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Domenico Scarlatti

May 04, 2023

For other people named Scarlatti, see Scarlatti (disambiguation).

Giuseppe Domenico Scarlatti, also known as Domingo or Doménico Scarlatti (26 October 1685 – 23 July 1757), was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti, he composed in a variety of musical forms, although today he is known mainly for his 555 keyboard sonatas.[1] He spent much of his life in the service of the Portuguese and Spanish royal families.

Giuseppe Domenico Scarlatti
Portrait of Domenico Scarlatti wearing the Order of Santiago, by Domingo Antonio Velasco (1738)
Born26 October 1685 (N.S.)
Naples, Kingdom of Naples
Died23 July 1757(1757-07-23) (aged 71)
Madrid, Spain
WorksList of compositions

Life and career

Scarlatti was born in Naples, Kingdom of Naples, belonging to the Spanish Crown. He was born in 1685, the same year as Johann Sebastian Bach and George Frideric Handel.[1] He was the sixth of ten children of the composer and teacher Alessandro Scarlatti. His older brother Pietro Filippo was also a musician.

Scarlatti first studied music under his father.[2] Other composers who may have been his early teachers include Gaetano Greco, Francesco Gasparini, and Bernardo Pasquini, all of whom may have influenced his musical style. Muzio Clementi brought Scarlatti's sonatas into the classical style by editing what is known to be their first publication.[3]

Scarlatti was appointed as a composer and organist at the Chapel Royal of Naples in 1701 and briefly worked under his father, who was then the chapel's maestro di cappella. In 1703 he revised Carlo Francesco Pollarolo's opera Irene for performance at Naples. Soon after, his father sent him to Venice. After this, nothing is known of his life until 1709, when he went to Rome and entered the service of the exiled Polish queen Marie Casimir. It was there he met Thomas Roseingrave. Scarlatti was already an accomplished harpsichordist; there is a story of a trial of skill with George Frideric Handel at the palace of Cardinal Ottoboni in Rome, where Scarlatti was judged possibly superior to Handel on the harpsichord, although inferior on the organ. Later in life, he was known to cross himself in veneration when speaking of Handel's skill.[4]

While in Rome, Scarlatti composed several operas for Queen Casimir's private theatre. He was Maestro di Cappella at St. Peter's from 1715 to 1719. In 1719 he travelled to London to direct his opera Narciso at the King's Theatre.

According to Vicente Bicchi, Papal Nuncio in Portugal at the time, Scarlatti arrived in Lisbon on 29 November 1719. There he taught music to the Portuguese princess Maria Magdalena Barbara. He left Lisbon on 28 January 1727 for Rome, where he married Maria Caterina Gentili on 6 May 1728. In 1729 he moved to Seville, staying for four years. In 1733, he went to Madrid as a music master to Princess Maria Barbara, who had married into the Spanish royal house. She later became Queen of Spain. Scarlatti remained in Spain for the remaining 25 years of his life and had five children there. After his wife died in 1739, he married a Spaniard, Anastasia Maxarti Ximenes. Among his compositions during his time in Madrid were most of the 555 keyboard sonatas for which he is best known.

Scarlatti befriended the castrato singer Farinelli, a fellow Neapolitan also enjoying royal patronage in Madrid. Musicologist and harpsichordist Ralph Kirkpatrick commented that Farinelli's correspondence provides "most of the direct information about Scarlatti that has transmitted itself to our day".

Scarlatti died in Madrid at the age of 71. His residence at 35 Calle de Leganitos is designated with a historical plaque, and his descendants still live in Madrid. He was buried at a convent there, but his grave no longer exists.

Minor planet 6480 Scarlatti is named in his honour.[5]

Music

See also: List of solo keyboard sonatas by Domenico Scarlatti
 
Sonata in D minor K. 9, Allegretto
Performed on a harpsichord by Martha Goldstein
Sonata in E major K. 20, Presto
Performed on a harpsichord by Martha Goldstein
Sonata in B minor K. 27, Allegro
Performed on a piano by Raymond Smullyan
Sonata in F minor K. 69
Performed on a spinet by Ulrich Metzner
Sonata in B minor K. 87
Performed on a digital harpsichord
Sonata in C major K. 159, Allegro
Performed on a piano by Veronica van der Knaap
Sonata in B minor K. 377
MIDI rendition
Sonata in E major K. 380, Andante comodo
Performed on a piano by Raymond Smullyan
Sonata in F minor K. 466
Performed on a digital harpsichord
Sonata in E major K. 531, Allegro
Performed on a piano by Raymond Smullyan
Problems playing these files? See media help.

