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The Afghan Whigs

The Afghan Whigs are an American rock band from Cincinnati, Ohio. They were active from 1986 to 2001 and have since reformed as a band. The group – with core members Greg Dulli (vocals, rhythm guitar), Rick McCollum (lead guitar), and John Curley (bass) – rose up around the grunge movement, evolving from a garage band in the vein of the Replacements to incorporate more R&B and soul influences into their sound and image. After releasing their first album independently in 1988, the band signed to the Seattle-based label Sub Pop. They released their major-label debut and fourth album, Gentlemen, in 1993. Pitchfork described them as "one of the few alt-bands to flourish on a major label" in the 1990s.[5]

The Afghan Whigs
The Afghan Whigs at Haldern Pop Festival in 2017.
Background information
OriginCincinnati, Ohio, U.S.
Genres
Years active1986–2001, 2006, 2011–present
Labels
Spinoff ofThe Black Republicans
MembersGreg Dulli
John Curley
Rick G. Nelson
Patrick Keeler
Christopher Thorn
Past membersDave Rosser
Rick McCollum
Steve Earle
Jon Skibic
Paul Buchignani
Michael Horrigan
Cully Symington
Mark McGuire
Websitetheafghanwhigs.com

Dulli frequently claimed in interviews that the band would never get back together following their dissolution in 2001;[6] however the group reunited in 2012.[7]

Band history edit

Early years and Big Top Halloween (1986-1988) edit

Greg Dulli (vocals, rhythm guitar), Rick McCollum (lead guitar), John Curley (bass), and Steve Earle (drums) formed the band in Cincinnati late in 1986.[8] The Afghan Whigs had evolved out of Dulli's previous band, The Black Republicans, a band that Curley later joined. Curley attended a number of Black Republicans shows and approached Dulli and "made it a point to tell the vocalist he was a better bassist than the one in the Black Republicans."[9] Curley would introduce Dulli to McCollum, a frequent jam partner who was famed on the local Cincinnati scene for his innovative use of effects pedals. McCollum and Dulli would bond over their shared love of R&B, in fact the first song The Afghan Whigs ever rehearsed was a cover of The Temptations' "Psychedelic Shack."[10] Dulli later described the intent behind The Afghan Whigs was to exist as "a cross between the Band, the Temptations, and Neil Young playing with Crazy Horse."[11] The name The Afghan Whigs was coined by Curley "as a play on the Black Republicans."[12]

In the wake of The Black Republicans' breakup Dulli had decamped to Arizona, where he composed half the material for what would become The Afghan Whigs' debut album Big Top Halloween (1988), self-released on the band's own Ultrasuede label.[13] "We were running through what were the first songs I'd ever written to do some demos, so we were playing really loose," Dulli recalls. "And then all of a sudden, I found out John was having covers made." While only a thousand copies of Big Top Halloween would be pressed initially,[14] one of them managed to capture the attention of Jonathan Poneman,[15] the co-founder of influential Seattle-based indie label Sub Pop, which signed The Afghan Whigs in 1989.[14] Initially Sub Pop planned for the Whigs to release only a one-off single, but that soon led to a full-blown record contract with the label.[3]

Signing to Sub Pop and Up in It (1989–1990) edit

Upon signing to Sub Pop, The Afghan Whigs became the second non-Pacific-Northwestern United States band to record for the Sub Pop label.[16][17] In 1990, Sub Pop put out The Afghan Whigs' second album Up in It. Largely recorded by Nirvana producer Jack Endino and featuring the college-radio hit "Retarded," Up in It received a favorable reception with music critics upon release.[15]

To support the album's release, The Afghan Whigs went on a package tour with grunge originators Mudhoney and Boston underground band Bullet LaVolta.[18][19] Up in It was followed by a limited edition single released by No.6 Records under the name "Ornament," which included vocals by Scrawl singer Marcy Mays (who would later contribute lead vocals to the band's song "My Curse" off the album Gentlemen).

Congregation and Uptown Avondale (1992) edit

With the 1992 album Congregation and covers EP, Uptown Avondale, the band developed what would become their signature sound, blending soul with psychedelic sprawl and punk abandon.[20] Critics noted the combination of Stax and Motown influences with indie-rock sonics on the band's material.[5] Uptown Avondale featured covers of hits by soul acts such as The Supremes.

Videos for notable Congregation songs like "Conjure Me" and "Turn on the Water" would receive airplay on MTV, which began to regularly cover The Afghan Whigs as a new band to watch.[21] The Afghan Whigs would also tour extensively during this period, including a U.S. jaunt with Scottish indie rockers Teenage Fanclub.[22]

Signing to Elektra and Gentlemen (1993) edit

Building on the buzz that welcomed Congregation, The Afghan Whigs soon signed to a major label, Elektra Records, following a bidding war that resulted in a contract so lucrative, it featured a clause that allowed for the funding of a Dulli-scripted feature film that ultimately was never made.[23] For their major label debut, The Afghan Whigs ensconced themselves in Ardent Studios in Memphis, where Big Star, Bob Dylan, Led Zeppelin, and ZZ Top had recorded.[24] The result of those sessions was the 1993 album Gentlemen.[8]

Gentlemen received a positive review from Rolling Stone. Critics would go on to praise it for its unflinching, self-flagellating lyrics, and a decisive stylistic break with the grunge-style epitomized by Nirvana and Mudhoney.[25][26] Gentlemen would place at No. 17 on The Village Voice's "Pazz & Jop" critic's poll for 1993.[27]

