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Cornell Woolrich

Cornell George Hopley Woolrich (/ˈwʊlrɪ/ WUUL-ritch; December 4, 1903 – September 25, 1968) was an American novelist and short story writer. He sometimes used the pseudonyms William Irish and George Hopley.

Cornell Woolrich
BornCornell George Hopley Woolrich
(1903-12-04)December 4, 1903
New York City, US
DiedSeptember 25, 1968(1968-09-25) (aged 64)
New York City, US
Pen nameWilliam Irish, George Hopley
OccupationWriter (novelist)
Alma materColumbia University
Spouse
Violet Virginia Blackton
(m. 1930; annulled 1933)
(d.1965)

His biographer, Francis Nevins Jr., rated Woolrich the fourth best crime writer of his day, behind Dashiell Hammett, Erle Stanley Gardner and Raymond Chandler.

Biography

Woolrich was born in New York City; his parents separated when he was young. He lived for a time in Mexico with his father before returning to New York to live with his mother, Claire Attalie Woolrich.[1]

He attended Columbia University but left in 1926 without graduating when his first novel, Cover Charge, was published.[2][3] As Eddie Duggan observes, "Woolrich enrolled at New York's Columbia University in 1921 where he spent a relatively undistinguished year until he was taken ill and was laid up for some weeks. It was during this illness (a Rear-Window-like confinement involving a gangrenous foot, according to one version of the story) that Woolrich started writing, producing Cover Charge, which was published in 1926."[4] Cover Charge was one of his Jazz Age novels inspired by the work of F. Scott Fitzgerald. A second short story, Children of the Ritz, won Woolrich the first prize of $10,000 the following year in a competition organised by College Humor and First National Pictures; this led to his working as a screenwriter in Hollywood for First National Pictures. While in Hollywood, Woolrich explored his sexuality,[5] apparently engaging in what Frances M. Nevins Jr. describes as "promiscuous and clandestine homosexual activity" and by marrying Violet Virginia Blackton, the 21-year-old daughter of J. Stuart Blackton, one of the founders of the Vitagraph studio. Failing in both his attempt at marriage and at establishing a career as a screenwriter (the unconsummated marriage was annulled in 1933; Woolrich garnered no screen credits), Woolrich sought to resume his life as a novelist:

Although Woolrich had published six 'jazz-age' novels, concerned with the party-antics and romances of the beautiful young things on the fringes of American society, between 1926 and 1932, he was unable to establish himself as a serious writer. Perhaps because the 'jazz-age' novel was dead in the water by the 1930s when the depression had begun to take hold, Woolrich was unable to find a publisher for his seventh novel, I Love You, Paris, so he literally threw away the typescript, dumped it in a dustbin, and re-invented himself as a pulp writer.[4]

When he turned to pulp and detective fiction, Woolrich's output was so prolific his work was often published under one of his many pseudonyms.[4] For example, "William Irish" was the byline in Dime Detective Magazine (February 1942) on his 1942 story "It Had to Be Murder", source of the 1954 Alfred Hitchcock movie Rear Window and itself based on H.G. Wells' short story "Through a Window". François Truffaut filmed Woolrich's The Bride Wore Black and Waltz into Darkness in 1968 and 1969, respectively, the latter as Mississippi Mermaid. Ownership of the copyright in Woolrich's original story "It Had to Be Murder" and its use for Rear Window was litigated before the US Supreme Court in Stewart v. Abend, 495 U.S. 207 (1990).

He returned to New York where he and his mother moved into the Hotel Marseilles (Broadway and West 103rd Street). Eddie Duggan observes that "[a]lthough his writing made him wealthy, Woolrich and his mother lived in a series of seedy hotel rooms, including the squalid Hotel Marseilles apartment building in Harlem, among a group of thieves, prostitutes and lowlifes that would not be out of place in Woolrich's dark fictional world".[4] Woolrich lived there until his mother's death on October 6, 1957, which prompted his move to the Hotel Franconia (20 West 72nd Street).[6] In later years, he socialized on occasion in Manhattan bars with Mystery Writers of America colleagues and younger fans such as writer Ron Goulart,[7] but alcoholism and an amputated leg (caused by an infection from a too-tight shoe which went untreated) left him a recluse. As Duggan writes:

[After] Woolrich's mother died in 1957, he [went] into a sharp physical and mental decline.

