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George Bellows

October 21, 2023

George Wesley Bellows (August 12[1][2] or August 19,[3][4][5] 1882 – January 8, 1925) was an American realist painter, known for his bold depictions of urban life in New York City. He became, according to the Columbus Museum of Art, "the most acclaimed American artist of his generation".[6]

George Bellows
Born
George Wesley Bellows

August 12, or August 19, 1882
Columbus, Ohio, U.S.
DiedJanuary 8, 1925(1925-01-08) (aged 42)
New York City, New York, U.S.
NationalityAmerican
EducationRobert Henri
Known forPainting
MovementAshcan School
The Eight
American realism

Youth Edit

George Wesley[7] Bellows was born and raised in Columbus, Ohio.[8] He was the only child of George Bellows and Anna Wilhelmina Smith Bellows (he had a half-sister, Laura, 18 years his senior). He was born four years after his parents married, at the ages of fifty (George) and forty (Anna).[9] His mother was the daughter of a whaling captain based in Sag Harbor, Long Island, and his family returned there for their summer vacations.[9][10] He began drawing well before kindergarten, and his elementary–school teachers often asked him to decorate their classroom blackboards at Thanksgiving and Christmas.[10]

At age 10, George took to athletics, and trained to be a baseball and basketball player. He became good enough at both sports to play semipro ball for years afterward.[10] During his senior year, a baseball scout from the Indianapolis team made him an offer. He declined, opting to enroll at The Ohio State University (1901–1904). There he played for the baseball and basketball teams, and provided illustrations for the Makio, the school's student yearbook. He was encouraged to become a professional baseball player,[11] and he worked as a commercial illustrator while a student and continued to accept magazine assignments throughout his life. Despite these opportunities in athletics and commercial art, Bellows desired success as a painter, although his parents didn't encourage it.[12][13] He left Ohio State in 1904, just before he was to graduate, and moved to New York City to study art.[11]

Bellows was soon a student of Robert Henri, who at the time was teaching at the New York School of Art. While studying there, Bellows became associated with Henri's "The Eight" and the Ashcan School, a group of artists who advocated painting contemporary American society in all its forms.[11] By 1906, Bellows and fellow art student Edward Keefe had set up a studio at 1947 Broadway.[14]

New York Edit

 
Cliff Dwellers, (1913), Los Angeles County Museum of Art

Bellows first achieved widespread notice in 1908, when he and other pupils of Henri organized an exhibition of mostly urban studies. While many critics considered these to be crudely painted, others found them welcomely audacious, a step beyond the work of his teacher. Bellows taught at the Art Students League of New York in 1909, although he was more interested in pursuing a career as a painter. His fame grew as he contributed to other nationally recognized juried shows.

Bellows' urban New York scenes depicted the crudity and chaos of working-class people and neighborhoods, and satirized the upper classes. From 1907 through 1915, he executed a series of paintings depicting New York City under snowfall. In these paintings Bellows developed his strong sense of light and visual texture,[15] exhibiting a stark contrast between the blue and white expanses of snow and the rough and grimy surfaces of city structures, and creating an aesthetically ironic image of the equally rough and grimy men struggling to clear away the nuisance of the pure snow. However, Bellows' series of paintings portraying amateur boxing matches were arguably his signature contribution to art history.[11] They are characterized by dark atmospheres, through which the bright, roughly lain brushstrokes of the human figures vividly strike with a strong sense of motion and direction.

Social and political themes Edit

 
A 1920 portrait painting of Waldo Peirce by George Bellows, on display at the de Young Museum in San Francisco
 
Blessed are the Peacemakers (1917), The Masses

Growing prestige as a painter brought changes in his life and work. Though he continued his earlier themes, Bellows also began to receive portrait commissions, as well as social invitations, from New York's wealthy elite. Additionally, he followed Henri's lead and began to summer in Maine, painting seascapes on Monhegan and Matinicus islands.

