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Enrico Scotta

Enrico Scotta (born 15 September 1949) is an Italian painter and sculptor.[1][2] He has worked and exhibited in Italy, Germany, and Brazil.

Enrico Scotta
Born (1949-09-15) 15 September 1949 (age 73)
NationalityItalian
Alma materAccademia di Belle Arti
Known forPainting, sculpture
AwardsArtist of the Year, São Paulo, 1988 and 1989
Websiteenrico-scotta.de

Early life and education Edit

Enrico Scotta was born in 1949 in Perugia, Italy, where he studied at the Accademia di Belle Arti. He qualified in drawing, painting and ceramics, and later trained in the restoration of paintings.[3]

Since 1998 he has been based in Radebeul, Germany, (near Dresden) where his gallery is located.[3]

Artistic career Edit

Scotta's paintings and sculptures are inspired by the archetypal myths and symbols of different cultures, and by female beauty and its association with creation and regeneration. These often-symbolic representations draw upon the physical and historical qualities of natural materials and man-made artefacts.

Scotta was initially inspired by the frescoes, paintings and historic monuments from the Etruscan, Roman, medieval and Renaissance past of Perugia. His early works draw mainly on European myths. Later, during his long stay in Latin America, his studies of pre-Hispanic history and cultures in Mexico and Peru strongly influenced his works. One example of this is the extensive art project "O Povo do Sol e o Povo da Escuridão" (The people of the Sun; the People of the Darkness),[4][5][6][7][8][9] which focuses on ancient Aztec civilisation, its myths, its gods, and its total destruction during the Spanish conquest.[10][11]

The Brazilian Brooklin News noted on the exhibition of this project that "Enrico Scotta captured the attention of everyone, collectors and critics, for the perfection of his technique and his inventive spirit. For this exhibition he was honoured with the award 'Super Cap de Ouro' [as the Brazilian 'Artist of the year']."[12][13][14][15]

Another cycle of paintings inspired by Aztec culture is Scotta's lunar cycle "Ilhuicatl Meztli" (The Celestial Path of the Moon), comprising eight round canvases.[16] The Moon Goddess represents the waxing and waning phases of the moon, together with many of the associated Aztec symbols. This cycle of paintings uses the female goddess to symbolise the generative power of the Universe,[17] which Scotta stated as, "La femminilità è l'espressione divina della creazione universale." ("Woman is the divine expression of universal creation.")[18]

Scotta created his own mythical cosmos using recurring archetypal symbols and images that echoed across history, such as the "Great Earth Mother", priestesses, the Uroboros, the phoenix, the tree of life, the moon, fertility goddesses, water creatures and hermaphrodites.[19]

His work also highlights his long fascination with the qualities of materials such as stone and the historical and cultural stories embodied in them.[20] In a series of paintings, stone reliefs interact with the figures and objects in ways which play on their different qualities.[21] This fascination is also evident in projects such as "Pedra e Ferro" ("Stone and Iron")[22][23][24][25][26] in Brazil, for which he was honoured as the Brazilian 'Artist of the year' (Troféu Super Cap Ouro).[27][28]

In Germany, "Sand – Stein – Kirche" ("Sand – Stone – Church") was a project about the Dresden Frauenkirche presented in Dresden,[29][30][31][32][33][34][35][36] Weimar,[37][38] Celle,[39][40][41] Leipzig,[42] Berlin[43] and Osnabrück.[44] It examines the evolution of an iconic architectural monument throughout its creation from sand to stone to sandstone, and the cycle of construction, destruction and reconstruction, using canvases to highlight the Frauenkirche as materially, historically and culturally connected to other heritage sites.[45]

Scotta's work has often promoted cross-cultural dialogue. Ludwig Güttler, curator of the Frauenkirche foundation, said that "Scotta's travelling exhibition eloquently promotes the Frauenkirche's cultural value and announces its current reconstruction to the world."[46][better source needed]

Scotta and his work have been the focus of various bi-cultural Italian events organised by the Società Dante Alighieri in cities such as Weimar[47][48][49][50] and Potsdam.[51] He was also Beatrix of the Netherlands's guest of honour in Groningen during Italian Month in 1984.[52][53][54]

Charitable work Edit

Scotta's cultural and social commitment is evident in a series of charitable art projects he has organised to raise money for victims of the 1980 Irpinia earthquake[55] and for the reconstruction of the Frauenkirche.[56][57][58] He has also taken part in various charity auctions and a collective exhibition for the Associazione Umbria per la Ricostruzione chirugica (AURC) in Perugia.[59] A further charitable activity was his restoration of a series of paintings in the Karl May Museum Radebeul, Germany.[60][61]

