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Trisha Brown

January 01, 1970

Not to be confused with rugby player Tricia Brown.

Trisha Brown (November 25, 1936 – March 18, 2017) was an American choreographer and dancer, and one of the founders of the Judson Dance Theater and the postmodern dance movement. [1] Brown’s dance/movement method, with which she and her dancers train their bodies, remains pervasively impactful within international postmodern dance.[2]

Trisha Brown
Born(1936-11-25)November 25, 1936
Aberdeen, Washington, U.S.
DiedMarch 18, 2017(2017-03-18) (aged 80)
San Antonio, Texas, U.S.
Occupation(s)Dancer and choreographer
Years active1962–2017
SpouseBurt Barr (?-2016; his death)
Children1
WebsiteOfficial website

Early life and education edit

Brown was born in Aberdeen, Washington in 1936, and received a B.A. degree in dance from Mills College in 1958. Brown later received a D.F.A. from Bates College in 2000.[3][4] For several summers she studied with Louis Horst, José Limón, and Merce Cunningham at the American Dance Festival, then held at Connecticut College.[1]

Work edit

Dance edit

In 1960 Brown participated in an experimental workshop devoted to improvisation at the studio of Anna Halprin, in Kentfield, California. Subsequently, at the urging of fellow choreographers, Simone Forti and Yvonne Rainer, Brown moved to New York to study composition with Robert Dunn, who taught a class at Merce Cunningham's studio, based on John Cage's theories of chance.[5]

After moving to New York City in 1961, Brown trained with dancer Anna Halprin and became a founding member of the avant-garde Judson Dance Theater in 1962. There she worked with experimental dancers Yvonne Rainer, Steve Paxton, Twyla Tharp, Lucinda Childs, and David Gordon. She also joined a composition class led by Robert Dunn, a musician from the Merce Cunningham dance studio who was interested in applying the musical ideas of John Cage (Cunningham's partner and regular collaborator) to dance.[6]

In the late 1960s Brown created her own works which attempted to defy gravity, using equipment such as ropes and harnesses, to allow dancers to walk on or down walls or to experiment with the dynamics of stability. These "equipment pieces" were the first dances to comprise a distinct series in what would become a working method for Brown as she went on to create various "cycles" of dances throughout her career.[7] Brown's early works Walking on the Wall (1971) and Roof Piece (1971) were designed to be performed at specific sites.

In 1970 Brown cofounded the Grand Union, an experimental dance collective, and formed the Trisha Brown Dance Company. Accumulation (1971), which is executed with the dancers on their backs, has been performed in public spaces of all kinds, including on water, with the dancers floating on rafts as they methodically work through the piece's graduated gestures. Walking on the Wall involved dancers in harnesses moving along a wall, while Roof Piece took place on 12 different rooftops over a ten-block area in New York City's SoHo, with each dancer transmitting the movements to a dancer on the nearest roof. In 1974, Brown began a residential relationship with the Walker Art Center in Minneapolis, MN, that has continued to this day. With 1978's Accumulation with Talking plus Watermotor, a complex solo combining elements of three other pieces, she demonstrated a mental and physical virtuosity seldom seen in the dance world, then or now. Brown's rigorous structures, combined with pedestrian or simple movement styles and tongue-in-cheek humor brought an intellectual sensibility that challenged the mainstream "modern dance" mindset of this period.[8]

During the 1980s Brown produced large-scale works intended for the stage and began her artistic collaborations, beginning with Glacial Decoy (1979) which had sets and costumes by artist Robert Rauschenberg. This period was most notable for the slithery and highly articulated movement style which characterized much of her work during this time. The Molecular Structure cycle, which included Opal Loop (1980), Son of Gone Fishin' (1981) and another collaboration with Rauschenberg, Set and Reset (1983), featuring a score by performance artist Laurie Anderson and a set design by Rauschenberg, solidified Brown's stature as an innovator within the dance world and as an artist of global significance. Three screens simultaneously broadcast separate black and white film collages from five 16 millimeter projectors (more than 20 years before a video component became the norm in new choreography), while the dancers rippled around the stage in part-translucent costumes marked with gray and black figures that resembled newsprint.[9]