Although he moved from Harlem's decrepit Hotel Marseilles to a more upmarket residence in the Hotel Franconia near Central Park, and later to the Sheraton-Russell on Park Avenue, Woolrich was a virtual recluse. Now in his 60s, with his eyesight failing, lonely, psychologically wracked by guilt over his homosexuality, tortured by his alcoholism, self-doubt, and a diabetic to boot, Woolrich neglected himself to such a degree that he allowed a foot infection to become gangrenous which resulted, early in 1968, in the amputation of a leg.

After the amputation, and a conversion to Catholicism, Woolrich returned to the Sheraton-Russell, requiring the use of a wheelchair. Some of the staff there would take Woolrich down to the lobby so he could look out on the passing traffic, thus making the wizened Woolrich into a kind of darker, self-loathing version of the character played by James Stewart in Hitchcock's Rear Window.

With the type of closure that is usually only encountered as a literary device, the Woolrich story turns full-circle around the Oedipally charged foot motif, the writing career that apparently began with a period of confinement attributed to a foot infection ends with an amputation, and the deep Freudian resonance that amputation induces.[4]

Woolrich did not attend the premiere of Truffaut's film of his novel The Bride Wore Black in 1968, even though it was held in New York City. He died weighing 89 pounds and was interred with his mother in the 'Shrine of Memories Mausoleum', Unit 1, Tier G, Crypt 102 at Ferncliff Cemetery, Hartsdale, New York.[8]

Woolrich bequeathed his estate of about $850,000 to Columbia University to endow scholarships in his mother's memory for writing students.[3] His papers are also kept at the Columbia University Libraries.[9]

Bibliography

Most of Woolrich's books are out of print, and new editions were slow to come out because of estate issues.[citation needed] However, new collections of his short stories were issued in the early 1990s. As of February 3, 2020, the Faded Page has seven titles available as ebooks in the public domain in Canada; these may be still under copyright elsewhere. In 2020 and 2021, Otto Penzler's "American Mystery Classics" series released new editions of Waltz into Darkness and The Bride Wore Black in both hardcover and paperback.

Woolrich died leaving fragments of an unfinished novel, titled The Loser; fragments have been published separately and also collected in Tonight, Somewhere in New York (2005).

Novels

Year Title Author Credit Notes
1926 Cover Charge Cornell Woolrich
1927 Children of the Ritz Cornell Woolrich
1929 Times Square Cornell Woolrich
1930 A Young Man's Heart Cornell Woolrich
1931 The Time of Her Life Cornell Woolrich
1932 Manhattan Love Song Cornell Woolrich
1940 The Bride Wore Black Cornell Woolrich
1941 The Black Curtain Cornell Woolrich
1941 Marihuana William Irish Published in paperback only
1942 Black Alibi Cornell Woolrich
1942 Phantom Lady William Irish
1943 The Black Angel Cornell Woolrich
1944 The Black Path of Fear Cornell Woolrich
1944 Deadline at Dawn William Irish Also published as an Armed Services Edition
1945 Night Has a Thousand Eyes George Hopley
1947 Waltz Into Darkness William Irish
1948 Rendezvous in Black Cornell Woolrich
1948 I Married a Dead Man William Irish
1950 Savage Bride Cornell Woolrich Published in paperback only
1950 Fright George Hopley
1951 You'll Never See Me Again Cornell Woolrich Published in paperback only
1951 Strangler's Serenade William Irish
1952 Eyes That Watch You William Irish
1952 Bluebeard's Seventh Wife William Irish Published in paperback only
1959 Death is My Dancing Partner Cornell Woolrich Published only in paperback
1960 The Doom Stone Cornell Woolrich Published only in paperback
1987 Into the Night Cornell Woolrich (Posthumous release, manuscript completed by Lawrence Block)