Major works Edit

  • "O Povo do Sol e o Povo da Escuridão" (The people of the Sun; the People of the Darkness)
  • "Ilhuicatl Meztli" (The Celestial Path of the Moon) – eight round canvases
  • "Pedra e Ferro" ("Stone and Iron")
  • "Erotische Steine" ("Erotic Stones") presented in Dresden[62][63] and Potsdam,[64][65][51][66])
  • "Sand – Stein – Kirche" ("Sand – Stone – Church")

Selected solo exhibitions Edit

Scotta has an international profile of award-winning projects and solo exhibitions. Selected solo exhibitions are listed below, and a complete list can be found on his website.[67]

Awards Edit

Scotta has won a series of international awards, including:

  • Queen Beatrix Award, from Queen Beatrix of the Netherlands (Groningen), 1984
  • Brazilian "Artist of the Year" (Troféu "Super Cap Ouro") São Paulo, 1988
  • Brazilian "Artist of the Year" (Troféu "Super Cap Ouro") São Paulo, 1989

References Edit

  1. ^ Bianchi, G. & Durati, M. (eds.) (1984). Arte in Umbria. Enciclopedia Artisti Umbri, Todi: Editrice Sigla Tre, pp. 549–552.
  2. ^ Gerhard, K. (ed.) (2000). Künstlerverzeichnis. Große Kreisstadt Radebeul: König & Bauer AG.
  3. ^ a b Seitz, G. (2015). Dresdner Künstler im Blick. In 190 + 9 Ateliers. Dresden: Typostudio Schumacher Gebler GmbH, pp. 200, 201, 327. ISBN 9783941209367. OCLC 927940906.
  4. ^ A mitologia dos pré-colombianos na obra de Enrico Scotta. (1989, November 14). O Estado De São Paulo, Suplemento De Turismo, p 9.
  5. ^ Enrico Scotta. As civilizaçðes pré-colombianas inspiraram o artista. (1989, November 22). Veja em São Paulo, Exposições, p. 135.
  6. ^ Artes Plásticas: Enrico Scotta. (1989, November 6). Folha De São Paulo, São Paulo, Illustrada, p. F6.
  7. ^ Trabalho de Enrico Scotta. (1989, November 17). Folha Da Tarde, São Paulo, p. 5.
  8. ^ Artes plásticas: Enrico Scotta. (1989, November 18). Folha Da Tarde, São Paulo, p. 24.
  9. ^ Artes plásticas: Enrico Scotta. (1989, November 11). Folha Da Tarde, São Paulo, p. 21.
  10. ^ Giudici, G. (1989, November 20). Il noto pittore italiano Enrico Scotta espone nuovamente a San Paolo. I popoli del sole e del buio. Il Corriere, p. 11.
  11. ^ Sol e Escuridão. (1989, November 5). Diário Popular, p. 6.
  12. ^ O pintor italiano Enrico Scotta expõe no Espaço D'Artefacto. (1989, November 3). Brooklin News, São Paulo, p. 2. (" Enrico Scotta chamou a atenção de todos, colecionadores e críticos, pela sua técnica apuradíssima bem como pelo seu espírito inventivo. Essa mostra Ihe valéu o prémio "Super Cap de Ouro".).
  13. ^ Troféu Super Cap de Ouro/89 – Enrico Scotta. (1989, December 1). BIBI Augusta – O Jornal dos Jardins e Itaím, São Paulo, p. 8.
  14. ^ Troféu Super Cap de Ouro – o Oscar Brasileiro, Troféu Super Cap de Ouro/89 – Enrico Scotta. (1989, December 1). Interior News, Publicação conjunta: Jornal Zona Sul, Jornal Bibi Augusta, Jornal Brooklin News, Jornal do Morumbi, Jornal Higienópolis, Jornal Butantã News, São Paulo, p. 8.
  15. ^ "O Prêmio Super Cap de Ouro [foi] criado por Ronaldo Côrtes [e é considerado] o Oscar Brasileiro. [O prêmio é organizado pelo grupo jornalístico Ronaldo Côrtes e JBA - Jornais Associados] tem como objetivo premiar e homenagear os profissionais de diversos setores que se destacaram no ano anterior.", in 'Brasil está de luto pela morte do jornalista Ronaldo Côrtes'. (September 9, 2012). Associação Brasileira de Imprensa e Mídia Eletrônica.
  16. ^ Pinkert, W. (February 22, 1994). Aztekische Kult-Symbole in modernisierter Gestalt.Werke des italienischen Malers Enrico Scotta. Sächsische Zeitung, p. 12.
  17. ^ Jaegersberg, G. (ed.) (2014, revised edition). Ilhuicatl Meztli. Enrico Scotta. Berlin: Epubli GmbH. ISBN 9783844281927. OCLC 872704201. p. 5 (Registered on the global WorldCat library catalogue system).
