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Beaux-Arts de Paris

January 01, 1970

The Beaux-Arts de Paris (French pronunciation: [boz‿aʁ də pari]), formally the École nationale supérieure des beaux-arts, is a French grande école whose primary mission is to provide high-level fine arts education and training. The art school, which is part of the Paris Sciences et Lettres University, is located on two sites: Saint-Germain-des-Prés in Paris, and Saint-Ouen.

Beaux-Arts de Paris
École nationale supérieure des beaux-arts
TypeGrande école
Established1817; 207 years ago (1817)
DirectorAlexia Fabre
(since 2022)
Location
Paris
,
France

48°51′25″N 02°20′00″E / 48.85694°N 2.33333°E / 48.85694; 2.33333
Campus6th arrondissement of Paris
AffiliationsCGE,
Paris Sciences et Lettres University
Websitewww.beauxartsparis.fr
The entrance of the Beaux-Arts de Paris with a bust of Nicolas Poussin
Plan of the site

The Parisian institution is made up of a complex of buildings located at 14 rue Bonaparte, between the quai Malaquais and the rue Bonaparte. This is in the heart of Saint-Germain-des-Prés, just across the Seine from the Louvre museum. The school was founded in 1648 by Charles Le Brun as the famed French academy Académie royale de peinture et de sculpture. In 1793, at the height of the French Revolution, the institutes were suppressed. However, in 1817, following the Bourbon Restoration, it was revived under a changed name after merging with the Académie d'architecture. Held under the King's tutelage until 1863, an imperial decree on November 13, 1863 named the school's director, who serves for a five-year term. Long supervised by the Ministry of Public Instruction, the École des Beaux-Arts is now a public establishment under the Ministry of Culture.

History edit

The Beaux-Arts de Paris is the original of a series of Écoles des beaux-arts in French regional centers. Since its founding in 1648, the Académie royale de peinture et de sculpture has had a school, France's elite institution of instruction in the arts. Its program was structured around a series of anonymous competitions that culminated in the grand prix de l'Académie Royale, more familiar as the Grand Prix de Rome, for its winner was awarded a bourse and a place at the French Academy in Rome. During his stay in Rome, a pensionnaire was expected to send regular envois of his developing work back to Paris. Contestants for the Prix were assigned a theme from the literature of classical antiquity; their individual identities were kept secret to avoid any scandal of favoritism.

 
Rinaldo and Armida, François Boucher's morceau de réception, gained his admission to the Académie royale in 1734.

With his final admission into the Académie, the new member had to present his fellow academicians a morceau de réception, a painting or sculpture that demonstrated his learning, intelligence, and proficiency in his art. Jacques-Louis David's Andromache Mourning Hector was his reception offering in 1783; today it is in the collections of the Louvre Museum.

In 1793, during the French Revolution, the Académie Royale and the grand prix de l'Académie Royale were abolished, but only a few years later, in 1797, the Prix de Rome was re-established. Each year throughout the nineteenth century, the winner of the Prix de Rome was granted five years of study at the Villa Medici, after which the painter or sculptor could fully expect to embark on a successful official career.

The program resulted in the accumulation of some great collections at the Académie, one of the finest collections of French drawings, many of them sent as envoies from Rome, as well as the paintings and sculptures, usually the winners, of the competitions, or salons. Lesser competitions, known as the petits concours, took themes like history composition (which resulted in many sketches illustrating instructive moments from antiquity), expressions of the emotions, and full and half-figure painting.

In its role as a teaching institution, the École assembled a large collection of Italian and French etchings and engravings, dating from the 16th through the 18th century. Such prints published the composition of paintings to a wide audience. The print collection was first made available to students outside the Académie in 1864.

