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Jan Olsson (film scholar)

January 01, 1970

Jan Olsson (born 1952 in Helsingborg)[1] is a Swedish film scholar, professor of cinema studies and former head of department at Stockholm University.[2] He has been a visiting professor at the University of Southern California,[3] UCLA, Northwestern University, Utrecht University and the City University of Hong Kong.[4] Olsson is the founding editor of John Libbey's book series Stockholm Studies in Cinema, and the founding editor of the scholarly journal Aura Film Studies Journal. Along his trajectory of archival research, he has found copies of two previously lost early films, Buster Keaton's The Cook and Fatty Arbuckle's A Reckless Romeo.[5][6][7] He currently leads the research project “From Business Commodities to Revered Cultural Heritage: Global Media, Vernacular Strategies, and Cultural Negotiations,” funded by a grant from Vetenskapsrådet (the Swedish Research Council).[8] He is also responsible editor of Acta Universitatis Stockholmiensis' cinema studies series—distributed by Stockholm University library.

Professor Olsson has published widely on various aspects of film and media studies, including the changes brought by the DVD.[9] He has argued for the formation of a new media archive in Sweden.[10] His primary research interests are historical reception and emerging media in cross-cultural perspectives, including early American and Swedish cinema and media.[2] In addition to numerous articles, many for the journal Film History, his books include Svensk spelfilm under andra världskriget (1979), Från filmljud till ljudfilm (1986), Sensationer från en bakgård (1988), Nordic Explorations (co-edited with John Fullerton, 1999), Allegories of Communication (co-edited with John Fullerton, 2004), Television after TV (co-edited with Lynn Spigel, 2004), Media, Popular Culture, and the American Century (co-edited with Kingsley Bolton, 2010), Los Angeles Before Hollywood: Journalism and American Film Culture, 1905 to 1915 (2008) and Hitchcock à la Carte (2015). He is the co-editor of Corporeality in Early Film: Viscera, Skin, and Physical Form (2018).[11]

In a recent talk at the Unit of Criticism and Interpretive Theory, University of Illinois, he presented this project in which he argued that like the culinary practices and standards set in his personal kitchen, Hitchcock's cinema required the same kind of preparation and the perfect blend of ingredients. Through this combination of food art and cinema, Hitchcock created his iconic, international persona using a bizarre and untraditional connection with his sense of taste and love of the kitchen. Hitchcock's underrepresented television career-of particular interest to Olsson-played a crucial part in developing Hitchcock's public persona. It was television, he argued, that truly shaped Hitchcock into a global figure.[12]

Together with Richard Abel, they have extensively promoted the use of newspapers in the research of early cinema, raising awareness about the benefits of digitizing the material for researchers to access worldwide. He argued that Audiovisual Archives has to open up to the Academic Research, educational purposes and public access.[13] He proposed another framework for understanding film cultural change, according to which this process is driven by the rational negotiating of film culture's overall cultural position. This framework is inspired by cultural studies in general and Raymond Williams in particular, suggesting that early film culture can be culturally mapped—internally and in relation to the overall culture—by using Williams's categories of the “emergent,” the “residual,” and the “dominant.”[14]

Jan Olsson took an active part by giving the keynote speech in the FIAT/IFTA local seminar in Santiago de Chile, Chile in 1998, lecturing about the importance of preservation of movies and the academic studies of the movies. He stressed how access to audiovisual archives is necessary to enable students to study the old films.[15] In his continuous strive to create awareness of the importance of archival material as cultural heritage, professor Olsson was responsible for the 2001 series of film historical documentaries I tuppens tecken [In the name of the Rooster] - based on a world unique collection of very early Pathé fiction films hold in the SVT archives.[16]

[..]Of course we haven´t ever been unaware of the quality of our historical collections. It has been of great importance for the programme production in general, since we acquired the footage in the late sixties. But a few years ago, Professor Jan Olsson of the Stockholm University Department of Cinema Studies contacted me on a special matter. He was anxious to get the permission to show a number of our very early Pathé fiction films - as celluloid films - at a seminar for his colleagues from all over the world at the Swedish National Archive. It was Professor Olsson and his colleagues that made us aware of that a great number of our Pathé films were absolutely world unique, either as the only remaining copies or as copies more complete and in better condition than anywhere else known in the film literature. Here started the development of a close cooperation between the SVT and the University in fund raising for making the pre-broadcast material and catalogue more accessible to the academic public and of course in the end - the programme production. I believe in the dialectics of everyday life. Through letting the scholars into the archives, besides it resulting in a mutual exchange of information about the material, it also created new ideas for programming based on the material.[16] (Lasse Nilsson, SVT)