  18. ^ Jägersberg, G. (ed.) (2014, revised edition). Ilhuicatl Meztli. Enrico Scotta, p. 2.
  19. ^ Jägersberg, G. (ed.) (2013). Das Universum ist rund. Enrico Scotta. Berlin: Epubli GmbH. ISBN 9783844254822. OCLC 864661463. p. 6. (Registered on the global WorldCat library catalogue system).
  20. ^ Kelch, S. (1996). Spur der Steine. Das Magazin, 3, pp. 60 – 61.
  21. ^ Weißflog, H. (1994, September 24/25). Mondschein-Aktion zwischen Sein und Stein. Der Künstler Enrico Scotta und der Frauenkirchen-Wiederaufbau. Dresdner Neueste Nachrichten, p. 9.
  22. ^ A arte de Enrico Scotta traz as marcas do tempo nas obras. (1988, August 8). Diário Popular, São Paulo, p. 5.
  23. ^ Exposições: Enrico Scotta. (1988, August 20). Veja em São Paulo, p. 98.
  24. ^ Visuais: Enrico Scotta. (1988, August, 10) O Estado De São Paulo, p. 8.
  25. ^ Giacomelli, D. (1988, August 15). Espone a San Paulo il pittore Perugino iperrealista Enrico Scotta.La realtà della materia. Il Corriere, p. 9.
  26. ^ Artes Plásticas: Enrico Scotta - obras mais caras vendidas na semana.(1988, August 8). Folha De São Paulo, p. 40.
  27. ^ Troféu Super Cap de Ouro 88. (1988, December 30). Jornal Zona Sul, , Publicação conjunta: Jornal Bibi Augusta, Jornal Brooklin News, Jornal do Morumbi, Jornal Interior News, Jornal Higienópolis, Jornal Butantã News, p. 9.
  28. ^ Super Cap Ouro 88., O "Oscar Brasileiro" – A festa do ano aconteceu no Gallery.São Paulo. (1988, December 23). BIBI Augusta – O Jornal dos Jardins e Itaím, p. 9.
  29. ^ Vostry, L. (1995, February 10). Frauenkirchen-Visionen in plastischem Sandstein. Ausstellung "Sand-Stein-Kirche" im Verkehrsmuseum. Sächsische Zeitung, p. 12.
  30. ^ Ruf, C. (1995, February 10). Sand-Stein-Kirche" im Verkehrsmuseum. Vom Sand zur Kirche. Dresdner Neueste Nachrichten, pp. 1, 7.
  31. ^ Petereit, E.-U. (1995) Der Stein stirbt nicht. Das Frauenkirchen-Projekt von Enrico Scotta. Dresdner – Die Illustrierte der Stadt, 2, pp. 1, 3, 8.
  32. ^ Frauenkirche bei "Dresden 2000". (1995, June 13). Sächsische Zeitung, p. 12.
  33. ^ Sagor, R. (1996, February14). Von altem Sand bis zur Vision Ausstellung im Landtag: Arbeiten von Enrico Scotta. Dresdner Neueste Nachrichten, p. 14.
  34. ^ Sagor, R. (1995, December 5). Die Frauenkirche in Bildern aus Sand. Enrico Scottas Werk ab Februar in Dresden zu sehen. Sächsische Zeitung, p. 12.
  35. ^ Klemm, B. (1996, February 13). Ausstellung zum Thema Sand-Stein-Kirche eröffnet. Enrico Scotta zeigt Visionen zur Frauenkirche. Sächsische Zeitung, p. 9.
  36. ^ Dobbertien, U. (1994, September 23). Frauenkirche aus Sand. Der italienische Künstler Enrico Scotta arbeitet an einem gigantischen Zyklus: 80 Werke über das protestantische Wahrzeichen Dresdens. Dresdner Morgenpost, p. 8.
  37. ^ Ein lebendiges Beispiel bikultureller Beziehungen ist die Ausstellung Sand-Stein-Kirche von Enrico Scotta im Schloß Belvedere bei Weimar. (1995, September 15). Thüringische Landeszeitung.
  38. ^ Enrico setzt auf Sand – für die Frauenkirche. (1995, July 27). Stadt-Anzeiger, Weimar.
  39. ^ Kuhlenkampff, I. (1996, August 26). Eine lange Geschichte und ihre Zukunft. Enrico Scottas Kunstprojekt "Sand-Stein-Kirche" in der Congress Union Celle. Cellesche Zeitung, p. 7.
  40. ^ Cellesche Zeitung (Schweiger & Pick Verlag Pfingsten GmbH & Co. KG) Scottas Sand-Stein-Kirche Celle, 20.08.1996, p. 8.
  41. ^ Ausstellung Frauenkirche "Sand-Stein-Kirche". (1996), Das Veranstaltungsmagazin der Congress Union Celle RONDO, September/November, pp. 28, 29.
  42. ^ Ausstellung Leipziger Messe in der Glashalle "Denkmal '96", vom 30.10. - 02.11.1996.
  43. ^ Ausstellung im Deutschen Architektur Zentrum (DAZ).Berlin, 1997.