Unlike Merce Cunningham and John Cage, who worked separately on projects and left it to the viewer to put the elements together, Brown and her collaborators worked toward a shared vision.[10]

Sculptor Nancy Graves designed the set for Lateral Pass, (1985), which began Brown's Valiant cycle. It used a larger pad, bolder movement phrases to articulate Brown's evolving spatial aesthetics. This led to Newark (1987), with decor and a sound concept by Donald Judd.[11] For Astral Convertible (1989) and Foray Forêt (1990), costumes and sets were once again made by Rauschenberg. Astral Convertible, in particular, originally was commissioned by the National Gallery of Art in Washington, D.C., as part of a major Robert Rauschenberg exhibition in 1991 and presented on the museum's steps, overlooking the National Mall.[12] Performances of Foray Forêt include local marching bands from the presenting city. For M. G. (1991; "M.G." refers to Michel Guy, a former French minister of culture who died in 1990) is sculptural and kinetic, opening with a dancer running in figure-eight circles around the stage, slowing into loping motion down the center.[13]

In You Can See Us (1995), she performed together with Mikhail Baryshnikov at the Brooklyn Academy of Music in 1996.[14] Also in a mirror duet drawn from a solo, If You Couldn't See Me (1994), Brown performed entirely with her back to the audience for ten minutes with an electronic "sound score" on a bare stage.[15]

In the 1990s she also turned more to choreographing classical music, creating M.O. (1995) based on the Musical Offering by German composer Johann Sebastian Bach, and the opera production of L'Orfeo (1998) by Italian composer Claudio Monteverdi. Brown found inspiration in jazz for El Trilogy (1998–2000), completed her second opera, Luci mie traditrici (composed by Salvatore Sciarrino) in 2001, and in 2002 choreographed the song cycle Die Winterreise (Winter's Journey) by Austrian composer Franz Schubert for Simon Keenlyside. Brown worked again with Laurie Anderson in 2004 on O Zlozony/O Composite for the Paris Opera Ballet. Among her well-known disciples are Diane Madden and Stephen Petronio, Brown's first male dancer in 1979.[6] Brown choreographed her last piece in 2011.[16]

Drawing edit

Though Brown has long been known for her collaborations with artists, it is less known that she has also produced a substantial body of drawings. In recent years she has shown these drawings, including during a major multidisciplinary 2008 celebration of her work at the Walker Art Center, Minneapolis. In 2009, the Chelsea gallery Sikkema Jenkins & Company, which represents her husband, Burt Barr, presented her first solo exhibition in New York, featuring work dating to the 1970s.[17]

Exhibitions edit

In 2003, "Trisha Brown: Dance and Art in Dialogue 1961-2001", was organized by the Addison Gallery of American Art at Phillips Academy and the Tang Teaching Museum and Art Gallery at Skidmore College; the exhibition later travelled to the Henry Art Gallery in 2004.[18] In 2007, works of Brown's choreography and drawings were included in documenta 12. In 2008, the Walker Art Center presented "Trisha Brown: So That the Audience Does Not Know Whether I Have Stopped Dancing."[19] In honor of her company's 40th anniversary season in 2010, the Whitney Museum of American Art hosted several performances as part of "Off the Wall: Part 2 — Seven Works by Trisha Brown".[20]

In 2011, the Trisha Brown Dance Company took over the atrium of the Museum of Modern Art as part of a Performance Exhibition Series in conjunction with the survey "On Line: Drawing Through the Twentieth Century".[21] That same year, "Trisha Brown" was mounted at the Serralves Foundation, Porto.[22]

Recognition edit

In 1983, Brown received an honorary Doctor of Fine Arts from Oberlin College. She has also received numerous honorary doctorates. She received a MacArthur Foundation grant in 1991,[23] and served on the National Council on the Arts from 1994 to 1997.

