Túpac Amaru II

This article is about an 18th century Peruvian rebel. He is not to be confused with the Inca ruler Túpac Amaru, the contemporaneous rebel Túpac Katari from the region now called Bolivia, or the American rapper Tupac Shakur.

José Gabriel Condorcanqui (c. 1742 – May 18, 1781) – known as Túpac Amaru II  – was an indigenous Cacique who led a large Andean rebellion against the Spanish in Peru.^[4] He later became a mythical figure in the Peruvian struggle for independence and indigenous rights movement, as well as an inspiration to myriad causes in Spanish America and beyond.

Túpac Amaru II
Painting of Tupac Amaru II by an anonymous artist c. 1784-1806. Unveiled in 2015, it is the oldest image known to date of the indigenous rebel.^[1]^[2]
Born	José Gabriel Condorcanqui Noguera c. 1742^[3] Surimana-Canas, Province of Cusco, Viceroyalty of Peru
Died	May 18, 1781(1781-05-18) (aged 43) Cusco, Viceroyalty of Peru
Other names	José Gabriel Túpac Amaru, José Gabriel Condorcanqui

Early life

Túpac Amaru II was born José Gabriel Condorcanqui Noguera about the year 1742^[3] in Surimana, Tungasuca, in the province of Cusco, to Miguel Condorcanqui Usquionsa Túpac Amaru, kuraka of three towns in the Tinta district, and María Rosa Noguera. On May 1, Túpac Amaru II was baptized by Santiago José Lopez in a church in Tungasuca. Prior to his father's death, Amaru II spent his childhood in the Vilcamayu Valley; he accompanied his father to community functions, such as the temple, the market, and processions.^[5] Tupac's parents died when he was twelve years old, and he was raised by an aunt and uncle. At age sixteen, he received a Jesuit education at the San Francisco de Borja School, founded to educate the sons of kurakas. The Jesuits "impressed upon him his social standing as future kuraka and someone of royal Inca blood."^[6] At age twenty-two, Túpac Amaru II married Micaela Bastidas.^[7] Shortly after his marriage, Amaru II succeeded his father as kuraka, giving him rights to land. As with his father, he was both the head of several Quechua communities and a regional merchant and muleteer, inheriting 350 mules from his father's estate. His regional trading gave him contacts in many other indigenous communities and access to information about economic conditions. His personal contacts and knowledge of the region were useful in the rebellion of 1780–81.^[8]

His status in the colonial Spanish racial hierarchy has been discussed by scholars, whether he was of "pure indigenous blood" or a mixed-race mestizo, although his mother most likely had partial Spanish ancestry. He was recognized as an elite Quechua from a kuraka family and was educated at a school in Cuzco for sons of indigenous leaders. He spoke Quechua and Spanish, and learned Latin from the Jesuits. He was upwardly socially mobile, and in Cuzco he had connections with distinguished Spanish and Spanish American (creole) residents. "The upper classes in Lima saw him as a well-educated Indian,"^[9] whatever European ancestry he might have had.

Between 1776 and 1780 Condorcanqui went into litigation with the Betancur family over the right of succession of the Marquisate of Oropesa and lost the case.^[10] In 1760, he married Micaela Bastidas Puyucahua of Afro-Peruvian and indigenous descent. Tupac Amaru II inherited the caciqueship, or hereditary chiefdom of Tungasuca and Pampamarca from his older brother, governing on behalf of the Spanish governor.

At the end of the 1770s, the trade relations between Buenos Aires and the Upper Peru ended with the commercial monopoly of Lima, which caused greater competition for the manufacturers of Cuzco. They needed to sell their merchandise in Potosí but had to compete with producers of Buenos Aires and even of Spain. On the other hand, the widespread overproduction throughout the Andes pushed prices down. Furthermore, in the years 1778 and 1779, extremely cold weather damaged crops and made travel difficult. In 1780, Túpac Amaru, who also experienced this crisis, had considerable resources but numerous debts, as well. He also witnessed the economic discomforts the others were going through, from merchants who were on the brink of bankruptcy to communities that could not afford the growing tribute.^[11][12]

Condorcanqui lived the typical situation of the kurakas (tribal chiefs): he had to mediate between the local commander and the indigenous people in his charge. However, he was affected, like the rest of the population, due to the establishment of customs and the rise of the alcabalas (taxes). He voiced his objection against these issues. He also demanded that the indigenous people be freed from compulsory work in the mines. claims directed through the regular channels to the colonial authorities in Tinta, Cusco and later in Lima, obtaining negatives or indifference.

