This raga originated in Hindustani classical music and has been taken into Carnatic music.[4] It is derived from the 28th Melakarta (parent scale) Harikambhoji.[4] It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure.[5]
Gambhiranata raga is a symmetrical raga with N3 (Kakali nishadha) in both ascending and descending scales,[2] while Tilang uses Kaisiki nishada (N2) in descending scale.
Savitri raga is a symmetrical raga with N2 (Kaisiki nishadha) in both ascending and descending scales,[2] while Tilang uses Kakali nishada (N3) in ascending scale.
Hence, Tilang has arohana of Gambhiranata, and avarohana of Savitri.[2]
^ abcdefghijklm"Raag Tilang – Indian Classical Music – Tanarang.com". www.tanarang.com.
^ abcdefgRao, B.Subba (1996). Raganidhi: A Comparative Study Of Hindustani And Karnatak Ragas. Volume Four (Q to Z). Madras: The Music Academy. pp. 181–182.
^Singha, H.S. (2000). The Encyclopedia of Sikhism (over 1000 Entries). Hemkunt Publishers. p. 10. ISBN978-81-7010-301-1. Retrieved 26 May 2021.
^ abcRagas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
^Katz, J. (1992). The Traditional Indian Theory and Practice of Music and Dance. Panels of the VIIth World Sanskrit Conference / World Sanskrit Conference 7, 1987, Leiden: Panels of the VIIth World Sanskrit Conference. E.J. Brill. p. 19. ISBN978-90-04-09715-5. Retrieved 27 May 2021.
October 27, 2023
tilang, raga, indian, classical, music, that, belongs, khamaj, thaat, thaatkhamaj, typeaudava, audava, time, day2nd, prahar, night, arohanas, avarohanas, vadig, samavadin, similarjog, contents, scale, vadi, samvadi, carnatic, music, compositions, film, songs, . Tilang is a raga in Indian classical music that belongs to the Khamaj Thaat 2 1 3 TilangThaatKhamaj 1 TypeAudava Audava 1 Time of day2nd Prahar of the night 1 ArohanaS G M P N Ṡ 1 AvarohanaS Ṉ P M G S 1 VadiG 1 SamavadiN 1 SimilarJog Contents 1 Scale 1 1 Vadi and samvadi 2 In Carnatic music 2 1 Compositions 3 Film songs 3 1 Language Hindi 3 2 Tamil 3 3 Language Telugu 3 4 Scale similarities 4 Notes 5 ReferencesScale editArohana ascending scale S G M P N Ṡ 1 Avarohana descending scale S Ṉ P M G S 1 This raga has a Ni flat ni komal in the descent 2 1 Its defining characteristics are PS NS nP PS NS PnP some ragis add a R S R NS PnP Vadi and samvadi edit Vadi note Ga 2 1 Samvadi Ni 2 1 In Carnatic music editThis raga originated in Hindustani classical music and has been taken into Carnatic music 4 It is derived from the 28th Melakarta parent scale Harikambhoji 4 It is an audava audava raga pentatonic asymmetrical scale with the following structure 5 Arohana S G M P N Ṡ a Avarohana Ṡ N P M G S b Compositions edit Shree Ganesha charanam composed by Papanasam Sivan is a popular composition set in this ragam 4 Ramakrishnaru Manege Tarakka Bindige By Purandara Dasa Satyavantara Sangaviralu By Kanaka DasaFilm songs editLanguage Hindi edit Song Movie Composer SingersGori Gori Gaon Ki Gori Re Yeh Gulistan Hamara S D Burman Lata Mangeshkar amp Kishore KumarKaise Kahen Ham Sharmeelee S D Burman Kishore KumarMeri Kahani Bhulnevale Tera Jahan Abad Rahe Deedar 1951 film Naushad Mohammad RafiYahi Arman Lekar Aaj Apne Ghar Se Ham Nukale Shabaab film Naushad Mohammad RafiSajna Sang Kahe Neha Lagae Main Nashe Mein Hoon Shankar Jaikishan Lata MangeshkarLagan Tose Lagi Balma Dekh Kabira Roya Madan Mohan composer Lata MangeshkarChota Sa Baalama Ankhiyan Neend Udaye Le Gayo Raagini film 1958 O P Nayyar Asha BhosleMein Apne Aap Se Ghabra Gaya Hoon Bindya Iqbal Qureshi Mohammad RafiChota Sa Baalama Ankhiyan Neend Udaye Le Gayo Mehboob Ki Mehndi Laxmikant Pyarelal Lata Mangeshkar amp Mohammad Rafi Tamil edit Song Movie Composer SingerYadhu Nandhana Gopala Meera S V Venkatraman M S SubbulakshmiShyamala Shyamala En Jeevapriye Shyamala G Ramanathan M K Thyagaraja BhagavatharIndru