Musa Cälil
Musa Cälil[a] (Tatar: Муса Җәлил, romanized: Musa Çəlil, Tatar pronunciation: [muˈsɑ ʑæˈlil]; Russian: Муса Джалиль; 15 February [O.S. 2 February] 1905 – 25 August 1944) was a Soviet–Tatar poet and resistance fighter. He is the only poet of the Soviet Union awarded simultaneously the Hero of the Soviet Union award for his resistance fighting and the Lenin Prize for having written The Moabit Notebooks; both awards were bestowed upon him posthumously.[1]
Mussa Jalil Musa Çəlil Муса Җәлил Musa Cälil Муса Джалиль | |
|---|---|
| Born | Musa Mostafa ulı Cälilev 15 February [O.S. 2 February] 1905 Mustafino, Orenburg Governorate, Russian Empire |
| Died | 25 August 1944 (aged 38) Plötzensee, Nazi Germany |
| Occupation | Poet, playwright, journalist, editor, resistance fighter |
| Nationality | Soviet |
| Period | Interwar period |
| Notable awards | Hero of the Soviet Union Order of Lenin Stalin Prize |
| Spouse | Äminä Zalilova |
| Children | Çulpan Zalilova |
Biography Edit
Early life Edit
Musa Cälil was born in Mustafino, a village in Orenburg Governorate, to a family of junk dealers. He graduated from Husainiya Madrasa[b] in Orenburg. His first published works were revolutionary verses. The Turkic aruz wezni poetic rhythm is seen in Cälil's early works, which is attributed to Gisyanism (ğıysyanizm; гыйсъянизм), a romantic poetic style celebrating revolution that was often found in young Tatar poetry of the 1920s.[c] In 1919, he joined the underground Komsomol cell in Orenburg (the region was under the control of White Russians at that time). Then, Musa participated in the Russian Civil War against pro-White forces; due to his young age, he did not fight at the front, instead serving in a Red Army unit. In 1920, Cälil returned to his native village, establishing the pro-Communist youth organization The Red Flower there. He also became a Komsomol activist in Mustafino. He represented his village at the governorate Komsomol conference.[2]
Literary life Edit
In 1920, the Tatar ASSR was established and Kazan became its capital. In 1922, Musa, along with other Tatar poets[who?], moved to Kazan. During this time, verses that he wrote include "The Red Host", "The Red Holyday", "The Red Hero", "The Red Way", "The Red Force", and "The Red Banner". In Kazan, Cälil worked as copyist for the Qьzьl Tatarstan newspaper and studied at rabfak of the Oriental Pedagogical Institute. He became acquainted with Tatar poets such as Qawi Näcmi, Hadi Taqtaş, and Ğädel Qutuy. In 1924, he became a member of the literary society October, backing Proletkult. Since that year, his poetry departed from Ghisyanism and aruz and turned to the Tatar folk verse. His first collection of verses, Barabız (We are going) was published in 1925. One concept that the verses dealt with was pre-revolutionary life.[2]
During 1925 and 1926, Cälil became an instructor of Orsk uyezd Komsomol cell, where he visited Tatar and Kazakh auls, agitating for Komsomol there. In 1926, he became the member of Orenburg governorate Komsomol committee. In 1927, Musa moved to Moscow, where he combined his study in the Moscow State University and job in Tatar–Bashkir section of the Central Committee of Komsomol. Cälil joined the All-Union Communist Party (b) in 1929, which was the same year that his second collection, İptäşkä (To the Comrade; Yañalif: Iptəşkə) was published. Living in Moscow, Cälil met Russian poets Zharov, Bezymensky, and Svetlov; Cälil also attended Vladimir Mayakovsky's performances. He entered the Moscow Association of Proletarian Writers; he became its third secretary and a leader of its Tatar section. By the end of the 1920s, lyricism appeared in Cälil's poetry.[2]
In 1931, Cälil graduated from the literature faculty of Moscow University. Until 1932, he was a chief editor of the Tatar children's magazine Keckenə iptəşlər, which was later renamed to Oktəbr Balasь (Little Octobrist). Then, he managed the section of literature and art in the central Tatar newspaper Kommunist. In 1934, Musa Cälil published two collections. The first of them, The Millions, Decorated with Orders was devoted mostly to youth and Komsomol, whereas in the second, Verses and Poems, was a general compilation of his writing. However, many[weasel words] of his lyrical poems weren't published due to being at conflict with Stalinism.[2]
In 1935, the first Russian translations of his poems were published. During the 1930s, Cälil also translated to the Tatar language writings of poets of the USSR peoples, such as Shota Rustaveli, Taras Shevchenko, Pushkin, Nekrasov, Mayakovsky and Lebedev-Kumach. In the late 1930s, he tended to write epic poems, such as The Director and the Sun (1935), Cihan (1935–1938), and The Postman (1938). As a playwright of the Tatar State Opera, he wrote four librettos for Tatar operas, one of which is Altınçäç (Golden Hair Maiden) of Näcip Cihanov.[2] In 1939 and 1940, he served as the chairman of the Tatar ASSR Union of Writers.[3]
During World War II Edit
After the Axis invasion of the Soviet Union in June 1941, Cälil volunteered for the Red Army. Graduating political commissar courses, he arrived at the Volkhov Front and became a war correspondent in the Otvaga newspaper. Cälil also wrote verse, which was at first patriotic but later evolving into lyricism concerning war and people experiencing war.
