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Keith Henderson (artist)

Keith Henderson OBE RP RSW RWS ROI (17 April 1883 – 24 February 1982) was a Scottish painter who worked in both oils and watercolours, and who is known for his book illustrations and his poster work for London Transport and the Empire Marketing Board.[1] He had a long professional career that included periods as a war artist in both the First World War, in which he served in the trenches, and in the Second World War.[2]

Keith Henderson
A Wrecked Railway Bridge near the Hindenburg Line near Villers Guislain (1917) (Art IWM Art 246)
Born17 April 1883
Scotland
Died24 February 1982(1982-02-24) (aged 98)
South Africa
NationalityScottish
Alma mater
Known forpainting

Early life and First World War edit

Henderson was born in Scotland and brought up in Aberdeenshire and in London. He was one of three children born to George MacDonald Henderson, a barrister at Lincoln's Inn, and Constance Helen, née Keith.[3] He attended Orme Square School in London and Marlborough College. Henderson studied at the Slade School of Art before continuing to develop his art at the Académie de la Grande Chaumière in Paris.[4] While in Paris he shared a studio with Maxwell Armfield.[5] During the First World War Henderson served as a Captain with the Royal Wiltshire Yeomanry on the Western Front.[3] He depicted his experiences of warfare there in several paintings and in a book, Letters to Helen: Impressions of an Artist on the Western Front, first published in 1917.[6][7] 'Helen' was Helen Knox-Shaw, who Henderson married in 1917 at St Martin-in-the-Fields in London.[3]

Between the two world wars Henderson travelled extensively in Africa and South America and would later include images of the flora and fauna he saw on these trips in his book illustrations.[8] Henderson worked as an illustrator, designing posters and book jackets. He illustrated books by W. H. Hudson and E. R. Eddison, including The Worm Ouroboros, and, with Norman Wilkinson, an edition of Geoffrey Chaucer's translation of The Romaunt of the Rose.[9] He produced poster designs for both London Transport and the Empire Marketing Board, who sent him to paint in Cyprus for over a year.[4]

He also exhibited his work, at the Royal Academy[10] and a solo show of paintings of Cyprus at the Beaux Arts Gallery at Bruton Place in London.[11]

In August 1927, Henderson wrote a letter to The Times, giving his address as "Eoligarry, Isle of Barra, Outer Hebrides".[12] He also lived at Glen Nevis and, from 1942, for several years at Spean Bridge.[13][14] Henderson also worked in South Africa, Cyprus and Egypt.[15]

Second World War edit

 
An Improvised Test of an Under-carriage by Keith Henderson

At the start of the Second World War, Henderson was one of the first two artists, alongside Paul Nash, appointed as a full-time salaried artist to the Air Ministry by the War Artists' Advisory Committee, WAAC. Henderson was sent to RAF bases in Scotland but was frustrated to find that William Rothenstein, although not contracted to WAAC at the time, had already visited many of the same bases and made many of the portrait drawings Henderson was due to paint. This led Henderson to concentrate on ground crew, aircraft hangars, repair shops and runways. Although the painting An Improvised Test of an Under-carriage provoked fury in the Air Ministry and contributed to Henderson's six-month contract not being extended, it was among the artworks shown at the first WAAC Britain at War exhibition at the Museum of Modern Art in New York in May 1941.[16] The painting shows a man jumping up and down on the wing of a Lockheed Hudson to test the undercarriage.[17]

Although disappointed his appointment had not been extended, Henderson continued to paint war subjects.[18] Among these paintings was Loading Gantry for Pluto, which shows the giant gantry at W. T. Glover and Co. used for preparing the pipelines to be laid under the Channel to supply fuel to Allied forces in France.[19]

Later life edit

After the Second World War Henderson continued to paint, although his style changed somewhat. By the 1970s he was painting groups of figures in minimal settings, often against all-white backgrounds. His wife, Helen died in 1971 "after nearly sixty perfectly wonderful years together".[20] After an interval of great heart searching he moved to London, having sold their Scottish home and his complete collection of pictures and books.[20] During the last twenty years of his life, Henderson engraved over sixty illustrations for a book on Assyrian, Egyptian and Greek mythology which he titled Creatures and Personages, but which remained unpublished at the time of his death.[4]

Henderson was the subject of a solo exhibition at the Palter/ Sands Gallery in Bristol in 1980.[8] He was an active member, and major benefactor, of the Royal Watercolour Society until his death in 1982 in South Africa.[21] Works by Henderson are held in numerous Scottish collections, as well as the Imperial War Museum,[22] the RAF Museum[19] and the National Gallery of Canada.[16]

Bibliography edit

All entries are illustrated by Keith Henderson, the first five with colour plates, the remainder with pen-and-ink drawings or engravings in black-and-white, unless otherwise stated.[20]

