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Peter Beauvais

December 07, 2023

Peter Beauvais (September 9, 1916, in Weißenstadt, Germany – December 17, 1986, in Baden-Baden, Germany) was a German television film director and scriptwriter. As a director for three decades, he helped pioneer and significantly influenced the development of German television.[1]

Career edit

Beauvais was the son of a factory owner of Jewish origin. He attended the Municipal Liebig High School in Frankfurt am Main, where he studied drama, until 1935. In 1936, under the Nazi regime, he was forced to emigrate to the United States on account of his Jewish background. There he worked as an actor on Broadway. Beauvais returned to Germany in 1945[2] or 1946[3] with the United States Army, for whom worked as an interpreter, including for the Nuremberg Trials, and as a theatre officer.[3]

In 1950 Beauvais became an actor at the theatre in Hanover, then worked as an actor and trainee director at Werner Finck's Kabarett Die Mausefalle (Mousetrap Cabaret) in Stuttgart, and acted in American films produced in Germany. His first television direction work was in 1954, for Südwestfunk (Southwest Radio). In 1958–1960 he directed two theatrical films for UFA. He then moved back to television for good, directing more than 100 television films and episodes from 1960 to 1986. From 1962 to 1967, collaborating with the writer Horst Lommer, Beauvais directed a popular series of films for NDR.[3]

Over the course of his career, Beauvais created a prolific and wide-ranging body of work including comedies, satires, crime films, dramas, and science fiction films. Beauvais adapted for television literary works by writers including Arthur Schnitzler, Anton Chekhov, and Joseph Roth, and directed Eugene O'Neill's Trauer muss Elektra tragen (Mourning Becomes Electra), starring Peter Pasetti. He also adapted and filmed works by contemporary writers including Siegfried Lenz, Karin Struck, Adolf Muschg, and Martin Walser, and original teleplays by writers including Peter Stripp, Daniel Christoff, and Horst Lommer.[2][4]

Beauvais was also an opera director, in Germany and on international stages.[3][2]

Awards edit

Beauvais won two Adolf Grimme Prizes with gold (a prestigious award sometimes called "Germany's Golden Globes"):[5] In 1973 for Im Reservat (In The Reserve) and in 1974 for Sechs Wochen im Leben der Brüder G. (Six Weeks in the Life of the Brothers G.),[3] He also won a posthumous Grimme Prize (with gold) in 1988 for Sommer in Lesmona (Summer in Lesmona) (shared with Reinhard Baumgart, Katja Riemann, and Herbert Grönemeyer),[citation needed] and a Bambi Award, in 1968, for Zug der Zeit (The Locomotive of Time).[4]

Personal life edit

Beauvais was married four times, to the actress Ilsemarie Schnering,[4] the singer and actress Karin Hübner[4] (with whom he had a daughter, Dana),[6] the actress Sabine Sinjen (1963 to 1984),[4] and the photographer and later producer Barbara Beauvais.[citation needed] Barbara Beauvais survived him and actually completed his last film Why Is There Salt in the Sea?, as Peter Beauvais died during production.[citation needed]

Filmography edit

Film edit

  • 1958: Ist Mama nicht fabelhaft? [de]
  • 1959: Liebe, Luft und lauter Lügen [de]

