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Endlessly (Duffy album)

Endlessly is the second studio album by Welsh singer Duffy. It was released in the United Kingdom on 26 November 2010 by A&M Records (under Polydor) and in the United States on 7 December 2010 by Mercury Records. Duffy worked almost exclusively with Albert Hammond Snr. on the album, with all but one of the album's songs being written by Hammond and Duffy. Four of the songs received additional or co-production by Stuart Price. Music is also provided by The Roots and Questlove. Musically, the album follows the soul stylings of her first album Rockferry (2008), although Duffy drew inspiration from a variety of other genres, including disco and soft rock, and was compared to pop singers such as Kylie Minogue. It has been said that Duffy wrote the album in three weeks, although recording sessions lasted between 2009 and 2010.

Endlessly
Studio album by
Released26 November 2010 (2010-11-26)
Recorded2009–2010
Studio
Genre
Length33:52
Label
Producer
Duffy chronology
Deluxe EP
(2009)
Endlessly
(2010)
Singles from Endlessly
  1. "Well, Well, Well"
    Released: 19 October 2010

The album received mixed reviews, with critics stating that Duffy faltered outside of her comfort zone, although it was called a "proper sophomore effort" and "effortlessly", and was often compared to Rockferry, in terms of both commercial and critical performance. Vocally, Duffy's falsetto and vibrato were both criticised and praised, being called "delicious to some and cloying to others." Commercially, it did not replicate Duffy's success with her debut, reaching just number seventy-two on the US Billboard 200. Nevertheless, Endlessly reached the top ten in Denmark, Finland, Greece, the Netherlands, Sweden, Switzerland and the United Kingdom. It has been certified gold in four European countries including in the United Kingdom.

The only single from Endlessly, titled "Well, Well, Well", did not perform well on national charts, and was only a modest European success, reaching a peak of thirty-seven on the European Hot 100 Singles chart and number forty-one in the UK. The single features a rhythm section by United States hip hop group The Roots. Duffy promoted the album extensively throughout the world, performing on many television shows and conducting an array of print interviews. A live extended play (EP) of songs from the album was released in Germany in 2011 and plans for a concert tour were listed as "coming soon" on Duffy's website. However, shortly after the release of the album, it was announced that Duffy would be taking an indefinite hiatus from the music industry, and the planned second single from Endlessly – "My Boy" – was cancelled, though a single mix of the title track was digitally released.

Background edit

In March 2008, Welsh singer Aimée Ann Duffy released her debut studio album, Rockferry, under the mononym Duffy. The blue-eyed soul[2] album went on to be the best-selling album of 2008 in the UK,[3] whilst the International Federation of the Phonographic Industry named it the fourth biggest seller worldwide of that year.[4] The album also won the Grammy Award for Best Pop Vocal Album at the American 51st Annual Grammy Awards.[5] Following the release of the album's final single, "Rain on Your Parade" in November 2008, Duffy began work on her second album, aiming to enlist the help of different producers from Rockferry, to create a different sound profile than she had previously used.

In late January 2010 Rough Trade Management, who with Jeanette Lee had managed Duffy throughout the course of Rockferry's release, announced that they and the singer had parted amicably with the company. Duffy's new management said that "professional relationship between Duffy and Rough Trade management has run its course."[6][7] Duffy was quoted by Billboard as saying, "It just felt as though the relationship [with Lee] had run its course, [as] what we had set out to do, we'd done—I was developed, established, and I had to think: 'OK, so what now?'".[8] Duffy was then represented by Angela Becker of London-based Becker Brown Management.[8]

Recording edit

In January, one Billboard article reported on the development of the record, being the first to reveal that Duffy was working with "veteran songwriter" Albert Hammond as well as The Roots drummer Questlove,[9] whose group she had previously admired for their work on their remix of her song "Mercy" (2008).[10] I The magazine stated that the material it had heard "feels like it was born in 1963 and is much in the vein of the Dusty Springfield-inspired soul [...] [on] Rockferry".[9] Duffy talked to MusicOMH about her collaboration with Hammond, saying;[11]

It was good for me, because I really needed to prove to myself that I didn't get lucky. I needed to put pen to paper and see that I could do it all again, to see that it was easy for me, and I have to admit it was so reassuring. Albert and I wrote all these songs, about 25 songs in 12 days, pouring out of me. I needed that connection again, with what it is you know me for! I think he was quite fascinated with me, because he'd been introduced to me as a fan. He saw me on American television, and approached me appreciating what I did. He didn't treat me like an unknown, trying to tell me what he thought was best for me. Instead he met me as somebody established, and so it was like he instilled me with lots of faith and belief in myself, that I was good at what I did! Because he appreciated what I did, he encouraged me to bring out the best in myself.

The album was primarily recorded at recording studios MSR Studios NYC, Cake Studio, British Grove Studios and the Sotogrande Studios in New York, London and Spain, respectively over the course of three weeks,[12] although sessions took place throughout 2009 and 2011, although Duffy had been recording songs she had written using her computer and iPod since the release of Rockferry, some of which remained in demo form until the final stages of the recording process.[13] Duffy had formed a songwriting partnership with Albert Hammond for the record, which resulted in nine of the ten final songs released being written, composed and produced by Duffy and Hammond together. Aside from her partnership with Hammond, Duffy also forged collaborative efforts with other musicians who she felt reflected the sound change she was aiming for, including hip hop group The Roots. Duffy said in an interview that their involvement would be limited to "a rhythm section" going on to say "if you know The Roots you will know just how cool [that] is. I love them and they are so cool."[11] She was also heavily involved with the recording process. The Daily Telegraph reports that often Duffy was a perfectionist regarding her songs, and that she often stayed in the studio with her mix engineer to ensure the composition sounded exactly as she wanted.[13] This was often done without the help of Hammond, and she was quoted "this is all I care about. I keep a tight rein when it comes to quality control."[13] Billboard reported in November later that year that Duffy had experimented with a new dance sound, confirming that neither Bernard Butler nor Steve Booker, who produced the bulk of Duffy's debut album, Rockferry, had returned for the record.[8]

Music and lyrics edit

Endlessly consists of ten songs which take influence from a variety of genres across different musical spectrums. AllMusic said that the album marked a transition from "Dusty Springfield-like ingenue" on Rockferry to "Kylie Minogue-ish diva."[14] This point of view was echoed by several other reviewers. Inkeeping with this, Endlessly was said to have experimented with a new dance sound, "rigorously maintain[ing] a 1:1 ratio between dance tracks and ballads".[15] The album's first single, "Well, Well, Well", was said to have achieved this particularly well, as it emulates "a sassier, brassier Duffy".[15] Uncut noted that the album could be split into two-halves according to the "opposing moods" it contains–"saucy, sexed-up spin[s] around the dancefloor" and "soaring, superior ballads".[16] Nevertheless, a sound similar to Rockferry was created in the form of "Too Hurt to Dance" and "Hard for the Heart", both of which were compared to the work of Springfield.[17] In 2010, Billboard magazine was favourable in its preview of the album, introducing what it called the "funk-fueled" "My Boy", disco-esque "Lovestruck" and string-fuelled pop of "Keeping My Baby".[8] Overall, the album was said to "have the same sassy, soulful pop hooks", as her debut album, albeit with more maturity and "raw" pop vibe.[13]

Lyrically, the album is an array of love songs, with songs such as "My Boy" and "Girl" portraying Duffy in a protective manner, with respect to her lover.[18] On "Breath Away", Duffy laments that her lover is "taking her breath away."[19] "Hard for the Heart" questions the difficulties involved with falling in love.[20]

Songs edit

The album's first song, "My Boy", opens to crowd noise, engineered by Brendan Reilly and Aaron Sokell.[1] Described as "one of the few songs to sound as though it emerged from the 21st century", it was said to be a reference point and introduction to the "classic girl group sound" seen on Endlessly,[18] and a combination of the two aforementioned styles.[21] As with the rest of the album, it was written and produced by Duffy and Hammond.[1] It was praised for its use of keyboards and percussion, played by Hammond, said to "sound like piano's laughing", and "creating a preponderance of beats that dig themselves into your brain", respectively.[22] Lyrically, Duffy sings of "the completely rude and judgemental comments made about her relationship with a significantly younger gentleman."[22] The next song, titled "Too Hurt to Dance", was called a "grand glitterball ballad",[23] and is inspired by the music of the 1950s.[24] Q named it the ninth best song of December 2010,[23] whilst Kitty Empire of The Observer was critical of Duffy's voice on the song, noting that her "quacking patent-leather vocal" was of prevalence.[25] This was in contrast to the disco music displayed in "Keeping My Baby", which again received comparisons to the music of Minogue.[26] Originally intended to be the second single released from the album, it was said to omit a tango style, and was both positively and negatively received by critics.[27] As lyrically it is sung from the point of view of a pregnant girl, it was compared to the song "Papa Don't Preach" (1986) by Madonna.[28] The single "Well, Well, Well" follows. Said to debut Duffy's "inner diva",[15] the song, like "Mercy" (2008) is heavily influenced with Northern Soul,[13] aided by a rhythm section provided by The Roots.[1] Duffy was able too secure their part in the song and others on the album through telephoning the president of Island Def Jam Records, LA Reid.[13] It was negatively reviewed by the BBC Chart Blog, as despite its provocative lyrics and challenging nature, "it basically has one idea, one note, one refrain, and it stops and it starts and it repeats and repeats and repeats like someone is prodding and prodding at your chest."[29] The reviewer continued that the song was "monumentally irritating", a sentiment that several reviewers echoed.[29] Elsewhere, it was described as an "instant classic".[13]