Short story collections

Year Title Author Credit Notes
1943 I Wouldn't Be in Your Shoes William Irish Also published as an Armed Services Edition
1944 After-Dinner Story William Irish Includes his noted 1941 novella "Marihuana". Also published as an Armed Services Edition
1946 If I Should Die Before I Wake William Irish Published in paperback only
1946 Borrowed Crime William Irish Published in paperback only
1946 The Dancing Detective William Irish
1948 Dead Man Blues William Irish
1949 The Blue Ribbon William Irish
1950 Somebody on the Phone William Irish A.k.a. "Deadly Night Call"
1950 Six Nights of Mystery William Irish Published in paperback only
1956 Nightmare Cornell Woolrich Includes both previously published & unpublished stories.
1958 Violence Cornell Woolrich Includes both previously published & unpublished stories.
1958 Hotel Room Cornell Woolrich
1959 Beyond the Night Cornell Woolrich Published in paperback only
1964 The Dark Side of Love Cornell Woolrich
1965 The Ten Faces of Cornell Woolrich Cornell Woolrich
2010 Four Novellas of Fear Cornell Woolrich

Selected films based on Woolrich stories

References

  1. ^ Corliss, Richard (8 December 2003). . Time. Archived from the original on 11 August 2010. Retrieved 25 July 2010.
  2. ^ "Take Five with Charles Ardai '91". Columbia College Today. 2020-05-07. Retrieved 2022-05-01.
  3. ^ a b Columbia College (Columbia University). Office of Alumni Affairs and Development; Columbia College (Columbia University) (1981). Columbia College today. Columbia University Libraries. New York: Columbia College, Office of Alumni Affairs and Development.
  4. ^ a b c d e Eddie Duggan (1999) 'Writing in the darkness: the world of Cornell Woolrich' CrimeTime 2.6 pp. 113–126.
  5. ^ Krinsky, Charles (2003). . glbtq.com. Archived from the original on 2007-08-14. Retrieved 2007-08-20.
  6. ^ Nevins, Francis M. "Introduction," Tonight, Somewhere in New York. Carroll & Graf, 2001.
  7. ^ Goulart, Ron: "The Ghost of Cornell Woolrich" The Twilight Zone Magazine, December 1984, pp. 16–17
  8. ^ https://www.findagrave.com/memorial/4735/cornell-woolrich[user-generated source]
  9. ^ "Cornell Woolrich papers, 1958-1964". www.columbia.edu. Retrieved 2022-05-01.
  10. ^ "Shabnam Still Gets Fan Mail". Indian Express. Dec 4, 2010. Retrieved May 7, 2013.

Sources

  • Nevins, Francis M. Jr. (1988), First You Dream, Then You Die, Mysterious Press.
  • Duggan, E. (1999) 'Writing in the darkness: the world of Cornell Woolrich' CrimeTime 2.6 pp. 113–126.

Further reading

  • Breen, Jon L. "Dark Deeds: The Mystery of Cornell Woolrich." The Weekly Standard (March 8, 2004), 31–33.
  • Lane, Joel. "Mansions of Fear: The Dark Houses of Cornell Woolrich". Wormwood No 3 (Autumn 2004), 22–32.
  • Phelps, Donald. "Cinema Gris: Woolrich/Neil's Black Angel." Film Comment Vol. 36 No. 1 (Jan–Feb 2000), 64–69.
  • Rosenbaum, Jonathan. "Black Window: Cornell Woolrich." Film Comment Vol. 20 No. 5 (Sept–Oct 1984), 36–38.
  • Thompson, Currie K. "Two Takes on Gender in Argentine Film Noir." Studies in Hispanic Cinemas Vol. 4 No. 2 (2007), 121–130. (analyzes Si muero antes de despertar/If I Should Die Before I Wake [1952], based on a Cornell Woolrich story)