Awards and nominations edit

(2006) Allegories of Communication: Intermedia Concerns from Cinema to the Digital - nominated as book of the month by the Resource Centre of Cyberculture Studies at University of San Francisco.
(2002) Finalist and special commendation for the Kraszna- Krausz Moving Image Book Award. Awarded for Nordic Explorations: Film Before 1930
(1998) Belle Van Zuylen Honorary Professor at University of Utrecht
(1998) Robin Hood Medal for outstanding research in film history. Awarded for From Film Sound to Sound film

Bibliography edit

  • Svensk spelfilm under andra världskriget. Stockholm: LiberLäromedel, 1979. ISBN 9789140302656. (in Swedish)
  • Från filmljud till ljudfilm: samtida experiment med odödlig teater, sjungande bilder och Edisons kinetophon 1903–1914. Stockholm: Proprius, 1986. ISBN 9789171185389. (in Swedish)
  • Sensationer från en bakgård: Frans Lundberg som biografägare och filmproducent i Malmö och Köpenhamn. Stockholm: Symposion, 1988. ISBN 9789178680931.
  • Nordic Explorations: Film Before 1930, co-edited with John Fullerton. Stockholm Studies in Cinema. London: John Libbey, 1999. ISBN 9781864620559.
  • Allegories of Communication: Intermedial Concerns from Cinema to the Digital, co-edited with John Fullerton. London: John Libbey, 2004. ISBN 9780861966516.[17]
  • Television after TV: Essays on a Medium in Transition, co-edited with Lynn Spigel. Console-ing passions. Durham: Duke UP, 2004. ISBN 9780822333838.[18][19][20]
  • Los Angeles Before Hollywood: Journalism and American Film Culture 1905–1915. Mediehistoriskt arkiv 10. Stockholm: National Library of Sweden, 2008. ISBN 9789188468062.[21][22][23][24]
  • Hitchcock à la carte, Duham: Duke University Press, 2015. ISBN 978-0822358046[25]