At the same time, the always socially conscious Bellows also associated with a group of radical artists and activists called "the Lyrical Left", who tended towards anarchism in their extreme advocacy of individual rights. He taught at the first Modern School in New York City (as did his mentor, Henri), and served on the editorial board of the socialist journal The Masses, to which he contributed many drawings and prints beginning in 1911. However, he was often at odds with other contributors due to his belief that artistic freedom should trump any ideological editorial policy. Bellows also dissented from this circle in his very public support of U.S. intervention in World War I. In 1918, he created a series of lithographs and paintings that graphically depicted atrocities which the Allies said had been committed by Germany during its invasion of Belgium. Notable among these was The Germans Arrive, which gruesomely illustrated a German soldier restraining a Belgian teen whose hands had just been severed. However, his work was also highly critical of the domestic censorship and persecution of antiwar dissenters conducted by the U.S. government under the Espionage Act.

He was also criticized for some of the liberties he took in capturing scenes of war. The artist Joseph Pennell argued that because Bellows had not witnessed the events he painted firsthand, he had no right to paint them. Bellows responded that he had not been aware that Leonardo da Vinci "had a ticket to paint the Last Supper".[16]

Later life Edit

 
Dempsey and Firpo (1924), Whitney Museum of American Art

As Bellows' later oils focused more on domestic life, with his wife and daughters as beloved subjects, the paintings also displayed an increasingly programmatic and theoretical approach to color and design, a marked departure from the fluid muscularity of the early work.

One of Bellows' central subjects was the sea, and he painted over 250 scenes of it during the course of his career. The Fisherman (1917), a significant late canvas focusing on the topic that he made while visiting Carmel, California, is in the collection of the Amon Carter Museum of American Art.[17]

In addition to painting, Bellows made significant contributions to lithography, helping to expand the use of the medium as a fine art in the U.S. He installed a lithography press in his studio in 1916, and between 1921 and 1924 he collaborated with master printer Bolton Brown on more than a hundred images. The Amon Carter Museum of American Art holds one of the largest collections of Bellows' lithographs, a set of 220 prints acquired from the artist's estate in 1985.[18] There are also large collections of his lithographs at the Boston Public Library and the Cleveland Museum of Art.[18]

Bellows also illustrated numerous books in his later career, including several by H.G. Wells.

Bellows taught at the Art Institute of Chicago in 1919. In 1920, he began to spend nearly half of each year in Woodstock, New York, where he built a home for his family.[19] He died on January 8, 1925, in New York City, of peritonitis, after failing to tend to a ruptured appendix.[20] He was survived by his wife, Emma Story Bellows (married 1910), and daughters Anne and Jean. Bellows is buried at Green-Wood Cemetery in Brooklyn.

Paintings and prints by George Bellows are in the collections of many major and regional American art museums, including the Art Museum of Southeast Texas in Beaumont, Texas, the National Gallery of Art in Washington, D.C., the Memorial Art Gallery of the University of Rochester, Rochester, New York, and the Whitney and the Museum of Modern Art in New York, and The Hyde Collection, in Glens Falls, New York. The Columbus Museum of Art in Bellows' hometown also has a sizeable collection of both his portraits and New York street scenes. The White House acquired his 1919 painting Three Children in 2007, and it is now displayed in the Green Room.

The Whitney Museum of American Art published a biography of Bellows by fellow artist George William Eggers as part of the American Artists Series. In 1992 it mounted an extensive exhibition of his art (the exhibition was a joint venture with the Los Angeles County Museum of Art).[10]

The Archives and Special Collections at Amherst College holds his papers.

Posthumous sales and exhibitions Edit

 
Men of the Docks, 1912

His work was part of the painting event in the art competition at the 1932 Summer Olympics.[21]

In December 1999, Polo Crowd, a 1910 painting, sold for U.S.$27.5 million to billionaire Bill Gates.[22] In November 2008, Bellows' Men of the Docks, a 1912 painting of the Brooklyn docks spanning the East River and depicting the Manhattan skyline in the background, was to be auctioned at Christie's in New York. It was expected to set the record for an American painting sold at auction with an estimate of $25–35 million.[23] The painting's sale however was a source of controversy at Randolph College because it was the first masterpiece purchased for the Maier Museum of Art by students and locals who raised $2,500 to purchase it in 1920.[24] Due to a series of lawsuits and the deflated art market, the painting remained unsold[25] until 2014 when it became the first major American painting to be purchased by the British National Gallery in London.[26]