External links

  • Works by Cornell Woolrich at Faded Page (Canada)
  • Cornell Woolrich at IMDb
  • Radio adaptations of Cornell Woolrich's stories on the CBS radio show Suspense
  • Works by or about Cornell Woolrich in libraries (WorldCat catalog)
  • Cornell Woolrich Papers at the Columbia University Rare Book and Manuscript Library, New York
  • "Cornell Woolrich and the Tough-Man Tradition of American Crime Fiction" by Christine Photinos (Clues: A Journal of Detection 28.2, 2010)
  • "The melodrama star as a noir film heroine: The Trace of Some Lips (1952)" by Roberto Carlos Ortiz (article in Spanish about a Mexican adaptation of "Collared", by Cornell Woolrich)
  • Finding aid to Cornell Woolrich papers at Columbia University. Rare Book & Manuscript Library.

cornell, woolrich, cornell, george, hopley, woolrich, wuul, ritch, december, 1903, september, 1968, american, novelist, short, story, writer, sometimes, used, pseudonyms, william, irish, george, hopley, borncornell, george, hopley, woolrich, 1903, december, 19. Cornell George Hopley Woolrich ˈ w ʊ l r ɪ tʃ WUUL ritch December 4 1903 September 25 1968 was an American novelist and short story writer He sometimes used the pseudonyms William Irish and George Hopley Cornell WoolrichBornCornell George Hopley Woolrich 1903 12 04 December 4 1903New York City USDiedSeptember 25 1968 1968 09 25 aged 64 New York City USPen nameWilliam Irish George HopleyOccupationWriter novelist Alma materColumbia UniversitySpouseViolet Virginia Blackton m 1930 annulled 1933 wbr d 1965 His biographer Francis Nevins Jr rated Woolrich the fourth best crime writer of his day behind Dashiell Hammett Erle Stanley Gardner and Raymond Chandler Contents 1 Biography 2 Bibliography 2 1 Novels 2 2 Short story collections 3 Selected films based on Woolrich stories 4 References 5 Sources 6 Further reading 7 External linksBiography EditWoolrich was born in New York City his parents separated when he was young He lived for a time in Mexico with his father before returning to New York to live with his mother Claire Attalie Woolrich 1 He attended Columbia University but left in 1926 without graduating when his first novel Cover Charge was published 2 3 As Eddie Duggan observes Woolrich enrolled at New York s Columbia University in 1921 where he spent a relatively undistinguished year until he was taken ill and was laid up for some weeks It was during this illness a Rear Window like confinement involving a gangrenous foot according to one version of the story that Woolrich started writing producing Cover Charge which was published in 1926 4 Cover Charge was one of his Jazz Age novels inspired by the work of F Scott Fitzgerald A second short story Children of the Ritz won Woolrich the first prize of 10 000 the following year in a competition organised by College Humor and First National Pictures this led to his working as a screenwriter in Hollywood for First National Pictures While in Hollywood Woolrich explored his sexuality 5 apparently engaging in what Frances M Nevins Jr describes as promiscuous and clandestine homosexual activity and by marrying Violet Virginia Blackton the 21 year old daughter of J Stuart Blackton one of the founders of the Vitagraph studio Failing in both his attempt at marriage and at establishing a career as a screenwriter the unconsummated marriage was annulled in 1933 Woolrich garnered no screen credits Woolrich sought to resume his life as a novelist Although Woolrich had published six jazz age novels concerned with the party antics and romances of the beautiful young things on the fringes of American society between 1926 and 1932 he was unable to establish himself as a serious writer Perhaps because the jazz age novel was dead in the water by the 1930s when the depression had begun to take hold Woolrich was unable to find a publisher for his seventh novel I Love You Paris so he literally threw away the typescript dumped it in a dustbin and re invented himself as a pulp writer 4 When he turned to pulp and detective fiction Woolrich s