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Ken Scott

January 04, 2024

For other people named Ken Scott, see Ken Scott (disambiguation).

Ken Scott (born 20 April 1947) is a British record producer and engineer known for being one of the five main engineers for the Beatles, as well as engineering Elton John, Pink Floyd, Procol Harum, Mahavishnu Orchestra, Duran Duran, the Jeff Beck Group, Supertramp and many more.

Ken Scott
Scott, 2014
Background information
Born20 April 1947 (1947-04-20) (age 76)
South London, England
Occupation(s)Record producer, engineer
Years active1964–present
Scott's voice
recorded November 2014

As a producer, Scott is noted for his work with David Bowie, Supertramp, Devo, Kansas, the Tubes, Ronnie Montrose, Level 42, Missing Persons, among others.

Scott was also influential in the evolution of jazz rock, pioneering a harder rock sound through his work with Mahavishnu Orchestra, Stanley Clarke, Billy Cobham, Dixie Dregs, Happy The Man, and Jeff Beck.

Career edit

Early years edit

Scott was born in South London, and grew up listening to 78 rpm records of artists like Elvis Presley, Bill Haley, and Eddie Cochran on a wind-up gramophone. In 1959 at the age of 12, he received a tape recorder which he used to record material from the BBC Light Programme Pick of the Pops, but it was an episode of Here Come the Girls, an Alan Freeman-hosted TV show about British female pop artists in recording studios, that first focused Scott's career aspirations as a recording engineer when it featured Carol Deene singing in a recording session from the point of view of Studio Two at Abbey Road Studios, where Malcolm Addey was behind the recording console.

The Abbey Road years edit

On Saturday, 18 January 1964, Scott wrote letters inquiring about recording engineer job openings and mailed them to several London recording studios. Three days later he was contacted by Abbey Road Studios and subsequently interviewed and offered a position the following day. Scott began working the following Monday at the age of just 16. He received the traditional Abbey Road studio training under engineers like Malcolm Addey and Norman Smith. His first job was in the tape library, and within six months he was promoted to 2nd engineer (known then as a "button pusher"), where his first session was on side two of the Beatles' album A Hard Days Night.[1][2][3]

Among the other artists he worked with as a button pusher were Manfred Mann ("Do Wah Diddy Diddy" was the first English number 1 hit he worked on), Peter and Gordon, the Hollies, Judy Garland, Johnny Mathis, Cliff Richard and the Shadows, and Peter Sellers.

After a short time as an assistant engineer, Scott was promoted to "cutting" (known as mastering today), where he spent approximately two years cutting not only acetates for artists, but the masters for many of the hits that EMI also distributed at the time, including the American Motown catalogue.

In September 1967, Scott was promoted to engineer, where his first session was with the Beatles on their song "Your Mother Should Know". His first orchestral recording session came a few days later when he recorded the strings, brass and choir for the band's song "I Am the Walrus". During his time with the Beatles, Scott also worked on the songs "Lady Madonna", "Hello, Goodbye" and "Hey Jude", as well as The Beatles and Magical Mystery Tour albums.[4] Among the notable songs from those albums that he worked on are "The Fool on the Hill", "Glass Onion", "Helter Skelter", "Birthday", "Back in the U.S.S.R.", "While My Guitar Gently Weeps" and "Not Guilty", the last of which was recorded for the White Album, but not included on it.

As an engineer at Abbey Road, Scott also worked with numerous other artists including the Jeff Beck Group, Pink Floyd, the Pretty Things, Scaffold and Mary Hopkin. In late 1969, shortly after completion of the Procol Harum album A Salty Dog, he left Abbey Road for Trident Studios, at the suggestion of Elton John and producer Gus Dudgeon.[5]

The Trident years edit

Scott soon found himself working with the Beatles again on their various solo projects, including John Lennon's "Give Peace a Chance" and "Cold Turkey", Ringo Starr's "It Don't Come Easy" and George Harrison's All Things Must Pass.[4]

After a short time he took over the mixing of Elton John's Madman Across the Water, after fellow Trident engineer Robin Geoffrey Cable suffered severe injuries in a traffic accident. That led him to work on John's Honky Château and Don't Shoot Me I'm Only the Piano Player.[6]