Television edit

  • 1955: Der selige Christopher Bohn — (based on The Late Christopher Bean)
  • 1955: Das Ostergeschenk (short) — (based on The Christmas Tie by William Saroyan)
  • 1955: Zwischen den Zügen — (based on Still Life)
  • 1955: Die falschen Nasen — (based on Les Faux Nez by Jean-Paul Sartre)
  • 1955: Drei Jungen – Ein Mädchen — (based on a play by Roger Ferdinand)
  • 1956: Kolibri – Eine Magazingeschichte — (based on a play by Norman Hudis)
  • 1956: Die Fahrt ins Blaue — (based on La belle aventure by Gaston Arman de Caillavet, Robert de Flers and Étienne Rey)
  • 1956: Regen und Wind — (based on The Wind and the Rain by Merton Hodge)
  • 1956: Schatten in der 3. Avenue (screenplay by Otto Zoff)
  • 1957: Schinderhannes — (based on Schinderhannes)
  • 1957: Bei Tag und bei Nacht oder Der Hund des Gärtners — (based on The Dog in the Manger)
  • 1957: Mrs. Cheneys Ende — (based on The Last of Mrs. Cheyney)
  • 1957: Die Fee — (based on The Good Fairy)
  • 1957: Das heiße Herz — (based on The Hasty Heart by John Patrick)
  • 1959: Der Mann im Manne — (based on The Male Animal by James Thurber and Elliott Nugent
  • 1960: Ein Fingerhut voll Mut — (based on All You Young Lovers by Jack Pulman)
  • 1960: Venus Observed [de] — (based on Venus Observed)
  • 1960: Familie — (based on The Wooden Dish by Edmund Morris)
  • 1961: General Quixotte — (based on L'Hurluberlu ou le Réactionnaire amoureux by Jean Anouilh)
  • 1961: Madame de… — (based on a novel by Louise Lévêque de Vilmorin)
  • 1961: Die kleinen Füchse — (based on The Little Foxes)
  • 1961: Zwischen den Zügen — (based on Still Life)
  • 1961: Ein Außenseiter — (based on Thunder on the Snowy by Peter Yeldham)
  • 1961: Erinnerst du dich? — (based on The Vinegar Tree)
  • 1962: Der Walzer der Toreros — (based on The Waltz of the Toreadors)
  • 1962: Letzter Punkt der Tagesordnung — (based on Any Other Business by George Ross and Campbell Singer
  • 1962: Onkel Harry — (remake of The Strange Affair of Uncle Harry, 1945)
  • 1962: Schluck und Jau — (based on a play by Gerhart Hauptmann)
  • 1962: Schönes Wochenende (screenplay by Horst Lommer [de])
  • 1963: Jahre danach — (based on Reunion Day by Peter Yeldham)
  • 1963: Bilderkomödie — (based on Prenez garde à la peinture by René Fauchois)
  • 1963: Die Teilnahme — (based on a play by Luigi Squarzina)
  • 1963: Port Royal — (based on Port-Royal by Henry de Montherlant)
  • 1963: Der arme Bitos… oder Das Diner der Köpfe — (based on Pauvre Bitos ou le Dîner de têtes by Jean Anouilh)
  • 1963: Das Glück läuft hinterher (screenplay by Horst Lommer [de])
  • 1964: Drei Schwestern — (based on Three Sisters)
  • 1964: Der Feigling und die Tänzerin
  • 1964: Spätsommer — (based on Late Summer Affair by Leo Lehman [de])
  • 1964: Professor Bernhardi — (based on Professor Bernhardi)
  • 1964: Ich fahre Patschold (screenplay by Horst Lommer [de])
  • 1965: Undine — (based on Ondine)
  • 1965: Michael Kramer — (based on a play by Gerhart Hauptmann)
  • 1965: Nächstes Jahr in Jerusalem — (based on I'm Talking About Jerusalem by Arnold Wesker)
  • 1965: Tag für Tag — (based on Roots)
  • 1965: Onkel Wanja – Szenen aus dem Landleben — (based on Uncle Vanya)
  • 1965: Bernhard Lichtenberg [de] — (Docudrama about Bernhard Lichtenberg)
  • 1965: Die Sommerfrische — (based on a play by Carlo Goldoni)
  • 1965: Mach's Beste draus (screenplay by Horst Lommer [de])
  • 1966: Ghosts [de] — (based on Ghosts)
  • 1966: Geibelstraße 27 (screenplay by Horst Lommer [de])
  • 1966: Jegor Bulytschow und andere — (based on Yegor Bulychov and Others by Maxim Gorky)
