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Red Nichols

Ernest Loring "Red" Nichols (May 8, 1905 – June 28, 1965)[1] was an American jazz cornetist, composer, and jazz bandleader.

Red Nichols
Background information
Birth nameErnest Loring Nichols
Born(1905-05-08)May 8, 1905
Ogden, Utah, United States
DiedJune 28, 1965(1965-06-28) (aged 60)
Las Vegas, Nevada
GenresJazz
Occupation(s)Musician, bandleader, composer
Instrument(s)Cornet

Biography edit

Early life and career edit

Nichols was born in Ogden, Utah, United States.[1] His father was a college music professor, and Nichols was something of a child prodigy, playing difficult set pieces for his father's brass band by the age of 12. Young Nichols heard the early recordings of the Original Dixieland Jazz Band and later those of Bix Beiderbecke, and these had a strong influence on him.[1] His style became polished, clean, and incisive.[2]

In the early 1920s, Nichols moved to the Midwest and joined a band called the Syncopating Seven. When that band broke up, he joined the Johnny Johnson Orchestra and went with it to New York City in 1923.[1] In New York, he met trombonist Miff Mole, and the two were inseparable for the next decade. Before signing with Brunswick, Nichols and Mole recorded for Pathé-Perfect under the name the Red Heads.

Brunswick Records era edit

Nichols could read music and easily gained studio work. In 1926, Mole and he began recording with a variety of bands as Red Nichols and His Five Pennies.[1] Few of these groups were quintets; the name was a pun on "nickel".[1] With the Five Pennies, he recorded more than 100 sides for Brunswick. He also recorded as the Arkansas Travelers, the California Red Heads, the Louisiana Rhythm Kings, the Charleston Chasers, Red and Miff's Stompers, and Miff Mole and His Little Molers. During some weeks in this period, Nichols and his bands were recording 10 to 12 two-sided records.

Nichols' band started with Mole on trombone and Jimmy Dorsey on alto saxophone and clarinet.[1] Other musicians in his bands in the following decade included Benny Goodman (clarinet), Glenn Miller (trombone), Jack Teagarden (trombone), Pee Wee Russell (clarinet), Joe Venuti (violin), Eddie Lang (banjo and guitar), and Gene Krupa (drums).[1] The Five Pennies' version of "Ida, Sweet as Apple Cider" was a surprise hit record. It sold over a million copies and was awarded a gold disc by the Recording Industry Association of America.[3] His composition "Nervous Charlie Stomp" was recorded by one of the top jazz bands of the 1920s, Fletcher Henderson's orchestra, and released as a 78 single.

In the next decade, more structured swing eclipsed the improvisational hot jazz Nichols loved to play.[1] He tried to follow the changes and formed a swing band, but his recording career seemed to stall in 1932. Music critic Michael Brooks wrote,

What went wrong? Part of it was too much, too soon. Much of his vast recorded output was released in Europe, where he was regarded by early jazz critics as the equal, if not the superior, of Louis Armstrong and Bix Beiderbecke. People who make fools of themselves usually find a scapegoat, and when the critics were exposed to the music of Duke Ellington, Benny Carter, Coleman Hawkins, and others, they turned on Nichols and savaged him, trashing him as unfairly as they had revered him. Nichols' chief fault was an overly stiff, academic approach to jazz trumpet, but he did recognize merit as far as other jazz musicians were concerned and made some wonderful small-group recordings.[4]

Other labels Nichols recorded for included Edison 1926, Victor 1927, 1928, 1930, 1931 (individual sessions), Bluebird 1934, 1939, back to Brunswick for a session in 1934, Variety 1937, and OKeh in 1940.

Later career edit

Nichols survived the Great Depression by playing in show bands and pit orchestras. He led Bob Hope's orchestra for a while, moving to California. Nichols married Willa Stutsman, a "stunning" George White's Scandals dancer, and they had a daughter. In 1942, their daughter contracted polio, which was misdiagnosed at first as spinal meningitis, and Nichols left Glen Gray and the Casa Loma Orchestra to work in the wartime shipyards. On May 2, 1942, Nichols left his band to take an army commission after completing an engagement at Lantz's Merry-Go-Round in Dayton, Ohio.[5]

Drawn back to music after the war, Nichols formed another Five Pennies band and began playing in small clubs in Los Angeles. Club dates turned into performances at bigger venues, such as the Zebra Room, the Tudor Room of the Palace Hotel in San Francisco, and the Huntington-Sheraton Hotel in Pasadena, California. He toured Europe as a goodwill ambassador for the State Department. Nichols and his band performed in the 1950 film Quicksand starring Mickey Rooney. In 1956, he was the subject of an episode of the television program This Is Your Life in which he reunited with Miff Mole, Phil Harris, and Jimmy Dorsey, who praised Nichols as a bandleader who ensured everyone was paid.