 
Under the Greenwood Tree:Another Meeting
  • 1908The Romaunt of the Rose rendered out of French (of G. de Lorris) into English by Geoffrey Chaucer, illustrated by Keith Henderson and Norman Wilkinson (Chatto & Windus for the Florence Press) 20 watercolour illustrations (10 by each artist) tipped in, with tissue guards, the captions in red; Limited Edition of 500 copies on hand-made Aldwych paper and 12 copies on vellum. Paper copies: Blue paper boards with white linen spine, white paper title label with black lettering on spine and cover, top edge gilt. Vellum copies: Soft white vellum binding with ribbon ties, upper-cover & spine lettered in gilt, silk headband, t.e.g., others untrimmed, 104pp, 4to.
  • 1909A Book of Whimsies by Geoffrey Whitworth and Keith Henderson (J.M. Dent) 12 coloured plates by Henderson; vignette title in blue and black, frontispiece with tissue guard; white cloth with an illustration on the upper cover, spine title in gilt, t.e.g., others untrimmed, 62pp Royal 8vo.
  • 1910-1911 The Open Window Vol. 1 October to March 1910 - 1911 : Vol. 2 April to September 1911 (Locke Ellis) Cream card boards tied with blue ribbon tapes, gilt lettering, top edge gilt others uncut, 376pp / 359pp. Vol 1 Zoo poem by Henderson, 1 b & w line illustration; On the Okapi essay by Henderson, 1 b & w drawing; The Qualm play by Henderson & G Whitworth. Vol 2: monochrome illustration by Henderson; 1 b & w drawing. Also issued in monthly parts: blue printed wraps, beige spine, 12mo.
  • 1913Under the Greenwood Tree: A Rural Painting of the Dutch School by Thomas Hardy (Chatto & Windus) 10 coloured plates; title in green and black, green buckram gilt, illustration in gilt on upper-cover, edges untrimmed, 271pp, d/w, Royal 8vo.
  • 1917Letters to Helen: Impressions of an Artist on the Western Front by Keith Henderson).[23] (Chatto & Windus) 12 coloured plates with tissue guards, captions in red; cloth-backed boards, paper title label on spine, 111pp + 7pp Chatto catalogue, d/w, 8vo.[14]
  • 1921Catalogue of a Collection of Mexican and other American Antiquities (including the Chavero Collection) in the possession of Viscount Cowdray edited by Thomas Athol Joyce. Several black and white illustrations by Henderson. Green card covers, untrimmed, 78pp + 18pp blank, folding map, 4to, nd.
  • 1922The Conquest of Mexico by W.H. Prescott (Chatto & Windus).[23] Volume 1: approx. 200 illustrations, Volume 2: 33 illustrations; Preface and Notes by the artist; pictorial titles and maps on the end papers; red cloth gilt, upper-covers with illustration in gilt, t.e.g. others untrimmed, 480pp/485pp, 8vo.
  • 1922The Worm Ouroboros: A Romance by E.R. Eddison (Jonathan Cape) six full page illustrations & Hippogriff design in gilt on the upper-cover, end-paper decorations; vignette title in red & black; black cloth gilt, 446pp, d/w, 8vo.
  • 1924Palm Groves and Hummingbirds: An Artist's Fortnight in Brazil by Keith Henderson[14][23] (Ernest Benn) 7 plates of portraits & 54 other illustrations, pictorial title, maps on end-papers; (a) Limited Edition of 20 numbered copies printed on English hand-made paper signed by the author and bound in brown pigskin, spine lettering in gilt, t.e.g. others untrimmed; (b) Trade issue in green buckram gilt; 133pp, d/w, Royal 8vo.