Three downtempo ballads follow, called "the kind of songs you wouldn't want to listen to at all: the lyrics are boring at best and completely cliché at worst" by one reviewer.[30] The first, "Don't Forsake Me" is a torch song[21] that was frequently compared to "Too Hurt to Dance" due to its lyrics about heartache.[26] The song follows the retro sound Duffy had been previously known for[31] and was called "indebted to the pre-Beatles era".[26] It was received negatively for "paint[ing] too much of a resemblance" to "Warwick Avenue".[19] The title song, which follows, is a love song that was again said to contain 1950s music references.[32] The song features vinyl sounds and is sung to the accompaniment of an acoustic guitar.[16] The final song in the trio of ballads is "Breath Away", a 1960s-inspired ballad about love.[33] Contactmusic.com implied that the song is boring, saying that "[it] hardly does anything to take our breath away",[19] although it was said to "showcase" her vocal talents.[19][33] Endlessly continues with two more up-tempo songs with a dance-orientated sound: "Lovestruck" and "Girl", both called "sassy" and "playful".[34] The former is a disco song described as having "the brashness of a Bond theme",[35] with "tragic undertones" of a "haunting creation".[19] Lyrically, the song speaks of being so in love you are "sleepless all night long", with the song opening "It's a physical thing we got and I'm in paradise".[34] The lyrical sentiment of "My Boy" is echoed in the latter, with the song being sung "Girl, girl/Stay away, girl/Come back another day, girl/Better still don't come back ever stay away from here forever."[18] The album's final song, the string-led "Hard for the Heart" continues the soul pop sound of Rockferry and was described as a "soulful pop confection" by Uncut,[16] whilst being labelled as the stand-out song on the album by many reviewers.[20] The song's climax was compared to the song "Hey Jude" (1968) by The Beatles,[16] whilst a reviewer for the BBC asserted that it "unconsciously borrows from Coldplay's "The Scientist"."[26] Entertainment Focus, on the other hand called it a "lost Burt Bacharach classic",[36] and Hammond's production skills were also praised on the song.[20] It also received praise concerning Duffy's voice, something that was a feature of many critics' reviews, with Sputnik Music noting, ""Hard for the Heart" [...] has the singer in an intensely emotional and surprisingly restrained moment. Her beautiful timbre finally gets to shine without choking out the sophisticated and apotheotic production, giving pulse and strength to a strikingly poetic composition."[20]

Release and artwork edit

On 16 September 2010, Duffy announced the release of the album, set for 28 November 2010 to digital outlets in the UK, with a physical CD to be released the following day.[37] It was also announced that the Endlessly's first single "Well, Well, Well" would be released one week prior.[37] Mercury Records president David Massey said of the album's release, "Her fans will see it as a natural evolution of her last record. The strength of the record, the fan base that she has already adopted and the opportunity to have multiple singles means we can go further with this record than the last."[8] Fifteen seconds of "Well, Well, Well" were released onto the internet in anticipation of its release, whilst the song leaked in full in October 2010.[38] The title track, "Endlessly", was made available for download before the album's release in North America after it was made available for streaming online, and a "single mix" of the track also came to fruition.[39] The album was released in Germany on 26 November 2010 by both Polydor and Universal Music,[40] and in the United States by Mercury Records on 7 December.[41] The Japanese release, scheduled for 2011, was expected to include bonus tracks.[42]

"Well, Well, Well" was released as the album's lead single worldwide in October 2010. It was the album's only commercially released single, reaching peaks of number forty-one on the UK Singles Chart and thirty-seven on the European Hot 100 Singles chart. In mainland Europe, it managed to chart in the top twenty in Finland, Belgium and Switzerland, reaching number eleven in the former.[43] A music video was filmed in Oxford and directed by Chris Cottam to complement the release.[44] The single was promoted extensively as part of a campaign of "major TV moments", taking in the UK, the United States as well as seven countries around Europe in 2010 and 2011.[8] A single mix of "Endlessly" was released as a promotional single and was available for download from the album prior to Endlessly's release in North America only.[39]

A second full single release was planned for the songs "Endlessly", "Keeping My Baby" and finally "My Boy" in 2011, and a music video was filmed for the latter in February 2011. A clip of the prospective B-side to the "My Boy" release, "Tell Me", was released on the internet and a single edit of "My Boy" was produced for the release by Tom Elmhirst.[45][non-primary source needed] The release was scheduled for 13 March 2011 in the UK.[46] However, the single was removed from pre-order on digital outlets and the release was cancelled following Duffy's announcement of a career hiatus. The song's music video or B-side have not been released.

The album's cover and its associated promotional images were shot by photographer Lachlan Bailey.[47][non-primary source needed] The cover image itself is cropped from a larger version, in which Duffy is seen to be in a cafe holding a coffee cup.[48] Sputnikmusic said that "the crimson themed cover will draw in curious listeners one after another" and that it "can be nice to stare at".[49] musicOMH was more negative, saying that it "looks like it ought to be adorning the latest Littlewoods catalogue", noting that it did not fit with Duffy's plan to "move her sound away from the middle of the road."[50]

Critical reception edit

Professional ratings
Aggregate scores
SourceRating
Metacritic59/100[51]
Review scores
SourceRating
AllMusic     [14]
The A.V. ClubC−[28]
Chicago Tribune    [52]
Entertainment WeeklyB[53]
The Guardian     [24]
Los Angeles Times    [54]
Paste6.8/10[55]
Rolling Stone     [56]
Slant Magazine     [15]
Spin7/10[34]

Upon its release, Endlessly received generally mixed reviews from most music critics.[57] At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album received an average score of 59, based on 21 reviews, which indicates "mixed or average reviews".[57] John Bush from AllMusic, giving the album three stars, stated that the album did not have "anything close to the power and elegance of Rockferry." Melissa Maerz of Entertainment Weekly commended her choice to collaborate with Albert Hammond, stating that he was able to bring out "her inner pop star" on the record. Maerz noted "Lovestruck" and "Girl" were amongst her favourite tracks.[53] Will Dean of The Guardian held a similar position, in one of the more positive reviews for the album arguing that "Albert Hammond's production [...] make[s] the LP a pleasant listen."[24] Similarly, a BBC Music reviewer praised the "rich, crisp production values" but ended by saying it is "too slight and uneven to impress unconditionally" and that Hammond's collaboration with Duffy "reaps only minor rewards."[26] Rolling Stone called the collection "tasteful, well-made and kind of dull."[56] Matthew Cole of Slant Magazine, giving the album one and a half stars out of five, said that "after 10 tracks of Endlessly, I was just begging her to stop", referencing her earlier hit "Mercy".[15]

However, some critics were more positive towards the album. Okayplayer noted that the songs "capture a retro American sound reminiscent of sock hops and drive-ins so subtly, that the album could have been called Effortlessly."[58] Uncut said that it is "sharp, commercially astute pop music" that is "cool and clever without being contrived."[57][59] Ann Powers of the Los Angeles Times notes that Duffy "tries several different ways to celebrate her unique talents without abandoning the vintage settings that won her such acclaim", calling the lead single a "reggae-tinged rocker" and complementing the return to Rockferry-like Northern Soul on tracks like "Too Hurt to Dance." However, she goes on to write that "Duffy has said she wrote the songs in a mere three weeks, and it shows."[54]

Many were critical about Duffy's voice on the record. John Bush of AllMusic said that "Duffy's voice [...] has not improved with age, or simply isn't portrayed well here." He goes on to say that it is "clearly not her most potent weapon", criticising her choice to "build an album out of it." Matthew Cole of Slant Magazine said that "the bigger problem with Endlessly is that Duffy compensates for her lack of a star persona by overdrawing her syrupy rasp, already noted for its acquired tastiness, into a cartoonish oddity."[15] Spin noted that ultimately, it's the vocals that carry Endlessly. There's no whitewashing of the singer's eccentricities, which feel more pronounced here—she can be gruffly nasal (the oft-repeated chorus of "Well, Well, Well" never stops sounding like "whale, whale, whale") while remaining wholly beguiling."[34] However, Jody Rosen of Rolling Stone, Melissa Maerz of Entertainment Weekly[53] and Will Dean of The Guardian were more complementary, with Dean calling it "beautiful" and "sweet"[24] and Rosen applauding it for being "smoky and touched with grit."[56] Ann Powers of the Los Angeles Times said that her voice is "delicious to some and cloying to others."[54] Duffy was compared to several female pop singers such as Kylie Minogue, Debbie Harry of Blondie and Madonna.[14][26][54][58]