Today, studies include: painting, installation, graphic arts, photography, sculpture, digital media and video. Beaux-Arts de Paris provides the highest level of training in contemporary art production. Throughout history, many world-renowned artists have either taught or studied at this institution. The faculty is made up of recognized international artists. Theoretical courses permitting diverse approaches to the history of the arts complement studio work, which is supported by technical training and access to technical bases. The media center provides students with rich documentation on art, and organizes conferences, seminars, and debates throughout the year. The School buildings have architectural interest and house prestigious historical collections and an extensive fine arts library. The school publishes a dozen texts per year on different collections, and holds exhibitions ranging from the school's collection of old-master drawings to the most up to date contemporary works, in the Quai Malaquais space and the Chapel throughout the year.

Collections edit

The school owns circa 450,000 items divided between artworks and historical books, making it one of the largest public art collections in France. The collection encompasses many types of artistic productions, from painting and sculpture to etching, furniture or decorated books and from all the periods of art history. Many pieces of the collection are artworks created by students of the School throughout its history but former students and scholars also contributed to enlarge the holdings with many gifts and donations to the institution. The collection consists in approximatively 2,000 paintings (including pictures by Nicolas Poussin, Anthony van Dyck, Hyacinthe Rigaud, Jean-Honoré Fragonard, Hubert Robert and Ingres), 600 pieces of decorative arts, 600 architectural elements, nearly 15,000 medals, 3,700 sculptures, 20,000 drawings including works by Paolo Veronese, Primaticcio, Jacques Bellange, Michelangelo, Charles Le Brun, Nicolas Poussin, Claude Gellée, Dürer, Rembrandt, Ingres, François Boucher or Pierre Alechinsky, 45,000 architectural drawings, 100,000 etchings and engravings, 70,000 photographs (mainly form the period 1850–1914), 65,000 books dating from the 15th to the 20th century (3,500 for the 15th and 16th centuries), and 1,000 handwritten pieces of archive (letters, inventories, notes...) and also 390 important fragments or complete illuminated manuscripts.

Campus edit

 
Entrance at 14 Rue Bonaparte

The physical setting of the school stands on about two hectares in the Saint-Germain-des-Prés section of Paris. The main entrance at 14 Rue Bonaparte is flanked by colossal carved heads of Pierre Paul Puget and Nicolas Poussin (done in 1838 by Michel-Louis Victor Mercier).

Before 1816, Beaux-Arts students were taught elsewhere. This land had been the convent of the Petits Augustins, then the site of Alexandre Lenoir's collection of architectural fragments from across France, the Musée des Monuments français (1795–1816), assembled here as a result of the destruction of churches and noble chateaux during the revolution.

In 1830, architect Félix Duban, a former student and winner of the Grand Prix de Rome, began a transformation of the site by demolishing a few existing houses, moving back the convent's cloister on the right to produce a symmetrical courtyard, and designing the largest central building, the Palais des Études. Duban simply incorporated many of Lenoir's historical fragments, notably the portal of the 1548 Château d'Anet, and in the courtyard a facade from the Château de Gaillon, since removed and returned to its original site in 1977.

 
The Hémicycle mural by Paul Delaroche

In other ways Duban meant the entire complex as an open-air encyclopedia for artists and architects. The Palais des Études building features elaborate frescoes, the stairwells demonstrate various wall finishes, and the courtyard (glassed over by Duban in 1863) once held classical statuary and full-size copies of the columns of the Parthenon for study.

The core of the complex is a semi-circular award theater within the Palais, the Hémicycle d'Honneur, where the prizes were awarded. Duban commissioned Paul Delaroche to produce a great mural, 27 metres long, to represent seventy-five great artists of all ages, in conversation, assembled in groups. In the middle are three thrones occupied by the creators of the Parthenon: sculptor Phidias, architect Ictinus, and painter Apelles, symbolizing the unity of these arts. The mural took Delaroche three and a half years to complete, and it still stands as a powerful expression of the Beaux-Arts collaborative ideal.

