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Joyce Kozloff

January 01, 1970

Joyce Kozloff (born 1942) is an American artist known for her paintings, murals, and public art installations. She was one of the original members of the Pattern and Decoration movement and an early artist in the 1970s feminist art movement, including as a founding member of the Heresies collective.

Joyce Kozloff
Born
Joyce Blumberg

(1942-12-14) December 14, 1942 (age 81)
Somerville, New Jersey
Alma materCarnegie Mellon University
Columbia University
Known forPainting
MovementPattern and Decoration
Feminist art movement
SpouseMax Kozloff
Websitejoycekozloff.net

She has been active in the women's and peace movements throughout her life. Since the early 1990s, her work has drawn extensively on cartography and patterns.

Personal life and education edit

Joyce Blumberg was born to Adele Rosenberg and Leonard Blumberg on December 14, 1942 in Somerville, New Jersey. Leonard, born in New Jersey, was an attorney. Adele was active in community organizations. Both of her parents' families had emigrated from Lithuania. She had two younger brothers.[1]

During the summer of 1959, she studied art at New York's Art Students League. In the summer of 1962 she attended Rutgers University and the following summer she attended the Università di Firenze. In 1964 she earned a Bachelor of Fine Arts from the Carnegie Institute of Technology. She then attended Columbia University and received a Masters of Fine Arts in 1967.[1][2]

She married Max Kozloff on July 2, 1967. They have a son.[1] Kozloff has lived primarily in New York since 1964.

Career edit

Feminist art movement edit

Main article: Feminist art movement in the United States

For us, there weren't women in the galleries and museums, so we formed our own galleries, we curated our own exhibitions, we formed our own publications, we mentored one another, we even formed schools for feminist art. We examined the content of the history of art, and we began to make different kinds of art forms based on our experiences as women. So it was both social and something even beyond; in our case, it came back into our own studios.[3]

Joyce Kozloff

She joined with other women in the arts in 1971 to form the Los Angeles Council of Women Artists, a group that organized the first protests about the lack of women included in the Los Angeles County Museum of Art's exhibitions and collections.[4][5] Upon returning to New York, Kozloff continued to be active in the women artists' movement. She joined the Ad Hoc Committee of Women Artists and was a founding member of the Heresies Collective in 1975, which produced the quarterly magazine Heresies: A Feminist Publication on Art and Politics.[6]

In the summer of 1973 Kozloff lived in Mexico. She visited Morocco in 1975 and Turkey in 1978. During her visits she studied the countries' decorative traditions and ornaments. In the 1970s, she observed that the decorative arts were the domain of women and non-western artists, and wrote that the hierarchy among the arts had privileged the production of European and American men, fueling her position as a feminist and inspired her interest in pattern design.[1] With Valerie Jaudon, she co-authored the widely anthologized "Art Hysterical Notions of Progress and Culture" (1978), in which they explained how they thought sexist and racist assumptions underlaid Western art history discourse. They reasserted the value of ornamentation and aesthetic beauty – qualities assigned to the feminine sphere.[7][8][9]

Kozloff was mentored and inspired by Miriam Schapiro, Nancy Spero, Ida Applebroog and May Stevens.[3] She was interviewed for the film !Women Art Revolution.[10]

Pattern and Decoration edit

Main article: Pattern and Decoration
 
Three Portals...pink triangle[11]
 
An Interior Decorated

Beginning in 1973, wishing to break down the western hierarchy between "high art" and decoration, Kozloff created large paintings, drawing upon worldwide patterns, juxtaposing ornamental passages across an expansive field. In 1975, she began to meet with artists Miriam Schapiro, Tony Robbin, Robert Zakanitch, Robert Kushner, Valerie Jaudon and others pursuing related ideas; they formed the Pattern and Decoration movement.[12]

During the late 1970s, she produced An Interior Decorated, a travelling installation composed of hanging silkscreen textile panels; hand painted, glazed tile pilasters; lithographs on Chinese silk paper; and a tiled floor composed of thousands of individually executed images on interlocking stars and hexagons. The project was redesigned for every space in which it was exhibited in 1979 and 1980. Just as her paintings had nonwestern origins, for this installation, she compiled a personal, visual anthology of the decorative arts from dozens of sources, including Caucasian kilims, İznik and Catalan tiles, Seljuk brickwork, and Native American pottery.[1][12][13] Critic Carrie Rickey wrote that the installation was "where painting meets architecture, where art meets craft, where personal commitment meets public art".[1]

 
Topkapi Pullman

Public art edit

Kozloff became interested in public art while studying under Robert Lepper at Carnegie Mellon. He taught the Oakland Project, in which students went out into the Oakland neighborhood and made art documenting the infrastructure, buildings and people. She said, "That was my initiation into public art – into the world outside".[14] One of her first works of public art, a mural in the Harvard Square subway station in Cambridge, was the result of a competition. Most of her other public projects were directly commissioned. Her initial large scale pieces were composed of interlocking patterns of glass mosaic and/or ceramic tiles, an extension of her earlier gallery art.

She began incorporating images from the cities' histories to make the works site specific. For instance, at the Suburban Station in Philadelphia, she substituted an image of William Penn for the Good Shepherd in an appropriation of the Byzantine Tomb of Galla Placidia in Ravenna.[15] Her public works were often collaborations, with input from the public, community boards, architects, and arts patrons.[16]

Kozloff created 16 public art projects,[15] including:

  • 1983 - Bay Area Victorian, Bay Area Deco, Bay Area Funk, at San Francisco Airport's International Terminal[3][17]
  • 1984 - an homage to Frank Furness at Wilmington Station in Delaware[3][18]
  • 1984 - Humboldt-Hospital Subway Station, Buffalo, New York.[1][19]
  • 1985 - New England Decorative Arts, her first public mural, at Harvard Square subway station in Cambridge.[1]
  • 1985 - One Penn Center, Suburban Train Station, her first completely mosaic work, in Philadelphia[1][15]
  • 1987 - "D" for Detroit, Financial District Station: Detroit People Mover elevated rail system, Michigan[1][20]
  • 1990 - Pasadena, the City of Roses, Plaza las Fuentes, Pasadena, California[21]
  • 1991 - Caribbean Festival Arts, Public School 218, New York City[22]
  • 1993 - The Movies: Fantasies and Spectacles, Los Angeles Metro’s 7th and Flower Station[3][23]
  • 1995 - Around the World on the 44th Parallel, Memorial Library, Mankato State University[24]
  • 1997 - Four cartographic representations based on ancient charts of the Chesapeake Bay area, Reagan National Airport, Washington, DC. It is a marble mosaic.[3][25]
  • 2001 - a floor piece for Chubu Cultural Center, Kurayoshi, Japan[26]
  • 2003 - Dreaming: The Passage of Time, United States Consulate, Istanbul, Turkey.[27]

She was interested in public art because it makes art accessible to everyone, and not just the public and private collectors.[1] She said she became disheartened after the 1990s political "culture wars", feeling she would have to censor her creative expression to create acceptable "safe art", and stopped vying for public art commissions.[24]

Artist's books edit

In the late 1980s she produced a series of 32 watercolors entitled Patterns of Desire—Pornament is Crime, published by Hudson Hills Press in 1990 with an introductory essay by Linda Nochlin. This book by a feminist artist juxtaposed the obsessive nature of both decoration and pornography in many traditions, to comic and revelatory effect.[28] A founding member of the New York activist group, Artists Against the War (2003), Kozloff has been increasingly preoccupied with that theme. In 2001, she began Boy's Art, a series of twenty-four drawings based on illustrations, diagrams, and maps depicting historic battles, over which she collaged copies of her son Nikolas’s childhood war drawings and details from old master paintings.[29] An oversized artist’s book of these works was published by D.A.P./Distributed Art Publishers in 2003 with an introductory essay by Robert Kushner. In 2010, Charta Books Ltd. published Kozloff’s third artist’s book, China is Near, which includes a conversation with Barbara Pollack. For this publication, the artist photographed the China most accessible to her, New York’s Chinatown, a few blocks from her home, as well as other Chinatowns within range. She copied old charts of the Silk Road and downloaded online maps of all the places in the world called China. It’s a bright, glossy mash-up of contemporary kitsch and historic commerce, a guide to the global highway.[30]

Map themes edit

 
15 of the Voyages masks

Kozloff has utilized mapping since the early 1990s as a structure for her long-time passions - history, geography, popular arts and culture. In Los Angeles Becoming Mexico City Becoming Los Angeles (1993) and Imperial Cities (1994) she painted cities she knew, overlaying images and patterns reflective of their colonial pasts. She subsequently examined bodies of water such as the Baltic Sea in Bodies of Water, the Mekong and Amazon Rivers in Mekong and memory and Calvino’s Cities on the Amazon (1995–1997). In her series Knowledge (1998–1999), consisting of 65 small (8 x 10") frescoes and six tabletop globes, she depicted the inaccuracies of maps from earlier times, particularly during the Age of Discovery, to reveal the arbitrary nature of what can be known.[31]

