fbpx
Wikipedia

Sant'Eustachio

January 01, 1970

Sant'Eustachio ([santeuˈstaːkjo]) is a Roman Catholic titular church and minor basilica in Rome, named for the martyr Saint Eustace. It is located on Via di Sant'Eustachio in the rione Sant'Eustachio, a block west of the Pantheon and via della Rotonda, and a block east of Sant'Ivo alla Sapienza and the Via della Dogana Vecchia.

Sant'Eustachio
Basilica of Saint Eustace
Basilica di Sant'Eustachio
View of the Basilica Sant'Eustachio
Click on the map for a fullscreen view
41°53′55″N 12°28′33″E / 41.8987°N 12.4757°E / 41.8987; 12.4757
LocationVia di Sant'Eustachio, Rome
CountryItaly
Language(s)Italian
DenominationCatholic
History
StatusMinor basilica, titular church
Foundedby the 8th century AD
DedicationSaint Eustace
Architecture
Architectural typeRomanesque, Baroque
Administration
DioceseRome

History edit

A church at the site was founded by the 8th century. The church was recorded as a diaconia (a centre for helping the poor and the sick) at the end of the pontificate of Pope Gregory II (715-731). It is mentioned in some documents dating from the 10th and 11th centuries, where this church is called in platana (between the plane trees) referring to the tree planted in the garden of the martyr Eustace. However, tradition holds that the emperor Constantine I had previously built an oratory here. This church was called "ad Pantheon in regione nona e iuxta templum Agrippae" (at the Pantheon in the ninth rione and next to the temple of Agrippa").

The church was restored and had a new campanile added at the end of the 12th century during the pontificate of Celestine III (1191–1198), who also deposited the putative relics of Eustace and his family in the church.[1][2] In the 16th century, it was a favored praying-place for St Philip Neri. In the 17th and 18th centuries it was almost completely rebuilt, with only the campanile remaining from the old structure. The new design, in the Roman Baroque style, was produced by several architects : Cesare Corvara and Giovanni Battista Contini (1641–1723), who added chapels and the portico, Antonio Canevari (1681–1750), Nicola Salvi (1697–1751) and finally, from 1728, Giovanni Domenico Navone. The new high altar, in bronze and polychrome marble, was added by Nicola Salvi in 1739 and in 1749 Ferdinando Fuga put a baldachin over it. The choir and the sacristy were designed by Canevari and built by Giovanni Moscati.

Facade edit

 
Campanile and the pediment with a deer head with a cross between the antlers

The facade was built under the direction of Cesare Corvara († 1703) with the collaboration of other architects. It consists of two sections, with the upper section standing back. The lower part is marked with four pilasters and two columns, all with Ionic capitals with in the middle of each capital a small head of a deer. The spirals of the volutes are connected by a small laurel wreath. On the right side of the facade a plaque was placed in memory of the flood of the Tiber River in 1495, whose waters reached up to the basilica.

The top section is divided by four pilasters with on each side a large volute. In the middle is a large window with an arcuated cornice, flanked on each side by a niche adorned with shells. On top is a triangular pediment with in its middle a circular window surrounded with palm branches and surmounted by a crown. On top of the pediment stands a deer head with a cross between the antlers (done by the sculptor Paolo Morelli († 1719), in reference to the legend of Saint Eustace.

An iron gate, made by Gian Battista Contini, closes off the porch.

The square Romanesque campanile is situated on the back of the church at its left side. Construction was started in 1196 under the pontificate of Pope Celestine III. The top part can be dated back to the end of the 12th century, while the base is somewhat older and can be dated at ca. 1090.

Interior edit

The interior has a cruciform architectural plan and consists of a single nave. Its construction was carried out in mature Baroque style under the supervision of the architects Cesare Corvara and Antonio Canevari. The nave is marked on each side by three pilasters resting on a broad base. The pilasters are decked with fluted white marble and surmounted by composite capitals.