  44. ^ In den Sand gezeichnet. Enrico Scotta zeigt seine Ansichten der Frauenkirche. (1995, December 7). Neue Osnabrücker Zeitung.
  45. ^ "Sand – Stein – Kirche" Enrico Scotta. (1996). Ausstellungen im Sächsischen Landtag, January – December 1996, pp. 4, 5.
  46. ^ Güttler, L. (1996). A few words of welcome. In Jaegersberg, G. (ed.). Kunst und Umwelt. Kunstprojekt Sand-Stein- Kirche von Enrico Scotta – Schaffensphase September 1993 bis Januar 1996. Dresden: Druckhaus Dresden GmbH, p, 7. (Registered on the global WorldCat library catalogue system).
  47. ^ Visonäres Projekt Enrico Scottas. Schau "Sand-Stein-Kirche".(September 6, 1995). Deutsch-Italienische Kulturbörse (VDIG). Unter der Schirmherrschaft des Botschafters der Republik Italien in Deutschland.
  48. ^ Sand – Stein - Kirche. Benefizaktion zur Unterstützung des Wiederaufbaus der Dresdner Frauenkirche. (1995). Nuova Gazzetta di Weimar Mitteilungen der DIGIT – Società Dante Alighieri, Comitato di Weimar Weimar, (7 July), pp. 3, 6.
  49. ^ Pinkert, W. (1995). Ein Italiener in Deutschland – Enrico Scottas Projekt Sand-Stein-Kirche. Eccetera Kulturmagazin für Deutsch-Italienische Gesellschaften, 3(3). Rinkerode: Basal Verlag, pp. 34, 44, 45. ISSN 0944-4319
  50. ^ Mackrodt, G. (1995). IV. Deutsch-Italienische Kulturbörse und italienische Kulturtage, ausgerichtet von der DIGIT e.V. Weimar Kultur Journal, 9 (September), p. 35.
  51. ^ a b Wendt, B. (1995, June 13). Skulpturen ohne Hammer und Meißel. Enrico Scotta: Erotik als allumfassender Lebensbegriff. Märkische Allgemeine, p. 17.
  52. ^ Ricchieri, S. (1984). Marzo mese italiano. Enrico Scotta. Strada. Periodico di attualità ed informazione per gli italiani residenti in Olanda, 4, p. 11–12.
  53. ^ Thijn, C.J.P. (1984) Enrico Scotta, Martinikerk. Katalogus. Maart Italiaanse Maand, pp. 2, 3.
  54. ^ Italienische Kulturwochen in Groningen. Enrico Scotta stellt aus. (1984, March 22). Ruhr Nachrichten, p. Bo 2.
  55. ^ Mostra pro-terremotati.Roma, (1980, December 3). Il Messagero.
  56. ^ Gemälde zugunsten der Frauenkirche. (1997, October 10). Sächsische Zeitung, p. 10.
  57. ^ Egger. (1997, October 24). Enrico Scotta schuf 30 Kilogramm schweres Bild. Dresdner Neueste Nachrichten.
  58. ^ Reischl, J. (1995). Sandbilder für den Wiederaufbau der Frauenkirche. Der italienische Künstler Enrico Scotta unterstützt die Finanzierung des Wiederaufbaus der Frauenkirche durch sein Kunstprojekt "Sand-Stein-Kirche". Naturstein 7, p. 105.
  59. ^ Alla Rocca Paolina. Le opere di 50 artisti per il "Bene comune". (1992, December 20). La Nazione.
  60. ^ Klempnow, B. (1994, May 18). "Custer-Schlacht" ist gereinigt. Erstmals Bilder-Restaurierung im Karl-May-Museum Radebeul. Sächsische Zeitung, p. 5.
  61. ^ Wittchen, W. (1995, March 20). "Das Gewissen" kehrt ins Karl-May-Museum zurück. Sächsische Zeitung, p. 1.
  62. ^ Erotische Energie von Steinen fühlbar durch Pinsel und Farbe. (1995). Naturstein, 2, p.128.
  63. ^ Erotische Steine im Werbehaus. (1994, October, 27). Sächsische Zeitung, p. 9.
  64. ^ Altmann, R. (1995, June 13). Erotische Steine. Arbeiten von Enrico Scotta auf der Freundschaftsinsel. Potsdamer Neueste Nachrichten, p. 21.
  65. ^ Altmann, R. (1995, June 14). Die Lust der Steine im Garten Eden. Enrico Scotta findet Erotik in allem, was ihn umgibt. Potsdamer Neueste Nachrichten, p. 21.
  66. ^ The World's Greatest Erotic Art of Today. Miami: ES Publishing. 2008. pp. 251, 258. ISBN 978-0-9795964-5-2.
  67. ^ . Archived from the original on 2017-10-01. Retrieved 2018-01-13.{{cite web}}: CS1 maint: archived copy as title (link)
  68. ^ "DBU - the German Federal Environmental Foundation (Deutsche Bundesstiftung Umwelt DBU) | Englisch".

