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Raymond Queneau

Raymond Queneau (French: [ʁɛmɔ̃ kəno]; 21 February 1903 – 25 October 1976) was a French novelist, poet, critic, editor[1] and co-founder and president of Oulipo[2] (Ouvroir de littérature potentielle), notable for his wit and cynical humour.

Raymond Queneau
Born(1903-02-21)21 February 1903
Le Havre, France
Died25 October 1976(1976-10-25) (aged 73)
Paris, France
OccupationNovelist, Poet
NationalityFrench
EducationUniversity of Paris
Signature

Biography

Queneau was born at 47, rue Thiers (now Avenue René-Coty), Le Havre, Seine-Inférieure,[1] the only child of Auguste Queneau and Joséphine Mignot. After studying in Le Havre, Queneau moved to Paris in 1920 and received his first baccalauréat in 1925 for philosophy from the University of Paris.[1] Queneau performed military service as a zouave in Algeria and Morocco during the years 1925–26.[3] During the 1920s and 1930s Queneau took odd jobs for income such as bank teller, tutor, translator and some writing in a column entitled, "Connaissez-vous Paris?" for the daily Intransigeant.[1]

He married Janine Kahn (1903–1972) in 1928 after returning to Paris from his first military service.[1][4] Kahn was the sister-in-law of André Breton, leader of the surrealist movement.[1] In 1934 they had a son, Jean-Marie, who became a painter.[5]

Queneau was drafted in August 1939 and served in small provincial towns before his promotion to corporal just before being demobilized in 1940.[1] After a prolific career of writing, editing and critique, Queneau died on 25 October 1976.[3] He is buried with his parents in the old cemetery of Juvisy-sur-Orge, in Essonne outside Paris.

Career

Queneau spent much of his life working for the Gallimard publishing house, where he began as a reader in 1938. He later rose to be general secretary and eventually became director of l'Encyclopédie de la Pléiade in 1956. During some of this time, he also taught at l'École Nouvelle de Neuilly. He entered the Collège de 'Pataphysique in 1950, where he became Satrap.

In 1950, Juliette Gréco recorded "Si tu t'imagines", a song by Joseph Kosma with lyrics by Queneau.

 
Effigy of Raymond Queneau, Satrap of Collège de 'Pataphysique, by Jean-Max Albert Rt

During this time, Queneau also acted as a translator, notably for Amos Tutuola's The Palm-Wine Drunkard (L'Ivrogne dans la brousse) in 1953. Additionally, he edited and published Alexandre Kojève's lectures on Hegel's Phenomenology of Spirit. Queneau had been a student of Kojève during the 1930s and was, during this period, also close to writer Georges Bataille.

As an author, Queneau came to general attention in France with the publication in 1959 of his novel Zazie dans le métro.[1] In 1960 the film adaptation directed by Louis Malle was released during the Nouvelle Vague movement. Zazie explores colloquial language as opposed to "standard" written French. The first word of the book, the alarmingly long "Doukipudonktan" is a playful phonetic transcription of "D'où qu'il pue / qu'ils puent donc tant?" – "Why does it / does he / do they stink so much?".

Before he founded the Ouvroir de littérature potentielle (Oulipo) in 1960,[2] Queneau was attracted to mathematics as a source of inspiration. He became a member of la Société Mathématique de France in 1948. In Queneau's mind, elements of a text, including seemingly trivial details such as the number of chapters, were things that had to be predetermined, perhaps calculated. This was an issue during the writing of A Hundred Thousand Billion Poems, also known as, 100,000,000,000,000 Poems.[2] Queneau wrote 140 lines in 10 individual sonnets that could all be taken apart and rearranged in any order. Queneau calculated that anyone reading the book 24 hours a day would need 190,258,751 years to finish it.[2] While Queneau was completing this work, he asked mathematician François Le Lionnais for help with issues he was having, and their conversation led to a role of mathematics in literature, which led to the creation of the Oulipo.[2]

A later work, Les fondements de la littérature d'après David Hilbert (1976), alludes to the mathematician David Hilbert, and attempts to explore the foundations of literature by quasi-mathematical derivations from textual axioms. Queneau claimed this final work would prove "a hidden master of the automaton." Pressed by GF, his interlocutor, Queneau confided that the text "could never appear, but had to hide to glorify that without agency." A conference on the matter will be held in Coral Gables, FL.

