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Alfred Sisley

March 29, 2023

"Sisley" redirects here. For other uses, see Sisley (disambiguation).

Alfred Sisley (/ˈsɪsli/; French: [sislɛ]; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air (i.e., outdoors). He deviated into figure painting only rarely and, unlike Renoir and Pissarro, he found that Impressionism fulfilled his artistic needs.

Alfred Sisley
Sisley in March 1863
Born(1839-10-30)30 October 1839
Paris, France
Died29 January 1899(1899-01-29) (aged 59)
Moret-sur-Loing, France
NationalityBritish
EducationMarc-Charles-Gabriel Gleyre
Known forPainting
MovementImpressionism

Among his important works are a series of paintings of the River Thames, mostly around Hampton Court, executed in 1874, and landscapes depicting places in or near Moret-sur-Loing. The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes, characterised by tranquillity, in pale shades of green, pink, purple, dusty blue and cream. Over the years Sisley's power of expression and colour intensity increased.[1]

Biography

 
Pierre-Auguste Renoir, Alfred Sisley and his Wife, 1868

Sisley was born in Paris to affluent British parents. His father, William Sisley, was in the silk business, and his mother, Felicia Sell, was a cultivated music connoisseur.

In 1857, at the age of 18, Alfred Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris in 1861. From 1862, he studied at the Paris École des Beaux-Arts within the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Frédéric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air rather than in the studio, in order to capture the transient effects of sunlight realistically. This approach, innovative at the time, resulted in paintings more colourful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Their works were usually rejected by the jury of the most important art exhibition in France, the annual Salon. During the 1860s, though, Sisley was in a better financial position than some of his fellow artists, as he received an allowance from his father.

In 1866, Sisley began a relationship with Eugénie Lescouezec (1834–1898; usually known as Marie Lescouezec), a Breton living in Paris. The couple had two children: son Pierre (born 1867) and daughter Jeanne (1869).[2] At the time, Sisley lived not far from Avenue de Clichy and the Café Guerbois, the gathering-place of many Parisian painters.

In 1868, his paintings were accepted at the Salon, but the exhibition did not bring him financial or critical success; nor did subsequent exhibitions.[1]

 
Molesey Weir – Morning, one of the paintings executed by Sisley on his visit to Britain in 1874

In 1870, the Franco-Prussian War began; as a result, Sisley's father's business failed, and the painter's sole means of support became the sale of his works. For the remainder of his life he would live in poverty, as his paintings did not rise significantly in monetary value until after his death.[3] Occasionally, however, Sisley would be backed by patrons, and this allowed him, among other things, to make a few brief trips to Britain.

The first of these occurred in 1874, after the first independent Impressionist exhibition. The result of a few months spent south-west of London was a series of nearly twenty paintings of the non-tidal Thames at East Molesey and below its Hampton Court Bridge where the south bank becomes Thames Ditton which was later described by art historian Kenneth Clark as "a perfect moment of Impressionism."

Until 1880, Sisley lived and worked in the country west of Paris; then he and his family moved to a small village near Moret-sur-Loing, close to the forest of Fontainebleau, where the painters of the Barbizon school had worked earlier in the century. Here, as art historian Anne Poulet has said, "the gentle landscapes with their constantly changing atmosphere were perfectly attuned to his talents. Unlike Monet, he never sought the drama of the rampaging ocean or the brilliantly colored scenery of the Côte d'Azur."[4]

In 1881, Sisley made a second brief voyage to Great Britain.

In 1897, Sisley and his partner visited Britain again, and were finally married in Wales at Cardiff Register Office on 5 August.[5] They stayed at Penarth, where Sisley painted at least six oils of the sea and the cliffs. In mid-August they moved to the Osborne Hotel at Langland Bay on the Gower Peninsula, where he produced at least eleven oil paintings in and around Langland Bay and Rotherslade (then called Lady's Cove). They returned to France in October. This was Sisley's last voyage to his ancestral homeland. The National Museum Cardiff possesses two of his oil paintings of Penarth and Langland.

The following year Sisley applied for French citizenship, but was refused. A second application was made and supported by a police report, but illness intervened,[6] and Sisley remained a British national until his death.