Only a small number of Scarlatti's compositions were published during his lifetime. Scarlatti himself seems to have overseen the publication in 1738 of the most famous collection, his 30 Essercizi (Exercises). They were well received throughout Europe and were championed by the foremost English writer on music of the eighteenth century, Charles Burney. Burney wrote that the harpsichordist Joseph Kelway was "head of the Scarlatti sect", a group of English musicians that championed Scarlatti as early as 1739, also including Thomas Roseingrave.[6][7]

The many sonatas unpublished during Scarlatti's lifetime have appeared in print irregularly in the past two and a half centuries. He has attracted notable admirers, including Béla Bartók, Arturo Benedetti Michelangeli, Pieter-Jan Belder, Johann Sebastian Bach, Muzio Clementi, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Carl Czerny, Franz Liszt, Johannes Brahms, Frédéric Chopin, Claude Debussy, Emil Gilels, Francis Poulenc, Olivier Messiaen, Enrique Granados, Marc-André Hamelin, Vladimir Horowitz, Ivo Pogorelić, Scott Ross (the first performer to record all 555 sonatas), Heinrich Schenker, András Schiff and Dmitri Shostakovich.[citation needed]

Scarlatti's 555 keyboard sonatas are single movements, mostly in binary form, and some in early sonata form, and mostly written for harpsichord or the earliest pianofortes. (There are four for the organ, and a few for the small instrumental groups). Some display harmonic audacity in their use of discords, and unconventional modulations to remote keys.

Other distinctive attributes of his music are:

  • The influence of Iberian (Portuguese and Spanish) folk music. An example is his use of the Phrygian mode and other tonal inflections more or less alien to European art music. Many of his figurations and dissonances are suggestive of the guitar.[disputed – discuss]
  • The influence of the Spanish guitar can be seen in notes being played repeatedly.[8]
  • A formal device where each half of a sonata leads to a pivotal point, which Kirkpatrick termed "the crux", and which is sometimes underlined by a pause or fermata. Before the crux, Scarlatti sonatas often contain their main thematic variety, and after the crux, the music makes more use of repetitive figurations as it modulates away from the home key (in the first half) or back to the home key (in the second half).
  • Its tendency to be in the galant style.[9]

Kirkpatrick produced an edition of the sonatas in 1953, and the numbering from this edition—the Kk. or K. number—is now nearly always used. Previously, the numbering commonly used was from the 1906 edition compiled by Neapolitan pianist Alessandro Longo (L. numbers). Kirkpatrick's numbering is chronological, while Longo's ordering is a result of his arbitrarily grouping the sonatas into "suites". In 1967 the Italian musicologist Giorgio Pestelli published a revised catalog (using P. numbers), which corrected what he considered to be some anachronisms, and added some sonatas missing from Kirkpatrick's edition.[10] Although the exact composition dates for these surviving sonatas are not known, Kirkpatrick concluded that they might all have been composed late in Scarlatti's career (after 1735), with most of them possibly written after the composer's 67th birthday.[11][12]

Aside from his many sonatas, Scarlatti composed several operas, cantatas, and liturgical pieces. Well-known works include the Stabat Mater of 1715, and the Salve Regina of 1756, which is thought to be his last composition.

Selected discography

Complete works

  • L'Œuvre pour clavier, Scott Ross (1988, 34 CDs Erato/Radio France) OCLC 725539860, 935869199
  • Domenico Scarlatti: The Complete Sonatas, Richard Lester, harpsichord & fortepiano (2001–2005, 39 CDs in 7 volumes Nimbus Records NI 1725/NI 1741) OCLC 1071943740.
  • Keyboard Sonatas, Emilia Fadini, Ottavio Dantone, Sergio Vartolo, Marco Farolfi, Enrico Baiano..., harpsichord, fortepiano, organ (1999–2012, 12 CDs Stradivarius) – in progress
  • Keyboard Sonatas, Pieter-Jan Belder, harpsichord & fortepiano (2012, 36 CDs Brilliant Classics)
  • Keyboard Sonatas, Carlo Grante, Bösendorfer Imperial piano (2009–2020, 35 CDs in 6 volumes Music & Arts)