output was so prolific his work was often published under one of his many pseudonyms 4 For example William Irish was the byline in Dime Detective Magazine February 1942 on his 1942 story It Had to Be Murder source of the 1954 Alfred Hitchcock movie Rear Window and itself based on H G Wells short story Through a Window Francois Truffaut filmed Woolrich s The Bride Wore Black and Waltz into Darkness in 1968 and 1969 respectively the latter as Mississippi Mermaid Ownership of the copyright in Woolrich s original story It Had to Be Murder and its use for Rear Window was litigated before the US Supreme Court in Stewart v Abend 495 U S 207 1990 He returned to New York where he and his mother moved into the Hotel Marseilles Broadway and West 103rd Street Eddie Duggan observes that a lthough his writing made him wealthy Woolrich and his mother lived in a series of seedy hotel rooms including the squalid Hotel Marseilles apartment building in Harlem among a group of thieves prostitutes and lowlifes that would not be out of place in Woolrich s dark fictional world 4 Woolrich lived there until his mother s death on October 6 1957 which prompted his move to the Hotel Franconia 20 West 72nd Street 6 In later years he socialized on occasion in Manhattan bars with Mystery Writers of America colleagues and younger fans such as writer Ron Goulart 7 but alcoholism and an amputated leg caused by an infection from a too tight shoe which went untreated left him a recluse As Duggan writes After Woolrich s mother died in 1957 he went into a sharp physical and mental decline Although he moved from Harlem s decrepit Hotel Marseilles to a more upmarket residence in the Hotel Franconia near Central Park and later to the Sheraton Russell on Park Avenue Woolrich was a virtual recluse Now in his 60s with his eyesight failing lonely psychologically wracked by guilt over his homosexuality tortured by his alcoholism self doubt and a diabetic to boot Woolrich neglected himself to such a degree that he allowed a foot infection to become gangrenous which resulted early in 1968 in the amputation of a leg After the amputation and a conversion to Catholicism Woolrich returned to the Sheraton Russell requiring the use of a wheelchair Some of the staff there would take Woolrich down to the lobby so he could look out on the passing traffic thus making the wizened Woolrich into a kind of darker self loathing version of the character played by James Stewart in Hitchcock s Rear Window With the type of closure that is usually only encountered as a literary device the Woolrich story turns full circle around the Oedipally charged foot motif the writing career that apparently began with a period of confinement attributed to a foot infection ends with an amputation and the deep Freudian resonance that amputation induces 4 Woolrich did not attend the premiere of Truffaut s film of his novel The Bride Wore Black in 1968 even though it was held in New York City He died weighing 89 pounds and was interred with his mother in the Shrine of Memories Mausoleum Unit 1 Tier G Crypt 102 at Ferncliff Cemetery Hartsdale New York 8 Woolrich bequeathed his estate of about 850 000 to Columbia University to endow scholarships in his mother s memory for writing students 3 His papers are also kept at the Columbia University Libraries 9 Bibliography EditMost of Woolrich s books are out of print and new editions were slow to come out because of estate issues citation needed However new collections of his short stories were issued in the early 1990s As of February 3 2020 the Faded Page has seven titles available as ebooks in the public domain in Canada these may be still under copyright elsewhere In 2020 and 2021 Otto Penzler s American Mystery Classics series released new editions of Waltz into Darkness and The Bride Wore Black in both hardcover and paperback Woolrich died leaving fragments of an unfinished novel titled The Loser fragments have been published separately and also collected in Tonight Somewhere in New York 2005 Novels Edit Year Title