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Garment collars in hanfu

Garment collars in hanfu are diverse and come in several shapes,[1] including jiaoling (cross-collars, overlapping collars at the front which closed on the right or left sides), duijin, yuanling, liling, fangling, tanling. Some forms of collars were indigenous to China while others had been adopted from the Hufu of other non-Han Chinese ethnic minorities and/or from the clothing worn by foreigners.

Jiaoling youren, Qing dynasty

Cultural significance edit

Ru edit

Youren (right lapel) edit

 
Jiaoling youren, Ming Dynasty

Chinese robes, such as the shenyi and the paofu as a general term, as well as Chinese jackets must typically cover the right part of their garment.[2] Styles of garments which overlapping at the front and closes to the right side are known as youren (Chinese: 右衽; lit. 'right lapel'). The youren closure is a style which originated in China and can be traced back to the Shang dynasty.[3] The youren is also an important symbol of the Han Chinese ethnicity.[2] The youren closure was eventually adopted by other ethnic minorities and was also spread to neighbouring countries, such as Vietnam, Korea and Japan.

Zuoren (left lapel) edit

 
Jiaoling zuoren, Xiongnu leather robes, Han dynasty

Chinese people also wore another form of closure known as zuoren (Chinese: 左衽; lit. 'left lapel'), which generally refers the way garment overlaps on the front, like the youren closure, but instead closes on the left side.[2] According to the Shuowen Jiezi 《說文解字》, a form of paofu, known as xi (襲), was a robe with a zuoren closure[4][5] while the coat known as zhe (褶; sometimes also referred as xi), typically used as part of the kuzhe, was also a xi () according to the Shiming.[6]

The use of zuoren, however, was typically associated with funeral practices. This can also be found in the chapter Sang da ji (喪大記) of the Liji (禮記):

"At both the dressings the sacrificial robes were not placed below the others. They were all placed with the lapel to lie on the left side. The bands were tied firmly, and not in a bow-knot [小斂大斂,祭服不倒,皆左衽結絞不紐]."

According to ancient Chinese beliefs, the only moment the Han Chinese were supposed to use zuoren was when they dressed their deceased.[2] This funeral practice was rooted in ancient Chinese beliefs; especially in the Yin and Yang theory, where it is believed that the left side is the Yang and stands for life whereas the right side is the Yin which stands for death.[7]

 
Han woman wearing Jiaoling zuoren, Ming dynasty

Therefore, according to the Yin and Yang theory, the left lapel of a garment needs to be found outside (which is in the form of youren closure) to indicate that the power of the Yang aspect is suppressing the Yin aspect, which thus symbolizes the clothing of living people.[7] On the other hand, the zuoren is a representation of the Yin aspect surpassing the Yang aspect, and thus, garments with a zuoren closure became the clothing worn by the deceased.[7] It was therefore a taboo in Chinese clothing culture for a living person to wear clothing with a zuoren closure.[7]

There are exceptions in which living Han Chinese would wear clothing with a zuoren closure. For example, in some areas (such as Northern Hebei) in the 10th century, some ethnic Han Chinese could be found wearing left-lapel clothing.[8] It was also common for the Han Chinese women to adopt left lapel under the reign of foreign nationalities, such as in the such as in the Yuan dynasty.[9] The practice of wearing the zuoren also continued in some areas of the Ming dynasty despite being a Han Chinese-ruled dynasty which is an atypical feature.[9]

Association with ethnic minorities and foreigners edit

 
Xianbei women wearing a zuoren robe, Northern Wei

The zuoren closure was also associated with the clothing of non-Han Chinese, ethnic minorities, and foreigners in ancient times. Some ethnic minorities generally had their clothing closing in the zuoren-style[2] according to what was recorded in ancient Chinese texts, such as the Qiang.[10]: 101  As a result, the traditional way to distinguish between clothing of the "Barbarian" (i.e. non-Han Chinese), Hufu, and Chinese clothing, hanfu, was typically by looking at the direction of the collar.[11]

This can also be found in the Analects where Confucius himself praised Guan Zhong for preventing the weakened Zhou dynasty from becoming barbarians:[12][13][14]

"But for Guan Zhong, we should now be wearing our hair unbound [pifa], and the lapels of our coats buttoning on the left side [zuoren]. [微管仲,吾其被髮左衽矣]."