In June 1942, during the Lyuban Offensive Operation, Cälil's unit was encircled; when his unit tried to run a blockade he became seriously wounded, shell-shocked, and captured. After months[when?] in concentration camps for Soviet prisoners of war, including Stalag-340 in Daugavpils, Latvia[4] and Spandau, Cälil was transferred to Dęblin, a fortified stronghold in German-occupied Poland. There, the Wehrmacht were assembling prisoners of Idel-Ural and Eastern nationalities in the camp. Cälil responded by forming a resistance group.
In late 1942, the Wehrmacht started forming what they called "national legions". Among others, the Idel-Ural legion was formed in Lager Jedlnia, General Government, consisting of prisoners of war belonging to the nations of the Volga basin. Since the majority of the legion were Volga Tatars, the Germans usually called it the Volga-Tatar Legion. The Wehrmacht began preparing the legionnaires for action against the Red Army. Cälil joined the Wehrmacht propaganda unit for the legion under the false name of Gumeroff. Cälil's group set out to wreck the National Socialist plans, to convince the men to use the weapons they would be supplied with against the National Socialists themselves. The members of the resistance group infiltrated the editorial board of the Idel-Ural newspaper the German command produced, and printed and circulated anti-Hitler leaflets among the legionnaires into esoteric action groups consisting of five men each. The first battalion of the Volga-Tatar Legion that was sent to the Eastern Front mutinied, shot all the German officers there, and defected to the Soviet partisans in Belarus.
Capture and death Edit
On 10 August 1943, he was arrested with his comrades by the Gestapo and sent to Moabit Prison in Berlin. He sat in a cell with Belgian patriot and resistance fighter André Timmermans and a Polish prisoner. Cälil studied the German language in prison to communicate with his cellmates. In prison, he compiled verses composed in the prison into self-made notebooks. He and his group of 12 were sentenced to death on 12 February 1944 and guillotined at Plötzensee Prison, Berlin, on August 25. His body was never recovered.
Prison notebooks Edit
Cälil's first notebook was preserved by the Tatars Ğabbas Şäripov and then Niğmät Teregulov, both of whom later died in Stalin's camps. Şäripov was also imprisoned in Moabit and received Cälil's and Abdulla Aliş's writings when the prison guards hid from bombing. To preserve the writings, Cälil's group fenced him off.[5] The second notebook was preserved by the Belgian cellmate André Timmermans. Those notebooks were passed to the Tatar ASSR Union of Writers in 1946 and 1947 correspondingly. They were published as two books under the title Moabit Däftäre (The Moabit Notebook). Cälil's widow Äminä Zalyalova gave the originals to the National Museum of Tatarstan for safekeeping.
One notebook was brought to the Soviet embassy in Rome by the ethnically Tatar Turkish citizen Kazım Mirşan in 1946. However, this notebook was lost in the archives of SMERSH, and pursuits for it since 1979 have had no results.[citation needed] These notebooks were in arabic script.
Legacy Edit
In 1946, MGB opened a file on Musa Cälil branding him as a traitor. In April 1947, his name was included in the list of wanted "dangerous criminals".