Author Credit Notes1926 Cover Charge Cornell Woolrich1927 Children of the Ritz Cornell Woolrich1929 Times Square Cornell Woolrich1930 A Young Man s Heart Cornell Woolrich1931 The Time of Her Life Cornell Woolrich1932 Manhattan Love Song Cornell Woolrich1940 The Bride Wore Black Cornell Woolrich1941 The Black Curtain Cornell Woolrich1941 Marihuana William Irish Published in paperback only1942 Black Alibi Cornell Woolrich1942 Phantom Lady William Irish1943 The Black Angel Cornell Woolrich1944 The Black Path of Fear Cornell Woolrich1944 Deadline at Dawn William Irish Also published as an Armed Services Edition1945 Night Has a Thousand Eyes George Hopley1947 Waltz Into Darkness William Irish1948 Rendezvous in Black Cornell Woolrich1948 I Married a Dead Man William Irish1950 Savage Bride Cornell Woolrich Published in paperback only1950 Fright George Hopley1951 You ll Never See Me Again Cornell Woolrich Published in paperback only1951 Strangler s Serenade William Irish1952 Eyes That Watch You William Irish1952 Bluebeard s Seventh Wife William Irish Published in paperback only1959 Death is My Dancing Partner Cornell Woolrich Published only in paperback1960 The Doom Stone Cornell Woolrich Published only in paperback1987 Into the Night Cornell Woolrich Posthumous release manuscript completed by Lawrence Block Short story collections Edit Year Title Author Credit Notes1943 I Wouldn t Be in Your Shoes William Irish Also published as an Armed Services Edition1944 After Dinner Story William Irish Includes his noted 1941 novella Marihuana Also published as an Armed Services Edition1946 If I Should Die Before I Wake William Irish Published in paperback only1946 Borrowed Crime William Irish Published in paperback only1946 The Dancing Detective William Irish1948 Dead Man Blues William Irish1949 The Blue Ribbon William Irish1950 Somebody on the Phone William Irish A k a Deadly Night Call 1950 Six Nights of Mystery William Irish Published in paperback only1956 Nightmare Cornell Woolrich Includes both previously published amp unpublished stories 1958 Violence Cornell Woolrich Includes both previously published amp unpublished stories 1958 Hotel Room Cornell Woolrich1959 Beyond the Night Cornell Woolrich Published in paperback only1964 The Dark Side of Love Cornell Woolrich1965 The Ten Faces of Cornell Woolrich Cornell Woolrich2010 Four Novellas of Fear Cornell WoolrichSelected films based on Woolrich stories EditConvicted 1938 story Face Work directed by Leon Barsha Street of Chance 1942 novel The Black Curtain directed by Jack Hively The Leopard Man 1943 novel Black Alibi directed by Jacques Tourneur Phantom Lady 1944 novel directed by Robert Siodmak The Mark of the Whistler 1944 story Dormant Account directed by William Castle Deadline at Dawn 1946 novel the only film directed by stage director Harold Clurman Black Angel 1946 novel directed by Roy William Neill The Chase 1946 novel The Black Path of Fear directed by Arthur Ripley Fall Guy 1947 story Cocaine directed by Reginald Le Borg The Guilty 1947 story He Looked Like Murder directed by John Reinhardt Fear in the Night 1947 story Nightmare directed by Maxwell Shane The Return of the Whistler 1948 story All at Once No Alice directed by D Ross Lederman I Wouldn t Be in Your Shoes 1948 story directed by William Nigh Night Has a Thousand Eyes 1948 novel directed by John Farrow The Window 1949 story The Boy Cried Murder directed by Ted Tetzlaff No Man of Her Own 1950 novel I Married a Dead Man directed by Mitchell Leisen The Earring 1951 story The Death Stone directed by Leon Klimovsky The Trace of Some Lips 1952 story Collared directed by Juan Bustillo Oro If I Should Die Before I Wake 1952 directed by Carlos Hugo Christensen Don t Ever Open That Door 1952 stories Somebody on the Phone and Humming Bird Comes Home directed by Carlos Hugo Christensen Rear Window 1954 story It Had to Be Murder directed by Alfred Hitchcock Obsession 1954 story Silent as the Grave directed by Jean Delannoy The Glass Eye 1956 directed by Antonio Santillan Nightmare 1956 