Brown is an Honorary Member of the American Academy of Arts and Letters. In 1988 she was named Chevalier dans L'Ordre des Arts et Lettres by the government of France. In January 2000 she was promoted to officier and in 2004, was again elevated; this time to the level of commandeur.[19] Brown's Set and Reset is included in the baccalaureate curriculum for French students pursuing dance studies.[24]

Brown was a 1994 recipient of the Samuel H. Scripps American Dance Festival Award, and she was inducted into the National Museum of Dance's Mr. & Mrs. Cornelius Vanderbilt Whitney Hall of Fame in 2000. In 2002, she was awarded the National Medal of Arts,[25] and in 2005 she won the Prix Benois de la Danse for lifetime achievement.

As part of the Rolex Mentor and Protégé Arts Initiative in 2010-11, Brown selected Australian dancer and choreographer Lee Serle as her protégé.[26][27]

In 2011, Brown won the Dorothy and Lillian Gish Prize, an award worth about $300,000 that was named after the silent film actresses, and the Bessie Award for lifetime achievement.[28]

In 2012 Brown was the recipient of a United States Artists Fellow award.[29] She also received a Foundation for Contemporary Arts Robert Rauschenberg Award in 2013.[30]

Death edit

Trisha Brown died on March 18, 2017, in San Antonio, Texas, after a lengthy illness. She is survived by her son, Adam Brown, his wife Erin, her four grandchildren – and by her brother Gordon Brown and sister Louisa Brown. Trisha Brown's husband, artist Burt Barr, died on November 7, 2016.[31]

Works edit

Brown's works include:[32]