One of Queneau's most influential works is Exercises in Style, which tells the simple story of a man's seeing the same stranger twice in one day. It tells that short story in 99 different ways, demonstrating the tremendous variety of styles in which storytelling can take place.

The works of Raymond Queneau are published by Gallimard in the collection Bibliothèque de la Pléiade.

Queneau and Surrealists

In 1924 Queneau met and briefly joined the Surrealists, but never fully shared their penchants for automatic writing or ultra-left politics. Like many surrealists, he entered psychoanalysis—however, not in order to stimulate his creative abilities, but for personal reasons, as with Leiris, Bataille, and Crevel.[citation needed]

Michel Leiris describes, in Brisees, how he first met Queneau in 1924, while vacationing in Nemours with André Masson, Armand Salacrou and Juan Gris. A common friend, Roland Tual, met Queneau on a train from Le Havre and brought him over. Queneau was a few years younger and felt less accomplished than the other men. He did not make a big impression on the young bohemians. After Queneau came back from the army, around 1926–7, he and Leiris met at the Café Certa, near L'Opera, a Surrealist hang-out. On this occasion, when conversation delved into Eastern philosophy, Queneau's comments showed a quiet superiority and erudite thoughtfulness. Leiris and Queneau became friends later while writing for Bataille's Documents.[citation needed]

Queneau questioned Surrealist support of the USSR in 1926. He remained on cordial terms with André Breton,[3] although he also continued associating with Simone Kahn after Breton split up with her. Breton usually demanded that his followers ostracize his former girlfriends. It would have been difficult for Queneau to avoid Simone, however, since he married her sister, Janine, in 1928.[1] The year that Breton left Simone, she sometimes traveled around France with her sister and Queneau.[citation needed]

By 1930, Queneau separated himself significantly from Breton and the Surrealists.[1] Eluard, Aragon and Breton had joined the French Communist party in 1927; Queneau did not, and instead participated in Un Cadavre (A Corpse, 1930), a vehemently anti-Breton pamphlet co-written by Bataille, Leiris, Prévert, Alejo Carpentier, Jacques Baron, J.-A. Boiffard, Robert Desnos, Georges Limbour, Max Morise, Georges Ribemont-Dessaignes, and Roger Vitrac.[citation needed]

Queneau also joined the Democratic Communist Circle founded by Boris Souvarine and took up numerous left-wing and anti-fascist causes.[6] He defended the Popular Front in France and the Republicans during the Spanish Civil War.[6] Under the Nazi occupation of France, he published in many left-wing journals associated with the Resistance. After World War II, Queneau continued to lend his support left-wing manifestos and petitions, and condemned McCarthyism and anti-communist persecution in Greece.[6]

He wrote more scientific than literary reviews: on Pavlov, Vernadsky (from whom he got a circular theory of sciences), and a review of a book on the history of equestrian caparisons by an artillery officer. He also helped with writing passages on Engels and a mathematical dialectic for Bataille's article, "A critique of the foundations of Hegelian dialectic."[citation needed]

