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Maurycy Trębacz

Maurycy Trębacz (May 3, 1861 – January 29, 1941) was one of the most popular Jewish painters in Poland in the late 19th and early 20th century.[1][2] Many of his paintings were lost in the Holocaust, but a representative selection of his artwork survived.[3][4] Trębacz died of starvation[citation needed] in the Litzmannstadt Ghetto during the Nazi German occupation of Poland.[5]

Maurycy Trębacz
1932 photograph
Born
Maurycy (Mojżesz) Trębacz

(1861-05-03)May 3, 1861
DiedJanuary 29, 1941(1941-01-29) (aged 79)
NationalityPolish
Known forPainting and illustration
MovementRealism

Maurycy Trębacz, along with Samuel Hirszenberg, Jakub Weinles,[6][better source needed] and Leopold Pilichowski,[7] belonged to the first generation of Jewish artists in Poland who broke away from the religious prohibition on portraying a human figure (see below).[8] The studies show his mastery of painting, his own unique style and great imagination.[5][9] Trębacz was noted within the European art-world as a master portrait and landscape painter,[1] but above all he was also a rare chronicler of the contemporary Jewish life, depicting a world that is now lost. His popular subjects included praying Rabbis, old men, street and Jewish domestic scenes, and genre painting depicting the everyday side of life. His psychological portraits of Jews earned him the greatest popularity and critical acclaim, and influenced the work of other Jewish painters in Poland. Notably, Trębacz's oil painting "The Good Samaritan", reportedly stolen in 1904 at the World's Fair, was recently sold at auction at Sotheby's.[5]

Life edit

Born in 1861 in Warsaw, the son of David Trębacz, a house painter, Maurycy (Mojżesz) at the age of 16 years was admitted to the school of drawing by professor Wojciech Gerson and Aleksander Kamiński. Three years later, with the support of Leopold Horowitz, he received a scholarship sponsored by lawyer Stanisław Rotwand, and moved to Kraków where he enrolled in the Academy of Fine Arts in the studios of Jan Matejko, Leopold Loeffler and Władysław Łuszczkiewicz.

 
Reclining male nude, 1887. National Museum, Warsaw

From 1882, he studied at the Academy of Fine Arts in Munich with Sandor Wagner (until 1884) and received the grand silver medal there at the completion of his studies for the work "Martyrdom". Between 1889 and 1890, he studied in Paris at the Académie Colarossi. He lived and worked in Munich for 4 years before returning to Warsaw. Over time, Trębacz worked in Lviv and Drohobych, and eventually moved permanently to Łódź, where he founded and ran a private art school until September 1939.[1][2] He is often criticized for giving in to popular demand later on in his career. Pressured by financial sponsors, he began to produce sentimental theme portraits pertaining to the bucolic life of country folk.[1][2]

Trębacz made his successful artistic début twice, first at the Munich Kunstverein, and then at the Krywult Salon in Warsaw as a 23-year-old painter. His other big success was the participation of painting "Good Samaritan" (1886, pictured) in a Kunstverein exhibition in Munich as well as at the I National Art Exhibition in Kraków and in Warsaw at the Zachęta Society for the Promotion of Fine Arts. The painting was also awarded a gold medal at the Universal World Exposition in Chicago. Subsequently, Trębacz also received a bronze medal at the Paris Universal World Exposition of 1889.[5]

 
"Good Samaritan" (1886), book engraving from painting by Maurycy Trębacz, Warsaw

Maurycy Trębacz died of hunger [citation needed] in the Łódź Ghetto during the Holocaust in occupied Poland, and is buried at the Bracka Street Cemetery in Łódź, grave #490.[5] His wife Pola (Perla) also died in the ghetto in 1941, at the age of 54. They had three children, Edward, Zofia and Bronisław.[10] Until the occupation of Lodz by the Wehrmacht and establishment of the Ghetto, he lived with his family in Wolczanska 140. In the ghetto, he lived in Limanowskiego 19 street.