Piano recitals

  • 2 Sonatas: Sonata K. 9 and Sonata K. 380 – Dinu Lipatti, piano (20 February and 27 September 1947, EMI / 12 CDs Hänssler PH17011)
  • 4 Sonatas : Sonata K. 1, Sonata K. 87, Sonata K. 193, and Sonata K. 386 – Clara Haskil, piano (? 1947, BBC / « Inédits Haskil » Tahra TAH 389 / TAH 4025)
  • 11 Sonatas: Sonata K. 1, Sonate K. 35, Sonata K. 87, Sonata K. 132, Sonata K. 193, Sonata K. 247, Sonata K. 322, Sonata K. 386, Sonata K. 437, Sonata K. 515, Sonata K. 519 – Clara Haskil, piano (October 1951, Westminster/DG 471 214-2)
  • 3 Sonatas: Sonata K. 87, Sonata K. 193, and Sonata K. 386 – Clara Haskil, piano (October 1951, Philips)
  • The Siena Pianoforte: 6 Scarlatti sonatas (and 3 sonatas of Mozart) – Charles Rosen, Siena piano (1955, Counterpoint/Esoteric / Everest Records CPT 53000)
  • 37 Piano Sonatas : Vladimir Horowitz (1946–1981, Complete Recordings RCA and CBS/Sony Classical)
  • 33 Sonatas : Christian Zacharias, piano (1979, 1981, 1984, EMI)
  • 18 sonatas : Maria Tipo, piano (27–28 November 1987, EMI CDC 7 49078 2) OCLC 840330787
  • 15 sonatas : Ivo Pogorelich, piano (September 1991, DG) OCLC 823888417
  • Scarlatti: Keyboard Sonatas : Mikhail Pletnev, piano (October 1994, Virgin Classics 5181862) OCLC 607181242
  • 16 Sonatas : Christian Zacharias, piano (1995, EMI)
  • 20 Sonatas : Valerie Tryon, piano (18 and 28 September 1999, Appian Publications & Recordings [APR]) OCLC 48744435
  • 14 Sonatas: Christian Zacharias, piano (June 2002, MDG 34011622)
  • 18 Sonatas : Racha Arodaky, piano (17–21 July 2005, Zig-Zag Territoires) OCLC 232578921
  • Scarlatti: Piano Sonatas : Yevgeny Sudbin, piano (2005, BIS)
  • Alexandre Tharaud joue Scarlatti : 18 sonatas (30 August/3 September 2010, Virgin Classics) OCLC 898257762[13]
  • Scarlatti: 18 Sonatas: Yevgeny Sudbin, piano (2016, BIS) OCLC 1085343249
  • Scarlatti: 52 Sonatas: Lucas Debargue, piano (2019, Sony Music)

Fortepiano recitals

  • Sonate per cembalo, 1742, Francesco Cera, harpsichord & fortepiano (7–9 March 2000, March 2001, October 2002, 3 CD Tactus) OCLC 50303672
  • Sonates – Una nuova inventione per Maria Barbara, Aline Zylberajch, fortepiano after Cristofori (2005, Ambronay)

Harpsichord recitals

Vocal music

References

  1. ^ a b Kirkpatrick, Ralph. "Domenico Scarlatti". Encyclopædia Britannica Online.
  2. ^ "Domenico Scarlatti". ArkivMusic: the source for classical music.
  3. ^ Caldo, Laura. . Anuario Musical. 72: 123–136. Archived from the original on 5 August 2020. Retrieved 2 October 2018.
  4. ^ Boyd, Malcolm. Domenico Scarlatti: Master of Music (1986)
  5. ^ |(6479) Leoconnolly In: Dictionary of Minor Planet Names. Springer. 2003. doi:10.1007/978-3-540-29925-7_5896. ISBN 978-3-540-29925-7.
  6. ^ Kroll, Mark. Bach, Handel and Scarlatti: Reception in Britain, 1750-1850, (2023), p. 13
  7. ^ Charles Burney. A General History of Music (1789), 1957 edition ed. Frank Mercer, Vol.2, p. 1009
  8. ^ Barkley, Lisa; Bryan, Clark, eds. (1999). Conservatory Canada New Millennium Piano Series. Waterloo Music Company Ltd. However, the guitar was hardly restricted to Iberia at the time.
  9. ^ Barkley, Lisa; Bryan, Clark, eds. (1999). Conservatory Canada New Millennium Piano Series.
  10. ^ See List of solo keyboard sonatas by Domenico Scarlatti for a list converting Longo, Kirkpatrick, Pistelli, and Czerny numbers of Scarlatti's sonatas.
  11. ^ Kirkpatrick, Ralph (1983). Domenico Scarlatti: Revised Edition. Princeton, NJ: Princeton University Press. p. 145. ISBN 0-691-09101-3.
  12. ^ Downs, Philip G. (1992). Classical Music. New York: Norton. p. 49. ISBN 0-393-95191-X.
  13. ^ "Tharaud interprète Scarlatti". lexpress.fr (in French). 20 January 2011.