Gentlemen proved to be The Afghan Whigs' most commercially successful release, and by 1996 it had sold 130,000 copies in the United States.[28] The singles "Debonair" (a Modern Rock Top 20 hit) and "Gentlemen" received regular airplay on MTV and college radio. Another album track, "Fountain and Fairfax" appeared on the television series My So-Called Life in 1994.[3] The lead vocals on "My Curse" were sung not by Dulli, but by singer Marcy Mays of Scrawl – allegedly because the lyrics documenting the violent dissolution of a relationship were so personal, Dulli couldn't sing it.[5][23]

Black Love era (1996) edit

Following the promotion of Gentlemen, The Afghan Whigs further expanded into the public eye. In 1996, Dulli served as executive producer for the soundtrack for the Ted Demme film Beautiful Girls. The Afghan Whigs appeared in the film as a bar band and contributed two songs to the soundtrack: Frederick Knight's "Be For Real" and Barry White's "Can't Get Enough of Your Love, Babe."[29] Dulli also was the only musician other than Dave Grohl to appear on the debut album from Foo Fighters.[30]

Eventually, work began on The Afghan Whigs' fifth full-length album, which would be called Black Love upon its release in 1996. The band started writing demos in March 1995; the recording took place in both Seattle and Memphis-based studios featuring new drummer Paul Buchignani, who had replaced Steve Earle.

Although previous releases explored liquor-drenched obsession, secrets and misery, Black Love stepped into a darker, seedier and complex side of Dulli's persona, passionately taking his obsession with murder and paranoia to their logical ends.[31][32] Dulli himself noted that the songs had a conceptual framework that reflected the structure of a film, influenced by noir-influenced writer James Ellroy and violent neo-noir films like Blood Simple.[33] Other influences included pulp fiction novels, Kenneth Anger's Hollywood Babylon and the crime photographs of Weegee.[34][15] Other lyrical inspirations included the troubled life of Temptations singer David Ruffin for the song "Blame, Etc."[35] The album opener, "Crime Scene Part One", was allegedly influenced by the story of then-unproduced screenplay for the film The Million Dollar Hotel.[35]

Commercially, Black Love peaked at No. 79 on the Billboard Top 200 chart. The album also received critical praise for capturing the power of the Whigs' live show in a studio recording;[36] its lush yet funky musicality garnered comparisons to the Rolling Stones in their 1970s-era prime and standing out once again from the day's more conventional alternative rock in its distinctive embrace of black-music idioms.[37][38][39] The Whigs promoted Black Love with extensive touring, including a jaunt of large venues opening for a Neil Young tour that also featured Jewel.[40][41]

Legal dispute with Elektra and signing to Sony/Columbia for 1965 (1998) edit

In the wake of Black Love's commercial disappointment, The Afghan Whigs said they suffered neglect and dishonest business dealings with their label, Elektra.[42][40] Eventually, the two parted ways and the Whigs signed to Columbia Records for their next album, 1965. The unamicable parting resulted in Dulli being treated for depression, providing subject matter for songs like "Neglekted" which was featured on the band's next full-length effort.[43][40] The song had originally been named "Sylvia" as a swipe against then-Elektra head, Sylvia Rhone.[40]

After a year's hiatus during which Dulli began another project known as The Twilight Singers, The Afghan Whig's went to Daniel Lanois' famed studio in New Orleans to record 1965, named after the year both Dulli and Curley were born.[42][44][45][40] Influenced again by film noir, as well as the urban wordplay of rappers like Nas, 1965 received positive reviews in the press, praising, in particular, the band's continued flair for blending soul styles with rock.[46][47] In addition to their headlining dates, The Afghan Whigs went on tour with Aerosmith as the classic-rock group's opening act.[41] During the live dates for 1965, Dulli got in an altercation with a stagehand following an Austin, Texas concert date and suffered a head injury that left him in a coma.[48] Two months after Dulli's recovery, however, the group returned to the road.[48]

Break up (2001) edit

In 2001, The Afghan Whigs broke up by circulating a press release announcement which was picked up by the major music press.[49][50] In it, the band claimed their geographic disparity and family obligations of its core members made it impossible for them to create new material together. In further interviews, Dulli clarified that theirs was an amicable split, and did not necessarily represent an "official breakup."[42]

Reunion (2006, 2011–present) edit

 
Greg Dulli (left) and bassist John Curley (right), 2012

In 2006, The Afghan Whigs temporarily reunited.[51] The lineup recorded two new tracks ("I'm A Soldier" and "Magazine") featured on their retrospective titled Unbreakable: A Retrospective 1990–2006, released on June 5, 2007, through Rhino Records,[52] which critics noted rated on a par with the band's material released during its prime.[5]

The band would not perform again until a December 7, 2011, press release from the promoters of All Tomorrow's Parties announced that The Afghan Whigs would reunite and play at their I'll Be Your Mirror events on May 27, 2012, in London, followed by an appearance at Asbury Park, New Jersey on September 22, 2012.[53] A week later it was announced that the band would also be performing at both Primavera Sound festivals in 2012.[54] In April of that year, it was revealed that the revitalized The Afghan Whigs would be playing the 2012 edition of Lollapalooza.[55][56] Dulli clarified in interviews that playing The Afghan Whigs with Curley on a 2010 solo tour and meeting with McCollum anew during that period directly led to plans of reforming for live performance.[7]

