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Cabin in the Sky (musical)

Cabin in the Sky is a musical with music by Vernon Duke, book by Lynn Root, and lyrics by John Latouche. The musical opened on Broadway in 1940.[1] The show is described as a "parable of Southern Negro Life with echoes of Ferenc Molnár's Liliom (which would be turned into the musical Carousel) and Marc Connelly's The Green Pastures."[2] Several songs from the Broadway musical were released as a 3-record shellac set under the title "The Music of Cabin in the Sky featuring Ethel Waters" in 1940.

Cabin in the Sky
MusicVernon Duke
LyricsJohn Latouche
BookLynn Root
Productions1940 Martin Beck Theatre

History

Lynn Root wrote the libretto and brought it to George Balanchine, "who was anxious to do it as his first assignment as director of an entire Broadway production."[3] Balanchine took the script to Vernon Duke to compose the music. "On reading the script, my first impulse was to turn it down because as much as I admired the Negro race and its musical gifts, I didn't think myself sufficiently attuned to Negro folklore."[4] However, Duke ended up taking up the project but insisted on "a lyricist with some direct contact with Southern Negroes."[3] Duke talked to Ira Gershwin and E.Y. Harburg but they both turned it down. (Gershwin was working on Lady in the Dark and Harburg thought the composer was "incapable of writing the kind of score the play required.[3])

Duke ended up picking John Latouche as his lyricist and the two began work in Virginia Beach.[5] The two wanted to absorb aspects of the local black culture but "decided to stay away from pedantic authenticity and write our own kind of 'colored' songs."[4]

The rehearsals for the show were rather interesting between the Russian trio (Duke, Balanchine and Boris Aronson - the designer) and the all-black cast. In his book Passport to Paris, Duke quotes George Ross' description from the Telegram: "Pit a threesome of turbulent Russians against a tempestuous cast of Negro players from Harlem and what have you got? Well, in this instance the result is a lingual ruckus approaching bedlam. At least half a dozen times at the rehearsal of Cabin in the Sky, Ethel Waters, Todd Duncan, Rex Ingram, J. Rosamond Johnson, Katherine Dunham and her dancers have paused in puzzlement while the argumentative trio of Muscovites disputed a difference of opinion in their native tongue. The Russian vowels and consonants fly as thick as borsht. After ten minutes of such alien harangue and retort, Miss Waters asks what it is all about. ‘George,’ Duke generally interprets, ‘just said the answer is yes!' and then rehearsals are resumed under the flag of truce until the next vocal flare-up."[4]

Three days before the opening, Duke decided to replace the song "We'll Live All Over Again" after Waters expressed dissatisfaction with it. It was replaced with the showstopper "Taking a Chance on Love."[5] The song was originally "Foolin' Around with Love" which he wrote with Ted Fetter. Latouche retitled it and wrote the reprises.[3]

J. Rosamond Johnson, besides taking a small role, trained the singing chorus. Katherine Dunham led her dancers through their slithering paces, assisted in the choreography by George Balanchine.[6]

Productions

The musical premiered on Broadway at the Martin Beck Theatre on October 25, 1940 and closed on March 8, 1941 after 156 performances. The musical is based on the story Little Joe by Lynn Root.

Musicals Tonight! presented a staged concert of the musical at the 14th Street YMHA, New York City in October 2003.[7][8]

The musical was presented in a staged concert by Encores! in February 2016, starring Chuck Cooper, Norm Lewis, and LaChanze.[9]

Synopsis

Act I

Little Joe is dying. Lucifer Jr prepares to bring his soul to hell (Little Papa Satan). Little Joe protests, and his wife's, Petunia, praying causes the Lawd's General to appear (The General's Entrance). The General proclaims that Heaven will grant Little Joe six more months of life, and if he can redeem himself during that time, he will be let into heaven (The Man Upstairs). Little Joe becomes conscious again and Petunia rejoices (Taking a Chance on Love). During Joe's recovery, Lucifer Jr attempts to ruin Petunia and Little Joe by claiming that Little Joe owes him a large amount of money in gambling debts. Petunia says she will gamble with him to pay back the debt. She accuses him of cheating and chases him away. Little Joe comes out of the house, and for the first time is a kind to Petunia. Petunia is ecstatic (Cabin in the Sky). The Pastor welcomes Little Joe back to the Church (Holy Unto the Lord/Dem Bones). In Hell, Lucifer Jr comes up with a plan to tempt Little Joe and delivers a broadcast to the other members of Hell (Do What You Wanna Do). He gives Little Joe a sweepstakes ticket, which Petunia let's Joe keep (Finale Act I)