Also during this period he reconnected with David Bowie (he had previously worked on Bowie's 1969 self-titled album and The Man Who Sold the World) on a project with Bowie protege Freddie Burretti. By this time Scott wanted to move into production, and Bowie said he was about to start a new album and didn't feel comfortable about solely producing himself, so it was agreed that they would co-produce what became Hunky Dory.[7] After the album was completed, but before it was even released, work began on his next album – The Rise and Fall of Ziggy Stardust and the Spiders from Mars – again with Scott as co-producer.[7] Scott went on to co-produce Bowie's Aladdin Sane and Pin Ups albums, as well as the little-seen Midnight Special television program episode "The 1980 Floor Show".

During his time at Trident Studios, Scott also teamed up with Supertramp for Crime of the Century[8] in what amounted to a breakthrough album nearly everywhere in the world except the United States. While most albums were routinely recorded in two weeks at the time,[citation needed] Crime of the Century was an exception, taking a painstaking six months, as Scott and the group sought a precision to the recording and mixing not found in much of the music recorded at the time.[9] Crime of the Century is regularly mentioned as one of the top albums of all time, and was often used as a stereo demonstration record in music stores. The album featured two songs that still get substantial radio play today:[citation needed] "Dreamer" and "Bloody Well Right."[10]

The follow-up, Crisis? What Crisis?, attempted to reach those same sonic heights, but it was subject to the limitations of a timetable, because Supertramp had gained a measure of stardom, and a release date and tour had already been planned. The album was also recorded at other studios besides Trident, including Studio D at A&M Records in Hollywood, the Who's Ramport Studios, and the now defunct Scorpio Studios.

Other artists Scott worked with while at Trident included America, Harry Nilsson, Lou Reed, Rick Wakeman, the Rolling Stones, Al Kooper and Lindisfarne, as well as the Clio-winning Coca-Cola ad "I'd Like to Buy the World a Coke".

Jazz rock edit

Scott also helped change the sound of the cross-pollination genre known as jazz rock or progressive jazz, adding a much harder edge rock sound (especially to the drums) to albums like Mahavishnu Orchestra's Birds of Fire, Visions of the Emerald Beyond and The Lost Trident Sessions, Billy Cobham's Spectrum, Crosswinds, Total Eclipse, and Shabazz, Stanley Clarke's Stanley Clarke and School Days, and Jeff Beck's There and Back.

Although not strictly jazz nor progressive rock, he also worked with the southern fusion band Dixie Dregs (What If and Night of the Living Dregs) and the symphonic progressive band Happy the Man (Happy the Man and Crafty Hands).

Los Angeles edit

 
Scott (right)

After spending three months in Hollywood recording Supertramp on the A&M lot, and receiving more production work from the company as a result of the success of Supertramp, Scott decided to permanently move his family to Los Angeles in 1976, just by chance renting a house across the street from Frank Zappa. Subsequent to that move he produced albums with David Batteau, the Tubes, Devo, Kansas, Level 42, Dada and others.

At the behest of Zappa's wife Gail, Scott was asked to check out a demo featuring ex-members of Frank's band, Terry Bozzio and Warren Cuccurullo, along with Bozzio's wife Dale, who had formed a band eventually to be named Missing Persons. With Scott at the helm, and thanks to massive airplay from the fledgling rock radio station KROQ, the band went on to record one of the biggest selling EPs ever, which eventually led to a deal with Capitol Records, which then released their first album, entitled Spring Session M. When the group was not able to find a suitable manager, Scott also assumed that role.

After "artistic differences" caused a split, he went on to produce and manage other acts including Christine in the Attic and Cock Robin, although neither went on to achieve the level of success of Missing Persons.

Scott's previous relationship with Warren Cuccurullo, who went on to join Duran Duran, led to his mixing an MTV Unplugged episode, as well as doing engineering work on the Thank You and Pop Trash albums.

In 2000, Scott reunited with former Beatle George Harrison to work on the reissue of his catalogue, included the huge hit All Things Must Pass. He was also responsible for the organization of Harrison's entire tape library during that period.