On May 22, 2012, the reunited The Afghan Whigs (minus drummer Steve Earle) made their debut performance on Late Night with Jimmy Fallon, playing one new song, the soul cover "See and Don't See," and old favorite "I'm Her Slave" from Congregation.[57] The reunited Whigs played their first full concert the next night at Manhattan venue The Bowery Ballroom, receiving critical accolades from the major media. "Regardless of how the surprising reunion of The Afghan Whigs turns out, their show last night at the Bowery Ballroom will go down as the '90s alt-rock heroes' greatest concert ever," Glenn Gamboa wrote in Newsday;[58] meanwhile, Steve Kandell noted in a SPIN review that "their first show together since then, at New York's Bowery Ballroom last night, felt less like an easy nostalgia trip than a reminder of problems we, perhaps selectively, forgot we ever had. …Leader Greg Dulli was leaner, meaner, fitter, and in better voice at 47 than even during the band's heyday… From the opening strains of "Crime Scene, Part One," all the old drama and menace and hurt feelings and failings were right there, palpable and visceral, all couched in the equally palpable sense of relief that none of us are that fucked up anymore."[59] The Afghan Whigs' first new recording released during the 2012 reformation, "See and Don't See," also received considerable airplay on influential stations such as Sirius XMU, KEXP, XPN, and KCRW.[60] On July 16, the band released their second new recording, a cover of Frank Ocean's "Lovecrimes." Like the previous release, the song was made available as a free download from the band's website.

In 2013 at South by Southwest (SXSW), The Afghan Whigs headlined The FADER FORT and played a collaborative set with surprise guest Usher. John Curly claims that moment solidified the probability that the band would record together again and that following their SXSW performance they began compiling ideas for new material.[61]

On January 27, 2014, the band's official mailing list announced an April release date for the first album of new The Afghan Whigs material in 16 years, a return to the Sub Pop roster titled Do to the Beast.

On February 18, 2014, the band announced that Rick McCollum was no longer a member of the group. Guitar parts on Do to the Beast were performed by numerous musicians including Dave Rosser, Jon Skibic, and Mark McGuire among others.[62] The band added drummer Patrick Keeler of The Raconteurs and The Greenhornes in 2014.

The band released its eighth album, In Spades on May 5, 2017.

Guitarist Dave Rosser, a band member since 2014 who played on both of their reunion albums, died on June 28, 2017, following a long battle with colon cancer.[63]

In February 2022, the band released their first single in five years, "'I'll Make You See God," which was featured on the Gran Turismo 7 soundtrack.[64][65] How Do You Burn? their ninth studio album, was released Sept. 9, 2022, through BMG Rights Management, their first album since 1998's 1965 to not be released under Sub Pop.

Legacy edit

The influence of The Afghan Whigs has been acknowledged by a number of musicians spanning genres and formats, including The National,[66][67] The Gaslight Anthem,[68] The Horrible Crowes,[69] Interpol,[70] The Hold Steady,[71] My Chemical Romance[72] and Jimmy Eat World.[73] Also, Italian indie rock band Afterhours, who extensively toured the US between 2006 and 2011, under the auspice of Greg Dulli cites The Afghan Whigs as their influence.

On June 23, 2009, a The Afghan Whigs tribute album was released, featuring contributions from Mark Lanegan, Joseph Arthur, and 11 other artists influenced by the band.[74]

Lyrical themes edit

Since the band's formation, certain themes have been noted as developing Dulli's songwriting for The Afghan Whigs and beyond – in particular, his mixing of black humor with topics such as drug addiction, sexual deviancy and suicidal thoughts,[11] which often seem more personal and provocative due to their frequent embrace of the first person.[75] Many notable The Afghan Whigs' songs are rooted in exploring power battles in romantic relationships.[76] Gentlemen in particular has been cited for its frank and uncomfortable exploration of masculine tropes and expectations,[77] including elements of sadomasochism and alienation.[23] Black Love meanwhile, contains lyrics about revenge and honesty.[78]

Dulli's songs with The Afghan Whigs also betray a fascination with and sympathy for the anti-hero, which he attributed to an influential conversation with his grandfather during childhood: "I remember as a kid watching a cowboys-and-Indians movie and I was rooting for the cowboys… My grandfather asked me why, and I said, `Because they're the good guys.' And my grandfather explained to me that the Indians were fighting for their land and that the cowboys were trying to steal it from them. Then he said something to me that I never forgot, which was, `Good people aren't good all the time and bad people aren't bad all the time.' I've been exploring that gray area ever since the idea that saints can fall and sinners can transcend."[10]

Covers edit

The Afghan Whigs are known for their cover songs as well as their original material – in particular, freely reinterpreted songs from the soul music and R&B canon[33] that they were exposed to in their youth.[10] However, The Afghan Whigs have never restricted their choices in covers by genre; even from their earliest concerts they have been known to cover songs like The Rolling Stones' "Cocksucker Blues" and Neil Young's "Like A Hurricane,"[79] as well as tracks made famous by The Supremes,[36] Prince,[80] PJ Harvey, The Fugees, and TLC.[31] Congregation includes a version of "The Temple" from the soundtrack of Jesus Christ Superstar[81] and they were also known to perform Pink Floyd's album The Wall in its entirety.[82][83] The Whigs have covered a rare 1970 soul song by Marie "Queenie" Lyons, "See and Don't See,"[84] although the band continues to explore contemporary material as well, such as "Love Crimes" by current R&B iconoclast Frank Ocean, which was debuted on the band's 2012 reunion tour.[85] The band also recorded a cover of the Lou Reed song "I Love You, Suzanne" for the album The Power of The Heart: A Tribute To Lou Reed. It was released by Light In The Attic Records on April 20, 2024.

