Taarab performance by Kithara Orchestra of Zanzibar performing in Paris
According to local legend, taarab was popularized by Sultan Seyyid Barghash bin Said (1870-1888).[5] He enjoyed luxury and the pleasures of life. It was this ruler who initiated taarab in Zanzibar and later it spread all over the African Great Lakes region. The sultan imported a taarab ensemble from Egypt to play in his Beit el-Ajab palace. He subsequently decided to send Mohamed Ibrahim from Zanzibar to Egypt to learn music and to play the Kanun. Upon his return, he formed the Zanzibar Taarab Orchestra. In 1905, Zanzibar's second music society, Ikwhani Safaa Musical Club, was established, and it continues to thrive today.[6] Ikwhani Safaa and Culture Musical Club (founded in 1958) remain the leading Zanzibar taarab orchestras.[6]
The word taarab is a loanword from Arabic. The Arabic word طرب means "having pleasure, delight with music".[7][8]
History of Taarab musicedit
After the spreading of Taarab from the Sultan's palace to Zanzibari weddings and other community events, the first famous female singer of taarab was Siti bint Saad.[3][7]
In 1928, she and her band became the first from the region to make commercial recordings and was the first East African to be recorded in the Bombay HMV studios. She would go on to become one of the most famous taarab musicians of all time.[7]
Over the next several decades, bands and musicians like Bi Kidude, Mzee Yusuph, Culture Musical Club and Al-Watan Musical Club kept taarab at the forefront of the Tanzanian scene, and made inroads across the world. Playing in a similar style, Kidumbak ensembles grew popular, at least among the poor of Zanzibar, featuring two small drums, bass, violins and dancers using claves and maracas. The 1960s saw a group called the Black Star Musical Club from Tanga modernize the genre, and brought it to audiences far afield, especially Burundi and Kenya. More recently, modern taarab bands like East African Melody have emerged, as have related backbiting songs for women, called mipasho.[9]
Taarab music[10] is a fusion of pre-Islamic Swahili tunes sung in rhythmic poetic style, spiced with Arab-style melodies. It is an extremely lively art form, and immensely popular especially with women, drawing all the time from old and new sources. Taarab forms a major part of the social life of the Swahili people along the coastal areas, especially in Zanzibar, Tanga and even further in Mombasa and Malindi along the Kenya coast.[4] Wherever the Swahili speaking people travelled, Taraab culture moved with them. It has penetrated as far inland as Uganda, Rwanda and Burundi in East Africa, where taarab groups compete in popularity with western-music inspired groups.[2]
Nowadays a taarab revolution is taking place and much heated debate continues about the music which has been changed drastically by the East African Melody phenomenon. Melody, as they are affectionately known by their mostly female fans, play modern taarab, which, for the first time, is 'taarab to dance to' and features direct lyrics, bypassing the unwritten laws of lyrical subtlety of the older groups, where the meaning of their lyrics is only alluded to, and never directly inferred.[2] Today, taarab songs are explicit – sometimes even graphic – in sexual connotation, and much of the music of groups like Melody and Muungano is composed and played on keyboards, increasing portability for different venues. Also, the groups are much smaller in number than 'real taarab' orchestras and therefore more readily available to tour and play shows throughout the region and beyond.[1]
^Fargion, Janet T.; Le Guennec-Coppens, Françoise; Mery, Sophie (2002). "The Music of Zenj: Arab-African crossovers in the music of Zanzibar". Journal des Africanistes (in French). Paris. 72 (2): 203–212. doi:10.3406/jafr.2002.1315.
^ ab"Swahili Taarab - Music of the Indian Ocean". sites.google.com. Retrieved 2020-05-28.