Current work edit

Scott continues to be active in the studio and gives talks around the world. In 2012, he released a memoir entitled Abbey Road To Ziggy Stardust, co-written with Bobby Owsinski and published by Alfred Music Publishing.

Scott is currently a Senior Professor at Leeds Beckett University's School of Film, Music and Performing Arts.[11][12]

Personal life edit

Originally from South London, Scott resided in Los Angeles from 1976 to 2013, then relocated to Nashville. In 2015, Scott and his wife, Cheryl, moved to Harrogate, North Yorkshire, in the UK.[13][14]

Awards and recognition edit

Engineering and production credits edit

Selected engineering and production credits:[18]

Bibliography edit

  • —— (2012). Abbey Road to Ziggy Stardust: Off the Record with the Beatles, Bowie, Elton & So Much More. Alfred Publishing Co., Inc. ISBN 978-0-7390-7858-7.

References edit

  1. ^ Buskin, Richard (June 2012). "Classic Tracks: The Beatles 'While My Guitar Gently Weeps'". Sound on Sound. from the original on 21 August 2016. Retrieved 21 November 2023.
  2. ^ Massey, Howard (1 October 2015). The Great British Recording Studios. Milwaukee, WI: Hal Leonard. pp. 15–17. ISBN 9781458421975. Retrieved 27 December 2018.
  3. ^ Brown, Jake (May 2014). Behind the Boards II: The Making of Rock 'n' Roll's Greatest Records Revealed. Milwaukee, WI: Hal Leonard. ISBN 978-1480350601. Retrieved 27 December 2018.
  4. ^ a b Fanelli, Damian (30 April 2012). . Guitar World. Archived from the original on 29 November 2014. Retrieved 14 November 2014.
  5. ^ Chiccarelli, Joe. "Shooting to Thrill". EMusician. Future Publishing. Retrieved 27 December 2018.
  6. ^ Schultz, Barbara (22 February 2010). "Ken Scott Mix Interview: A Career of Classic Tracks". Mix Online. Future plc. Retrieved 26 December 2018.
  7. ^ a b Eccleston, Danny (2 April 2014). "Inside Abbey Road With Beatles Engineer Ken Scott". Mojo. Retrieved 14 November 2014.
  8. ^ Bosso, Joe (13 May 2012). "Production legend Ken Scott on 10 career-defining records : Supertramp – Crime Of The Century (1974)". MusicRadar. Retrieved 14 November 2014.
  9. ^ Bosso, Joe (13 May 2012). "Production legend Ken Scott on 10 career-defining records". MusicRadar. Future plc. Retrieved 26 December 2018.
  10. ^ "Crime of the Century by Supertramp". Classic Rock Review. Classic Rock Review. 21 July 2014. Retrieved 26 December 2018.
  11. ^ "Staff: Leeds Beckett University". Leeds Beckett University. Retrieved 27 December 2018.
  12. ^ Aswad, Jem (10 January 2017). "David Bowie Producer Ken Scott Remembers the Moment He Realized 'Oh Sh-t, He Could Be Huge!'". Billboard. Prometheus Global Media. Retrieved 26 December 2018.
  13. ^ "Music legend backs Harrogate villagers' campaign against housing". www.harrogateadvertiser.co.uk. Retrieved 26 January 2019.
  14. ^ "Ken Scott: The man who has worked with everyone from The Beatles to Bowie". www.yorkshirepost.co.uk. Retrieved 26 January 2019.
  15. ^ "APRS Sound Fellows Hall of Fame". The Association of Professional Recording Services. The Association of Professional Recording Services. Retrieved 26 December 2018.
  16. ^ Dougherty, Philip H. (5 June 1973). "Advertising: 71 Clios Distributed". The New York Times Company. The New York Times. Retrieved 27 December 2018.
  17. ^ a b c "GRAMMY.com Artist: Ken Scott". Retrieved 27 December 2018.
  18. ^ "allmusic – Ken Scott, Credits". AllMusic.com. Retrieved 28 December 2018.