Other projects edit

  • Dulli has recorded and performed with Mark Lanegan as The Gutter Twins
  • Dulli continues to record and tour with his evolving collective The Twilight Singers and as a solo artist
  • Dulli also has been executive producer on several works by Italian indie-rock band Afterhours on top of acting as their sponsor for several US tours between 2006 and 2011.
  • Curley is the bassist of Fists of Love[86]
  • McCollum is the guitarist, vocalist, and songwriter for Moon Maan[87]
  • Horrigan is the bassist for Brendan Benson
  • Steve Earle is the drummer for the rock band Moonbow, featuring Dave McElfresh (also guitar and fiddle for Hank Williams III) and lead singer Matt Bischoff (also known for his role as a contestant on the television series Survivor)
  • Earle is the songwriter, lead singer, and rhythm guitarist of Earle Grey. Additionally, he is the current drummer for the Santa Rosa, California, based band the Fizz Fuzz featuring Dandy Brown (Hermano, Orquesta del Desierto).
  • Dulli does most of the lead vocals on the soundtrack to Backbeat, a 1994 film about the beginning days of the Beatles. Dave Grohl (Nirvana), Don Fleming (Gumball), Mike Mills (R.E.M.), Thurston Moore (Sonic Youth), and Dave Pirner (Soul Asylum) accompany Dulli as a "supergroup" playing the Beatles' early live staples (none of which are written by the Beatles).

Members edit

Current members

  • Greg Dulli – lead vocals, guitar, keyboards (1986–2001, 2006, 2011–present)
  • John Curley - bass guitar (1986–2001, 2006, 2011–present)
  • Rick G. Nelson - keyboards, strings, guitar, backing vocals (2011–present)
  • Patrick Keeler - drums (2014–present)
  • Christopher Thorn - guitar (2021–present)

Former members

  • Rick McCollum - guitar (1986–2001, 2006, 2011–2012)
  • Steve Earle - drums (1986–1995)
  • Jon Skibic - guitar, backing vocals (2013–2021)
  • Paul Buchignani - drums (1995–1996)
  • Michael Horrigan - drums (1997–2001, 2006)
  • Cully Symington - drums (2011–2014)
  • Dave Rosser - guitar, backing vocals (2011–2017)
  • Mark McGuire - guitar (2013–2014)

Touring musicians

  • Doug Falsetti - percussion, backing vocals (1996–1998, 1999)
  • Barbara Hunter - cello (1996)
  • Harold "Happy" Chichester - keyboards, backing vocals (1996, 1999)
  • Susan Marshall - backing vocals (1997–1999)
  • Steve Myers - backing vocals (1997–1999)
  • Josh Paxton - keyboards (1998, 1999)

Timeline edit

Discography edit

Studio albums

References edit

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External links edit

  • Summer's Kiss – A Tribute to The Afghan Whigs
  • The Afghan Whigs Myspace Page
  • The Twilight Singers
  • Staggering Statistics
  • Moon Maan
  • An Afghan Whigs Farewell Essay
  • at Rolling Stone