In 1999–2000, during Kozloff’s year-long fellowship at the American Academy in Rome, she executed Targets, a walk-in globe 9 feet (2.7 m) in diameter made of 24 gore-shaped sections. She painted an aerial map on the inside surface of each section to depict a site bombed by the United States military between the years 1945 and 2000.[32][33] Upon entering, the visitor is completely surrounded, and if he/she makes a sound there is an echo amplified by the enclosed space. Two multi-panel, 16-foot (4.9 m)-long works followed, each in the form of the flattened gores of a globe (2002): Spheres of Influence (Kozloff’s "terrestrial piece") and Dark and Light Continents (her "celestial piece").[34]

 
Voyages and Targets

For several years, Kozloff worked on a huge installation about the history of western colonialism, shown at Thetis in the Venice Arsenale (2006), Voyages + Targets. She painted islands across the world on 64 Venetian Carnival masks situated inside windows with light streaming through their eyes; hanging from the ceiling and along the brick walls, there were banners (Voyages: Carnevale, Voyages: Maui, and Voyages: Kaho’olawe) with maps of islands in the Pacific and jazzy carnival imagery as it has morphed around the planet. Beginning in 2006, Kozloff’s ongoing tondi (round paintings) began with Renaissance cosmological charts crisscrossed by the tracks of satellites in space,[35] an imaginary projection of future (star) wars (the days and hours and moments of our lives, Helium on the Moon, Revolver).[36]

"Descartes' Heart" is based on the heart-shaped map, Cosmographia universalis ab Orontio olin descripta, by Renaissance cartographer Giovanni Cimerlino (Verona, 1566). On the top is a totally wacky[clarification needed] map called Mechanical Universe by Descartes (1644). The tondi were followed by an 18-foot (5.5 m)-long triptych, The Middle East: Three Views (2010), a projection of the contested areas in that region during the Roman era, the Cold War, and currently. The maps, based on photographs taken by NASA’s Hubble Space Telescope, float in deep space among the stars, as if they had been dislodged from the earth.[citation needed]

In 2011-2012, Kozloff completed JEEZ, a 12’ x 12’ painting based on the Ebstorf map, a 13th - century circular mappa mundi. It depicted Biblical stories alongside pagan myths within a vision of the world as it was then known. Christ’s body served as a symbolic and literal frame. She drew upon a wide range of artistic practices, incorporating 125 images of Christ from worldwide sources. Archetypal figures accumulate, morphing from holy portraits into a rogue’s gallery of mismatched characters.[37] Its companion, The Tempest, was completed in 2014, a 10’ x 10’ work based on a Chinese 18th century world map, in which the Great Wall traverses the upper levels and turbulent seas surround the land mass. Applied to the surface, there are collaged excerpts from more than 40 years of her art, as well as 3D miniature globes.[37] These two playful pieces explore eastern and western systems for representing the world.

From 2013-2015, Kozloff united the patterns and maps by reinventing two 1977 artists’ books, If I Were a Botanist and If I Were an Astronomer: their pages were based on geometric Islamic star patterns. She expanded them to mural scale, layered with outtakes from earlier projects. Their dense, saturated color and joyful aura disguise the embedded political content, visible on closer inspection.[38] And then she discovered a cache of her childhood drawings at her parents’ home, created between ages 9–11, which brought her further back in time. She incorporated these drawings, many of which are cartographic, into paintings of early maps (Girlhood, 2017). From their different stages of life, the young girl and the adult woman began to shift back and forth from 1950s America to the present.[39]

In 2018, Kozloff began work on a General Services Administration commission for a new federal courthouse in Greenville, SC. There she saw Confederate flags waving in graveyards alongside monuments to the rebel leaders.[40] This triggered her Uncivil Wars series, 2020-2021, which incorporates US Civil War battle maps - created by officers and soldiers from both the Confederate and Union armies - to depict a history that is currently still contested. Viruses erupt throughout the maps, reflecting the pandemic that locked down state, national, and international borders - and symbolizing the viral racism and xenophobia that permeate our country.[40][41]

Awards and honors edit

Collections edit

Her art is in numerous museum collections, including:

Exhibitions edit

Kozloff has had group and solo exhibitions since 1970 in many US cities, including New York, Philadelphia, Boston, Los Angeles, Chicago, and Washington, DC[64][65][66][67] She had a traveling exhibition with her husband Max, "Crossed Purposes", that started in Youngstown, Ohio and traveled to eight other museums and university galleries in the US from 1998 to 2000.[66][68] International exhibitions include Italy, Germany, the Netherlands, Belgium, Argentina, and Denmark.[67]

Most recently, Kozloff's work has been included in several national and international museum exhibitions focusing on the Pattern and Decoration movement: With Pleasure: Pattern and Decoration in American Art 1972-1985, Museum of Contemporary Art, Los Angeles, CA (2019-2020); Less is a Bore: Maximalist Art & Design, Institute for Contemporary Art, Boston, MA (2019); Pattern and Decoration: Ornament as Promise, Ludwig Forum, Aachen, Germany, Museum Moderner Kunst Stiftung Vienna, Austria, and Ludwig Museum, Budapest, Hungary (2018-2019); Pattern, Decoration & Crime, MAMCO, Geneva, Switzerland, and Le Consortium, Dijon, France (2018-2019).

Kozloff is represented by DC Moore Gallery in New York City and has been exhibiting there since 1997.[66][69]

Publications edit

  • Joyce Kozloff. China Is Near. Interview by Barbara Pollack. Milano: Charta, 2010.
  • Joyce Kozloff. Boys' Art. Introduction by Robert Kushner. New York: Distributed Art Publishers, Inc., 2003.
  • Joyce Kozloff. Patterns of Desire. Introduction by Linda Nochlin. New York: Hudson Hills Press, 1990.
  • Joyce Kozloff and Zucker, Barbara. “The Women’s Movement: Still a ‘source of strength’ or ‘one big bore’?” ARTnews, April 1976, 48-50.
  • Joyce Kozloff. “Thoughts on My Art”. Name Book I. Chicago: Name Gallery, 1977, 63-68.
  • Joyce Kozloff. “An Ornamented Joke”. Artforum, December 1986.
  • Joyce Kozloff. “The Kudzu Effect (or the rise of a new academy)”. Public Art Review, Fall/Winter 1996, 41.
  • Joyce Kozloff. “Portals”. Public Art Dialogue. Abingdon, Oxon, UK: Taylor & Francis, 2014.