External links Edit

  • Official website

enrico, scotta, this, article, orphan, other, articles, link, please, introduce, links, this, page, from, related, articles, find, link, tool, suggestions, december, 2018, born, september, 1949, italian, painter, sculptor, worked, exhibited, italy, germany, br. This article is an orphan as no other articles link to it Please introduce links to this page from related articles try the Find link tool for suggestions December 2018 Enrico Scotta born 15 September 1949 is an Italian painter and sculptor 1 2 He has worked and exhibited in Italy Germany and Brazil Enrico ScottaBorn 1949 09 15 15 September 1949 age 73 NationalityItalianAlma materAccademia di Belle ArtiKnown forPainting sculptureAwardsArtist of the Year Sao Paulo 1988 and 1989Websiteenrico scotta wbr de Contents 1 Early life and education 2 Artistic career 3 Charitable work 4 Major works 4 1 Selected solo exhibitions 5 Awards 6 References 7 External linksEarly life and education EditEnrico Scotta was born in 1949 in Perugia Italy where he studied at the Accademia di Belle Arti He qualified in drawing painting and ceramics and later trained in the restoration of paintings 3 Since 1998 he has been based in Radebeul Germany near Dresden where his gallery is located 3 Artistic career EditScotta s paintings and sculptures are inspired by the archetypal myths and symbols of different cultures and by female beauty and its association with creation and regeneration These often symbolic representations draw upon the physical and historical qualities of natural materials and man made artefacts Scotta was initially inspired by the frescoes paintings and historic monuments from the Etruscan Roman medieval and Renaissance past of Perugia His early works draw mainly on European myths Later during his long stay in Latin America his studies of pre Hispanic history and cultures in Mexico and Peru strongly influenced his works One example of this is the extensive art project O Povo do Sol e o Povo da Escuridao The people of the Sun the People of the Darkness 4 5 6 7 8 9 which focuses on ancient Aztec civilisation its myths its gods and its total destruction during the Spanish conquest 10 11 The Brazilian Brooklin News noted on the exhibition of this project that Enrico Scotta captured the attention of everyone collectors and critics for the perfection of his technique and his inventive spirit For this exhibition he was honoured with the award Super Cap de Ouro as the Brazilian Artist of the year 12 13 14 15 Another cycle of paintings inspired by Aztec culture is Scotta s lunar cycle Ilhuicatl Meztli The Celestial Path of the Moon comprising eight round canvases 16 The Moon Goddess represents the waxing and waning phases of the moon together with many of the associated Aztec symbols This cycle of paintings uses the female goddess to symbolise the generative power of the Universe 17 which Scotta stated as La femminilita e l espressione divina della creazione universale Woman is the divine expression of universal creation 18 Scotta created his own mythical cosmos using recurring archetypal symbols and images that echoed across history such as the Great Earth Mother priestesses the Uroboros the phoenix the tree of life the moon fertility goddesses water creatures and hermaphrodites 19 His work also highlights his long fascination with the qualities of materials such as stone and the historical and cultural stories embodied in them 20 In a series of paintings stone reliefs interact with the figures and objects in ways which play on their different qualities 21 This fascination is also evident in projects such as Pedra e Ferro Stone and Iron 22 23 24 25 26 in Brazil for which he was honoured as the Brazilian Artist of the year Trofeu Super Cap Ouro 27 28 In Germany Sand Stein Kirche Sand Stone Church was a project about the Dresden Frauenkirche presented in Dresden 29 30 31 32 33 34 35 36 Weimar 37 38 Celle 39 40 41 Leipzig 42 Berlin 43 and