Articles and chapter in edited volumes edit

  • "Pressing Matters: Media Crusades before the Nickelodeons." In: Film History. An International Journal, ISSN 0892-2160, E-ISSN 1553-3905, Vol. 27, no 2, 105–139.
  • "Filmaffärer: sicksackande anteckningar kring några Frank Heller-adaptioner." In: Frank Heller och filmen / [ed] Göran Wessberg, Lund: Pelotard Press, 2014, 41–58.
  • "Stiller at first: A footnote." In: Journal of Scandinavian Cinema, ISSN 2042-7891, Vol. 4, no 1, 5–13.
  • "National Soul/Cosmopolitan Skin: Swedish Cinema at a Crossroads." In: Silent Cinema and the Politics of Space / [ed] Jennifer Bean et al., Bloomington: Indiana UP: Indiana University Press, 2014, 245–269.
  • "World War II and Scandinavian cinema: An overview." In: Journal of Scandinavian Cinema, Vol. 2, no 3, 201–212.
  • "Screen Bodies and Busybodies: Corporeal Constellations in the Era of Anonymity." In: Film History. An International Journal, ISSN 0892-2160, E-ISSN 1553-3905, Vol. 25, no 1–2, 188–204.
  • "‘Asta’s ink: The Stockholm letters." In: Journal of Scandinavian Cinema, ISSN 2042-7891, Vol. 2, no 1, 5–11.
  • "Modernity Stops at Nothing: The American Chase Film and the Specter of Lynching." In: A Companion to Early Cinema / [ed] André Gaudreault, Nicolas Dulac, Santiago Hidalgo, Malden, Mass.: Wiley-Blackwell, 2012, 257–276.
  • "Mediated America: Americana as Hollywoodiana." In: Media, popular culture, and the American century / [ed] Kingsley Bolton and Jan Olsson, London: John Libbey, 2010, 7-33.
  • "Klostret i Sendomir." In: Le Giornate del Cinema Muro, 2011 / [ed] La Cineteca del Friuli, Pordenone: Le Giornate del Cinema Muto, 2011, 131–133.
  • "Alfred Hitchcock, théoricien de la télévision." In: Télévision: le moment expérimental / [ed] Gilles Delavaud & Denis Maréchal, Rennes: Éditions Apogée, 2011, 536–548.
  • ""Italian Marionettes Meet Cinematic Modernity." In: Media, Popular Culture, and the American Century / [ed] Kingsley Bolton och Jan Olsson, Stockholm/London: Kungliga biblioteket/John Libbey Publishing, 2010, 35–61.
  • "Rediscoveries and Restorations: Karusellen." In: Le Giornate del Cinema Muto XXIX edizione, 29th Pordenone Silent Film festival, Pordenone: Associazone Culturale "Le Giornate del Cinema Muto" , 2010, 98-100
  • "Nils Krok’s Social Pathos and Paul Garbagni’s Style: Ingeborg Holm as Objekt Lesson." In: Film History. An International Journal, ISSN 0892-2160, E-ISSN 1553-3905, Vol. 22, no 1, 73–94.
  • "Negotiating Peripheral Feature Market:Malmo–Copenhagen–Berlin/Kristianstad–Stockholm–Paris." In: Domitor 2008: Les Cinémas périphériques dans la période des premier temps/Peripheral Early Cinema / [ed] François Amy de la Bretèque, Michel Cadé, Jordi Pons i Busquet, Angel Quintana, Perpignan: Presses Universitaires de Perpignan, 2010, 1, 131–142.
  • "The Canon Revisited: Gunnar Hedes saga." In: Le Giornate del Cinema Muto XXVIII edizione/28th Pordenone Silent Film festival, Pordenone: Associazone Culturale "Le Giornate del Cinema Muto" , 2009, 98–100.
  • "Filmvisning på utrygg grunn – tilfellet Arthur S. Hyman." In: Veier Tilbake. Filmhistoriske perspektiver, Høyskoleforlaget, Kristiansand, 2009, 182–201.
  • "Lek." In: Film och andra rörliga bilder - en introduktion, Raster Förlag, Stockholm, 2008, 88–104.
  • “ ‘Dear Miss Gagner!’ – A Star and Her Methods,” In: Stellar Encounters: Stardom in Popular European Cinema, John Libbey Publishing, London, 2008, 217-229.
  • “Terror à la Fox: Tid, rum och teknologi.” In: Mediernas kulturhistoria, SLBA, Stockholm, 2008, 223–245.
  • “Microbes, Animals, and Humans: THE ESCAPE and the Politics of Undesirable Breeding.” In: The D.W. Griffith Project Volume 12, British Film Institute, London/Palgrave Macmillan, 2008, 69–82.
  • “Calling the Shots: Communications, Transportation and Motion Picture Technologies.” In: Le cinématographe, nouvelle technologie du 20e siècle / The Cinema, A New Technology for the 20th Century, Lausanne: Editions Payot, 2004, 273–281.
  • ”Pressing Inroads: Metaspectators and the Nickelodeon Culture.” In: Screen Culture: History and Textuality, Eastleigh: John Libbey Publishing, 2004, 113–135.
  • “Trading Places: Griffith, Patten and Agricultural Modernity.” In: Film History, Vol. 17, no 1, 39–65.
  • “A Remarkably Versatile Dane”: Authorship, Style, and Trickality in Benjamin Christensen's Blind Justice." In: North-West Passage, Vol. 3, no -, 9-24.
  • "Framing Silent Calls: Coming to Cinematographic Terms with Telephony." In: Allegories of Communication. Intermedial Concerns from Cinema to the Digital, Rome: John Libbey, 2004, 157–192.
  • “Postmodern High Noon: 24 and the Shifting Landscape of Television.” In: Shifting Landscapes: Media and Film in European Context, Newcastle: Cambridge Scholars Publishing, 2008, 262–286.
  • ”Sound Aspirations: The Two Dimensions of Synchronicity.” In: Le son en perspective: nouvelles recherches/New Perspectives in Sound Study, Bruxelles, P.I. E,-Peter Lang, 2004, 2004, 99–114.
  • “Quel film non esiste.” In: Per Dreyer: Incarnazione del Cinema, Milan: Il Castoro, 2004, 126–137.
  • "Två Människor/Two People." In: The Cinema of Scandinavia, London: Wallflower Press, 2005, 79–88.
  • "One Commercial Week." In: Television After TV: Essays on a Medium in Transition, Durham and London: Duke University Press, 2004, 249–269.
  • "Hitchcock à la Carte: Menus, Marketing and the Macabre." In: Casting a Shadow: Creating the Alfred Hitchcock Film, Evanston: Northwestern University Press, 2007, 62–77; 81.