Further reading

  • Kirkpatrick, Ralph (1953). Domenico Scarlatti. Princeton University Press. ISBN 0-691-02708-0.
  • Domenico Scarlatti. Sixty Sonatas in Two volumes, edited in chronological order from the manuscripts and earliest printed sources with a preface by Ralph Kirkpatrick, New York, G. Schirmer, 1953.
  • D. Scarlatti. Sonates, in 11 volumes, ed. Kenneth Gilbert after the Venice manuscripts, Paris, Heugel, coll. « Le Pupitre », from 1975 to 1984.
  • Domenico Scarlatti. Complete Keyboard Works, in facsimile from the manuscript (Parma) and printed sources, rev. Ralph Kirkpatrick, New York, Johnson Reprint Corporation, 1971.
  • Scarlatti, Domenico. Sonate per cembalo del Cavalier Dn. Domenico Scarlatti. Complete facsimile of the Venice manuscripts in 15 volumes. Archivum Musicum: Monumenta Musicae Revocata, 1/I–XV. Florence, 1985–1992.
  • Yáñez Navarro, Celestino (2012). "Obras de Domenico Scarlatti, Antonio Soler y Manuel Blasco de Nebra en un manuscrito misceláneo de tecla del Archivo de Música de las Catedrales de Zaragoza". Anuario Musical (77): 45–102. doi:10.3989/anuariomusical.2012.67.137.
  • Yáñez Navarro, Celestino (2015). Nuevas aportaciones para el estudio de las sonatas de Domenico Scarlatti. Los manuscritos del Archivo de música de las Catedrales de Zaragoza (doctoral thesis). Universidad Autónoma de Barcelona.