 
The main altar

The rib vault is stuccoed with flowers and leaves. The crossing is covered with a dome with a representation of the Holy Spirit in its middle.

The main altar was commissioned by Cardinal Neri Corsini and designed by the architect Nicola Salvi. He made it into an elegant and refined synthesis of marble and gilded metal. The top of the altar rests on an urn in porphyry rosso antico, the costly stone of the ancients, that contains the putative relics of Saint Eustace. The altarpiece was painted in 1727 by Francesco Ferdinandi (1679–1740), also named "l'Imperiali". It represents the martyrdom of Saint Eustace and his family who were roasted to death inside a bronze statue of a bull or an ox, in the year AD 118. The gilded wooden baldachin (circa 1746) over the main altar is attributed to Ferdinando Fuga (1699–1781).

The rear of the church is almost completely covered with the organ, made by Johann Conrad Werle in 1767. The gilded balustrade and the wooden front of the organ were executed in Rococo style by Bernardino Mammucari, Francesco Michetti and Carlo Pacilli. Above the organ stands a glass window representing "the Penitent Magdalene", realized in the last decade of the 19th century by Gabriel and Louis Gesta di Tolosa.

The pulpit was executed in polychrome marble and dates from 1937.

Right side edit

 
"The Annunciation" by Ottavio Lioni
  • The Chapel of the Holy Family dates from 1854. The altarpiece by Pietro Gagliardi (1809–1890) represent the Holy Family in Jerusalem. On the right wall is a white marble funeral monument with the bust of Luigi Greppi († 1673), an illustrious member of the Confraternity of the Holy Sacrament. On the left side of the altar stands a small statue of Saint Raymond Nonnatus, who, according to his hagiography, was nominated Cardinal-Deacon of Sant' Eustachio by pope Gregory IX in 1239, but died en route to Rome.
  • The Chapel of the Annunciation : its decoration was finished in 1874. Above the 17th-century altar stand two columns of coralline breccia that support a broken pediment with a bass-relief in stucco representing the Virgin and Child. The altarpiece by Ottavio Leoni (or Lioni) (1578–1630) represents the Annunciation.
  • The Chapel of the Sacred Heart was restored between 1934 and 1937 by Corrado Mezzana (1890–1952), who also added the altarpiece representing the Sacred Heart of Jesus, on the left wall, the painting "The Last Supper" and on the right wall the painting "Christ on the Cross and Saint Longinus piercing his Heart".
  • The right transept contains the paintings made by Jacopo Zoboli (1681–1767) in 1737. On the left wall hangs the large painting of "Saint Jerome" and in front "The meeting between the Holy Virgin and Elisabeth". The large wooden confessionals were made by Corrado Mezzana.

Left side edit

 
"Saint Julian the Hospitaler" by Biagio Puccini
  • Baptistery lies next to the entrance of the church. The glass window represents "The Baptism of Jesus". The baptismal font dates from the 16th century.
  • The Chapel of Saint Julian the Hospitaller was renovated from 1706. The altarpiece by Biagio Puccini (1675–1721) shows the saint curing a leper and welcoming an old pilgrim. The fresco on the ceiling represents "The Eternal Father"
  • The Chapel of the Archangel Michael is the largest chapel of this church. It was finished between 1716 and 1719 by Alessandro Speroni. The altarpiece by Giovanni Bigatti (1774–1817) is a dramatic rendering of the Archangel Michael triumphing over Satan. Next to the altar hang two paintings : St Raymond Nonnatus and St Frances of Rome. On the left wall is the funeral monument of Teresa Tognoli Canale (1807) and on the right wall the funeral monument by Lorenzo Ottoni (1658–1736) of Silvio Cavalleri († 1717), private secretary to the popes Innocent XII and Clement XI.
  • The Chapel of the Immaculate Heart of Mary was renovated from 1771 on by the architect Melchiorre Passalacqua and around 1800 by the sculptor Agostino Penna. Next to the altar stand two marble columns in "verde antico" that support a tympanum with two angels in stucco. The oval painting of the Immaculate Heart of Mary is a copy made in 1848 from the original painting by Giovanni Battista Casanova. On the left wall hangs a painting by Étienne de La Vallée Poussin (1774) representing "The Flight to Egypt". The painting on the right is "The Holy Family" (1774) by Tommaso Conca († 1815). The fresco on the ceiling renders "The Annunciation". At the altar of the left transept there is the altarpiece Incontro tra la Santa Vergine e Elisabetta by Jacopo Zoboli.