Further reading edit

Books and exhibition catalogs edit

  • Bender, Susan (2001). The world according to the newest and most exact observations : mapping art + science. Berry, Ian., Frances Young Tang Teaching Museum and Art Gallery. [Saratoga Springs, N.Y.]: Tang Teaching Museum and Art Gallery at Skidmore College. ISBN 0-9708790-1-6. OCLC 49039167.
  • Brodsky, Judith K.; Olin, Ferris (2006). How American women artists invented postmodernism, 1970-1975. New Brunswick, NJ: Margery Somers Foster Center, Mabel Smith Douglass Library. OCLC 85257667.
  • Broude, Norma; Gerrard, Mary D. (2007). Claiming space : some American feminist originators : November 6, 2007-January 27, 2008. Katzen American University Museum, College of Arts & Sciences. OCLC 608810428.
  • Burkard, Lene; Ohrt, Karsten (2001). Patterns : between object and arabesque = Mønstring : mellem arabesk og objekt. Kunsthallen Brandts Klædefabrik. Odense: Kunsthallen Brandts Klædefabrik. ISBN 87-7766-111-7. OCLC 61094423.
  • Butler, Cornelia H.; Mark, Lisa Gabrielle (2007). WACK! : art and the feminist revolution. Museum of Contemporary Art (Los Angeles, Calif.). Cambridge, Mass.: MIT Press. ISBN 978-0-914357-99-5. OCLC 73743482.
  • Castleman, Riva (1980). Printed art : a view of two decades. Castleman, Riva., Museum of Modern Art (New York, N.Y.). New York, N.Y.: Museum of Modern Art. ISBN 0-87070-531-8. OCLC 6446675.
  • Chadwick, Whitney (2020). Women, Art, and Society (6th ed.). Thames Hudson Ltd. ISBN 9780500204566. OCLC 1145290998.
  • Harmon, Katharine A., 1960- (2009). The map as art : contemporary artists explore cartography. Clemans, Gayle, 1968-. New York: Princeton Architectural Press. ISBN 978-1-56898-762-0. OCLC 234257201.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  • Harmon, Katharine A., 1960- (2010). You are here : personal geographies and other maps of the imagination. Princeton Architectural Press. ISBN 978-1-56898-430-8. OCLC 917790341.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  • Heartney, Eleanor (2001). Joyce Kozloff : Targets. DC Moore Gallery. OCLC 741994537.
  • Johnston, Patricia A., 1954- (1985). Joyce Kozloff, visionary ornament : Boston University Art Gallery, February 20-April 6, 1986. Herrera, Hayden., Gouma-Peterson, Thalia., Boston University. Art Gallery. Boston, Mass.: The Gallery. ISBN 0-87270-058-5. OCLC 12948044.{{cite book}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  • Kardon, Janet (1979). The decorative impulse. Mandeville Art Gallery. Minneapolis College of Art and Design. Philadelphia: Institute of Contemporary Art, University of Pennsylvania. ISBN 0-88454-051-0. OCLC 5457067.
  • Kardon, Janet (1980). Drawings, the pluralist decade, 39th Venice Biennale, 1980/United States Pavilion/1 June-30 September 1980. The Institute of Contemporary Art, University of Pennsylvania. ISBN 0-88454-054-5. OCLC 7070845.
  • Lippard, Lucy R. (2007). Joyce Kozloff : voyages. Kozloff, Joyce, D.C. Moore Gallery. New York. ISBN 978-0-9774965-7-0. OCLC 191736003.{{cite book}}: CS1 maint: location missing publisher (link)
  • Meyer, Ruth K. (1978). Arabesque : Joyce Kozloff, Robert Kushner, Kim MacConnel, Rodney Ripps, Barbara Schwartz, Ned Smyth. Cincinnati [OH]: Contemporary Arts Center. OCLC 920987144.
  • Munro, Eleanor C. (2006). Joyce Kozloff : exterior and interior cartographies. Regina Gouger Miller Gallery.; Kenyon College. Olin Library. Pittsburgh, PA. OCLC 170965343.{{cite book}}: CS1 maint: location missing publisher (link)
  • Pollack, Barbara (Barbara Ruth) (2010). Joyce Kozloff : China is near. Kozloff, Joyce. Milano: Charta. ISBN 978-88-8158-787-2. OCLC 630502978.
  • Reckitt, Helena; Phelan, Peggy (2001). Art and feminism. London: Phaidon. ISBN 0-7148-3529-3. OCLC 48098625.
  • Rosen, Randy; Brawer, Catherine Coleman (1989). Making their mark : women artists move into the mainstream, 1970-85. Cincinnati Art Museum. (1st ed.). New York: Abbeville Press. ISBN 0-89659-958-2. OCLC 18259773.
  • Roth, Moira (1998). Crossed purposes : Joyce & Max Kozloff. Youngstown: Butler Institute of American Art. OCLC 41320888.
  • White, Robin (1988). Joyce Kozloff. View. Oakland, Calif.: Point Publications. OCLC 10594589.

Articles, essays and reviews edit

  • Bastisch, Miriam. “Joyce Kozloff and the P&D Movement”, mused, April 10, 2013. http://www.mused-mosaik.de/en/2013/04/10/joyce-kozloff-2/
  • Breidenbach, Tom. "Joyce Kozloff", Artforum (March 2004).
  • Brown, Betty Ann, “All Over the Map, The Peripatetic Aesthetic of Joyce Kozloff”, Artillery Magazine, col.7 issue 3, January–February 2013.
  • Busch, Akiko. “Accessories of Destination: The Recent Work of Joyce Kozloff”, American Ceramics 21, 1, 1995, 26-31.
  • Castro, Jan. "Joyce Kozloff." Sculpture (September, 2001).
  • Cotter, Holland. "Scaling a Minimalist Wall With Bright, Shiny Colors", The New York Times, January 15, 2008.
  • Frankel, David. "Joyce Kozloff." Artforum (September 1999).
  • Goldin, Amy. “Pattern & Print”, The Print Collector’s Newsletter, March/April 1978, 10-13.
  • Hottle, Andrew D. “Nancy Princenthal and Phillip Earenfight, Joyce Kozloff: Co-Ordinates”, Aurora, The Journal of the History of Art, January 1, 2010.
  • Jaudon, Valerie and Joyce Kozloff. "Art Hysterical Notions of Progress and Culture", Heresies IV (Winter 1978).
  • Koplos, Janet. "Revisiting the Age of Discovery", Art in America (July 1999).
  • Kushner, Robert. "Underground Movies in L.A." Art in America (December 1994).
  • Molarsky, Mona. "Joyce Kozloff: DC Moore." ARTnews (December 2010).
  • Perreault, John. "Issues in Pattern Painting", Artforum 16 (November 1977).
  • Perrone, Jeff. "Approaching the Decorative", Artforum (December 1976).
  • Perrone, Jeff. "Joyce Kozloff", Artforum (November 1979).
  • Phelan, Peggy. "Crimes of Passion", Artforum 28 (May 1990).
  • Princenthal, Nancy. "Joyce Kozloff at DC Moore", Art in America (February 2004).
  • Rickey, Carrie. "Decoration, Ornament, Pattern and Utility: Four Tendencies in Search of a Movement", Flash Art 90–91 (June–July 1979).
  • Rickey, Carrie. "Joyce Kozloff", Arts (January 1978).
  • Riddle, Mason. "A Sense of Time, A Sense of Place", American Ceramics (Summer 1988).
  • Rubinstein, Rafael Meyer. “Patterns of Desire”, Arts, May 1991.
  • Sandler, Irving. “Modernism, Revisionism, Pluralism, and Post-Modernism”, Art Journal, Fall/Winter 1980.
  • Smith, Roberta. "Art in Review: Joyce Kozloff", The New York Times, March 19, 1999.
  • Webster, Sally. "Pattern and Decoration in the Public Eye", Art in America 75/2 (February 1987).

Interviews edit

  • Anon (2018). "Artist, Curator & Critic Interviews". !Women Art Revolution - Spotlight at Stanford. from the original on March 26, 2018. Retrieved August 23, 2018.
  • Braderman, Joan. The Heretics. Northampton, MA: No More Nice Girls Productions, 2009.
  • Freed, Hermine. Joyce Kozloff: Public Art Works. Hermine Freed Video Productions, New York, NY, 1996.
  • Goldberg, Vicki. Working Notes: An Interview with Joyce and Max Kozloff. Art Journal, Fall 2000, 96-103.
  • Hershman, Lynn Leeson. W.A.R. !Women Art Revolution: The (Formerly) Secret History, San Francisco, CA: Hotwire Productions, 2010.
  • Lin, Jia. Joyce Kozloff. Art World: Snacks. Shanghai, China: March 2011, 50-51.
  • Pollack, Barbara. Joyce Kozloff. Journal of Contemporary Art, Fall 1992, 29-35.
  • Reilly, Maura. Elizabeth A. For the exhibition Burning Down the House. on YouTube Sackler Center for Feminist Art, Brooklyn, NY, 2008.
  • Richards, Judith. “Oral History Interview with Joyce Kozloff, “ Archives of American Art, www.aaa.si.edu/, July 12–13, 2011.
  • Swartz, Anne. Pattern and Decoration: The Great Untold Story. The Savannah College of Art and Design, 1999.
  • Swartz, Anne. Otis presents Pioneers of the Feminist Art Movement: Joyce Kozloff. Los Angeles, CA: Ben Maltz Gallery, Otis College of Art andDesign, October, 2011. https://www.youtube.com/watch?v=W9hCObXWwyA&feature=feedwll&list=WL.
  • Sims, Patterson. Working on the Railroad, Whitney Museum of American Art, Stamford, CT, 1985.
  • Stein, Linda. “The Art Perspective Joyce Kozloff”, On The Issues, winter 2009, http://www.ontheissuesmagazine.com/2009winter/2009winter_art.php
  • Tschinkel, Paul. ART/New York, Tape No. 15 - New Public Art (Joyce Kozloff, Keith Haring, John Ahearn), ART/New York. Inner-Tube Video, New York, NY, 1983.
  • Wrest, Ronnie. "Joyce Kozloff" The Citrus Report, April 12, 2011.