External links

 
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Domenico Scarlatti

May 04, 2023
domenico, scarlatti, other, people, named, scarlatti, scarlatti, disambiguation, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, fi. For other people named Scarlatti see Scarlatti disambiguation This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Domenico Scarlatti news newspapers books scholar JSTOR November 2007 Learn how and when to remove this template message Giuseppe Domenico Scarlatti also known as Domingo or Domenico Scarlatti 26 October 1685 23 July 1757 was an Italian composer He is classified primarily as a Baroque composer chronologically although his music was influential in the development of the Classical style Like his renowned father Alessandro Scarlatti he composed in a variety of musical forms although today he is known mainly for his 555 keyboard sonatas 1 He spent much of his life in the service of the Portuguese and Spanish royal families Giuseppe Domenico ScarlattiPortrait of Domenico Scarlatti wearing the Order of Santiago by Domingo Antonio Velasco 1738 Born26 October 1685 N S Naples Kingdom of NaplesDied23 July 1757 1757 07 23 aged 71 Madrid SpainWorksList of compositions Contents 1 Life and career 2 Music 3 Selected discography 3 1 Complete works 3 2 Piano recitals 3 3 Fortepiano recitals 3 4 Harpsichord recitals 3 5 Vocal music 4 References 5 Further reading 6 External linksLife and career EditScarlatti was born in Naples Kingdom of Naples belonging to the Spanish Crown He was born in 1685 the same year as Johann Sebastian Bach and George Frideric Handel 1 He was the sixth of ten children of the composer and teacher Alessandro Scarlatti His older brother Pietro Filippo was also a musician Scarlatti first studied music under his father 2 Other composers who may have been his early teachers include Gaetano Greco Francesco Gasparini and Bernardo Pasquini all of whom may have influenced his musical style Muzio Clementi brought Scarlatti s sonatas into the classical style by editing what is known to be their first publication 3 Scarlatti was appointed as a composer and organist at the Chapel Royal of Naples in 1701 and briefly worked under his father who was then the chapel s maestro di cappella In 1703 he revised Carlo Francesco Pollarolo s opera Irene for performance at Naples Soon after his father sent him to Venice After this nothing is known of his life until 1709 when he went to Rome and entered the service of the exiled Polish queen Marie Casimir It was there he met Thomas Roseingrave Scarlatti was already an accomplished harpsichordist there is a story of a trial of skill with George Frideric Handel at the palace of Cardinal Ottoboni in Rome where Scarlatti was judged possibly superior to Handel on the harpsichord although inferior on the organ Later in life he was known to cross himself in veneration when speaking of Handel s skill 4 While in Rome Scarlatti composed several operas for Queen Casimir s private theatre He was Maestro di Cappella at St Peter s from 1715 to 1719 In 1719 he travelled to London to direct his opera Narciso at the King s Theatre According to Vicente Bicchi Papal Nuncio in Portugal at the time Scarlatti arrived in Lisbon on 29 November 1719 There he taught music to the Portuguese princess Maria Magdalena Barbara He left Lisbon on 28 January 1727 for Rome where he married Maria Caterina Gentili on 6 May 1728 In 1729 he moved to Seville staying for four years In 1733 he went to Madrid as a music master to Princess Maria Barbara who had married into the Spanish royal house She later became Queen of Spain Scarlatti remained in Spain for the remaining 25 years of his life and had five children there After his wife died in 1739 he married a Spaniard Anastasia Maxarti Ximenes Among his compositions during his time in Madrid were most of the 555 keyboard sonatas for which he is best known Scarlatti befriended the castrato singer Farinelli a fellow Neapolitan also enjoying royal patronage in Madrid Musicologist and harpsichordist Ralph Kirkpatrick commented that Farinelli s correspondence provides most of the direct information about Scarlatti that has transmitted itself to our day Scarlatti died in Madrid at the age of 71 His residence at 35 Calle de Leganitos is designated with a historical plaque and his descendants still live in Madrid He was buried at a convent there but his grave no longer exists Minor planet 6480 