  • The left transept contains the statue of the Immaculate Heart of Mary (second half of the 20th century).
  • The Chapel of the Crucifix contains the tomb of don Pirro Scavizzi (1884–1964), the parish priest of this church between 1919 and 1932, whose beatification is under consideration.

List of titulars (cardinal deacons) edit

The following were Cardinal Deacons of S. Eustachio:[3][4][5][6][7][8]

Notes edit

  1. ^ Accurata, E Succinta Descrizione Topografica, E Istorica Di Roma, Volume 1, by Ridolfino Venturini, published by Carlo Barbellieni, Rome (1768); page 250.
  2. ^ Eustace's wife was Theopista, and his two sons Agapius and Theopistus.
  3. ^ Rudolf Hüls, Kardinäle, Klerus und Kirchen Roms: 1049-1130 (Tübingen 1977), pp. 226–227.
  4. ^ Johannes Matthias Brixius, Die Mitglieder des Kardinalkollegiums, von 1130 – 1181 (Berlin: R. Trenkel 1912), p. 141 (1121–1173).
  5. ^ David M. Cheney, Catholic-Hierarchy: Sant’Eustachio (1198–2016). Retrieved: 2016-03-13.
  6. ^ Conradus Eubel, Hierarchia catholica medii aevi I, editio altera (Monasterii 1913), pp. 49–50 (1198–1431).
  7. ^ Conradus Eubel, Hierarchia catholica medii aevi II, editio altera (Monasterii 1914), p. 66 (1408–1503).
  8. ^ Guilelmus van Gulik and Conradus Eubel, Hierarchia catholica medii et recentioris aevi III, editio altera (Monasterii 1923), p. 73 (1503–1595).
  9. ^ Unknown to Hüls, pp. 226–227.
  10. ^ Rudolf Hüls, Kardinäle, Klerus und Kirchen Roms: 1049–1130 (Tübingen 1977), pp. 226–227.
  11. ^ Unknown to Hüls, pp. 226–227.
  12. ^ Unknown to Hüls, pp. 226–227.
  13. ^ Agostino Paravicini-Bagliani, Cardinali di Curia e "familae" cardinalizia dal 1227 al 1254 II (Padova 1972), pp. 534–535.

Sources edit

  • Richard Krautheimer, Corpus Basilicarum Christianarum Romae: The Early Christian Basilicas of Rome (IV-IX Cent.) (Roma: Pontificio istituto di archeologia cristiana, 1937), pp. 213–218.
  • Antonio Menegaldo & Vincenzo Francia, Basilica di Sant' Eustachio in Campo Marzio (in Italian) – booklet on sale in the church
  • Carla Appetiti, S. Eustachio (Roma: Edizioni "Roma", 1964).
  • Pasquale Adinolfi, Rione Campo Marzo, Rione S. Eustachio (Firenze: Le Lettere, 1983) [Roma nell'età di mezzo / Pasquale Adinolfi, 4].

See also edit

External links edit

  • Lucentini, M. The Rome Guide: Step by Step through History's Greatest City.