 
In this replica painting by Charles Béranger, the auditorium of École des beaux-arts is depicted.[1] Walters Art Museum, Baltimore

Duban continued to expand and improve the complex for decades. Other major buildings include the 1820 Bâtiment des Loges, the modified cloister now called the Cour des Mûriers, the 1862 Bâtiment des Expositions which extended the campus to the Quai Malaquias, the Hôtel de Chimay built circa 1750 and acquired by the school in 1884, and a block of studios constructed circa 1945 in concrete by Auguste Perret.

Palais des Études edit

  •  
    The Palais des Études in summer
  •  
    The Palais des Études in winter
  •  
    Palais des Études, Cour vitrée
  •  
    Between left and right gallery
  •  
    The stairway in the Palais des Études
  •  
    The archives in the Palais des Études
  •  
    The library in the Palais des Études

Chapel edit

  •  
    Exterior view of the chapel of the Beaux-Arts
  •  
    Interior view of the chapel of the Beaux-Arts
  •  
    The chapel of the Beaux-Arts, detail
  •  
    The chapel of the Beaux-Arts, detail

Academic staff edit

Directors edit

Notable instructors edit

Notable alumni edit

Cour du Mûrier edit

  •  
    Cour du Mûrier
  •  
    Cour du Mûrier
  •  
    Cour du Mûrier
  •  
    Cour du Mûrier, detail 1
  •  
    Cour du Mûrier
  •  
    Cour du Mûrier, detail 3
  •  
    Cour du Mûrier, detail 4
  •  
    Cour du Mûrier
  •  
    Cour du Mûrier, detail 5
  •  
    Cour du Mûrier, detail 6
  •  
    Cour du Mûrier, detail 7

See also edit

References edit

  1. ^ "Replica of The Hémicycle". Walters Art Museum.
  2. ^ "Paul Ahyi of Togo joins roster of UNESCO Artists for Peace". United Nations. 2009-09-11. Retrieved 2010-01-12.
  3. ^ SAAM. "Aaron J. Goodelman". Smithsonian American Art Museum. Retrieved March 5, 2021.
  4. ^ "Artist to Show Her Etchings at South Church". Hartford Courant. 1 March 1965. Retrieved 3 December 2021.
  5. ^ Renard, Johanna (2013). "Majida Khattari". Archives of Women Artists, Research and Exhibitions (AWARE). Le Dictionnaire universel des Créatrices. from the original on 2020-08-09. Retrieved 2021-04-16.
  6. ^ Suryadinata, Leo (2012). Southeast Asian Personalities of Chinese Descent: A Biographical Dictionary, Volume I & II. Institute of Southeast Asian Studies. pp. 573–574. ISBN 978-9814345217.
  7. ^ . sophiematisse.com. Archived from the original on 2019-09-08. Retrieved 2020-08-31.
  8. ^ "Sophie Matisse - Bespoke Games". Purling London. Retrieved 2020-08-31.
  • , a travelling exhibition of paintings and sculpture models from the collection of the École nationale supérieure des beaux-arts, 2004
  • fr:Beaux-Arts de Paris

External links edit

 
Wikimedia Commons has media related to Beaux-Arts de Paris.
  • Beaux-Arts de Paris website