In 2001, Thomas French Fine Art became the exclusive agent of the George Bellows Family Trust.[27]

Randolph College was asked by the National Gallery of Art in Washington, D.C., to lend Men of the Docks, for inclusion in a 2012 exhibition.[28] A major Bellows retrospective was held at the Royal Academy in London in 2013. Men of the Docks is now in the National Gallery in London. In November 2021, the Columbus Museum of Art opened the George Bellows Center to encourage exhibitions, publications and scholarly research on his life and work. Noted Bellows scholar Mark Cole of the Cleveland Museum of Art presented a lecture on Bellows' life with a specific focus on sports subjects in his work.[29]

Selected works Edit

See also Edit

External video
 
  The Art of Boxing -- "George Bellows" at the National Gallery of Art on YouTube, National Gallery of Art (Washington)[30]
  Bellows' Pennsylvania Station Excavation, Smarthistory

References Edit

  1. ^ "George Wesley Bellows | American painter". Encyclopedia Britannica. Retrieved August 7, 2019.
  2. ^ . Archived from the original on May 16, 2008. Retrieved August 7, 2019.
  3. ^ "George Bellows - Ohio History Central". www.ohiohistorycentral.org. Retrieved August 7, 2019.
  4. ^ "【ピル通販】低用量ピル・アフターピルを安全に購入". www.artinthepicture.com. Retrieved August 7, 2019.
  5. ^ George Wesley Bellows Summary. Retrieved August 7, 2019 – via www.bookrags.com.
  6. ^ Curator's View, Columbus Museum of Art September 29, 2007, at the Wayback Machine Retrieved July 12, 2007
  7. ^ Bellows' middle name was bestowed by his mother in the earnest hope that the child would become a Methodist Bishop.
  8. ^ His family home was a sturdy brick house at 265 East Rich Street in Columbus.
  9. ^ a b Roberts, Norma J., ed. (1988), The American Collections, Columbus Museum of Art, p. 64, ISBN 0-8109-1811-0.
  10. ^ a b c d The boy who chose the brush over baseball Smithsonian, June 1992, pp. 58-70
  11. ^ "George Bellows". Retrieved August 7, 2022.
  12. ^ His pragmatic father strongly urged Bellows to abandon his painting dreams and become a builder, as his father was.
  13. ^ Roberts 1988, p. 60.
  14. ^ George Bellows: Love of Winter Retrieved July 12, 2007
  15. ^ Birmingham Museum of Art (2010). . London: Giles. p. 142. ISBN 978-1-904832-77-5. Archived from the original on September 10, 2011. Retrieved June 27, 2011.
  16. ^ "New to the Collection". Program. Amon Carter Museum of American Art. February/July. 2017.
  17. ^ a b Myers, Jane; Ayres, Linda (1988). George Bellows: the Artist and His Lithographs, 1916-1924. Fort Worth: Amon Carter Museum. ISBN 0883600595. OCLC 18738812.
  18. ^ Leaving the Country: George Bellows at Woodstock Retrieved July 12, 2007
  19. ^ "Leaving the Country: George Bellows at Woodstock". www.tfaoi.com. Retrieved August 7, 2019.
  20. ^ "George Bellows". Olympedia. Retrieved August 4, 2020.
  21. ^ "Museum opens with less to see". Roanoke.com. Archived from the original on February 1, 2013.
  22. ^ "Ashcan on Fire". Forbes. November 26, 2007.
  23. ^ "A Shot Through the Art". Newsweek. October 9, 2007.
  24. ^ "Look Out Bellows–Looking Around". Time. March 10, 2008.
  25. ^ Clark, Nick (February 7, 2014). "National Gallery spends $25.5m on George Bellows' Men of the Docks – its first major American painting". The Independent. London. Retrieved February 7, 2014.
  26. ^ "George Bellows". www.georgebellows.com. Retrieved August 7, 2019.
  27. ^ . Exhibitions. National Gallery of Art. 2012. Archived from the original on February 21, 2015. Retrieved February 7, 2014.
  28. ^ Dafoe, Taylor (November 4, 2021). "Why Does George Bellows Matter Today? A New Research Center Argues the Artist Embodies All of America's Contradictions". Artnet. Retrieved November 5, 2021.
  29. ^ ""The Art of Boxing" -- "George Bellows" at the National Gallery of Art". National Gallery of Art. September 26, 2012. Retrieved March 13, 2013.