References edit

Notes

  1. ^ a b Banes, Sally (2011). "Trisha Brown: Gravity and Levity". Terpsichore in Sneakers: Post-Modern Dance. Wesleyan University Press. p. 77. ISBN 978-0-8195-7180-9. Retrieved March 26, 2016.
  2. ^ Ramsay, Burt (Summer 2005) "Against Expectations: Trisha Brown and the Avant-garde". Dance Research Journal. v.37, n.1, pp.11-36. Cambridge, England: Cambridge University Press
  3. ^ Hansen, Melody Datz (January 29, 2016). "How Trisha Brown changed the way mostly everyone thinks about dance". Seattle Times. Retrieved March 26, 2016.
  4. ^ "Press Release: "Trisha Brown: So That the Audience Does Not Know I Have Stopped Dancing" (PDF). Mills College Art Museum. December 15, 2009. Retrieved March 26, 2016.
  5. ^ Kertess, Klaus (2004). Trisha Brown Early Works 1966-1979. Artpix Notebooks. ISBN 9780966801064.
  6. ^ a b Roy, Sanjoy (October 13, 2010) "Step-by-step guide to dance: Trisha Brown" The Guardian.
  7. ^ Staff (October 30, 2009) "Trisha Brown Dance Company in Residence at Dia:Beacon, Riggio Galleries" (press release) June 6, 2012, at the Wayback Machine Dia Art Foundation
  8. ^ Rosenberg, Susan (2016) Trisha Brown: Choreography as Visual Art Wesleyan, Ohio: Wesleyan University Press ISBN 9780819576620
  9. ^ Macaulay, Alastair (May 14, 2008) "Rauschenberg and Dance, Partners for Life", The New York Times; accessed March 20, 2017.
  10. ^ Perron, Wendy (January 11, 2004), "Trisha Brown, the Artist's Dance Partner" The New York Times.
  11. ^ Kisselgoff, Anna (September 16, 1987) "Dance: The Trisha Brown Company in 'Newark'" The New York Times
  12. ^ Swed, Mark (April 5, 2013) "Review: Flashes of lightning in Trisha Brown's 'Astral Converted'" Los Angeles Times
  13. ^ Sulcas, Roslyn (March 17, 2011) "Private Gestural Language, Unfolding Poetically", The New York Times; accessed March 20, 2017.
  14. ^ Grant, Annette (August 8, 1999) "Misha and Trisha, Talking Dance" The New York Times
  15. ^ Dowler, Gerald (October 18, 2010) "Trisha Brown, Queen Elizabeth Hall, London" Financial Times; accessed March 20, 2017.
  16. ^ Macaulay, Alastair (July 18, 2014). "There Is So Much That Must Live On". The New York Times. Retrieved July 20, 2014.
  17. ^ La Rocco, Claudia (April 24, 2009) "40 Years of Creations, Onstage and on Paper", The New York Times; accessed March 20, 2017.
  18. ^ "Trisha Brown, in Stereo" June 20, 2010, at the Wayback Machine Henry Art Gallery, University of Washington.
  19. ^ a b "Trisha Brown: So That the Audience Does Not Know Whether I Have Stopped Dancing — Calendar — Walker Art Center". www.walkerart.org. Retrieved March 25, 2017.
  20. ^ Kourlas, Gia (September 10, 2010) "On Roofs and Walls, They're Honoring Trisha Brown’s Work" The New York Times
  21. ^ La Rocco, Claudia (January 13, 2011) "Drawings in a Museum, Using Bodies", The New York Times.
  22. ^ "Trisha Brown, March 26 - May 1, 2011", serralves.pt; accessed March 20, 2017.
  23. ^ "Trisha Brown - MacArthur Foundation".
  24. ^ "Trisha Brown: So That the Audience Does Not Know Whether I Have Stopped Dancing, April 18 – July 20, 2008" Walker Art Center, Minneapolis.
  25. ^ "Lifetime Honors - National Medal of Arts" July 21, 2011, at the Wayback Machine, National Endowment for the Arts website; accessed March 20, 2017.
  26. ^ Rosboch, Lili (June 28, 2010) "Rolex Names Artists to Work With Kapoor, Eno in Mentor Program" Bloomberg.
  27. ^ Mackrell, Judith (November 16, 2011) "Lee Serle: following in the footsteps of Trisha Brown" The Guardian; accessed March 20, 2017.
  28. ^ Lee, Felicia R. (October 4, 2011) "Trisha Brown to Receive ‘Bessie’ Lifetime Achievement Award" The New York Times; accessed March 20, 2017.
  29. ^ United States Artists official website
  30. ^ "Trisha Brown :: Foundation for Contemporary Arts". www.foundationforcontemporaryarts.org. Retrieved April 5, 2018.
  31. ^ Macauley, Alastair (March 20, 2017) "Trisha Brown, Choreographer and Pillar of American Postmodern Dance, Dies at 80" The New York Times; accessed March 20, 2017.
  32. ^ "Full repertory by date" Trisha Brown Dance Company website

Bibliography

External links edit

  • Trisha Brown Dance Company Website
  • NY Times Obituary
  • NYPL acquisition of Trisha Brown Dance Company's Archive
  • Archival footage of Trisha Brown Dance Company performing Set and Reset in 1986 at Jacob's Pillow
  • Archival footage of Trisha Brown Dance Company performing Lateral Pass in 1986 at Jacob's Pillow
  • Archival footage of Trisha Brown performing If You Couldn't See Me in 1994 at Jacob's Pillow
  • Archival footage of Trisha Brown Dance Company performing Five Part Weather Invention in 1999 at Jacob's Pillow
  • Archival footage of Trisha Brown Dance Company performing Les Yeux et L'Ame in 2011 at Jacob's Pillow, danceinteractive.jacobspillow.org; accessed June 17, 2019.
  • Archival footage of Trisha Brown Dance Company performing Les Yeux et L'Ame in 2017 at Jacob's Pillow