External links edit

  • Ken Scott on Discogs
  • Video interview with Ken Scott at Abbey Road Studios

January 04, 2024
scott, other, people, named, disambiguation, this, biography, living, person, needs, additional, citations, verification, please, help, adding, reliable, sources, contentious, material, about, living, persons, that, unsourced, poorly, sourced, must, removed, i. For other people named Ken Scott see Ken Scott disambiguation This biography of a living person needs additional citations for verification Please help by adding reliable sources Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page especially if potentially libelous Find sources Ken Scott news newspapers books scholar JSTOR August 2014 Learn how and when to remove this template message Ken Scott born 20 April 1947 is a British record producer and engineer known for being one of the five main engineers for the Beatles as well as engineering Elton John Pink Floyd Procol Harum Mahavishnu Orchestra Duran Duran the Jeff Beck Group Supertramp and many more Ken ScottScott 2014Background informationBorn20 April 1947 1947 04 20 age 76 South London EnglandOccupation s Record producer engineerYears active1964 presentScott s voice source source source recorded November 2014 As a producer Scott is noted for his work with David Bowie Supertramp Devo Kansas the Tubes Ronnie Montrose Level 42 Missing Persons among others Scott was also influential in the evolution of jazz rock pioneering a harder rock sound through his work with Mahavishnu Orchestra Stanley Clarke Billy Cobham Dixie Dregs Happy The Man and Jeff Beck Contents 1 Career 1 1 Early years 1 2 The Abbey Road years 1 3 The Trident years 1 4 Jazz rock 1 5 Los Angeles 1 6 Current work 2 Personal life 3 Awards and recognition 4 Engineering and production credits 5 Bibliography 6 References 7 External linksCareer editEarly years edit Scott was born in South London and grew up listening to 78 rpm records of artists like Elvis Presley Bill Haley and Eddie Cochran on a wind up gramophone In 1959 at the age of 12 he received a tape recorder which he used to record material from the BBC Light Programme Pick of the Pops but it was an episode of Here Come the Girls an Alan Freeman hosted TV show about British female pop artists in recording studios that first focused Scott s career aspirations as a recording engineer when it featured Carol Deene singing in a recording session from the point of view of Studio Two at Abbey Road Studios where Malcolm Addey was behind the recording console The Abbey Road years edit On Saturday 18 January 1964 Scott wrote letters inquiring about recording engineer job openings and mailed them to several London recording studios Three days later he was contacted by Abbey Road Studios and subsequently interviewed and offered a position the following day Scott began working the following Monday at the age of just 16 He received the traditional Abbey Road studio training under engineers like Malcolm Addey and Norman Smith His first job was in the tape library and within six months he was promoted to 2nd engineer known then as a button pusher where his first session was on side two of the Beatles album A Hard Days Night 1 2 3 Among the other artists he worked with as a button pusher were Manfred Mann Do Wah Diddy Diddy was the first English number 1 hit he worked on Peter and Gordon the Hollies Judy Garland Johnny Mathis Cliff Richard and the Shadows and Peter Sellers After a short time as an assistant engineer Scott was promoted to cutting known as mastering today where he spent approximately two years cutting not only acetates for artists but the masters for many of the hits that EMI also distributed at the time including the American Motown catalogue In September 1967 Scott was promoted to engineer where his first session was with the Beatles on their song Your Mother Should Know His first orchestral recording session came a few days later when he recorded the strings brass and choir for the band s song I Am the Walrus During his time with the Beatles Scott also worked on the songs Lady Madonna Hello Goodbye and Hey Jude as well as The Beatles and Magical Mystery Tour albums 4 Among the notable songs from those albums that he worked on are The Fool on the Hill Glass Onion Helter Skelter Birthday Back in the U S