References edit

  1. ^ a b c d e f g h i j k l m n o p q r s t u Meeker, Carlene. "Joyce Kozloff". Jewish Women's Archive. Retrieved January 16, 2014.
  2. ^ Moriuchi, Mey-Yen (2012). "Joyce Kozloff (American b. 1942)". The Female Gaze: Women Artists Making Their World. New York: Hudson Hills. p. 282. ISBN 978-1-55595-389-8.
  3. ^ a b c d e f g . American Association of University Women. August 28, 2013. Archived from the original on March 31, 2018. Retrieved January 16, 2014.
  4. ^ Wilding, Faith (1977). By Our Own Hands. Santa Monica, CA: Double X. p. 17.
  5. ^ Corinne Robins, The Pluralist Era: American Art, 1968-1981. New York: Harper & Row, 1984. p. 140.
  6. ^ Norma Broude and Mary D. Garrard, ed. (1994). The Power of Feminist Art. New York: Harry N. Abrams. p. 126.
  7. ^ Jaudon, Valerie (Winter 1977–1978), "Art Hysterical Notions of Progress and Culture." (PDF), Heresies #4, retrieved 2012-09-12
  8. ^ . Dead Revolutionaries Club. Archived from the original on 2014-05-17. Retrieved 2014-06-16.
  9. ^ Stiles, Kristine and Peter Selz (1996). Theories and Document of Contemporary Art: A Sourcebook of Artists' Writings. Berkeley and Los Angeles California: University of California Press. ISBN 0-520-20251-1. pp. 154–155
  10. ^ Anon 2018
  11. ^ http://www.joycekozloff.net and www.dcmoore.com
  12. ^ a b Nancy Princenthal; Phillip Earenfight. Joyce Kozloff: Co+ordinates. The Trout Gallery-Dickinson; 2008. ISBN 978-0-9768488-8-2. p. 30-34, 45- 46.
  13. ^ Delia Gaze. Concise Dictionary of Women Artists. Taylor & Francis; January 2001. ISBN 978-1-57958-335-4. p. 427.
  14. ^ Nancy Princenthal; Phillip Earenfight. Joyce Kozloff: Co+ordinates. The Trout Gallery-Dickinson; 2008. ISBN 978-0-9768488-8-2. p. 44.
  15. ^ a b c Nancy Princenthal; Phillip Earenfight. Joyce Kozloff: Co+ordinates. The Trout Gallery-Dickinson; 2008. ISBN 978-0-9768488-8-2. p. 48.
  16. ^ Nancy Princenthal; Phillip Earenfight. Joyce Kozloff: Co+ordinates. The Trout Gallery-Dickinson; 2008. ISBN 978-0-9768488-8-2. p. 32.
  17. ^ A Mosaic of Bay Area History. Art and Architecture - San Francisco. Retrieved January 17, 2014.
  18. ^ Anne Swartz. Pattern and Decoration: An Ideal Vision in American Art, 1975-1985. Hudson River Museum; 2007. ISBN 978-0-943651-35-4. p. 79.
  19. ^ Danto, Arthur Coleman (2001). The Madonna of the future: essays in a pluralistic art world. University of California Press. p. 45. ISBN 978-0-520-23002-6.
  20. ^ Financial District. 2014-04-05 at the Wayback Machine The Detroit People Mover. Retrieved January 17, 2014.
  21. ^ Joyce Kozloff biography. Public Art in L.A. Retrieved January 17, 2014.
  22. ^ Joyce Kozloff Lecture - June 16, 2010 . Los Angeles Events. Eventful. Retrieved January 17, 2014.
  23. ^ Gloria Gerace; Dennis Keeley; Margie J. Reese. Urban surprises: a guide to public art in Los Angeles. City of Los Angeles Cultural Affairs Dept.; 1 July 2002. ISBN 978-1-890449-14-8. p. 77.
  24. ^ a b Nancy Princenthal; Phillip Earenfight. Joyce Kozloff: Co+ordinates. The Trout Gallery-Dickinson; 2008. ISBN 978-0-9768488-8-2. p. 32–33.
  25. ^ Public Art Photo Gallery. Metropolitan Washington Airports Authority: Reagan National Airport. Retrieved January 17, 2014.
  26. ^ Nancy Princenthal; Phillip Earenfight. Joyce Kozloff: Co+ordinates. The Trout Gallery-Dickinson; 2008. ISBN 978-0-9768488-8-2. pp. 56, 129.
  27. ^ Joyce Kozloff: Dreaming the Passage of Time, I, II, III. US Department of State. Retrieved January 17, 2014.
  28. ^ Kozloff, Joyce. Patterns of Desire. Introduction by Linda Nochlin. New York: Hudson Hills Press, 1990.[better source needed]
  29. ^ Wood, Denis (2012). "Map Art: Stripping the Mask from the Map". Rethinking the Power of Maps. Guilford Press. pp. 189–190. ISBN 978-1-60623-708-3.
  30. ^ Pollack, Barbara (Barbara Ruth) (2010). Joyce Kozloff : China is near. Kozloff, Joyce. Milano: Charta. ISBN 978-88-8158-787-2. OCLC 630502978.
  31. ^ Smith, Roberta (March 19, 1999). "Art in Review - Joyce Kozloff". New York Times.
  32. ^ Castro, JG (2001). "Joyce Kozloff: D.C. Moore Gallery". Sculpture. 20 (7): 72–73.
  33. ^ Heartney, Eleanor (2001). Joyce Kozloff : Targets. DC Moore Gallery. OCLC 741994537.
  34. ^ Olch Richards, Judith (July 12–13, 2011). "Oral history interview with Joyce Kozloff". Smithsonian Archives of American Art. Retrieved November 28, 2023.
  35. ^ Decker, Elisa (2008). "Joyce Kozloff at DC Moore and Solo Impression". Art in America. 96 (5): 194.
  36. ^ Earenfight, Phillip; Princenthal, Nancy (2008). Co+Ordinates. Carlisle, Pennsylvania: Trout Gallery. pp. 42, 56–57.
  37. ^ a b Lovelace, Carey (2015). Joyce Kozloff: Maps and Patterns. New York: DC Moore Gallery.
  38. ^ Robbin, Tony (February 2017). "If I Were an Astronomer. If I Were a Botanist". Interalia Magazine. Retrieved November 16, 2023.
  39. ^ Hills, Patricia; Lyon, Christopher (2017). Joyce Kozloff: Girlhood. New York: DC Moore Gallery.
  40. ^ a b Pollack, Barbara (2021). The Battles Go On! A Conversation With Joyce Kozloff and Barbara Pollack. New York, New York: DC Moore Gallery.
  41. ^ Brock, Hovey. "Joyce Kozloff: Uncivil Wars". The Brooklyn Rail. Retrieved December 5, 2023.
  42. ^ "Joyce Kozloff". Brooklyn Museum. Retrieved December 5, 2023.
  43. ^ Joyce Kozloff. National Academy of Design. Retrieved January 17, 2014. Note: determined that she became part of the Academy in 2002 by the "NA 2002" after her name.
  44. ^ Carnegie Mellon Alumni Awards on October 28 Celebrate Centennial Year for College of Fine Arts Carnegie Mellon University. October 19, 2005. Retrieved January 17, 2014.
  45. ^ Women's Caucus for Art Honors MICA Graduate Faculty 2014-02-03 at the Wayback MachineMaren Hassinger, Joyce Kozloff for Lifetime Achievement. Maryland Institute College of Art. February 24, 2009. Retrieved January 17, 2014.
  46. ^ ArtTable Honors Influential Women in the Visual Arts. 2014-03-01 at the Wayback Machine Project Row Houses. Retrieved January 17, 2014.
  47. ^ "IDSVA Announces 2016 Honorary Degree Recipients". Institute for Doctoral Studies in the Visual Arts. 2016. Retrieved December 5, 2023.
  48. ^ "2017 Art Award Winners". American Academy of Arts and Letters. 2017. Retrieved December 5, 2023.
  49. ^ "Joyce Kozloff | Albright-Knox". www.albrightknox.org. Retrieved 2020-04-21.
  50. ^ "Brooklyn Museum". www.brooklynmuseum.org. Retrieved 2020-04-21.
  51. ^ Harvard. "Harvard Art Museums". www.harvardartmuseums.org. Retrieved 2020-04-21.
  52. ^ "Indianapolis Museum of Art Collection Search". collection.imamuseum.org. Retrieved 2020-04-21.
  53. ^ "The Jewish Museum". thejewishmuseum.org. Retrieved 2020-04-21.
  54. ^ "Joyce Kozloff | LACMA Collections". collections.lacma.org. Retrieved 2020-04-21.
  55. ^ "Joyce Kozloff". The Museum of Contemporary Art. Retrieved 2023-12-05.
  56. ^ "Joyce Kozloff". Pennsylvania Academy of the Fine Arts. Retrieved 2023-12-05.
  57. ^ "Joyce Kozloff". www.metmuseum.org. Retrieved 2020-04-21.
  58. ^ "Joyce Kozloff | MoMA". The Museum of Modern Art. Retrieved 2020-04-23.
  59. ^ "Joyce Kozloff – NA Database". Retrieved 2020-04-23.
  60. ^ "Collection Search Results". www.nga.gov. Retrieved 2020-04-23.
  61. ^ "The French Were Here (Quebec, Port-au-Prince, Fez) | Smithsonian American Art Museum". americanart.si.edu. Retrieved 2020-04-23.
  62. ^ "Joyce Kozloff". whitney.org. Retrieved 2020-04-23.
  63. ^ "Is It Still High Art? State IB | University Art Gallery". artgallery.yale.edu. Retrieved 2020-04-23.
  64. ^ Swartz, Anne (2007). Pattern and Decoration: An Ideal Vision in American Art, 1975-1985. Yonkers, N.Y.: Hudson River Museum. pp. 31–32, 77–83. ISBN 978-0-943651-35-4.
  65. ^ Renn, Melissa (2006). "Max Kozloff". Encyclopedia of Twentieth-century Photography. New York: Routledge. pp. 889–890. ISBN 978-0-415-97665-7.
  66. ^ a b c Glueck, Grace (December 5, 2003). "Art in Review: Joyce Kozloff - 'Boys' Art and Other Works'". The New York Times.
  67. ^ a b Nancy Princenthal; Phillip Earenfight. Joyce Kozloff: Co+ordinates. The Trout Gallery-Dickinson; 2008. ISBN 978-0-9768488-8-2. p. 114–119.
  68. ^ Roth, Moira (1998). Crossed purposes : Joyce & Max Kozloff. Youngstown: Butler Institute of American Art. OCLC 41320888.
  69. ^ "DC Moore Gallery artist page". Retrieved 1 February 2013.