Commercial performance edit

Endlessly entered the UK Albums Chart in what Billboard called a "somewhat muted entry" at number nine, selling 45,892 copies.[60][61] It spent a total of fifteen weeks in the top 100, spending its last week on the chart at number seventy-five on 19 March 2011.[62] As of October 2011, the album had sold around 200,000 copies in the UK.[63] The album also performed well in Europe, reaching the top ten in Denmark, Sweden (number four), the Netherlands, Finland (number nine) and Switzerland (number ten),[64] as well as on the German Digital Albums Chart.[65] Endlessly performed best in Denmark, where it reached a peak of number two on the Danish Albums Chart, spending thirteen weeks on the top forty.[64] The album also spent 24 weeks on the Dutch Albums Chart, but reached only a peak of number six.[64] It has since been certified gold in Denmark,[66] Sweden[67] and Switzerland,[68] by the International Federation of the Phonographic Industry (IFPI), indicating sales of 10,000, 20,000 and 15,000 respectively.[69] In 2013, the album was certified Gold by the British Phonographic Industry.[70]

Elsewhere, the album debuted and peaked at number twenty-seven on the Irish Albums Chart on 3 December 2010.[71][72] This peak was equalled on the Australian ARIA Albums Chart,[64] although the album performed moderately better in New Zealand, where it reached number nineteen on the RIANZ Albums Chart, spending six weeks on its top forty.[64] In the United States, Endlessly debuted and peaked at number seventy-two on the Billboard 200,[73] with first-week sales of 18,000 copies.[74] The album performed better digitally, reaching number twenty-three on Billboard's Digital Albums chart.[75]

Media outlets worldwide reported the relative commercial failure of the album. The BBC reported that it had "failed to make the top five", comparing it to the success of Rockferry as "the best-selling album in the UK in 2008."[76] In one article, Orange, calling Duffy a "Welsh one-album wonder" said that "it must have been a kick in the teeth when Duffy's second album [...] charted at an underwhelming No. 9. Not least for her record label A&M, who have gone under after throwing large amounts of cash".[77] The article went on to say that the commercial failure was a result of Duffy's adamance "[the album] was released before Christmas".[77] British tabloid newspaper the Daily Mirror reported that Duffy would quit music as Endlessly "didn't sell well and charted terribly and she isn't trying again and making a comeback."[78] The article was repeated by many news outlets and music publications worldwide. The BBC once again reported Rockferry's success as "the top international seller of 2008", noting that Endlessly had "sold very poorly".[78]

In 2018, Wales Online reported that Endlessly had sold 306,000 copies;[79] as of 2020, however, the BPI has not amended its certification from Gold to Platinum,[70] the threshold for which is 300,000 sales.[80]

Promotion edit

 
Duffy performing "Well, Well, Well" at her Endlessly Album Showcase at the Café de Paris, London.

Duffy promoted the album by appearing on various television programmes worldwide throughout the latter stages of 2010 and early 2011, performing songs featured on the track listing of Endlessly, occasionally together with songs from Rockferry. A&M Records' Orla Lee noted that the campaign would focus around "major TV moments", adding "[t]he thing with Duffy is it's about the voice [...] live, you really see that."[8] Television adverts for Endlessly were released in territories worldwide in different languages. Although an international concert tour was announced via her website, and Billboard reporting that "European and U.S. dates are expected in early 2011", this never materialised.[8]

In the United Kingdom, the first televised performance of songs from Endlessly took place on Later Live... with Jools Holland on 19 October 2010, where Duffy performed "Well, Well, Well" and "Endlessly."[81] She later sang "Well, Well, Well" on series eight of Strictly Come Dancing on 21 November 2010, later being interviewed and performing on breakfast show This Morning as well as light news and entertainment programmes The One Show and T4 in the same week.[8][82] In December, Duffy returned to perform at Capital FM's Jingle Bell Ball, where she sang two songs from the album and "All I Want for Christmas Is You" (1994).[83] Duffy returned to the Strictly Come Dancing finale on 20 December 2010 for a positively reviewed performance of "Mercy."[84] International promotion began with a rendition of "Endlessly" on The Tonight Show with Jay Leno in the United States,[85] with "Well, Well, Well" being performed later on The Ellen DeGeneres Show backed by a complete brass section on 7 December 2010, the day of Endlessly's American release.[86][87] Idolator positively reviewed the performances, referring to "Well, Well, Well" in particular.[86] Duffy also appeared on The Today Show to perform "Endlessly",[88] and on Late Night with Jimmy Fallon on 4 November 2010 to sing "Well, Well, Well."[89] An "intimate acoustic set" and interview was also played and conducted at the offices of Rolling Stone in America, consisting of "Well, Well, Well" and "Don't Forsake Me".[90] Outside of the UK and the United States, Duffy's record label revealed plans for her to visit Germany, France, the Netherlands, Italy, Sweden, Denmark and Spain before the end of 2010.[8] In Germany, Duffy performed "Well, Well, Well" on TV total Turmspringen, and Popstars and in France on Le Grand Journal.[91][92] She appeared alongside Adele on the finale of The Voice of Holland on the evening of 21 January 2011, singing "Well, Well, Well". She also sang a duet of "Warwick Avenue" with finalist Ben Saunders, which was later revealed to be the winning performance of the series.[93]

Duffy made live stage performances, known as "album showcase"s in the United States and the UK. The first of these took place at the Café de Paris in London,[8] where fans of Duffy's could enter a competition to win tickets to the show, and members of the press were invited.[35] The Guardian reported a six-piece band and "string sections [...] crammed on to a balcony, adding cute choreographed handclaps."[35] Yahoo! Music said that Duffy's vocals "resonate with the warbling vibrato of someone far beyond her 26 years".[94] Videos of seven of the songs performed at the show were later released as music videos.[95] The first of two live shows in the United States was at The Roxy Theatre in Hollywood, where Mercury Records invited fans to enter a competition to win tickets for the event.[96] The Hollywood Reporter said that there was a 13-piece band and that Duffy performed five songs from Endlessly, saying that "progress sounds so good."[97] The second showcase was performed in New York City on 3 November 2010 at the P.C. Richard & Son Theater for iHeartRadio,[21] and included a cover of "Band of Gold" (1970), alongside the songs "Well, Well, Well", "Keeping My Baby", "Don't Forsake Me", "Endlessly", "My Boy" and "Mercy."[21] The UK performances also included the songs "Too Hurt to Dance" and "Lovestruck" in place of "Don't Forsake Me."[98]

Track listing edit

  • All songs written and produced by Albert Hammond and Aimée Ann Duffy, except "Girl"; written by Don Paul and Paddy Chambers.[1]
  • Additional production by Stuart Price on "Keeping My Baby", "Don't Forsake Me" and "Lovestruck", with co-production on "Well, Well, Well". String production by Oliver Kraus.[1]
No.TitleLength
1."My Boy"3:27
2."Too Hurt to Dance"3:15
3."Keeping My Baby"2:49
4."Well, Well, Well"2:45
5."Don't Forsake Me"4:01
6."Endlessly"2:59
7."Breath Away"4:12
8."Lovestruck"2:52
9."Girl"2:26
10."Hard for the Heart"4:57
Total length:33:52
Amazon MP3 bonus track[41]
No.TitleLength
11."My Boy" (acoustic session)3:32
Total length:37:16
Barnes & Noble bonus track[99]
No.TitleLength
11."Endlessly" (acoustic session)3:03
Total length:37:10
Spotify streaming bonus tracks/Spotify Session EP[100][101]
No.TitleLength
11."Don't Forsake Me" (acoustic session)4:08
12."Endlessly" (acoustic session)3:16
13."Well, Well, Well" (acoustic session)2:43
14."Mercy" (acoustic session; written by Duffy and Steve Booker)3:34
Total length:46:33

Personnel edit

Adapted from Endlessly's liner notes[1] and AllMusic.[102]

Charts edit

Certifications and sales edit

Region Certification Certified units/sales
Denmark (IFPI Danmark)[66] Gold 15,000^
Sweden (GLF)[67] Gold 20,000
Switzerland (IFPI Switzerland)[68] Gold 15,000^
United Kingdom (BPI)[133] Gold 205,000[132]

^ Shipments figures based on certification alone.
Sales+streaming figures based on certification alone.