S R While My Guitar Gently Weeps and Not Guilty the last of which was recorded for the White Album but not included on it As an engineer at Abbey Road Scott also worked with numerous other artists including the Jeff Beck Group Pink Floyd the Pretty Things Scaffold and Mary Hopkin In late 1969 shortly after completion of the Procol Harum album A Salty Dog he left Abbey Road for Trident Studios at the suggestion of Elton John and producer Gus Dudgeon 5 The Trident years edit Scott soon found himself working with the Beatles again on their various solo projects including John Lennon s Give Peace a Chance and Cold Turkey Ringo Starr s It Don t Come Easy and George Harrison s All Things Must Pass 4 After a short time he took over the mixing of Elton John s Madman Across the Water after fellow Trident engineer Robin Geoffrey Cable suffered severe injuries in a traffic accident That led him to work on John s Honky Chateau and Don t Shoot Me I m Only the Piano Player 6 Also during this period he reconnected with David Bowie he had previously worked on Bowie s 1969 self titled album and The Man Who Sold the World on a project with Bowie protege Freddie Burretti By this time Scott wanted to move into production and Bowie said he was about to start a new album and didn t feel comfortable about solely producing himself so it was agreed that they would co produce what became Hunky Dory 7 After the album was completed but before it was even released work began on his next album The Rise and Fall of Ziggy Stardust and the Spiders from Mars again with Scott as co producer 7 Scott went on to co produce Bowie s Aladdin Sane and Pin Ups albums as well as the little seen Midnight Special television program episode The 1980 Floor Show During his time at Trident Studios Scott also teamed up with Supertramp for Crime of the Century 8 in what amounted to a breakthrough album nearly everywhere in the world except the United States While most albums were routinely recorded in two weeks at the time citation needed Crime of the Century was an exception taking a painstaking six months as Scott and the group sought a precision to the recording and mixing not found in much of the music recorded at the time 9 Crime of the Century is regularly mentioned as one of the top albums of all time and was often used as a stereo demonstration record in music stores The album featured two songs that still get substantial radio play today citation needed Dreamer and Bloody Well Right 10 The follow up Crisis What Crisis attempted to reach those same sonic heights but it was subject to the limitations of a timetable because Supertramp had gained a measure of stardom and a release date and tour had already been planned The album was also recorded at other studios besides Trident including Studio D at A amp M Records in Hollywood the Who s Ramport Studios and the now defunct Scorpio Studios Other artists Scott worked with while at Trident included America Harry Nilsson Lou Reed Rick Wakeman the Rolling Stones Al Kooper and Lindisfarne as well as the Clio winning Coca Cola ad I d Like to Buy the World a Coke Jazz rock edit Scott also helped change the sound of the cross pollination genre known as jazz rock or progressive jazz adding a much harder edge rock sound especially to the drums to albums like Mahavishnu Orchestra s Birds of Fire Visions of the Emerald Beyond and The Lost Trident Sessions Billy Cobham s Spectrum Crosswinds Total Eclipse and Shabazz Stanley Clarke s Stanley Clarke and School Days and Jeff Beck s There and Back Although not strictly jazz nor progressive rock he also worked with the southern fusion band Dixie Dregs What If and Night of the Living Dregs and the symphonic progressive band Happy the Man Happy the Man and Crafty Hands Los Angeles edit nbsp Scott right After spending three months in Hollywood recording Supertramp on the A amp M lot and receiving more production work from the company as a result of the success of Supertramp Scott decided to permanently move his family to Los Angeles in 1976 just by chance renting a house across the street from Frank Zappa Subsequent to that move he produced albums with David Batteau the Tubes Devo Kansas Level 42 Dada and others At the behest of Zappa s wife Gail Scott was asked to check out a demo featuring ex members of Frank s band