He died on 29 January 1899 of throat cancer in Moret-sur-Loing at the age of 59, a few months after the death of his wife. His body was buried with that of his wife at Moret-sur-Loing Cemetery.[7]

Work

 
Avenue of Chestnut Trees near La Celle-Saint-Cloud, 1865

Sisley's student works are lost. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud. Little is known about Sisley's relationship with the paintings of J. M. W. Turner and John Constable, which he may have seen in London, but some have suggested that these artists may have influenced his development as an Impressionist painter,[8] as may have Gustave Courbet and Jean-Baptiste-Camille Corot.

He was inspired by the style and subject matter of previous modern painters Camille Pissarro and Edouard Manet.[9] Among the Impressionists, Sisley has been overshadowed by Monet, whose work his resembles in style and subject matter, although Sisley's effects are more subdued.[10] Described by art historian Robert Rosenblum as having "almost a generic character, an impersonal textbook idea of a perfect Impressionist painting",[11] his work strongly invokes atmosphere, and his skies are always impressive. He concentrated on landscape more consistently than any other Impressionist painter.

 
La Seine au point du jour, 1877, Musée Malraux, Le Havre

Among Sisley's best-known works are Street in Moret and Sand Heaps, both owned by the Art Institute of Chicago, and The Bridge at Moret-sur-Loing, shown at Musée d'Orsay, Paris. Allée des peupliers de Moret (The Lane of Poplars at Moret) has been stolen three times from the Musée des Beaux-Arts in Nice – once in 1978 when on loan in Marseilles (recovered a few days later in the city's sewers), again in 1998 (when the museum's curator was convicted of the theft and jailed for five years with two accomplices), and finally in August 2007 (on 4 June 2008 French police recovered it and three other stolen paintings from a van in Marseilles).[12]

A large number of fake Sisleys have been discovered. Sisley produced some 900 oil paintings, some 100 pastels and many other drawings.[13]

During the Nazi period (1933–1945) a number of Sisley works were taken from Jewish art collectors by Nazis or their agents as part of the massive looting of Jews that preceded the Holocaust. On 18 June 2004 Sisley's Soleil de printemps, le Loing (1892) was restored to the family of Louis Hirsch, in a ceremony in Paris.[14][15][16]

In 2008 a dispute erupted between Alain Dreyfus, an art dealer in Switzerland, and the auction house Christie's over a Sisley painting First Day of Spring in Moret, that was claimed by the Lindon family in court in Paris. Dreyfus said that Christie's had not sufficiently examined the work's history, or provenance, before putting it up for sale.[17][18]

Also in 2008, the Sisley Bateux en Réparation à Saint Mammès (1885) was recognised as having been looted by the Nazis and the subject of a settlement with the heirs of Benno and Frances Bernstein who had owned it before Nazi occupation.

Numerous Sisleys such as Winter Landscape were known to have been seized by the Nazi looting organisation known as the E.R.R. and still have not been found.[19]

The German Lost Art Foundation has 24 listings for Sisley.[20]