In addition, he adopted the name of Túpac Amaru II, in honor of his ancestor Túpac Amaru I, the last Sapa Inca of the Neo-Inca State, seeking to be recognized for his royal Inca lineage. For this reason, a judicial process followed for years in the Audiencia of Lima, which was finally rejected.

 

Current monument in Cusco, in homage to José Gabriel Túpac Amaru, in the square of the same name

The Corregidores and the exploitation of the natives

Although the Spanish trusteeship labor system, or encomienda, had been abolished in 1720, a seventh of the population living in native communities (pueblos de indios) as well as permanent indigenous workers at the time living in the Andean region of what is now Ecuador and Bolivia, who made up nine tenths of the population, were still pushed into forced labor for what were legally labeled as public work projects.^[13][14] This shift from the encomienda to the state sponsored and controlled draft labor system consolidated the indigenous labor force in the hands of the local government and not in the individual encomenderos.^[15] Most natives worked under the supervision of a master either tilling soil, mining or working in textile mills. What little wage that was acquired by workers was heavily taxed and cemented Native American indebtedness to Spanish masters. The Roman Catholic Church also had a hand in extorting these natives through collections for saints, masses for the dead, domestic and parochial work on certain days, forced gifts, etc.^[16] Those not employed in forced labor were still subject to the Spanish provincial governors, or corregidores who also heavily taxed and overpriced commodities to any free natives, similarly ensuring their financial instability.^[16][14]

In addition, the middle of the 18th century mining production intensified, putting more and more of a burden on the mita, or draft labor, system.^[14] While Potosi's mining mita had already been dangerous and labor-intensive work as well as forcing a migration by both the native worker and sometimes their families to Potosi to work, the labor became more extractive during this time, even though no new veins of ore had been discovered.^[17][14] Indeed, many future rebellious areas centered around Potosi and the mining district.^[14]

Condorcanqui's interest in the Native American cause had been spurred by the re-reading of one of the Royal Commentaries of the Incas, a romantic and heroic account of the history and culture of the ancient Incas. The book was outlawed at the time by the Lima viceroy for fear of it inspiring renewed interest in the lost Inca culture and inciting rebellion.^[18] The marquis's native pride coupled with his hate for the Spanish colonial system, caused him to sympathize and frequently petition for the improvement of native labor in the mills, farms and mines; even using his own wealth to help alleviate the taxes and burdens of the natives. After many of his requests for the alleviation of the native conditions fell on deaf ears, Condorcanqui decided to organize a rebellion. He began to stall on collecting reparto debts and tribute payments, for which the Tinta corregidor and governor Antonio de Arriaga threatened him with death. Condorcanqui changed his name to Túpac Amaru II and claimed he was descended from the last Inca ruler, Túpac Amaru.^[19]

Rebellion

 