References edit

  1. ^ Prof.dr. J. Olsson (1952 - ) at Catalogus Professorum Academiæ Rheno-Traiectinæ.
  2. ^ a b "Stockholm University - Olsson, Jan (Cinema Studies (Department of Media Studies))". Su.avedas.com. Retrieved 2013-04-11.
  3. ^ "School of Cinematic Arts Directory Profile - USC School of Cinematic Arts". Cinema.usc.edu. Retrieved 2013-04-11.
  4. ^ . More.ppld.org:8080. Archived from the original on 2011-06-21. Retrieved 2013-04-11.
  5. ^ Berglund, Bo (1999). "À la recherche des films perdus: A Substantial Find of Early Danish Cinema". In Fullerton, John; Olsson, Jan (eds.). Nordic Explorations: Film Before 1930. Stockholm Studies in Cinema. London: Libbey. p. 64. ISBN 9781864620559.
  6. ^ "The Cook And Other Treasures". TV Guide. Retrieved 2013-04-23.
  7. ^ Eliot Tobias, Patricia. "The Cook". Busterkeaton.com. Retrieved 2013-04-11.
  8. ^ "Joel Frykholm". Institutionen för mediestudie, Stockholm University.
  9. ^ Arvidsson, Henrik (2003-08-22). "Dvd-film slår ut video". Dagens Nyheter (in Swedish).
  10. ^ Sjöstrand, Johan (2008-04-22). "Filmvetare vill samla statens arkiv". Svenska Dagbladet (in Swedish).
  11. ^ "Jan Olsson - Institutionen för mediestudier". Ims.su.se. Retrieved 2013-04-11.
  12. ^ "Jan Olsson: "Hitchcock á la carte". Guest Writer: Julie McCormick Weng". unitcrit.blogspot.se. March 13, 2013.
  13. ^ Nilsson, Lasse. (PDF). multidoc.rediris.es. Archived from the original (PDF) on 25 April 2006.
  14. ^ Joel Frykholm, Framing the Feature Film Multi-Reel Feature Film and American Film Culture in the 1910s, (Stockholm: Acta Universitatis Stockholmensis, 2009), 23
  15. ^ "FIAT/IFTA -FIAT/IFTA No 2 2001 - AV Heritage". Archived from the original on 2013-07-03. Retrieved 2013-05-26.
  16. ^ a b [1][permanent dead link]
  17. ^ Grigar, Dene (2005-09-22). "Allegories of Communication: Intermedial Concerns from Cinema to the Digital (Book review)". Post Script. ( at Highbeam)
  18. ^ Lever, Susan (December 2005). "Television After TV: Essays on a Medium in Transition edited by Lynn Spigel and Jan Olsson". Australasian Journal of American Studies. 24 (2): 112–14. JSTOR 41053994.
  19. ^ Rossman, Gabriel (March 2006). "Television After TV: Essays on a Medium in Transition edited by Lynn Spigel and Jan Olsson (review)". Contemporary Sociology. 35 (2): 150–51. doi:10.1177/009430610603500228. JSTOR 30045747. S2CID 143304545.
  20. ^ Chopra-Gant, Mike (August 2006). "Lynn Spigel and Jan Olsson (eds.) Television after TV: Essays on a Medium in Transition". Journal of American Studies. 40 (2): 453–54. doi:10.1017/s0021875806641807. JSTOR 27557843. S2CID 145501247.
  21. ^ Keeler, Amanda R. (2010-01-01). "Los Angeles Before Hollywood: Journalism and American Film Culture (review)". Nineteenth Century Theatre and Film. (online at Highbeam)
  22. ^ Shipka, Danny (2010-04-01). . Journalism History. 36 (1): 58. Archived from the original on 2016-03-03. (limited access; at Highbeam)
  23. ^ Barbas, Samantha (June 2010). "Los Angeles Before Hollywood: Journalism and American Film Culture 1905 to 1915 by Jan Olsson". The Journal of American History. 97 (1): 212–13. doi:10.2307/jahist/97.1.212. JSTOR 40662906.
  24. ^ Kahan, Paul (Summer 2011). "Los Angeles Before Hollywood: Journalism and American Film Culture 1905 to 1915 by Jan Olsson". Southern California Quarterly. 93 (2): 251–52. doi:10.2307/41172579. JSTOR 41172579.
  25. ^ Christopher Silvester, "HITCHCOCK À LA CARTE", The Times Literary Supplement, 7 August 2015, 21.