Soon after the war ended, some 70 paintings of Maurycy Trębacz (along with works of Izrael Lejzorowicz, Amos Szwarc, Mendel Grosman and others, wrote Dr. Cieślińska-Lobkowicz)[note 1] were located in Poland by Nachman Zonabend on behalf of the Jewish Cultural Reconstruction (JCR) and the Jewish Restitution Successor Organization (JRSO) from the United States. Most were taken out of the country by Zonabend in 1947 against the official policy on protecting the national heritage and then split between the YIVO Institute of New York and Yad Vashem. The illegal removal of the collection was criticized by the Jewish press not only in communist Poland but also in Canada and France.[12]

Footnotes edit

  1. ^ Nawojka Cieślińska-Lobkowicz in her PhD-thesis made available by Art Antiquity and Law (Vol. XIV, Issue 2) from June 2009, does not cite whether the 70 paintings mentioned (smuggled out by Zonabend from postwar Poland), were produced by just one artist or more, considering their exceptional number. See also: The Polish official decree of 1 Mar. 1946 on registration and prohibition of taking abroad artworks and objects of artistic, historical or cultural value.[11]

References edit

  1. ^ a b c d . Cenne. Bezcenne. Utracone (in Polish). Narodowy Instytut Muzealnictwa i Ochrony Zabytkow, Warsaw. Archived from the original on March 7, 2016. Retrieved August 2, 2012.
  2. ^ a b c Małgorzata Krasucka-Margalit (November 3, 2008). "Kronikarz świata żydowskiego". Żydzi polscy (in Polish). Rzeczpospolita. Retrieved August 2, 2012.
  3. ^ "Birthday of Maurycy Trębacz, Artist". Today in Yiddishkayt… May 3. Yiddishkayt, Los Angeles, CA. Archived from the original on April 16, 2013. Retrieved August 1, 2012.
  4. ^ Renata Piątkowska (trans. from Polish by Joanna Nalewajko-Kulikov). "Trębacz, Maurycy". Encyclopedia of Jews in Eastern Europe. YIVO Institute for Jewish Research. Retrieved August 1, 2012.
  5. ^ a b c d e Michael Harelick (June 29, 2009). "About Maurycy Trebacz (1861 - 1941)". World Family Tree. Genealogy Records Geni. Retrieved August 2, 2012.
  6. ^ Jakub Weinles in Polish Wikipedia, Retrieved August 3, 2012
  7. ^ Leopold Pilichowski in Polish Wikipedia, Retrieved August 3, 2012 [circular reference]
  8. ^ Renata Piątkowska (ed.) (1993). "Maurycy Trębacz 1861-1941. Wystawa monograficzna. Katalog dzieł istniejących i zaginionych". Muzeum Historii Miasta Łodzi. Retrieved August 2, 2012. {{cite web}}: |author= has generic name (help)
  9. ^ "TRĘBACZ Maurycy (1861 - 1941). Selected paintings". Katalogi aukcyjne (Auction Catalogues). Portal Artinfo.pl. 2005–2011. Retrieved August 2, 2012.
  10. ^ Michael Harelick (December 9, 2009). "Perla (Pola) Trebacz (1886 - 1941)". Genealogy Directory Geni, Inc. Retrieved August 3, 2012.
  11. ^ Cieślińska-Lobkowicz 2009, p. 162.
  12. ^ Cieślińska-Lobkowicz, Nawojka (June 2009), (PDF), Vol. XIV, Issue 2, Art Antiquity and Law, pp. 161–162, archived from the original (PDF) on December 6, 2014, retrieved August 3, 2012 – via Internet Archive, PDF file, direct download, 288 KB.
  • Jerzy Malinowski, Malarstwo i rzeźba Żydów Polskich w XIX i XX wieku, Warsaw, 2000
  • Renata Piątkowska, ed., Maurycy Trębacz 1861–1941: Wystawa monograficzna; Katalog dzieł istniejących i zaginionych, Warsaw, 1993