January 01, 1970
trisha, brown, confused, with, rugby, player, tricia, brown, november, 1936, march, 2017, american, choreographer, dancer, founders, judson, dance, theater, postmodern, dance, movement, brown, dance, movement, method, with, which, dancers, train, their, bodies. Not to be confused with rugby player Tricia Brown Trisha Brown November 25 1936 March 18 2017 was an American choreographer and dancer and one of the founders of the Judson Dance Theater and the postmodern dance movement 1 Brown s dance movement method with which she and her dancers train their bodies remains pervasively impactful within international postmodern dance 2 Trisha BrownBorn 1936 11 25 November 25 1936Aberdeen Washington U S DiedMarch 18 2017 2017 03 18 aged 80 San Antonio Texas U S Occupation s Dancer and choreographerYears active1962 2017SpouseBurt Barr 2016 his death Children1WebsiteOfficial website Contents 1 Early life and education 2 Work 2 1 Dance 2 2 Drawing 3 Exhibitions 4 Recognition 5 Death 6 Works 7 References 8 External linksEarly life and education editBrown was born in Aberdeen Washington in 1936 and received a B A degree in dance from Mills College in 1958 Brown later received a D F A from Bates College in 2000 3 4 For several summers she studied with Louis Horst Jose Limon and Merce Cunningham at the American Dance Festival then held at Connecticut College 1 Work editDance edit In 1960 Brown participated in an experimental workshop devoted to improvisation at the studio of Anna Halprin in Kentfield California Subsequently at the urging of fellow choreographers Simone Forti and Yvonne Rainer Brown moved to New York to study composition with Robert Dunn who taught a class at Merce Cunningham s studio based on John Cage s theories of chance 5 After moving to New York City in 1961 Brown trained with dancer Anna Halprin and became a founding member of the avant garde Judson Dance Theater in 1962 There she worked with experimental dancers Yvonne Rainer Steve Paxton Twyla Tharp Lucinda Childs and David Gordon She also joined a composition class led by Robert Dunn a musician from the Merce Cunningham dance studio who was interested in applying the musical ideas of John Cage Cunningham s partner and regular collaborator to dance 6 In the late 1960s Brown created her own works which attempted to defy gravity using equipment such as ropes and harnesses to allow dancers to walk on or down walls or to experiment with the dynamics of stability These equipment pieces were the first dances to comprise a distinct series in what would become a working method for Brown as she went on to create various cycles of dances throughout her career 7 Brown s early works Walking on the Wall 1971 and Roof Piece 1971 were designed to be performed at specific sites In 1970 Brown cofounded the Grand Union an experimental dance collective and formed the Trisha Brown Dance Company Accumulation 1971 which is executed with the dancers on their backs has been performed in public spaces of all kinds including on water with the dancers floating on rafts as they methodically work through the piece s graduated gestures Walking on the Wall involved dancers in harnesses moving along a wall while Roof Piece took place on 12 different rooftops over a ten block area in New York City s SoHo with each dancer transmitting the movements to a dancer on the nearest roof In 1974 Brown began a residential relationship with the Walker Art Center in Minneapolis MN that has continued to this day With 1978 s Accumulation with Talking plus Watermotor a complex solo combining elements of three other pieces she demonstrated a mental and physical virtuosity seldom seen in the dance world then or now Brown s rigorous structures combined with pedestrian or simple movement styles and tongue in cheek humor brought an intellectual sensibility that challenged the mainstream modern dance mindset of this period 8 During the 1980s Brown produced large scale works intended for the stage and began