Selected works

Main article: List of paintings by Alfred Sisley

Gallery

Notes

  1. ^ a b Richard Shone: Sisley. London: Phaidon Press 1999. ISBN 0-7148-3892-6
  2. ^ Turner 2000, pp. 400–401.
  3. ^ Denvir 2000, p. 265.
  4. ^ Poulet 1979, p. 77.
  5. ^ "A Sisley painting of the south Wales coast | Rhagor". Archived from the original on 11 September 2012. Retrieved 22 October 2020.
  6. ^ BBC Radio 4 6 November 2008, Misfits in France
  7. ^ "Alfred Sisley (1839-1899) - Find A Grave Memorial". www.findagrave.com. Retrieved 22 October 2020.
  8. ^ Turner 2000, p. 401.
  9. ^ Haine, Scott (2000). The History of France (1st ed.). Greenwood Press. pp. 112. ISBN 0-313-30328-2.
  10. ^ Bomford et al. 1990, p. 203.
  11. ^ Rosenblum 1989, p. 306.
  12. ^ "French National Pleads Guilty to International Stolen Art Conspiracy". Earth Times. 10 July 2008. Retrieved 8 August 2007.
  13. ^ Alfred Sisley, page 82, François Daulte, Alfred Sisley, Cassell, 1988. ISBN 978-0-304-32222-0
  14. ^ "Restitution d'un tableau d'Alfred Sisley". Le Monde (in French). 19 June 2004. Archived from the original on 12 February 2021. Retrieved 12 February 2021.
  15. ^ Darmon, Adrian. "Un Sisley volé par les Nazis refait surface" [A Sisley stolen by the Nazis resurfaces]. artcult.fr (in French). from the original on 17 August 2016. Retrieved 12 February 2021 – via lootedart.com.
  16. ^ Meaux, Lorraine de (22 March 2018). Une grande famille russe. Les Gunzburg (in French). Place des éditeurs. ISBN 978-2-262-07616-0.
  17. ^ Moynihan, Colin (3 June 2018). "Did Christie's Do Its Homework? Buyer of Nazi-Tainted Work Says No". The New York Times. from the original on 4 June 2018. Retrieved 8 May 2021.
  18. ^ Herzberg, Nathaniel (28 May 2018). "Un Sisley vole par les nazis embarrasse Christie's" [A Sisley stolen by the Nazis embarrasses Christie's]. Le Monde (in French). from the original on 1 May 2019. Retrieved 8 May 2021 – via lootedart.com.
  19. ^ "Alfred Sisley – Results". lootedart.com. from the original on 27 June 2020. Retrieved 12 February 2021. Alfred Sisley (1839–1899)
    Winter Landscape
    Painting
    Oil
    39 × 56 cm
    Sign.: Sisley
    Status: The object is looted. Its current location is unknown.
    Provenance: Confiscated by the ERR from unknown collection, Paris. Arthur Pfannstiel, Paris painter and art dealer, received from an exchange with the Einsatzstab Reichsleiter Rosenberg (ERR), 17 March 1941, Paris.
  20. ^ "Lost Art Internet Database – Einfache Suche – Sisley". lostart.de. Retrieved 12 February 2021.{{cite web}}: CS1 maint: url-status (link)

References

  • Bomford, David, Jo Kirby, John Leighton, Ashok Roy, and Raymond White (1990). Impressionism. London: National Gallery. ISBN 0-300-05035-6
  • Daulte, F. (1959). Alfred Sisley Catalogue raisonnee de l'oeuvre peint
  • Denvir, B. (2000). The Chronicle of Impressionism: An Intimate Diary of the Lives and World of the Great Artists. London: Thames & Hudson. OCLC 43339405
  • Poulet, A. L., & Murphy, A. R. (1979). Corot to Braque: French Paintings from the Museum of Fine Arts, Boston. Boston: The Museum. ISBN 0-87846-134-5
  • Reed, Nicholas, (2008). Sisley on the Thames and the Welsh Coast. Lilburne Press. ISBN 978-1-901167-20-7
  • Rosenblum, Robert (1989). Paintings in the Musée d'Orsay. New York: Stewart, Tabori & Chang. ISBN 1-55670-099-7
  • Turner, J. (2000). From Monet to Cézanne: late 19th-century French artists. Grove Art. New York: St Martin's Press. ISBN 0-312-22971-2

External links

  •   Media related to Alfred Sisley at Wikimedia Commons
  •   Quotations related to Alfred Sisley at Wikiquote
  • Paintings by Sisley
  • . Archived from the original on 6 March 2005. Retrieved 1 May 2005.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  • Impressionism : a centenary exhibition, the Metropolitan Museum of Art, December 12, 1974 – February 10, 1975, fully digitised text from The Metropolitan Museum of Art libraries