External links edit

  • Trębacz's works in Central Jewish Library

maurycy, trębacz, 1861, january, 1941, most, popular, jewish, painters, poland, late, 19th, early, 20th, century, many, paintings, were, lost, holocaust, representative, selection, artwork, survived, trębacz, died, starvation, citation, needed, litzmannstadt, . Maurycy Trebacz May 3 1861 January 29 1941 was one of the most popular Jewish painters in Poland in the late 19th and early 20th century 1 2 Many of his paintings were lost in the Holocaust but a representative selection of his artwork survived 3 4 Trebacz died of starvation citation needed in the Litzmannstadt Ghetto during the Nazi German occupation of Poland 5 Maurycy Trebacz1932 photographBornMaurycy Mojzesz Trebacz 1861 05 03 May 3 1861Warsaw PolandDiedJanuary 29 1941 1941 01 29 aged 79 Lodz Wartheland German occupied PolandNationalityPolishKnown forPainting and illustrationMovementRealism Maurycy Trebacz along with Samuel Hirszenberg Jakub Weinles 6 better source needed and Leopold Pilichowski 7 belonged to the first generation of Jewish artists in Poland who broke away from the religious prohibition on portraying a human figure see below 8 The studies show his mastery of painting his own unique style and great imagination 5 9 Trebacz was noted within the European art world as a master portrait and landscape painter 1 but above all he was also a rare chronicler of the contemporary Jewish life depicting a world that is now lost His popular subjects included praying Rabbis old men street and Jewish domestic scenes and genre painting depicting the everyday side of life His psychological portraits of Jews earned him the greatest popularity and critical acclaim and influenced the work of other Jewish painters in Poland Notably Trebacz s oil painting The Good Samaritan reportedly stolen in 1904 at the World s Fair was recently sold at auction at Sotheby s 5 Contents 1 Life 2 Footnotes 3 References 4 External linksLife editBorn in 1861 in Warsaw the son of David Trebacz a house painter Maurycy Mojzesz at the age of 16 years was admitted to the school of drawing by professor Wojciech Gerson and Aleksander Kaminski Three years later with the support of Leopold Horowitz he received a scholarship sponsored by lawyer Stanislaw Rotwand and moved to Krakow where he enrolled in the Academy of Fine Arts in the studios of Jan Matejko Leopold Loeffler and Wladyslaw Luszczkiewicz nbsp Reclining male nude 1887 National Museum Warsaw From 1882 he studied at the Academy of Fine Arts in Munich with Sandor Wagner until 1884 and received the grand silver medal there at the completion of his studies for the work Martyrdom Between 1889 and 1890 he studied in Paris at the Academie Colarossi He lived and worked in Munich for 4 years before returning to Warsaw Over time Trebacz worked in Lviv and Drohobych and eventually moved permanently to Lodz where he founded and ran a private art school until September 1939 1 2 He is often criticized for giving in to popular demand later on in his career Pressured by financial sponsors he began to produce sentimental theme portraits pertaining to the bucolic life of country folk 1 2 Trebacz made his successful artistic debut twice first at the Munich Kunstverein and then at the Krywult Salon in Warsaw as a 23 year old painter His other big success was the participation of painting Good Samaritan 1886 pictured in a Kunstverein exhibition in Munich as well as at the I National Art Exhibition in Krakow and in Warsaw at the Zacheta Society for the Promotion of Fine Arts The painting was also awarded a gold medal at the Universal World Exposition in Chicago Subsequently Trebacz also received a bronze medal at the Paris Universal World Exposition of 1889 5 nbsp Good Samaritan 1886 book engraving from painting by Maurycy Trebacz Warsaw Maurycy Trebacz died of hunger citation