her artistic collaborations beginning with Glacial Decoy 1979 which had sets and costumes by artist Robert Rauschenberg This period was most notable for the slithery and highly articulated movement style which characterized much of her work during this time The Molecular Structure cycle which included Opal Loop 1980 Son of Gone Fishin 1981 and another collaboration with Rauschenberg Set and Reset 1983 featuring a score by performance artist Laurie Anderson and a set design by Rauschenberg solidified Brown s stature as an innovator within the dance world and as an artist of global significance Three screens simultaneously broadcast separate black and white film collages from five 16 millimeter projectors more than 20 years before a video component became the norm in new choreography while the dancers rippled around the stage in part translucent costumes marked with gray and black figures that resembled newsprint 9 Unlike Merce Cunningham and John Cage who worked separately on projects and left it to the viewer to put the elements together Brown and her collaborators worked toward a shared vision 10 Sculptor Nancy Graves designed the set for Lateral Pass 1985 which began Brown s Valiant cycle It used a larger pad bolder movement phrases to articulate Brown s evolving spatial aesthetics This led to Newark 1987 with decor and a sound concept by Donald Judd 11 For Astral Convertible 1989 and Foray Foret 1990 costumes and sets were once again made by Rauschenberg Astral Convertible in particular originally was commissioned by the National Gallery of Art in Washington D C as part of a major Robert Rauschenberg exhibition in 1991 and presented on the museum s steps overlooking the National Mall 12 Performances of Foray Foret include local marching bands from the presenting city For M G 1991 M G refers to Michel Guy a former French minister of culture who died in 1990 is sculptural and kinetic opening with a dancer running in figure eight circles around the stage slowing into loping motion down the center 13 In You Can See Us 1995 she performed together with Mikhail Baryshnikov at the Brooklyn Academy of Music in 1996 14 Also in a mirror duet drawn from a solo If You Couldn t See Me 1994 Brown performed entirely with her back to the audience for ten minutes with an electronic sound score on a bare stage 15 In the 1990s she also turned more to choreographing classical music creating M O 1995 based on the Musical Offering by German composer Johann Sebastian Bach and the opera production of L Orfeo 1998 by Italian composer Claudio Monteverdi Brown found inspiration in jazz for El Trilogy 1998 2000 completed her second opera Luci mie traditrici composed by Salvatore Sciarrino in 2001 and in 2002 choreographed the song cycle Die Winterreise Winter s Journey by Austrian composer Franz Schubert for Simon Keenlyside Brown worked again with Laurie Anderson in 2004 on O Zlozony O Composite for the Paris Opera Ballet Among her well known disciples are Diane Madden and Stephen Petronio Brown s first male dancer in 1979 6 Brown choreographed her last piece in 2011 16 Drawing edit Though Brown has long been known for her collaborations with artists it is less known that she has also produced a substantial body of drawings In recent years she has shown these drawings including during a major multidisciplinary 2008 celebration of her work at the Walker Art Center Minneapolis In 2009 the Chelsea gallery Sikkema Jenkins amp Company which represents her husband Burt Barr presented her first solo exhibition in New York featuring work dating to the 1970s 17 Exhibitions editIn 2003 Trisha Brown Dance and Art in Dialogue 1961 2001 was organized by the Addison Gallery of American Art at Phillips Academy and the Tang Teaching Museum and Art Gallery at Skidmore College the exhibition later travelled to the Henry Art Gallery in 2004 18 In 2007 works of Brown s choreography and drawings were included in documenta 12 In 2008 the Walker Art Center presented Trisha