January 01, 1970
beaux, arts, paris, french, pronunciation, pari, formally, École, nationale, supérieure, beaux, arts, french, grande, école, whose, primary, mission, provide, high, level, fine, arts, education, training, school, which, part, paris, sciences, lettres, universi. The Beaux Arts de Paris French pronunciation boz aʁ de pari formally the Ecole nationale superieure des beaux arts is a French grande ecole whose primary mission is to provide high level fine arts education and training The art school which is part of the Paris Sciences et Lettres University is located on two sites Saint Germain des Pres in Paris and Saint Ouen Beaux Arts de ParisEcole nationale superieure des beaux artsTypeGrande ecoleEstablished1817 207 years ago 1817 DirectorAlexia Fabre since 2022 LocationParis France48 51 25 N 02 20 00 E 48 85694 N 2 33333 E 48 85694 2 33333Campus6th arrondissement of ParisAffiliationsCGE Paris Sciences et Lettres UniversityWebsitewww beauxartsparis fr The entrance of the Beaux Arts de Paris with a bust of Nicolas Poussin Plan of the site The Parisian institution is made up of a complex of buildings located at 14 rue Bonaparte between the quai Malaquais and the rue Bonaparte This is in the heart of Saint Germain des Pres just across the Seine from the Louvre museum The school was founded in 1648 by Charles Le Brun as the famed French academy Academie royale de peinture et de sculpture In 1793 at the height of the French Revolution the institutes were suppressed However in 1817 following the Bourbon Restoration it was revived under a changed name after merging with the Academie d architecture Held under the King s tutelage until 1863 an imperial decree on November 13 1863 named the school s director who serves for a five year term Long supervised by the Ministry of Public Instruction the Ecole des Beaux Arts is now a public establishment under the Ministry of Culture Contents 1 History 2 Collections 3 Campus 4 Palais des Etudes 5 Chapel 6 Academic staff 6 1 Directors 6 2 Notable instructors 7 Notable alumni 8 Cour du Murier 9 See also 10 References 11 External linksHistory editThe Beaux Arts de Paris is the original of a series of Ecoles des beaux arts in French regional centers Since its founding in 1648 the Academie royale de peinture et de sculpture has had a school France s elite institution of instruction in the arts Its program was structured around a series of anonymous competitions that culminated in the grand prix de l Academie Royale more familiar as the Grand Prix de Rome for its winner was awarded a bourse and a place at the French Academy in Rome During his stay in Rome a pensionnaire was expected to send regular envois of his developing work back to Paris Contestants for the Prix were assigned a theme from the literature of classical antiquity their individual identities were kept secret to avoid any scandal of favoritism nbsp Rinaldo and Armida Francois Boucher s morceau de reception gained his admission to the Academie royale in 1734 With his final admission into the Academie the new member had to present his fellow academicians a morceau de reception a painting or sculpture that demonstrated his learning intelligence and proficiency in his art Jacques Louis David s Andromache Mourning Hector was his reception offering in 1783 today it is in the collections of the Louvre Museum In 1793 during the French Revolution the Academie Royale and the grand prix de l Academie Royale were abolished but only a few years later in 1797 the Prix de Rome was re established Each year throughout the nineteenth century the winner of the Prix de Rome was granted five years of study at the Villa Medici after which the painter or sculptor could fully expect to embark on a successful official career The program resulted in the accumulation of some great collections at the Academie one of the finest collections of French drawings many of them sent as envoies from Rome as well as the paintings and sculptures usually the winners of the competitions or salons Lesser competitions known as the petits concours took themes like history composition which resulted in many sketches illustrating instructive moments from antiquity expressions of the emotions and full and half figure painting In its role as a teaching institution the Ecole assembled a large collection of Italian and French etchings and