  • 1926Green Mansions: A Romance of the Tropical Forest by W.H. Hudson[14] (Duckworth) 35 illustrations some double-page; (a) Limited Edition of 165 copies on hand-made paper, numbered & signed by the artist, green buckram backed batik boards, patterned in gilt, olivine head; (b) Trade issue in green buckram, spine title in gilt 325pp, d/w, Royal 8vo. (Binding variants).
  • 1926Styrbiorn the Strong by E.R. Eddison (Jonathan Cape) vignette title, end papers & textual decorations, with a gilt motif on the upper-cover; black cloth gilt, edges untrimmed, 248pp, d/w, 8vo.
  • 1927Prehistoric Man by Keith Henderson (Chatto & Windus) coloured frontispiece with tissue guard, 101 other illustrations; green cloth gilt with an illustration in blind on the upper-cover, 276pp, d/w, 8vo
  • 1929The Purple Land by W.H. Hudson (Duckworth) 13 full-page portraits & 39 other illustrations; (a) Limited Edition of 165 copies on hand-made paper, numbered & signed by the artist, purple cloth-backed batik boards, gilt, mauve head, edges untrimmed; (b) Trade issue in similar format, 368 pp, d/w, Royal 8vo. (Binding variants).
  • 1933No Second Spring by Janet Beith[23] (Hodder & Stoughton) 7 illustrations & other decorations; black cloth with olivine head, 304pp, d/w, 8vo.
  • 1934Buckaroo by Eugene Cunningham[23] (Hodder & Stoughton) 18 illustrations & decorations, pictorial title, pistol motif on covers; black cloth with rouge head, 319pp, d/w, 8vo.
  • 1935Mistress of Mistresses: A Vision of Zimiamvia by E.R. Eddison (Faber) pictorial title, dedication and other decorations (the maps of the three Kingdoms are by Gerald Hayes); blue cloth with a decoration in gilt on the upper-cover, spine title in gilt blocked in red, rouge head, 463pp, d/w, 8vo.
  • 1936Christina Strang by Alison Fleming[23] (pseud. Lucy M Cummings) (Hodder & Stoughton) 4 portraits and other decorations, blue cloth, title blocked in yellow, 318pp, d/w, 8vo.
  • 1936Sand Castle by Janet Beith (Hodder & Stoughton) 7 full-page illustrations & other decorations; black cloth, 432pp, d/w, 8vo.
  • 1938Burns – By Himself: The Poet-Ploughman's Life in his own words – pieced together from his Diaries, Letters, & Poems . . . . arbitrarily arranged to form a continuous story by Keith Henderson[14][23] (Methuen) 68 illustrations; orange cloth with a silhouette cameo on the spine, 259pp, d/w, Royal 8vo.
  • 1949Highland Pack by Neil M Gunn (Faber) 53 illustrations; red cloth gilt, rouge head, 274pp, d/w, 8vo.
  • 1952Pastels by Keith Henderson (Studio Publications) Coloured and monochrome plates, two by the author with frontispiece & title illustrations; How to Do it Series No.43, grey boards, 96pp, 8vo.
  • 1958Scotland Before History: An essay by Stuart Piggott (Thomas Nelson) 32 illustrations, red cloth gilt, rouge head, 112pp, d/w, 8vo.
  • 1958The Mezentian Gate by E.R. Eddison (Privately published) frontispiece engraved by Henderson after a portrait by El Greco, end-paper designs & other decorations; a limited number of copies printed at the Curwen Press; green buckram gilt, 247pp, d/w, 8vo.
  • 1970Till 21: A Victorian Artist's Autobiography by Keith Henderson (Regency Press) photographs and early illustrations; purple end-papers, black boards gilt, 185pp, d/w, 8vo.
  • 1971The Labyrinth (Poems) by Keith Henderson (Privately printed) unillustrated; card covers printed in red & black, 39pp, 8vo.