Brown So That the Audience Does Not Know Whether I Have Stopped Dancing 19 In honor of her company s 40th anniversary season in 2010 the Whitney Museum of American Art hosted several performances as part of Off the Wall Part 2 Seven Works by Trisha Brown 20 In 2011 the Trisha Brown Dance Company took over the atrium of the Museum of Modern Art as part of a Performance Exhibition Series in conjunction with the survey On Line Drawing Through the Twentieth Century 21 That same year Trisha Brown was mounted at the Serralves Foundation Porto 22 Recognition editIn 1983 Brown received an honorary Doctor of Fine Arts from Oberlin College She has also received numerous honorary doctorates She received a MacArthur Foundation grant in 1991 23 and served on the National Council on the Arts from 1994 to 1997 Brown is an Honorary Member of the American Academy of Arts and Letters In 1988 she was named Chevalier dans L Ordre des Arts et Lettres by the government of France In January 2000 she was promoted to officier and in 2004 was again elevated this time to the level of commandeur 19 Brown s Set and Reset is included in the baccalaureate curriculum for French students pursuing dance studies 24 Brown was a 1994 recipient of the Samuel H Scripps American Dance Festival Award and she was inducted into the National Museum of Dance s Mr amp Mrs Cornelius Vanderbilt Whitney Hall of Fame in 2000 In 2002 she was awarded the National Medal of Arts 25 and in 2005 she won the Prix Benois de la Danse for lifetime achievement As part of the Rolex Mentor and Protege Arts Initiative in 2010 11 Brown selected Australian dancer and choreographer Lee Serle as her protege 26 27 In 2011 Brown won the Dorothy and Lillian Gish Prize an award worth about 300 000 that was named after the silent film actresses and the Bessie Award for lifetime achievement 28 In 2012 Brown was the recipient of a United States Artists Fellow award 29 She also received a Foundation for Contemporary Arts Robert Rauschenberg Award in 2013 30 Death editTrisha Brown died on March 18 2017 in San Antonio Texas after a lengthy illness She is survived by her son Adam Brown his wife Erin her four grandchildren and by her brother Gordon Brown and sister Louisa Brown Trisha Brown s husband artist Burt Barr died on November 7 2016 31 Works editBrown s works include 32 Homemade 1966 Man Walking Down the Side of a Building 1970 Floor of the Forest 1970 Leaning Duets 1970 Accumulation 1971 Walking on the Wall 1971 Roof Piece 1971 Primary Accumulation 1972 Group Primary Accumulation 1973 Structured Pieces II 1974 Spiral 1974 Locus 1975 Structured Pieces III 1975 Solo Olos 1976 Line Up 1976 Spanish Dance 1976 Water Motor 1978 Accumulation with Talking plus Water Motor 1978 Glacial Decoy 1979 Opal Loop 1980 Son of Gone Fishin 1981 Set and Reset 1983 Lateral Pass 1985 Carmen 1986 Newark 1987 Astral Convertible 1989 Foray Foret 1990 For M G The Movie 1991 One Story as in falling 1992 Another Story as in falling 1993 If you couldn t see me 1994 M O 1995 Twelve Ton Rose 1996 L Orfeo 1998 Winterreise 2002 PRESENT TENSE 2003 O Zlozony O Composite 2004 How long does the subject linger on the edge of the volume 2005 I love my robots 2007 L Amour au Theatre 2009 Pygmalion 2010 I m Going to Toss My Arms If You Catch Them They re Yours 2011 Les Yeux et l ame 2011 Rogues 2011 References editNotes a b Banes Sally 2011 Trisha Brown Gravity and Levity Terpsichore in Sneakers Post Modern Dance Wesleyan University Press p 77 ISBN 978 0 8195 7180 9 Retrieved March 26 2016 Ramsay Burt Summer 2005 Against Expectations Trisha Brown and the Avant garde Dance Research Journal v 37 n 1 pp 11 36 Cambridge England Cambridge University Press Hansen Melody Datz January 29 2016 How Trisha Brown changed the way mostly everyone thinks about dance Seattle Times Retrieved March 26 2016 Press Release Trisha Brown So That the Audience Does Not Know I Have Stopped Dancing PDF Mills College Art Museum December 15 2009 Retrieved March 