  • 1967: Ein Duft von Blumen — (based on A Scent of Flowers by James Saunders)
  • 1967: Zug der Zeit (screenplay by Horst Lommer [de])
  • 1967: Der Teufel und der liebe Gott — (based on The Devil and the Good Lord)
  • 1967: Peter Schlemihls wundersame Geschichte — (based on Peter Schlemihl)
  • 1968: Ein Mann namens Harry Brent [de] (TV miniseries) — (remake of Francis Durbridge's A Man Called Harry Brent, 1965)
  • 1968: Zeit der halben Herzen — (based on A Cold Heart by Leo Lehman [de])
  • 1968: The Accident [de] (screenplay by Dieter Waldmann [de])
  • 1969: The Rats [de] — (based on The Rats)
  • 1969: Fink und Fliederbusch — (based on a play by Arthur Schnitzler)
  • 1969: Die Sommerfrische — (based on a play by Carlo Goldoni)
  • 1969: Die Rückkehr (screenplay by Jochen Ziem [de])
  • 1969: Rumpelstilz — (based on a play by Adolf Muschg)
  • 1969: The Tale of the 1002nd Night — (based on a novel by Joseph Roth)
  • 1969: Das weite Land — (based on a play by Arthur Schnitzler)
  • 1970: Eine große Familie (screenplay by Dieter Waldmann [de])
  • 1970: Trauer muß Elektra tragen — (based on Mourning Becomes Electra)
  • 1971: Tatort (TV series): Kressin und der tote Mann im Fleet [de] — (screenplay by Wolfgang Menge)
  • 1971: The German Lesson [de] — (based on The German Lesson)
  • 1971: Sterben — (based on a novella by Arthur Schnitzler)
  • 1971: Dreht euch nicht um – der Golem geht rum [de] (screenplay by Dieter Waldmann [de])
  • 1972: 8051 Grinning (screenplay by Bernd Schroeder)
  • 1972: Finito l'amor (screenplay by Daniel Christoff)
  • 1973: Eines langen Tages Reise in die Nacht — (based on Long Day's Journey into Night)
  • 1973: Im Reservat [de] (screenplay by Peter Stripp [de])
  • 1973: Die Gräfin von Rathenow — (based on The Marquise of O)
  • 1974: Sechs Wochen im Leben der Brüder G. (screenplay by Daniel Christoff)
  • 1974: Griseldis [de] — (based on a novel by Hedwig Courths-Mahler)
  • 1974: Rosenmontag (screenplay by Karl Otto Mühl [de])
  • 1975: Evas Rippe (screenplay by Leo Lehman [de])
  • 1975: Stumme Zeugen (screenplay by Daniel Christoff)
  • 1975: Nach der Scheidung (screenplay by Peter Stripp [de])
  • 1975: Hilde Breitner (screenplay by Peter Stripp [de])
  • 1975: Am Wege — (based on Ved Vejen)
  • 1976: Männergeschichten – Frauengeschichten (screenplay by Jochen Ziem [de])
  • 1976: Dorothea Merz — (based on a play by Tankred Dorst)
  • 1977: Glücksucher (screenplay by Dieter Wellershoff [de])
  • 1977: Auf dem Chimborazo — (based on a play by Tankred Dorst)
  • 1977: Die Soldaten — (based on The Soldiers)
  • 1977: Rückfälle (screenplay by Daniel Christoff)
  • 1979: Phantasten (screenplay by Dieter Wellershoff [de])
  • 1979: Trennung – Die Geschichte der Anna Wildermuth — (based on Trennung by Karin Struck)
  • 1979: Kur in Travemünde (screenplay by Karl Otto Mühl [de])
  • 1980: Berlin Mitte (screenplay by Peter Stripp [de])
  • 1981: Das Käthchen von Heilbronn oder Die Feuerprobe — (based on Das Käthchen von Heilbronn)
  • 1982: Männer (screenplay by Peter Stripp [de])
  • 1983: Der Kunstfehler (screenplay by Daniel Christoff)
  • 1983: Heimat, die ich meine (screenplay by Daniel Christoff)
  • 1984: Die ewigen Gefühle — (based on a novel by Bernard von Brentano)
  • 1985: Verworrene Bilanzen (screenplay by Peter Stripp [de])
  • 1986: Runaway Horse [de] — (based on a novella by Martin Walser)
  • 1987: Sommer in Lesmona [de] (TV miniseries) — (based on an epistolary novel by Magdalene Pauli [de])
  • 1988: Why Is There Salt in the Sea? — (based on a novel by Brigitte Schwaiger)