Other works and illustrations edit

  • 1909 Catalogue of an exhibition of "Whimsey Pictures" and pictures of Antrim and Donegal by Keith Henderson : London : Baillie Gallery.
  • 1910 The Revolt of Woman and Other Poems by Vivian Locke Ellis (Locke Ellis), frontispiece by Keith Henderson. Cream cloth lettered red on spine and cover, ruled border in red, 62pp, sm 8vo.
  • 1918 The War Depicted by Distinguished British Artists (The Studio) 8 colour plates, others in b & w, 1 by Henderson, brown cloth lettered in gilt, top edge gilt, 98pp, 4to.
  • 1919 The Late Lieut. Nickalls From a Drawing by Keith Henderson (The Studio Vol 78 No. 321) monochrome illustration by Henderson.
  • 1925Keith Henderson by Geoffrey Whitworth (The Studio Vol 90 No. 388) 6 portraits by Henderson, 2 full page, one of which is coloured; card covers, 8vo.
  • 1927Times Literary Supplement - Printing Number. 13th October 1927. Full page illustration by Henderson taken from W.H. Prescott Conquest of Mexico 1922. White cloth cover, spine label lettered gilt on brown, 64pp, large 4to.
  • 1930 Vision- Number 2: The Magazine of the Gloucester Society of Artists, three line drawings by Henderson (taken from The Purple Land), blue card covers, 37pp, stapled.
  • 1930 The Crusades: Iron Men and Saints by Harold Lamb (Doubleday, Doran and Company) coloured dust wrapper by Henderson, black cloth pictorially stamped in gilt, spine lettering gilt, 368pp, d/w, large 8vo.
  • 1934Catalogue of an Exhibition of Cotswold Art and Craftsmanship Preface by William Rothenstein (The Alcuin Press Gallery, Chipping Campden) paper covers with engraving to upper wrapper, stapled. No illustrations but two priced entries, of a pastel and a watercolour, for sale by Henderson.
  • 1934The Heart of Scotland by George Blake (Batsford) coloured frontispiece illustration by Henderson; (photographs by various hands; other illustrations by Brian Cook) purple cloth with title and author in green on upper-cover and spine, mauve head, 115pp + 32pp Batsford catalogue), d/w, 8vo.
  • 1937 The Children's Art Book by Geoffrey Holme (The Studio) London. 25 mounted plates plus numerous b & w illustrations including three by Henderson, cloth backed illustrated boards, 96pp, dw, 8vo.
  • 1938 The Good Work (The Tatler March 1938) Coloured double page illustration by Henderson.
  • 1941 War-Time Notes of a Peaceful Artist (The Listener No. 637 27 March 1941) article and two monochrome illustrations by Henderson.
  • 1941 Notes of a Peaceful Artist in War Time (The Listener No. 666 16 October 1941) article and single monochrome illustration by Henderson.
  • 1942War Pictures by British Artists – No. 3 R.A.F. with an introduction by H. E. Bates (Oxford University Press) b & w illustrations by several artists including 4 by Henderson; paperback, 64pp, d/w, 8vo.
  • 1949Glencoe and Dalness: Illustrated Guide Book (The National Trust for Scotland) cover design by Henderson, photographs and illustrations by others, card covers, 64pp, stapled small folio.
  • 1952 Recording Scotland edited with notes by James B Salmond (Oliver and Boyd for The Pilgrim Trust) Coloured and monochrome plates, three by Henderson, red cloth, spine title in gilt, rouge head, 168pp, d/w, 4to.
  • 1956 In Praise of Water-Colour article by Henderson (The Old Water-Colour Society’s Club vol 31) coloured and monochrome plates, none by Henderson, white cloth backed boards, spine title in gilt, 32pp, 4to.
  • 1975The Artist and the Book:[20] Conversations with Keith Henderson by Keith Nicholson (ABMR Vol II no 11 issue 21) 5 illustrations including 3 double page/page-and-a-half illustrations (from the unpublished book Creatures and Personages by Keith Henderson), card covers, 11pp within magazine, stapled folio.

References edit

  1. ^ Brian Stewart & Mervyn Cutten (1997). The Dictionary of Portrait Painters in Britain up to 1920. Antique Collectors' Club. ISBN 1-85149-173-2.
  2. ^ Aberdeen Art Gallery. "Keith Henderson Watercolours". Aberdeen Art Gallery. Retrieved 24 December 2013.
  3. ^ a b c "Keith Henderson OBE RSW RO RP (1883-1982)". Chris Beetles Gallery. Retrieved 7 April 2017.
  4. ^ a b c Alan Horne (1994). The Dictionary of 20th Century British Book Illustrators. Antique Collectors' Club. ISBN 1-85149-108-2.
  5. ^ Bury, Stephen (2012). Keith Henderson. Oup USA. ISBN 9780199923052. Retrieved 24 December 2013. {{cite book}}: |work= ignored (help)
  6. ^ Imperial War Museum. "Letters to Helen impressions of an artist on the Western Front". Imperial War Museum. Retrieved 29 March 2017.
  7. ^ "A War of the Imagination:-The Experience of British Artists in Two World Wars". Vortex 3 (University of the West of England). Retrieved 24 December 2013.
  8. ^ a b David Buckman (1998). Artists in Britain Since 1945 Vol 1, A to L. Art Dictionaries Ltd. ISBN 0-95326-095-X.
  9. ^ . The Modernist Journals Project. Archived from the original on 3 October 2012. Retrieved 24 December 2013.
  10. ^ "Royal Academy". The Times. 4 May 1931. Retrieved 3 March 2014.
  11. ^ "Mr. Keith Henderson". The Times. 19 November 1929. p. 14. Retrieved 3 March 2014.
  12. ^ Henderson, Keith (20 August 1927). "An Empire Poster". The Times. Retrieved 3 March 2014.
  13. ^ Peter J.M. McEwan (1994). The Dictionary of Scottish Art and Architecture. Antique Collectors' Club. ISBN 1-85149-134-1.
  14. ^ a b c d e Grant M. Waters (1975). Dictionary of British Artists Working 1900-1950. Eastbourne Fine Art.
  15. ^ Paul Harris & Julian Halsby (1990). The Dictionary of Scottish Painters 1600 to the Present. Canongate. ISBN 1-84195-150-1.
  16. ^ a b Brain Foss (2007). War paint: Art, War, State and Identity in Britain, 1939–1945. Yale University Press. ISBN 978-0-300-10890-3.
  17. ^ An Improvised Test of an Under-carriage, Keith Henderson, Imperial War Museum, retrieved 24 December 2013
  18. ^ "War artists archive – Keith Henderson". Imperial War Museum. Retrieved 24 December 2013.
  19. ^ a b Artworks by or after Keith Henderson, Art UK. Retrieved 24 December 2013.
  20. ^ a b c d Antiquarian Book Monthly Review (ABMR) November 1975 Vol II No 11 Issue 21
  21. ^ Sarah Colegrave. "Warthogs (c.1970, United Kingdom)". CADA Art & Antique Fair. Retrieved 11 June 2014.
  22. ^ "Collection Search, Keith Henderson". Imperial War Museum. Retrieved 24 December 2013.
  23. ^ a b c d e f g Simon Houfe (1996). The Dictionary of 19th Century British Book Illustrators. Antique Collectors' Club. ISBN 1-85149-1937.