  Media related to Sant'Eustachio at Wikimedia Commons

Preceded by
Sant'Eugenio 		Landmarks of Rome
Sant'Eustachio 		Succeeded by
Santa Francesca Romana, Rome

January 01, 1970
sant, eustachio, santeuˈstaːkjo, roman, catholic, titular, church, minor, basilica, rome, named, martyr, saint, eustace, located, rione, block, west, pantheon, della, rotonda, block, east, sant, alla, sapienza, della, dogana, vecchia, basilica, saint, eustaceb. Sant Eustachio santeuˈstaːkjo is a Roman Catholic titular church and minor basilica in Rome named for the martyr Saint Eustace It is located on Via di Sant Eustachio in the rione Sant Eustachio a block west of the Pantheon and via della Rotonda and a block east of Sant Ivo alla Sapienza and the Via della Dogana Vecchia Sant EustachioBasilica of Saint EustaceBasilica di Sant EustachioView of the Basilica Sant EustachioClick on the map for a fullscreen view41 53 55 N 12 28 33 E 41 8987 N 12 4757 E 41 8987 12 4757LocationVia di Sant Eustachio RomeCountryItalyLanguage s ItalianDenominationCatholicHistoryStatusMinor basilica titular churchFoundedby the 8th century ADDedicationSaint EustaceArchitectureArchitectural typeRomanesque BaroqueAdministrationDioceseRome Contents 1 History 2 Facade 3 Interior 4 Right side 5 Left side 6 List of titulars cardinal deacons 7 Notes 8 Sources 9 See also 10 External linksHistory editThis section needs additional citations for verification Please help improve this article by adding citations to reliable sources in this section Unsourced material may be challenged and removed March 2016 Learn how and when to remove this message A church at the site was founded by the 8th century The church was recorded as a diaconia a centre for helping the poor and the sick at the end of the pontificate of Pope Gregory II 715 731 It is mentioned in some documents dating from the 10th and 11th centuries where this church is called in platana between the plane trees referring to the tree planted in the garden of the martyr Eustace However tradition holds that the emperor Constantine I had previously built an oratory here This church was called ad Pantheon in regione nona e iuxta templum Agrippae at the Pantheon in the ninth rione and next to the temple of Agrippa The church was restored and had a new campanile added at the end of the 12th century during the pontificate of Celestine III 1191 1198 who also deposited the putative relics of Eustace and his family in the church 1 2 In the 16th century it was a favored praying place for St Philip Neri In the 17th and 18th centuries it was almost completely rebuilt with only the campanile remaining from the old structure The new design in the Roman Baroque style was produced by several architects Cesare Corvara and Giovanni Battista Contini 1641 1723 who added chapels and the portico Antonio Canevari 1681 1750 Nicola Salvi 1697 1751 and finally from 1728 Giovanni Domenico Navone The new high altar in bronze and polychrome marble was added by Nicola Salvi in 1739 and in 1749 Ferdinando Fuga put a baldachin over it The choir and the sacristy were designed by Canevari and built by Giovanni Moscati Facade edit nbsp Campanile and the pediment with a deer head with a cross between the antlers The facade was built under the direction of Cesare Corvara 1703 with the collaboration of other architects It consists of two sections with the upper section standing back The lower part is marked with four pilasters and two columns all with Ionic capitals with in the middle of each capital a small head of a deer The spirals of the volutes are connected by a small laurel wreath On the right side of the facade a plaque was placed in memory of the flood of the Tiber River in 1495 whose waters reached up to the basilica The top section