needed in the Lodz Ghetto during the Holocaust in occupied Poland and is buried at the Bracka Street Cemetery in Lodz grave 490 5 His wife Pola Perla also died in the ghetto in 1941 at the age of 54 They had three children Edward Zofia and Bronislaw 10 Until the occupation of Lodz by the Wehrmacht and establishment of the Ghetto he lived with his family in Wolczanska 140 In the ghetto he lived in Limanowskiego 19 street Soon after the war ended some 70 paintings of Maurycy Trebacz along with works of Izrael Lejzorowicz Amos Szwarc Mendel Grosman and others wrote Dr Cieslinska Lobkowicz note 1 were located in Poland by Nachman Zonabend on behalf of the Jewish Cultural Reconstruction JCR and the Jewish Restitution Successor Organization JRSO from the United States Most were taken out of the country by Zonabend in 1947 against the official policy on protecting the national heritage and then split between the YIVO Institute of New York and Yad Vashem The illegal removal of the collection was criticized by the Jewish press not only in communist Poland but also in Canada and France 12 Footnotes edit Nawojka Cieslinska Lobkowicz in her PhD thesis made available by Art Antiquity and Law Vol XIV Issue 2 from June 2009 does not cite whether the 70 paintings mentioned smuggled out by Zonabend from postwar Poland were produced by just one artist or more considering their exceptional number See also The Polish official decree of 1 Mar 1946 on registration and prohibition of taking abroad artworks and objects of artistic historical or cultural value 11 References edit nbsp Wikimedia Commons has media related to Maurycy Trebacz a b c d Maurycy Trebacz zapomniany malarz zydowski Cenne Bezcenne Utracone in Polish Narodowy Instytut Muzealnictwa i Ochrony Zabytkow Warsaw Archived from the original on March 7 2016 Retrieved August 2 2012 a b c Malgorzata Krasucka Margalit November 3 2008 Kronikarz swiata zydowskiego Zydzi polscy in Polish Rzeczpospolita Retrieved August 2 2012 Birthday of Maurycy Trebacz Artist Today in Yiddishkayt May 3 Yiddishkayt Los Angeles CA Archived from the original on April 16 2013 Retrieved August 1 2012 Renata Piatkowska trans from Polish by Joanna Nalewajko Kulikov Trebacz Maurycy Encyclopedia of Jews in Eastern Europe YIVO Institute for Jewish Research Retrieved August 1 2012 a b c d e Michael Harelick June 29 2009 About Maurycy Trebacz 1861 1941 World Family Tree Genealogy Records Geni Retrieved August 2 2012 Jakub Weinles in Polish Wikipedia Retrieved August 3 2012 Leopold Pilichowski in Polish Wikipedia Retrieved August 3 2012 circular reference Renata Piatkowska ed 1993 Maurycy Trebacz 1861 1941 Wystawa monograficzna Katalog dziel istniejacych i zaginionych Muzeum Historii Miasta Lodzi Retrieved August 2 2012 a href Template Cite web html title Template Cite web cite web a author has generic name help TReBACZ Maurycy 1861 1941 Selected paintings Katalogi aukcyjne Auction Catalogues Portal Artinfo pl 2005 2011 Retrieved August 2 2012 Michael Harelick December 9 2009 Perla Pola Trebacz 1886 1941 Genealogy Directory Geni Inc Retrieved August 3 2012 Cieslinska Lobkowicz 2009 p 162 Cieslinska Lobkowicz Nawojka June 2009 Dealing with Jewish Cultural Property in postwar Poland PDF Vol XIV Issue 2 Art Antiquity and Law pp 161 162 archived from the original PDF on December 6 2014 retrieved August 3 2012 via Internet Archive PDF file direct download 288 KB Jerzy Malinowski Malarstwo i rzezba Zydow Polskich w XIX i XX wieku Warsaw 2000 Renata Piatkowska ed Maurycy Trebacz 1861 1941 Wystawa monograficzna Katalog dziel istniejacych i zaginionych Warsaw 1993External links editTrebacz s works in Central Jewish Library Retrieved from https en wikipedia org w index php title Maurycy Trebacz amp oldid 1191898562, wikipedia, wiki, book, books, library,

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