Legacy and honors

Bibliography

Novels

  • Le Chiendent (1933). The Bark-Tree, trans. Barbara Wright (Calder & Boyars, 1968); later published as Witch Grass (New York Review Books, 2003; ISBN 1-59017-031-8)
  • Gueule de pierre (1934). Gob of Stone
  • Les Derniers Jours (1936). The Last Days, trans. Barbara Wright (Dalkey Archive, 1990; ISBN 1-56478-140-2)
  • Odile (1937). Trans. Carol Sanders (Dalkey Archive, 1988; ISBN 0-916583-34-1)
  • Les Enfants du Limon (1938). Children of Clay, trans. Madeleine Velguth (Sun & Moon, 1998; ISBN 1-55713-272-0)
  • Un rude hiver (1939). A Hard Winter, trans. Betty Askwith (J. Lehmann, 1948)
  • Les Temps mêlés (Gueule de Pierre II) (1941)
  • Pierrot mon ami (1942). Pierrot, trans. Julian Maclaren-Ross (J. Lehmann, 1950) and Barbara Wright (Dalkey Archive, 1987; ISBN 1-56478-397-9)
  • Loin de Rueil (1944). The Skin of Dreams, trans. H.J. Kaplan (New Directions, 1948; ISBN 0-947757-16-3)
  • On est toujours trop bon avec les femmes (1947). We Always Treat Women Too Well, trans. Barbara Wright (J. Calder, 1981; ISBN 1-59017-030-X)
  • Saint-Glinglin (1948). Trans. James Sallis (Dalkey Archive, 1993; ISBN 1-56478027-9)
  • Le Journal intime de Sally Mara (1950)
  • Le Dimanche de la vie (1952). The Sunday of Life, trans. Barbara Wright (J. Calder, 1976; ISBN 0-8112-0646-7)
  • Zazie dans le métro (1959). Zazie in the Metro, trans. Barbara Wright (Harper, 1960; ISBN 0-14-218004-1)
  • Les Fleurs bleues (1965). The Blue Flowers, trans. Barbara Wright (Atheneum, 1967; ISBN 0-8112-0945-8); also published as Between Blue and Blue (The Bodley Head, 1967)
  • Le Vol d'Icare (1968). The Flight of Icarus, trans. Barbara Wright (Calder & Boyars, 1973; ISBN 0-8112-0483-9)

Poetry

  • Chêne et chien (1937). Trans. Madeleine Velguth (P. Lang, 1995; ISBN 0-8204-2311-4)
  • Les Ziaux (1943)
  • L'Instant fatal (1946)
  • Petite cosmogonie portative (1950)
  • Cent Mille Milliards de Poèmes (1961). Hundred Thousand Billion Poems
  • Le chien à la mandoline (1965)
  • Battre la campagne (1967). Beating the Bushes
  • Courir les rues (1967). Hitting the Streets, trans. Rachel Galvin (Carcanet, 2013)
  • Fendre les flots (1969)
  • Morale élémentaire (1975). Elementary Morality

Essays and articles

  • Joan Miró; ou, Le poète préhistorique (1949)
  • Bâtons, chiffres et lettres (1950)
  • Pour une bibliothèque idéale or For an Ars Poetica (1956)
  • Entretiens avec Georges Charbonnier (1962)
  • Bords (1963)
  • Une Histoire modèle (1966)
  • Le Voyage en Grèce (1973)
  • Traité des vertus démocratiques (1955)

Other

Compilations in English

  • The Trojan Horse & At the Edge of the Forest (Gaberbocchus Press, 1954). Trans. Barbara Wright.
  • Pounding the Pavements, Beating the Bushes, and Other Pataphysical Poems (Unicorn Press, 1985). Trans. Teo Savory. ISBN 0-87775-172-2
  • Five Stories (Obscure Publications, 2000). Trans. Barbara Wright. Compiles: "Panic"; "Dino"; "At the Edge of the Forest"; "A Blue Funk"; and "The Trojan Horse"
  • Stories & Remarks (University of Nebraska Press, 2000). Trans. Marc Lowenthal.
  • Letters, Numbers, Forms: Essays, 1928-70 (University of Illinois Press, 2007). Trans. Jordan Stump.
  • EyeSeas: Selected Poems (Black Widow Press, 2008). Trans. Daniela Hurezanu and Stephen Kessler.