Death edit

In 1965, Nichols took his Five Pennies band to the Mint Hotel in Las Vegas. On June 28, 1965, a few days after he began performing, he had chest pains while he was sleeping. He phoned the front desk, but was dead by the time the ambulance arrived. The band performed as scheduled with a spotlight on Nichols' empty chair.[6]

Biographical film and film career edit

In 1929, he appeared in the Vitaphone film short (reel #870) with his band the Five Pennies along with Eddie Condon and Pee Wee Russell.

In 1935, he appeared in the Paramount Pictures film short The Parade of the Maestros along with Ferde Grofe performing "In the Middle of a Kiss".

Red Nichols performed in and is also mentioned in the 1950 Mickey Rooney and Jeanne Cagney film Quicksand. Rooney's character asks out Jean Cagney; he asks if she likes "Red Nichols and his outfit?" and she responds, "I think they're great!" They then go to the club to watch Red Nichols and his band perform.

The 1959 Hollywood film The Five Pennies, the film biography of Red Nichols, starring Danny Kaye as Red Nichols, was loosely based on Nichols' life and career.[1] Nichols played his own cornet parts for the film and appeared briefly as one of the "Clicquot Club Eskimos" on screen. The Paramount Pictures movie received four Academy Award nominations. Jazz contemporary Louis Armstrong also appeared in the film. The Five Pennies movie theme song and other songs for the film were composed by Sylvia Fine, Danny Kaye's wife.

Nichols also made cameo appearances in the 1951 film Disc Jockey with Tommy Dorsey, and The Gene Krupa Story in 1959.[7]

His recording of "Poor Butterfly" is heard in the 1994 Woody Allen film Bullets Over Broadway and his recording of "(Back Home Again in) Indiana" in Allen's 1999 film Sweet and Lowdown.

Awards and honors edit

In 1986, Red Nichols was inducted into the Big Band and Jazz Hall of Fame.

Compositions edit

He wrote or co-wrote the following songs: "Hurricane" with Paul Mertz, "You're Breakin' Me Down" with Glenn Miller, "Five Pennies", "Sugar" with Jack Yellen, Milton Ager, and Frank Crum, "Bug-A-Boo", "The Parade of the 'Pennies'", "The King Kong", "Trumpet Sobs", "Get Cannibal", "Junk Man's Blues", "Delta Roll", "Corky", "Bugler's Lament", "Nervous Charlie Stomp" (recorded by Fletcher Henderson), "Last Dollar", "That's No Bargain", and "Blues at Midnight".

Discography edit

  • Red Nichols Classics. Volume One (Brunswick, 1943)
  • Red Nichols Classics. Volume Two (Brunswick, 1946)
  • Jazz Time (Capitol, 1950)
  • Hot Pennies (Capitol, 1956)
  • In Love With Red (Capitol, 1956)
  • Red Nichols and His Five Pennies (Tops, 1957)
  • Parade of the Pennies (Capitol, 1958)
  • Meet the Five Pennies (Capitol, 1959)
  • Dixieland Supper Club (Capitol, 1962)
  • Sessions, Live (Calliope, 1976)

References edit

  1. ^ a b c d e f g h i j Colin Larkin, ed. (1992). The Guinness Who's Who of Jazz (First ed.). Guinness Publishing. p. 304. ISBN 0-85112-580-8.
  2. ^ Yanow, Scott (2001). The Trumpet Kings. Backbeat Books. pp. 281–282. ISBN 978-0-87930-640-3.
  3. ^ Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins. p. 136. ISBN 0-214-20512-6.
  4. ^ Michael Brooks, liner notes to Swing Time! The Fabulous Big Band Era 1925–1955.
  5. ^ Billboard, May 9, 1942
  6. ^ "Red Nichols Dead at 60". Billboard. Vol. 77, no. 28. July 10, 1965. p. 10.
  7. ^ "The Five Pennies". AFI Catalog of Feature Films. Retrieved May 17, 2017.