External links edit

keith, henderson, artist, keith, henderson, april, 1883, february, 1982, scottish, painter, worked, both, oils, watercolours, known, book, illustrations, poster, work, london, transport, empire, marketing, board, long, professional, career, that, included, per. Keith Henderson OBE RP RSW RWS ROI 17 April 1883 24 February 1982 was a Scottish painter who worked in both oils and watercolours and who is known for his book illustrations and his poster work for London Transport and the Empire Marketing Board 1 He had a long professional career that included periods as a war artist in both the First World War in which he served in the trenches and in the Second World War 2 Keith HendersonOBE RP RSW RWS ROIA Wrecked Railway Bridge near the Hindenburg Line near Villers Guislain 1917 Art IWM Art 246 Born17 April 1883ScotlandDied24 February 1982 1982 02 24 aged 98 South AfricaNationalityScottishAlma materMarlborough CollegeSlade School of ArtAcademie de la Grande ChaumiereKnown forpainting Contents 1 Early life and First World War 2 Second World War 3 Later life 4 Bibliography 5 Other works and illustrations 6 References 7 External linksEarly life and First World War editHenderson was born in Scotland and brought up in Aberdeenshire and in London He was one of three children born to George MacDonald Henderson a barrister at Lincoln s Inn and Constance Helen nee Keith 3 He attended Orme Square School in London and Marlborough College Henderson studied at the Slade School of Art before continuing to develop his art at the Academie de la Grande Chaumiere in Paris 4 While in Paris he shared a studio with Maxwell Armfield 5 During the First World War Henderson served as a Captain with the Royal Wiltshire Yeomanry on the Western Front 3 He depicted his experiences of warfare there in several paintings and in a book Letters to Helen Impressions of an Artist on the Western Front first published in 1917 6 7 Helen was Helen Knox Shaw who Henderson married in 1917 at St Martin in the Fields in London 3 Between the two world wars Henderson travelled extensively in Africa and South America and would later include images of the flora and fauna he saw on these trips in his book illustrations 8 Henderson worked as an illustrator designing posters and book jackets He illustrated books by W H Hudson and E R Eddison including The Worm Ouroboros and with Norman Wilkinson an edition of Geoffrey Chaucer s translation of The Romaunt of the Rose 9 He produced poster designs for both London Transport and the Empire Marketing Board who sent him to paint in Cyprus for over a year 4 He also exhibited his work at the Royal Academy 10 and a solo show of paintings of Cyprus at the Beaux Arts Gallery at Bruton Place in London 11 In August 1927 Henderson wrote a letter to The Times giving his address as Eoligarry Isle of Barra Outer Hebrides 12 He also lived at Glen Nevis and from 1942 for several years at Spean Bridge 13 14 Henderson also worked in South Africa Cyprus and Egypt 15 Second World War edit nbsp An Improvised Test of an Under carriage by Keith Henderson At the start of the Second World War Henderson was one of the first two artists alongside Paul Nash appointed as a full time salaried artist to the Air Ministry by the War Artists Advisory Committee WAAC Henderson was sent to RAF bases in Scotland but was frustrated to find that William Rothenstein although not contracted to WAAC at the time had already visited many of the same bases and made many of the portrait drawings Henderson was due to paint This led Henderson to concentrate on ground crew aircraft hangars repair shops and runways Although the painting An Improvised Test of an Under carriage provoked fury in the Air Ministry and contributed to Henderson s six month contract not being extended it was among the artworks shown at the first WAAC Britain at War exhibition at the Museum of Modern Art in New York in May 1941 16 The painting shows a man jumping up and down on the wing of a Lockheed Hudson to test the undercarriage 17 Although disappointed his appointment had not been extended Henderson continued to paint war subjects 18 Among these paintings was Loading Gantry for Pluto which shows the giant gantry at W T Glover and Co used for preparing the pipelines to be laid under the Channel to supply fuel to Allied forces in France 19 Later life editAfter the Second World War Henderson continued to paint although his style changed somewhat By the 1970s he was painting groups of figures in minimal settings often against all white backgrounds His wife Helen died in 