External links edit

  • Joyce Kozloff's Website
  • DC Moore Gallery
  • Heresies Film Project
  • Women Art Revolution exhibit
  • DAP (Distributed Art Publishers)
  • Joyce Kozloff on Artsy

January 01, 1970
joyce, kozloff, born, 1942, american, artist, known, paintings, murals, public, installations, original, members, pattern, decoration, movement, early, artist, 1970s, feminist, movement, including, founding, member, heresies, collective, bornjoyce, blumberg, 1. Joyce Kozloff born 1942 is an American artist known for her paintings murals and public art installations She was one of the original members of the Pattern and Decoration movement and an early artist in the 1970s feminist art movement including as a founding member of the Heresies collective Joyce KozloffBornJoyce Blumberg 1942 12 14 December 14 1942 age 81 Somerville New JerseyAlma materCarnegie Mellon UniversityColumbia UniversityKnown forPaintingMovementPattern and DecorationFeminist art movementSpouseMax KozloffWebsitejoycekozloff wbr net She has been active in the women s and peace movements throughout her life Since the early 1990s her work has drawn extensively on cartography and patterns Contents 1 Personal life and education 2 Career 2 1 Feminist art movement 2 2 Pattern and Decoration 2 3 Public art 2 4 Artist s books 2 5 Map themes 3 Awards and honors 4 Collections 5 Exhibitions 6 Publications 7 Further reading 7 1 Books and exhibition catalogs 7 2 Articles essays and reviews 7 3 Interviews 8 References 9 External linksPersonal life and education editJoyce Blumberg was born to Adele Rosenberg and Leonard Blumberg on December 14 1942 in Somerville New Jersey Leonard born in New Jersey was an attorney Adele was active in community organizations Both of her parents families had emigrated from Lithuania She had two younger brothers 1 During the summer of 1959 she studied art at New York s Art Students League In the summer of 1962 she attended Rutgers University and the following summer she attended the Universita di Firenze In 1964 she earned a Bachelor of Fine Arts from the Carnegie Institute of Technology She then attended Columbia University and received a Masters of Fine Arts in 1967 1 2 She married Max Kozloff on July 2 1967 They have a son 1 Kozloff has lived primarily in New York since 1964 Career editFeminist art movement edit Main article Feminist art movement in the United States For us there weren t women in the galleries and museums so we formed our own galleries we curated our own exhibitions we formed our own publications we mentored one another we even formed schools for feminist art We examined the content of the history of art and we began to make different kinds of art forms based on our experiences as women So it was both social and something even beyond in our case it came back into our own studios 3 Joyce Kozloff She joined with other women in the arts in 1971 to form the Los Angeles Council of Women Artists a group that organized the first protests about the lack of women included in the Los Angeles County Museum of Art s exhibitions and collections 4 5 Upon returning to New York Kozloff continued to be active in the women artists movement She joined the Ad Hoc Committee of Women Artists and was a founding member of the Heresies Collective in 1975 which produced the quarterly magazine Heresies A Feminist Publication on Art and Politics 6 In the summer of 1973 Kozloff lived in Mexico She visited Morocco in 1975 and Turkey in 1978 During her visits she studied the countries decorative traditions and ornaments In the 1970s she observed that the decorative arts were the domain of women and non western artists and wrote that the hierarchy among the arts had privileged the production of European and American men fueling her position as a feminist and inspired her interest in pattern design 1 With Valerie Jaudon she co authored the widely anthologized Art Hysterical Notions of Progress and Culture 1978 in which they explained how they thought sexist and racist assumptions underlaid Western art history discourse They reasserted the value of ornamentation and aesthetic beauty qualities assigned to the feminine sphere 7 8 9 Kozloff was mentored and inspired by Miriam Schapiro Nancy Spero Ida Applebroog and May Stevens 3 She was interviewed for the film Women Art Revolution 10 Pattern and Decoration edit Main article Pattern and Decoration nbsp Three Portals pink triangle 11 nbsp An Interior Decorated Beginning in 1973 wishing to break down the western hierarchy between high art and decoration Kozloff created large paintings drawing upon worldwide patterns juxtaposing ornamental passages across an expansive field In 1975 she began to meet with artists Miriam Schapiro Tony Robbin Robert Zakanitch Robert Kushner Valerie Jaudon and others pursuing related ideas they formed the Pattern and Decoration movement 12 During the late 1970s she produced An Interior Decorated a travelling installation composed of hanging silkscreen textile panels hand painted glazed tile pilasters lithographs on Chinese silk paper and a tiled floor composed of thousands of individually executed images on interlocking stars and hexagons The project was redesigned for every space in which it was exhibited in 1979 and 1980 Just as her paintings had nonwestern origins for this installation she compiled a personal visual anthology of the decorative arts from dozens of sources including Caucasian kilims Iznik and Catalan tiles Seljuk brickwork and Native American pottery 1 12 13 Critic Carrie Rickey wrote that the installation was where painting meets architecture where art meets craft where personal commitment meets public art 1 nbsp Topkapi Pullman Public art edit Kozloff became interested in public art while studying under Robert Lepper at Carnegie Mellon He taught the Oakland Project in which students went out into the Oakland neighborhood and made art documenting the infrastructure buildings and people She said That was my initiation into public art into the world outside 14 One of her first works of public art a mural in the Harvard Square subway station in Cambridge was the result of a competition Most of her other public projects were directly commissioned Her initial large scale pieces were composed of interlocking patterns of glass mosaic and or ceramic tiles an extension of her earlier gallery art She began incorporating images from the cities histories to make the works site specific For instance at the Suburban Station in Philadelphia she substituted an image of William Penn for the Good Shepherd in an appropriation of the Byzantine Tomb of Galla Placidia in Ravenna 15 Her public works were often collaborations with input from the public community boards architects and arts patrons 16 Kozloff created 16 public art projects 15 including 1983 Bay Area Victorian Bay Area Deco Bay Area Funk at San Francisco Airport s International Terminal 3 17 1984 an homage to Frank Furness at Wilmington Station in Delaware 3 18 1984 Humboldt Hospital Subway Station Buffalo New York 1 19 1985 New England Decorative Arts her first public mural at Harvard Square subway station in Cambridge 1 1985 One Penn Center Suburban Train Station her first completely mosaic work in Philadelphia 1 15 1987 D for Detroit Financial District Station Detroit People Mover elevated rail system Michigan 1 20 1990 Pasadena the City of Roses Plaza las Fuentes Pasadena California 21 1991 Caribbean Festival Arts Public School 218 New York City 22 1993 The Movies Fantasies and Spectacles Los Angeles Metro s 7th and Flower Station 3 23 1995 Around the World on the 44th Parallel Memorial Library Mankato State University 24 1997 Four cartographic representations based on ancient charts of the Chesapeake Bay area Reagan National Airport Washington DC It is a marble mosaic 3 25 2001 a floor piece for Chubu Cultural Center Kurayoshi Japan 26 2003 Dreaming The Passage of Time United States Consulate Istanbul Turkey 27 She was interested in public art because it makes art accessible to everyone and not just the public and private collectors 1 She said she became disheartened after the 1990s political culture wars feeling she would have to censor her creative expression to create acceptable safe art and stopped vying for public art commissions 24 Artist s books edit In the late 1980s she produced a series of 32 watercolors entitled Patterns of Desire Pornament is Crime published by Hudson Hills Press in 1990 with an introductory essay by Linda Nochlin This book by a feminist artist juxtaposed the obsessive nature of both decoration and