Act II

The Act begins with a prologue with the Lawd General describing the nature of temptation (Fugue). Little Joe and Petunia are very happy and dream of moving far away where they can be alone (My Old Virginia Home on the Nile). Lucifer Jr sends Little Joe a dream featuring the alluring Queen of Sheba (Vision Ballet). Lawd General tells Little Joe to throw away the ticket (It's Not So Bad to Be Good). Joe's former lover, Georgia Brown, shows up and vamps him (Love Me Tomorrow). Petunia walks in on this and throws Little Joe out (Love Turned the Light Out). Little Joe flees to a Cafe (Cafe Dance: Lazy Steps and Boogy Woogy). Georgia Brown follows him (Honey in the Honeycomb). Petunia also shows up and, in an attempt to win Joe back, demands a $1000 dollar and says she is leaving for "Savannah". In the resulting tumult, Petunia and Little Joe are killed. Both are let into Heaven as the deaths of Little Joe and Petunia caused Georgia Brown to reform, and she joined the church (Finale Act II)

Musical numbers

Act I

Scene One: The Church

  • "Wade in the Water" - Churchmembers
  • "Little Papa Satan" - Lucifer Jr
  • "The General's Entrance" - Lawd's General and Saints
  • "The Man Upstairs (Pay Heed)" - Lawd's General and Saints
  • "Taking a Chance on Love" - Petunia
  • "Taking a Chance on Love (Encore)" - Petunia

Scene Two: Petunia and Little Joe's Home

  • "Cabin in the Sky" - Petunia and Little Joe
  • "Holy Unto the Lord/Dem Bones" - Petunia, Little Joe, Brother Green, J. Rosamond Johnson Singers, and Churchmembers

Scene Three: In Hell

  • "Do What You Wanna Do" - Lucifier Jr and Imps

Scene Four: Petunia and Little Joe's Home

  • "Finale Act I" - Orchestra

Act II

Scene One: Petunia and Little Joe's Home

  • "Fugue" - Lawd's General and Saints
  • "My Old Virginia Home on the Nile" - Petunia and Little Joe
  • "Vision Ballet" - The Dunham Dancers
  • "It's Not So Good To Be Bad" - Lawd's General
  • "Love Me Tomorrow" - Georgia Brown and Little Joe
  • "Love Turned the Light Out" - Petunia

Scene Two: The Cafe

  • "Lazy Steps" - The Dunham Dancers
  • "Boogy Woogy" - The Dunham Dancers
  • "Honey in the Honeycomb" - Georgia Brown and Boys
  • "Savannah" - Petunia
  • "Death of Petunia and Little Joe" - Lawd's General

Scene Three: Before Heaven

  • "Finale Act II: Cabin in the Sky (Reprise)" - Company

Characters and original cast

The original Broadway characters and cast:[1]

Character Broadway (1940)
Petunia Ethel Waters
Little Joe Dooley Wilson
Lucifer Junior Rex Ingram
Georgia Brown Katherine Dunham
Lawd's General Todd Duncan
Fleetfoot Milton Williams
Dr. Jones Louis Sharp
John Henry J. Louis Johnson
Lily Georgia Burke
Domino Johnson Dick Campbell
Imps Jieno Moxzer Harris
Sister Green J. Rosamond Johnson

Critical reception

The musical was very well received. Gerald Bordman wrote "Wisely, everyone involved in the show rejected the easy excesses and crassness so many musicals resorted to. Certainly they avoided turning the evening into a black minstrel show. Throughout the production a tasteful restraint, a sense of what as appropriate to the story, was maintained. This rare display of integrity made Cabin in the Sky an attractive enough evening to keep ticket buyers coming for 20 weeks."[6]

Thomas S. Hischak wrote, "With enthusiastic reviews, an outstanding score, and a powerhouse cast of some of the finest African Americans in the business, it was surprising the musical did not run longer than twenty weeks."[10]

However, not everyone liked the show. Critic Richard Watts, Jr. wrote in his review that the show was "merely a white man's self-conscious attempt to write a pseudo-folk fable of another race."[11]

Cabin in the Sky proved to be the last major success of Duke's career.[12]