March 29, 2023
alfred, sisley, sisley, redirects, here, other, uses, sisley, disambiguation, french, sislɛ, october, 1839, january, 1899, impressionist, landscape, painter, born, spent, most, life, france, retained, british, citizenship, most, consistent, impressionists, ded. Sisley redirects here For other uses see Sisley disambiguation Alfred Sisley ˈ s ɪ s l i French sislɛ 30 October 1839 29 January 1899 was an Impressionist landscape painter who was born and spent most of his life in France but retained British citizenship He was the most consistent of the Impressionists in his dedication to painting landscape en plein air i e outdoors He deviated into figure painting only rarely and unlike Renoir and Pissarro he found that Impressionism fulfilled his artistic needs Alfred SisleySisley in March 1863Born 1839 10 30 30 October 1839Paris FranceDied29 January 1899 1899 01 29 aged 59 Moret sur Loing FranceNationalityBritishEducationMarc Charles Gabriel GleyreKnown forPaintingMovementImpressionismAmong his important works are a series of paintings of the River Thames mostly around Hampton Court executed in 1874 and landscapes depicting places in or near Moret sur Loing The notable paintings of the Seine and its bridges in the former suburbs of Paris are like many of his landscapes characterised by tranquillity in pale shades of green pink purple dusty blue and cream Over the years Sisley s power of expression and colour intensity increased 1 Contents 1 Biography 2 Work 3 Selected works 4 Gallery 5 Notes 6 References 7 External linksBiography Edit Pierre Auguste Renoir Alfred Sisley and his Wife 1868 Sisley was born in Paris to affluent British parents His father William Sisley was in the silk business and his mother Felicia Sell was a cultivated music connoisseur In 1857 at the age of 18 Alfred Sisley was sent to London to study for a career in business but he abandoned it after four years and returned to Paris in 1861 From 1862 he studied at the Paris Ecole des Beaux Arts within the atelier of Swiss artist Marc Charles Gabriel Gleyre where he became acquainted with Frederic Bazille Claude Monet and Pierre Auguste Renoir Together they would paint landscapes en plein air rather than in the studio in order to capture the transient effects of sunlight realistically This approach innovative at the time resulted in paintings more colourful and more broadly painted than the public was accustomed to seeing Consequently Sisley and his friends initially had few opportunities to exhibit or sell their work Their works were usually rejected by the jury of the most important art exhibition in France the annual Salon During the 1860s though Sisley was in a better financial position than some of his fellow artists as he received an allowance from his father In 1866 Sisley began a relationship with Eugenie Lescouezec 1834 1898 usually known as Marie Lescouezec a Breton living in Paris The couple had two children son Pierre born 1867 and daughter Jeanne 1869 2 At the time Sisley lived not far from Avenue de Clichy and the Cafe Guerbois the gathering place of many Parisian painters In 1868 his paintings were accepted at the Salon but the exhibition did not bring him financial or critical success nor did subsequent exhibitions 1 Molesey Weir Morning one of the paintings executed by Sisley on his visit to Britain in 1874 In 1870 the Franco Prussian War began as a result Sisley s father s business failed and the painter s sole means of support became the sale of his works For the remainder of his life he would live in poverty as his paintings did not rise significantly in monetary value until after his death 3 Occasionally however Sisley would be backed by patrons and this allowed him among other things to make a few brief trips to Britain The first of these occurred in 1874 after the first independent Impressionist exhibition The result of a few months spent south west of London was a series of nearly twenty paintings of the non tidal Thames at East Molesey and below its Hampton Court Bridge where the south bank becomes Thames Ditton which was later described by art historian Kenneth Clark as a perfect moment of Impressionism Until 1880 Sisley lived and worked in the country west of Paris then he and his family moved to a small village near Moret sur Loing close to the forest of Fontainebleau where the painters of the Barbizon school had worked earlier in the century Here as art historian Anne Poulet has said the gentle landscapes with their constantly changing atmosphere were perfectly attuned to his talents Unlike Monet he never sought the drama of the rampaging ocean or the brilliantly colored scenery