engravings dating from the 16th through the 18th century Such prints published the composition of paintings to a wide audience The print collection was first made available to students outside the Academie in 1864 Today studies include painting installation graphic arts photography sculpture digital media and video Beaux Arts de Paris provides the highest level of training in contemporary art production Throughout history many world renowned artists have either taught or studied at this institution The faculty is made up of recognized international artists Theoretical courses permitting diverse approaches to the history of the arts complement studio work which is supported by technical training and access to technical bases The media center provides students with rich documentation on art and organizes conferences seminars and debates throughout the year The School buildings have architectural interest and house prestigious historical collections and an extensive fine arts library The school publishes a dozen texts per year on different collections and holds exhibitions ranging from the school s collection of old master drawings to the most up to date contemporary works in the Quai Malaquais space and the Chapel throughout the year Collections editThe school owns circa 450 000 items divided between artworks and historical books making it one of the largest public art collections in France The collection encompasses many types of artistic productions from painting and sculpture to etching furniture or decorated books and from all the periods of art history Many pieces of the collection are artworks created by students of the School throughout its history but former students and scholars also contributed to enlarge the holdings with many gifts and donations to the institution The collection consists in approximatively 2 000 paintings including pictures by Nicolas Poussin Anthony van Dyck Hyacinthe Rigaud Jean Honore Fragonard Hubert Robert and Ingres 600 pieces of decorative arts 600 architectural elements nearly 15 000 medals 3 700 sculptures 20 000 drawings including works by Paolo Veronese Primaticcio Jacques Bellange Michelangelo Charles Le Brun Nicolas Poussin Claude Gellee Durer Rembrandt Ingres Francois Boucher or Pierre Alechinsky 45 000 architectural drawings 100 000 etchings and engravings 70 000 photographs mainly form the period 1850 1914 65 000 books dating from the 15th to the 20th century 3 500 for the 15th and 16th centuries and 1 000 handwritten pieces of archive letters inventories notes and also 390 important fragments or complete illuminated manuscripts Campus edit nbsp Entrance at 14 Rue Bonaparte The physical setting of the school stands on about two hectares in the Saint Germain des Pres section of Paris The main entrance at 14 Rue Bonaparte is flanked by colossal carved heads of Pierre Paul Puget and Nicolas Poussin done in 1838 by Michel Louis Victor Mercier Before 1816 Beaux Arts students were taught elsewhere This land had been the convent of the Petits Augustins then the site of Alexandre Lenoir s collection of architectural fragments from across France the Musee des Monuments francais 1795 1816 assembled here as a result of the destruction of churches and noble chateaux during the revolution In 1830 architect Felix Duban a former student and winner of the Grand Prix de Rome began a transformation of the site by demolishing a few existing houses moving back the convent s cloister on the right to produce a symmetrical courtyard and designing the largest central building the Palais des Etudes Duban simply incorporated many of Lenoir s historical fragments notably the portal of the 1548 Chateau d Anet and in the courtyard a facade from the Chateau de Gaillon since removed and returned to its original site in 1977 nbsp The Hemicycle mural by Paul Delaroche In other ways Duban meant the entire complex as an open air encyclopedia for artists and architects The Palais des Etudes building features elaborate frescoes the stairwells demonstrate various wall finishes and the courtyard glassed over by Duban in 1863 once held classical statuary and full size copies of the columns of the Parthenon for study The core of the complex is a semi circular award theater within the Palais the Hemicycle d Honneur where the prizes were awarded Duban commissioned Paul Delaroche to produce a