The show was made into the 1943 film Cabin in the Sky, but as Denny Flinn stated in his book, "It is noble that Hollywood made a black musical at all, but there are too many interpolations to the John Latouche-Vernon Duke score."[13]

References

  1. ^ a b "Cabin in the Sky | IBDB: The official source for Broadway Information". www.ibdb.com. Retrieved 2015-10-23.
  2. ^ Green, Stanley (2011). Broadway Musicals: Show By Show. Milwaukee: Applause Theatre & Cinema Books. p. 111. ISBN 978-1-55783-784-4.
  3. ^ a b c d Green, Stanley (1980). The World of Musical Comedy. San Diego: Da Capo Press. p. 176. ISBN 0-306-80207-4.
  4. ^ a b c Duke, Vernon (1955). Passport to Paris. Boston: Little, Brown, and Company. pp. 384–389.
  5. ^ a b Weber, Kate Marie (2008). "Beyond Racial Stereotypes: Subversive Subtexts in Cabin in the Sky" (PDF). Digital Repository of the University of Maryland. University of Maryland. Retrieved 2015-10-23.
  6. ^ a b Bordman, Gerald (1992). American Musical Theatre: A Chronicle. New York: Oxford University Press. pp. 521–522. ISBN 0-19-507242-1.
  7. ^ Simonson, Robert and Jones, Kenneth. "Musicals Tonight! Takes a Chance on 'Cabin in the Sky'" playbill.com, October 21, 2003
  8. ^ "'Cabin in the Sky' Reviews" 2016-01-15 at the Wayback Machine musicalstonight.org, October 21, 2003, accessed December 12, 2015
  9. ^ Hetrick, Adam. "Chuck Cooper, LaChanze, Norm Lewis Will Star in Encores! 'Cabin in the Sky'" playbill.com, December 7, 2015
  10. ^ Hischak, Thomas (2009). Broadway Plays and Musicals. Jefferson, North Carolina: McFarland & Company, Inc. pp. 64. ISBN 978-0-7864-9754-6.
  11. ^ "The Pittsburgh Press - Google News Archive Search". news.google.com. Retrieved 2015-10-24.
  12. ^ Bloom, Ken (2004). Broadway: Its History, People, and Places. New York: Routledge. pp. 137. ISBN 0-4159-3704-3.
  13. ^ Flinn, Denny (1997). Musical! A Grand Tour. New York: Schirmer Books. pp. 504. ISBN 0-02-864610-X.

External links

  • ​Cabin in the Sky​ at the Playbill Vault ()
  • "Notes on 'Cabin in the Sky', Katherine Dunham Collection"