is divided by four pilasters with on each side a large volute In the middle is a large window with an arcuated cornice flanked on each side by a niche adorned with shells On top is a triangular pediment with in its middle a circular window surrounded with palm branches and surmounted by a crown On top of the pediment stands a deer head with a cross between the antlers done by the sculptor Paolo Morelli 1719 in reference to the legend of Saint Eustace An iron gate made by Gian Battista Contini closes off the porch The square Romanesque campanile is situated on the back of the church at its left side Construction was started in 1196 under the pontificate of Pope Celestine III The top part can be dated back to the end of the 12th century while the base is somewhat older and can be dated at ca 1090 Interior editThe interior has a cruciform architectural plan and consists of a single nave Its construction was carried out in mature Baroque style under the supervision of the architects Cesare Corvara and Antonio Canevari The nave is marked on each side by three pilasters resting on a broad base The pilasters are decked with fluted white marble and surmounted by composite capitals nbsp The main altar The rib vault is stuccoed with flowers and leaves The crossing is covered with a dome with a representation of the Holy Spirit in its middle The main altar was commissioned by Cardinal Neri Corsini and designed by the architect Nicola Salvi He made it into an elegant and refined synthesis of marble and gilded metal The top of the altar rests on an urn in porphyry rosso antico the costly stone of the ancients that contains the putative relics of Saint Eustace The altarpiece was painted in 1727 by Francesco Ferdinandi 1679 1740 also named l Imperiali It represents the martyrdom of Saint Eustace and his family who were roasted to death inside a bronze statue of a bull or an ox in the year AD 118 The gilded wooden baldachin circa 1746 over the main altar is attributed to Ferdinando Fuga 1699 1781 The rear of the church is almost completely covered with the organ made by Johann Conrad Werle in 1767 The gilded balustrade and the wooden front of the organ were executed in Rococo style by Bernardino Mammucari Francesco Michetti and Carlo Pacilli Above the organ stands a glass window representing the Penitent Magdalene realized in the last decade of the 19th century by Gabriel and Louis Gesta di Tolosa The pulpit was executed in polychrome marble and dates from 1937 Right side edit nbsp The Annunciation by Ottavio Lioni The Chapel of the Holy Family dates from 1854 The altarpiece by Pietro Gagliardi 1809 1890 represent the Holy Family in Jerusalem On the right wall is a white marble funeral monument with the bust of Luigi Greppi 1673 an illustrious member of the Confraternity of the Holy Sacrament On the left side of the altar stands a small statue of Saint Raymond Nonnatus who according to his hagiography was nominated Cardinal Deacon of Sant Eustachio by pope Gregory IX in 1239 but died en route to Rome The Chapel of the Annunciation its decoration was finished in 1874 Above the 17th century altar stand two columns of coralline breccia that support a broken pediment with a bass relief in stucco representing the Virgin and Child The altarpiece by Ottavio Leoni or Lioni 1578 1630 represents the Annunciation The Chapel of the Sacred Heart was restored between 1934 and 1937 by Corrado Mezzana 1890 1952 who also added the altarpiece representing the Sacred Heart of Jesus on the left wall the painting The Last Supper and on the right wall the painting Christ on the Cross and Saint Longinus piercing his Heart The right transept contains the paintings made by Jacopo Zoboli 1681 1767 in 1737 On the left wall hangs the