January 01, 1970
olsson, film, scholar, olsson, born, 1952, helsingborg, swedish, film, scholar, professor, cinema, studies, former, head, department, stockholm, university, been, visiting, professor, university, southern, california, ucla, northwestern, university, utrecht, u. Jan Olsson born 1952 in Helsingborg 1 is a Swedish film scholar professor of cinema studies and former head of department at Stockholm University 2 He has been a visiting professor at the University of Southern California 3 UCLA Northwestern University Utrecht University and the City University of Hong Kong 4 Olsson is the founding editor of John Libbey s book series Stockholm Studies in Cinema and the founding editor of the scholarly journal Aura Film Studies Journal Along his trajectory of archival research he has found copies of two previously lost early films Buster Keaton s The Cook and Fatty Arbuckle s A Reckless Romeo 5 6 7 He currently leads the research project From Business Commodities to Revered Cultural Heritage Global Media Vernacular Strategies and Cultural Negotiations funded by a grant from Vetenskapsradet the Swedish Research Council 8 He is also responsible editor of Acta Universitatis Stockholmiensis cinema studies series distributed by Stockholm University library Professor Olsson has published widely on various aspects of film and media studies including the changes brought by the DVD 9 He has argued for the formation of a new media archive in Sweden 10 His primary research interests are historical reception and emerging media in cross cultural perspectives including early American and Swedish cinema and media 2 In addition to numerous articles many for the journal Film History his books include Svensk spelfilm under andra varldskriget 1979 Fran filmljud till ljudfilm 1986 Sensationer fran en bakgard 1988 Nordic Explorations co edited with John Fullerton 1999 Allegories of Communication co edited with John Fullerton 2004 Television after TV co edited with Lynn Spigel 2004 Media Popular Culture and the American Century co edited with Kingsley Bolton 2010 Los Angeles Before Hollywood Journalism and American Film Culture 1905 to 1915 2008 and Hitchcock a la Carte 2015 He is the co editor of Corporeality in Early Film Viscera Skin and Physical Form 2018 11 In a recent talk at the Unit of Criticism and Interpretive Theory University of Illinois he presented this project in which he argued that like the culinary practices and standards set in his personal kitchen Hitchcock s cinema required the same kind of preparation and the perfect blend of ingredients Through this combination of food art and cinema Hitchcock created his iconic international persona using a bizarre and untraditional connection with his sense of taste and love of the kitchen Hitchcock s underrepresented television career of particular interest to Olsson played a crucial part in developing Hitchcock s public persona It was television he argued that truly shaped Hitchcock into a global figure 12 Together with Richard Abel they have extensively promoted the use of newspapers in the research of early cinema raising awareness about the benefits of digitizing the material for researchers to access worldwide He argued that Audiovisual Archives has to open up to the Academic Research educational purposes and public access 13 He proposed another framework for understanding film cultural change according to which this process is driven by the rational negotiating of film culture s overall cultural position This framework is inspired by cultural studies in general and Raymond Williams in particular suggesting that early film culture can be culturally mapped internally and in relation to the overall culture by using Williams s categories of the emergent the residual and the dominant 14 Jan Olsson took an active part by giving the keynote speech in the FIAT IFTA local seminar in Santiago de Chile Chile in 1998 lecturing about the importance of preservation of movies