In other art

  • Zazie dans le métro (1960), released as film adaptation
  • Pierre Bastien[7] has made a CD with the bilingual pun title Eggs Air Sister Steel, based on Exercices de Style (which "Eggs Air Sister Steel" sounds like when spoken).
  • A typographic interpretation of the German version of Exercices de Style, "Stilübungen – visuelle Interpretationen" by the graphic designer Marcus Kraft, was published in 2006.
  • Spanish-Canadian composer José Evangelista wrote the song cycle "Exercises de style" setting texts from Queneau's titular book in 1997.

See also

References

  1. ^ a b c d e f g h i j Magill, Frank (1997). Cyclopedia of World Authors. California: Salem Press. p. 1660.
  2. ^ a b c d e Mathews, Harry (1998). Oulipo Compedium. London: Atlas Press. p. 14. ISBN 1-900565-18-8.
  3. ^ a b c Thiher, Allen (1985). Raymond Queneau. Boston: Twayne Publisher. pp. 2. ISBN 9780805766134.
  4. ^ "Janine Queneau (1903-1972)". data.bnf.fr (in French). Retrieved 28 October 2021.
  5. ^ Magill, Frank Northen (1989). Cyclopedia of World Authors II. Salem Press. ISBN 978-0-89356-516-9.
  6. ^ a b c Galvin, Rachel (2017). News of War: Civilian Poetry 1936–1945. Oxford University Press. pp. 209–210.
  7. ^ "Discography". Pierrebastien.com. Retrieved 21 April 2016.

Further reading

External links

  • at the Wayback Machine (archived 11 June 2008) Queneau's former website
  • , Gallimard
  • Université McGill: le roman selon les romanciers (French) Inventory and analysis of Raymond Queneau's essays writings about the novel
  • Letterism papers, 1946–1965. Getty Research Institute. Los Angeles, California
  • Raymond Queneau at IMDb