Osnabruck 44 It examines the evolution of an iconic architectural monument throughout its creation from sand to stone to sandstone and the cycle of construction destruction and reconstruction using canvases to highlight the Frauenkirche as materially historically and culturally connected to other heritage sites 45 Scotta s work has often promoted cross cultural dialogue Ludwig Guttler curator of the Frauenkirche foundation said that Scotta s travelling exhibition eloquently promotes the Frauenkirche s cultural value and announces its current reconstruction to the world 46 better source needed Scotta and his work have been the focus of various bi cultural Italian events organised by the Societa Dante Alighieri in cities such as Weimar 47 48 49 50 and Potsdam 51 He was also Beatrix of the Netherlands s guest of honour in Groningen during Italian Month in 1984 52 53 54 Charitable work EditScotta s cultural and social commitment is evident in a series of charitable art projects he has organised to raise money for victims of the 1980 Irpinia earthquake 55 and for the reconstruction of the Frauenkirche 56 57 58 He has also taken part in various charity auctions and a collective exhibition for the Associazione Umbria per la Ricostruzione chirugica AURC in Perugia 59 A further charitable activity was his restoration of a series of paintings in the Karl May Museum Radebeul Germany 60 61 Major works Edit O Povo do Sol e o Povo da Escuridao The people of the Sun the People of the Darkness Ilhuicatl Meztli The Celestial Path of the Moon eight round canvases Pedra e Ferro Stone and Iron Erotische Steine Erotic Stones presented in Dresden 62 63 and Potsdam 64 65 51 66 Sand Stein Kirche Sand Stone Church Selected solo exhibitions Edit Scotta has an international profile of award winning projects and solo exhibitions Selected solo exhibitions are listed below and a complete list can be found on his website 67 Italy Festival dei Due Mondi Rome Ergife Palace Hotel Verona Galleria Nuova Scaligera Germany Dresden Verkehrsmuseum The Dresden Fair Dresden2000 Projects and Visions Saxon Parliament BSTU under the patronage of the Saxon Minister of Education and Arts Weimar The Orangery Belvedere Castle Osnabruck German Federal Environmental Foundation Bundesumweltstiftung 68 Celle Congress Union Leipzig Leipzig Fair denkmal 96 Berlin Deutsches Architektur Zentrum The Netherlands Groningen Martinikerk during the Italian Cultural Weeks Brazil Espaҫo D Artefacto Sao PauloAwards EditScotta has won a series of international awards including Queen Beatrix Award from Queen Beatrix of the Netherlands Groningen 1984 Brazilian Artist of the Year Trofeu Super Cap Ouro Sao Paulo 1988 Brazilian Artist of the Year Trofeu Super Cap Ouro Sao Paulo 1989References Edit Bianchi G amp Durati M eds 1984 Arte in Umbria Enciclopedia Artisti Umbri Todi Editrice Sigla Tre pp 549 552 Gerhard K ed 2000 Kunstlerverzeichnis Grosse Kreisstadt Radebeul Konig amp Bauer AG a b Seitz G 2015 Dresdner Kunstler im Blick In 190 9 Ateliers Dresden Typostudio Schumacher Gebler GmbH pp 200 201 327 ISBN 9783941209367 OCLC 927940906 A mitologia dos pre colombianos na obra de Enrico Scotta 1989 November 14 O Estado De Sao Paulo Suplemento De Turismo p 9 Enrico Scotta As civilizacdes pre colombianas inspiraram o artista 1989 November 22 Veja em Sao Paulo Exposicoes p 135 Artes Plasticas Enrico Scotta 1989 November 6 Folha De Sao Paulo Sao Paulo Illustrada p F6 Trabalho de Enrico Scotta 1989 November 17 Folha Da Tarde Sao Paulo p 5 Artes plasticas Enrico Scotta 1989 November 18 Folha Da Tarde Sao Paulo p 24 Artes plasticas Enrico Scotta 1989 November 11 Folha Da Tarde Sao Paulo p 21 Giudici G 1989 November 20 Il noto pittore italiano Enrico Scotta espone nuovamente a San Paolo I popoli del sole e del buio Il Corriere p 11 Sol e Escuridao 1989 November 5 Diario Popular p 6 O pintor italiano Enrico Scotta expoe no Espaco D Artefacto 1989 November 3 Brooklin News Sao Paulo p 2 Enrico Scotta