Scarlatti is named in his honour 5 Music EditSee also List of solo keyboard sonatas by Domenico Scarlatti Sonata in D minor K 9 Allegretto source source Performed on a harpsichord by Martha GoldsteinSonata in E major K 20 Presto source source Performed on a harpsichord by Martha GoldsteinSonata in B minor K 27 Allegro source source Performed on a piano by Raymond SmullyanSonata in F minor K 69 source source Performed on a spinet by Ulrich MetznerSonata in B minor K 87 source source Performed on a digital harpsichordSonata in C major K 159 Allegro source source Performed on a piano by Veronica van der KnaapSonata in B minor K 377 source source source MIDI renditionSonata in E major K 380 Andante comodo source source Performed on a piano by Raymond SmullyanSonata in F minor K 466 source source Performed on a digital harpsichordSonata in E major K 531 Allegro source source Performed on a piano by Raymond Smullyan Problems playing these files See media help Only a small number of Scarlatti s compositions were published during his lifetime Scarlatti himself seems to have overseen the publication in 1738 of the most famous collection his 30 Essercizi Exercises They were well received throughout Europe and were championed by the foremost English writer on music of the eighteenth century Charles Burney Burney wrote that the harpsichordist Joseph Kelway was head of the Scarlatti sect a group of English musicians that championed Scarlatti as early as 1739 also including Thomas Roseingrave 6 7 The many sonatas unpublished during Scarlatti s lifetime have appeared in print irregularly in the past two and a half centuries He has attracted notable admirers including Bela Bartok Arturo Benedetti Michelangeli Pieter Jan Belder Johann Sebastian Bach Muzio Clementi Wolfgang Amadeus Mozart Ludwig van Beethoven Carl Czerny Franz Liszt Johannes Brahms Frederic Chopin Claude Debussy Emil Gilels Francis Poulenc Olivier Messiaen Enrique Granados Marc Andre Hamelin Vladimir Horowitz Ivo Pogorelic Scott Ross the first performer to record all 555 sonatas Heinrich Schenker Andras Schiff and Dmitri Shostakovich citation needed Scarlatti s 555 keyboard sonatas are single movements mostly in binary form and some in early sonata form and mostly written for harpsichord or the earliest pianofortes There are four for the organ and a few for the small instrumental groups Some display harmonic audacity in their use of discords and unconventional modulations to remote keys Other distinctive attributes of his music are The influence of Iberian Portuguese and Spanish folk music An example is his use of the Phrygian mode and other tonal inflections more or less alien to European art music Many of his figurations and dissonances are suggestive of the guitar disputed discuss The influence of the Spanish guitar can be seen in notes being played repeatedly 8 A formal device where each half of a sonata leads to a pivotal point which Kirkpatrick termed the crux and which is sometimes underlined by a pause or fermata Before the crux Scarlatti sonatas often contain their main thematic variety and after the crux the music makes more use of repetitive figurations as it modulates away from the home key in the first half or back to the home key in the second half Its tendency to be in the galant style 9 Kirkpatrick produced an edition of the sonatas in 1953 and the numbering from this edition the Kk or K number is now nearly always used Previously the numbering commonly used was from the 1906 edition compiled by Neapolitan pianist Alessandro Longo L numbers Kirkpatrick s numbering is chronological while Longo s ordering is a result of his arbitrarily grouping the sonatas into suites In 1967 the Italian musicologist Giorgio Pestelli published a revised catalog using P numbers which corrected what he considered to be some anachronisms and added some sonatas missing from Kirkpatrick s edition 10 Although the exact composition dates for these surviving sonatas are not known Kirkpatrick concluded that they might all have been composed late in Scarlatti s career after 1735 with most of them possibly written after the composer s 67th birthday 11 12 Aside from his many sonatas Scarlatti composed several operas cantatas and liturgical pieces Well known works include the Stabat Mater of 1715 and the Salve Regina of 1756 which is thought to be his last composition Selected discography EditComplete works Edit L Œuvre pour clavier Scott Ross 1988 