References edit

  1. ^ "Peter Beauvais. Vielfalt als Konzept" [Peter Beauvais – Diversity as a Concept]. Akademie der Künste. Retrieved February 10, 2017. (in German)
  2. ^ a b c "Neuerscheinung: Peter Beauvais. Vielfalt als Konzept" [New Release: Peter Beauvais – Diversity as a Concept]. Akademie der Künste. Retrieved February 10, 2017. (in German)
  3. ^ a b c d e "Peter-Beauvais-Archiv" [Peter Beauvais Archives]. Akademie der Künste. Retrieved February 10, 2017. (in German)
  4. ^ a b c d e Rosemarie Kuheim (November 5, 2015). "Peter Beauvais". Deutsches Filmhaus (German Film House). Retrieved February 11, 2017. (in German)
  5. ^ Thomas Schmid (May 4, 2016). . Film Journal International. Archived from the original on November 5, 2016. Retrieved February 10, 2017.
  6. ^ "Dana (41)". Discogs. Retrieved February 11, 2017.

Further reading edit

  • Jacobsen, Wolfgang; Rittmeyer, Nicky, eds. (2016). Peter Beauvais. Vielfalt als Konzept. Fernsehen. Geschichte. Ästhetik. Munich: Archiv der Akademie der Künste / Stiftung Deutsche Kinemathek. ISBN 978-3-86916-519-6. (in German)