References edit

  1. ^ a b c d e f g Endlessly (CD). Duffy. A&M Records. 2010. 2753146.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  2. ^ Geoghegan, Kev (11 April 2008). "Duffy defends 'blue eyed soul'". Newsbeat. Retrieved 25 July 2011.
  3. ^ Jones, Sam (30 December 2008). "X Factor winner and Duffy top the year's charts". The Guardian. Retrieved 25 July 2011.
  4. ^ (PDF). International Federation of the Phonographic Industry. Archived from the original (PDF) on 24 March 2009. Retrieved 25 July 2011.
  5. ^ . The Recording Academy. Archived from the original on 5 December 2008. Retrieved 25 July 2011.
  6. ^ Duffy turns her back on record company 7 March 2013 at the Wayback Machine WalesOnline, 29 January 2010
  7. ^ Paine, Andre (16 September 2010). "Duffy Teams With Roots, Albert Hammond". Billboard.
  8. ^ a b c d e f g h i j k Smirke, Richard (5 November 2010). "Duffy Tries New Dance Sound, New Team for 'Endlessly'". Billboard. Retrieved 30 May 2011.
  9. ^ a b Price, David J. (12 January 2010). "Duffy Working With Questlove, Hammond on Sophomore LP". Billboard. Retrieved 25 July 2011.
  10. ^ Eccleston, Danny; Wilson, Lois (1 December 2008). . Mojo. Archived from the original on 3 March 2009. Retrieved 25 July 2009.
  11. ^ a b Hogwood, Ben (2010). . MusicOMH. Archived from the original on 3 February 2011. Retrieved 10 July 2011.
  12. ^ Duffy returns with new album Endlessly 28 September 2012 at the Wayback Machine Daily Post North Wales, 22 November 2010
  13. ^ a b c d e f g Garratt, Sheryl (30 September 2010). "Duffy: living the dream". The Daily Telegraph. Retrieved 30 April 2012.
  14. ^ a b c Bush, John (7 December 2010). "Endlessly – Duffy". AllMusic. Retrieved 13 December 2010.
  15. ^ a b c d e f Cole, Matthew (28 November 2010). "Album Review: Duffy:: Endlessly". Slant Magazine. Retrieved 29 November 2010.
  16. ^ a b c d Thomson, Graeme. "Album Review: Duffy, Endlessly". Uncut. Retrieved 2 August 2011.
  17. ^ Hill, John. . About.com. The New York Times Company. Archived from the original on 21 January 2012. Retrieved 19 January 2012.
  18. ^ a b c Whitelaw, Paul (23 November 2011). "Duffy Endlessly Review". BBC. Retrieved 1 August 2011.
  19. ^ a b c d e Baniamer, Nima (2010). "Review of Duffy's album Endlessly released through A&M Records". Contactmusic.com. Retrieved 11 September 2011.
  20. ^ a b c d "Duffy Endlessly". Sputnik Music. 17 December 2010. Retrieved 19 January 2011.
  21. ^ a b c d Chase, Ted (5 November 2010). "Duffy". QRO Magazine. Retrieved 2 August 2011.
  22. ^ a b Davidson, Amy (11 March 2011). "Single Reviews: Duffy, My Boy". Redbrick. University of Birmingham. Archived from the original on 21 April 2013. Retrieved 30 April 2012.
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External links edit