large painting of Saint Jerome and in front The meeting between the Holy Virgin and Elisabeth The large wooden confessionals were made by Corrado Mezzana Left side edit nbsp Saint Julian the Hospitaler by Biagio Puccini Baptistery lies next to the entrance of the church The glass window represents The Baptism of Jesus The baptismal font dates from the 16th century The Chapel of Saint Julian the Hospitaller was renovated from 1706 The altarpiece by Biagio Puccini 1675 1721 shows the saint curing a leper and welcoming an old pilgrim The fresco on the ceiling represents The Eternal Father TheChapel of the Archangel Michael is the largest chapel of this church It was finished between 1716 and 1719 by Alessandro Speroni The altarpiece by Giovanni Bigatti 1774 1817 is a dramatic rendering of the Archangel Michael triumphing over Satan Next to the altar hang two paintings St Raymond Nonnatus and St Frances of Rome On the left wall is the funeral monument of Teresa Tognoli Canale 1807 and on the right wall the funeral monument by Lorenzo Ottoni 1658 1736 of Silvio Cavalleri 1717 private secretary to the popes Innocent XII and Clement XI The Chapel of the Immaculate Heart of Mary was renovated from 1771 on by the architect Melchiorre Passalacqua and around 1800 by the sculptor Agostino Penna Next to the altar stand two marble columns in verde antico that support a tympanum with two angels in stucco The oval painting of the Immaculate Heart of Mary is a copy made in 1848 from the original painting by Giovanni Battista Casanova On the left wall hangs a painting by Etienne de La Vallee Poussin 1774 representing The Flight to Egypt The painting on the right is The Holy Family 1774 by Tommaso Conca 1815 The fresco on the ceiling renders The Annunciation At the altar of the left transept there is the altarpiece Incontro tra la Santa Vergine e Elisabetta by Jacopo Zoboli The left transept contains the statue of the Immaculate Heart of Mary second half of the 20th century The Chapel of the Crucifix contains the tomb of don Pirro Scavizzi 1884 1964 the parish priest of this church between 1919 and 1932 whose beatification is under consideration List of titulars cardinal deacons editThe following were Cardinal Deacons of S Eustachio 3 4 5 6 7 8 Gregorio 1088 1099 9 Gregorio OSB 1118 1137 10 Gaymer 1130 before 1134 11 Stefano circa 1134 12 Vassalo 1134 1142 Astaldo degli Astalli 1143 1151 Ildebrando Grassi Canonico Regolare 1152 1157 Guido di Crema 1155 o 1157 1158 Pietro di Miso 1158 1165 Ugo Ricasoli 1163 circa 1182 Stefano 1172 1173 pseudocardinal of Antipope Callixtus III Gianfelice 1188 1189 Ugolino dei Conti di Segni 1198 1206 Aldobrandino Gaetani o Ildebrando 1216 1219 Rinaldo dei Signori di Ienne 1227 1234 Robert Somercote 1231 or 1239 1251 The claim that Ramon Nonnato held this titular church ca 1240 has been disproved 13 Guglielmo Fieschi 1244 1256 Uberto Coconati 1261 1276 Giordano Orsini 1278 1287 Pietro Colonna 1288 1297 Riccardo Petroni 1298 1314 Arnaud de Via 1317 1335 nephew of Pope John XXII Giovanni Visconti 1329 pseudocardinal of Antipope Nicholas V Bernard de la Tour 1342 1361 Pierre Flandrin 1371 1381 Francesco Renzio 1381 1390 Baldassare Cossa 1402 1410 Alfonso Carrillo de Albornoz 1408 1418 pseudocardinal of Antipope Benedict XIII 1419 1423 Giacomo Isolani 1413 1417 pseudocardinal of Antipope John XXIII 1417 1420 Vacant 1423 1439 Alberto Alberti 1439 1445 Alfonso Carrillo de Acuna or Acuna de Carrillo 1440 pseudocardinal of Antipope Felix V declined the appointment Giacomo del Portogallo 1456 1459 Francesco Nanni Todeschini Piccolomini 1460 1503 Alessandro Farnese 1503 1519 in commendam 1519 1534 Paolo Emilio Cesi 1534 1537 Agostino Trivulzio 1537 Cristoforo Giacobazzi 1537 1540 Guido Ascanio