afghan, whigs, american, rock, band, from, cincinnati, ohio, they, were, active, from, 1986, 2001, have, since, reformed, band, group, with, core, members, greg, dulli, vocals, rhythm, guitar, rick, mccollum, lead, guitar, john, curley, bass, rose, around, gru. The Afghan Whigs are an American rock band from Cincinnati Ohio They were active from 1986 to 2001 and have since reformed as a band The group with core members Greg Dulli vocals rhythm guitar Rick McCollum lead guitar and John Curley bass rose up around the grunge movement evolving from a garage band in the vein of the Replacements to incorporate more R amp B and soul influences into their sound and image After releasing their first album independently in 1988 the band signed to the Seattle based label Sub Pop They released their major label debut and fourth album Gentlemen in 1993 Pitchfork described them as one of the few alt bands to flourish on a major label in the 1990s 5 The Afghan WhigsThe Afghan Whigs at Haldern Pop Festival in 2017 Background informationOriginCincinnati Ohio U S GenresAlternative rock 1 indie rock 2 R amp B 2 post punk 3 grunge 4 Years active1986 2001 2006 2011 presentLabelsSub PopElektraColumbiaBlast FirstMuteBMGSpinoff ofThe Black RepublicansMembersGreg DulliJohn CurleyRick G NelsonPatrick KeelerChristopher ThornPast membersDave RosserRick McCollumSteve EarleJon SkibicPaul BuchignaniMichael HorriganCully SymingtonMark McGuireWebsitetheafghanwhigs wbr com Dulli frequently claimed in interviews that the band would never get back together following their dissolution in 2001 6 however the group reunited in 2012 7 Contents 1 Band history 1 1 Early years and Big Top Halloween 1986 1988 1 2 Signing to Sub Pop and Up in It 1989 1990 1 3 Congregation and Uptown Avondale 1992 1 4 Signing to Elektra and Gentlemen 1993 1 5 Black Love era 1996 1 6 Legal dispute with Elektra and signing to Sony Columbia for 1965 1998 1 7 Break up 2001 1 8 Reunion 2006 2011 present 2 Legacy 3 Lyrical themes 4 Covers 5 Other projects 6 Members 6 1 Timeline 7 Discography 8 References 9 External linksBand history editEarly years and Big Top Halloween 1986 1988 edit Greg Dulli vocals rhythm guitar Rick McCollum lead guitar John Curley bass and Steve Earle drums formed the band in Cincinnati late in 1986 8 The Afghan Whigs had evolved out of Dulli s previous band The Black Republicans a band that Curley later joined Curley attended a number of Black Republicans shows and approached Dulli and made it a point to tell the vocalist he was a better bassist than the one in the Black Republicans 9 Curley would introduce Dulli to McCollum a frequent jam partner who was famed on the local Cincinnati scene for his innovative use of effects pedals McCollum and Dulli would bond over their shared love of R amp B in fact the first song The Afghan Whigs ever rehearsed was a cover of The Temptations Psychedelic Shack 10 Dulli later described the intent behind The Afghan Whigs was to exist as a cross between the Band the Temptations and Neil Young playing with Crazy Horse 11 The name The Afghan Whigs was coined by Curley as a play on the Black Republicans 12 In the wake of The Black Republicans breakup Dulli had decamped to Arizona where he composed half the material for what would become The Afghan Whigs debut album Big Top Halloween 1988 self released on the band s own Ultrasuede label 13 We were running through what were the first songs I d ever written to do some demos so we were playing really loose Dulli recalls And then all of a sudden I found out John was having covers made While only a thousand copies of Big Top Halloween would be pressed initially 14 one of them managed to capture the attention of Jonathan Poneman 15 the co founder of influential Seattle based indie label Sub Pop which signed The Afghan Whigs in 1989 14 Initially Sub Pop planned for the Whigs to release only a one off single but that soon led to a full blown record contract with the label 3 Signing to Sub Pop and Up in It 1989 1990 edit Upon signing to Sub Pop The Afghan Whigs became the second non Pacific Northwestern United States band to record for the Sub Pop label 16 17 In 1990 Sub Pop put out The Afghan Whigs second album Up in It Largely recorded by Nirvana producer Jack Endino and featuring the college radio hit Retarded Up in It received a favorable reception with music critics upon release 15 To support the album s release The Afghan Whigs went on a package tour with grunge originators Mudhoney and Boston underground band Bullet LaVolta 18 19 Up in It was followed by a limited edition single released by No 6 Records under the name Ornament which included vocals by Scrawl singer Marcy Mays who would later contribute lead vocals to the band s song My Curse off the album Gentlemen Congregation and Uptown Avondale 1992 edit With the 1992 album Congregation and covers EP Uptown Avondale the band developed what would become their signature sound blending soul with psychedelic sprawl and punk abandon 20 Critics noted the combination of Stax and Motown influences with indie rock sonics on the band s material 5 Uptown Avondale featured covers of hits by soul acts such as The Supremes Videos for notable Congregation songs like Conjure Me and Turn on the Water would receive airplay on MTV which began to regularly cover The Afghan Whigs as a new band to watch 21 The Afghan Whigs would also tour extensively during this period including a U S jaunt with Scottish indie rockers Teenage Fanclub 22 nbsp When We Two Parted source source Sample of the 1993 Afghan Whigs track When We Two Parted off Gentlemen Problems playing this file See media help Signing to Elektra and Gentlemen 1993 edit Building on the buzz that welcomed Congregation The Afghan Whigs soon signed to a major label Elektra Records following a bidding war that resulted in a contract so lucrative it featured a clause that allowed for the funding of a Dulli scripted feature film that ultimately was never made 23 For their major label debut The Afghan Whigs ensconced themselves in Ardent Studios in Memphis where Big Star Bob Dylan Led Zeppelin and ZZ Top had recorded 24 The result of those sessions was the 1993 album Gentlemen 8 Gentlemen received a positive review from Rolling Stone Critics would go on to praise it for its unflinching self flagellating lyrics and a decisive stylistic break with the grunge style epitomized by Nirvana and Mudhoney 25 26 Gentlemen would place at No 17 on The Village Voice s