External links edit

December 07, 2023
peter, beauvais, september, 1916, weißenstadt, germany, december, 1986, baden, baden, germany, german, television, film, director, scriptwriter, director, three, decades, helped, pioneer, significantly, influenced, development, german, television, contents, ca. Peter Beauvais September 9 1916 in Weissenstadt Germany December 17 1986 in Baden Baden Germany was a German television film director and scriptwriter As a director for three decades he helped pioneer and significantly influenced the development of German television 1 Contents 1 Career 2 Awards 3 Personal life 4 Filmography 4 1 Film 4 2 Television 5 References 6 Further reading 7 External linksCareer editBeauvais was the son of a factory owner of Jewish origin He attended the Municipal Liebig High School in Frankfurt am Main where he studied drama until 1935 In 1936 under the Nazi regime he was forced to emigrate to the United States on account of his Jewish background There he worked as an actor on Broadway Beauvais returned to Germany in 1945 2 or 1946 3 with the United States Army for whom worked as an interpreter including for the Nuremberg Trials and as a theatre officer 3 In 1950 Beauvais became an actor at the theatre in Hanover then worked as an actor and trainee director at Werner Finck s Kabarett Die Mausefalle Mousetrap Cabaret in Stuttgart and acted in American films produced in Germany His first television direction work was in 1954 for Sudwestfunk Southwest Radio In 1958 1960 he directed two theatrical films for UFA He then moved back to television for good directing more than 100 television films and episodes from 1960 to 1986 From 1962 to 1967 collaborating with the writer Horst Lommer Beauvais directed a popular series of films for NDR 3 Over the course of his career Beauvais created a prolific and wide ranging body of work including comedies satires crime films dramas and science fiction films Beauvais adapted for television literary works by writers including Arthur Schnitzler Anton Chekhov and Joseph Roth and directed Eugene O Neill s Trauer muss Elektra tragen Mourning Becomes Electra starring Peter Pasetti He also adapted and filmed works by contemporary writers including Siegfried Lenz Karin Struck Adolf Muschg and Martin Walser and original teleplays by writers including Peter Stripp Daniel Christoff and Horst Lommer 2 4 Beauvais was also an opera director in Germany and on international stages 3 2 Awards editBeauvais won two Adolf Grimme Prizes with gold a prestigious award sometimes called Germany s Golden Globes 5 In 1973 for Im Reservat In The Reserve and in 1974 for Sechs Wochen im Leben der Bruder G Six Weeks in the Life of the Brothers G 3 He also won a posthumous Grimme Prize with gold in 1988 for Sommer in Lesmona Summer in Lesmona shared with Reinhard Baumgart Katja Riemann and Herbert Gronemeyer citation needed and a Bambi Award in 1968 for Zug der Zeit The Locomotive of Time 4 Personal life editBeauvais was married four times to the actress Ilsemarie Schnering 4 the singer and actress Karin Hubner 4 with whom he had a daughter Dana 6 the actress Sabine Sinjen 1963 to 1984 4 and the photographer and later producer Barbara Beauvais citation needed Barbara Beauvais survived him and actually completed his last film Why Is There Salt in the Sea as Peter Beauvais died during production citation needed Filmography editThis section does not cite any sources Please help improve this section by adding citations to reliable sources Unsourced material may be challenged and removed February 2017 Learn how and when to remove this template message Film edit 1958 Ist Mama nicht fabelhaft de 1959 Liebe Luft und lauter Lugen de Television edit 1955 Der selige Christopher Bohn based on The Late Christopher Bean 1955 Das Ostergeschenk short based on The Christmas Tie by William Saroyan 1955 Zwischen den Zugen based on Still Life 1955 Die falschen Nasen based on Les Faux Nez by Jean Paul Sartre 1955 Drei Jungen Ein Madchen based on a play by Roger Ferdinand 1956 Kolibri Eine Magazingeschichte based on a play by Norman Hudis 1956 Die Fahrt ins Blaue based on La belle aventure by Gaston Arman de Caillavet Robert de Flers and Etienne Rey 1956 Regen und Wind based on The Wind and the Rain by Merton Hodge 1956 Schatten in der 3 Avenue screenplay by Otto Zoff 1957 Schinderhannes based on Schinderhannes 1957 Bei Tag und bei Nacht oder Der Hund des Gartners based on The Dog in the Manger 1957 Mrs Cheneys Ende based on The Last of Mrs Cheyney 1957 Die Fee based on The Good Fairy 1957 Das heisse Herz based on The Hasty Heart by John Patrick 1959 Der Mann im Manne based on The Male Animal by James Thurber and Elliott Nugent 1960 Ein Fingerhut voll Mut based on All You Young Lovers by Jack Pulman 1960 Venus Observed de based on Venus Observed 1960 Familie based on The Wooden Dish by Edmund Morris 1961 General Quixotte based on L Hurluberlu ou le Reactionnaire amoureux by Jean Anouilh 1961 Madame de based on a novel by Louise Leveque de Vilmorin 1961 Die kleinen Fuchse based on The Little Foxes 1961 Zwischen den Zugen based on Still Life 1961 Ein Aussenseiter based on Thunder on the Snowy by Peter Yeldham 1961 Erinnerst du dich based on The Vinegar Tree 1962 Der Walzer der Toreros based on The Waltz of the Toreadors 1962 Letzter Punkt der Tagesordnung based on Any Other Business by George Ross and Campbell Singer 1962 Onkel Harry remake of The Strange Affair of Uncle Harry 1945 1962 Schluck und Jau based on a play by Gerhart Hauptmann 1962 Schones Wochenende screenplay by Horst Lommer de 1963 Jahre danach based