chamou a atencao de todos colecionadores e criticos pela sua tecnica apuradissima bem como pelo seu espirito inventivo Essa mostra Ihe valeu o premio Super Cap de Ouro Trofeu Super Cap de Ouro 89 Enrico Scotta 1989 December 1 BIBI Augusta O Jornal dos Jardins e Itaim Sao Paulo p 8 Trofeu Super Cap de Ouro o Oscar Brasileiro Trofeu Super Cap de Ouro 89 Enrico Scotta 1989 December 1 Interior News Publicacao conjunta Jornal Zona Sul Jornal Bibi Augusta Jornal Brooklin News Jornal do Morumbi Jornal Higienopolis Jornal Butanta News Sao Paulo p 8 O Premio Super Cap de Ouro foi criado por Ronaldo Cortes e e considerado o Oscar Brasileiro O premio e organizado pelo grupo jornalistico Ronaldo Cortes e JBA Jornais Associados tem como objetivo premiar e homenagear os profissionais de diversos setores que se destacaram no ano anterior in Brasil esta de luto pela morte do jornalista Ronaldo Cortes September 9 2012 Associacao Brasileira de Imprensa e Midia Eletronica Pinkert W February 22 1994 Aztekische Kult Symbole in modernisierter Gestalt Werke des italienischen Malers Enrico Scotta Sachsische Zeitung p 12 Jaegersberg G ed 2014 revised edition Ilhuicatl Meztli Enrico Scotta Berlin Epubli GmbH ISBN 9783844281927 OCLC 872704201 p 5 Registered on the global WorldCat library catalogue system Jagersberg G ed 2014 revised edition Ilhuicatl Meztli Enrico Scotta p 2 Jagersberg G ed 2013 Das Universum ist rund Enrico Scotta Berlin Epubli GmbH ISBN 9783844254822 OCLC 864661463 p 6 Registered on the global WorldCat library catalogue system Kelch S 1996 Spur der Steine Das Magazin 3 pp 60 61 Weissflog H 1994 September 24 25 Mondschein Aktion zwischen Sein und Stein Der Kunstler Enrico Scotta und der Frauenkirchen Wiederaufbau Dresdner Neueste Nachrichten p 9 A arte de Enrico Scotta traz as marcas do tempo nas obras 1988 August 8 Diario Popular Sao Paulo p 5 Exposicoes Enrico Scotta 1988 August 20 Veja em Sao Paulo p 98 Visuais Enrico Scotta 1988 August 10 O Estado De Sao Paulo p 8 Giacomelli D 1988 August 15 Espone a San Paulo il pittore Perugino iperrealista Enrico Scotta La realta della materia Il Corriere p 9 Artes Plasticas Enrico Scotta obras mais caras vendidas na semana 1988 August 8 Folha De Sao Paulo p 40 Trofeu Super Cap de Ouro 88 1988 December 30 Jornal Zona Sul Publicacao conjunta Jornal Bibi Augusta Jornal Brooklin News Jornal do Morumbi Jornal Interior News Jornal Higienopolis Jornal Butanta News p 9 Super Cap Ouro 88 O Oscar Brasileiro A festa do ano aconteceu no Gallery Sao Paulo 1988 December 23 BIBI Augusta O Jornal dos Jardins e Itaim p 9 Vostry L 1995 February 10 Frauenkirchen Visionen in plastischem Sandstein Ausstellung Sand Stein Kirche im Verkehrsmuseum Sachsische Zeitung p 12 Ruf C 1995 February 10 Sand Stein Kirche im Verkehrsmuseum Vom Sand zur Kirche Dresdner Neueste Nachrichten pp 1 7 Petereit E U 1995 Der Stein stirbt nicht Das Frauenkirchen Projekt von Enrico Scotta Dresdner Die Illustrierte der Stadt 2 pp 1 3 8 Frauenkirche bei Dresden 2000 1995 June 13 Sachsische Zeitung p 12 Sagor R 1996 February14 Von altem Sand bis zur Vision Ausstellung im Landtag Arbeiten von Enrico Scotta Dresdner Neueste Nachrichten p 14 Sagor R 1995 December 5 Die Frauenkirche in Bildern aus Sand Enrico Scottas Werk ab Februar in Dresden zu sehen Sachsische Zeitung p 12 Klemm B 1996 February 13 Ausstellung zum Thema Sand Stein Kirche eroffnet Enrico Scotta zeigt Visionen zur Frauenkirche Sachsische Zeitung p 9 Dobbertien U 1994 September 23 Frauenkirche aus Sand Der italienische Kunstler Enrico Scotta arbeitet an einem gigantischen Zyklus 80 Werke uber das protestantische Wahrzeichen Dresdens Dresdner Morgenpost p 8 Ein lebendiges Beispiel bikultureller Beziehungen ist die Ausstellung Sand Stein Kirche von Enrico Scotta im Schloss Belvedere bei Weimar 1995 September 15 Thuringische Landeszeitung Enrico setzt auf Sand fur die Frauenkirche 1995 July 27 Stadt Anzeiger Weimar Kuhlenkampff I 1996 August 26 Eine lange Geschichte und ihre