34 CDs Erato Radio France OCLC 725539860 935869199 Domenico Scarlatti The Complete Sonatas Richard Lester harpsichord amp fortepiano 2001 2005 39 CDs in 7 volumes Nimbus Records NI 1725 NI 1741 OCLC 1071943740 Keyboard Sonatas Emilia Fadini Ottavio Dantone Sergio Vartolo Marco Farolfi Enrico Baiano harpsichord fortepiano organ 1999 2012 12 CDs Stradivarius in progress Keyboard Sonatas Pieter Jan Belder harpsichord amp fortepiano 2012 36 CDs Brilliant Classics Keyboard Sonatas Carlo Grante Bosendorfer Imperial piano 2009 2020 35 CDs in 6 volumes Music amp Arts Piano recitals Edit 2 Sonatas Sonata K 9 and Sonata K 380 Dinu Lipatti piano 20 February and 27 September 1947 EMI 12 CDs Hanssler PH17011 4 Sonatas Sonata K 1 Sonata K 87 Sonata K 193 and Sonata K 386 Clara Haskil piano 1947 BBC Inedits Haskil Tahra TAH 389 TAH 4025 11 Sonatas Sonata K 1 Sonate K 35 Sonata K 87 Sonata K 132 Sonata K 193 Sonata K 247 Sonata K 322 Sonata K 386 Sonata K 437 Sonata K 515 Sonata K 519 Clara Haskil piano October 1951 Westminster DG 471 214 2 3 Sonatas Sonata K 87 Sonata K 193 and Sonata K 386 Clara Haskil piano October 1951 Philips The Siena Pianoforte 6 Scarlatti sonatas and 3 sonatas of Mozart Charles Rosen Siena piano 1955 Counterpoint Esoteric Everest Records CPT 53000 37 Piano Sonatas Vladimir Horowitz 1946 1981 Complete Recordings RCA and CBS Sony Classical 33 Sonatas Christian Zacharias piano 1979 1981 1984 EMI 18 sonatas Maria Tipo piano 27 28 November 1987 EMI CDC 7 49078 2 OCLC 840330787 15 sonatas Ivo Pogorelich piano September 1991 DG OCLC 823888417 Scarlatti Keyboard Sonatas Mikhail Pletnev piano October 1994 Virgin Classics 5181862 OCLC 607181242 16 Sonatas Christian Zacharias piano 1995 EMI 20 Sonatas Valerie Tryon piano 18 and 28 September 1999 Appian Publications amp Recordings APR OCLC 48744435 14 Sonatas Christian Zacharias piano June 2002 MDG 34011622 18 Sonatas Racha Arodaky piano 17 21 July 2005 Zig Zag Territoires OCLC 232578921 Scarlatti Piano Sonatas Yevgeny Sudbin piano 2005 BIS Alexandre Tharaud joue Scarlatti 18 sonatas 30 August 3 September 2010 Virgin Classics OCLC 898257762 13 Scarlatti 18 Sonatas Yevgeny Sudbin piano 2016 BIS OCLC 1085343249 Scarlatti 52 Sonatas Lucas Debargue piano 2019 Sony Music Fortepiano recitals Edit Sonate per cembalo 1742 Francesco Cera harpsichord amp fortepiano 7 9 March 2000 March 2001 October 2002 3 CD Tactus OCLC 50303672 Sonates Una nuova inventione per Maria Barbara Aline Zylberajch fortepiano after Cristofori 2005 Ambronay Harpsichord recitals Edit Sonatas for Harpsichord Wanda Landowska 1934 1939 1940 EMI Keyboard Sonatas Fernando Valenti the 1950s Westminster 3 CDs Millenium MCA Universal rereleased 1998 OCLC 15057725 224281078 Keyboard Sonatas Fernando Valenti 1951 1955 11 CDs Pristine Audio rereleased 2006 OCLC 933509681 60 Harpsichord Sonatas Ralph Kirkpatrick 1954 CBS SL 221 2 CD Urania rerelease of 54 sonatas in 2004 Harpsichord Sonatas Luciano Sgrizzi harpsichord 1964 Accord 21 Harpsichord Sonatas Ralph Kirkpatrick 1966 1971 Archiv Produktion rereleased 2004 10 Sonatas Gustav Leonhardt 1970 Deutsche Harmonia Mundi 16 Harpsichord Sonatas Joseph Payne 1971 Turnabout Sonates pour clavecin Blandine Verlet 1975 Philips Sonates pour clavecin Blandine Verlet 1976 Philips 14 Harpsichord Sonatas Gustav Leonhardt 1979 Seon Sony Harpsichord Sonatas Colin Tilney Vincenzio harpsichord 1782 August 1979 L Oiseau Lyre Decca Harpsichord Sonatas Trevor Pinnock 1981 CRD Records rereleased in 1995 OCLC 225749151 Sonatas Trevor Pinnock 1987 Archiv 12 Sonatas Colin Tilney 1988 Dorian Les plus belles sonatas Scott Ross 1988 Erato Radio France Trente Sonates Rafael Puyana 1988 2CD Harmonia Mundi 16 Sonatas Ton Koopman 1988 Capriccio Sonatas Andreas Staier December 1990 26 28 October 1991 2 CDs Deutsche Harmonia Mundi OCLC 312175196 762606993 Sonatas Bob van Asperen May 1991 Reflexe EMI OCLC 492478134 22 sonates Pierre Hantai June 1992 Astree E 8502 Cat Fugue and Sonatas for Harpsichord Elaine Comparone 27 28 August 1992 Lyrichord OCLC 705343159 Sonatas Andreas Staier December 1995 Teldec OCLC 224634640 Sonates inedites Fandango Mayako Sone 1994 Erato Warner Classics Scarlatti High and Low 16 dernieres sonates pour clavecin Colin Tilney 1995 Music amp Arts 18 Sonatas Eiji Hashimoto harpsichord 1996 Klavier OCLC 811245528 15 sonates pour clavecin Christophe Rousset 1998 Decca Sonates Pierre Hantai 2002 2004 2005 2016 2017 2019 6 CDs SACD Mirare