Poi Naalai Vaaraai Sampoorna Ramayanam K V Mahadevan C S JayaramanAzhagan Muruganidam Asai Vaithen Panchavarna Kili Viswanathan Ramamoorthy P SusheelaNaalaam Naalaam Kadhalikka Neramillai P B Sreenivas P SusheelaNaan Oru Kuzhandhai Padagotti T M SoundararajanPalooti Valarthakili Gauravam M S ViswanathanPenpaartha Maapilaiku Kaaviya Thalaivi P SusheelaIdhu Unthan Veettu Kilithaan Shankar Salim Simon Vani JairamThendraladhu Unnidathil Andha 7 Naatkal P Jayachandran S JanakiNalladhor Veenai Seidhe Varumayin Niram Sivappu S P BalasubrahmanyamAbhinaya Sundari Aadugiraal Miruthanga Chakravarthi Sirkazhi G Sivachidambaram Vani JairamKothamalli Poove Kallukkul Eeram Illayaraja Malaysia Vasudevan S JanakiChithirai Sevvanam Kaatrinile Varum Geetham P JayachandranIntha Vennila December Pookal K S ChitraNal Anbedhan Kai Veesamma Kai VeesuManadhil Urudhi Vendum Sindhu Bhairavi K J YesudasPavalamani Thermele Neram Nalla Neram Malaysia Vasudevan P SusheelaInnum Ennai Enna Singaravelan S P Balasubrahmanyam S JanakiMaadethile Kanni with traces of Brindavani Sarang Veera S P Balasubrahmanyam SwarnalathaNamma Manasu Pola Themmangu Paattukaaran Mano K S ChitraKattula Thalai Solla Marandha Kadhai Vidhu PrathabanThee Thee with traces of Bahudari ragam Thiruda Thiruda A R Rahman Caroline Noel James amp A R RahmanVasantha Kaalangal Rail Payanangalil T Rajendar P JayachandranAzhagu Mayil Thogai Virithaduthu Pudhu Padagan S Thanu S P BalasubrahmanyamSaravana Bhava Kaathala Kaathala Karthik Raja Karthik Raja Kamal Haasan SujathaThinnadhey Parthen Rasithen Bharadwaj Shankar Mahadevan Anuradha SriramEn Anbe Satyam Harris Jayaraj Sadhana SargamThiru Thiru Ganatha 100 Kadhal G V Prakash Kumar Harini Language Telugu edit Song Movie Composer SingersNeela Kandhara Bhookailas 1958 film R Sudarsanam amp R Govardhanam Ghantasala musician Jaya Jaya Jaya Sharada Jaya Kalabhi Sharada Mahakavi Kalidasu Pendyala composer P SusheelaNaa Chandamama Pandava Vanavasam Ghantasala musician Ghantasala musician amp P SusheelaNiluvumaa Niluvumaa Amarasilpi Jakkanna S Rajeswara Rao Ghantasala musician amp P SusheelaManasaa Kavvinchake Pandanti Kapuram S P Kodandapani P SusheelaJaamu Gadichenu Jabili Vodigenu Mogudu Pellalu 1985 film Ramesh Naidu S P Balasubrahmanyam amp P SusheelaNaalo Ninne Choodanaa Vichitra Vivaham 1973 film Satyam composer P BhanumathiNaa Sneham Pandi Premai Nindina Cheliya Ravela Babu 1975 film K Chakravarthy S P Balasubrahmanyam Scale similarities edit Gambhiranata raga is a symmetrical raga with N3 Kakali nishadha in both ascending and descending scales 2 while Tilang uses Kaisiki nishada N2 in descending scale Savitri raga is a symmetrical raga with N2 Kaisiki nishadha in both ascending and descending scales 2 while Tilang uses Kakali nishada N3 in ascending scale Hence Tilang has arohana of Gambhiranata and avarohana of Savitri 2 Notes edit Alternate notations Hindustani S G M P N ṠWestern C E F G B C Alternate notations Hindustani Ṡ Ṉ P G SWestern C B G F E CReferences edit a b c d e f g h i j k l m Raag Tilang Indian Classical Music Tanarang com www tanarang com a b c d e f g Rao B Subba 1996 Raganidhi A Comparative Study Of Hindustani And Karnatak Ragas Volume Four Q to Z Madras The Music Academy pp 181 182 Singha H S 2000 The Encyclopedia of Sikhism over 1000 Entries Hemkunt Publishers p 10 ISBN 978 81 7010 301 1 Retrieved 26 May 2021 a b c Ragas in Carnatic music by Dr S Bhagyalekshmy Pub 1990 CBH Publications Katz J 1992 The Traditional Indian Theory and Practice of Music and Dance Panels of the VIIth World Sanskrit Conference World Sanskrit Conference 7 1987 Leiden Panels of the VIIth World Sanskrit Conference E J Brill p 19 ISBN 978 90 04 09715 5 Retrieved 27 May 2021 Retrieved from https en wikipedia org w index php title Tilang amp oldid 1175370778, wikipedia, wiki, book, books, library,