Sforza di Santa Fiora 1540 1552 Niccolo Caetani 1552 1585 Ferdinando de Medici 1585 1587 Filippo Guastavillani 1587 Alessandro Damasceni Peretti 1587 1589 Giorlamo Mattei 1589 1592 Guido Pepoli 1592 1595 Odoardo Farnese 1595 1617 Andrea Baroni Peretti Montalto 1617 1621 Alessandro d Este 1621 Maurizio di Savoia 1621 1626 Francesco Boncompagni 1626 1634 Ippolito Aldobrandini iuniore 1634 1637 Alessandro Cesarini iuniore 1638 1644 Marzio Ginetti 1644 Carlo de Medici 1644 Girolamo Colonna 1644 1652 Giangiacomo Teodoro Trivulzio 1652 1653 Virginio Orsini 1653 1656 Vincenzo Costaguti 1656 1660 Lorenzo Raggi 1660 1664 Carlo Pio di Savoia the younger 1664 1667 Friedrich Landgraf von Hessen Darmstadt 1667 1668 Decio Azzolino iuniore 1668 1681 Felice Rospigliosi 1682 1685 Domenico Maria Corsi 1686 1696 Vincenzo Grimani 1698 1710 Annibale Albani 1712 1716 Curzio Origo 1716 1726 titolo pro illa vice 1726 1737 Neri Maria Corsini 1737 1770 Giovanni Costanzio Caracciolo 1770 1780 Pasquale Acquaviva d Aragona 1780 1788 Vincenzo Maria Altieri 1788 1794 Filippo Carandini 1794 1810 Vacant 1810 1816 Alessandro Lante Montefeltro Della Rovere 1816 1818 Giuseppe Albani 1818 1828 Vacant 1828 1832 Luigi Gazzoli 1832 1857 Teodolfo Mertel 1858 1881 Angelo Jacobini 1882 1886 Luigi Trombetta 1899 1900 Vacant 1900 1914 Michele Lega 1914 1924 titolo pro illa vice 1924 1926 Carlo Perosi 1926 1930 Vacant 1930 1946 Giuseppe Bruno 1946 1954 Vacant 1954 1958 Fernando Cento titolo pro illa vice 1958 1965 Francis John Brennan 1967 1968 Giacomo Violardo 1969 1978 Vacant 1978 1991 Guido Del Mestri 1991 1993 Vacant 1993 2001 Sergio Sebastiani 2001 2024 Vacant 2024 Notes edit Accurata E Succinta Descrizione Topografica E Istorica Di Roma Volume 1 by Ridolfino Venturini published by Carlo Barbellieni Rome 1768 page 250 Eustace s wife was Theopista and his two sons Agapius and Theopistus Rudolf Huls Kardinale Klerus und Kirchen Roms 1049 1130 Tubingen 1977 pp 226 227 Johannes Matthias Brixius Die Mitglieder des Kardinalkollegiums von 1130 1181 Berlin R Trenkel 1912 p 141 1121 1173 David M Cheney Catholic Hierarchy Sant Eustachio 1198 2016 Retrieved 2016 03 13 Conradus Eubel Hierarchia catholica medii aevi I editio altera Monasterii 1913 pp 49 50 1198 1431 Conradus Eubel Hierarchia catholica medii aevi II editio altera Monasterii 1914 p 66 1408 1503 Guilelmus van Gulik and Conradus Eubel Hierarchia catholica medii et recentioris aevi III editio altera Monasterii 1923 p 73 1503 1595 Unknown to Huls pp 226 227 Rudolf Huls Kardinale Klerus und Kirchen Roms 1049 1130 Tubingen 1977 pp 226 227 Unknown to Huls pp 226 227 Unknown to Huls pp 226 227 Agostino Paravicini Bagliani Cardinali di Curia e familae cardinalizia dal 1227 al 1254 II Padova 1972 pp 534 535 Sources editRichard Krautheimer Corpus Basilicarum Christianarum Romae The Early Christian Basilicas of Rome IV IX Cent Roma Pontificio istituto di archeologia cristiana 1937 pp 213 218 Antonio Menegaldo amp Vincenzo Francia Basilica di Sant Eustachio in Campo Marzio in Italian booklet on sale in the church Carla Appetiti S Eustachio Roma Edizioni Roma 1964 Pasquale Adinolfi Rione Campo Marzo Rione S Eustachio Firenze Le Lettere 1983 Roma nell eta di mezzo Pasquale Adinolfi 4 See also editPietro Gagliardi Ottavio Leoni Francesco Ferdinandi Jacopo ZoboliExternal links editLucentini M The Rome Guide Step by Step through History s Greatest City nbsp Media related to Sant Eustachio at Wikimedia Commons Preceded bySant Eugenio Landmarks of RomeSant Eustachio Succeeded bySanta Francesca Romana Rome Retrieved from https en wikipedia org w index php title Sant 27Eustachio amp oldid 1223059830, wikipedia, wiki, book, books, library,

article

, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games.