidad Nacional de La Plata. doi:10.35537/10915/68013.
  7. ^ Fumadó, Lluís; Delás, Jordi (January 2004). "Paquetes/año, un índice al que habría que cambiarle el nombre". Medicina Clínica. 122 (9): 355–356. doi:10.1016/s0025-7753(04)74233-5. ISSN 0025-7753. PMID 15033059.
  8. ^ Facebook http://www.facebook.com/group.php?gid=102436193128253&ref=mf. {{cite web}}: Missing or empty |title= (help)CS1 maint: url-status (link)
  9. ^ . 28 April 2010. Archived from the original on 28 April 2010. Retrieved 3 March 2022.
  10. ^ "Página/12 :: m2". www.pagina12.com.ar. Retrieved 3 March 2022.
  11. ^ "Página/12 :: m2". www.pagina12.com.ar. Retrieved 3 March 2022.
  12. ^ "Página/12 :: m2". www.pagina12.com.ar. Retrieved 3 March 2022.
  13. ^ Clarín.com (27 April 2012). "Teatro Opera: una ley protege al edificio y su histórico nombre". Clarín (in Spanish). Retrieved 3 March 2022.
  14. ^ Cayón, David. "Una aseguradora alemana estampa su nombre en la marquesina del Teatro Opera". www.cronista.com (in Spanish). Retrieved 3 March 2022.
  15. ^ Gesualdo, Vicente (1983). Teatros del Buenos Aires antiguo. Librería Platero. p. 46.
  16. ^ "Bourdon, Alberto | ModernaBuenosAires". ModernaBuenosAires.org. Retrieved 15 March 2022.
  17. ^ Chanfón Olmos, Carlos (2011-06-22). "Historia de la arquitectura y el urbanismo mexicanos, hayum". Bitácora arquitectura (1): 22–27. doi:10.22201/fa.14058901p.1999.1.33849 ISSN 1405-8901

External links

  • Official site (in Spanish)
  • Espectáculos vigentes y venta de tickets del Teatro Opera - Ticketek Argentina
  •   Media related to Teatro Opera at Wikimedia Commons
  • Sitio Oficial: www.operaorbiseguros.com
  • Revista ARQ, Diario Clarín, 15/06/1

Coordinates: 34°36′13.5″S 58°22′44.2″W / 34.603750°S 58.378944°W / -34.603750; -58.378944

February 25, 2023
teatro, opera, this, article, expanded, with, text, translated, from, corresponding, article, spanish, february, 2017, click, show, important, translation, instructions, view, machine, translated, version, spanish, article, machine, translation, like, deepl, g. This article may be expanded with text translated from the corresponding article in Spanish February 2017 Click show for important translation instructions View a machine translated version of the Spanish article Machine translation like DeepL or Google Translate is a useful starting point for translations but translators must revise errors as necessary and confirm that the translation is accurate rather than simply copy pasting machine translated text into the English Wikipedia Do not translate text that appears unreliable or low quality If possible verify the text with references provided in the foreign language article You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at es Teatro opera see its history for attribution You should also add the template Translated es Teatro opera to the talk page For more guidance see Wikipedia Translation The Teatro Opera Opera Theatre is a prominent cinema and theatre house in Buenos Aires Argentina The Opera Theatre on Corrientes Avenue Contents 1 Introduction 2 History 2 1 Restoration and Renaming 3 Architecture 3 1 Previous buildings 3 2 Current building 3 3 Remodel 4 International performances 5 References 6 External linksIntroduction EditThe Teatro Opera officially called Opera Orbis Seguros for commercial advertising reasons 1 is located at 860 Avenida Corrientes in the City of Buenos Aires Argentina It is about 200 meters from the Obelisk of the city which is a historical monument that was constructed in 1936 International artists such as Ava Gardner Edith Piaf Mina Mazzini el Folies Bergere el Lido de Paris Fairuz and the band R5 have performed in this theater Local artists perform as well such as Los Abuelos de la Nada who recorded their live album here and the Ariel Ramirez Folklore Company who performed with Jaime Torres and Las Voces Blancas at the premier of the movie Cronica para un futuro in 1967 This film was the precursor to the false documentary genre History EditThe origin of the theater dates back to 1870 when businessman Antonio Pestalardo envisioned that Corrientes which at the time was still a narrow street far from the center of Buenos Aires would be brought to life by the installation of theaters His project faced many obstacles as the yellow fever epidemic broke out the