Sweet and Lowdown
Sweet and Lowdown is a 1999 American comedy-drama mockumentary written and directed by Woody Allen. Loosely based on Federico Fellini's film La Strada,[citation needed] the film tells the story of confident jazz guitarist Emmet Ray (played by Sean Penn) who falls in love with mute laundress Hattie (Samantha Morton). Like several of Allen's other films (e.g., Zelig), the film is occasionally interrupted by interviews with critics and biographers like Allen, Nat Hentoff, Daniel Okrent, and Douglas McGrath, who comment on the film's plot as if the characters were real-life people.
| Sweet and Lowdown | |
|---|---|
Theatrical release poster | |
| Directed by | Woody Allen |
| Written by | Woody Allen |
| Produced by | Jean Doumanian |
| Starring | |
| Cinematography | Zhao Fei |
| Edited by | Alisa Lepselter |
Production company | Sweetland Films |
| Distributed by | Sony Pictures Classics |
Release date |
|
Running time | 95 minutes |
| Country | United States |
| Language | English |
| Box office | $4,197,015 |
The film received generally positive reviews upon release,[1] with Penn and Morton receiving Oscar nominations for Best Actor and Best Supporting Actress, respectively.
Plot summary
Emmet Ray is a jazz guitarist who achieved some acclaim in the 1930s with a handful of recordings for RCA Victor, but faded from public view under mysterious circumstances. Although he is a talented musician, Ray's personal life fell into shambles after his disappearance from public view. He's often late or even absent for performances with his quintet due to heavy drinking. He spends extravagantly, and is a womanizer and a pimp. When he's not playing music or pursuing women, he shoots rats at garbage dumps and watches passing trains.
Ray idolizes famed guitarist Django Reinhardt, so much so that he's said to have fled a nightclub performance with severe stage fright upon hearing a false rumor that Reinhardt was in the audience.
On a double date with his drummer, Ray meets Hattie, a shy, mute laundress. After overcoming initial frustration due to communication difficulties, Ray and Hattie form an affectionate and close relationship. However, Ray is convinced that a musician of his stature should never settle down with one woman. Because of this, Ray marries socialite Blanche Williams. But Williams sees Ray as a colorful example of lower-class life and a source of inspiration for her literary writing. During their marriage, Ray is tormented by nightmares and shouts out Hattie's name in his sleep.
When Williams cheats on Ray with mobster Al Torrio, Ray leaves her and finds Hattie. He assumes that she will take him back, but discovers that she is happily married and raising a family. Ray is despondent, and laments that leaving Hattie was a mistake. Woody Allen and the rest of the documentary experts remark that Ray's final compositions were legendary, finally reaching the quality of Reinhardt's.
Cast
- Sean Penn as Emmet Ray
- Samantha Morton as Hattie
- Anthony LaPaglia as Al Torrio
- Uma Thurman as Blanche Williams
- James Urbaniak as Henry
- John Waters as Mr. Haynes
- Gretchen Mol as Ellie
- Denis O'Hare as Jake
- Molly Price as Ann
- Brian Markinson as Bill Shields
- Tony Darrow as Ben
- Daniel Okrent as A.J. Pickman
- Brad Garrett as Joe Bedloe
- Woody Allen as Himself
- Ben Duncan as Himself
- Nat Hentoff as Himself
- Douglas McGrath as Himself
- Kaili Vernoff as Gracie
Production
Development
This article or section appears to contradict itself. (March 2023) |
After his 1969 directing debut Take the Money and Run, Allen signed a contract to direct a series of films with United Artists. Told to "write what you want to write," Allen, a clarinetist and avid jazz enthusiast, wrote The Jazz Baby, a drama screenplay about a jazz musician set in the 1930s. Allen said later that the United Artists executives were "stunned ... because they had expected a comedy. [They] were very worried and told me, 'We realize that we signed a contract with you and you can do anything you want. But we want to tell you that we really don't like this.'"[2] Allen went along with United Artists, writing and directing Bananas instead. In 1995, he dismissed The Jazz Baby as having been "probably too ambitious."[2]
In 1998, Allen returned to the project, rewriting the script and changing its name to Sweet and Lowdown. Allen had originally planned to play Ray himself, but the director cast Sean Penn. Allen also considered Johnny Depp, but the actor was busy at the time.[3] Penn had a reputation for being difficult to work with, but Allen later said, "I had no problem with him whatsoever ... He gave it his all and took direction and made contributions himself ... a tremendous actor."[3]
Allen, in a retrospective, said that he told Samantha Morton to "play [her] part like Harpo Marx. And she said, 'Who is Harpo Marx?' and I realized how young she was. Then I told her about him [and] she went back and saw the films."[3]
Filming
This section needs additional citations for verification. (March 2023) |
Sweet and Lowdown was filmed entirely in New York and New Jersey[4] but is set in the Chicago area and California.[vague][3]
The film was the first of Allen's that was edited by Alisa Lepselter, who has edited all of Allen's films since. Lepselter succeeded Susan E. Morse, who edited Allen's films for the previous twenty years.