Sonatas Elaine Thornburgh 2005 2 CDs Lyrichord OCLC 705343168 Duende 17 sonatas Skip Sempe with Olivier Fortin second harpsichord 2006 Paradizo 16 Sonates Jean Rondeau 2018 SACD Erato Zones Lillian Gordis June 2019 Paraty PTY 919180 Vocal music Edit Scarlatti Stabat Mater Campra Requiem Monteverdi Choir John Eliot Gardiner conductor 2020 Erato OCLC 1154312842References Edit a b Kirkpatrick Ralph Domenico Scarlatti Encyclopaedia Britannica Online Domenico Scarlatti ArkivMusic the source for classical music Caldo Laura The development of the idiomatic piano language through Clementi s edition of D Scarlatti s sonatas 1791 Anuario Musical 72 123 136 Archived from the original on 5 August 2020 Retrieved 2 October 2018 Boyd Malcolm Domenico Scarlatti Master of Music 1986 6479 Leoconnolly In Dictionary of Minor Planet Names Springer 2003 doi 10 1007 978 3 540 29925 7 5896 ISBN 978 3 540 29925 7 Kroll Mark Bach Handel and Scarlatti Reception in Britain 1750 1850 2023 p 13 Charles Burney A General History of Music 1789 1957 edition ed Frank Mercer Vol 2 p 1009 Barkley Lisa Bryan Clark eds 1999 Conservatory Canada New Millennium Piano Series Waterloo Music Company Ltd However the guitar was hardly restricted to Iberia at the time Barkley Lisa Bryan Clark eds 1999 Conservatory Canada New Millennium Piano Series See List of solo keyboard sonatas by Domenico Scarlatti for a list converting Longo Kirkpatrick Pistelli and Czerny numbers of Scarlatti s sonatas Kirkpatrick Ralph 1983 Domenico Scarlatti Revised Edition Princeton NJ Princeton University Press p 145 ISBN 0 691 09101 3 Downs Philip G 1992 Classical Music New York Norton p 49 ISBN 0 393 95191 X Tharaud interprete Scarlatti lexpress fr in French 20 January 2011 Further reading EditKirkpatrick Ralph 1953 Domenico Scarlatti Princeton University Press ISBN 0 691 02708 0 Domenico Scarlatti Sixty Sonatas in Two volumes edited in chronological order from the manuscripts and earliest printed sources with a preface by Ralph Kirkpatrick New York G Schirmer 1953 D Scarlatti Sonates in 11 volumes ed Kenneth Gilbert after the Venice manuscripts Paris Heugel coll Le Pupitre from 1975 to 1984 Domenico Scarlatti Complete Keyboard Works in facsimile from the manuscript Parma and printed sources rev Ralph Kirkpatrick New York Johnson Reprint Corporation 1971 Scarlatti Domenico Sonate per cembalo del Cavalier Dn Domenico Scarlatti Complete facsimile of the Venice manuscripts in 15 volumes Archivum Musicum Monumenta Musicae Revocata 1 I XV Florence 1985 1992 Yanez Navarro Celestino 2012 Obras de Domenico Scarlatti Antonio Soler y Manuel Blasco de Nebra en un manuscrito miscelaneo de tecla del Archivo de Musica de las Catedrales de Zaragoza Anuario Musical 77 45 102 doi 10 3989 anuariomusical 2012 67 137 Yanez Navarro Celestino 2015 Nuevas aportaciones para el estudio de las sonatas de Domenico Scarlatti Los manuscritos del Archivo de musica de las Catedrales de Zaragoza doctoral thesis Universidad Autonoma de Barcelona External links EditThis article s use of external links may not follow Wikipedia s policies or guidelines Please improve this article by removing excessive or inappropriate external links and converting useful links where appropriate into footnote references June 2021 Learn how and when to remove this template message Wikimedia Commons has media related to Domenico Scarlatti Wikisource has original works by or about Domenico Scarlatti The Mutopia Project has compositions by Domenico Scarlatti Free scores by Domenico Scarlatti at the International Music Score Library Project IMSLP Free scores by Domenico Scarlatti in the Choral Public Domain Library ChoralWiki Associazione Domenico Scarlatti John Sankey Keyboard Tuning of Domenico Scarlatti Scarlatti Domenico complete catalogue of 600 keyboard sonatas including newly discovered works and the latest biographical discoveries The mercurial maestro of Madrid by Robert White 20 July 2007 The Guardian La Guitarra y Domenico Scarlatti Piano Society Archived 27 May 2016 at the Wayback Machine A short biography and some free recordings in MP3 format performed by Roberto Carnevale Chase Coleman Graziella Concas and Knut Erik Jensen Piano sonatas of Domenico Scarlatti for listening and downloading Czech Radio Project Retrieved from https en wikipedia org w index php title Domenico Scarlatti amp oldid 1152295796, wikipedia, wiki, book, books, library,

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