Pazz amp Jop critic s poll for 1993 27 Gentlemen proved to be The Afghan Whigs most commercially successful release and by 1996 it had sold 130 000 copies in the United States 28 The singles Debonair a Modern Rock Top 20 hit and Gentlemen received regular airplay on MTV and college radio Another album track Fountain and Fairfax appeared on the television series My So Called Life in 1994 3 The lead vocals on My Curse were sung not by Dulli but by singer Marcy Mays of Scrawl allegedly because the lyrics documenting the violent dissolution of a relationship were so personal Dulli couldn t sing it 5 23 Black Love era 1996 edit Following the promotion of Gentlemen The Afghan Whigs further expanded into the public eye In 1996 Dulli served as executive producer for the soundtrack for the Ted Demme film Beautiful Girls The Afghan Whigs appeared in the film as a bar band and contributed two songs to the soundtrack Frederick Knight s Be For Real and Barry White s Can t Get Enough of Your Love Babe 29 Dulli also was the only musician other than Dave Grohl to appear on the debut album from Foo Fighters 30 Eventually work began on The Afghan Whigs fifth full length album which would be called Black Love upon its release in 1996 The band started writing demos in March 1995 the recording took place in both Seattle and Memphis based studios featuring new drummer Paul Buchignani who had replaced Steve Earle Although previous releases explored liquor drenched obsession secrets and misery Black Love stepped into a darker seedier and complex side of Dulli s persona passionately taking his obsession with murder and paranoia to their logical ends 31 32 Dulli himself noted that the songs had a conceptual framework that reflected the structure of a film influenced by noir influenced writer James Ellroy and violent neo noir films like Blood Simple 33 Other influences included pulp fiction novels Kenneth Anger s Hollywood Babylon and the crime photographs of Weegee 34 15 Other lyrical inspirations included the troubled life of Temptations singer David Ruffin for the song Blame Etc 35 The album opener Crime Scene Part One was allegedly influenced by the story of then unproduced screenplay for the film The Million Dollar Hotel 35 Commercially Black Love peaked at No 79 on the Billboard Top 200 chart The album also received critical praise for capturing the power of the Whigs live show in a studio recording 36 its lush yet funky musicality garnered comparisons to the Rolling Stones in their 1970s era prime and standing out once again from the day s more conventional alternative rock in its distinctive embrace of black music idioms 37 38 39 The Whigs promoted Black Love with extensive touring including a jaunt of large venues opening for a Neil Young tour that also featured Jewel 40 41 Legal dispute with Elektra and signing to Sony Columbia for 1965 1998 edit In the wake of Black Love s commercial disappointment The Afghan Whigs said they suffered neglect and dishonest business dealings with their label Elektra 42 40 Eventually the two parted ways and the Whigs signed to Columbia Records for their next album 1965 The unamicable parting resulted in Dulli being treated for depression providing subject matter for songs like Neglekted which was featured on the band s next full length effort 43 40 The song had originally been named Sylvia as a swipe against then Elektra head Sylvia Rhone 40 After a year s hiatus during which Dulli began another project known as The Twilight Singers The Afghan Whig s went to Daniel Lanois famed studio in New Orleans to record 1965 named after the year both Dulli and Curley were born 42 44 45 40 Influenced again by film noir as well as the urban wordplay of rappers like Nas 1965 received positive reviews in the press praising in particular the band s continued flair for blending soul styles with rock 46 47 In addition to their headlining dates The Afghan Whigs went on tour with Aerosmith as the classic rock group s opening act 41 During the live dates for 1965 Dulli got in an altercation with a stagehand following an Austin Texas concert date and suffered a head injury that left him in a coma 48 Two months after Dulli s recovery however the group returned to the road 48 Break up 2001 edit In 2001 The Afghan Whigs broke up by circulating a press release announcement which was picked up by the major music press 49 50 In it the band claimed their geographic disparity and family obligations of its core members made it impossible for them to create new material together In further interviews Dulli clarified that theirs was an amicable split and did not necessarily represent an official breakup 42 Reunion 2006 2011 present edit nbsp Greg Dulli left and bassist John Curley right 2012 In 2006 The Afghan Whigs temporarily reunited 51 The lineup recorded two new tracks I m A Soldier and Magazine featured on their retrospective titled Unbreakable A Retrospective 1990 2006 released on June 5 2007 through Rhino Records 52 which critics noted rated on a par with the band s material released during its prime 5 The band would not perform again until a December 7 2011 press release from the promoters of All Tomorrow s Parties announced that The Afghan Whigs would reunite and play at their I ll Be Your Mirror events on May 27 2012 in London followed by an appearance at Asbury Park New Jersey on September 22 2012 53 A week later it was announced that the band would also be performing at both Primavera Sound festivals in 2012 54 In April of that year it was revealed that the revitalized The Afghan Whigs would be playing the 2012 edition of Lollapalooza 55 56 Dulli clarified in interviews that playing The Afghan Whigs with Curley on a 2010 solo tour and meeting with McCollum anew during that period directly led to plans of reforming for live performance 7 On May 22 2012 the reunited The Afghan Whigs minus drummer Steve Earle made their debut performance on Late Night with Jimmy Fallon playing one new song the soul cover See and Don t See and old favorite I m Her Slave from Congregation 57 The reunited Whigs played their first full concert the next night at Manhattan venue The Bowery Ballroom receiving critical accolades from the major media Regardless of how the surprising reunion of The Afghan Whigs turns out their show last night at the Bowery Ballroom will go down as the 90s alt rock heroes greatest concert ever Glenn Gamboa wrote in Newsday 58 meanwhile Steve Kandell noted in a SPIN review