raymond, queneau, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, april, 20. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Raymond Queneau news newspapers books scholar JSTOR April 2016 Learn how and when to remove this template message Raymond Queneau French ʁɛmɔ keno 21 February 1903 25 October 1976 was a French novelist poet critic editor 1 and co founder and president of Oulipo 2 Ouvroir de litterature potentielle notable for his wit and cynical humour Raymond QueneauBorn 1903 02 21 21 February 1903Le Havre FranceDied25 October 1976 1976 10 25 aged 73 Paris FranceOccupationNovelist PoetNationalityFrenchEducationUniversity of ParisSignature Contents 1 Biography 2 Career 3 Queneau and Surrealists 4 Legacy and honors 5 Bibliography 5 1 Novels 5 2 Poetry 5 3 Essays and articles 5 4 Other 5 5 Compilations in English 6 In other art 7 See also 8 References 9 Further reading 10 External linksBiography EditQueneau was born at 47 rue Thiers now Avenue Rene Coty Le Havre Seine Inferieure 1 the only child of Auguste Queneau and Josephine Mignot After studying in Le Havre Queneau moved to Paris in 1920 and received his first baccalaureat in 1925 for philosophy from the University of Paris 1 Queneau performed military service as a zouave in Algeria and Morocco during the years 1925 26 3 During the 1920s and 1930s Queneau took odd jobs for income such as bank teller tutor translator and some writing in a column entitled Connaissez vous Paris for the daily Intransigeant 1 He married Janine Kahn 1903 1972 in 1928 after returning to Paris from his first military service 1 4 Kahn was the sister in law of Andre Breton leader of the surrealist movement 1 In 1934 they had a son Jean Marie who became a painter 5 Queneau was drafted in August 1939 and served in small provincial towns before his promotion to corporal just before being demobilized in 1940 1 After a prolific career of writing editing and critique Queneau died on 25 October 1976 3 He is buried with his parents in the old cemetery of Juvisy sur Orge in Essonne outside Paris Career EditQueneau spent much of his life working for the Gallimard publishing house where he began as a reader in 1938 He later rose to be general secretary and eventually became director of l Encyclopedie de la Pleiade in 1956 During some of this time he also taught at l Ecole Nouvelle de Neuilly He entered the College de Pataphysique in 1950 where he became Satrap In 1950 Juliette Greco recorded Si tu t imagines a song by Joseph Kosma with lyrics by Queneau Effigy of Raymond Queneau Satrap of College de Pataphysique by Jean Max Albert Rt During this time Queneau also acted as a translator notably for Amos Tutuola s The Palm Wine Drunkard L Ivrogne dans la brousse in 1953 Additionally he edited and published Alexandre Kojeve s lectures on Hegel s Phenomenology of Spirit Queneau had been a student of Kojeve during the 1930s and was during this period also close to writer Georges Bataille As an author Queneau came to general attention in France with the publication in 1959 of his novel Zazie dans le metro 1 In 1960 the film adaptation directed by Louis Malle was released during the Nouvelle Vague movement Zazie explores colloquial language as opposed to standard written French The first word of the book the alarmingly long Doukipudonktan is a playful phonetic transcription of D ou qu il pue qu ils puent donc tant Why does it does he do they stink so much Before he founded the Ouvroir de litterature potentielle Oulipo in 1960 2 Queneau was attracted to mathematics as a source of inspiration He became a member of la Societe Mathematique de France in 1948 In Queneau s mind elements of a text including seemingly trivial details such as the number of chapters were things that had to be predetermined perhaps calculated This was an issue during the writing of A Hundred Thousand Billion Poems also known as 100 000 000 000 000 Poems 2 Queneau wrote 140 lines in 10 individual sonnets that could all be taken apart and rearranged in any order Queneau calculated that anyone reading the book 24 hours a day would need 190 258 751 years to finish it 2 While Queneau was completing this work he asked mathematician Francois Le Lionnais for help with issues he was having and their conversation led to a role of mathematics in literature which led to the creation of the Oulipo 2 A later work Les fondements de la litterature d apres David Hilbert 1976 alludes to the mathematician David Hilbert and attempts to explore the foundations of literature