endlessly, duffy, album, this, article, about, duffy, album, other, albums, endlessly, endlessly, second, studio, album, welsh, singer, duffy, released, united, kingdom, november, 2010, records, under, polydor, united, states, december, 2010, mercury, records,. This article is about the Duffy album For other albums see Endlessly Endlessly is the second studio album by Welsh singer Duffy It was released in the United Kingdom on 26 November 2010 by A amp M Records under Polydor and in the United States on 7 December 2010 by Mercury Records Duffy worked almost exclusively with Albert Hammond Snr on the album with all but one of the album s songs being written by Hammond and Duffy Four of the songs received additional or co production by Stuart Price Music is also provided by The Roots and Questlove Musically the album follows the soul stylings of her first album Rockferry 2008 although Duffy drew inspiration from a variety of other genres including disco and soft rock and was compared to pop singers such as Kylie Minogue It has been said that Duffy wrote the album in three weeks although recording sessions lasted between 2009 and 2010 EndlesslyStudio album by DuffyReleased26 November 2010 2010 11 26 Recorded2009 2010StudioMSR Studios NYC United States Cake Studio Sacramento British Grove Studios Sotogrande Studios Spain 1 GenrePopdance popsoulLength33 52LabelA amp M UK Mercury US ProducerAimee DuffyAlbert HammondDuffy chronologyDeluxe EP 2009 Endlessly 2010 Singles from Endlessly Well Well Well Released 19 October 2010 The album received mixed reviews with critics stating that Duffy faltered outside of her comfort zone although it was called a proper sophomore effort and effortlessly and was often compared to Rockferry in terms of both commercial and critical performance Vocally Duffy s falsetto and vibrato were both criticised and praised being called delicious to some and cloying to others Commercially it did not replicate Duffy s success with her debut reaching just number seventy two on the US Billboard 200 Nevertheless Endlessly reached the top ten in Denmark Finland Greece the Netherlands Sweden Switzerland and the United Kingdom It has been certified gold in four European countries including in the United Kingdom The only single from Endlessly titled Well Well Well did not perform well on national charts and was only a modest European success reaching a peak of thirty seven on the European Hot 100 Singles chart and number forty one in the UK The single features a rhythm section by United States hip hop group The Roots Duffy promoted the album extensively throughout the world performing on many television shows and conducting an array of print interviews A live extended play EP of songs from the album was released in Germany in 2011 and plans for a concert tour were listed as coming soon on Duffy s website However shortly after the release of the album it was announced that Duffy would be taking an indefinite hiatus from the music industry and the planned second single from Endlessly My Boy was cancelled though a single mix of the title track was digitally released Contents 1 Background 2 Recording 3 Music and lyrics 4 Songs 5 Release and artwork 6 Critical reception 7 Commercial performance 8 Promotion 9 Track listing 10 Personnel 11 Charts 11 1 Weekly charts 11 2 Year end charts 12 Certifications and sales 13 References 14 External linksBackground editIn March 2008 Welsh singer Aimee Ann Duffy released her debut studio album Rockferry under the mononym Duffy The blue eyed soul 2 album went on to be the best selling album of 2008 in the UK 3 whilst the International Federation of the Phonographic Industry named it the fourth biggest seller worldwide of that year 4 The album also won the Grammy Award for Best Pop Vocal Album at the American 51st Annual Grammy Awards 5 Following the release of the album s final single Rain on Your Parade in November 2008 Duffy began work on her second album aiming to enlist the help of different producers from Rockferry to create a different sound profile than she had previously used In late January 2010 Rough Trade Management who with Jeanette Lee had managed Duffy throughout the course of Rockferry s release announced that they and the singer had parted amicably with the company Duffy s new management said that professional relationship between Duffy and Rough Trade management has run its course 6 7 Duffy was quoted by Billboard as saying It just felt as though the relationship with Lee had run its course as what we had set out to do we d done I was developed established and I had to think OK so what now 8 Duffy was then represented by Angela Becker of London based Becker Brown Management 8 Recording editIn January one Billboard article reported on the development of the record being the first to reveal that Duffy was working with veteran songwriter Albert Hammond as well as The Roots drummer Questlove 9 whose group she had previously admired for their work on their remix of her song Mercy 2008 10 I The magazine stated that the material it had heard feels like it was born in 1963 and is much in the vein of the Dusty Springfield inspired soul on Rockferry 9 Duffy talked to MusicOMH about her collaboration with Hammond saying 11 It was good for me because I really needed to prove to myself that I didn t get lucky I needed to put pen to paper and see that I could do it all again to see that it was easy for me and I have to admit it was so reassuring Albert and I wrote all these songs about 25 songs in 12 days pouring out of me I needed that connection again with what it is you know me for I think he was quite fascinated with me because he d been introduced to me as a fan He saw me on American television and approached me appreciating what I did He didn t treat me like an unknown trying to tell me what he thought was best for me Instead he met me as somebody established and so it was like he instilled me with lots of faith and belief in myself that I was good at what I did Because he appreciated what I did he encouraged me to bring out the best in myself The album was primarily recorded at recording studios MSR Studios NYC Cake Studio British Grove Studios and the Sotogrande Studios in New York London and Spain respectively over the course of three weeks 12 although sessions took place throughout 2009 and 2011 although Duffy had been recording songs she had written using her computer and iPod since the release of Rockferry some of which remained in demo form until the final stages of the recording process 13 Duffy had formed a songwriting partnership with Albert Hammond for the record which resulted in nine of the ten final songs released being written composed and produced by Duffy and Hammond together Aside from her partnership with Hammond Duffy also forged collaborative efforts with other musicians who she felt reflected the sound change she was aiming for including hip hop group The Roots Duffy said in an interview that their involvement would be limited to a rhythm section going on to say if you know The Roots you will know just how cool that is I love them and they are so cool 11 She was also heavily involved with the recording process The Daily Telegraph reports that often Duffy was a perfectionist regarding her songs and that she often stayed in the studio with her mix engineer to ensure the composition sounded exactly as she wanted 13 This was often done without the help of Hammond and she was quoted this is all I care about I keep a tight rein when it comes to quality control 13 Billboard reported in November later that year that Duffy had experimented with a new dance sound confirming that neither Bernard Butler nor Steve Booker who produced the bulk of Duffy s debut album Rockferry had returned for the record 8 Music and lyrics editEndlessly consists of ten songs which take influence from a variety of genres across different musical spectrums AllMusic said that the album marked a transition from Dusty Springfield like ingenue on Rockferry to Kylie Minogue ish diva 14 This point of view was echoed by several other reviewers Inkeeping with this Endlessly was said to have experimented with a new dance sound rigorously maintain ing a 1 1 ratio between dance tracks and ballads 15 The album s first single Well Well Well was said to have achieved this particularly well as it emulates a sassier brassier Duffy 15 Uncut noted that the album could be split into two halves according to the opposing moods it contains saucy sexed up spin s around the dancefloor and soaring superior ballads 16 Nevertheless a sound similar to Rockferry was created in the form of Too Hurt to Dance and Hard for the Heart both of which were compared to the work of Springfield 17 In 2010 Billboard magazine was favourable in its preview of the album introducing what it called the funk fueled My Boy disco esque Lovestruck and string fuelled pop of Keeping My Baby 8 Overall the album was said to have the same sassy soulful pop hooks as her debut album albeit with more maturity and raw pop vibe 13 Lyrically the album is an array of love songs with songs such as My Boy and Girl portraying Duffy in a protective manner with respect to her lover 18 On Breath Away Duffy laments that her lover is taking her breath away 19 Hard for the Heart questions the difficulties involved with falling in love 20 Songs editThe album s first song My Boy opens to crowd noise engineered by Brendan Reilly and Aaron Sokell 1 Described as one of the few songs to sound as though it emerged from the 21st century it was said to be a reference point and introduction to the classic girl group sound seen on Endlessly 18 and a combination of the two aforementioned styles 21 As with the rest of the album it was written and produced by Duffy and Hammond 1 It was praised for its use of keyboards and percussion played by Hammond said to sound like piano s laughing and creating a preponderance of beats that dig themselves into your brain respectively 22 Lyrically Duffy sings of the completely rude and judgemental comments made about her relationship with a significantly younger gentleman 22 The next song titled Too Hurt to Dance was called a grand glitterball ballad 23 and is inspired by the music of the 1950s 24 Q named it the ninth best song of December 2010 23 whilst Kitty Empire of The Observer was critical of Duffy s voice on the song noting that her quacking patent leather vocal was of prevalence 25 This was in contrast to the disco music displayed in Keeping My Baby which again received comparisons to the music of Minogue 26 Originally intended to be the second single released from the album it was said to omit a tango style and was both positively and negatively received by critics 27 As lyrically it is sung from the point of view of a pregnant girl it was compared to the song Papa Don t Preach 1986 by Madonna 28 The single Well Well Well follows Said to debut Duffy s inner diva 15 the song like Mercy 2008 is heavily influenced with Northern Soul 13 aided by a rhythm section provided by The Roots 1 Duffy was able too secure their part in the song and others on the album through telephoning the president of Island Def Jam Records LA Reid 13 It was negatively reviewed by the BBC Chart Blog as despite its provocative lyrics and challenging nature it basically has one idea one note one refrain and it stops and it starts and it repeats and repeats and repeats like someone is prodding and prodding at your chest 