Túpac Amaru II

The Túpac Amaru rebellion was an Inca revival movement that sought to improve the rights of indigenous Peruvians suffering under the Spanish Bourbon Reforms. The rebellion was one of many indigenous Peruvian uprisings in the latter half of the 18th century. It began with the capture and killing of the Tinta Corregidor and Governor Antonio de Arriaga on November 4, 1780, after a banquet attended by both Túpac Amaru II and Governor Arriaga. The immediate cause of the rebellion lay in grievances caused by a series of modernising reforms of the colonial administration implemented by the Bourbon monarchy in Spain under Charles III (1759–88), centralising administrative and economic control and placing heavier tax and labour burdens on both the Indian and Creole populations. The focus of discontent was the main representative of the crown in Peru, the visitador general José Antonio Areche. Ideologically, the rebellion was complex. At one level, it expressed simply a demand on the Spanish authorities for changes and reforms within the structure of colonial rule, often speaking in the name of the king himself, for example. At another, it envisioned an overthrow of European rule, and something like a restoration of the pre-conquest Inca empire, the Tahuantinsuyo. Túpac Amaru's claim to be the legitimate descendant of the Inca suggested the possibility of an aristocratic state similar to the one envisioned in the sixteenth century by the mestizo writer, Inca Garcilaso de la Vega, who saw the Incas as sharing rule with the Spanish aristocracy. But there were also strong millenarian, proto-Jacobin and even proto-communist elements in the rebellion. In the main, the soldiers of the Tupamarista armies were poor Indian peasants, artisans and women, who saw the rebellion not so much as a question of reforms or power sharing but as an opportunity to ‘turn the world upside down’. The restoration of the Inca Empire meant for them the possibility of an egalitarian society, based economically on the Inca communal agricultural system, the ayllu, and one without castas (racial divisions), rich and poor, or forced labour in haciendas, mines and factories, particularly the dreaded textile mills.”^[20]

When Arriaga left the party drunk, Túpac Amaru II and several of his allies captured him and forced him to write letters to a large number of Spaniards and kurakas. When about 200 of them gathered within the next few days, Túpac Amaru II surrounded them with approximately 4,000 natives. Claiming that he was acting under direct orders from the Spanish Crown, Amaru II gave Arriaga's slave Antonio Oblitas the privilege of executing his master.^[19] A platform in the middle of a local town plaza was erected, and the initial attempt at hanging the corregidor failed when the noose snapped. Arriaga then ran for his life to try to reach a nearby church, but was not quick enough to escape, and was successfully hanged on the second attempt.^[18]

After the execution of de Arriaga, Amaru II continued his insurrection. Releasing his first proclamation, Túpac Amaru II announced, "that there have been repeated outcries directed to me by the indigenous peoples of this and surrounding provinces, outcries against the abuses committed by European-born crown officials... Justified outcries that have produced no remedy from the royal courts" to all the inhabitants of the Spanish provinces. He went on in the same proclamation to state, "I have acted ... only against the mentioned abuses and to preserve the peace and well-being of Indians, mestizos, mambos, as well as native-born whites and blacks. I must now prepare for the consequences of these actions."^[21] Tupac Amaru II then went on to quickly assemble an army of 6,000 natives who had abandoned their work to join the revolt. As they marched towards Cuzco, the rebels occupied the provinces of Quispicanchis, Tinta, Cotabambas, Calca, and Chumbivilcas. The rebels looted the Spaniards' houses and killed their occupants.^[19] The movement was supremely anti-royalist since, upon arriving at a town the rebels would upturn Spanish authority.

“Women, as much as men, were affected by these injustices.”^[22] In fact, Túpac Amaru II's wife, Micaela Bastidas, commanded a battalion of insurgents and was responsible for the uprising in the San Felipe de Tungasuca region. She is also often credited to being more daring and a superior strategist, compared to Túpac Amaru II. It is told that she scolded her husband for his weakness and refusal to set up a surprise attack against the Spaniards in Cusco to catch the weakened city defenders off guard. Instead of listening to his wife, Túpac Amaru II lost precious time by encircling the country in hopes that he could gather more recruits for his army. So, by the time the insurgents had attacked the city, the Spaniards had already brought in reinforcements and were able to control and stop the uprising. This led to Túpac Amaru II, Micaela Bastidas, and several others to be captured while the rebels scattered. ^[23]

During a stage of his rebellion, Túpac Amaru II was able to convince the Quechua speakers to join him. Therefore, under his command, the Quechua speakers fought alongside him with Aymara-speaking rebels from Puno on Lake Titicaca and on the Bolivian side of the lake. Unfortunately, the alliance did not last that long and this led the Aymara leader, Túpac Katari, to lead his army alone which ultimately led to his capture in October 1781. His partner and female commander, Bartola Sisa, took control after his capture and lead an astonishing amount of 2,000 soldiers for several months. Soon after that in early 1782, the Spanish military defeated the rebels in Peru and Bolivia. According to modern sources, out of the 73 leaders, 32 were women, who were all executed privately.^[23]