by quasi mathematical derivations from textual axioms Queneau claimed this final work would prove a hidden master of the automaton Pressed by GF his interlocutor Queneau confided that the text could never appear but had to hide to glorify that without agency A conference on the matter will be held in Coral Gables FL One of Queneau s most influential works is Exercises in Style which tells the simple story of a man s seeing the same stranger twice in one day It tells that short story in 99 different ways demonstrating the tremendous variety of styles in which storytelling can take place The works of Raymond Queneau are published by Gallimard in the collection Bibliotheque de la Pleiade Queneau and Surrealists EditIn 1924 Queneau met and briefly joined the Surrealists but never fully shared their penchants for automatic writing or ultra left politics Like many surrealists he entered psychoanalysis however not in order to stimulate his creative abilities but for personal reasons as with Leiris Bataille and Crevel citation needed Michel Leiris describes in Brisees how he first met Queneau in 1924 while vacationing in Nemours with Andre Masson Armand Salacrou and Juan Gris A common friend Roland Tual met Queneau on a train from Le Havre and brought him over Queneau was a few years younger and felt less accomplished than the other men He did not make a big impression on the young bohemians After Queneau came back from the army around 1926 7 he and Leiris met at the Cafe Certa near L Opera a Surrealist hang out On this occasion when conversation delved into Eastern philosophy Queneau s comments showed a quiet superiority and erudite thoughtfulness Leiris and Queneau became friends later while writing for Bataille s Documents citation needed Queneau questioned Surrealist support of the USSR in 1926 He remained on cordial terms with Andre Breton 3 although he also continued associating with Simone Kahn after Breton split up with her Breton usually demanded that his followers ostracize his former girlfriends It would have been difficult for Queneau to avoid Simone however since he married her sister Janine in 1928 1 The year that Breton left Simone she sometimes traveled around France with her sister and Queneau citation needed By 1930 Queneau separated himself significantly from Breton and the Surrealists 1 Eluard Aragon and Breton had joined the French Communist party in 1927 Queneau did not and instead participated in Un Cadavre A Corpse 1930 a vehemently anti Breton pamphlet co written by Bataille Leiris Prevert Alejo Carpentier Jacques Baron J A Boiffard Robert Desnos Georges Limbour Max Morise Georges Ribemont Dessaignes and Roger Vitrac citation needed Queneau also joined the Democratic Communist Circle founded by Boris Souvarine and took up numerous left wing and anti fascist causes 6 He defended the Popular Front in France and the Republicans during the Spanish Civil War 6 Under the Nazi occupation of France he published in many left wing journals associated with the Resistance After World War II Queneau continued to lend his support left wing manifestos and petitions and condemned McCarthyism and anti communist persecution in Greece 6 He wrote more scientific than literary reviews on Pavlov Vernadsky from whom he got a circular theory of sciences and a review of a book on the history of equestrian caparisons by an artillery officer He also helped with writing passages on Engels and a mathematical dialectic for Bataille s article A critique of the foundations of Hegelian dialectic citation needed Legacy and honors Edit1951 elected to the Academie Goncourt 1952 elected to the Academie de l humour 1955 57 invited to jury of the Cannes Film FestivalBibliography EditNovels Edit Le Chiendent 1933 The Bark Tree trans Barbara Wright Calder amp Boyars 1968 later published as Witch Grass New York Review Books 2003 ISBN 1 59017 031 8 Gueule de pierre 1934 Gob of Stone Les Derniers Jours 1936 The Last Days trans Barbara Wright Dalkey Archive 1990 ISBN 1 56478 140 2 Odile 1937 Trans Carol Sanders Dalkey Archive 1988 ISBN 0 916583 34 1 Les Enfants du Limon 1938 Children of Clay trans Madeleine Velguth Sun amp Moon 1998 ISBN 1 55713 272 0 Un rude hiver 1939 A Hard Winter trans Betty Askwith J Lehmann 1948 Les Temps meles Gueule de Pierre II 1941 Pierrot mon ami 1942 Pierrot trans Julian Maclaren Ross J Lehmann 1950 and Barbara Wright Dalkey Archive 1987 ISBN 1 56478 397 9 Loin de Rueil 1944 The Skin of Dreams trans H J Kaplan New Directions 1948 ISBN 0 947757 