of the Cote d Azur 4 Resting by a Stream at the Edge of the Wood 1878 Musee d Orsay In 1881 Sisley made a second brief voyage to Great Britain In 1897 Sisley and his partner visited Britain again and were finally married in Wales at Cardiff Register Office on 5 August 5 They stayed at Penarth where Sisley painted at least six oils of the sea and the cliffs In mid August they moved to the Osborne Hotel at Langland Bay on the Gower Peninsula where he produced at least eleven oil paintings in and around Langland Bay and Rotherslade then called Lady s Cove They returned to France in October This was Sisley s last voyage to his ancestral homeland The National Museum Cardiff possesses two of his oil paintings of Penarth and Langland The following year Sisley applied for French citizenship but was refused A second application was made and supported by a police report but illness intervened 6 and Sisley remained a British national until his death He died on 29 January 1899 of throat cancer in Moret sur Loing at the age of 59 a few months after the death of his wife His body was buried with that of his wife at Moret sur Loing Cemetery 7 Work Edit Avenue of Chestnut Trees near La Celle Saint Cloud 1865 Sisley s student works are lost His first landscape paintings are sombre coloured with dark browns greens and pale blues They were often executed at Marly and Saint Cloud Little is known about Sisley s relationship with the paintings of J M W Turner and John Constable which he may have seen in London but some have suggested that these artists may have influenced his development as an Impressionist painter 8 as may have Gustave Courbet and Jean Baptiste Camille Corot He was inspired by the style and subject matter of previous modern painters Camille Pissarro and Edouard Manet 9 Among the Impressionists Sisley has been overshadowed by Monet whose work his resembles in style and subject matter although Sisley s effects are more subdued 10 Described by art historian Robert Rosenblum as having almost a generic character an impersonal textbook idea of a perfect Impressionist painting 11 his work strongly invokes atmosphere and his skies are always impressive He concentrated on landscape more consistently than any other Impressionist painter La Seine au point du jour 1877 Musee Malraux Le Havre Among Sisley s best known works are Street in Moret and Sand Heaps both owned by the Art Institute of Chicago and The Bridge at Moret sur Loing shown at Musee d Orsay Paris Allee des peupliers de Moret The Lane of Poplars at Moret has been stolen three times from the Musee des Beaux Arts in Nice once in 1978 when on loan in Marseilles recovered a few days later in the city s sewers again in 1998 when the museum s curator was convicted of the theft and jailed for five years with two accomplices and finally in August 2007 on 4 June 2008 French police recovered it and three other stolen paintings from a van in Marseilles 12 A large number of fake Sisleys have been discovered Sisley produced some 900 oil paintings some 100 pastels and many other drawings 13 During the Nazi period 1933 1945 a number of Sisley works were taken from Jewish art collectors by Nazis or their agents as part of the massive looting of Jews that preceded the Holocaust On 18 June 2004 Sisley s Soleil de printemps le Loing 1892 was restored to the family of Louis Hirsch in a ceremony in Paris 14 15 16 In 2008 a dispute erupted between Alain Dreyfus an art dealer in Switzerland and the auction house Christie s over a Sisley painting First Day of Spring in Moret that was claimed by the Lindon family in court in Paris Dreyfus said that Christie s had not sufficiently examined the work s history or provenance before putting it up for sale 17 18 Also in 2008 the Sisley Bateux en Reparation a Saint Mammes 1885 was recognised as having been looted by the Nazis and the subject of a settlement with the heirs of Benno and Frances Bernstein who had owned it before Nazi occupation Numerous Sisleys such as Winter Landscape were known to have been seized by the Nazi looting organisation known as the E R R and still have not been found 19 The German Lost Art Foundation has 24 listings for Sisley 20 Selected works EditMain article List of paintings by Alfred Sisley Avenue of Chestnut Trees near La Celle Saint Cloud 1865 View of Montmartre from Cite des Fleurs to Les Batignolles 1869 The Bridge at Villeneuve la Garenne 1872 Ferry to the Ile de la Loge Flood 1872 La Grande Rue Argenteuil c 1872 Square in Argenteuil Rue de la Chaussee 1872 Footbridge at Argenteuil fr 1872 Chemin de la Machine Louveciennes 1873 Louveciennes Sentier de la Mi cote fr 1873 Hampton