great mural 27 metres long to represent seventy five great artists of all ages in conversation assembled in groups In the middle are three thrones occupied by the creators of the Parthenon sculptor Phidias architect Ictinus and painter Apelles symbolizing the unity of these arts The mural took Delaroche three and a half years to complete and it still stands as a powerful expression of the Beaux Arts collaborative ideal nbsp In this replica painting by Charles Beranger the auditorium of Ecole des beaux arts is depicted 1 Walters Art Museum Baltimore Duban continued to expand and improve the complex for decades Other major buildings include the 1820 Batiment des Loges the modified cloister now called the Cour des Muriers the 1862 Batiment des Expositions which extended the campus to the Quai Malaquias the Hotel de Chimay built circa 1750 and acquired by the school in 1884 and a block of studios constructed circa 1945 in concrete by Auguste Perret Palais des Etudes edit nbsp The Palais des Etudes in summer nbsp The Palais des Etudes in winter nbsp Palais des Etudes Cour vitree nbsp Between left and right gallery nbsp The stairway in the Palais des Etudes nbsp The archives in the Palais des Etudes nbsp The library in the Palais des EtudesChapel edit nbsp Exterior view of the chapel of the Beaux Arts nbsp Interior view of the chapel of the Beaux Arts nbsp The chapel of the Beaux Arts detail nbsp The chapel of the Beaux Arts detailAcademic staff editThis section needs additional citations for verification Please help improve this article by adding citations to reliable sources in this section Unsourced material may be challenged and removed October 2013 Learn how and when to remove this message Directors edit Jean Baptiste Claude Eugene Guillaume 1864 1878 Paul Dubois 1878 Francois Wehrlin Yves Michaud 1989 1997 Alfred Pacquement Nicolas Untersteller 1948 Jean Didier Wolframm Henry Claude Cousseau Nicolas Bourriaud 2011 2015 Jean Marc Bustamante 2015 2019 Jean de Loisy 2019 2021 Alexia Fabre 2022 Notable instructors edit Marina Abramovic Pierre Alechinsky Louis Jules Andre Maurice Benayoun Francois Boisrond Christian Boltanski Duchenne de Boulogne Jean Marc Bustamante Alexandre Cabanel Pierre Carron Beatrice Casadesus Jean Francois Chevrier Cesar Nina Childress Claude Closky Leonardo Cremonini Julien Creuzet Richard Deacon Olivier Debre Louis Girault Julien Guadet Fabrice Hybert Victor Laloux Jean Paul Laurens Barbara Leisgen Charles Le Brun Henri Lehmann Michel Marot Antonin Mercie Annette Messager Gustave Moreau Jean Louis Pascal Auguste Perret Emmanuel Pontremoli Abraham Pincas Paul Richer Charles Caius Renoux Jean Joseph Sue father Jean Joseph Sue son Tadashi Kawamata Tatiana Trouve Jean Luc VilmouthNotable alumni editAgegnehu Engida painter Nadir Afonso painter Paul Ahyi painter sculptor designer of the flag of Togo 2 Sohrab Sepehri Famous Iranian poet writer and painter Theo Akkermann German sculptor Wahbi al Hariri sculpture painting and architecture Rodolfo Amoedo painting Beatrice Valentine Amrhein painting Ouanes Amor painting Emile Andre architecture Ximena Armas painting Yolande Ardissone painting Leon Azema architecture Theodore Ballu architecture Myron G Barlow painting Lucien Georges Bazor sculpture Ahmed Benyahia painting sculpture film Jean Francois Bocle painter Ernest Boiceau drawing painting and architecture Maurice Boitel painting Gustave Boulanger painting Michel Bouvet designer amp poster artist Antoine Bourdelle sculpture David Tai Bornoff installation multi media film Bernard Buffet painting Charles Burki Dutch illustrator Antoine Camilleri painting Paul Henry Chombart de Lauwe sociologist Olivia Chaumont architect and transgender activist Eugene Chigot painting Georgette Cottin Euziol French Algerian architect Aime Jules Dalou sculpture Henri Camille Danger painting Mario Pani Darqui architecture Jacques Louis David painting Gabriel Davioud architecture Olivier Debre painting Edgar Degas painting Eugene Delacroix painting Marie Antoinette Demagnez sculpture Jean Desbois architecture Louis Deschamps painting Paul Devautour installation multi media Jean Dries painting Felix Duban architecture Henri Evenepoel painting Fang Ganmin painting sculpture Anne Flournoy filmmaker Yitzhak Frenkel painter sculptor glasswork Jean Honore Fragonard painting Valentino Garavani fashion