Then Tatar writers and the Tatarstan department of state security proved Cälil's underground work against the Third Reich and his death. In 1953, The Moabit Notebooks were published in Kazan[3] and the Russian translation also was published in Literaturnaya Gazeta, owing to its editor, Konstantin Simonov.[6] Musa Cälil was awarded the star of the Hero of the Soviet Union in 1956 and Literature Lenin Prize in 1957 for The Moabit Notebooks.[1]
A monument to Musa Cälil is placed near the Kazan Kremlin; the museum in his flat was opened in Kazan in 1983.[3] His poetry was popularized in the Soviet Union and the Warsaw Pact countries.
Soviet Tatar composer Nazib Zhiganov wrote an "opera-poem" Dzhalil based on the life of Cälil. This was premiered in Tatar in Kazan in 1957, and later recorded by conductor Boris Khaykin for Moscow radio.
Musa Cälil Tatar Library was opened in Constanța, Romania, in 2014.[7]
The Symphony-poem "Musa Jalil" written by Soviet Tatar composer Almaz Monasypov in 1971 was dedicated to the poet. A minor planet 3082 Dzhalil discovered by Soviet astronomer Tamara Mikhailovna Smirnova in 1972 is named after him.[8]
On October 13, 2021, a monument to Cälil had its grand opening in the Sverdlovsk Oblast within Yekaterinburg.[9]
Writings Edit
| 1929 | İptäşkä ("To the Comrade") |
| 1934 | Ordenlı millionnar ("The Millions Decorated with Orders") |
| 1935–41 | Altınçäç |
| 1940 | Xat taşuçı ("The Postman") |
| İldar (opera libretto) | |
| 1943 | Tupçı antı ("The Oath of the Artilleryman") |
Notes Edit
References Edit
- ^ a b Mussa Jalil. Selected poems. Poetry of Truth and Passion. Rafael Mustafin, translated by Lydia Kmetyuk. Moscow, Progress Publishers, 1981
- ^ a b c d e Mustafin, Rafael A. (1986). Муса Джалиль: Жизнь и творчество: Довоенный период [Musa Jalil: Life and Creativity: The Pre-War Period] (in Tatar). Kazan, Russia: Татарское книжное издательство.
- ^ a b c "Муса Җәлил". Tatar Encyclopaedia (in Tatar). Kazan: The Republic of Tatarstan Academy of Sciences. Institution of the Tatar Encyclopaedia. 2002.
- ^ Федеральное агентство по культуре и кинематографии - Муса Джалиль
- ^ (in Russian) Мусса Джалиль. Моабитские тетради. Татарское книжное издательство. Казань 1963. Составитель - Г. Кашшаф.
- ^ Marie-Janine Calic; Dietmar Neutatz; Julia Obertreis (2011). he Crisis of Socialist Modernity: The Soviet Union and Yugoslavia in the 1970s. Vandenhoeck & Ruprech. ISBN 9783525310427.
- ^ Nazar Look. . www.nazar-look.com. Nazar Look Journal. Archived from the original on 13 April 2015. Retrieved 5 April 2015.
- ^ Schmadel, Lutz D. (2003). Dictionary of Minor Planet Names, page 254. Springer-VerlagBerlin Heidelberg New York. ISBN 3-540-00238-3.
- ^ "The grand opening of the monument to the Tatar poet, Hero of the Soviet Union Musa Jalil will take place in Yekaterinburg". tatar-congress.org. 10 October 2021. Retrieved 17 March 2023.
External links Edit
- (in Russian) Images from Cälil's archive
- Excerpt from Cälil's writing on doipo.co.uk backup page, by Vice-chairman - the creator of the UK Tatar Association and the page dedicated to Musa Cälil's poetry. Vice-chairman left UKTA in June 2013 because of a chairman's offense involving dishonesty deception, such as fraud 13 November 2017 at the Wayback Machine
- Excerpt from Cälil's writing on UK Tatar Association page. Note by the author of the UKTA website; UKTA website has been collapsed in 2015 due to chairman's lack of knowledge in IT.[permanent dead link]
- Cälil's poetry at National Library of the Republic of Tatarstan 29 September 2015 at the Wayback Machine