External links edit

nichols, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, october, 2013, lea. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Red Nichols news newspapers books scholar JSTOR October 2013 Learn how and when to remove this message Ernest Loring Red Nichols May 8 1905 June 28 1965 1 was an American jazz cornetist composer and jazz bandleader Red NicholsBackground informationBirth nameErnest Loring NicholsBorn 1905 05 08 May 8 1905Ogden Utah United StatesDiedJune 28 1965 1965 06 28 aged 60 Las Vegas NevadaGenresJazzOccupation s Musician bandleader composerInstrument s Cornet Contents 1 Biography 1 1 Early life and career 1 2 Brunswick Records era 1 3 Later career 1 4 Death 1 5 Biographical film and film career 2 Awards and honors 3 Compositions 4 Discography 5 References 6 External linksBiography editEarly life and career edit Nichols was born in Ogden Utah United States 1 His father was a college music professor and Nichols was something of a child prodigy playing difficult set pieces for his father s brass band by the age of 12 Young Nichols heard the early recordings of the Original Dixieland Jazz Band and later those of Bix Beiderbecke and these had a strong influence on him 1 His style became polished clean and incisive 2 In the early 1920s Nichols moved to the Midwest and joined a band called the Syncopating Seven When that band broke up he joined the Johnny Johnson Orchestra and went with it to New York City in 1923 1 In New York he met trombonist Miff Mole and the two were inseparable for the next decade Before signing with Brunswick Nichols and Mole recorded for Pathe Perfect under the name the Red Heads Brunswick Records era edit Nichols could read music and easily gained studio work In 1926 Mole and he began recording with a variety of bands as Red Nichols and His Five Pennies 1 Few of these groups were quintets the name was a pun on nickel 1 With the Five Pennies he recorded more than 100 sides for Brunswick He also recorded as the Arkansas Travelers the California Red Heads the Louisiana Rhythm Kings the Charleston Chasers Red and Miff s Stompers and Miff Mole and His Little Molers During some weeks in this period Nichols and his bands were recording 10 to 12 two sided records Nichols band started with Mole on trombone and Jimmy Dorsey on alto saxophone and clarinet 1 Other musicians in his bands in the following decade included Benny Goodman clarinet Glenn Miller trombone Jack Teagarden trombone Pee Wee Russell clarinet Joe Venuti violin Eddie Lang banjo and guitar and Gene Krupa drums 1 The Five Pennies version of Ida Sweet as Apple Cider was a surprise hit record It sold over a million copies and was awarded a gold disc by the Recording Industry Association of America 3 His composition Nervous Charlie Stomp was recorded by one of the top jazz bands of the 1920s Fletcher Henderson s orchestra and released as a 78 single In the next decade more structured swing eclipsed the improvisational hot jazz Nichols loved to play 1 He tried to follow the changes and formed a swing band but his recording career seemed to stall in 1932 Music critic Michael Brooks wrote What went wrong Part of it was too much too soon Much of his vast recorded output was released in Europe where he was regarded by early jazz critics as the equal if not the superior of Louis Armstrong and Bix Beiderbecke People who make fools of themselves usually find a scapegoat and when the critics were exposed to the music of Duke Ellington Benny Carter Coleman Hawkins and others they turned on Nichols and savaged him trashing him as unfairly as they had revered him Nichols chief fault was an overly stiff academic approach to jazz trumpet but he did recognize merit as far as other jazz musicians were concerned and made some wonderful small group recordings 4 Other labels Nichols recorded for included Edison 1926 Victor 1927 1928 1930 1931 individual sessions Bluebird 1934 1939 back to Brunswick for a session in 1934 Variety 1937 and OKeh in 1940 Later career edit Nichols survived the Great Depression by playing in show bands and pit orchestras He led Bob Hope s orchestra for a while moving to California Nichols married Willa Stutsman a stunning George White s Scandals dancer and they had a daughter In 1942 their daughter contracted polio which was misdiagnosed at first as spinal meningitis and Nichols left Glen Gray and the Casa Loma Orchestra