Based on Confucius' sayings, pifa zuoren (simplified Chinese: 被发左衽; traditional Chinese: 被髮左衽; pinyin: bèifà zuǒrèn; lit. 'unbound hair left lapel'), bound hair and coats which closed on the left side, was associated with the clothing customs of the northern nomadic ethnic groups who were considered as barbarians.[12] From the standpoint of the Huaxia culture, pifa was a way to reject refined culture and being turned into a barbarian.[10]: 101 

By the Han dynasty, since Confucius himself was the first person to use the phrase pifa zuoren to refer to Non-Zhou dynasty people, this phrase became a common metaphor for primitiveness.[10]: 103  When used by the ancient Chinese literati, the concept of pifa zuoren became a phrase, which held the symbolic of foreign people who were living a barbarous and civilized lifestyle; this concept also became a way to emphasize the customs differences between the Han people and other ethnic minorities and draw the line to distinguish who was were considered as civilized and barbarians.[10]: 103  The zuoren thus also became a reference to Hufu and/or to the rule of foreign nationalities.[2] Of note, some non-Chinese ethnicity who adopted Hanfu-style sometimes maintain their left lapels, such as the Khitans in the Liao dynasty.[15]: 267 

Common types of collar edit

Cross-collars edit

Jiaoling youren edit

 
Jiaoling youren tieli (left) and jiaoling youren shan (right), Ming dynasty

Jiaoling youren (Chinese: 交領右衽) were cross-collars which overlapped on the front and closed on the right side following the youren (右衽) rule;[16] they can also be described as cross-collar garments closing to the right side, or y-shaped collar. The jiaoling youren started to be worn in the Shang dynasty in China.[17][18] This form of collar eventually became one of the major symbols of the Sino Kingdoms[16] and eventually spread throughout Asia.[18] Garments and attire which used the jiaoling youren collar include: shenyi, jiaolingpao, mianfu, pienfu, diyi, dahu, and tieli.

Jiaoling zuoren edit

 
Living Han Chinese woman wearing jiaoling zuoren, Ming dynasty

Jiaoling zouren refers to the cross-collars which closes on the left side instead of the right side. They were typically used by non-Han Chinese ethnicities in ancient China, but were also adopted by the Han Chinese in some circumstances, e.g. when they were ruled by non-Han Chinese rulers. Han Chinese women were also found sometimes found in the paintings of the Ming dynasty, which is an atypical feature.[9] They were also used to dress the deceased of the Han Chinese.[2]

Central front collars edit

Collars which runs parallel and straight at the front are called duijin (对襟).[19][20]: 22  Garments with duijin collars can either be closed at the centre front[20]: 22 [21] or be left opened in the front.[19] They could be found with or without a high collar depending on the time period.[1] Duijin could be used in garments and attire, such as beizi, banbi, and beixin.

Round collars edit

 
Men wearing round collars, Ming dynasty

Round collars are called yuanling (圆领)[1] or panling (盘领).[22][23] In ancient China, clothing with round collars were typically introduced and/or influenced by foreign ethnicities, such as the Donghu,[24][25] the Wuhu,[24][26]: 317  and the foreigners from Central Asia, such as the Sogdians,[27][28] and the Mongols,[25] at different point in time. Yuanling can be overlapping to the right or closing at the front in the duijin manner.[1][29] Yuanling could be used in garments and attire, such as yuanlingshan, yuanlingpao, panling lanshan, and wulingshan (无领衫).[29]

Standing collars edit

 
This Ming shuling dajin is a high collar that is slightly turned on itself; it has an overlapping front.

High standing collars in the Ming dynasty are referred as shuling (竖领) or liling (立领).[1] They appeared by the late Ming dynasty.[30]: 93  There were two main forms of high standing collars garments based on their types of lapels and closure.[1]

Standing collar with right closure edit

Clothing with shuling dajin (竖领大襟), also called liling dajin or shuling xiejin or liling xiejin, has a standing collar and a large lapel which closes on the right.[29] The dajin placket is also called xiejin (Chinese: 斜襟; pinyin: xiéjīn; lit. 'slanted placket').

Standing collar with central front closure edit

 
Shuling duijin: high collar which closes at the front in a duijin manner, Ming dynasty

Clothing with shuling duijin (or liling (or shuling) duijin) has a standing collar and closes with a central front closure.[1]

Other forms of collars edit

Lapel collars edit

Fanling refers to the lapel collars, typically categorized as Hufu-style collars

Square collars edit

Square collars are referred as fangling (方领).[4]: 166 [1]

U-shaped collar edit

U-shaped collar are known as tanling (Chinese: 坦领; pinyin: tǎnlǐng; lit. 'flat collar/ open-hearted collar').[31] Tanling could be used in garments and attire, such as tanling banbi and tanling ruqun.