External links Edit

 
Wikimedia Commons has media related to George Wesley Bellows.
  • George Bellows’ Catalogue Raisonné
  • Artcyclopedia list of works by George Bellows online
  • The Powerful Hand of George Bellows: Drawings from the Boston Public Library, exhibited at the Frick
  • George Bellows Gallery at MuseumSyndicate June 4, 2016, at the Wayback Machine
  • The Boston Public Library's George Wesley Bellows set on Flickr.com
  • George Wesley Bellows Papers, Amherst College Archives & Special Collections June 21, 2010, at the Wayback Machine
  • at the Birmingham Museum of Art
  • Forty-two Kids, 1907 at the Corcoran Gallery of Art, Washington, D.C.
  • Green-Wood Cemetery Burial Search
  • Works by George Bellows at Project Gutenberg
  • Works by or about George Bellows at Internet Archive

October 21, 2023
george, bellows, george, wesley, bellows, august, august, 1882, january, 1925, american, realist, painter, known, bold, depictions, urban, life, york, city, became, according, columbus, museum, most, acclaimed, american, artist, generation, borngeorge, wesley,. George Wesley Bellows August 12 1 2 or August 19 3 4 5 1882 January 8 1925 was an American realist painter known for his bold depictions of urban life in New York City He became according to the Columbus Museum of Art the most acclaimed American artist of his generation 6 George BellowsBornGeorge Wesley BellowsAugust 12 or August 19 1882Columbus Ohio U S DiedJanuary 8 1925 1925 01 08 aged 42 New York City New York U S NationalityAmericanEducationRobert HenriKnown forPaintingMovementAshcan SchoolThe EightAmerican realism Contents 1 Youth 2 New York 3 Social and political themes 4 Later life 5 Posthumous sales and exhibitions 6 Selected works 7 See also 8 References 9 External linksYouth EditGeorge Wesley 7 Bellows was born and raised in Columbus Ohio 8 He was the only child of George Bellows and Anna Wilhelmina Smith Bellows he had a half sister Laura 18 years his senior He was born four years after his parents married at the ages of fifty George and forty Anna 9 His mother was the daughter of a whaling captain based in Sag Harbor Long Island and his family returned there for their summer vacations 9 10 He began drawing well before kindergarten and his elementary school teachers often asked him to decorate their classroom blackboards at Thanksgiving and Christmas 10 At age 10 George took to athletics and trained to be a baseball and basketball player He became good enough at both sports to play semipro ball for years afterward 10 During his senior year a baseball scout from the Indianapolis team made him an offer He declined opting to enroll at The Ohio State University 1901 1904 There he played for the baseball and basketball teams and provided illustrations for the Makio the school s student yearbook He was encouraged to become a professional baseball player 11 and he worked as a commercial illustrator while a student and continued to accept magazine assignments throughout his life Despite these opportunities in athletics and commercial art Bellows desired success as a painter although his parents didn t encourage it 12 13 He left Ohio State in 1904 just before he was to graduate and moved to New York City to study art 11 Bellows was soon a student of Robert Henri who at the time was teaching at the New York School of Art While studying there Bellows became associated with Henri s The Eight and the Ashcan School a group of artists who advocated painting contemporary American society in all its forms 11 By 1906 Bellows and fellow art student Edward Keefe had set up a studio at 1947 Broadway 14 New York Edit nbsp Cliff Dwellers 1913 Los Angeles County Museum of ArtBellows first achieved widespread notice in 1908 when he and other pupils of Henri organized an exhibition of mostly urban studies While many critics considered these to be crudely painted others found them welcomely audacious a step beyond the work of his teacher Bellows taught at the Art Students League of New York in 1909 although he was more interested in pursuing a career as a painter His fame grew as he contributed to other nationally recognized juried shows Bellows urban New York scenes depicted the