It was also the first of three films where Allen collaborated with Chinese cinematographer Zhao Fei. Allen had first noticed Zhao with his award-winning work on Raise the Red Lantern, some years earlier.
Music
The music for the film was arranged and conducted by Dick Hyman. All of the guitar solos are played by guitarist Howard Alden.
Additional rhythm guitarists were Bucky Pizzarelli and James Chirillo. Chirillo played rhythm guitar on the track Sweet Georgia Brown. Pizzarelli created all other rhythm tracks.
Soundtrack
- When Day Is Done (1926)- Written by Robert Katscher – Performed by Django Reinhardt
- Clarinet Marmalade (1918) – Written by Larry Shields and Henry Ragas – Performed by Ted Lewis and His Orchestra
- Parlez-moi d'Amour (1930) – Written by Jean Lenoir – Performed by Howard Alden
- Mystery Pacific (1936–7) – Written by Django Reinhardt and Stéphane Grappelli – Performed by Howard Alden, Bucky Pizzarelli and [Kelly Friesen
- Limehouse Blues (1922) – Lyrics by Philip Braham – Written by Douglas Furber – Arranged by Dick Hyman
- It Don't Mean a Thing (1931) – Lyrics by Irving Mills – Written by Duke Ellington
- Out of Nowhere (1931) – Lyrics by Edward Heyman – Written by Johnny Green
- I'll See You in My Dreams (1924) – Lyrics by Gus Kahn – Written by Isham Jones
- Sweet Georgia Brown (1925) – Music by Ben Bernie and Maceo Pinkard – Lyrics by Kenneth Casey
- Unfaithful Woman (1999) – Written by Dick Hyman
- Shine (1910) – Lyrics by Cecil Mack, Lew Brown – Music by Ford Dabney
- After You've Gone (1918) – Lyrics by Henry Creamer – Written by Turner Layton
- I'm Forever Blowing Bubbles (1919) – Lyrics by James Brockman, Nat Vincent, James Kendis – Music by John W. Kellette
- There'll Be Some Changes Made (1921) – Lyrics by Billy Higgins – Music by W. Benton Overstreet
- Viper Mad (1937) – Written by Clarence Williams (musician) and Sidney Bechet – Performed by Sidney Bechet
- Indiana (1917) – Written by Ballard MacDonald and James F. Hanley – Performed by Red Nichols
- Aloha Oe (1908) – Written by Queen Liliuokalani – Performed by Dick Monday
- Abide with Me (1847) – Lyrics by Henry F. Lyte – Music by William H. Monk
- 12th Street Rag (1919) – Written by Euday L. Bowman – Performed by Howard Alden
- The Peanut Vendor (1927) – Written by Moïse Simons – English Lyrics by L. Wolfe Gilbert and Marion Sunshine
- All of Me (1931) – Written by Gerald Marks and Seymour Simons
- Caravan (1936) – Written by Duke Ellington, Juan Tizol and Irving Mills – Performed by Bunny Berigan and His Orchestra
- Old Fashioned Love (1923) – Music by James P. Johnson – Lyrics by Cecil Mack
- Just A Gigolo (1929) – Written by Irving Caesar – Written by Leonello Casucci and Julius Brammer
- Nevertheless (I'm in Love with You) (1931) – Lyrics by Bert Kalmar – Music by Harry Ruby
- 3:00 AM Blues (1999) – Written by Dick Hyman
- Liebestraum No. 3 (1850) – Written by Franz Liszt – Performed by Django Reinhardt
- Since My Best Gal Turned Me Down (1927) – Written by Ray Ludwig and Howdy Quicksell – Performed by Bix Beiderbecke
- Wrap Your Troubles in Dreams (1931) – Lyrics by Ted Koehler, Billy Moll – Music by Harry Barris