Pipa-shaped collar edit

Pianjin (Chinese: 偏襟; pinyin: piānjīn; lit. 'slanted placket'), also called Pipa-shaped collars and sometimes referred as 'slanted' collar in English,[21] were form of collars which overlaps and closes to the right side with a big lapel.[21] This form of collar was influenced by the Manchu clothing.[21] The Manchu's front overlap opening was a Manchu innovation; their clothing was closed with buttons on the centre front of the neck, right clavicle, and under the right arm along the right seams.[32] The Manchu overlap was more shaped like an S-curved overlap; it ran straight to the right of the centre-front of the neck, drops down to the burst before curving to the right side.[33]: 63  The Manchu's garments rarely showed high collars until the 20th century.[30]: 93  The Pip-shaped collar were worn in the Qing dynasty and the Republic of China.[34][21] It could be found without or with a high collar (e.g. mandarin collar).[21]

See also edit

Notes edit

References edit

  1. ^ a b c d e f g h "Guide of the Ming Dynasty Shan/Ao Types for Girls - 2022". www.newhanfu.com. 2021-07-02. Retrieved 2022-05-26.
  2. ^ a b c d e f g Ma, Xiaofang (2018). "Study on the Aesthetics of Han Chinese Clothing Culture in the TV Play q Nirvana in Fireq". Proceedings of the 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Atlantis Press. pp. 639–643. doi:10.2991/iccessh-18.2018.143. ISBN 978-94-6252-528-3.
  3. ^ Yu, Song-Ok (1980). "A Comparative Study on the Upper Garment in the Ancient East and West". Journal of the Korean Society of Costume. 3: 29–46. ISSN 1229-6880.
  4. ^ a b Zhang, Weiwei (2016). Variation in metonymy : cross-linguistic, historical and lectal perspectives. Berlin. ISBN 978-3-11-045583-0. OCLC 947083957.{{cite book}}: CS1 maint: location missing publisher (link)
  5. ^ "說文解字「襲」". www.shuowen.org. Retrieved 2022-07-11.
  6. ^ "Shiming《釋衣服》". ctext.org. Retrieved 2022-07-11.
  7. ^ a b c d Shi, Songge (2021). "Travelling With Hanfu: A Social Media Analysis of Contemporary Chinese Travelling for Artistic Photographs". {{cite journal}}: Cite journal requires |journal= (help)
  8. ^ Zhang, Ling (2016). The River, the Plain, and the State: An Environmental Drama in Northern Song China, 1048-1128. Cambridge: Cambridge University Press. doi:10.1017/cbo9781316659298.002. ISBN 978-1-316-65929-8.
  9. ^ a b c The Museum of Far East Antique Bulletin 70. Östasiatiska museet. 1998. p. 208.
  10. ^ a b c d Tse, Wicky W. K. (2018). The collapse of China's later Han Dynasty, 25-220 CE : the northwest borderlands and the edge of empire. London. ISBN 978-1-315-53231-8. OCLC 1042329243.{{cite book}}: CS1 maint: location missing publisher (link)
  11. ^ Xu, Jing (2016). A Chinese traveler in medieval Korea : Xu Jing's illustrated account of the Xuanhe embassy to Koryo. Sem Vermeersch. Honolulu. pp. 331–332. ISBN 978-0-8248-6683-9. OCLC 950971983.{{cite book}}: CS1 maint: location missing publisher (link)
  12. ^ a b Kang, Chae-ŏn (2006). The land of scholars : two thousand years of Korean Confucianism. Suzanne Lee (1st ed.). Paramus, New Jersey. ISBN 1-931907-30-7. OCLC 60931394.{{cite book}}: CS1 maint: location missing publisher (link)
  13. ^ Dress and ideology : fashioning identity from antiquity to the present. Shoshana-Rose Marzel, Guy Stiebel. London. 2015. p. 41. ISBN 978-1-4725-5808-4. OCLC 895162445.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  14. ^ "論語 : 憲問 - 微管仲,吾其被髮左衽矣。 - 中國哲學書電子化計劃". ctext.org (in Chinese (Taiwan)). Retrieved 2022-02-07.
  15. ^ Kuhn, Dieter (2009). The age of Confucian rule : the Song transformation of China. Cambridge, Mass.: Belknap Press of Harvard University Press. ISBN 978-0-674-03146-3. OCLC 192050158.