pornography in many traditions to comic and revelatory effect 28 A founding member of the New York activist group Artists Against the War 2003 Kozloff has been increasingly preoccupied with that theme In 2001 she began Boy s Art a series of twenty four drawings based on illustrations diagrams and maps depicting historic battles over which she collaged copies of her son Nikolas s childhood war drawings and details from old master paintings 29 An oversized artist s book of these works was published by D A P Distributed Art Publishers in 2003 with an introductory essay by Robert Kushner In 2010 Charta Books Ltd published Kozloff s third artist s book China is Near which includes a conversation with Barbara Pollack For this publication the artist photographed the China most accessible to her New York s Chinatown a few blocks from her home as well as other Chinatowns within range She copied old charts of the Silk Road and downloaded online maps of all the places in the world called China It s a bright glossy mash up of contemporary kitsch and historic commerce a guide to the global highway 30 Map themes edit nbsp 15 of the Voyages masks Kozloff has utilized mapping since the early 1990s as a structure for her long time passions history geography popular arts and culture In Los Angeles Becoming Mexico City Becoming Los Angeles 1993 and Imperial Cities 1994 she painted cities she knew overlaying images and patterns reflective of their colonial pasts She subsequently examined bodies of water such as the Baltic Sea in Bodies of Water the Mekong and Amazon Rivers in Mekong and memory and Calvino s Cities on the Amazon 1995 1997 In her series Knowledge 1998 1999 consisting of 65 small 8 x 10 frescoes and six tabletop globes she depicted the inaccuracies of maps from earlier times particularly during the Age of Discovery to reveal the arbitrary nature of what can be known 31 In 1999 2000 during Kozloff s year long fellowship at the American Academy in Rome she executed Targets a walk in globe 9 feet 2 7 m in diameter made of 24 gore shaped sections She painted an aerial map on the inside surface of each section to depict a site bombed by the United States military between the years 1945 and 2000 32 33 Upon entering the visitor is completely surrounded and if he she makes a sound there is an echo amplified by the enclosed space Two multi panel 16 foot 4 9 m long works followed each in the form of the flattened gores of a globe 2002 Spheres of Influence Kozloff s terrestrial piece and Dark and Light Continents her celestial piece 34 nbsp Voyages and TargetsFor several years Kozloff worked on a huge installation about the history of western colonialism shown at Thetis in the Venice Arsenale 2006 Voyages Targets She painted islands across the world on 64 Venetian Carnival masks situated inside windows with light streaming through their eyes hanging from the ceiling and along the brick walls there were banners Voyages Carnevale Voyages Maui and Voyages Kaho olawe with maps of islands in the Pacific and jazzy carnival imagery as it has morphed around the planet Beginning in 2006 Kozloff s ongoing tondi round paintings began with Renaissance cosmological charts crisscrossed by the tracks of satellites in space 35 an imaginary projection of future star wars the days and hours and moments of our lives Helium on the Moon Revolver 36 Descartes Heart is based on the heart shaped map Cosmographia universalis ab Orontio olin descripta by Renaissance cartographer Giovanni Cimerlino Verona 1566 On the top is a totally wacky clarification needed map called Mechanical Universe by Descartes 1644 The tondi were followed by an 18 foot 5 5 m long triptych The Middle East Three Views 2010 a projection of the contested areas in that region during the Roman era the Cold War and currently The maps based on photographs taken by NASA s Hubble Space Telescope float in deep space among the stars as if they had been dislodged from the earth citation needed In 2011 2012 Kozloff completed JEEZ a 12 x 12 painting based on the Ebstorf map a 13th century circular mappa mundi It depicted Biblical stories alongside pagan myths within a vision of the world as it was then known Christ s body served as a symbolic and literal frame She drew upon a wide range of artistic practices incorporating 125 images of Christ from worldwide sources Archetypal figures accumulate morphing from holy portraits into a rogue s gallery of mismatched characters 37 Its companion The Tempest was completed in 2014 a 10 x 10 work based on a Chinese 18th century world map in which the Great Wall traverses the upper levels and turbulent seas surround the land mass Applied to the surface there are collaged excerpts from more than 40 years of her art as well as 3D miniature globes 37 These two playful pieces explore eastern and western systems for representing the world From 2013 2015 Kozloff united the patterns and maps by reinventing two 1977 artists books If I Were a Botanist and If I Were an Astronomer their pages were based on geometric Islamic star patterns She expanded them to mural scale layered with outtakes from earlier projects Their dense saturated color and joyful aura disguise the embedded political content visible on closer inspection 38 And then she discovered a cache of her childhood drawings at her parents home created between ages 9 11 which brought her further back in time She incorporated these drawings many of which are cartographic into paintings of early maps Girlhood 2017 From their different stages of life the young girl and the adult woman began to shift back and forth from 1950s America to the present 39 In 2018 Kozloff began work on a General Services Administration commission for a new federal courthouse in Greenville SC There she saw Confederate flags waving in graveyards alongside monuments to the rebel leaders 40 This triggered her Uncivil Wars series 2020 2021 which incorporates US Civil War battle maps created by officers and soldiers from both the Confederate and Union armies to depict a history that is currently still contested Viruses erupt throughout the maps reflecting the pandemic that locked down state national and international borders and symbolizing the viral racism and xenophobia that permeate our country 40 41 Awards and honors edit1975 American Association of University Women s Selected Professions Fellowship 3 1977 National Endowment for the Arts Individual Artist grant in Painting 1 1985 National Endowment for the Arts Individual Artist grant in Drawings Prints and Artists Books 1 1992 Rockefeller Foundation Bellagio fellowship 1 1999 2000 Jules Guerin Rome Prize American Academy in Rome 42 2002 Elected into the National Academy of Design 43 2004 John Simon Guggenheim Memorial Foundation fellowship 1 2005 Alumni Award Carnegie Mellon University 44 2009 Lifetime Achievement Award from the Women s Caucus for Art 45 2011 ArtTable Artist Honor 46 2015 Honorary Doctorate Carnegie Mellon University Pittsburgh PA 2016 Honorary Doctorate Institute for Doctoral Studies in the Visual Arts Portland ME 47 2017 Purchase Prize American Academy of Arts and Letters 48 Collections editHer art is in numerous museum collections including Albright Knox Art Gallery Buffalo NY 49 Brooklyn Museum Brooklyn NY 50 Fogg Art Museum Harvard University Cambridge MA 51 Indianapolis Museum of Art Indianapolis IN 52 Jewish Museum New York NY 53 Library of Congress Washington DC 1 Los Angeles County Museum of Art Los Angeles CA 54 M H de Young Memorial Museum San Francisco CA Museum of Contemporary Art Los Angeles CA 55 Pennsylvania Academy of the Fine Arts Philadelphia PA 56 citation needed Metropolitan Museum of Art New York NY 1 57 MIT List Visual Arts Center Cambridge MA citation needed Museum of Fine Arts Santa Fe NM citation needed Museum of Modern Art New York NY 1 58 National Academy of Design NY 59 National Gallery of Art Washington DC 1 60 National Museum of Women in the Arts Washington DC 1 Ludwig Forum fur Internationale Kunst formerly Neue Galerie Sammlung Ludwig Aachen Germany New Jersey State Museum Trenton NJ Smithsonian American Art Museum Washington DC 61 Whitney Museum of American Art New York NY 62 Yale University Art Museum New Haven CT 1 63 Exhibitions editKozloff has had group and solo exhibitions since 1970 in many US cities including New York Philadelphia Boston Los Angeles Chicago and Washington DC 64 65 66 67 She had a traveling exhibition with her husband Max Crossed Purposes that started in Youngstown Ohio and traveled to eight other museums and university galleries in the US