On November 18, 1780, Cusco dispatched over 1,300 Spanish and Native loyalist troops. The two opposing forces clashed in the town of Sangarará. It was an absolute victory for Amaru II and his Native rebels; all 578 Spanish soldiers were killed and the rebels took possession of their weapons and supplies. The victory however, also came with a price. The battle revealed that Amaru II was unable to fully control his rebel followers, as they viciously slaughtered without direct orders. Reports of such violence and the rebels' insistence on the death of Spaniards eliminated any chances for support by the Criollo class.^[19] The victory achieved at Sangarará would be followed by a string of defeats. The gravest defeat came in Amaru II's failure to capture Cuzco, where his 40,000 – 60,000 indigenous followers were repelled by the fortified town consisting of a combined force of loyalist Native troops and reinforcements from Lima. "After being repelled from the capital of the ancient Inca empire and intellectual hub of colonial Peru"^[24] Amaru and his men marched through the countryside attempting to recruit any native to his cause, in doing so bolstering his forces. Amaru II's army was surrounded between Tinta and Sangarara and he was betrayed by two of his officers, Colonel Ventura Landaeta and Captain Francisco Cruz, which led to his capture.^[23] When his captors attempted to procure the names of his rebel accomplices from him in exchange for promises, Amaru II scornfully replied "There are no accomplices here other than you and I. You as oppressor, I as liberator, deserve to die."^[25]

 

Attempt to dismember Túpac Amaru II.

Death

Amaru II was sentenced to be executed. He was forced to watch the deaths of his wife Micaela Bastidas, his eldest son Hipólito, his uncle Francisco Tupa Amaro, his brother-in-law Antonio Bastidas, and some of his captains before his own death.

On May 18, 1781, they were taken to the Plaza de Armas in Cuzco to be executed one by one. His son Hipólito first had his tongue cut out, for having spoken against the Spanish, and then he was hanged. Micaela and José Gabriel were forced to witness the death of their son; Micaela was then made to climb to the platform. In front of her husband and her son Fernando, Micaela fought against her executioners until they finally subdued her and cut off her tongue. Her thin neck could not reach the winch, so they threw ties around her neck that pulled it from side to side to strangle her. They hit her with a club and finally killed her with kicks in the stomach and breasts.^[26]

The following is an extract from the official judicial death issued by the Spanish authorities which condemns Túpac Amaru II to torture and death. It was ordered that Túpac Amaru II be condemned to have his tongue cut out after watching the executions of his family and to have his hands and feet tied:^[27]

...to four horses who will then be driven at once toward the four corners of the plaza, pulling the arms and legs from his body. The torso will then be taken to the hill overlooking the city... where it will be burned in a bonfire... Tupac Amaru's head will be sent to Tinta to be displayed for three days in the place of public execution and then placed upon a pike at the principal entrance to the city. One of his arms will be sent to Tungasuca, where he was the cacique, and the other arm to the capital province of Carabaya, to be similarly displayed in those locations. His legs will be sent to Livitica and Santa Rosas in the provinces of Chumbivilcas and Lampa, respectively.

— Sarah C. Chambers, Latin American Independence: An Anthology of Sources

 

The Tomb of Túpac Amaru II, located in the Plaza de Armas of Cuzco.

After the failed dismemberment by the four horses, his body was quartered, and he was then beheaded on the main plaza in Cuzco, in the same place his apparent great-great-great-grandfather Túpac Amaru I had been beheaded.