  16. ^ a b Ho, Wei; Lee, Eun-Young (2009). "Modem Meaning of Han Chinese Clothing(韓服)". Journal of the Korea Fashion and Costume Design Association. 11 (1): 99–109. ISSN 1229-7240.
  17. ^ Zhao, Yin (2014). Snapshots of Chinese culture. Xinzhi Cai. Los Angeles. ISBN 978-1-62643-003-7. OCLC 912499249.{{cite book}}: CS1 maint: location missing publisher (link)
  18. ^ a b Kidd, Laura K.; Lee, Younsoo (2002). "The Style Characteristics of the Hwalot, with a Focus on One Robe from the Collection of the Honolulu Academy of Arts". Clothing and Textiles Research Journal. 20 (1): 1–14. doi:10.1177/0887302x0202000101. ISSN 0887-302X. S2CID 110839493.
  19. ^ a b "Ancient Chinese Fashion: Historical Prototype of Hanfu Style". www.newhanfu.com. 2020-10-14. Retrieved 2022-05-26.
  20. ^ a b Silberstein, Rachel (2020). A fashionable century : textile artistry and commerce in the late Qing. Seattle. ISBN 978-0-295-74719-4. OCLC 1121420666.{{cite book}}: CS1 maint: location missing publisher (link)
  21. ^ a b c d e f Jiang, Wanyi; Li, Zhaoqing (2021-01-06). "Analysis on Evolution, Design and Application of Women's Traditional Coats in Beijing in the Late Qing Dynasty and the Early Republic of China: Based on the Collection of Ethnic Custom Museum of Beijing Institute of Fashion Technology". Proceedings of the 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Atlantis Press. pp. 641–648. doi:10.2991/assehr.k.210106.123. ISBN 978-94-6239-314-1. S2CID 234293619.
  22. ^ 유혜영 (1992). 돈황석굴벽화에 보이는 일반복식의 연구 (Doctoral Thesis). 이화여자대학교 대학원.
  23. ^ "Hanfu Making(5) - Pan Collar Aoqun Cutting & Sewing Patterns - 2022". www.newhanfu.com. 2021-06-17. Retrieved 2022-05-26.
  24. ^ a b Wang, Fang (2018). "Study on Structure and Craft of Traditional Costumes of Edge" (PDF). Proceedings of the 2nd International Conference on Economics and Management, Education, Humanities and Social Sciences (EMEHSS 2018). Atlantis Press. pp. 584–588. doi:10.2991/emehss-18.2018.118. ISBN 978-94-6252-476-7.
  25. ^ a b Yang, Shuran; Yue, Li; Wang, Xiaogang (2021-08-01). "Study on the structure and virtual model of "xiezhi" gown in Ming dynasty". Journal of Physics: Conference Series. 1986 (1): 012116. Bibcode:2021JPhCS1986a2116Y. doi:10.1088/1742-6596/1986/1/012116. ISSN 1742-6588. S2CID 236985886.
  26. ^ Dien, Albert E. (2007). Six dynasties civilization. New Haven, Conn.: Yale University Press. ISBN 978-0-300-07404-8. OCLC 72868060.
  27. ^ Zhao, Qiwang (2020). "Western Cultural Factors in Robes of Wei, Jin, Southern and Northern Dynasties as Well as Sui and Tang Dynasties" (PDF). 2020 3rd International Conference on Arts, Linguistics, Literature and Humanities (ICALLH 2020). Francis Academic Press, UK: 141–147. doi:10.25236/icallh.2020.025 (inactive 31 January 2024).{{cite journal}}: CS1 maint: DOI inactive as of January 2024 (link)
  28. ^ Zhao, Qiwang (2019). "The Origin of Partial Decorations in Gowns of the Northern Qi and Tang Dynasties". 2nd International Conference on Cultures, Languages and Literatures, and Arts: 342–349.
  29. ^ a b c "Guide to Hanfu Types Summary & Dress Codes (Ming Dynasty)". www.newhanfu.com. 2021-04-04. Retrieved 2022-06-13.
  30. ^ a b Finnane, Antonia (2007). Changing clothes in China : fashion, history, nation. London: Hurst & Co. ISBN 978-1-85065-860-3. OCLC 166381500.
  31. ^ 王金妍 (29 July 2019). "Hanfu: China's traditional Han-style clothing". www.chinastory.cn. Retrieved 2022-05-26.
  32. ^ "Turn back your cuffs". John E. Vollmer. 2017-10-16. Retrieved 2022-05-26.
  33. ^ Bonds, Alexandra B. (2008). Beijing opera costumes : the visual communication of character and culture. Honolulu: University of Hawaiʻi Press. ISBN 978-1-4356-6584-2. OCLC 256864936.
  34. ^ "Women's Clothing Changes During the Ming and Qing Dynasties". www.newhanfu.com. 2021-02-14. Retrieved 2022-05-26.