from 1998 to 2000 66 68 International exhibitions include Italy Germany the Netherlands Belgium Argentina and Denmark 67 Most recently Kozloff s work has been included in several national and international museum exhibitions focusing on the Pattern and Decoration movement With Pleasure Pattern and Decoration in American Art 1972 1985 Museum of Contemporary Art Los Angeles CA 2019 2020 Less is a Bore Maximalist Art amp Design Institute for Contemporary Art Boston MA 2019 Pattern and Decoration Ornament as Promise Ludwig Forum Aachen Germany Museum Moderner Kunst Stiftung Vienna Austria and Ludwig Museum Budapest Hungary 2018 2019 Pattern Decoration amp Crime MAMCO Geneva Switzerland and Le Consortium Dijon France 2018 2019 Kozloff is represented by DC Moore Gallery in New York City and has been exhibiting there since 1997 66 69 Publications editJoyce Kozloff China Is Near Interview by Barbara Pollack Milano Charta 2010 Joyce Kozloff Boys Art Introduction by Robert Kushner New York Distributed Art Publishers Inc 2003 Joyce Kozloff Patterns of Desire Introduction by Linda Nochlin New York Hudson Hills Press 1990 Joyce Kozloff and Zucker Barbara The Women s Movement Still a source of strength or one big bore ARTnews April 1976 48 50 Joyce Kozloff Thoughts on My Art Name Book I Chicago Name Gallery 1977 63 68 Joyce Kozloff An Ornamented Joke Artforum December 1986 Joyce Kozloff The Kudzu Effect or the rise of a new academy Public Art Review Fall Winter 1996 41 Joyce Kozloff Portals Public Art Dialogue Abingdon Oxon UK Taylor amp Francis 2014 Further reading editThis article lacks ISBNs for the books listed Please help add the ISBNs or run the citation bot April 2019 Books and exhibition catalogs edit Bender Susan 2001 The world according to the newest and most exact observations mapping art science Berry Ian Frances Young Tang Teaching Museum and Art Gallery Saratoga Springs N Y Tang Teaching Museum and Art Gallery at Skidmore College ISBN 0 9708790 1 6 OCLC 49039167 Brodsky Judith K Olin Ferris 2006 How American women artists invented postmodernism 1970 1975 New Brunswick NJ Margery Somers Foster Center Mabel Smith Douglass Library OCLC 85257667 Broude Norma Gerrard Mary D 2007 Claiming space some American feminist originators November 6 2007 January 27 2008 Katzen American University Museum College of Arts amp Sciences OCLC 608810428 Burkard Lene Ohrt Karsten 2001 Patterns between object and arabesque Monstring mellem arabesk og objekt Kunsthallen Brandts Klaedefabrik Odense Kunsthallen Brandts Klaedefabrik ISBN 87 7766 111 7 OCLC 61094423 Butler Cornelia H Mark Lisa Gabrielle 2007 WACK art and the feminist revolution Museum of Contemporary Art Los Angeles Calif Cambridge Mass MIT Press ISBN 978 0 914357 99 5 OCLC 73743482 Castleman Riva 1980 Printed art a view of two decades Castleman Riva Museum of Modern Art New York N Y New York N Y Museum of Modern Art ISBN 0 87070 531 8 OCLC 6446675 Chadwick Whitney 2020 Women Art and Society 6th ed Thames Hudson Ltd ISBN 9780500204566 OCLC 1145290998 Harmon Katharine A 1960 2009 The map as art contemporary artists explore cartography Clemans Gayle 1968 New York Princeton Architectural Press ISBN 978 1 56898 762 0 OCLC 234257201 a href Template Cite book html title Template Cite book cite book a CS1 maint multiple names authors list link CS1 maint numeric names authors list link Harmon Katharine A 1960 2010 You are here personal geographies and other maps of the imagination Princeton Architectural Press ISBN 978 1 56898 430 8 OCLC 917790341 a href Template Cite book html title Template Cite book cite book a CS1 maint multiple names authors list link CS1 maint numeric names authors list link Heartney Eleanor 2001 Joyce Kozloff Targets DC Moore Gallery OCLC 741994537 Johnston Patricia A 1954 1985 Joyce Kozloff visionary ornament Boston University Art Gallery February 20 April 6 1986 Herrera Hayden Gouma Peterson Thalia Boston University Art Gallery Boston Mass The Gallery ISBN 0 87270 058 5 OCLC 12948044 a href Template Cite book html title Template Cite book cite book a CS1 maint multiple names authors list link CS1 maint numeric names authors list link Kardon Janet 1979 The decorative impulse Mandeville Art Gallery Minneapolis College of Art and Design Philadelphia Institute of Contemporary Art University of Pennsylvania ISBN 0 88454 051 0 OCLC 5457067 Kardon Janet 1980 Drawings the pluralist decade 39th Venice Biennale 1980 United States Pavilion 1 June 30 September 1980 The Institute of Contemporary Art University of Pennsylvania ISBN 0 88454 054 5 OCLC 7070845 Lippard Lucy R 2007 Joyce Kozloff voyages Kozloff Joyce D C Moore Gallery New York ISBN 978 0 9774965 7 0 OCLC 191736003 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link Meyer Ruth K 1978 Arabesque Joyce Kozloff Robert Kushner Kim MacConnel Rodney Ripps Barbara Schwartz Ned Smyth Cincinnati OH Contemporary Arts Center OCLC 920987144 Munro Eleanor C 2006 Joyce Kozloff exterior and interior cartographies Regina Gouger Miller Gallery Kenyon College Olin Library Pittsburgh PA OCLC 170965343 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link Pollack Barbara Barbara Ruth 2010 Joyce Kozloff China is near Kozloff Joyce Milano Charta ISBN 978 88 8158 787 2 OCLC 630502978 Reckitt Helena Phelan Peggy 2001 Art and feminism London Phaidon ISBN 0 7148 3529 3 OCLC 48098625 Rosen Randy Brawer Catherine Coleman 1989 Making their mark women artists move into the mainstream 1970 85 Cincinnati Art Museum 1st ed New York Abbeville Press ISBN 0 89659 958 2 OCLC 18259773 Roth Moira 1998 Crossed purposes Joyce amp Max Kozloff Youngstown Butler Institute of American Art OCLC 41320888 White Robin 1988 Joyce Kozloff View Oakland Calif Point Publications OCLC 10594589 Articles essays and reviews edit Bastisch Miriam Joyce Kozloff and the P amp D Movement mused April 10 2013 http www mused mosaik de en 2013 04 10 joyce kozloff 2 Breidenbach Tom Joyce Kozloff Artforum March 2004 Brown Betty Ann All Over the Map The Peripatetic Aesthetic of Joyce Kozloff Artillery Magazine col 7 issue 3 January February 2013 Busch Akiko Accessories of Destination The Recent Work of Joyce Kozloff American Ceramics 21 1 1995 26 31 Castro Jan Joyce Kozloff Sculpture September 2001 Cotter Holland Scaling a Minimalist Wall With Bright Shiny Colors The New York Times January 15 2008 Frankel David Joyce Kozloff Artforum September 1999 Goldin Amy Pattern amp Print The Print Collector s Newsletter March April 1978 10 13 Hottle Andrew D Nancy Princenthal and Phillip Earenfight Joyce Kozloff Co Ordinates Aurora The Journal of the History of Art January 1 2010 Jaudon Valerie and Joyce Kozloff Art Hysterical Notions of Progress and Culture Heresies IV Winter 1978 Koplos Janet Revisiting the Age of Discovery Art in America July 1999 Kushner Robert Underground Movies in L A Art in America December 1994 Molarsky Mona Joyce Kozloff DC Moore ARTnews December 2010 Perreault John Issues in Pattern Painting Artforum16 November 1977 Perrone Jeff Approaching the Decorative Artforum December 1976 Perrone Jeff Joyce Kozloff Artforum November 1979 Phelan Peggy Crimes of Passion Artforum 28 May 1990 Princenthal Nancy Joyce Kozloff at DC Moore Art in America February 2004 Rickey Carrie Decoration Ornament Pattern and Utility Four Tendencies in Search of a Movement Flash Art 90 91 June July 1979 Rickey Carrie Joyce Kozloff Arts January 1978 Riddle Mason A Sense of Time A Sense of Place American Ceramics Summer 1988 Rubinstein Rafael Meyer Patterns of Desire Arts May 1991 Sandler Irving Modernism Revisionism Pluralism and Post Modernism Art Journal Fall Winter 1980 Smith Roberta Art in Review Joyce Kozloff The New York Times March 19 1999 Webster Sally Pattern and Decoration in the Public Eye Art in America 75 2 February 1987 Interviews edit Anon 2018 Artist Curator amp Critic Interviews Women Art Revolution Spotlight at Stanford Archived from the original on March 26 2018 Retrieved August 23 2018 Braderman Joan The Heretics Northampton MA No More Nice Girls Productions 2009 Freed Hermine Joyce Kozloff Public Art Works Hermine Freed Video Productions New York NY 1996 Goldberg Vicki Working Notes An Interview with Joyce and Max Kozloff Art Journal Fall 2000 96 103 Hershman Lynn Leeson W A R Women Art Revolution The Formerly Secret History San Francisco CA Hotwire Productions 2010 Lin Jia Joyce Kozloff Art World Snacks Shanghai China March 2011 50 51 Pollack Barbara Joyce Kozloff Journal of Contemporary Art Fall 1992 29 35 Reilly Maura Elizabeth A For the exhibition Burning Down the House on YouTube Sackler Center