crudity and chaos of working class people and neighborhoods and satirized the upper classes From 1907 through 1915 he executed a series of paintings depicting New York City under snowfall In these paintings Bellows developed his strong sense of light and visual texture 15 exhibiting a stark contrast between the blue and white expanses of snow and the rough and grimy surfaces of city structures and creating an aesthetically ironic image of the equally rough and grimy men struggling to clear away the nuisance of the pure snow However Bellows series of paintings portraying amateur boxing matches were arguably his signature contribution to art history 11 They are characterized by dark atmospheres through which the bright roughly lain brushstrokes of the human figures vividly strike with a strong sense of motion and direction Social and political themes Edit nbsp A 1920 portrait painting of Waldo Peirce by George Bellows on display at the de Young Museum in San Francisco nbsp Blessed are the Peacemakers 1917 The MassesGrowing prestige as a painter brought changes in his life and work Though he continued his earlier themes Bellows also began to receive portrait commissions as well as social invitations from New York s wealthy elite Additionally he followed Henri s lead and began to summer in Maine painting seascapes on Monhegan and Matinicus islands At the same time the always socially conscious Bellows also associated with a group of radical artists and activists called the Lyrical Left who tended towards anarchism in their extreme advocacy of individual rights He taught at the first Modern School in New York City as did his mentor Henri and served on the editorial board of the socialist journal The Masses to which he contributed many drawings and prints beginning in 1911 However he was often at odds with other contributors due to his belief that artistic freedom should trump any ideological editorial policy Bellows also dissented from this circle in his very public support of U S intervention in World War I In 1918 he created a series of lithographs and paintings that graphically depicted atrocities which the Allies said had been committed by Germany during its invasion of Belgium Notable among these was The Germans Arrive which gruesomely illustrated a German soldier restraining a Belgian teen whose hands had just been severed However his work was also highly critical of the domestic censorship and persecution of antiwar dissenters conducted by the U S government under the Espionage Act He was also criticized for some of the liberties he took in capturing scenes of war The artist Joseph Pennell argued that because Bellows had not witnessed the events he painted firsthand he had no right to paint them Bellows responded that he had not been aware that Leonardo da Vinci had a ticket to paint the Last Supper 16 Later life Edit nbsp Dempsey and Firpo 1924 Whitney Museum of American ArtAs Bellows later oils focused more on domestic life with his wife and daughters as beloved subjects the paintings also displayed an increasingly programmatic and theoretical approach to color and design a marked departure from the fluid muscularity of the early work One of Bellows central subjects was the sea and he painted over 250 scenes of it during the course of his career The Fisherman 1917 a significant late canvas focusing on the topic that he made while visiting Carmel California is in the collection of the Amon Carter Museum of American Art 17 In addition to painting Bellows made significant contributions to lithography helping to expand the use of the medium as a fine art in the U S He installed a lithography press in his studio in 1916 and between 1921 and 1924 he collaborated with master printer Bolton Brown on more than a hundred images The Amon Carter Museum of American Art holds one of the largest collections of Bellows lithographs a set of 220 prints acquired from the artist s estate in 1985 18 There are also large collections of his lithographs at the Boston Public Library and the Cleveland Museum of Art 18 Bellows also illustrated numerous books in his later career including several by H G Wells Bellows taught at the Art Institute of Chicago in 