garment, collars, hanfu, diverse, come, several, shapes, including, jiaoling, cross, collars, overlapping, collars, front, which, closed, right, left, sides, duijin, yuanling, liling, fangling, tanling, some, forms, collars, were, indigenous, china, while, oth. Garment collars in hanfu are diverse and come in several shapes 1 including jiaoling cross collars overlapping collars at the front which closed on the right or left sides duijin yuanling liling fangling tanling Some forms of collars were indigenous to China while others had been adopted from the Hufu of other non Han Chinese ethnic minorities and or from the clothing worn by foreigners Jiaoling youren Qing dynasty Contents 1 Cultural significance 1 1 Ru 1 1 1 Youren right lapel 1 1 2 Zuoren left lapel 1 2 Association with ethnic minorities and foreigners 2 Common types of collar 2 1 Cross collars 2 1 1 Jiaoling youren 2 1 2 Jiaoling zuoren 2 2 Central front collars 2 3 Round collars 2 4 Standing collars 2 4 1 Standing collar with right closure 2 4 2 Standing collar with central front closure 2 5 Other forms of collars 2 6 Lapel collars 2 7 Square collars 2 8 U shaped collar 2 9 Pipa shaped collar 3 See also 4 Notes 5 ReferencesCultural significance editSee also Hufu Ru edit See also Ru upper garment Youren right lapel edit nbsp Jiaoling youren Ming Dynasty Chinese robes such as the shenyi and the paofu as a general term as well as Chinese jackets must typically cover the right part of their garment 2 Styles of garments which overlapping at the front and closes to the right side are known as youren Chinese 右衽 lit right lapel The youren closure is a style which originated in China and can be traced back to the Shang dynasty 3 The youren is also an important symbol of the Han Chinese ethnicity 2 The youren closure was eventually adopted by other ethnic minorities and was also spread to neighbouring countries such as Vietnam Korea and Japan Zuoren left lapel edit nbsp Jiaoling zuoren Xiongnu leather robes Han dynasty Chinese people also wore another form of closure known as zuoren Chinese 左衽 lit left lapel which generally refers the way garment overlaps on the front like the youren closure but instead closes on the left side 2 According to the Shuowen Jiezi 說文解字 a form of paofu known as xi 襲 was a robe with a zuoren closure 4 5 while the coat known as zhe 褶 sometimes also referred as xi typically used as part of the kuzhe was also a xi 襲 according to the Shiming 6 The use of zuoren however was typically associated with funeral practices This can also be found in the chapter Sang da ji 喪大記 of the Liji 禮記 At both the dressings the sacrificial robes were not placed below the others They were all placed with the lapel to lie on the left side The bands were tied firmly and not in a bow knot 小斂大斂 祭服不倒 皆左衽結絞不紐 According to ancient Chinese beliefs the only moment the Han Chinese were supposed to use zuoren was when they dressed their deceased 2 This funeral practice was rooted in ancient Chinese beliefs especially in the Yin and Yang theory where it is believed that the left side is the Yang and stands for life whereas the right side is the Yin which stands for death 7 nbsp Han woman wearing Jiaoling zuoren Ming dynasty Therefore according to the Yin and Yang theory the left lapel of a garment needs to be found outside which is in the form of youren closure to indicate that the power of the Yang aspect is suppressing the Yin aspect which thus symbolizes the clothing of living people 7 On the other hand the zuoren is a representation of the Yin aspect surpassing the Yang aspect and thus garments with a zuoren closure became the clothing worn by the deceased 7 It was therefore a taboo in Chinese clothing culture for a living person to wear clothing with a zuoren closure 7 There are exceptions in which living Han Chinese would wear clothing with a zuoren closure For example in some areas such as Northern Hebei in the 10th century some ethnic Han Chinese could be found wearing left lapel clothing 8 It was also common for the Han Chinese women to adopt left lapel under the reign of foreign nationalities such as in the such as in the Yuan dynasty 9 The practice of wearing the zuoren also continued in some areas of the Ming dynasty despite being a Han Chinese ruled dynasty which is an atypical feature 9 Association with ethnic minorities and foreigners edit nbsp Xianbei women wearing a zuoren robe Northern WeiThe zuoren closure was also associated with the clothing of non Han Chinese ethnic minorities and foreigners in ancient times Some ethnic minorities generally