and the academic studies of the movies He stressed how access to audiovisual archives is necessary to enable students to study the old films 15 In his continuous strive to create awareness of the importance of archival material as cultural heritage professor Olsson was responsible for the 2001 series of film historical documentaries I tuppens tecken In the name of the Rooster based on a world unique collection of very early Pathe fiction films hold in the SVT archives 16 Of course we haven t ever been unaware of the quality of our historical collections It has been of great importance for the programme production in general since we acquired the footage in the late sixties But a few years ago Professor Jan Olsson of the Stockholm University Department of Cinema Studies contacted me on a special matter He was anxious to get the permission to show a number of our very early Pathe fiction films as celluloid films at a seminar for his colleagues from all over the world at the Swedish National Archive It was Professor Olsson and his colleagues that made us aware of that a great number of our Pathe films were absolutely world unique either as the only remaining copies or as copies more complete and in better condition than anywhere else known in the film literature Here started the development of a close cooperation between the SVT and the University in fund raising for making the pre broadcast material and catalogue more accessible to the academic public and of course in the end the programme production I believe in the dialectics of everyday life Through letting the scholars into the archives besides it resulting in a mutual exchange of information about the material it also created new ideas for programming based on the material 16 Lasse Nilsson SVT Contents 1 Awards and nominations 2 Bibliography 3 Articles and chapter in edited volumes 4 ReferencesAwards and nominations edit 2006 Allegories of Communication Intermedia Concerns from Cinema to the Digital nominated as book of the month by the Resource Centre of Cyberculture Studies at University of San Francisco 2002 Finalist and special commendation for the Kraszna Krausz Moving Image Book Award Awarded for Nordic Explorations Film Before 1930 1998 Belle Van Zuylen Honorary Professor at University of Utrecht 1998 Robin Hood Medal for outstanding research in film history Awarded for From Film Sound to Sound filmBibliography editSvensk spelfilm under andra varldskriget Stockholm LiberLaromedel 1979 ISBN 9789140302656 in Swedish Fran filmljud till ljudfilm samtida experiment med ododlig teater sjungande bilder och Edisons kinetophon 1903 1914 Stockholm Proprius 1986 ISBN 9789171185389 in Swedish Sensationer fran en bakgard Frans Lundberg som biografagare och filmproducent i Malmo och Kopenhamn Stockholm Symposion 1988 ISBN 9789178680931 Nordic Explorations Film Before 1930 co edited with John Fullerton Stockholm Studies in Cinema London John Libbey 1999 ISBN 9781864620559 Allegories of Communication Intermedial Concerns from Cinema to the Digital co edited with John Fullerton London John Libbey 2004 ISBN 9780861966516 17 Television after TV Essays on a Medium in Transition co edited with Lynn Spigel Console ing passions Durham Duke UP 2004 ISBN 9780822333838 18 19 20 Los Angeles Before Hollywood Journalism and American Film Culture 1905 1915 Mediehistoriskt arkiv 10 Stockholm National Library of Sweden 2008 ISBN 9789188468062 21 22 23 24 Hitchcock a la carte Duham Duke University Press 2015 ISBN 978 0822358046 25 Articles and chapter in edited volumes edit Pressing Matters Media Crusades before the Nickelodeons In Film History An International Journal ISSN 0892 2160 E ISSN 1553 3905 Vol 27 no 2 105 139 Filmaffarer sicksackande anteckningar kring nagra Frank Heller adaptioner In Frank Heller och filmen ed Goran Wessberg Lund Pelotard Press 2014 41 58 Stiller at first A footnote In Journal of Scandinavian Cinema ISSN 2042 7891 Vol 4 no 1 5 13 National Soul Cosmopolitan