taarab, this, article, about, musical, genre, studio, album, rabih, abou, khalil, tarab, music, genre, popular, tanzania, kenya, influenced, musical, traditions, african, great, lakes, north, africa, middle, east, indian, subcontinent, rose, prominence, 1928, . This article is about the musical genre For the studio album by Rabih Abou Khalil see Tarab Taarab is a music genre popular in Tanzania and Kenya 1 2 It is influenced by the musical traditions of the African Great Lakes North Africa the Middle East and the Indian subcontinent Taarab rose to prominence in 1928 with the advent of the genre s first star Siti binti Saad 3 4 TaarabCultural originsLate 19th centurySubgenresCoastal taarabRegional scenesAfrican Coastal RegionLocal scenes Tanzania Zanzibar KenyaOther topicsBongo FlavaSingeliMdundikoKidumbakiUnyagoTaarab performance by Kithara Orchestra of Zanzibar performing in ParisAccording to local legend taarab was popularized by Sultan Seyyid Barghash bin Said 1870 1888 5 He enjoyed luxury and the pleasures of life It was this ruler who initiated taarab in Zanzibar and later it spread all over the African Great Lakes region The sultan imported a taarab ensemble from Egypt to play in his Beit el Ajab palace He subsequently decided to send Mohamed Ibrahim from Zanzibar to Egypt to learn music and to play the Kanun Upon his return he formed the Zanzibar Taarab Orchestra In 1905 Zanzibar s second music society Ikwhani Safaa Musical Club was established and it continues to thrive today 6 Ikwhani Safaa and Culture Musical Club founded in 1958 remain the leading Zanzibar taarab orchestras 6 Contents 1 Etymology 2 History of Taarab music 3 See also 4 Further reading 5 Sources 6 External linksEtymology editThe word taarab is a loanword from Arabic The Arabic word طرب means having pleasure delight with music 7 8 History of Taarab music editAfter the spreading of Taarab from the Sultan s palace to Zanzibari weddings and other community events the first famous female singer of taarab was Siti bint Saad 3 7 In 1928 she and her band became the first from the region to make commercial recordings and was the first East African to be recorded in the Bombay HMV studios She would go on to become one of the most famous taarab musicians of all time 7 Over the next several decades bands and musicians like Bi Kidude Mzee Yusuph Culture Musical Club and Al Watan Musical Club kept taarab at the forefront of the Tanzanian scene and made inroads across the world Playing in a similar style Kidumbak ensembles grew popular at least among the poor of Zanzibar featuring two small drums bass violins and dancers using claves and maracas The 1960s saw a group called the Black Star Musical Club from Tanga modernize the genre and brought it to audiences far afield especially Burundi and Kenya More recently modern taarab bands like East African Melody have emerged as have related backbiting songs for women called mipasho 9 Taarab music 10 is a fusion of pre Islamic Swahili tunes sung in rhythmic poetic style spiced with Arab style melodies It is an extremely lively art form and immensely popular especially with women drawing all the time from old and new sources Taarab forms a major part of the social life of the Swahili people along the coastal areas especially in Zanzibar Tanga and even further in Mombasa and Malindi along the Kenya coast 4 Wherever the Swahili speaking people travelled Taraab culture moved with them It has penetrated as far inland as Uganda Rwanda and Burundi in East Africa where taarab groups compete in popularity with western music inspired groups 2 Nowadays a taarab revolution is taking place and much heated debate continues about the music which has been changed drastically by the East African Melody phenomenon Melody as they are affectionately known by their mostly female fans play modern taarab which for the first time is taarab to dance to and features direct lyrics bypassing the unwritten laws of lyrical subtlety of the older groups where the meaning of their lyrics is only alluded to and never directly inferred 2 Today taarab songs are explicit sometimes even graphic in sexual connotation and much of the music of groups like Melody and Muungano is composed and played on keyboards increasing portability for different venues Also the groups are much smaller in number than real taarab orchestras and therefore more readily available to tour and play shows throughout the region and beyond 1 See also editMusic of TanzaniaFurther reading editAskew Kelly 2002 07 28 Performing the Nation Swahili Music and Cultural Politics in Tanzania University of Chicago Press ISBN 978 0 226 02981 8 Edmondson Laura 2007 07 20 Performance and Politics in Tanzania The Nation on Stage Indiana University Press ISBN 978 0 253 11705 2 Njogu Kimani Maupeu Herv 2007 10 15 Songs and Politics in Eastern Africa African Books Collective ISBN 978 9987 08 108 0 Sources edit a b Edmondson Laura 2007 McNaughton Patrick ed Performance and Politics in Tanzania The Nation on Stage Bloomington IN Indiana University Press ISBN 978 0 253 11705 2 a b c Njogu Kimani Maupeu Herv 2007 Music and Politics in Tanzania a case study of Nyota wa Cigogo Songs and Politics in Eastern Africa Dar es Salaam Tanzania Mkuki na Nyota Publishers Ltd pp 241 246 ISBN 978 9987 08 108 0 a b Mgana Issa 1991 Jukwaa la Taarab Zanzibar in Swahili Helsinki Mediafrica Books p 101 ISBN 978 9529675005 a b Askew Kelly 2002 Performing the Nation Swahili Music and Cultural Politics in Tanzania Chicago University of Chicago Press pp 27 67 276 ISBN 978 0 226 02981 8 Fargion Janet T Le Guennec Coppens Francoise Mery Sophie 2002 The Music of Zenj Arab African crossovers in the music of Zanzibar Journal des Africanistes in French Paris 72 2 203 212 doi 10 3406 jafr 2002 1315 a b Swahili Taarab Music of the Indian Ocean sites google com Retrieved 2020 05 28 a b c Stone Ruth M ed 2008 The Garland Handbook of African Music New York Routledge pp 14 46 50 136 137 ISBN 9781135900014 Mohamed El Mohammady Rizk Women in Taarab The Performing Art in East Africa Frankfurt am Main Peter Lang 2007 Khamis Said A M 2005 12 07 Clash of interests and conceptualisation of taarab in East Africa Swahili Forum 12 133 159 ISSN 1614 2373 Tarab mwambao com External links editMore information on taarab Influences upon taarab and instruments in taarab Retrieved from https en wikipedia org w index php title Taarab amp oldid 1172789953, wikipedia, wiki, book, books, library,