29 The reviewer continued that the song was monumentally irritating a sentiment that several reviewers echoed 29 Elsewhere it was described as an instant classic 13 Three downtempo ballads follow called the kind of songs you wouldn t want to listen to at all the lyrics are boring at best and completely cliche at worst by one reviewer 30 The first Don t Forsake Me is a torch song 21 that was frequently compared to Too Hurt to Dance due to its lyrics about heartache 26 The song follows the retro sound Duffy had been previously known for 31 and was called indebted to the pre Beatles era 26 It was received negatively for paint ing too much of a resemblance to Warwick Avenue 19 The title song which follows is a love song that was again said to contain 1950s music references 32 The song features vinyl sounds and is sung to the accompaniment of an acoustic guitar 16 The final song in the trio of ballads is Breath Away a 1960s inspired ballad about love 33 Contactmusic com implied that the song is boring saying that it hardly does anything to take our breath away 19 although it was said to showcase her vocal talents 19 33 Endlessly continues with two more up tempo songs with a dance orientated sound Lovestruck and Girl both called sassy and playful 34 The former is a disco song described as having the brashness of a Bond theme 35 with tragic undertones of a haunting creation 19 Lyrically the song speaks of being so in love you are sleepless all night long with the song opening It s a physical thing we got and I m in paradise 34 The lyrical sentiment of My Boy is echoed in the latter with the song being sung Girl girl Stay away girl Come back another day girl Better still don t come back ever stay away from here forever 18 The album s final song the string led Hard for the Heart continues the soul pop sound of Rockferry and was described as a soulful pop confection by Uncut 16 whilst being labelled as the stand out song on the album by many reviewers 20 The song s climax was compared to the song Hey Jude 1968 by The Beatles 16 whilst a reviewer for the BBC asserted that it unconsciously borrows from Coldplay s The Scientist 26 Entertainment Focus on the other hand called it a lost Burt Bacharach classic 36 and Hammond s production skills were also praised on the song 20 It also received praise concerning Duffy s voice something that was a feature of many critics reviews with Sputnik Music noting Hard for the Heart has the singer in an intensely emotional and surprisingly restrained moment Her beautiful timbre finally gets to shine without choking out the sophisticated and apotheotic production giving pulse and strength to a strikingly poetic composition 20 Release and artwork editOn 16 September 2010 Duffy announced the release of the album set for 28 November 2010 to digital outlets in the UK with a physical CD to be released the following day 37 It was also announced that the Endlessly s first single Well Well Well would be released one week prior 37 Mercury Records president David Massey said of the album s release Her fans will see it as a natural evolution of her last record The strength of the record the fan base that she has already adopted and the opportunity to have multiple singles means we can go further with this record than the last 8 Fifteen seconds of Well Well Well were released onto the internet in anticipation of its release whilst the song leaked in full in October 2010 38 The title track Endlessly was made available for download before the album s release in North America after it was made available for streaming online and a single mix of the track also came to fruition 39 The album was released in Germany on 26 November 2010 by both Polydor and Universal Music 40 and in the United States by Mercury Records on 7 December 41 The Japanese release scheduled for 2011 was expected to include bonus tracks 42 Well Well Well was released as the album s lead single worldwide in October 2010 It was the album s only commercially released single reaching peaks of number forty one on the UK Singles Chart and thirty seven on the European Hot 100 Singles chart In mainland Europe it managed to chart in the top twenty in Finland Belgium and Switzerland reaching number eleven in the former 43 A music video was filmed in Oxford and directed by Chris Cottam to complement the release 44 The single was promoted extensively as part of a campaign of major TV moments taking in the UK the United States as well as seven countries around Europe in 2010 and 2011 8 A single mix of Endlessly was released as a promotional single and was available for download from the album prior to Endlessly s release in North America only 39 A second full single release was planned for the songs Endlessly Keeping My Baby and finally My Boy in 2011 and a music video was filmed for the latter in February 2011 A clip of the prospective B side to the My Boy release Tell Me was released on the internet and a single edit of My Boy was produced for the release by Tom Elmhirst 45 non primary source needed The release was scheduled for 13 March 2011 in the UK 46 However the single was removed from pre order on digital outlets and the release was cancelled following Duffy s announcement of a career hiatus The song s music video or B side have not been released The album s cover and its associated promotional images were shot by photographer Lachlan Bailey 47 non primary source needed The cover image itself is cropped from a larger version in which Duffy is seen to be in a cafe holding a coffee cup 48 Sputnikmusic said that the crimson themed cover will draw in curious listeners one after another and that it can be nice to stare at 49 musicOMH was more negative saying that it looks like it ought to be adorning the latest Littlewoods catalogue noting that it did not fit with Duffy s plan to move her sound away from the middle of the road 50 Critical reception editProfessional ratingsAggregate scoresSourceRatingMetacritic59 100 51 Review scoresSourceRatingAllMusic nbsp nbsp nbsp nbsp nbsp 14 The A V ClubC 28 Chicago Tribune nbsp nbsp nbsp nbsp 52 Entertainment WeeklyB 53 The Guardian nbsp nbsp nbsp nbsp nbsp 24 Los Angeles Times nbsp nbsp nbsp nbsp 54 Paste6 8 10 55 Rolling Stone nbsp nbsp nbsp nbsp nbsp 56 Slant Magazine nbsp nbsp nbsp nbsp nbsp 15 Spin7 10 34 Upon its release Endlessly received generally mixed reviews from most music critics 57 At Metacritic which assigns a normalised rating out of 100 to reviews from mainstream critics the album received an average score of 59 based on 21 reviews which indicates mixed or average reviews 57 John Bush from AllMusic giving the album three stars stated that the album did not have anything close to the power and elegance of Rockferry Melissa Maerz of Entertainment Weekly commended her choice to collaborate with Albert Hammond stating that he was able to bring out her inner pop star on the record Maerz noted Lovestruck and Girl were amongst her favourite tracks 53 Will Dean of The Guardian held a similar position in one of the more positive reviews for the album arguing that Albert Hammond s production make s the LP a pleasant listen 24 Similarly a BBC Music reviewer praised the rich crisp production values but ended by saying it is too slight and uneven to impress unconditionally and that Hammond s collaboration with Duffy reaps only minor rewards 26 Rolling Stone called the collection tasteful well made and kind of dull 56 Matthew Cole of Slant Magazine giving the album one and a half stars out of five said that after 10 tracks of Endlessly I was just begging her to stop referencing her earlier hit Mercy 15 However some critics were more positive towards the album Okayplayer noted that the songs capture a retro American sound reminiscent of sock hops and drive ins so subtly that the album could have been called Effortlessly 58 Uncut said that it is sharp commercially astute pop music that is cool and clever without being contrived 57 59 Ann Powers of the Los Angeles Times notes that Duffy tries several different ways to celebrate her unique talents without abandoning the vintage settings that won her such acclaim calling the lead single a reggae tinged rocker and complementing the return to Rockferry like Northern Soul on tracks like Too Hurt to Dance However she goes on to write that Duffy has said she wrote the songs in a mere three weeks and it shows 54 Many were critical about Duffy s voice on the record John Bush of AllMusic said that Duffy s voice has not improved with age or simply isn t portrayed well here He goes on to say that it is clearly not her most potent weapon criticising her choice to build an album out of it Matthew Cole of Slant Magazine said that the bigger problem with Endlessly is that Duffy compensates for her lack of a star persona by overdrawing her syrupy rasp already noted for its acquired tastiness into a cartoonish oddity 15 Spin noted that ultimately it s the vocals that carry Endlessly There s no whitewashing of the singer s eccentricities which feel more pronounced here she can be gruffly nasal the oft repeated chorus of Well Well Well never stops sounding like whale whale whale while remaining wholly beguiling 34 However Jody Rosen of Rolling Stone Melissa Maerz of Entertainment Weekly 53 and Will Dean of The Guardian were more complementary with Dean calling it beautiful and sweet 24 and Rosen applauding it for being smoky and touched with grit 56 Ann Powers of the Los Angeles Times said that her voice is delicious to some and cloying to others 54 Duffy was compared to several female pop singers such as Kylie Minogue Debbie Harry of Blondie and Madonna 14 26 54 58 Commercial performance editEndlessly entered the UK Albums Chart in what Billboard called a somewhat muted entry at number nine selling 45 892 copies 60 61 It spent a total of fifteen weeks in the top 100 spending its last week on the chart at number seventy five on 19 March 2011 62 As of October 2011 the album had sold around 200 000 copies in the UK 63 The album also performed well in Europe reaching the top ten in Denmark Sweden number four the Netherlands Finland number nine and Switzerland number ten 64 as well as on the German Digital Albums Chart 65 Endlessly performed best in Denmark where it reached a peak of number two on the Danish Albums Chart spending thirteen weeks on the top forty 64 The album also spent 24 weeks on the Dutch Albums Chart but reached only a peak of number six 64 It has since been certified gold in Denmark 66 Sweden 67 and Switzerland 68 by the International Federation of the Phonographic Industry IFPI indicating sales of 10 000 20 000 and 15 000 respectively 69 In 2013 the album was certified Gold by the British Phonographic Industry 70 Elsewhere the album debuted and peaked at number twenty seven on the Irish Albums Chart on 3 December 2010 71 72 This peak was equalled on the Australian ARIA Albums Chart 64 although the album performed moderately better in New Zealand where it reached number nineteen on the RIANZ Albums Chart spending six weeks on its top forty 64 In the United States Endlessly debuted and peaked at number seventy two on the Billboard 200 73 with first week sales of 18 000 copies 74 The album performed better digitally reaching number twenty three on Billboard s Digital Albums chart 75 Media outlets worldwide reported the relative commercial failure of the album The BBC reported that it had failed to make the top five comparing it to the