Court Bridge painting 1874 Molesey Weir Morning 1874 Regatta at Molesey 1874 Under Hampton Court Bridge 1874 The Terrace at Saint Germain Spring 1875 The Small Meadows in Spring By c 1881 Gallery Edit St Martin Canal 1870 Early Snow at Louveciennes c 1871 72 Among the Vines Louveciennes 1874 Fog Voisins 1874 Bridge at Hampton Court 1874 Regatta at Molesey 1874 La Petite Place La Rue du Village 1874 Aberdeen Art Gallery Under the Bridge at Hampton Court 1874 The Meadow 1875 The Flood at Port Marly 1876 Fitzwilliam Museum Le Pont de Moret effet d orage 1887 Musee Malraux Le Havre View of Saint Mammes circa 1880 The Walters Art Museum A path at Les Sablons 1883 The Port of Moret sur Loing 1884 Women Going to the Woods 1886 Seaside Langland 1887 Church in Moret 1889 Saint Mammes in the Morning 1890 Le Givre a Veneux 1880 University of Michigan Museum of ArtNotes Edit a b Richard Shone Sisley London Phaidon Press 1999 ISBN 0 7148 3892 6 Turner 2000 pp 400 401 Denvir 2000 p 265 Poulet 1979 p 77 A Sisley painting of the south Wales coast Rhagor Archived from the original on 11 September 2012 Retrieved 22 October 2020 BBC Radio 4 6 November 2008 Misfits in France Alfred Sisley 1839 1899 Find A Grave Memorial www findagrave com Retrieved 22 October 2020 Turner 2000 p 401 Haine Scott 2000 The History of France 1st ed Greenwood Press pp 112 ISBN 0 313 30328 2 Bomford et al 1990 p 203 Rosenblum 1989 p 306 French National Pleads Guilty to International Stolen Art Conspiracy Earth Times 10 July 2008 Retrieved 8 August 2007 Alfred Sisley page 82 Francois Daulte Alfred Sisley Cassell 1988 ISBN 978 0 304 32222 0 Restitution d un tableau d Alfred Sisley Le Monde in French 19 June 2004 Archived from the original on 12 February 2021 Retrieved 12 February 2021 Darmon Adrian Un Sisley vole par les Nazis refait surface A Sisley stolen by the Nazis resurfaces artcult fr in French Archived from the original on 17 August 2016 Retrieved 12 February 2021 via lootedart com Meaux Lorraine de 22 March 2018 Une grande famille russe Les Gunzburg in French Place des editeurs ISBN 978 2 262 07616 0 Moynihan Colin 3 June 2018 Did Christie s Do Its Homework Buyer of Nazi Tainted Work Says No The New York Times Archived from the original on 4 June 2018 Retrieved 8 May 2021 Herzberg Nathaniel 28 May 2018 Un Sisley vole par les nazis embarrasse Christie s A Sisley stolen by the Nazis embarrasses Christie s Le Monde in French Archived from the original on 1 May 2019 Retrieved 8 May 2021 via lootedart com Alfred Sisley Results lootedart com Archived from the original on 27 June 2020 Retrieved 12 February 2021 Alfred Sisley 1839 1899 Winter LandscapePaintingOil39 56 cmSign SisleyStatus The object is looted Its current location is unknown Provenance Confiscated by the ERR from unknown collection Paris Arthur Pfannstiel Paris painter and art dealer received from an exchange with the Einsatzstab Reichsleiter Rosenberg ERR 17 March 1941 Paris Lost Art Internet Database Einfache Suche Sisley lostart de Retrieved 12 February 2021 a href Template Cite web html title Template Cite web cite web a CS1 maint url status link References EditBomford David Jo Kirby John Leighton Ashok Roy and Raymond White 1990 Impressionism London National Gallery ISBN 0 300 05035 6 Daulte F 1959 Alfred Sisley Catalogue raisonnee de l oeuvre peint Denvir B 2000 The Chronicle of Impressionism An Intimate Diary of the Lives and World of the Great Artists London Thames amp Hudson OCLC 43339405 Poulet A L amp Murphy A R 1979 Corot to Braque French Paintings from the Museum of Fine Arts Boston Boston The Museum ISBN 0 87846 134 5 Reed Nicholas 2008 Sisley on the Thames and the Welsh Coast Lilburne Press ISBN 978 1 901167 20 7 Rosenblum Robert 1989 Paintings in the Musee d Orsay New York Stewart Tabori amp Chang ISBN 1 55670 099 7 Turner J 2000 From Monet to Cezanne late 19th century French artists Grove Art New York St Martin s Press ISBN 0 312 22971 2External links Edit Media related to Alfred Sisley at Wikimedia Commons Quotations related to Alfred Sisley at Wikiquote Alfred Sisley org Paintings by Sisley The Impressionists at Biography Archived from the original on 6 March 2005 Retrieved 1 May 2005 a href Template Cite web html title Template Cite web cite web a CS1 maint bot original URL status unknown link Impressionism a centenary exhibition the Metropolitan Museum of Art December 12 1974 February 10 1975 fully digitised text from The Metropolitan Museum of Art libraries Retrieved from https en wikipedia org w index php title Alfred Sisley amp oldid 1126364712, wikipedia, wiki, book, books, library,

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