had their clothing closing in the zuoren style 2 according to what was recorded in ancient Chinese texts such as the Qiang 10 101 As a result the traditional way to distinguish between clothing of the Barbarian i e non Han Chinese Hufu and Chinese clothing hanfu was typically by looking at the direction of the collar 11 This can also be found in the Analects where Confucius himself praised Guan Zhong for preventing the weakened Zhou dynasty from becoming barbarians 12 13 14 But for Guan Zhong we should now be wearing our hair unbound pifa and the lapels of our coats buttoning on the left side zuoren 微管仲 吾其被髮左衽矣 Based on Confucius sayings pifa zuoren simplified Chinese 被发左衽 traditional Chinese 被髮左衽 pinyin beifa zuǒren lit unbound hair left lapel bound hair and coats which closed on the left side was associated with the clothing customs of the northern nomadic ethnic groups who were considered as barbarians 12 From the standpoint of the Huaxia culture pifa was a way to reject refined culture and being turned into a barbarian 10 101 By the Han dynasty since Confucius himself was the first person to use the phrase pifa zuoren to refer to Non Zhou dynasty people this phrase became a common metaphor for primitiveness 10 103 When used by the ancient Chinese literati the concept of pifa zuoren became a phrase which held the symbolic of foreign people who were living a barbarous and civilized lifestyle this concept also became a way to emphasize the customs differences between the Han people and other ethnic minorities and draw the line to distinguish who was were considered as civilized and barbarians 10 103 The zuoren thus also became a reference to Hufu and or to the rule of foreign nationalities 2 Of note some non Chinese ethnicity who adopted Hanfu style sometimes maintain their left lapels such as the Khitans in the Liao dynasty 15 267 Common types of collar editCross collars edit Jiaoling youren edit See also Ao giao lĩnh nbsp Jiaoling youren tieli left and jiaoling youren shan right Ming dynasty Jiaoling youren Chinese 交領右衽 were cross collars which overlapped on the front and closed on the right side following the youren 右衽 rule 16 they can also be described as cross collar garments closing to the right side or y shaped collar The jiaoling youren started to be worn in the Shang dynasty in China 17 18 This form of collar eventually became one of the major symbols of the Sino Kingdoms 16 and eventually spread throughout Asia 18 Garments and attire which used the jiaoling youren collar include shenyi jiaolingpao mianfu pienfu diyi dahu and tieli Jiaoling zuoren edit nbsp Living Han Chinese woman wearing jiaoling zuoren Ming dynasty Jiaoling zouren refers to the cross collars which closes on the left side instead of the right side They were typically used by non Han Chinese ethnicities in ancient China but were also adopted by the Han Chinese in some circumstances e g when they were ruled by non Han Chinese rulers Han Chinese women were also found sometimes found in the paintings of the Ming dynasty which is an atypical feature 9 They were also used to dress the deceased of the Han Chinese 2 Central front collars editCollars which runs parallel and straight at the front are called duijin 对襟 19 20 22 Garments with duijin collars can either be closed at the centre front 20 22 21 or be left opened in the front 19 They could be found with or without a high collar depending on the time period 1 Duijin could be used in garments and attire such as beizi banbi and beixin nbsp Daxiushan with duijin collar Song dynasty nbsp Beizi with duijin collar Song dynasty nbsp Shan with duijin collar Song dynasty nbsp Beixin with duijin collar Song dynasty nbsp Duijin shan Qing dynasty Round collars edit nbsp Men wearing round collars Ming dynasty Round collars are called yuanling 圆领 1 or panling 盘领 22 23 In ancient China clothing with round collars were typically introduced and or influenced by foreign ethnicities such as the Donghu 24 25 the Wuhu 24 26 317 and the foreigners from Central Asia such as the Sogdians 27 28 and the Mongols 25 at different point in time Yuanling can be overlapping to the right or closing at the front in the duijin manner 1 29 Yuanling could be used in garments and attire such as yuanlingshan yuanlingpao panling lanshan and wulingshan 无领衫 29 nbsp Yuanlingshan closing on the right Ming dynasty nbsp Panling lanshan Ming dynasty nbsp Yuanlingshan closing on the right Ming dynasty nbsp Yuanling banbi which closes at the front in a duijin manner nbsp Qing dynasty nbsp Yuanling shan Qing dynasty Standing collars