cabin, musical, cabin, musical, with, music, vernon, duke, book, lynn, root, lyrics, john, latouche, musical, opened, broadway, 1940, show, described, parable, southern, negro, life, with, echoes, ferenc, molnár, liliom, which, would, turned, into, musical, ca. Cabin in the Sky is a musical with music by Vernon Duke book by Lynn Root and lyrics by John Latouche The musical opened on Broadway in 1940 1 The show is described as a parable of Southern Negro Life with echoes of Ferenc Molnar s Liliom which would be turned into the musical Carousel and Marc Connelly s The Green Pastures 2 Several songs from the Broadway musical were released as a 3 record shellac set under the title The Music of Cabin in the Sky featuring Ethel Waters in 1940 Cabin in the SkyMusicVernon DukeLyricsJohn LatoucheBookLynn RootProductions1940 Martin Beck Theatre Contents 1 History 2 Productions 3 Synopsis 4 Musical numbers 5 Characters and original cast 6 Critical reception 7 References 8 External linksHistory EditLynn Root wrote the libretto and brought it to George Balanchine who was anxious to do it as his first assignment as director of an entire Broadway production 3 Balanchine took the script to Vernon Duke to compose the music On reading the script my first impulse was to turn it down because as much as I admired the Negro race and its musical gifts I didn t think myself sufficiently attuned to Negro folklore 4 However Duke ended up taking up the project but insisted on a lyricist with some direct contact with Southern Negroes 3 Duke talked to Ira Gershwin and E Y Harburg but they both turned it down Gershwin was working on Lady in the Dark and Harburg thought the composer was incapable of writing the kind of score the play required 3 Duke ended up picking John Latouche as his lyricist and the two began work in Virginia Beach 5 The two wanted to absorb aspects of the local black culture but decided to stay away from pedantic authenticity and write our own kind of colored songs 4 The rehearsals for the show were rather interesting between the Russian trio Duke Balanchine and Boris Aronson the designer and the all black cast In his book Passport to Paris Duke quotes George Ross description from the Telegram Pit a threesome of turbulent Russians against a tempestuous cast of Negro players from Harlem and what have you got Well in this instance the result is a lingual ruckus approaching bedlam At least half a dozen times at the rehearsal of Cabin in the Sky Ethel Waters Todd Duncan Rex Ingram J Rosamond Johnson Katherine Dunham and her dancers have paused in puzzlement while the argumentative trio of Muscovites disputed a difference of opinion in their native tongue The Russian vowels and consonants fly as thick as borsht After ten minutes of such alien harangue and retort Miss Waters asks what it is all about George Duke generally interprets just said the answer is yes and then rehearsals are resumed under the flag of truce until the next vocal flare up 4 Three days before the opening Duke decided to replace the song We ll Live All Over Again after Waters expressed dissatisfaction with it It was replaced with the showstopper Taking a Chance on Love 5 The song was originally Foolin Around with Love which he wrote with Ted Fetter Latouche retitled it and wrote the reprises 3 J Rosamond Johnson besides taking a small role trained the singing chorus Katherine Dunham led her dancers through their slithering paces assisted in the choreography by George Balanchine 6 Productions EditThe musical premiered on Broadway at the Martin Beck Theatre on October 25 1940 and closed on March 8 1941 after 156 performances The musical is based on the story Little Joe by Lynn Root Musicals Tonight presented a staged concert of the musical at the 14th Street YMHA New York City in October 2003 7 8 The musical was presented in a staged concert by Encores in February 2016 starring Chuck Cooper Norm Lewis and LaChanze 9 Synopsis EditAct ILittle Joe is dying Lucifer Jr prepares to bring his soul to hell Little Papa Satan Little Joe protests and his wife s Petunia praying causes the Lawd s General to appear The General s Entrance The General proclaims that Heaven will grant Little Joe six more months of life and if he can redeem himself during that time he will be let into heaven The Man Upstairs Little Joe becomes conscious again and Petunia rejoices Taking a Chance on Love During Joe s recovery Lucifer Jr attempts to ruin Petunia and Little Joe by claiming that Little Joe owes him a large amount of money in gambling debts Petunia says she will gamble with him to pay back the debt She accuses him of cheating and chases him away Little Joe comes out of the house and for the first time is a kind to Petunia Petunia is ecstatic Cabin in the Sky The Pastor welcomes Little Joe back to the Church Holy Unto the Lord Dem Bones In Hell Lucifer Jr comes up with a plan to tempt Little Joe and delivers a broadcast to the other members of Hell Do What You Wanna Do He gives Little Joe a sweepstakes ticket which Petunia let s Joe keep Finale Act I Act IIThe Act begins with a prologue with the Lawd General describing the nature of temptation Fugue Little Joe and Petunia are very happy and dream of moving far away where they can be alone My Old Virginia Home on the