designer Charles Garnier architecture Tony Garnier architecture Eliahu Gat painting David Gerstein painting sculpture Theodore Gericault painting Hubert de Givenchy fashion designer Louis Girault architecture Jacques Greber landscape architect Aaron Goodelman sculptor 3 Liliana Gramberg printmaker and painter 4 Michael Gross painter and sculptor Julien Guadet architecture Yves Hernot Painting and Surrealistic photos Emil Hunten painter Jean Auguste Dominique Ingres painting Charles Isabelle architecture Robert Jay Wolff painting sculpture Amedee Joullin painting Bernadette Kanter sculptor Majida Khattari multidisciplinary artist 5 Ludwik Konarzewski painting and sculpture Jules Benoit Levy painting Victor Laloux architecture Armand Laroche painting Alexandre Louis Leloir painting and illustration Liem Bwan Tjie architect 6 Lin Fengmian painting Frederique Lucien painting Albert Marquet painting Henri Matisse painting Sophie Matisse painting 7 8 Edgar Maxence painting Annette Messager installation multi media Vann Molyvann architecture Claude Monet painting Gustave Moreau painting Julia Morgan architecture first woman to graduate from the school Michel Mossessian architecture Marie Muracciole curator art critic Camila Oliveira Fairclough painter Ong Schan Tchow alias Yung Len Kwui painting Alphonse Osbert painting Pan Yuliang painting Jean Louis Pascal architecture Edward Plunkett 20th Baron of Dunsany painting and sculpture Christian de Portzamparc architecture Pritzker Prize laureate 1994 Theophile Poilpot painting Leon Printemps painting Syed Haider Raza painting Alfred Georges Regner painting engraving Pierre Auguste Renoir painting Jean Paul Reti sculpture Henri Richelet painting Hannes Rosenow painting Georges Rouault painting Abolhassan Khan Sadighi sculptor and painter Bojan Sarcevic sculpture Louis Frederic Schutzenberger painting Mahmoud Sehili painter Joann Sfar design Alfred Sisley painting Edward Stott painting Indira Nair painting Clement Nye Swift painting Siavash Teimouri architect and historian of architecture Antonio Teixeira Lopes sculpture Albert Felix Theophile Thomas architecture Roland Topor design Morton Traylor painting Guillaume Tronchet architecture Leon Vaudoyer architecture Lydia Venieri painting sculpture photography multimedia Nelly de Vogue painter Adrien Voisin American sculptor Lucien Weissenburger architecture Lucien Wercollier sculpture Elsa Werth artist Xu Beihong painting Yan Pei Ming painting Yan Wenliang paintingCour du Murier edit nbsp Cour du Murier nbsp Cour du Murier nbsp Cour du Murier nbsp Cour du Murier detail 1 nbsp Cour du Murier nbsp Cour du Murier detail 3 nbsp Cour du Murier detail 4 nbsp Cour du Murier nbsp Cour du Murier detail 5 nbsp Cour du Murier detail 6 nbsp Cour du Murier detail 7See also editEcole des beaux arts Academie de peinture et de sculpture Comite des Etudiants Americains de l Ecole des beaux arts Paris Beaux Arts architecture Academic art Hotel de Chimay List of works by Henri ChapuReferences edit Replica of The Hemicycle Walters Art Museum Paul Ahyi of Togo joins roster of UNESCO Artists for Peace United Nations 2009 09 11 Retrieved 2010 01 12 SAAM Aaron J Goodelman Smithsonian American Art Museum Retrieved March 5 2021 Artist to Show Her Etchings at South Church Hartford Courant 1 March 1965 Retrieved 3 December 2021 Renard Johanna 2013 Majida Khattari Archives of Women Artists Research and Exhibitions AWARE Le Dictionnaire universel des Creatrices Archived from the original on 2020 08 09 Retrieved 2021 04 16 Suryadinata Leo 2012 Southeast Asian Personalities of Chinese Descent A Biographical Dictionary Volume I amp II Institute of Southeast Asian Studies pp 573 574 ISBN 978 9814345217 Sophie Matisse Biography sophiematisse com Archived from the original on 2019 09 08 Retrieved 2020 08 31 Sophie Matisse Bespoke Games Purling London Retrieved 2020 08 31 Review of Dieux et Mortels a travelling exhibition of paintings and sculpture models from the collection of the Ecole nationale superieure des beaux arts 2004 fr Beaux Arts de ParisExternal links edit nbsp Wikimedia Commons has media related to Beaux Arts de Paris Beaux Arts de Paris website Retrieved from https en wikipedia org w index php title Beaux Arts de Paris amp oldid 1216464852, wikipedia, wiki, book, books, library,

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