1919 In 1920 he began to spend nearly half of each year in Woodstock New York where he built a home for his family 19 He died on January 8 1925 in New York City of peritonitis after failing to tend to a ruptured appendix 20 He was survived by his wife Emma Story Bellows married 1910 and daughters Anne and Jean Bellows is buried at Green Wood Cemetery in Brooklyn Paintings and prints by George Bellows are in the collections of many major and regional American art museums including the Art Museum of Southeast Texas in Beaumont Texas the National Gallery of Art in Washington D C the Memorial Art Gallery of the University of Rochester Rochester New York and the Whitney and the Museum of Modern Art in New York and The Hyde Collection in Glens Falls New York The Columbus Museum of Art in Bellows hometown also has a sizeable collection of both his portraits and New York street scenes The White House acquired his 1919 painting Three Children in 2007 and it is now displayed in the Green Room The Whitney Museum of American Art published a biography of Bellows by fellow artist George William Eggers as part of the American Artists Series In 1992 it mounted an extensive exhibition of his art the exhibition was a joint venture with the Los Angeles County Museum of Art 10 The Archives and Special Collections at Amherst College holds his papers Posthumous sales and exhibitions Edit nbsp Men of the Docks 1912His work was part of the painting event in the art competition at the 1932 Summer Olympics 21 In December 1999 Polo Crowd a 1910 painting sold for U S 27 5 million to billionaire Bill Gates 22 In November 2008 Bellows Men of the Docks a 1912 painting of the Brooklyn docks spanning the East River and depicting the Manhattan skyline in the background was to be auctioned at Christie s in New York It was expected to set the record for an American painting sold at auction with an estimate of 25 35 million 23 The painting s sale however was a source of controversy at Randolph College because it was the first masterpiece purchased for the Maier Museum of Art by students and locals who raised 2 500 to purchase it in 1920 24 Due to a series of lawsuits and the deflated art market the painting remained unsold 25 until 2014 when it became the first major American painting to be purchased by the British National Gallery in London 26 In 2001 Thomas French Fine Art became the exclusive agent of the George Bellows Family Trust 27 Randolph College was asked by the National Gallery of Art in Washington D C to lend Men of the Docks for inclusion in a 2012 exhibition 28 A major Bellows retrospective was held at the Royal Academy in London in 2013 Men of the Docks is now in the National Gallery in London In November 2021 the Columbus Museum of Art opened the George Bellows Center to encourage exhibitions publications and scholarly research on his life and work Noted Bellows scholar Mark Cole of the Cleveland Museum of Art presented a lecture on Bellows life with a specific focus on sports subjects in his work 29 Selected works Edit nbsp Central Park 1905 nbsp Pennsylvania Excavation 1907 Smith College Museum of Art nbsp Pennsylvania Station Excavation 1907 Brooklyn Museum nbsp Frankie the Organ Boy 1907 Nelson Atkins Museum of Art nbsp Steaming Streets 1908 nbsp North River 1908 Pennsylvania Academy of the Fine Arts nbsp Blue Morning 1909 nbsp Summer Night Riverside Drive 1909 Columbus Museum of Art nbsp The Bridge Blackwell s Island 1909 Toledo Museum of Art nbsp Blue Snow the Battery 1910 nbsp A Morning Snow Hudson River 1910 nbsp New York 1911 nbsp Evening Blue 1913 nbsp Emma at the Piano 1914 nbsp A Grandmother 1914 Museo Thyssen Bornemisza nbsp River Front 1 1915 nbsp Nude with a Parrot 1915 nbsp Portrait of Anne portrait of Bellows daughter Anne 1915 nbsp Builders of Ships 1916 nbsp Breaking Sky Monhegan ca 1916 nbsp The Fisherman 1917 Amon Carter Museum of American Art nbsp Edith Cavell 1918 nbsp Massacre at Dinant 1918 nbsp The Barricade 1918 nbsp Tennis at Newport 1919 nbsp Three Children 1919 White House Art Collection nbsp Emma at the Window 1920 nbsp Self portrait 1921 Lithograph nbsp Katherine Rosen 1921 nbsp Emma in a Purple Dress 1920 1923 Dallas Museum of