success of Rockferry as the best selling album in the UK in 2008 76 In one article Orange calling Duffy a Welsh one album wonder said that it must have been a kick in the teeth when Duffy s second album charted at an underwhelming No 9 Not least for her record label A amp M who have gone under after throwing large amounts of cash 77 The article went on to say that the commercial failure was a result of Duffy s adamance the album was released before Christmas 77 British tabloid newspaper the Daily Mirror reported that Duffy would quit music as Endlessly didn t sell well and charted terribly and she isn t trying again and making a comeback 78 The article was repeated by many news outlets and music publications worldwide The BBC once again reported Rockferry s success as the top international seller of 2008 noting that Endlessly had sold very poorly 78 In 2018 Wales Online reported that Endlessly had sold 306 000 copies 79 as of 2020 however the BPI has not amended its certification from Gold to Platinum 70 the threshold for which is 300 000 sales 80 Promotion edit nbsp Duffy performing Well Well Well at her Endlessly Album Showcase at the Cafe de Paris London Duffy promoted the album by appearing on various television programmes worldwide throughout the latter stages of 2010 and early 2011 performing songs featured on the track listing of Endlessly occasionally together with songs from Rockferry A amp M Records Orla Lee noted that the campaign would focus around major TV moments adding t he thing with Duffy is it s about the voice live you really see that 8 Television adverts for Endlessly were released in territories worldwide in different languages Although an international concert tour was announced via her website and Billboard reporting that European and U S dates are expected in early 2011 this never materialised 8 In the United Kingdom the first televised performance of songs from Endlessly took place on Later Live with Jools Holland on 19 October 2010 where Duffy performed Well Well Well and Endlessly 81 She later sang Well Well Well on series eight of Strictly Come Dancing on 21 November 2010 later being interviewed and performing on breakfast show This Morning as well as light news and entertainment programmes The One Show and T4 in the same week 8 82 In December Duffy returned to perform at Capital FM s Jingle Bell Ball where she sang two songs from the album and All I Want for Christmas Is You 1994 83 Duffy returned to the Strictly Come Dancing finale on 20 December 2010 for a positively reviewed performance of Mercy 84 International promotion began with a rendition of Endlessly on The Tonight Show with Jay Leno in the United States 85 with Well Well Well being performed later on The Ellen DeGeneres Show backed by a complete brass section on 7 December 2010 the day of Endlessly s American release 86 87 Idolator positively reviewed the performances referring to Well Well Well in particular 86 Duffy also appeared on The Today Show to perform Endlessly 88 and on Late Night with Jimmy Fallon on 4 November 2010 to sing Well Well Well 89 An intimate acoustic set and interview was also played and conducted at the offices of Rolling Stone in America consisting of Well Well Well and Don t Forsake Me 90 Outside of the UK and the United States Duffy s record label revealed plans for her to visit Germany France the Netherlands Italy Sweden Denmark and Spain before the end of 2010 8 In Germany Duffy performed Well Well Well on TV total Turmspringen and Popstars and in France on Le Grand Journal 91 92 She appeared alongside Adele on the finale of The Voice of Holland on the evening of 21 January 2011 singing Well Well Well She also sang a duet of Warwick Avenue with finalist Ben Saunders which was later revealed to be the winning performance of the series 93 Duffy made live stage performances known as album showcase s in the United States and the UK The first of these took place at the Cafe de Paris in London 8 where fans of Duffy s could enter a competition to win tickets to the show and members of the press were invited 35 The Guardian reported a six piece band and string sections crammed on to a balcony adding cute choreographed handclaps 35 Yahoo Music said that Duffy s vocals resonate with the warbling vibrato of someone far beyond her 26 years 94 Videos of seven of the songs performed at the show were later released as music videos 95 The first of two live shows in the United States was at The Roxy Theatre in Hollywood where Mercury Records invited fans to enter a competition to win tickets for the event 96 The Hollywood Reporter said that there was a 13 piece band and that Duffy performed five songs from Endlessly saying that progress sounds so good 97 The second showcase was performed in New York City on 3 November 2010 at the P C Richard amp Son Theater for iHeartRadio 21 and included a cover of Band of Gold 1970 alongside the songs Well Well Well Keeping My Baby Don t Forsake Me Endlessly My Boy and Mercy 21 The UK performances also included the songs Too Hurt to Dance and Lovestruck in place of Don t Forsake Me 98 Track listing editAll songs written and produced by Albert Hammond and Aimee Ann Duffy except Girl written by Don Paul and Paddy Chambers 1 Additional production by Stuart Price on Keeping My Baby Don t Forsake Me and Lovestruck with co production on Well Well Well String production by Oliver Kraus 1 No TitleLength1 My Boy 3 272 Too Hurt to Dance 3 153 Keeping My Baby 2 494 Well Well Well 2 455 Don t Forsake Me 4 016 Endlessly 2 597 Breath Away 4 128 Lovestruck 2 529 Girl 2 2610 Hard for the Heart 4 57Total length 33 52 Amazon MP3 bonus track 41 No TitleLength11 My Boy acoustic session 3 32Total length 37 16 Barnes amp Noble bonus track 99 No TitleLength11 Endlessly acoustic session 3 03Total length 37 10 Spotify streaming bonus tracks Spotify Session EP 100 101 No TitleLength11 Don t Forsake Me acoustic session 4 0812 Endlessly acoustic session 3 1613 Well Well Well acoustic session 2 4314 Mercy acoustic session written by Duffy and Steve Booker 3 34Total length 46 33Personnel editAdapted from Endlessly s liner notes 1 and AllMusic 102 Duffy vocals background vocals producer handclaps songwriting Lachlan Bailey photography Nick Banns assistant Roger Beaujolais vibraphone Owen Biddle bass Adam Bishop baritone saxophone Adam Blake programming Dan Carpenter flugelhorn trumpet Jason Elliott assistant Ben Epstein bass guitar Albert Hammond acoustic guitar background vocals bottle guitar handclaps percussion producer Tyrone Henry backing vocals crowd noise Matt Johnson bass keyboards organ percussion piano synthesiser synthesiser bass tambourine Jon Kelly engineer mixing sounds Oliver Kraus arranger producer strings string arrangements strings Mike Moore guitar Mazen Murad mastering John Parricelli guitar electric guitar nylon string guitar James Poyser glockenspiel harpsichord keyboards organ piano synthesiser strings wurlitzer Owen Poyser piano Becky Price accordion Stuart Price additional production mixing producer Questlove drums percussion Emre Ramazanoglu drums editing engineer programming shaker Brendan Reilly backing vocals crowd noise Jon Smeltz engineer Aaron Sokell backing vocals crowd noise Sam Swallow keyboards Neal Wilkinson drums Simon Willescroft saxophones David Williamson tromboneCharts editWeekly charts edit Chart 2010 11 Peakposition Australian Albums ARIA 103 27 Austrian Albums O3 Austria 104 17 Belgian Albums Ultratop Flanders 64 18 Belgian Albums Ultratop Wallonia 105 24 Canadian Albums Jam 106 63 Czech Albums CNS IFPI 107 22 Danish Albums Hitlisten 108 2 Dutch Albums Album Top 100 109 6 Finnish Albums Suomen virallinen lista 110 9 French Albums SNEP 111 18 German Albums Offizielle Top 100 112 15 Greek Albums IFPI Greece 113 10 Irish Albums IRMA 71 27 Italian Albums FIMI 114 85 New Zealand Albums RMNZ 115 19 Norwegian Albums VG lista 116 20 Polish Albums OLiS 117 24 Russian Albums M2 118 21 Scottish Albums OCC 119 16 Spanish Albums PROMUSICAE 120 40 Swedish Albums Sverigetopplistan 121 4 Swiss Albums Schweizer Hitparade 122 10 UK Albums OCC 123 9 US Billboard 200 73 72 Year end charts edit Chart 2010 Position Danish Albums Hitlisten 124 34 Swedish Albums Sverigetopplistan 125 61 UK Albums OCC 126 82 Chart 2011 Position Belgian Albums Ultratop Flanders 127 84 Belgian Albums Ultratop Wallonia 128 89 Danish Albums Hitlisten 129 100 Dutch Albums Album Top 100 130 98 Swedish Albums Sverigetopplistan 131 77Certifications and sales editRegion Certification Certified units sales Denmark IFPI Danmark 66 Gold 15 000 Sweden GLF 67 Gold 20 000 Switzerland IFPI Switzerland 68 Gold 15 000 United Kingdom BPI 133 Gold 205 000 132 Shipments figures based on certification alone Sales streaming figures based on certification alone References edit a b c d e f g Endlessly CD Duffy A amp M Records 2010 2753146 a href Template Cite AV media notes html title Template Cite AV media notes cite AV media notes a CS1 maint others in cite AV media notes link Geoghegan Kev 11 April 2008 Duffy defends blue eyed soul Newsbeat Retrieved 25 July 2011 Jones Sam 30 December 2008 X Factor winner and Duffy top the year s charts The Guardian Retrieved 25 July 2011 Top 50 Global Best Selling Albums for 2008 PDF International Federation of the Phonographic Industry Archived from the original PDF on 24 March 2009 Retrieved 25 July 2011 The 51st Annual Grammy Awards Winners List The Recording Academy Archived from the original on 5 December 2008 Retrieved 25 July 2011 Duffy turns her back on record company Archived 7 March 2013 at the Wayback Machine WalesOnline 29 January 2010 Paine Andre 16 September 2010 Duffy Teams With Roots Albert Hammond Billboard a b c d e f g h i j k Smirke Richard 5 November 2010 Duffy Tries New Dance Sound New Team for Endlessly Billboard Retrieved 30 May 2011 a b Price David J 12 January 2010 Duffy Working With Questlove Hammond on Sophomore LP Billboard Retrieved 25 July 2011 Eccleston Danny Wilson Lois 1 December 2008 Duffy How I Wrote Mercy Mojo Archived from the original on 3 March 2009 Retrieved 25 July 2009 a b Hogwood Ben 2010 Interview Duffy MusicOMH Archived from the original on 3 February 2011 Retrieved 10 July 2011 Duffy returns with new album Endlessly Archived 28 September 2012 at the Wayback Machine Daily Post North Wales 22 November 2010 a b c d e f g Garratt Sheryl 30 September 2010 Duffy living the dream The Daily Telegraph Retrieved 30 April 2012 a b c Bush John 7 December 2010 Endlessly Duffy AllMusic Retrieved 13 December 2010 a b c d e f Cole Matthew 28 November 2010 Album Review Duffy Endlessly Slant Magazine Retrieved 29 November 2010 a b c d Thomson Graeme Album Review Duffy Endlessly Uncut Retrieved 2 August 2011 Hill John Duffy Endlessly About com The New York Times Company Archived from the original on 21 January 2012 Retrieved 19 January 2012 a b c Whitelaw Paul 23 November 2011 Duffy Endlessly Review BBC Retrieved 1 August 2011 a b c d e Baniamer Nima 2010 Review of Duffy s album Endlessly released through A amp M Records Contactmusic com Retrieved 11 September 2011 a b c d Duffy Endlessly Sputnik Music 17 December 2010 Retrieved 19 January 2011 a b c d Chase Ted 5 November 2010 Duffy QRO Magazine Retrieved 2 August 2011 a b Davidson Amy 11 March 2011 Single Reviews Duffy My Boy Redbrick University of Birmingham Archived from the original on 21 April 2013 Retrieved 30 April 2012 a b Q50 December 2010 TRACK 9 Q December 2010 Archived