to work in the wartime shipyards On May 2 1942 Nichols left his band to take an army commission after completing an engagement at Lantz s Merry Go Round in Dayton Ohio 5 Drawn back to music after the war Nichols formed another Five Pennies band and began playing in small clubs in Los Angeles Club dates turned into performances at bigger venues such as the Zebra Room the Tudor Room of the Palace Hotel in San Francisco and the Huntington Sheraton Hotel in Pasadena California He toured Europe as a goodwill ambassador for the State Department Nichols and his band performed in the 1950 film Quicksand starring Mickey Rooney In 1956 he was the subject of an episode of the television program This Is Your Life in which he reunited with Miff Mole Phil Harris and Jimmy Dorsey who praised Nichols as a bandleader who ensured everyone was paid Death edit In 1965 Nichols took his Five Pennies band to the Mint Hotel in Las Vegas On June 28 1965 a few days after he began performing he had chest pains while he was sleeping He phoned the front desk but was dead by the time the ambulance arrived The band performed as scheduled with a spotlight on Nichols empty chair 6 Biographical film and film career edit In 1929 he appeared in the Vitaphone film short reel 870 with his band the Five Pennies along with Eddie Condon and Pee Wee Russell In 1935 he appeared in the Paramount Pictures film short The Parade of the Maestros along with Ferde Grofe performing In the Middle of a Kiss Red Nichols performed in and is also mentioned in the 1950 Mickey Rooney and Jeanne Cagney film Quicksand Rooney s character asks out Jean Cagney he asks if she likes Red Nichols and his outfit and she responds I think they re great They then go to the club to watch Red Nichols and his band perform The 1959 Hollywood film The Five Pennies the film biography of Red Nichols starring Danny Kaye as Red Nichols was loosely based on Nichols life and career 1 Nichols played his own cornet parts for the film and appeared briefly as one of the Clicquot Club Eskimos on screen The Paramount Pictures movie received four Academy Award nominations Jazz contemporary Louis Armstrong also appeared in the film The Five Pennies movie theme song and other songs for the film were composed by Sylvia Fine Danny Kaye s wife Nichols also made cameo appearances in the 1951 film Disc Jockey with Tommy Dorsey and The Gene Krupa Story in 1959 7 His recording of Poor Butterfly is heard in the 1994 Woody Allen film Bullets Over Broadway and his recording of Back Home Again in Indiana in Allen s 1999 film Sweet and Lowdown Awards and honors editIn 1986 Red Nichols was inducted into the Big Band and Jazz Hall of Fame Compositions editHe wrote or co wrote the following songs Hurricane with Paul Mertz You re Breakin Me Down with Glenn Miller Five Pennies Sugar with Jack Yellen Milton Ager and Frank Crum Bug A Boo The Parade of the Pennies The King Kong Trumpet Sobs Get Cannibal Junk Man s Blues Delta Roll Corky Bugler s Lament Nervous Charlie Stomp recorded by Fletcher Henderson Last Dollar That s No Bargain and Blues at Midnight Discography editRed Nichols Classics Volume One Brunswick 1943 Red Nichols Classics Volume Two Brunswick 1946 Jazz Time Capitol 1950 Hot Pennies Capitol 1956 In Love With Red Capitol 1956 Red Nichols and His Five Pennies Tops 1957 Parade of the Pennies Capitol 1958 Meet the Five Pennies Capitol 1959 Dixieland Supper Club Capitol 1962 Sessions Live Calliope 1976 References edit a b c d e f g h i j Colin Larkin ed 1992 The Guinness Who s Who of Jazz First ed Guinness Publishing p 304 ISBN 0 85112 580 8 Yanow Scott 2001 The Trumpet Kings Backbeat Books pp 281 282 ISBN 978 0 87930 640 3 Murrells Joseph 1978 The Book of Golden Discs 2nd ed London Barrie and Jenkins p 136 ISBN 0 214 20512 6 Michael Brooks liner notes to Swing Time The Fabulous Big Band Era 1925 1955 Billboard May 9 1942 Red Nichols Dead at 60 Billboard Vol 77 no 28 July 10 1965 p 10 The Five Pennies AFI Catalog of Feature Films Retrieved May 17 2017 External links editRed Nichols Profiles in Jazz at The Syncopated Times Red Nichols and his Five Pennies at the Red Hot Jazz Archive Red Nichols recordings at the Discography of American Historical Recordings Retrieved from https en wikipedia org w index php title Red Nichols amp oldid 1193007085, wikipedia, wiki, book, books, library,

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