that their first show together since then at New York s Bowery Ballroom last night felt less like an easy nostalgia trip than a reminder of problems we perhaps selectively forgot we ever had Leader Greg Dulli was leaner meaner fitter and in better voice at 47 than even during the band s heyday From the opening strains of Crime Scene Part One all the old drama and menace and hurt feelings and failings were right there palpable and visceral all couched in the equally palpable sense of relief that none of us are that fucked up anymore 59 The Afghan Whigs first new recording released during the 2012 reformation See and Don t See also received considerable airplay on influential stations such as Sirius XMU KEXP XPN and KCRW 60 On July 16 the band released their second new recording a cover of Frank Ocean s Lovecrimes Like the previous release the song was made available as a free download from the band s website In 2013 at South by Southwest SXSW The Afghan Whigs headlined The FADER FORT and played a collaborative set with surprise guest Usher John Curly claims that moment solidified the probability that the band would record together again and that following their SXSW performance they began compiling ideas for new material 61 On January 27 2014 the band s official mailing list announced an April release date for the first album of new The Afghan Whigs material in 16 years a return to the Sub Pop roster titled Do to the Beast On February 18 2014 the band announced that Rick McCollum was no longer a member of the group Guitar parts on Do to the Beast were performed by numerous musicians including Dave Rosser Jon Skibic and Mark McGuire among others 62 The band added drummer Patrick Keeler of The Raconteurs and The Greenhornes in 2014 The band released its eighth album In Spades on May 5 2017 Guitarist Dave Rosser a band member since 2014 who played on both of their reunion albums died on June 28 2017 following a long battle with colon cancer 63 In February 2022 the band released their first single in five years I ll Make You See God which was featured on the Gran Turismo 7 soundtrack 64 65 How Do You Burn their ninth studio album was released Sept 9 2022 through BMG Rights Management their first album since 1998 s 1965 to not be released under Sub Pop Legacy editThe influence of The Afghan Whigs has been acknowledged by a number of musicians spanning genres and formats including The National 66 67 The Gaslight Anthem 68 The Horrible Crowes 69 Interpol 70 The Hold Steady 71 My Chemical Romance 72 and Jimmy Eat World 73 Also Italian indie rock band Afterhours who extensively toured the US between 2006 and 2011 under the auspice of Greg Dulli cites The Afghan Whigs as their influence On June 23 2009 a The Afghan Whigs tribute album was released featuring contributions from Mark Lanegan Joseph Arthur and 11 other artists influenced by the band 74 Lyrical themes editSince the band s formation certain themes have been noted as developing Dulli s songwriting for The Afghan Whigs and beyond in particular his mixing of black humor with topics such as drug addiction sexual deviancy and suicidal thoughts 11 which often seem more personal and provocative due to their frequent embrace of the first person 75 Many notable The Afghan Whigs songs are rooted in exploring power battles in romantic relationships 76 Gentlemen in particular has been cited for its frank and uncomfortable exploration of masculine tropes and expectations 77 including elements of sadomasochism and alienation 23 Black Love meanwhile contains lyrics about revenge and honesty 78 Dulli s songs with The Afghan Whigs also betray a fascination with and sympathy for the anti hero which he attributed to an influential conversation with his grandfather during childhood I remember as a kid watching a cowboys and Indians movie and I was rooting for the cowboys My grandfather asked me why and I said Because they re the good guys And my grandfather explained to me that the Indians were fighting for their land and that the cowboys were trying to steal it from them Then he said something to me that I never forgot which was Good people aren t good all the time and bad people aren t bad all the time I ve been exploring that gray area ever since the idea that saints can fall and sinners can transcend 10 Covers editThe Afghan Whigs are known for their cover songs as well as their original material in particular freely reinterpreted songs from the soul music and R amp B canon 33 that they were exposed to in their youth 10 However The Afghan Whigs have never restricted their choices in covers by genre even from their earliest concerts they have been known to cover songs like The Rolling Stones Cocksucker Blues and Neil Young s Like A Hurricane 79 as well as tracks made famous by The Supremes 36 Prince 80 PJ Harvey The Fugees and TLC 31 Congregation includes a version of The Temple from the soundtrack of Jesus Christ Superstar 81 and they were also known to perform Pink Floyd s album The Wall in its entirety 82 83 The Whigs have covered a rare 1970 soul song by Marie Queenie Lyons See and Don t See 84 although the band continues to explore contemporary material as well such as Love Crimes by current R amp B iconoclast Frank Ocean which was debuted on the band s 2012 reunion tour 85 The band also recorded a cover of the Lou Reed song I Love You Suzanne for the album The Power of The Heart A Tribute To Lou Reed It was released by Light In The Attic Records on April 20 2024 Other projects editDulli has recorded and performed with Mark Lanegan as The Gutter Twins Dulli continues to record and tour with his evolving collective The Twilight Singers and as a solo artist Dulli also has been executive producer on several works by Italian indie rock band Afterhours on top of acting as their sponsor for several US tours between 2006 and 2011 Curley is the bassist of Fists of Love 86 McCollum is the guitarist vocalist and songwriter for Moon Maan 87 Horrigan is the bassist for Brendan Benson Steve Earle is the drummer for the rock band Moonbow featuring Dave McElfresh also guitar and fiddle for Hank Williams III and lead singer Matt Bischoff also known for his role as a contestant on the television series Survivor Earle is the songwriter lead singer and rhythm guitarist of Earle Grey Additionally he is the current drummer for the Santa Rosa California based band the Fizz Fuzz featuring Dandy Brown Hermano Orquesta del Desierto Dulli does most of the