Terry Bozzio and Warren Cuccurullo along with Bozzio s wife Dale who had formed a band eventually to be named Missing Persons With Scott at the helm and thanks to massive airplay from the fledgling rock radio station KROQ the band went on to record one of the biggest selling EPs ever which eventually led to a deal with Capitol Records which then released their first album entitled Spring Session M When the group was not able to find a suitable manager Scott also assumed that role After artistic differences caused a split he went on to produce and manage other acts including Christine in the Attic and Cock Robin although neither went on to achieve the level of success of Missing Persons Scott s previous relationship with Warren Cuccurullo who went on to join Duran Duran led to his mixing an MTV Unplugged episode as well as doing engineering work on the Thank You and Pop Trash albums In 2000 Scott reunited with former Beatle George Harrison to work on the reissue of his catalogue included the huge hit All Things Must Pass He was also responsible for the organization of Harrison s entire tape library during that period Current work edit Scott continues to be active in the studio and gives talks around the world In 2012 he released a memoir entitled Abbey Road To Ziggy Stardust co written with Bobby Owsinski and published by Alfred Music Publishing Scott is currently a Senior Professor at Leeds Beckett University s School of Film Music and Performing Arts 11 12 Personal life editOriginally from South London Scott resided in Los Angeles from 1976 to 2013 then relocated to Nashville In 2015 Scott and his wife Cheryl moved to Harrogate North Yorkshire in the UK 13 14 Awards and recognition edit2010 Fellowship Award from the Association of Professional Recording Services 15 1973 Clio award Best Music and Lyrics for I d Like to Buy the World a Coke recorded at Trident Studios for Coca Cola 16 1974 Grammy Award nomination Best Engineered Recording Non Classical Crime of the Century album 17 1972 Grammy Award nomination Best Engineered Recording Non Classical Honky Chateau 17 1972 Grammy Award nomination Best Engineered Recording Non Classical Son of Schmilsson 17 Engineering and production credits editSelected engineering and production credits 18 1964 The Beatles A Hard Day s Night Assistant Engineer 1964 The Beatles Beatles for Sale Assistant Engineer 1965 The Beatles Rubber Soul Assistant Engineer 1965 The Beatles Help Assistant Engineer 1967 The Beatles Sgt Pepper s Lonely Hearts Club Band Assistant Engineer 1967 The Beatles Magical Mystery Tour Engineer 1968 George Harrison Wonderwall Music Engineer 1968 Jeff Beck Truth Engineer Audio Engineer 1968 The Beatles The Beatles Engineer Original Engineering 1969 Principal Edwards Magic Theatre Soundtrack Engineer 1969 Mary Hopkin Post Card Engineer Mixing 1969 Jackie Lomax Is This What You Want Engineer 1969 David Bowie Space Oddity Engineer Audio Engineer 1969 Jeff Beck Beck Ola Engineer Audio Engineer 1969 Third Ear Band Alchemy Engineer 1969 Procol Harum A Salty Dog Engineer 1970 Warhorse Warhorse Engineer 1970 David Bowie The Man Who Sold the World Engineer Audio Engineer 1970 Dada Dada Engineer 1970 George Harrison All Things Must Pass Engineer 1971 Radha Krsna Temple London The Radha Krsna Temple Engineer Balance Engineer 1971 Van der Graaf Generator Pawn Hearts Engineer 1971 The New Seekers New Colours Engineer 1971 Elton John Madman Across the Water Engineer Remixing 1971 David Bowie Hunky Dory Producer Engineer Remixing Spoken Word Synthesizer Vocals 1971 Mary Hopkin Earth Song Ocean Song Mixing 1972 Lou Reed Transformer Engineer Mixing 1972 David Bowie The Rise and Fall of Ziggy Stardust and the Spiders from Mars Producer Audio Production Original Album Producer 1972 Harry Nilsson Son of Schmilsson Engineer Balance Engineer 1972 Elton John Honky Chateau Engineer Audio Engineer 1972 America America Engineer 1973 Billy Cobham Spectrum Engineer Remixing 1973 Elton John Don t Shoot Me I m Only the Piano Player Engineer 1973 Mahavishnu Orchestra Birds of Fire Engineer 1973 David Bowie Aladdin Sane Producer Engineer Mixing 1974 Billy Cobham Crosswinds Producer Engineer Mixing Recording 1974 Billy Cobham Total Eclipse Producer Engineer Mixing 1974 Stanley Clarke Stanley Clarke Engineer 1974 Supertramp Crime