edit See also Mandarin collar nbsp This Ming shuling dajin is a high collar that is slightly turned on itself it has an overlapping front High standing collars in the Ming dynasty are referred as shuling 竖领 or liling 立领 1 They appeared by the late Ming dynasty 30 93 There were two main forms of high standing collars garments based on their types of lapels and closure 1 Standing collar with right closure edit Clothing with shuling dajin 竖领大襟 also called liling dajin or shuling xiejin or liling xiejin has a standing collar and a large lapel which closes on the right 29 The dajin placket is also called xiejin Chinese 斜襟 pinyin xiejin lit slanted placket Shuling dajin nbsp Shuling dajin High collar with overlapping front Ming dynasty nbsp Shuling dajin High collar with overlapping front Ming dynasty Standing collar with central front closure edit nbsp Shuling duijin high collar which closes at the front in a duijin manner Ming dynasty Clothing with shuling duijin or liling or shuling duijin has a standing collar and closes with a central front closure 1 Other forms of collars edit Lapel collars edit Fanling refers to the lapel collars typically categorized as Hufu style collars Square collars edit Square collars are referred as fangling 方领 4 166 1 nbsp Fangling ao Ming dynasty nbsp Zhaojia 罩甲 with square collar Ming dynasty U shaped collar edit U shaped collar are known as tanling Chinese 坦领 pinyin tǎnlǐng lit flat collar open hearted collar 31 Tanling could be used in garments and attire such as tanling banbi and tanling ruqun Pipa shaped collar edit Pianjin Chinese 偏襟 pinyin pianjin lit slanted placket also called Pipa shaped collars and sometimes referred as slanted collar in English 21 were form of collars which overlaps and closes to the right side with a big lapel 21 This form of collar was influenced by the Manchu clothing 21 The Manchu s front overlap opening was a Manchu innovation their clothing was closed with buttons on the centre front of the neck right clavicle and under the right arm along the right seams 32 The Manchu overlap was more shaped like an S curved overlap it ran straight to the right of the centre front of the neck drops down to the burst before curving to the right side 33 63 The Manchu s garments rarely showed high collars until the 20th century 30 93 The Pip shaped collar were worn in the Qing dynasty and the Republic of China 34 21 It could be found without or with a high collar e g mandarin collar 21 nbsp Pipa shaped collar in Han woman ao jacket Qing dynasty nbsp The collar of this ao jacket was influenced by the pipa shaped collar Qing dynasty nbsp Manchu pipa collar Qing dynasty nbsp Manchu pipa collar Qing dynasty nbsp Manchu pipa collar Qing dynastySee also editHan Chinese clothing List of Han Chinese clothing HufuNotes editReferences edit a b c d e f g h Guide of the Ming Dynasty Shan Ao Types for Girls 2022 www newhanfu com 2021 07 02 Retrieved 2022 05 26 a b c d e f g Ma Xiaofang 2018 Study on the Aesthetics of Han Chinese Clothing Culture in the TV Play q Nirvana in Fireq Proceedings of the 3rd International Conference on Contemporary Education Social Sciences and Humanities ICCESSH 2018 Atlantis Press pp 639 643 doi 10 2991 iccessh 18 2018 143 ISBN 978 94 6252 528 3 Yu Song Ok 1980 A Comparative Study on the Upper Garment in the Ancient East and West Journal of the Korean Society of Costume 3 29 46 ISSN 1229 6880 a b Zhang Weiwei 2016 Variation in metonymy cross linguistic historical and lectal perspectives Berlin ISBN 978 3 11 045583 0 OCLC 947083957 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link 說文解字 襲 www shuowen org Retrieved 2022 07 11 Shiming 釋衣服 ctext org Retrieved 2022 07 11 a b c d Shi Songge 2021 Travelling With Hanfu A Social Media Analysis of Contemporary Chinese Travelling for Artistic Photographs a href Template Cite journal html title Template Cite journal cite journal a Cite journal requires journal help Zhang Ling 2016 The River the Plain and the State An Environmental Drama in Northern Song China 1048 1128 Cambridge Cambridge University Press doi 10 1017 cbo9781316659298 002 ISBN 978 1 316 65929 8 a b c The Museum of Far East Antique Bulletin 70 Ostasiatiska museet 1998 p 208 a b c d Tse Wicky W K 2018 The collapse of China s later Han Dynasty 25 220 CE the northwest borderlands and the edge of empire London ISBN 978 1 315 53231 8 OCLC 1042329243 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link Xu Jing 2016 A Chinese traveler in medieval Korea Xu Jing s illustrated account of the Xuanhe embassy to Koryo Sem Vermeersch Honolulu pp 