16 3 On est toujours trop bon avec les femmes 1947 We Always Treat Women Too Well trans Barbara Wright J Calder 1981 ISBN 1 59017 030 X Saint Glinglin 1948 Trans James Sallis Dalkey Archive 1993 ISBN 1 56478027 9 Le Journal intime de Sally Mara 1950 Le Dimanche de la vie 1952 The Sunday of Life trans Barbara Wright J Calder 1976 ISBN 0 8112 0646 7 Zazie dans le metro 1959 Zazie in the Metro trans Barbara Wright Harper 1960 ISBN 0 14 218004 1 Les Fleurs bleues 1965 The Blue Flowers trans Barbara Wright Atheneum 1967 ISBN 0 8112 0945 8 also published as Between Blue and Blue The Bodley Head 1967 Le Vol d Icare 1968 The Flight of Icarus trans Barbara Wright Calder amp Boyars 1973 ISBN 0 8112 0483 9 Poetry Edit Chene et chien 1937 Trans Madeleine Velguth P Lang 1995 ISBN 0 8204 2311 4 Les Ziaux 1943 L Instant fatal 1946 Petite cosmogonie portative 1950 Cent Mille Milliards de Poemes 1961 Hundred Thousand Billion Poems Le chien a la mandoline 1965 Battre la campagne 1967 Beating the Bushes Courir les rues 1967 Hitting the Streets trans Rachel Galvin Carcanet 2013 Fendre les flots 1969 Morale elementaire 1975 Elementary MoralityEssays and articles Edit Joan Miro ou Le poete prehistorique 1949 Batons chiffres et lettres 1950 Pour une bibliotheque ideale or For an Ars Poetica 1956 Entretiens avec Georges Charbonnier 1962 Bords 1963 Une Histoire modele 1966 Le Voyage en Grece 1973 Traite des vertus democratiques 1955 Other Edit Un Cadavre 1930 with Jacques Baron Georges Bataille J A Boiffard Robert Desnos Michel Leiris Georges Limbour Max Morise Jacques Prevert Georges Ribemont Dessaignes and Roger Vitrac En passant 1944 theatre Exercices de style 1947 Exercises in Style trans Barbara Wright Gaberbocchus Press 1958 ISBN 0 7145 4238 5 La Mort en ce Jardin 1956 Death in the Garden with Luis Bunuel screenplay for the Franco Mexican film production Les fondements de la litterature d apres David Hilbert 1976 Contes et propos 1981 a collection of short tales or sketches Journal 1939 1940 1986 Journaux 1914 1965 1996 Compilations in English Edit The Trojan Horse amp At the Edge of the Forest Gaberbocchus Press 1954 Trans Barbara Wright Pounding the Pavements Beating the Bushes and Other Pataphysical Poems Unicorn Press 1985 Trans Teo Savory ISBN 0 87775 172 2 Five Stories Obscure Publications 2000 Trans Barbara Wright Compiles Panic Dino At the Edge of the Forest A Blue Funk and The Trojan Horse Stories amp Remarks University of Nebraska Press 2000 Trans Marc Lowenthal Letters Numbers Forms Essays 1928 70 University of Illinois Press 2007 Trans Jordan Stump EyeSeas Selected Poems Black Widow Press 2008 Trans Daniela Hurezanu and Stephen Kessler In other art EditZazie dans le metro 1960 released as film adaptation Pierre Bastien 7 has made a CD with the bilingual pun title Eggs Air Sister Steel based on Exercices de Style which Eggs Air Sister Steel sounds like when spoken A typographic interpretation of the German version of Exercices de Style Stilubungen visuelle Interpretationen by the graphic designer Marcus Kraft was published in 2006 Spanish Canadian composer Jose Evangelista wrote the song cycle Exercises de style setting texts from Queneau s titular book in 1997 See also EditGeorges Perec MiroglyphReferences Edit a b c d e f g h i j Magill Frank 1997 Cyclopedia of World Authors California Salem Press p 1660 a b c d e Mathews Harry 1998 Oulipo Compedium London Atlas Press p 14 ISBN 1 900565 18 8 a b c Thiher Allen 1985 Raymond Queneau Boston Twayne Publisher pp 2 ISBN 9780805766134 Janine Queneau 1903 1972 data bnf fr in French Retrieved 28 October 2021 Magill Frank Northen 1989 Cyclopedia of World Authors II Salem Press ISBN 978 0 89356 516 9 a b c Galvin Rachel 2017 News of War Civilian Poetry 1936 1945 Oxford University Press pp 209 210 Discography Pierrebastien com Retrieved 21 April 2016 Further reading EditRaymond Queneau by Richard Cobb Clarendon 1976 External links Edit Wikimedia Commons has media related to Raymond Queneau www queneau net at the Wayback Machine archived 11 June 2008 Queneau s former website Periodicals Gallimard Article Universite McGill le roman selon les romanciers French Inventory and analysis of Raymond Queneau s essays writings about the novel Letterism papers 1946 1965 Getty Research Institute Los Angeles California Raymond Queneau at IMDb Retrieved from https en wikipedia org w index php title Raymond Queneau amp oldid 1144158659, wikipedia, wiki, book, books, library,

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