from the original on 2 September 2012 Retrieved 2 August 2011 a b c d Dean Will 25 November 2010 Duffy Endlessly review The Guardian Retrieved 1 December 2010 Empire Kitty 28 November 2010 Duffy Endlessly review The Guardian Retrieved 8 December 2012 a b c d e f Whitelaw Paul 23 November 2010 Duffy Endlessly Review BBC Music Retrieved 27 May 2011 Gillespie Duncan 29 November 2010 Album Review Duffy Endlessly A amp M NME Retrieved 30 April 2012 a b Koski Genevieve 7 December 2010 Duffy Endlessly The A V Club Retrieved 13 December 2010 a b McAlpine Fraser 20 November 2010 Duffy Well Well Well BBC Chart Blog Retrieved 30 April 2012 Schaffer Jennifer 7 January 2011 Review Duffy s Endlessly The Stanford Daily Retrieved 11 September 2011 Daw Robbie 7 December 2010 Duffy Warns Don t Forsake Me On New Endlessly Track Idolator Buzz Media Retrieved 2 August 2011 Bain Becky 26 October 2010 Duffy Shows Off Her Sensitive Side In Love Song Endlessly Idolator Buzz Media Retrieved 2 August 2011 a b Gill Andy 19 November 2010 Album Duffy Endlessly A amp M Universal The Independent Retrieved 11 September 2011 a b c d Petrusich Amanda Duffy Endlessly Mercury Spin Retrieved 30 November 2010 a b c Empire Kitty 24 October 2010 Hallogallo 2010 Duffy review The Guardian Retrieved 29 June 2011 Ellwood Pip 24 November 2010 Duffy Endlessly Entertainment Focus Archived from the original on 28 July 2012 Retrieved 19 January 2011 a b Murray Robin 16 September 2010 Duffy Confirms Second Album Clash Clash Music Retrieved 17 September 2010 Daw Robbie 4 October 2010 Well Well Well Duffy Is Back with a New Single Idolator Buzz Media Retrieved 2 August 2011 a b Endlessly Single Duffy AllMusic Rovi Corporation Retrieved 2 August 2011 Endlessly Duffy Amazon de Musik Amazon Germany Retrieved 13 December 2010 a b Endlessly Amazon MP3 Exclusive Version Digital Booklet Duffy Amazon MP3 Retrieved 27 May 2011 DUFFY Endlessly Japan CD eil com Retrieved 2 August 2011 Duffy Well Well Well Music Charts acharts us Retrieved 10 April 2011 Duffy s Well Well Well by Chris Cottam PromoNews 12 October 2010 Archived from the original on 19 October 2010 Retrieved 17 October 2010 New Single My Boy Out March 14th MySpace A amp M Records 7 February 2011 Retrieved 27 July 2011 Medford Grace 2 January 2011 Duffy reveals next single Digital Spy Retrieved 27 May 2011 Endlessly Photo Shoot MySpace Myspace Inc Retrieved 11 September 2011 Duffy s pictures PNG Last fm CBS Interactive Music Group Last fm Ltd Retrieved 11 September 2011 J G Westley 9 December 2010 Duffy Endlessly Sputnikmusic Retrieved 2 August 2011 Monk Christopher Duffy Endlessly musicOMH Archived from the original on 7 September 2011 Retrieved 11 September 2011 Endlessly CBS Interactive Retrieved 12 February 2017 Turn It Up Album review Duffy Endlessly Chicago Tribune 6 December 2010 Retrieved 13 December 2010 a b c Melissa Maerz 1 December 2010 Endlessly Entertainment Weekly Archived from the original on 20 October 2012 Retrieved 13 December 2010 a b c d Album review Duffy s Endlessly Los Angeles Times 7 December 2010 Retrieved 13 December 2010 Duffy Endlessly Paste 6 December 2010 Retrieved 13 December 2010 a b c Rosen Jody 7 December 2010 Endlessly by Duffy Rolling Stone Retrieved 13 December 2010 a b c Endlessly Reviews Ratings Credits and More Metacritic Retrieved 30 November 2010 a b L Candace 2010 Duffy Okayplayer Retrieved 27 May 2011 Duffy Endlessly Uncut January 2011 London 84 Sexton Paul 6 December 2010 Take That Heads Towards 1 Million Sales Billboard Archived from the original on 7 October 2012 Retrieved 31 May 2011 Twitter The Official Charts Company Endlessly by Duffy Search The Official Charts Company 6 May 2013 Fitzpatrick Rob 27 October 2011 When bands fall off cliffs The Guardian Retrieved 30 November 2011 a b c d e f Ultratop be Duffy Endlessly in Dutch Hung Medien Retrieved 7 April 2020 Black Eyed Peas von null auf eins in die Download Charts in German Media Control 10 December 2010 Retrieved 13 December 2010 a b Duffy Endlessly UMG in Danish IFPI Denmark 2 February 2011 Archived from the original on 20 April 2012 Retrieved 23 October 2011 a b Guld och Platinacertifikat Ar 2011 PDF in Swedish IFPI Sweden Archived from the original PDF on 24 September 2015 Retrieved 26 February 2020 a b The Official Swiss Charts and Music Community Awards Endlessly IFPI Switzerland Hung Medien Retrieved 26 February 2020 International Certification Award levels PDF International Federation of the Phonographic Industry March 2012 Archived from the original PDF on 26 July 2011 Retrieved 23 May 2012 a b Duffy Endlessly BPI Retrieved 1 March 2020 a b Irish charts com Discography Duffy Hung Medien Retrieved 7 April 2020 Love Ryan 3 December 2010 Westlife LP keeps hold of Irish top spot Digital Spy Retrieved 30 May 2011 a b Duffy Chart History Billboard 200 Billboard Retrieved 7 April 2020 Caulfield Keith Pietroluongo Silvio 16 December 2010 Chart Moves Susan Boyle Black Keys Adam Lambert Rihanna deadmau5 Billboard Archived from the original on 21 December 2010 Retrieved 23 December 2010 Duffy Album amp Song Chart History Digital Albums Billboard Retrieved 31 May 2011 Endlessly by Duffy misses top five in album chart BBC 5 December 2010 Retrieved 19 June 2011 a b Duffy s record label folds after flop album Orange Music Store Orange United Kingdom Orange Archived from the original on 1 October 2011 Retrieved 24 June 2011 a b McLaren James 21 February 2011 Duffy to quit music BBC BBC Wales BBC Wales Music Retrieved 30 June 2011 Owens David 2 September 2018 In search of Duffy the Welsh singer who had the world at her feet Wales Online Retrieved 1 March 2020 Certification levels BPI Retrieved 1 March 2020 Later Live With Jools Holland Series 37 Episode 6 BBC Retrieved 29 June 2011 Fletcher Alex 9 November 2010 Duffy lined up for Strictly performance Digital Spy Retrieved 29 June 2011 Saturday on Jingle Bell Ball Capital FM Retrieved 26 July 2011 Dunn Carrie 20 December 2010 Strictly Come Dancing the final live The Guardian Retrieved 29 December 2010 Watch Duffy performs Endlessly on Leno Rockol com Archived from the original on 26 March 2012 Retrieved 29 June 2011 a b Daw Robbie 7 December 2010 Well Well Well It s Duffy On Ellen Idolator Buzz Media Retrieved 29 June 2011 Small Town Welsh Girl Goes Global Duffy The Ellen DeGeneres Show AOL Inc 2010 Archived from the original on 8 August 2011 Retrieved 29 June 2011 Moody Nekesa Mumbi 9 December 2010 Duffy looking to prove her mettle with 2nd album The Today Show Music NBC MSNBC Associated Press Archived from the original on 3 October 2012 Retrieved 29 June 2011 Cavin Cory 5 November 2010 Last Night Duffy Sang Well Well Well Very Very Well Late Night with Jimmy Fallon NBC NBCUniversal Media LLC Retrieved 29 June 2011 Video Duffy Plays Acoustic Set at Rolling Stone Rolling Stone 13 December 2010 Retrieved 26 July 2011 Le Live du Grand Journal Duffy Well well well CANALPLUS FR Canal Retrieved 26 July 2011 Musikacts Turmspringen 2010 Specials TV total in German TV Total BRAINPOOL Artist amp Content Services GmbH Archived from the original on 19 September 2011 Retrieved 2 July 2011 Chris 22 January 2011 Live Adele and Duffy perform on The Voice of Holland final Seven Foot Sounds Retrieved 26 July 2011 Lee Tiffany 20 December 2010 Beggin No More Duffy Showcases Her Latest Album Endlessly Yahoo Music Yahoo Inc Archived from the original on 27 January 2011 Retrieved 29 June 2011 DuffyVEVO VEVO YouTube Retrieved 10 June 2011 Win Tickets to an Exclusive Duffy Performance Island Def Jam Retrieved 2 July 2011 Halperin Shirley 3 November 2010 Duffy Debuts New Tunes on the Sunset Strip The Hollywood Reporter Retrieved 2 July 2011 Lee Tiffany 20 December 2010 Beggin No More Duffy Showcases Her Latest Album Endlessly Yahoo Music Retrieved 9 April 2012 Endlessly B amp N Exclusive Version Barnes amp Noble Retrieved 10 September 2011 permanent dead link Endlessly by Duffy on Spotify Spotify Retrieved 18 October 2011 Spotify Session by Duffy on Spotify Spotify Retrieved 18 October 2011 Endlessly Duffy Credits AllMusic Retrieved 30 May 2010 Australiancharts com Duffy Endlessly Hung Medien Retrieved 7 April 2020 Austriancharts at Duffy Endlessly in German Hung Medien Retrieved 7 April 2020 Ultratop be Duffy Endlessly in French Hung Medien Retrieved 7 April 2020 Top 100 Albums in Canada Jam Canoe ca 16 December 2010 Archived from the original on 26 December 2004 Retrieved 23 October 2011 a href Template Cite web html title Template Cite web cite web a CS1 maint unfit URL link TOP50 Prodejni DUFFY Endessly in Czech IFPI Czech Republic Retrieved 8 December 2012 Danishcharts dk Duffy Endlessly Hung Medien Retrieved 7 April 2020 Dutchcharts nl Duffy Endlessly in Dutch Hung Medien Retrieved 7 April 2020 Duffy Endlessly in Finnish Musiikkituottajat IFPI Finland Retrieved 7 April 2020 Lescharts com Duffy Endlessly Hung Medien Retrieved 7 April 2020 Offiziellecharts de Duffy Endlessly in German GfK Entertainment Charts Retrieved 7 April 2020 Album Top 50 48 2010 greekcharts com Hung Medien Archived from the original on 17 March 2012 Retrieved 23 October 2011 Italiancharts com Duffy Endlessly Hung Medien Retrieved 7 April 2020 Charts nz Duffy Endlessly Hung Medien Retrieved 7 April 2020 Norwegiancharts com Duffy Endlessly Hung Medien Retrieved 7 April 2020 Oficjalna lista sprzedazy OLiS 24 January 2011 Retrieved 23 October 2011 Debyut gorohovyj Rossijskie muzykalnye charty Nedelya 49 2010 Lenta ru in Russian 17 December 2010 Archived from the original on 19 December 2010 Retrieved 9 October 2021 Official Scottish Albums Chart Top 100 Official Charts Company Retrieved 7 April 2020 Spanishcharts com Duffy Endlessly Hung Medien Retrieved 7 April 2020 Swedishcharts com Duffy Endlessly Hung Medien Retrieved 7 April 2020 Swisscharts com Duffy Endlessly Hung Medien Retrieved 7 April 2020 Official Albums Chart Top 100 Official Charts Company Retrieved 7 April 2020 Album 2010 Top 100 in Danish Hitlisten NU IFPI Denmark Archived from the original on 24 November 2010 Retrieved 23 October 2011 Arslista Album Ar 2010 in Swedish Sverigetopplistan Swedish Recording Industry Association Archived from the original on 22 February 2014 Retrieved 23 October 2011 End of Year Album Chart Top 100 2010 Official Charts Company Retrieved 4 May 2021 Jaaroverzichten 2011 in Dutch Ultratop Hung Medien Archived from the original on 27 December 2012 Retrieved 29 December 2011 Rapports annuels 2011 in French Ultratop Hung Medien Archived from the original on 25 December 2012 Retrieved 29 December 2011 Album Top 100 in Danish Hitlisten NU IFPI Denmark Archived from the original on 9 June 2012 Retrieved 24 January 2012 Jaaroverzichten Album 2011 in Dutch dutchcharts nl Hung Medien Archived from the original on 15 December 2012 Retrieved 29 December 2011 Arslista Album Ar 2011 in Swedish Sverigetopplistan Swedish Recording Industry Association Archived from the original on 13 April 2013 Retrieved 25 January 2012 Copsey Rob 7 April 2021 One hit album wonders huge albums that were hard acts to follow Official Charts Company Retrieved 7 April 2021 British album certifications Duffy Endlessly British Phonographic Industry External links editEndlessly at Metacritic Endlessly at AllMusic Endlessly at Discogs list of releases Retrieved from https en wikipedia org w index php title Endlessly Duffy album amp oldid 1222677992, wikipedia, wiki, book, books, library,

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