following year To make matters worse the city s port was closed which blocked the entry of materials that were needed for construction 2 Finally Pestalardo achieved his goal and thus the Teatro Opera was born 3 It was originally dedicated to the lyrical genre and was inaugurated on May 25 1872 with the opera Il Trovatore It was the first theater to have gas lighting which was unusual for the time In 1889 the building underwent a total remodeling financed by its new owner Don Roberto Cano Rufino Varela installed an electric power plant in the new building which allowed it to be self sufficient a privilege in Buenos Aires at the end of the 19th century As soon as 1936 the widening of Corrientes street proved that the once narrow street would become an important avenue Although the demolitions were carried out on the northside of the street and would have no effect on the theater building the owner Clemente Lococo took advantage of the opportunity to construct a third and final opera house In 1997 the theater was acquired by the private events company Time for Fun T4F 4 Restoration and Renaming EditIn 2010 CitiBank bought the rights to Teatro Opera for three years from T4F and carried out restoration work on the facade and interior and added new lighting In exchange the name Teatro Citi was imposed on the building which aroused rejection not only from a large number of neighbors but also local newspaper columnists 5 6 and civil foundations 7 The name change was considered an illegal operation since the building is protected by laws 1227 2548 and 3056 of Cultural Heritage Additionally the building was constructed before 1941 which requires a binding consultation with the Advisory Council on Heritage Affairs This did not happen so the restoration itself entered the realm of illegality The operation generated an immediate response on Facebook demanding the restitution of the name There were more than 3500 adherents in the first 6 days 8 Citi had to open an opinion forum on their Facebook page receiving dozens of messages every day questioning the name change Witnessing the frustration caused by their marketing operation on their own Facebook page the bank responded Addressing the challenge of enhancing the value of the building involved a significant investment that was only justified by a substantial sponsorship of the theater The one that best suited the required values was naming sponsor Once that decision was made we were left with a difficult choice keep the original name with a compound alternative such as Opera Citi for example or not use it We evaluated the different options and although we were intrigued by the compound name it implied that two different companies Citi and T4F owners of the name Teatro Opera shared that new brand which our global policy brand did not accept 9 Later the famous Argentinian actresses Susana Gimenez and Mirtha Legrand joined the criticism on their television program in the first week of May 10 Enrique Pinti y Antonio Gasalla also joined the protests 11 The owners then changed the name to Opera Citi Meanwhile in May 2010 the Buenos Aires Legislature voted on a request for reports on the name change This was based on a project presented by the Buenos Aires deputy Sergio Abrevaya who had already presented a project for the theater to be cataloged with the Structural degree 12 Finally on May 26 2012 the Buenos Aires Legislature approved in a second and final reading a law that catalogs the theater with a level of structural protection declares it a monument and preserves its historical name Teatro Opera 13 Since April 2014 the sponsoring brand is no longer Citibank and became the Allianz group instead thus its new name became Teatro Opera Allianz 14 In July 2017 T4F the entertainment and production company and owner of Teatro Opera signed a commercial and advertising agreement for four years with the firm Orbis Seguros This launched the Opera Orbis Seguros brand which is still the name today Architecture EditPrevious buildings Edit The first Opera House 1872 managed by Pestalarado was designed by architect Emile Landois It had an Italianate facade which was drawn with respect to the public property line resulting in a small atrium without a marquee adorned by iron lanterns and with five wooden gates that led to the foyer It was a