story directed by Maxwell Shane Escapade 1957 story Cinderella and the Mob directed by Ralph Habib The Boy Cried Murder 1966 story The Boy Cried Murder directed by George P Breakston The Bride Wore Black 1968 novel directed by Francois Truffaut Mississippi Mermaid 1969 novel Waltz into Darkness directed by Francois Truffaut Kati Patang 1970 novel I Married a Dead Man 10 directed by Shakti Samanta Seven Blood Stained Orchids 1972 novel Rendezvous in Black directed by Umberto Lenzi You ll Never See Me Again 1973 filmed for television directed by Jeannot Szwarc Martha 1974 story For the Rest of Her Life directed by Rainer Werner Fassbinder Gun Moll 1975 story Collared directed by Giorgio Capitani Union City 1980 story The Corpse Next Door directed by Marcus Reichert I Married a Shadow 1983 novel I Married a Dead Man Cloak amp Dagger 1984 story The Boy Who Cried Murder directed by Richard Franklin I m Dangerous Tonight 1990 story I m Dangerous Tonight directed by Tobe Hooper Mrs Winterbourne 1996 novel I Married a Dead Man directed by Richard Benjamin Rear Window 1998 story It Had to Be Murder directed by Jeff Bleckner Original Sin 2001 novel Waltz into Darkness directed by Michael Cristofer Four O Clock 2006 story Three O Clock References Edit Corliss Richard 8 December 2003 That Old Feeling Woolrich s World Time Archived from the original on 11 August 2010 Retrieved 25 July 2010 Take Five with Charles Ardai 91 Columbia College Today 2020 05 07 Retrieved 2022 05 01 a b Columbia College Columbia University Office of Alumni Affairs and Development Columbia College Columbia University 1981 Columbia College today Columbia University Libraries New York Columbia College Office of Alumni Affairs and Development a b c d e Eddie Duggan 1999 Writing in the darkness the world of Cornell Woolrich CrimeTime 2 6 pp 113 126 Krinsky Charles 2003 Woolrich Cornell glbtq com Archived from the original on 2007 08 14 Retrieved 2007 08 20 Nevins Francis M Introduction Tonight Somewhere in New York Carroll amp Graf 2001 Goulart Ron The Ghost of Cornell Woolrich The Twilight Zone Magazine December 1984 pp 16 17 https www findagrave com memorial 4735 cornell woolrich user generated source Cornell Woolrich papers 1958 1964 www columbia edu Retrieved 2022 05 01 Shabnam Still Gets Fan Mail Indian Express Dec 4 2010 Retrieved May 7 2013 Sources EditNevins Francis M Jr 1988 First You Dream Then You Die Mysterious Press Duggan E 1999 Writing in the darkness the world of Cornell Woolrich CrimeTime 2 6 pp 113 126 Further reading EditBreen Jon L Dark Deeds The Mystery of Cornell Woolrich The Weekly Standard March 8 2004 31 33 Lane Joel Mansions of Fear The Dark Houses of Cornell Woolrich Wormwood No 3 Autumn 2004 22 32 Phelps Donald Cinema Gris Woolrich Neil s Black Angel Film Comment Vol 36 No 1 Jan Feb 2000 64 69 Rosenbaum Jonathan Black Window Cornell Woolrich Film Comment Vol 20 No 5 Sept Oct 1984 36 38 Thompson Currie K Two Takes on Gender in Argentine Film Noir Studies in Hispanic Cinemas Vol 4 No 2 2007 121 130 analyzes Si muero antes de despertar If I Should Die Before I Wake 1952 based on a Cornell Woolrich story External links EditWorks by Cornell Woolrich at Faded Page Canada Cornell Woolrich at IMDb Radio adaptations of Cornell Woolrich s stories on the CBS radio show Suspense Works by or about Cornell Woolrich in libraries WorldCat catalog Cornell Woolrich Papers at the Columbia University Rare Book and Manuscript Library New York Cornell Woolrich and the Tough Man Tradition of American Crime Fiction by Christine Photinos Clues A Journal of Detection 28 2 2010 The melodrama star as a noir film heroine The Trace of Some Lips 1952 by Roberto Carlos Ortiz article in Spanish about a Mexican adaptation of Collared by Cornell Woolrich Finding aid to Cornell Woolrich papers at Columbia University Rare Book amp Manuscript Library Retrieved from https en wikipedia org w index php title Cornell Woolrich amp oldid 1128951422, wikipedia, wiki, book, books, library,

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