331 332 ISBN 978 0 8248 6683 9 OCLC 950971983 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link a b Kang Chae ŏn 2006 The land of scholars two thousand years of Korean Confucianism Suzanne Lee 1st ed Paramus New Jersey ISBN 1 931907 30 7 OCLC 60931394 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link Dress and ideology fashioning identity from antiquity to the present Shoshana Rose Marzel Guy Stiebel London 2015 p 41 ISBN 978 1 4725 5808 4 OCLC 895162445 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link CS1 maint others link 論語 憲問 微管仲 吾其被髮左衽矣 中國哲學書電子化計劃 ctext org in Chinese Taiwan Retrieved 2022 02 07 Kuhn Dieter 2009 The age of Confucian rule the Song transformation of China Cambridge Mass Belknap Press of Harvard University Press ISBN 978 0 674 03146 3 OCLC 192050158 a b Ho Wei Lee Eun Young 2009 Modem Meaning of Han Chinese Clothing 韓服 Journal of the Korea Fashion and Costume Design Association 11 1 99 109 ISSN 1229 7240 Zhao Yin 2014 Snapshots of Chinese culture Xinzhi Cai Los Angeles ISBN 978 1 62643 003 7 OCLC 912499249 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link a b Kidd Laura K Lee Younsoo 2002 The Style Characteristics of the Hwalot with a Focus on One Robe from the Collection of the Honolulu Academy of Arts Clothing and Textiles Research Journal 20 1 1 14 doi 10 1177 0887302x0202000101 ISSN 0887 302X S2CID 110839493 a b Ancient Chinese Fashion Historical Prototype of Hanfu Style www newhanfu com 2020 10 14 Retrieved 2022 05 26 a b Silberstein Rachel 2020 A fashionable century textile artistry and commerce in the late Qing Seattle ISBN 978 0 295 74719 4 OCLC 1121420666 a href Template Cite book html title Template Cite book cite book a CS1 maint location missing publisher link a b c d e f Jiang Wanyi Li Zhaoqing 2021 01 06 Analysis on Evolution Design and Application of Women s Traditional Coats in Beijing in the Late Qing Dynasty and the Early Republic of China Based on the Collection of Ethnic Custom Museum of Beijing Institute of Fashion Technology Proceedings of the 6th International Conference on Arts Design and Contemporary Education ICADCE 2020 Atlantis Press pp 641 648 doi 10 2991 assehr k 210106 123 ISBN 978 94 6239 314 1 S2CID 234293619 유혜영 1992 돈황석굴벽화에 보이는 일반복식의 연구 Doctoral Thesis 이화여자대학교 대학원 Hanfu Making 5 Pan Collar Aoqun Cutting amp Sewing Patterns 2022 www newhanfu com 2021 06 17 Retrieved 2022 05 26 a b Wang Fang 2018 Study on Structure and Craft of Traditional Costumes of Edge PDF Proceedings of the 2nd International Conference on Economics and Management Education Humanities and Social Sciences EMEHSS 2018 Atlantis Press pp 584 588 doi 10 2991 emehss 18 2018 118 ISBN 978 94 6252 476 7 a b Yang Shuran Yue Li Wang Xiaogang 2021 08 01 Study on the structure and virtual model of xiezhi gown in Ming dynasty Journal of Physics Conference Series 1986 1 012116 Bibcode 2021JPhCS1986a2116Y doi 10 1088 1742 6596 1986 1 012116 ISSN 1742 6588 S2CID 236985886 Dien Albert E 2007 Six dynasties civilization New Haven Conn Yale University Press ISBN 978 0 300 07404 8 OCLC 72868060 Zhao Qiwang 2020 Western Cultural Factors in Robes of Wei Jin Southern and Northern Dynasties as Well as Sui and Tang Dynasties PDF 2020 3rd International Conference on Arts Linguistics Literature and Humanities ICALLH 2020 Francis Academic Press UK 141 147 doi 10 25236 icallh 2020 025 inactive 31 January 2024 a href Template Cite journal html title Template Cite journal cite journal a CS1 maint DOI inactive as of January 2024 link Zhao Qiwang 2019 The Origin of Partial Decorations in Gowns of the Northern Qi and Tang Dynasties 2nd International Conference on Cultures Languages and Literatures and Arts 342 349 a b c Guide to Hanfu Types Summary amp Dress Codes Ming Dynasty www newhanfu com 2021 04 04 Retrieved 2022 06 13 a b Finnane Antonia 2007 Changing clothes in China fashion history nation London Hurst amp Co ISBN 978 1 85065 860 3 OCLC 166381500 王金妍 29 July 2019 Hanfu China s traditional Han style clothing www chinastory cn Retrieved 2022 05 26 Turn back your cuffs John E Vollmer 2017 10 16 Retrieved 2022 05 26 Bonds Alexandra B 2008 Beijing opera costumes the visual communication of character and culture Honolulu University of Hawaiʻi Press ISBN 978 1 4356 6584 2 OCLC 256864936 Women s Clothing Changes During the Ming and Qing Dynasties www newhanfu com 2021 02 14 Retrieved 2022 05 26 Retrieved from https en wikipedia org w index php title Garment collars in hanfu amp oldid 1209034351, wikipedia, wiki, book, books, library,

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