on Reunion Day by Peter Yeldham 1963 Bilderkomodie based on Prenez garde a la peinture by Rene Fauchois 1963 Die Teilnahme based on a play by Luigi Squarzina 1963 Port Royal based on Port Royal by Henry de Montherlant 1963 Der arme Bitos oder Das Diner der Kopfe based on Pauvre Bitos ou le Diner de tetes by Jean Anouilh 1963 Das Gluck lauft hinterher screenplay by Horst Lommer de 1964 Drei Schwestern based on Three Sisters 1964 Der Feigling und die Tanzerin 1964 Spatsommer based on Late Summer Affair by Leo Lehman de 1964 Professor Bernhardi based on Professor Bernhardi 1964 Ich fahre Patschold screenplay by Horst Lommer de 1965 Undine based on Ondine 1965 Michael Kramer based on a play by Gerhart Hauptmann 1965 Nachstes Jahr in Jerusalem based on I m Talking About Jerusalem by Arnold Wesker 1965 Tag fur Tag based on Roots 1965 Onkel Wanja Szenen aus dem Landleben based on Uncle Vanya 1965 Bernhard Lichtenberg de Docudrama about Bernhard Lichtenberg 1965 Die Sommerfrische based on a play by Carlo Goldoni 1965 Mach s Beste draus screenplay by Horst Lommer de 1966 Ghosts de based on Ghosts 1966 Geibelstrasse 27 screenplay by Horst Lommer de 1966 Jegor Bulytschow und andere based on Yegor Bulychov and Others by Maxim Gorky 1967 Ein Duft von Blumen based on A Scent of Flowers by James Saunders 1967 Zug der Zeit screenplay by Horst Lommer de 1967 Der Teufel und der liebe Gott based on The Devil and the Good Lord 1967 Peter Schlemihls wundersame Geschichte based on Peter Schlemihl 1968 Ein Mann namens Harry Brent de TV miniseries remake of Francis Durbridge s A Man Called Harry Brent 1965 1968 Zeit der halben Herzen based on A Cold Heart by Leo Lehman de 1968 The Accident de screenplay by Dieter Waldmann de 1969 The Rats de based on The Rats 1969 Fink und Fliederbusch based on a play by Arthur Schnitzler 1969 Die Sommerfrische based on a play by Carlo Goldoni 1969 Die Ruckkehr screenplay by Jochen Ziem de 1969 Rumpelstilz based on a play by Adolf Muschg 1969 The Tale of the 1002nd Night based on a novel by Joseph Roth 1969 Das weite Land based on a play by Arthur Schnitzler 1970 Eine grosse Familie screenplay by Dieter Waldmann de 1970 Trauer muss Elektra tragen based on Mourning Becomes Electra 1971 Tatort TV series Kressin und der tote Mann im Fleet de screenplay by Wolfgang Menge 1971 The German Lesson de based on The German Lesson 1971 Sterben based on a novella by Arthur Schnitzler 1971 Dreht euch nicht um der Golem geht rum de screenplay by Dieter Waldmann de 1972 8051 Grinning screenplay by Bernd Schroeder 1972 Finito l amor screenplay by Daniel Christoff 1973 Eines langen Tages Reise in die Nacht based on Long Day s Journey into Night 1973 Im Reservat de screenplay by Peter Stripp de 1973 Die Grafin von Rathenow based on The Marquise of O 1974 Sechs Wochen im Leben der Bruder G screenplay by Daniel Christoff 1974 Griseldis de based on a novel by Hedwig Courths Mahler 1974 Rosenmontag screenplay by Karl Otto Muhl de 1975 Evas Rippe screenplay by Leo Lehman de 1975 Stumme Zeugen screenplay by Daniel Christoff 1975 Nach der Scheidung screenplay by Peter Stripp de 1975 Hilde Breitner screenplay by Peter Stripp de 1975 Am Wege based on Ved Vejen 1976 Mannergeschichten Frauengeschichten screenplay by Jochen Ziem de 1976 Dorothea Merz based on a play by Tankred Dorst 1977 Glucksucher screenplay by Dieter Wellershoff de 1977 Auf dem Chimborazo based on a play by Tankred Dorst 1977 Die Soldaten based on The Soldiers 1977 Ruckfalle screenplay by Daniel Christoff 1979 Phantasten screenplay by Dieter Wellershoff de 1979 Trennung Die Geschichte der Anna Wildermuth based on Trennung by Karin Struck 1979 Kur in Travemunde screenplay by Karl Otto Muhl de 1980 Berlin Mitte screenplay by Peter Stripp de 1981 Das Kathchen von Heilbronn oder Die Feuerprobe based on Das Kathchen von Heilbronn 1982 Manner screenplay by Peter Stripp de 1983 Der Kunstfehler screenplay by Daniel Christoff 1983 Heimat die ich meine screenplay by Daniel Christoff 1984 Die ewigen Gefuhle based on a novel by Bernard von Brentano 1985 Verworrene Bilanzen screenplay by Peter Stripp de 1986 Runaway Horse de based on a novella by Martin Walser 1987 Sommer in Lesmona de TV miniseries based on an epistolary novel by Magdalene Pauli de 1988 Why Is There Salt in the Sea based on a novel by Brigitte Schwaiger References edit Peter Beauvais Vielfalt als Konzept Peter Beauvais Diversity as a Concept Akademie der Kunste Retrieved February 10 2017 in German a b c Neuerscheinung Peter Beauvais Vielfalt als Konzept New Release Peter Beauvais Diversity as a Concept Akademie der Kunste Retrieved February 10 2017 in German a b c d e Peter Beauvais Archiv Peter Beauvais Archives Akademie der Kunste Retrieved February 10 2017 in German a b c d e Rosemarie Kuheim November 5 2015 Peter Beauvais Deutsches Filmhaus German Film House Retrieved February 11 2017 in German Thomas Schmid May 4 2016 Thai co production wins Germany s Grimme Award Film Journal International Archived from the original on November 5 2016 Retrieved February 10 2017 Dana 41 Discogs Retrieved February 11 2017 Further reading editJacobsen Wolfgang Rittmeyer Nicky eds 2016 Peter Beauvais Vielfalt als Konzept Fernsehen Geschichte Asthetik Munich Archiv der Akademie der Kunste Stiftung Deutsche Kinemathek ISBN 978 3 86916 519 6 in German External links editPeter Beauvais at IMDb Peter Beauvais at the Internet Broadway Database Retrieved from https en wikipedia org w index php title Peter Beauvais amp oldid 1160149554, wikipedia, wiki, book, books, library,

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