Skin Swedish Cinema at a Crossroads In Silent Cinema and the Politics of Space ed Jennifer Bean et al Bloomington Indiana UP Indiana University Press 2014 245 269 World War II and Scandinavian cinema An overview In Journal of Scandinavian Cinema Vol 2 no 3 201 212 Screen Bodies and Busybodies Corporeal Constellations in the Era of Anonymity In Film History An International Journal ISSN 0892 2160 E ISSN 1553 3905 Vol 25 no 1 2 188 204 Asta s ink The Stockholm letters In Journal of Scandinavian Cinema ISSN 2042 7891 Vol 2 no 1 5 11 Modernity Stops at Nothing The American Chase Film and the Specter of Lynching In A Companion to Early Cinema ed Andre Gaudreault Nicolas Dulac Santiago Hidalgo Malden Mass Wiley Blackwell 2012 257 276 Mediated America Americana as Hollywoodiana In Media popular culture and the American century ed Kingsley Bolton and Jan Olsson London John Libbey 2010 7 33 Klostret i Sendomir In Le Giornate del Cinema Muro 2011 ed La Cineteca del Friuli Pordenone Le Giornate del Cinema Muto 2011 131 133 Alfred Hitchcock theoricien de la television In Television le moment experimental ed Gilles Delavaud amp Denis Marechal Rennes Editions Apogee 2011 536 548 Italian Marionettes Meet Cinematic Modernity In Media Popular Culture and the American Century ed Kingsley Bolton och Jan Olsson Stockholm London Kungliga biblioteket John Libbey Publishing 2010 35 61 Rediscoveries and Restorations Karusellen In Le Giornate del Cinema Muto XXIX edizione 29th Pordenone Silent Film festival Pordenone Associazone Culturale Le Giornate del Cinema Muto 2010 98 100 Nils Krok s Social Pathos and Paul Garbagni s Style Ingeborg Holm as Objekt Lesson In Film History An International Journal ISSN 0892 2160 E ISSN 1553 3905 Vol 22 no 1 73 94 Negotiating Peripheral Feature Market Malmo Copenhagen Berlin Kristianstad Stockholm Paris In Domitor 2008 Les Cinemas peripheriques dans la periode des premier temps Peripheral Early Cinema ed Francois Amy de la Breteque Michel Cade Jordi Pons i Busquet Angel Quintana Perpignan Presses Universitaires de Perpignan 2010 1 131 142 The Canon Revisited Gunnar Hedes saga In Le Giornate del Cinema Muto XXVIII edizione 28th Pordenone Silent Film festival Pordenone Associazone Culturale Le Giornate del Cinema Muto 2009 98 100 Filmvisning pa utrygg grunn tilfellet Arthur S Hyman In Veier Tilbake Filmhistoriske perspektiver Hoyskoleforlaget Kristiansand 2009 182 201 Lek In Film och andra rorliga bilder en introduktion Raster Forlag Stockholm 2008 88 104 Dear Miss Gagner A Star and Her Methods In Stellar Encounters Stardom in Popular European Cinema John Libbey Publishing London 2008 217 229 Terror a la Fox Tid rum och teknologi In Mediernas kulturhistoria SLBA Stockholm 2008 223 245 Microbes Animals and Humans THE ESCAPE and the Politics of Undesirable Breeding In The D W Griffith Project Volume 12 British Film Institute London Palgrave Macmillan 2008 69 82 Calling the Shots Communications Transportation and Motion Picture Technologies In Le cinematographe nouvelle technologie du 20e siecle The Cinema A New Technology for the 20th Century Lausanne Editions Payot 2004 273 281 Pressing Inroads Metaspectators and the Nickelodeon Culture In Screen Culture History and Textuality Eastleigh John Libbey Publishing 2004 113 135 Trading Places Griffith Patten and Agricultural Modernity In Film History Vol 17 no 1 39 65 A Remarkably Versatile Dane Authorship Style and Trickality in Benjamin Christensen s Blind Justice In North West Passage Vol 3 no 9 24 Framing Silent Calls Coming to Cinematographic Terms with Telephony In Allegories of Communication Intermedial Concerns from Cinema to the Digital Rome John Libbey 2004 157 192 Postmodern High Noon 24 and the Shifting Landscape of Television In Shifting Landscapes Media and Film in European Context Newcastle Cambridge Scholars Publishing 2008 262 286 Sound Aspirations The Two Dimensions of Synchronicity In Le son en perspective nouvelles recherches New