Nile Lucifer Jr sends Little Joe a dream featuring the alluring Queen of Sheba Vision Ballet Lawd General tells Little Joe to throw away the ticket It s Not So Bad to Be Good Joe s former lover Georgia Brown shows up and vamps him Love Me Tomorrow Petunia walks in on this and throws Little Joe out Love Turned the Light Out Little Joe flees to a Cafe Cafe Dance Lazy Steps and Boogy Woogy Georgia Brown follows him Honey in the Honeycomb Petunia also shows up and in an attempt to win Joe back demands a 1000 dollar and says she is leaving for Savannah In the resulting tumult Petunia and Little Joe are killed Both are let into Heaven as the deaths of Little Joe and Petunia caused Georgia Brown to reform and she joined the church Finale Act II Musical numbers EditAct IScene One The Church Wade in the Water Churchmembers Little Papa Satan Lucifer Jr The General s Entrance Lawd s General and Saints The Man Upstairs Pay Heed Lawd s General and Saints Taking a Chance on Love Petunia Taking a Chance on Love Encore PetuniaScene Two Petunia and Little Joe s Home Cabin in the Sky Petunia and Little Joe Holy Unto the Lord Dem Bones Petunia Little Joe Brother Green J Rosamond Johnson Singers and ChurchmembersScene Three In Hell Do What You Wanna Do Lucifier Jr and ImpsScene Four Petunia and Little Joe s Home Finale Act I OrchestraAct IIScene One Petunia and Little Joe s Home Fugue Lawd s General and Saints My Old Virginia Home on the Nile Petunia and Little Joe Vision Ballet The Dunham Dancers It s Not So Good To Be Bad Lawd s General Love Me Tomorrow Georgia Brown and Little Joe Love Turned the Light Out PetuniaScene Two The Cafe Lazy Steps The Dunham Dancers Boogy Woogy The Dunham Dancers Honey in the Honeycomb Georgia Brown and Boys Savannah Petunia Death of Petunia and Little Joe Lawd s GeneralScene Three Before Heaven Finale Act II Cabin in the Sky Reprise CompanyCharacters and original cast EditThe original Broadway characters and cast 1 Character Broadway 1940 Petunia Ethel WatersLittle Joe Dooley WilsonLucifer Junior Rex IngramGeorgia Brown Katherine DunhamLawd s General Todd DuncanFleetfoot Milton WilliamsDr Jones Louis SharpJohn Henry J Louis JohnsonLily Georgia BurkeDomino Johnson Dick CampbellImps Jieno Moxzer HarrisSister Green J Rosamond JohnsonCritical reception EditThe musical was very well received Gerald Bordman wrote Wisely everyone involved in the show rejected the easy excesses and crassness so many musicals resorted to Certainly they avoided turning the evening into a black minstrel show Throughout the production a tasteful restraint a sense of what as appropriate to the story was maintained This rare display of integrity made Cabin in the Sky an attractive enough evening to keep ticket buyers coming for 20 weeks 6 Thomas S Hischak wrote With enthusiastic reviews an outstanding score and a powerhouse cast of some of the finest African Americans in the business it was surprising the musical did not run longer than twenty weeks 10 However not everyone liked the show Critic Richard Watts Jr wrote in his review that the show was merely a white man s self conscious attempt to write a pseudo folk fable of another race 11 Cabin in the Sky proved to be the last major success of Duke s career 12 The show was made into the 1943 film Cabin in the Sky but as Denny Flinn stated in his book It is noble that Hollywood made a black musical at all but there are too many interpolations to the John Latouche Vernon Duke score 13 References Edit a b Cabin in the Sky IBDB The official source for Broadway Information www ibdb com Retrieved 2015 10 23 Green Stanley 2011 Broadway Musicals Show By Show Milwaukee Applause Theatre amp Cinema Books p 111 ISBN 978 1 55783 784 4 a b c d Green Stanley 1980 The World of Musical Comedy San Diego Da Capo Press p 176 ISBN 0 306 80207 4 a b c Duke Vernon 1955 Passport to Paris Boston Little Brown and Company pp 384 389 a b Weber Kate Marie 2008 Beyond Racial Stereotypes Subversive Subtexts in Cabin in the Sky PDF Digital Repository of the University of Maryland University of Maryland Retrieved 2015 10 23 a b Bordman Gerald 1992 American Musical Theatre A Chronicle New York Oxford University Press pp 521 522 ISBN 0 19 507242 1 Simonson Robert and Jones Kenneth Musicals Tonight Takes a Chance on Cabin in the Sky playbill com October 21 2003 Cabin in the Sky Reviews Archived 2016 01 15 at the Wayback Machine musicalstonight org October 21 2003 accessed December 12 2015 Hetrick Adam Chuck Cooper LaChanze Norm Lewis Will Star in Encores Cabin in the Sky playbill com December 7 2015 Hischak Thomas 2009 Broadway Plays and Musicals Jefferson North Carolina McFarland amp Company Inc pp 64 ISBN 978 0 7864 9754 6 The Pittsburgh Press Google News Archive Search news google com Retrieved 2015 10 24 Bloom Ken 2004 Broadway Its History People and Places New York Routledge pp 137 ISBN 0 4159 3704 3 Flinn Denny 1997 Musical A Grand Tour New York Schirmer Books pp 504 ISBN 0 02 864610 X External links Edit Cabin in the Sky at the Playbill Vault archive Notes on Cabin in the Sky Katherine Dunham Collection Retrieved from https en wikipedia org w index php title Cabin in the Sky musical amp oldid 1130875128, wikipedia, wiki, book, books, library,

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