- Hot Lips (1922) – Written by Henry Busse, Henry Lange and Lou Davis – Performed by Henry Busse and His Orchestra
- You Were Meant for Me (1929) – Lyrics by Arthur Freed – Music by Nacio Herb Brown
- Avalon (1920) – Written by Buddy G. DeSylva, Al Jolson and Vincent Rose – Performed by Django Reinhardt
- Lulu's Back in Town (1935) – Music by Harry Warren – Lyrics by Al Dubin
- Sweet Sue, Just You (1928) – Lyrics by Will J. Harris – Music by Victor Young – Performed by Howard Alden[5]
Reception
Sweet and Lowdown received generally positive reviews from critics. It currently holds a 77% 'fresh' rating on Rotten Tomatoes from 61 reviews, with the consensus: "Critics praise Woody Allen's Sweet and Lowdown for its charming, light-hearted comedy and quality acting."[1] The film carries a 70 on Metacritic indicating generally favorable reviews.[6]
Morton's performance was met with critical acclaim, with Salon critic Stephanie Zacharek saying that she "quietly explodes [the film] ... Her performance is like nothing I've seen in recent years."[1]
Awards and nominations
Sweet and Lowdown was nominated for the Academy Awards for Best Actor in a Leading Role (Penn) and Best Actress in a Supporting Role (Morton).[7] The pair were also nominated for Golden Globe Awards in the acting categories for Motion Picture - Comedy or Musical.[8] The film received three nominations from the Chlotrudis Society for Independent Films for Best Actor, Best Supporting Actress, and Best Screenplay.[9]
In addition, Morton was nominated for Best Supporting Actress in the Chicago Film Critics Association Awards,[10] the Los Angeles Film Critics Association Awards,[11] the National Society of Film Critics Awards, and for an Empire Award for Best British Actress.[12] At the London Film Critics Circle Awards, Morton won British Supporting Actress of the Year.[13]
References
- ^ a b c Sweet and Lowdown at Rotten Tomatoes
- ^ a b Bjorkman 2005, p. 36-37.
- ^ a b c d Bjorkman 2005, p. 347-356.
- ^ Davis, Tom (January 2, 2002). . The Record. Archived from the original on March 6, 2012. Retrieved June 6, 2007.
- ^ Harvey, Adam (2007). The Soundtracks of Woody Allen. US: Macfarland & Company, Inc. p. 138. ISBN 9780786429684.
- ^ Sweet and Lowdown at Metacritic
- ^ "2000 | Oscars.org | Academy of Motion Picture Arts and Sciences". www.oscars.org. Retrieved 2022-10-13.
- ^ "Winners & Nominees 2000". www.goldenglobes.com. Retrieved 2022-10-13.
- ^ "2001, 7th Annual Awards". Chlotrudis Society for Independent Film. Retrieved 2022-10-13.
- ^ ""American Beauty" tops Chicago critics' nominees". Chicago Tribune. January 24, 2000. Archived from the original on April 15, 2020. Retrieved October 13, 2022.
- ^ "Los Angeles Film Critics Awards 1999". FilmAffinity. Retrieved 2022-10-13.
- ^ . Empire Awards. Archived from the original on June 20, 2002. Retrieved October 13, 2022.
- ^ "Awards flow for Billy Elliot". 2001-02-15. Retrieved 2022-10-13.
Bibliography
- Bjorkman, Stig, ed. (2005). Woody Allen on Woody Allen. London: Faber and Faber. ISBN 978-0802142030.
External links
- Sweet and Lowdown at IMDb
- Sweet and Lowdown at AllMovie
- Sweet and Lowdown at Box Office Mojo
- Sweet and Lowdown at Rotten Tomatoes
- Sweet and Lowdown at Metacritic