His youngest son, 10-year-old Fernando, was not executed but was forced to witness the torture and death of his entire family and to pass under the gallows of those executed. He was later exiled to Africa for life imprisonment. However, the ship taking him there was capsized and he ended up in Cádiz to be imprisoned in the dungeons of the city. Viceroy Agustín de Jáuregui suggested that he should be kept in Spain, fearing that some enemy power might rescue him on the way to Africa.^[28]

Scientists who have studied this dismemberment attempt concluded that due to the physical build and resistance of Túpac Amaru II, it would not have been possible to dismember him in that way. However, his arms and legs were dislocated, as was his pelvis.^[29]

Despite the execution of Túpac Amaru II and his family, the vice regal government failed to quell the rebellion, which continued under the leadership of his cousin Diego Cristóbal Túpac Amaru at the same time that it extended through Upper Peru and the Jujuy region. Likewise, disaffection of the Spanish Crown towards the Creoles became evident, especially for the Oruro Case. The lawsuit were filed against Juan José Segovia, born in Lima, and Colonel Ignacio Flores, born in Quito, who had served as president of the Real Audiencia of Charcas and as the Governor Intendant of La Plata (Chuquisaca or Charcas, currently Sucre).^[30]

Aftermath

 

Túpac Amaru II Monument in the Comas and Independencia District, Lima.

When the revolt continued, the Spaniards executed the remainder of his family, except his 12-year-old son Fernando, who had been condemned to die with him, but was instead imprisoned in Spain for the rest of his life. It is not known if any members of the Inca royal family survived this final purge. Amaru's body parts were strewn across the towns loyal to him as ordered, his houses were demolished, their sites strewn with salt, his goods confiscated, his relatives declared infamous, and all documents relating to his descent burnt.^[31]

At the same time, on May 18, 1781, Incan clothing and cultural traditions, and self-identification as "Inca" were outlawed, along with other measures to convert the population to Spanish culture and government until Peru's independence as a republic. However, even after the death of Amaru, Native revolts still seized much of what is today southern Peru, Bolivia and Argentina, as Native revolutionaries captured Spanish towns and beheaded many inhabitants. In one instance, a Native-American army under rebel leader Túpac Katari besieged the city of La Paz for 109 days before troops sent from Buenos Aires stepped in to relieve the city.^{[citation needed]}

Diego Verdejo; Antonio Oblitas (black servant who participated in the hanging of Arriaga and possibly drew a portrait of Tupac Amaru); Micaela's brother, Antonio Bastidas; and Antonio Castelo, they were the first victims. Later, Francisco Tupac Amaru (José Gabriel's uncle), and Hipólito (eldest son of Tupac Amaru and Micaela Bastidas) were executed. Their tongues were cut out before being hanged at gallows. Soldiers forced Túpac Amaru and Micaela to watch the scene. She then was then executed by garrote, along with Tomasa Tito Condemayta, whom, sometimes was called Tupac Amaru's favorite. ^[32][33]

Consequences

Although Túpac Amaru II's rebellion was not a success, it marked the first large-scale rebellion in the Spanish colonies and inspired the revolt of many Natives and Peruvians in the surrounding area. The rebellion took on important manifestations in "Upper Peru" or what is today modern Bolivia including the region South and East of Lake Titicaca. Indeed, Túpac Amaru II inspired the indigenous peoples to such an extent that even the official document wherein he is condemned to death, it is remarked that "the Indians stood firm in the place of our gunfire, despite their enormous fear of it" and that despite being captured, his followers remained steadfast in their beliefs in his immortality and heritage.^[34]

The rebellion gave indigenous Peruvians a new state of mind, a sort of indigenous nationalism that would re-emerge and change shape over the course of the country's future. They were now willing to join forces with anyone who opposed the Spanish. As well, few Peruvians had prosperous co-owned businesses and land with the Spaniards, and as such did not want to lose those interests in the event of a revolution. While Túpac Amaru II's revolt was spawned in the Vilcanota Valley and ended in the city of Cuzco, the legacy and ideology of his revolt had echoes throughout the Andean region.

Quotations

Querrán volarlo y no podrán volarlo ("They will want to blow him up and won't be able to blow him up").
Querrán romperlo y no podrán romperlo ("They will want to break him and won't be able to break him").
Querrán matarlo y no podrán matarlo ("They will want to kill him and won't be able to kill him").
Al tercer día de los sufrimientos, cuando se creía todo consumado, gritando: ¡LIBERTAD! sobre la tierra, ha de volver. ¡Y no podrán matarlo! ("On the third day of suffering, when it was believed everything was finished, he will scream: FREEDOM! over the land must return. And they won't be able to kill him!")
— Alejandro Romualdo

Recognition

 

Effigy of Túpac Amaru II in the Panteón de los Próceres in Lima.