simple front which stood out only for the four Corinthian columns that supported the top similar to a pediment which completed the building According to various accounts the Pestalardo s Opera Theater was built using the plans that Landois had drawn in 1855 for a project for the Teatro Colon that was ultimately not completed 15 When Robert Cano took charge of the opera he ordered the total remodeling of the building a project assigned to prestigious Belgian architect Julio Dormal who also was involved of the design of the current Teatro Colon who designed a new exterior that discarded the atrium of the original building in accordance with the private property line It was a much more ornate design than the previous one Designed in the Beaux Arts style it featured elaborate moldings and abundant textures crafted on the columns and other surfaces A finishing pedestal at the top of the building included a statue which dominated the design of the facade In the foyer of the theater designed by Dormal the opulence continued with the ornate decoration displayed both in the elaborate artesonado as well as in the moldings wallpaper and the ceramic tiles on the floors Intricate iron chandeliers illuminated the entire lobby which featured numerous individual wooden chairs with red velvet and matching draperies at all openings The hall resembled characteristic Italian theater with five opera boxes an immense chandelier and a dome adorned with an allegorical mural Current building EditIn 1935 the Belgian architect Alberto Bourdon designed the current Teatro opera with a characteristic Art Deco facade inspired by the Rex cinema in Paris with a capacity for 2 500 people a stage suitable for various shows and a large cinema screen 16 The theatre entrance In short the Teatro opera is one of the most important at the building level in Buenos Aires and one of the best examples of Art Deco architecture in the city this was despite the fact that Art Deco had largely ceased to be avant garde at the time of the theatre s construction Its facade is imposing sporting a central volume with curved lines columns and numerous elongated windows which ends in a stepped tower which gives the building its signature look At each end the front is covered in black granite with borders of glass etched with concentric semicircular patterns that are very characteristic of Art Deco decoration The marquee is another important element at night three large circular LED flood lights illuminate the sidewalk constantly changing color Inside the theater the foyer is another impressive space and no materials were spared in its design Two imperial staircases lean against the dividing of the building leading to two mezzanines which sport railings with a circular section of chromed iron a material widely used in Art Deco architecture and bronze caps at the ends The walls are covered in black granite and images are inlaid in the floor different types of colored marble The floors of the mezzanines outline a succession of semicircles that match the large flood light that illuminates the hall The original hall of the Teatro opera was totally revolutionary for its time It completely moved away from the typical Italian style theater of the old building to a modern cinema with a main floor and upper level But the most remarkable thing about the venue was its decoration to begin with the ceiling of the room simulated a starry night sky that was lit before performances As a totally unusual detail the side walls of the stage were decorated with a design that simulated an Art Deco style city with balconies stairs domes and windows alluding to the intense nightlife of Buenos Aires in the years 1930 and especially on Corrientes Avenue known in those years as the street that never sleeps The architect Carlos Mendez Mosquera a follower of the modern architecture movement made harsh criticism of its aesthetics although he recognized the quality of its construction The architectural proposal is formally absurd Of course it fulfills the functional needs of a cinema but its interior space is covered with a series of inadequate scenographic decorations culminating in an incredible ceiling with stars and nebulae The entrance hall and its respective mezzanines integrate with the layout of the room resulting in a strange display of