Art nbsp Lady Jean portrait of Bellows daughter Jean 1924 Yale University Art Gallery nbsp Summer Fantasy 1924 See also EditExternal video nbsp nbsp The Art of Boxing George Bellows at the National Gallery of Art on YouTube National Gallery of Art Washington 30 nbsp Bellows Pennsylvania Station Excavation SmarthistoryAshcan school Logan Medal of the artsReferences Edit George Wesley Bellows American painter Encyclopedia Britannica Retrieved August 7 2019 Smithsonian By George Happy Birthday Archived from the original on May 16 2008 Retrieved August 7 2019 George Bellows Ohio History Central www ohiohistorycentral org Retrieved August 7 2019 ピル通販 低用量ピル アフターピルを安全に購入 www artinthepicture com Retrieved August 7 2019 George Wesley Bellows Summary Retrieved August 7 2019 via www bookrags com Curator s View Columbus Museum of Art Archived September 29 2007 at the Wayback Machine Retrieved July 12 2007 Bellows middle name was bestowed by his mother in the earnest hope that the child would become a Methodist Bishop His family home was a sturdy brick house at 265 East Rich Street in Columbus a b Roberts Norma J ed 1988 The American Collections Columbus Museum of Art p 64 ISBN 0 8109 1811 0 a b c d The boy who chose the brush over baseball Smithsonian June 1992 pp 58 70 a b c d George Bellows Biography National Gallery of Art archived from the original on June 29 2012 retrieved August 7 2011 George Bellows Retrieved August 7 2022 His pragmatic father strongly urged Bellows to abandon his painting dreams and become a builder as his father was Roberts 1988 p 60 George Bellows Love of Winter Retrieved July 12 2007 Birmingham Museum of Art 2010 Birmingham Museum of Art A Guide to the Collection London Giles p 142 ISBN 978 1 904832 77 5 Archived from the original on September 10 2011 Retrieved June 27 2011 New to the Collection Program Amon Carter Museum of American Art February July 2017 a b Myers Jane Ayres Linda 1988 George Bellows the Artist and His Lithographs 1916 1924 Fort Worth Amon Carter Museum ISBN 0883600595 OCLC 18738812 Leaving the Country George Bellows at Woodstock Retrieved July 12 2007 Leaving the Country George Bellows at Woodstock www tfaoi com Retrieved August 7 2019 George Bellows Olympedia Retrieved August 4 2020 Museum opens with less to see Roanoke com Archived from the original on February 1 2013 Ashcan on Fire Forbes November 26 2007 A Shot Through the Art Newsweek October 9 2007 Look Out Bellows Looking Around Time March 10 2008 Clark Nick February 7 2014 National Gallery spends 25 5m on George Bellows Men of the Docks its first major American painting The Independent London Retrieved February 7 2014 George Bellows www georgebellows com Retrieved August 7 2019 George Bellows Exhibitions National Gallery of Art 2012 Archived from the original on February 21 2015 Retrieved February 7 2014 Dafoe Taylor November 4 2021 Why Does George Bellows Matter Today A New Research Center Argues the Artist Embodies All of America s Contradictions Artnet Retrieved November 5 2021 The Art of Boxing George Bellows at the National Gallery of Art National Gallery of Art September 26 2012 Retrieved March 13 2013 External links Edit nbsp Wikimedia Commons has media related to George Wesley Bellows George Bellows Catalogue Raisonne Artcyclopedia list of works by George Bellows online An American Pulse The Lithographs of George Bellows San Diego Museum of Art The Powerful Hand of George Bellows Drawings from the Boston Public Library exhibited at the Frick George Bellows Gallery at MuseumSyndicate Archived June 4 2016 at the Wayback Machine The Boston Public Library s George Wesley Bellows set on Flickr com George Wesley Bellows Papers Amherst College Archives amp Special Collections Archived June 21 2010 at the Wayback Machine The Barricade at the Birmingham Museum of Art Forty two Kids 1907 at the Corcoran Gallery of Art Washington D C Green Wood Cemetery Burial Search Works by George Bellows at Project Gutenberg Works by or about George Bellows at Internet Archive Retrieved from https en wikipedia org w index php title George Bellows amp oldid 1176430135, wikipedia, wiki, book, books, library,

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