of the Century Producer Engineer Mastering 1975 Mahavishnu Orchestra Visions of the Emerald Beyond Producer Engineer 1975 Stanley Clarke Journey to Love Producer Engineer 1975 Supertramp Crisis What Crisis Producer 1976 Elton John Don t Go Breaking My Heart Engineer 1976 The Tubes Young and Rich Producer 1976 Stanley Clarke School Days Producer Engineer 1977 The Don Harrison Band Not Far from Free Producer Engineer 1978 Dixie Dregs What If Producer Engineer 1978 Happy the Man Crafty Hands Producer Engineer 1978 Dixie Dregs Night of the Living Dregs Producer Engineer 1979 Gamma Gamma 1 Producer Engineer 1979 Devo Duty Now for the Future Producer Engineer 1980 Jeff Beck There amp Back Producer 1982 Kansas Vinyl Confessions Producer Engineer 1982 Missing Persons Spring Session M Producer Engineer 1985 Level 42 World Machine Producer 1985 Rubber Rodeo Heartbreak Highway Producer Engineer 1992 dada Puzzle Producer Engineer Mixing 1995 Duran Duran Thank You Engineer 1995 Whiteheart Inside Producer Engineer 1998 Missing Persons Late Nights Early Days Producer Engineer 1999 Mahavishnu Orchestra The Lost Trident Sessions Engineer 2000 Duran Duran Pop Trash Engineer Mixing 2006 The Beatles Love Engineer 2012 The Moog Seasons in the Underground Producer Engineer Mixing Bibliography edit 2012 Abbey Road to Ziggy Stardust Off the Record with the Beatles Bowie Elton amp So Much More Alfred Publishing Co Inc ISBN 978 0 7390 7858 7 References edit Buskin Richard June 2012 Classic Tracks The Beatles While My Guitar Gently Weeps Sound on Sound Archived from the original on 21 August 2016 Retrieved 21 November 2023 Massey Howard 1 October 2015 The Great British Recording Studios Milwaukee WI Hal Leonard pp 15 17 ISBN 9781458421975 Retrieved 27 December 2018 Brown Jake May 2014 Behind the Boards II The Making of Rock n Roll s Greatest Records Revealed Milwaukee WI Hal Leonard ISBN 978 1480350601 Retrieved 27 December 2018 a b Fanelli Damian 30 April 2012 Interview Abbey Road Engineer Ken Scott Discusses Recording The Beatles White Album Says Sessions Were a Blast Guitar World Archived from the original on 29 November 2014 Retrieved 14 November 2014 Chiccarelli Joe Shooting to Thrill EMusician Future Publishing Retrieved 27 December 2018 Schultz Barbara 22 February 2010 Ken Scott Mix Interview A Career of Classic Tracks Mix Online Future plc Retrieved 26 December 2018 a b Eccleston Danny 2 April 2014 Inside Abbey Road With Beatles Engineer Ken Scott Mojo Retrieved 14 November 2014 Bosso Joe 13 May 2012 Production legend Ken Scott on 10 career defining records Supertramp Crime Of The Century 1974 MusicRadar Retrieved 14 November 2014 Bosso Joe 13 May 2012 Production legend Ken Scott on 10 career defining records MusicRadar Future plc Retrieved 26 December 2018 Crime of the Century by Supertramp Classic Rock Review Classic Rock Review 21 July 2014 Retrieved 26 December 2018 Staff Leeds Beckett University Leeds Beckett University Retrieved 27 December 2018 Aswad Jem 10 January 2017 David Bowie Producer Ken Scott Remembers the Moment He Realized Oh Sh t He Could Be Huge Billboard Prometheus Global Media Retrieved 26 December 2018 Music legend backs Harrogate villagers campaign against housing www harrogateadvertiser co uk Retrieved 26 January 2019 Ken Scott The man who has worked with everyone from The Beatles to Bowie www yorkshirepost co uk Retrieved 26 January 2019 APRS Sound Fellows Hall of Fame The Association of Professional Recording Services The Association of Professional Recording Services Retrieved 26 December 2018 Dougherty Philip H 5 June 1973 Advertising 71 Clios Distributed The New York Times Company The New York Times Retrieved 27 December 2018 a b c GRAMMY com Artist Ken Scott Retrieved 27 December 2018 allmusic Ken Scott Credits AllMusic com Retrieved 28 December 2018 External links editKen Scott on Discogs Ken Scott Abbey Road Vet Contemplates Career of Groundbreaking Gigs by Rick Clark MIX 1 Oct 2004 Video interview with Ken Scott at Abbey Road Studios Ken Scott Interview on The Marquee Club Sonic Reality page for EpiK Drums Video Interview with Ken Scott at Alfred Publishing Retrieved from https en wikipedia org w index php title Ken Scott amp oldid 1190272122, wikipedia, wiki, book, books, library,

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