Zukunft Enrico Scottas Kunstprojekt Sand Stein Kirche in der Congress Union Celle Cellesche Zeitung p 7 Cellesche Zeitung Schweiger amp Pick Verlag Pfingsten GmbH amp Co KG Scottas Sand Stein Kirche Celle 20 08 1996 p 8 Ausstellung Frauenkirche Sand Stein Kirche 1996 Das Veranstaltungsmagazin der Congress Union Celle RONDO September November pp 28 29 Ausstellung Leipziger Messe in der Glashalle Denkmal 96 vom 30 10 02 11 1996 Ausstellung im Deutschen Architektur Zentrum DAZ Berlin 1997 In den Sand gezeichnet Enrico Scotta zeigt seine Ansichten der Frauenkirche 1995 December 7 Neue Osnabrucker Zeitung Sand Stein Kirche Enrico Scotta 1996 Ausstellungen im Sachsischen Landtag January December 1996 pp 4 5 Guttler L 1996 A few words of welcome In Jaegersberg G ed Kunst und Umwelt Kunstprojekt Sand Stein Kirche von Enrico Scotta Schaffensphase September 1993 bis Januar 1996 Dresden Druckhaus Dresden GmbH p 7 Registered on the global WorldCat library catalogue system Visonares Projekt Enrico Scottas Schau Sand Stein Kirche September 6 1995 Deutsch Italienische Kulturborse VDIG Unter der Schirmherrschaft des Botschafters der Republik Italien in Deutschland Sand Stein Kirche Benefizaktion zur Unterstutzung des Wiederaufbaus der Dresdner Frauenkirche 1995 Nuova Gazzetta di Weimar Mitteilungen der DIGIT Societa Dante Alighieri Comitato di Weimar Weimar 7 July pp 3 6 Pinkert W 1995 Ein Italiener in Deutschland Enrico Scottas Projekt Sand Stein Kirche Eccetera Kulturmagazin fur Deutsch Italienische Gesellschaften 3 3 Rinkerode Basal Verlag pp 34 44 45 ISSN 0944 4319 Mackrodt G 1995 IV Deutsch Italienische Kulturborse und italienische Kulturtage ausgerichtet von der DIGIT e V Weimar Kultur Journal 9 September p 35 a b Wendt B 1995 June 13 Skulpturen ohne Hammer und Meissel Enrico Scotta Erotik als allumfassender Lebensbegriff Markische Allgemeine p 17 Ricchieri S 1984 Marzo mese italiano Enrico Scotta Strada Periodico di attualita ed informazione per gli italiani residenti in Olanda 4 p 11 12 Thijn C J P 1984 Enrico Scotta Martinikerk Katalogus Maart Italiaanse Maand pp 2 3 Italienische Kulturwochen in Groningen Enrico Scotta stellt aus 1984 March 22 Ruhr Nachrichten p Bo 2 Mostra pro terremotati Roma 1980 December 3 Il Messagero Gemalde zugunsten der Frauenkirche 1997 October 10 Sachsische Zeitung p 10 Egger 1997 October 24 Enrico Scotta schuf 30 Kilogramm schweres Bild Dresdner Neueste Nachrichten Reischl J 1995 Sandbilder fur den Wiederaufbau der Frauenkirche Der italienische Kunstler Enrico Scotta unterstutzt die Finanzierung des Wiederaufbaus der Frauenkirche durch sein Kunstprojekt Sand Stein Kirche Naturstein 7 p 105 Alla Rocca Paolina Le opere di 50 artisti per il Bene comune 1992 December 20 La Nazione Klempnow B 1994 May 18 Custer Schlacht ist gereinigt Erstmals Bilder Restaurierung im Karl May Museum Radebeul Sachsische Zeitung p 5 Wittchen W 1995 March 20 Das Gewissen kehrt ins Karl May Museum zuruck Sachsische Zeitung p 1 Erotische Energie von Steinen fuhlbar durch Pinsel und Farbe 1995 Naturstein 2 p 128 Erotische Steine im Werbehaus 1994 October 27 Sachsische Zeitung p 9 Altmann R 1995 June 13 Erotische Steine Arbeiten von Enrico Scotta auf der Freundschaftsinsel Potsdamer Neueste Nachrichten p 21 Altmann R 1995 June 14 Die Lust der Steine im Garten Eden Enrico Scotta findet Erotik in allem was ihn umgibt Potsdamer Neueste Nachrichten p 21 The World s Greatest Erotic Art of Today Miami ES Publishing 2008 pp 251 258 ISBN 978 0 9795964 5 2 Archived copy Archived from the original on 2017 10 01 Retrieved 2018 01 13 a href Template Cite web html title Template Cite web cite web a CS1 maint archived copy as title link DBU the German Federal Environmental Foundation Deutsche Bundesstiftung Umwelt DBU Englisch External links EditOfficial website Retrieved from https en wikipedia org w index php title Enrico Scotta amp oldid 1169468139, wikipedia, wiki, book, books, library,

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