The fame of Túpac Amaru II spread to such an extent that for the indigenous rebels in the plains of Casanare in the New Granada region, he was recognized as "King of America".

Later movements invoked the name of Túpac Amaru II to obtain the support of the indigenous, among others, Felipe Velasco Túpac Amaru Inca or Felipe Velasco Túpac Inca Yupanqui, who wanted to rise up in Huarochirí (Lima) in 1783. The rebellion of Túpac Amaru II marked the beginning of the Peruvian War of Independence in the history of Peru.

This great rebellion produced a strong influence on the Conspiracy of the Tres Antonios which came up in Chile on January 1, 1781, at the height of the insurrection They were encouraged to act hearing the news of the advances of Túpac Amaru II in the Viceroyalty of Peru.^[35]

20th and 21st centuries

In Peru, the government of General Juan Velasco Alvarado (1968-1975) welcomed the formalized effigy of Túpac Amaru II as a symbol of the Gobierno Revolucionario de la Fuerza Armada (Revolutionary Government of the Armed Forces) that he headed, to date, the only government of leftist ideology in the history of Peru. He recognized him as a national hero. In 1968, which was a novelty since independence the symbol of Túpac Amaru II was carried by Peruvian education and official historiography.^[36] In his honor one of the main rooms of the Government Palace was named after him. That room until then was Francisco Pizarro room and that his picture was replaced by that of the indigenous rebel.^[37]

Legacy

In Peru

• During the Revolutionary Government of the Armed Forces (1968–1980), Túpac Amaru was selected by military leaders as the symbolic representation for the ideals behind the Peruvian Revolution.^[38]
• The Túpac Amaru Revolutionary Movement (MRTA) was a Peruvian Marxist-Leninist insurgent group, which became known worldwide for their involvement in the Japanese embassy hostage crisis.

In Music

• Túpac Amaru, symphonic poem by the Venezuelan composer Alfredo del Mónaco premiered in 1977, has been performed at numerous international festivals.^[39]
• Túpac Amaru, symphony No. 5 by the Peruvian composer Armando Guevara Ochoa.^[40]
• The song "Águila de thunder (part II)" from the album Kamikaze by Luis Alberto Spinetta is inspired by the figure of Túpac Amaru II.^[41]
• The French hip-hop group Canelason released a song called "Libre", which tells the story of this revolutionary and his tragic assassination.
• Polish reggae music band NDK in their song Mafija mentions Túpac Amaru II's death as an example of Catholicism's cruelty.
• Argentinian jazz musician Gato Barbieri's Fenix album begins with a song titled "Tupac Amaru".^[42]
• American rapper Tupac Amaru Shakur (born Lesane Parish Crooks) was named after him.^[43][44]
• This Is Not America (featuring Ibeyi) from Residente, mentions Tupac Amaru II stating that prior to modern rapper Tupac there was already a Tupac in America (in the context that there is not an "American country" but only an American continent)

In novels

• In the book, Inca Gold, by Clive Cussler, one of the main villains named himself Tupac Amaru and claims to be a descendant of the real Túpac Amaru.^[45]
• In the beginning of the book, The Book of Human Skin, Túpac Amaru II's death is described, and a book said to be a bound in his skin plays a major role in the plot.^[46]
• In the book, Túpac Amaru, by Ramón J. Sender, we can known the inner life and thoughts of Túpac before his spanish uprising fight.

Around the world

• The Tupamaros (also known as the National Liberation Movement), was the informal name of an urban guerilla that was active in the 1960s and early 1970s in Uruguay. The name was also direct influence of Túpac Amaru II and its ideals.^[47]

• The Venezuelan Marxist political party Tupamaro.