Perspectives in Sound Study Bruxelles P I E Peter Lang 2004 2004 99 114 Quel film non esiste In Per Dreyer Incarnazione del Cinema Milan Il Castoro 2004 126 137 Tva Manniskor Two People In The Cinema of Scandinavia London Wallflower Press 2005 79 88 One Commercial Week In Television After TV Essays on a Medium in Transition Durham and London Duke University Press 2004 249 269 Hitchcock a la Carte Menus Marketing and the Macabre In Casting a Shadow Creating the Alfred Hitchcock Film Evanston Northwestern University Press 2007 62 77 81 References edit Prof dr J Olsson 1952 at Catalogus Professorum Academiae Rheno Traiectinae a b Stockholm University Olsson Jan Cinema Studies Department of Media Studies Su avedas com Retrieved 2013 04 11 School of Cinematic Arts Directory Profile USC School of Cinematic Arts Cinema usc edu Retrieved 2013 04 11 The 2011 Pikes Peak Regional History Symposium More ppld org 8080 Archived from the original on 2011 06 21 Retrieved 2013 04 11 Berglund Bo 1999 A la recherche des films perdus A Substantial Find of Early Danish Cinema In Fullerton John Olsson Jan eds Nordic Explorations Film Before 1930 Stockholm Studies in Cinema London Libbey p 64 ISBN 9781864620559 The Cook And Other Treasures TV Guide Retrieved 2013 04 23 Eliot Tobias Patricia The Cook Busterkeaton com Retrieved 2013 04 11 Joel Frykholm Institutionen for mediestudie Stockholm University Arvidsson Henrik 2003 08 22 Dvd film slar ut video Dagens Nyheter in Swedish Sjostrand Johan 2008 04 22 Filmvetare vill samla statens arkiv Svenska Dagbladet in Swedish Jan Olsson Institutionen for mediestudier Ims su se Retrieved 2013 04 11 Jan Olsson Hitchcock a la carte Guest Writer Julie McCormick Weng unitcrit blogspot se March 13 2013 Nilsson Lasse In the sign of the Rooster Archive Programming by Audiovisual Archives PDF multidoc rediris es Archived from the original PDF on 25 April 2006 Joel Frykholm Framing the Feature Film Multi Reel Feature Film and American Film Culture in the 1910s Stockholm Acta Universitatis Stockholmensis 2009 23 FIAT IFTA FIAT IFTA No 2 2001 AV Heritage Archived from the original on 2013 07 03 Retrieved 2013 05 26 a b 1 permanent dead link Grigar Dene 2005 09 22 Allegories of Communication Intermedial Concerns from Cinema to the Digital Book review Post Script online at Highbeam Lever Susan December 2005 Television After TV Essays on a Medium in Transition edited by Lynn Spigel and Jan Olsson Australasian Journal of American Studies 24 2 112 14 JSTOR 41053994 Rossman Gabriel March 2006 Television After TV Essays on a Medium in Transition edited by Lynn Spigel and Jan Olsson review Contemporary Sociology 35 2 150 51 doi 10 1177 009430610603500228 JSTOR 30045747 S2CID 143304545 Chopra Gant Mike August 2006 Lynn Spigel and Jan Olsson eds Television after TV Essays on a Medium in Transition Journal of American Studies 40 2 453 54 doi 10 1017 s0021875806641807 JSTOR 27557843 S2CID 145501247 Keeler Amanda R 2010 01 01 Los Angeles Before Hollywood Journalism and American Film Culture review Nineteenth Century Theatre and Film online at Highbeam Shipka Danny 2010 04 01 Los Angeles Before Hollywood Journalism and American Film Culture 1905 1915 Journalism History 36 1 58 Archived from the original on 2016 03 03 limited access online at Highbeam Barbas Samantha June 2010 Los Angeles Before Hollywood Journalism and American Film Culture 1905 to 1915 by Jan Olsson The Journal of American History 97 1 212 13 doi 10 2307 jahist 97 1 212 JSTOR 40662906 Kahan Paul Summer 2011 Los Angeles Before Hollywood Journalism and American Film Culture 1905 to 1915 by Jan Olsson Southern California Quarterly 93 2 251 52 doi 10 2307 41172579 JSTOR 41172579 Christopher Silvester HITCHCOCK A LA CARTE The Times Literary Supplement 7 August 2015 21 Retrieved from https en wikipedia org w index php title Jan Olsson film scholar amp oldid 1184392809, wikipedia, wiki, book, books, library,

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