1971 after nearly sixty perfectly wonderful years together 20 After an interval of great heart searching he moved to London having sold their Scottish home and his complete collection of pictures and books 20 During the last twenty years of his life Henderson engraved over sixty illustrations for a book on Assyrian Egyptian and Greek mythology which he titled Creatures and Personages but which remained unpublished at the time of his death 4 Henderson was the subject of a solo exhibition at the Palter Sands Gallery in Bristol in 1980 8 He was an active member and major benefactor of the Royal Watercolour Society until his death in 1982 in South Africa 21 Works by Henderson are held in numerous Scottish collections as well as the Imperial War Museum 22 the RAF Museum 19 and the National Gallery of Canada 16 Bibliography editAll entries are illustrated by Keith Henderson the first five with colour plates the remainder with pen and ink drawings or engravings in black and white unless otherwise stated 20 nbsp Under the Greenwood Tree Another Meeting 1908The Romaunt of the Rose rendered out of French of G de Lorris into English by Geoffrey Chaucer illustrated by Keith Henderson and Norman Wilkinson Chatto amp Windus for the Florence Press 20 watercolour illustrations 10 by each artist tipped in with tissue guards the captions in red Limited Edition of 500 copies on hand made Aldwych paper and 12 copies on vellum Paper copies Blue paper boards with white linen spine white paper title label with black lettering on spine and cover top edge gilt Vellum copies Soft white vellum binding with ribbon ties upper cover amp spine lettered in gilt silk headband t e g others untrimmed 104pp 4to 1909A Book of Whimsies by Geoffrey Whitworth and Keith Henderson J M Dent 12 coloured plates by Henderson vignette title in blue and black frontispiece with tissue guard white cloth with an illustration on the upper cover spine title in gilt t e g others untrimmed 62pp Royal 8vo 1910 1911 The Open Window Vol 1 October to March 1910 1911 Vol 2 April to September 1911 Locke Ellis Cream card boards tied with blue ribbon tapes gilt lettering top edge gilt others uncut 376pp 359pp Vol 1 Zoo poem by Henderson 1 b amp w line illustration On the Okapi essay by Henderson 1 b amp w drawing The Qualm play by Henderson amp G Whitworth Vol 2 monochrome illustration by Henderson 1 b amp w drawing Also issued in monthly parts blue printed wraps beige spine 12mo 1913Under the Greenwood Tree A Rural Painting of the Dutch School by Thomas Hardy Chatto amp Windus 10 coloured plates title in green and black green buckram gilt illustration in gilt on upper cover edges untrimmed 271pp d w Royal 8vo 1917Letters to Helen Impressions of an Artist on the Western Front by Keith Henderson 23 Chatto amp Windus 12 coloured plates with tissue guards captions in red cloth backed boards paper title label on spine 111pp 7pp Chatto catalogue d w 8vo 14 1921Catalogue of a Collection of Mexican and other American Antiquities including the Chavero Collection in the possession of Viscount Cowdray edited by Thomas Athol Joyce Several black and white illustrations by Henderson Green card covers untrimmed 78pp 18pp blank folding map 4to nd 1922The Conquest of Mexico by W H Prescott Chatto amp Windus 23 Volume 1 approx 200 illustrations Volume 2 33 illustrations Preface and Notes by the artist pictorial titles and maps on the end papers red cloth gilt upper covers with illustration in gilt t e g others untrimmed 480pp 485pp 8vo 1922The Worm Ouroboros A Romance by E R Eddison Jonathan Cape six full page illustrations amp Hippogriff design in gilt on the upper cover end paper decorations vignette title in red amp black black cloth gilt 446pp d w 8vo 1924Palm Groves and Hummingbirds An Artist s Fortnight in Brazil by Keith Henderson 14 23 Ernest Benn 7 plates of portraits amp 54 other illustrations pictorial title maps on end papers a Limited Edition of 20 numbered copies printed on English hand made paper signed by the author and bound in brown pigskin spine lettering in gilt t e g others untrimmed b Trade issue in green buckram gilt 133pp d w Royal 8vo 1926Green Mansions A Romance of the Tropical Forest by W H Hudson 14 Duckworth 35 illustrations some double page a Limited Edition of 165 copies on hand made paper numbered amp signed by the artist green buckram backed batik boards patterned in gilt olivine head b Trade issue in green buckram spine title in gilt 325pp d w Royal 8vo Binding variants 1926Styrbiorn the Strong by E R Eddison Jonathan Cape vignette title end papers amp