26 2016 Kertess Klaus 2004 Trisha Brown Early Works 1966 1979 Artpix Notebooks ISBN 9780966801064 a b Roy Sanjoy October 13 2010 Step by step guide to dance Trisha Brown The Guardian Staff October 30 2009 Trisha Brown Dance Company in Residence at Dia Beacon Riggio Galleries press release Archived June 6 2012 at the Wayback Machine Dia Art Foundation Rosenberg Susan 2016 Trisha Brown Choreography as Visual Art Wesleyan Ohio Wesleyan University Press ISBN 9780819576620 Macaulay Alastair May 14 2008 Rauschenberg and Dance Partners for Life The New York Times accessed March 20 2017 Perron Wendy January 11 2004 Trisha Brown the Artist s Dance Partner The New York Times Kisselgoff Anna September 16 1987 Dance The Trisha Brown Company in Newark The New York Times Swed Mark April 5 2013 Review Flashes of lightning in Trisha Brown s Astral Converted Los Angeles Times Sulcas Roslyn March 17 2011 Private Gestural Language Unfolding Poetically The New York Times accessed March 20 2017 Grant Annette August 8 1999 Misha and Trisha Talking Dance The New York Times Dowler Gerald October 18 2010 Trisha Brown Queen Elizabeth Hall London Financial Times accessed March 20 2017 Macaulay Alastair July 18 2014 There Is So Much That Must Live On The New York Times Retrieved July 20 2014 La Rocco Claudia April 24 2009 40 Years of Creations Onstage and on Paper The New York Times accessed March 20 2017 Trisha Brown in Stereo Archived June 20 2010 at the Wayback Machine Henry Art Gallery University of Washington a b Trisha Brown So That the Audience Does Not Know Whether I Have Stopped Dancing Calendar Walker Art Center www walkerart org Retrieved March 25 2017 Kourlas Gia September 10 2010 On Roofs and Walls They re Honoring Trisha Brown s Work The New York Times La Rocco Claudia January 13 2011 Drawings in a Museum Using Bodies The New York Times Trisha Brown March 26 May 1 2011 serralves pt accessed March 20 2017 Trisha Brown MacArthur Foundation Trisha Brown So That the Audience Does Not Know Whether I Have Stopped Dancing April 18 July 20 2008 Walker Art Center Minneapolis Lifetime Honors National Medal of Arts Archived July 21 2011 at the Wayback Machine National Endowment for the Arts website accessed March 20 2017 Rosboch Lili June 28 2010 Rolex Names Artists to Work With Kapoor Eno in Mentor Program Bloomberg Mackrell Judith November 16 2011 Lee Serle following in the footsteps of Trisha Brown The Guardian accessed March 20 2017 Lee Felicia R October 4 2011 Trisha Brown to Receive Bessie Lifetime Achievement Award The New York Times accessed March 20 2017 United States Artists official website Trisha Brown Foundation for Contemporary Arts www foundationforcontemporaryarts org Retrieved April 5 2018 Macauley Alastair March 20 2017 Trisha Brown Choreographer and Pillar of American Postmodern Dance Dies at 80 The New York Times accessed March 20 2017 Full repertory by date Trisha Brown Dance Company website Bibliography Mazzaglia Rossella 2007 Trisha Brown Palermo L Epos ISBN 978 88 8302 329 3External links editTrisha Brown Dance Company Website NY Times Obituary NYPL acquisition of Trisha Brown Dance Company s Archive Archival footage of Trisha Brown Dance Company performing Set and Reset in 1986 at Jacob s Pillow Archival footage of Trisha Brown Dance Company performing Lateral Pass in 1986 at Jacob s Pillow Archival footage of Trisha Brown performing If You Couldn t See Me in 1994 at Jacob s Pillow Archival footage of Trisha Brown Dance Company performing Five Part Weather Invention in 1999 at Jacob s Pillow Archival footage of Trisha Brown Dance Company performing Les Yeux et L Ame in 2011 at Jacob s Pillow danceinteractive jacobspillow org accessed June 17 2019 Archival footage of Trisha Brown Dance Company performing Les Yeux et L Ame in 2017 at Jacob s Pillow Retrieved from https en wikipedia org w index php title Trisha Brown amp oldid 1217836508, wikipedia, wiki, book, books, library,

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