lead vocals on the soundtrack to Backbeat a 1994 film about the beginning days of the Beatles Dave Grohl Nirvana Don Fleming Gumball Mike Mills R E M Thurston Moore Sonic Youth and Dave Pirner Soul Asylum accompany Dulli as a supergroup playing the Beatles early live staples none of which are written by the Beatles Members editCurrent members Greg Dulli lead vocals guitar keyboards 1986 2001 2006 2011 present John Curley bass guitar 1986 2001 2006 2011 present Rick G Nelson keyboards strings guitar backing vocals 2011 present Patrick Keeler drums 2014 present Christopher Thorn guitar 2021 present Former members Rick McCollum guitar 1986 2001 2006 2011 2012 Steve Earle drums 1986 1995 Jon Skibic guitar backing vocals 2013 2021 Paul Buchignani drums 1995 1996 Michael Horrigan drums 1997 2001 2006 Cully Symington drums 2011 2014 Dave Rosser guitar backing vocals 2011 2017 Mark McGuire guitar 2013 2014 Touring musicians Doug Falsetti percussion backing vocals 1996 1998 1999 Barbara Hunter cello 1996 Harold Happy Chichester keyboards backing vocals 1996 1999 Susan Marshall backing vocals 1997 1999 Steve Myers backing vocals 1997 1999 Josh Paxton keyboards 1998 1999 Timeline editDiscography editMain article The Afghan Whigs discography Studio albums Big Top Halloween 1988 Up in It 1990 Congregation 1992 Gentlemen 1993 Black Love 1996 1965 1998 Do to the Beast 2014 In Spades 2017 How Do You Burn 2022 88 References edit Filicky Brad 3 November 2003 Spotlight The Twilight Singers CMJ Vol 77 no 11 CMJ Network Inc p 32 Retrieved 12 February 2022 a b Anderson Kyle 21 October 2014 21 thoughts on 21 years of the Afghan Whigs masterpiece Gentlemen Entertainment Weekly Retrieved 12 February 2022 a b c Erlewine Stephen Thomas The Afghan Whigs Biography Songs amp Albums AllMusic Retrieved 1 January 2015 Thomas Fred Greg Dulli Biography Songs amp Albums AllMusic Retrieved 12 February 2022 a b c d Deusner Stephen M 30 May 2007 The Afghan Whigs Unbreakable A Retrospective Pitchfork Retrieved 1 January 2015 Q amp A Greg Dulli Still Doesn t Miss the Afghan Whigs MTV Hive MTV Hive Archived from the original on 11 March 2012 Retrieved 1 January 2015 a b Greg Dulli Rediscovers Afghan Whigs Rolling Stone Retrieved 1 January 2015 a b Strong Martin C 2000 The Great Rock Discography 5th ed Edinburgh Mojo Books pp 10 11 ISBN 1 84195 017 3 Gendron Bob 2008 Gentlemen 33 1 3 New York Continuum ISBN 978 0 8264 2910 0 a b c Kot Greg 3 May 1996 Afgha Whigs Dulli Explains Why Sometimes The Jerk Goes Ballistic Chicago Tribune Retrieved 1 January 2015 a b The Bob Summer s Kiss December 1991 Archived from the original on 17 December 2014 Retrieved 1 January 2015 Gendron p 16 Grendon Bob 2004 Gentlemen Continuum pp 11 15 ISBN 978 0 8264 2910 0 a b Going to Town Summer s Kiss April 1996 Archived from the original on 1 January 2015 Retrieved 1 January 2015 a b c Black White and Gray Summer s Kiss 2 May 1996 Archived from the original on 1 January 2015 Retrieved 1 January 2015 The Afghan Whigs Sub Pop Records Retrieved 1 January 2015 Entertainment amp the Arts Afghan Whigs Waiting in Wings For Stardom Seattle Times Newspaper Community seattletimes nwsource com Retrieved 1 January 2015 A Deeper Shade of Soul Adeepershadeofsoul blogspot com 7 June 2007 Retrieved 1 January 2015 1 Archived September 15 2012 at the Wayback Machine SPEX Summer s Kiss January 1991 Archived from the original on 1 January 2015 Retrieved 1 January 2015 Flashback MTV Whigs and the Next Seattle Citybeat com Retrieved 1 January 2015 4 24 92 Teenage Fanclub at Summer s Kiss Afghan Whigs Twilight Singers Summerskiss com Archived from the original on 24 September 2015 Retrieved 1 January 2015 a b c Whigging Out Summer s Kiss May 1994 Archived from the original on 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Archived from the original on 19 May 2011 Retrieved 1 January 2015 Afghan Whigs Say Goodnight Summer s Kiss 9 February 2001 Archived from the original on 1 January 2015 Retrieved 1 January 2015 Break Up Press Release Summer s Kiss 5 February 2001 Archived from the original on 1 January 2015 Retrieved 1 January 2015 Phillips Amy 8 September 2006 Afghan Whigs Reunite Pitchfork Archived from the original on 10 February 2009 Retrieved 12 February 2022 New Whigs Photos Press Release Track Reviews Summer s Kiss 5 March 2007 Retrieved 1 January 2015 The Afghan Whigs Reunite Replace Guided By Voices at ATP Music News Paste Pastemagazine com Archived from the original on 2012 06 14 Retrieved 2012 04 01 Optimus Primavera Sound Optimusprimeraverasound com Archived from the original on 2012 03 23 Retrieved 2012 04 01 Minsker Evan 10 April 2012 Lollapalooza Lineup Announced Pitchfork Retrieved 1 January 2015 Itzkoff Dave 10 April 2012 Reunited and It Feels So Good Lollapalooza 2012 Lineup Unveiled 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March 1996 Archived from the original on 10 August 2011 Retrieved 1 January 2015 Black Love Billboard Summer s Kiss 23 March 1996 Archived from the original on 29 July 2012 Retrieved 1 January 2015 Black Love Spin Summer s Kiss April 1996 Retrieved 1 January 2015 CD Zine vol 8 Summer s Kiss November 1993 Archived from the original on 5 October 2013 Retrieved 1 January 2015 RS Concert Review at Summer s Kiss Afghan Whigs Twilight Singers Summerskiss com Archived from the original on 5 October 2013 Retrieved 1 January 2015 sic Magazine Sicmagazine net Retrieved 1 January 2015 Milk Milk Lemonade The Afghan Whigs Milkmilk lemonade com Archived from the original on 1 January 2015 Retrieved 1 January 2015 Whigs Debut New Songs in UK Summer s Kiss 26 August 1998 Archived from the original on 1 January 2015 Retrieved 1 January 2015 Song Premiere The Afghan Whigs See and Don t See Rolling Stone Retrieved 1 January 2015 Tacopino Joe 24 May 2012 The Afghan Whigs Launch Reunion Tour in New York Rolling Stone Retrieved 1 January 2015 Fists of Love Fistsoflove com Retrieved 1 January 2015 moon maan Moonmaan com Retrieved 1 January 2015 Album The Afghan Whigs How Do You Burn Review theartsdesk com 2022 09 03 Retrieved 2022 09 04 External links editSummer s Kiss A Tribute to The Afghan Whigs The Afghan Whigs Myspace Page The Twilight Singers Staggering Statistics Moon Maan An Afghan Whigs Farewell Essay The Afghan Whigs at Rolling Stone Retrieved from https en wikipedia org w index php title The Afghan Whigs amp oldid 1222054161, wikipedia, wiki, book, books, library,

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