textual decorations with a gilt motif on the upper cover black cloth gilt edges untrimmed 248pp d w 8vo 1927Prehistoric Man by Keith Henderson Chatto amp Windus coloured frontispiece with tissue guard 101 other illustrations green cloth gilt with an illustration in blind on the upper cover 276pp d w 8vo 1929The Purple Land by W H Hudson Duckworth 13 full page portraits amp 39 other illustrations a Limited Edition of 165 copies on hand made paper numbered amp signed by the artist purple cloth backed batik boards gilt mauve head edges untrimmed b Trade issue in similar format 368 pp d w Royal 8vo Binding variants 1933No Second Spring by Janet Beith 23 Hodder amp Stoughton 7 illustrations amp other decorations black cloth with olivine head 304pp d w 8vo 1934Buckaroo by Eugene Cunningham 23 Hodder amp Stoughton 18 illustrations amp decorations pictorial title pistol motif on covers black cloth with rouge head 319pp d w 8vo 1935Mistress of Mistresses A Vision of Zimiamvia by E R Eddison Faber pictorial title dedication and other decorations the maps of the three Kingdoms are by Gerald Hayes blue cloth with a decoration in gilt on the upper cover spine title in gilt blocked in red rouge head 463pp d w 8vo 1936Christina Strang by Alison Fleming 23 pseud Lucy M Cummings Hodder amp Stoughton 4 portraits and other decorations blue cloth title blocked in yellow 318pp d w 8vo 1936Sand Castle by Janet Beith Hodder amp Stoughton 7 full page illustrations amp other decorations black cloth 432pp d w 8vo 1938Burns By Himself The Poet Ploughman s Life in his own words pieced together from his Diaries Letters amp Poems arbitrarily arranged to form a continuous story by Keith Henderson 14 23 Methuen 68 illustrations orange cloth with a silhouette cameo on the spine 259pp d w Royal 8vo 1949Highland Pack by Neil M Gunn Faber 53 illustrations red cloth gilt rouge head 274pp d w 8vo 1952Pastels by Keith Henderson Studio Publications Coloured and monochrome plates two by the author with frontispiece amp title illustrations How to Do it Series No 43 grey boards 96pp 8vo 1958Scotland Before History An essay by Stuart Piggott Thomas Nelson 32 illustrations red cloth gilt rouge head 112pp d w 8vo 1958The Mezentian Gate by E R Eddison Privately published frontispiece engraved by Henderson after a portrait by El Greco end paper designs amp other decorations a limited number of copies printed at the Curwen Press green buckram gilt 247pp d w 8vo 1970Till 21 A Victorian Artist s Autobiography by Keith Henderson Regency Press photographs and early illustrations purple end papers black boards gilt 185pp d w 8vo 1971The Labyrinth Poems by Keith Henderson Privately printed unillustrated card covers printed in red amp black 39pp 8vo Other works and illustrations edit1909 Catalogue of an exhibition of Whimsey Pictures and pictures of Antrim and Donegal by Keith Henderson London Baillie Gallery 1910 The Revolt of Woman and Other Poems by Vivian Locke Ellis Locke Ellis frontispiece by Keith Henderson Cream cloth lettered red on spine and cover ruled border in red 62pp sm 8vo 1918 The War Depicted by Distinguished British Artists The Studio 8 colour plates others in b amp w 1 by Henderson brown cloth lettered in gilt top edge gilt 98pp 4to 1919 The Late Lieut Nickalls From a Drawing by Keith Henderson The Studio Vol 78 No 321 monochrome illustration by Henderson 1925Keith Henderson by Geoffrey Whitworth The Studio Vol 90 No 388 6 portraits by Henderson 2 full page one of which is coloured card covers 8vo 1927Times Literary Supplement Printing Number 13th October 1927 Full page illustration by Henderson taken from W H Prescott Conquest of Mexico 1922 White cloth cover spine label lettered gilt on brown 64pp large 4to 1930 Vision Number 2 The Magazine of the Gloucester Society of Artists three line drawings by Henderson taken from The Purple Land blue card covers 37pp stapled 1930 The Crusades Iron Men and Saints by Harold Lamb Doubleday Doran and Company coloured dust wrapper by Henderson black cloth pictorially stamped in gilt spine lettering gilt 368pp d w large 8vo 1934Catalogue of an Exhibition of Cotswold Art and Craftsmanship Preface by William Rothenstein The Alcuin Press Gallery Chipping Campden paper covers with engraving to upper wrapper stapled No illustrations but two priced entries of a pastel and a watercolour for sale by Henderson 1934The Heart of Scotland by George Blake Batsford coloured frontispiece illustration by Henderson photographs by various hands other illustrations by Brian Cook purple cloth with title and author in green on