for Feminist Art Brooklyn NY 2008 Richards Judith Oral History Interview with Joyce Kozloff Archives of American Art www aaa si edu July 12 13 2011 Swartz Anne Pattern and Decoration The Great Untold Story The Savannah College of Art and Design 1999 Swartz Anne Otis presents Pioneers of the Feminist Art Movement Joyce Kozloff Los Angeles CA Ben Maltz Gallery Otis College of Art andDesign October 2011 https www youtube com watch v W9hCObXWwyA amp feature feedwll amp list WL Sims Patterson Working on the Railroad Whitney Museum of American Art Stamford CT 1985 Stein Linda The Art Perspective Joyce Kozloff On The Issues winter 2009 http www ontheissuesmagazine com 2009winter 2009winter art php Tschinkel Paul ART New York Tape No 15 New Public Art Joyce Kozloff Keith Haring John Ahearn ART New York Inner Tube Video New York NY 1983 Wrest Ronnie Joyce Kozloff The Citrus Report April 12 2011 References edit a b c d e f g h i j k l m n o p q r s t u Meeker Carlene Joyce Kozloff Jewish Women s Archive Retrieved January 16 2014 Moriuchi Mey Yen 2012 Joyce Kozloff American b 1942 The Female Gaze Women Artists Making Their World New York Hudson Hills p 282 ISBN 978 1 55595 389 8 a b c d e f g Where Fine Art Meets Craft The Accessible Works of Joyce Kozloff American Association of University Women August 28 2013 Archived from the original on March 31 2018 Retrieved January 16 2014 Wilding Faith 1977 By Our Own Hands Santa Monica CA Double X p 17 Corinne Robins The Pluralist Era American Art 1968 1981 New York Harper amp Row 1984 p 140 Norma Broude and Mary D Garrard ed 1994 The Power of Feminist Art New York Harry N Abrams p 126 Jaudon Valerie Winter 1977 1978 Art Hysterical Notions of Progress and Culture PDF Heresies 4 retrieved 2012 09 12 Valerie Jaudon and Joyce Kozloff Art Hysterical Notions of Progress and Culture 1978 Dead Revolutionaries Club Archived from the original on 2014 05 17 Retrieved 2014 06 16 Stiles Kristine and Peter Selz 1996 Theories and Document of Contemporary Art A Sourcebook of Artists Writings Berkeley and Los Angeles California University of California Press ISBN 0 520 20251 1 pp 154 155 Anon 2018 http www joycekozloff net and www dcmoore com a b Nancy Princenthal Phillip Earenfight Joyce Kozloff Co ordinates The Trout Gallery Dickinson 2008 ISBN 978 0 9768488 8 2 p 30 34 45 46 Delia Gaze Concise Dictionary of Women Artists Taylor amp Francis January 2001 ISBN 978 1 57958 335 4 p 427 Nancy Princenthal Phillip Earenfight Joyce Kozloff Co ordinates The Trout Gallery Dickinson 2008 ISBN 978 0 9768488 8 2 p 44 a b c Nancy Princenthal Phillip Earenfight Joyce Kozloff Co ordinates The Trout Gallery Dickinson 2008 ISBN 978 0 9768488 8 2 p 48 Nancy Princenthal Phillip Earenfight Joyce Kozloff Co ordinates The Trout Gallery Dickinson 2008 ISBN 978 0 9768488 8 2 p 32 A Mosaic of Bay Area History Art and Architecture San Francisco Retrieved January 17 2014 Anne Swartz Pattern and Decoration An Ideal Vision in American Art 1975 1985 Hudson River Museum 2007 ISBN 978 0 943651 35 4 p 79 Danto Arthur Coleman 2001 The Madonna of the future essays in a pluralistic art world University of California Press p 45 ISBN 978 0 520 23002 6 Financial District Archived 2014 04 05 at the Wayback Machine The Detroit People Mover Retrieved January 17 2014 Joyce Kozloff biography Public Art in L A Retrieved January 17 2014 Joyce Kozloff Lecture June 16 2010 Los Angeles Events Eventful Retrieved January 17 2014 Gloria Gerace Dennis Keeley Margie J Reese Urban surprises a guide to public art in Los Angeles City of Los Angeles Cultural Affairs Dept 1 July 2002 ISBN 978 1 890449 14 8 p 77 a b Nancy Princenthal Phillip Earenfight Joyce Kozloff Co ordinates The Trout Gallery Dickinson 2008 ISBN 978 0 9768488 8 2 p 32 33 Public Art Photo Gallery Metropolitan Washington Airports Authority Reagan National Airport Retrieved January 17 2014 Nancy Princenthal Phillip Earenfight Joyce Kozloff Co ordinates The Trout Gallery Dickinson 2008 ISBN 978 0 9768488 8 2 pp 56 129 Joyce Kozloff Dreaming the Passage of Time I II III US Department of State Retrieved January 17 2014 Kozloff Joyce Patterns of Desire Introduction by Linda Nochlin New York Hudson Hills Press 1990 better source needed Wood Denis 2012 Map Art Stripping the Mask from the Map Rethinking the Power of Maps Guilford Press pp 189 190 ISBN 978 1 60623 708 3 Pollack Barbara Barbara Ruth 2010 Joyce Kozloff China is near Kozloff Joyce Milano Charta ISBN 978 88 8158 787 2 OCLC 630502978 Smith Roberta March 19 1999 Art in Review Joyce Kozloff New York Times Castro JG 2001 Joyce Kozloff D C Moore Gallery Sculpture 20 7 72 73 Heartney Eleanor 2001 Joyce Kozloff Targets DC Moore Gallery OCLC 741994537 Olch Richards Judith July 12 13 2011 Oral history interview with Joyce Kozloff Smithsonian Archives of American Art Retrieved November 28 2023 Decker Elisa 2008 Joyce Kozloff at DC Moore and Solo Impression Art in America 96 5 194 Earenfight Phillip Princenthal Nancy 2008 Co Ordinates Carlisle Pennsylvania Trout Gallery pp 42 56 57 a b Lovelace Carey 2015 Joyce Kozloff Maps and Patterns New York DC Moore Gallery Robbin Tony February 2017 If I Were an Astronomer If I Were a Botanist Interalia Magazine Retrieved November 16 2023 Hills Patricia Lyon Christopher 2017 Joyce Kozloff Girlhood New York DC Moore Gallery a b Pollack Barbara 2021 The Battles Go On A Conversation With Joyce Kozloff and Barbara Pollack New York New York DC Moore Gallery Brock Hovey Joyce Kozloff Uncivil Wars The Brooklyn Rail Retrieved December 5 2023 Joyce Kozloff Brooklyn Museum Retrieved December 5 2023 Joyce Kozloff National Academy of Design Retrieved January 17 2014 Note determined that she became part of the Academy in 2002 by the NA 2002 after her name Carnegie Mellon Alumni Awards on October 28 Celebrate Centennial Year for College of Fine Arts Carnegie Mellon University October 19 2005 Retrieved January 17 2014 Women s Caucus for Art Honors MICA Graduate Faculty Archived 2014 02 03 at the Wayback MachineMaren Hassinger Joyce Kozloff for Lifetime Achievement Maryland Institute College of Art February 24 2009 Retrieved January 17 2014 ArtTable Honors Influential Women in the Visual Arts Archived 2014 03 01 at the Wayback Machine Project Row Houses Retrieved January 17 2014 IDSVA Announces 2016 Honorary Degree Recipients Institute for Doctoral Studies in the Visual Arts 2016 Retrieved December 5 2023 2017 Art Award Winners American Academy of Arts and Letters 2017 Retrieved December 5 2023 Joyce Kozloff Albright Knox www albrightknox org Retrieved 2020 04 21 Brooklyn Museum www brooklynmuseum org Retrieved 2020 04 21 Harvard Harvard Art Museums www harvardartmuseums org Retrieved 2020 04 21 Indianapolis Museum of Art Collection Search collection imamuseum org Retrieved 2020 04 21 The Jewish Museum thejewishmuseum org Retrieved 2020 04 21 Joyce Kozloff LACMA Collections collections lacma org Retrieved 2020 04 21 Joyce Kozloff The Museum of Contemporary Art Retrieved 2023 12 05 Joyce Kozloff Pennsylvania Academy of the Fine Arts Retrieved 2023 12 05 Joyce Kozloff www metmuseum org Retrieved 2020 04 21 Joyce Kozloff MoMA The Museum of Modern Art Retrieved 2020 04 23 Joyce Kozloff NA Database Retrieved 2020 04 23 Collection Search Results www nga gov Retrieved 2020 04 23 The French Were Here Quebec Port au Prince Fez Smithsonian American Art Museum americanart si edu Retrieved 2020 04 23 Joyce Kozloff whitney org Retrieved 2020 04 23 Is It Still High Art State IB University Art Gallery artgallery yale edu Retrieved 2020 04 23 Swartz Anne 2007 Pattern and Decoration An Ideal Vision in American Art 1975 1985 Yonkers N Y Hudson River Museum pp 31 32 77 83 ISBN 978 0 943651 35 4 Renn Melissa 2006 Max Kozloff Encyclopedia of Twentieth century Photography New York Routledge pp 889 890 ISBN 978 0 415 97665 7 a b c Glueck Grace December 5 2003 Art in Review Joyce Kozloff Boys Art and Other Works The New York Times a b Nancy Princenthal Phillip Earenfight Joyce Kozloff Co ordinates The Trout Gallery Dickinson 2008 ISBN 978 0 9768488 8 2 p 114 119 Roth Moira 1998 Crossed purposes Joyce amp Max Kozloff Youngstown Butler Institute of American Art OCLC 41320888 DC Moore Gallery artist page Retrieved 1 February 2013 External links editJoyce Kozloff s Website DC Moore Gallery Heresies Film Project Women Art Revolution exhibit DAP Distributed Art Publishers Joyce Kozloff on Artsy Retrieved from https en wikipedia org w index php title Joyce Kozloff amp oldid 1218047163, wikipedia, wiki, book, books, library,

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