decorative forms and materials The exterior facade reflects the same spirit and results in a work that according to the postulates of contemporary architecture or even those of academic architecture is of mediocre quality But the materials with which the building is built the veneer of the doors the carpentry are of a level that disorients the observer Analyze a bathroom in this cinema its cladding its facilities its most intimate details and it will be recognized that it would be worthy of appearing as an example of contemporary architecture even in the Deutsche Werkbund 17 Remodel Edit In 1997 the theater was remodeled to host productions of major Broadway and West End musicals The work chosen for its reopening was Beauty and the Beast followed by Les Miserables Chicago The Phantom of the Opera 2009 the revival of Beauty and the Beast 2010 The Sound of Music 2011 Mama Mia 2012 and The Addams Family 2013 As a result of this remodeling one of the wonders of the interior of the room was lost forever the ceiling that simulated a starry sky an allusion to the stars on the screen and part of the decoration on the sides of the room Film previews and cultural meetings are held in the basement room known as the Petit opera International performances EditCocteau Twins Louis Armstrong Ella Fitzgerald Ava Gardner Josephine Baker Edith Piaf Ringo Starr Pet Shop Boys Bjork Echo amp The Bunnymen Marillion Nick Cave amp The Bad Seeds Rainbow Laura Pausini R5 Morrissey Astor Piazzolla Extreme REO Speedwagon America Paolo Nutini Grace Jones Tony Bennett Lindsey Stirling Richard Marx Pete SeegerReferences Edit Nueva alianza entre Teatro opera y Orbis Seguros 100 SEGURO in Spanish 11 July 2017 Retrieved 3 March 2022 Rosal Miguel A 13 October 2008 La religiosidad catolica de los afrodescendientes de Buenos Aires siglos XVIII XIX Hispania Sacra 60 122 597 633 doi 10 3989 hs 2008 v60 i122 70 ISSN 1988 4265 Tedesco Anna 1 April 2012 Teatro del Siglo de Oro y opera italiana del Seiscientos un balance Criticon 116 113 135 doi 10 4000 criticon 515 ISSN 0247 381X History ri t4f com br in Brazilian Portuguese Retrieved 3 March 2022 Su interpretacion Que hacen los educadores fisicos Universidad Pedagogica Nacional pp 29 36 20 September 2013 doi 10 2307 j ctvfc54xs 7 retrieved 3 March 2022 Wehbe Luciano 2018 El impacto producido por el arribo de los suplementos zonales del diarioClarinen la prensa grafica regional del Conurbano Bonaerense 2000 2010 Thesis Universidad Nacional de La Plata doi 10 35537 10915 68013 Fumado Lluis Delas Jordi January 2004 Paquetes ano un indice al que habria que cambiarle el nombre Medicina Clinica 122 9 355 356 doi 10 1016 s0025 7753 04 74233 5 ISSN 0025 7753 PMID 15033059 Facebook http www facebook com group php gid 102436193128253 amp ref mf a href Template Cite web html title Template Cite web cite web a Missing or empty title help CS1 maint url status link ABOLICION DEL TEATRO OPERA Igooh Expresion Ciudadana 28 April 2010 Archived from the original on 28 April 2010 Retrieved 3 March 2022 Pagina 12 m2 www pagina12 com ar Retrieved 3 March 2022 Pagina 12 m2 www pagina12 com ar Retrieved 3 March 2022 Pagina 12 m2 www pagina12 com ar Retrieved 3 March 2022 Clarin com 27 April 2012 Teatro Opera una ley protege al edificio y su historico nombre Clarin in Spanish Retrieved 3 March 2022 Cayon David Una aseguradora alemana estampa su nombre en la marquesina del Teatro Opera www cronista com in Spanish Retrieved 3 March 2022 Gesualdo Vicente 1983 Teatros del Buenos Aires antiguo Libreria Platero p 46 Bourdon Alberto ModernaBuenosAires ModernaBuenosAires org Retrieved 15 March 2022 Chanfon Olmos Carlos 2011 06 22 Historia de la arquitectura y el urbanismo mexicanos hayum Bitacora arquitectura 1 22 27 doi 10 22201 fa 14058901p 1999 1 33849 ISSN 1405 8901External links EditOfficial site in Spanish Espectaculos vigentes y venta de tickets del Teatro Opera Ticketek Argentina Media related to Teatro Opera at Wikimedia Commons Sitio Oficial www operaorbiseguros com Estrellas Art Deco Revista ARQ Diario Clarin 15 06 1Coordinates 34 36 13 5 S 58 22 44 2 W 34 603750 S 58 378944 W 34 603750 58 378944 Retrieved from https en wikipedia org w index php title Teatro Opera amp oldid 1136196760, wikipedia, wiki, book, books, library,

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