upper cover and spine mauve head 115pp 32pp Batsford catalogue d w 8vo 1937 The Children s Art Book by Geoffrey Holme The Studio London 25 mounted plates plus numerous b amp w illustrations including three by Henderson cloth backed illustrated boards 96pp dw 8vo 1938 The Good Work The Tatler March 1938 Coloured double page illustration by Henderson 1941 War Time Notes of a Peaceful Artist The Listener No 637 27 March 1941 article and two monochrome illustrations by Henderson 1941 Notes of a Peaceful Artist in War Time The Listener No 666 16 October 1941 article and single monochrome illustration by Henderson 1942War Pictures by British Artists No 3 R A F with an introduction by H E Bates Oxford University Press b amp w illustrations by several artists including 4 by Henderson paperback 64pp d w 8vo 1949Glencoe and Dalness Illustrated Guide Book The National Trust for Scotland cover design by Henderson photographs and illustrations by others card covers 64pp stapled small folio 1952 Recording Scotland edited with notes by James B Salmond Oliver and Boyd for The Pilgrim Trust Coloured and monochrome plates three by Henderson red cloth spine title in gilt rouge head 168pp d w 4to 1956 In Praise of Water Colour article by Henderson The Old Water Colour Society s Club vol 31 coloured and monochrome plates none by Henderson white cloth backed boards spine title in gilt 32pp 4to 1975The Artist and the Book 20 Conversations with Keith Henderson by Keith Nicholson ABMR Vol II no 11 issue 21 5 illustrations including 3 double page page and a half illustrations from the unpublished book Creatures and Personages by Keith Henderson card covers 11pp within magazine stapled folio References edit Brian Stewart amp Mervyn Cutten 1997 The Dictionary of Portrait Painters in Britain up to 1920 Antique Collectors Club ISBN 1 85149 173 2 Aberdeen Art Gallery Keith Henderson Watercolours Aberdeen Art Gallery Retrieved 24 December 2013 a b c Keith Henderson OBE RSW RO RP 1883 1982 Chris Beetles Gallery Retrieved 7 April 2017 a b c Alan Horne 1994 The Dictionary of 20th Century British Book Illustrators Antique Collectors Club ISBN 1 85149 108 2 Bury Stephen 2012 Keith Henderson Oup USA ISBN 9780199923052 Retrieved 24 December 2013 a href Template Cite book html title Template Cite book cite book a work ignored help Imperial War Museum Letters to Helen impressions of an artist on the Western Front Imperial War Museum Retrieved 29 March 2017 A War of the Imagination The Experience of British Artists in Two World Wars Vortex 3 University of the West of England Retrieved 24 December 2013 a b David Buckman 1998 Artists in Britain Since 1945 Vol 1 A to L Art Dictionaries Ltd ISBN 0 95326 095 X Brief Biography Keith Henderson The Modernist Journals Project Archived from the original on 3 October 2012 Retrieved 24 December 2013 Royal Academy The Times 4 May 1931 Retrieved 3 March 2014 Mr Keith Henderson The Times 19 November 1929 p 14 Retrieved 3 March 2014 Henderson Keith 20 August 1927 An Empire Poster The Times Retrieved 3 March 2014 Peter J M McEwan 1994 The Dictionary of Scottish Art and Architecture Antique Collectors Club ISBN 1 85149 134 1 a b c d e Grant M Waters 1975 Dictionary of British Artists Working 1900 1950 Eastbourne Fine Art Paul Harris amp Julian Halsby 1990 The Dictionary of Scottish Painters 1600 to the Present Canongate ISBN 1 84195 150 1 a b Brain Foss 2007 War paint Art War State and Identity in Britain 1939 1945 Yale University Press ISBN 978 0 300 10890 3 An Improvised Test of an Under carriage Keith Henderson Imperial War Museum retrieved 24 December 2013 War artists archive Keith Henderson Imperial War Museum Retrieved 24 December 2013 a b Artworks by or after Keith Henderson Art UK Retrieved 24 December 2013 a b c d Antiquarian Book Monthly Review ABMR November 1975 Vol II No 11 Issue 21 Sarah Colegrave Warthogs c 1970 United Kingdom CADA Art amp Antique Fair Retrieved 11 June 2014 Collection Search Keith Henderson Imperial War Museum Retrieved 24 December 2013 a b c d e f g Simon Houfe 1996 The Dictionary of 19th Century British Book Illustrators Antique Collectors Club ISBN 1 85149 1937 External links edit nbsp Wikimedia Commons has media related to Keith Henderson Works by Keith Henderson at Project Gutenberg Works by or about Keith Henderson at Internet Archive 73 artworks by or after Keith Henderson at the Art UK site Retrieved from https en wikipedia org w index php title Keith Henderson artist amp oldid 1212362442, wikipedia, wiki, book, books, library,

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