• Operation Tupac was launched by Pakistan against Indian-administered Kashmir.^[48]

• Chilean poet Pablo Neruda wrote a poem about Túpac Amaru II, titled "Tupac Amaru (1781)". The poem can be found in the Canto General.^[49]

See also

•  Peru portal
•  History portal
•  Biography portal

• Túpac Katari
• Mateo Pumacahua

References

1. "Minuciosos documentos del Virreinato nunca antes vistos". Ámbito Financiero (in Spanish). Buenos Aires. December 1, 2015. Retrieved August 27, 2022.
2. Vanegas Carrasco, Carolina (2016). "Reseña libro: Un viajero virreinal. Acuarelas inéditas de la sociedad rioplatense". Tarea (in Spanish). Buenos Aires: Instituto de Investigaciones sobre el Patrimonio Cultural. National University of General San Martín (3): 269–273. ISSN 2469-0422. Retrieved August 27, 2022.
3. Means, Philip Ainsworth (1919). "The Rebellion of Tupac-Amaru II, 1780-1781". The Hispanic American Historical Review. 2 (1): 1–25. doi:10.2307/2505747. JSTOR 2505747. 
4. Kendall W. Brown, "Túpac Amaru (José Gabriel Condorcanqui)" in Encyclopedia of Latin American History and Culture, vol. 5, p. 279. New York: Charles Scribner's Sons 1996.
5. Busto Duthurburu, José Antonio del (1981). José Gabriel Túpac Amaru antes de su rebelión. Lima: Pontificia Universidad Catolica del Peru: Fondo Editorial.
6. Charles F. Walker, The Tupac Amaru Rebellion. Cambridge MA: The Belknap Press of Harvard University Press 2014, p. 18.
7. Means, Philip Ainsworth (1919). he rebellion of Tupac-Amaru II, 1780-1781. United States: Board of Editors of the Hispanic American Review.
8. Walker, The Tupac Amaru Rebellion, p. 19.
9. Walker, The Tupac Amaru Rebellion, p. 20.
10. First among Incas: The Marquesado de Oropesa Litigation (1741–1780) en route to the Great Rebellion, David Cahill
11. Cervantes, Biblioteca Virtual Miguel de. "Relación histórica de los sucesos de la rebelión de José Gabriel Tupac-Amaru, en las provincias del Perú, el año de 1780". Biblioteca Virtual Miguel de Cervantes (in Spanish). Retrieved January 8, 2021.
12. "Especial por Fiestas Patrias: Túpac Amaru II: símbolo en la lucha por la Independencia del Perú". Municipalidad de Miraflores (in Spanish). July 26, 2020. Retrieved January 8, 2021.
13. John Crow, The Epic of Latin America (California: University of California Press Berkeley), p. 404
14. Serulnikov, Sergio (September 20, 2013). Revolution in the Andes : the age of Túpac Amaru. Durham. ISBN 978-0-8223-7830-3. OCLC 857276775.
15. Bakewell, Peter (December 6, 1984), Bethell, Leslie (ed.), "Mining in colonial Spanish America", The Cambridge History of Latin America (1 ed.), Cambridge University Press, pp. 105–152, doi:10.1017/chol9780521245166.005, ISBN 978-1-139-05517-8, retrieved December 8, 2020
16. John Crow, The Epic of Latin America, p. 405
17. Montero, Raquel Gil (December 2011). "Free and Unfree Labour in the Colonial Andes in the Sixteenth and Seventeenth Centuries". International Review of Social History. 56 (S19): 297–318. doi:10.1017/S0020859011000472. ISSN 1469-512X.
18. John Crow, The Epic of Latin America ( California: University of California Press Berkeley), p. 406
19. Native Insurgencies and the Genocidal Impulse in the Americas, Nicholas A. Robins
20. The Epic of Latin America, Fourth Edition, John A. Crow
21. Sarah C. Chambers; John Charles Chasteen (2010). Latin American Independence: An Anthology of Sources. Indianapolis: Hackett Publishing Company, Inc. pp. 33, 34. ISBN 9780872208636.
22. Sonya Lipsett-Rivera, "Gender from 1750 to World War I: Latin America and the Caribbean," in T. Meade and M. Wiesner-Hanks (Eds.) A Companion to Gender History (Oxford: Blackwell,2006), p.481
23. Meade, Teresa A. A History of Modern Latin America: 1800 to the Present. John Wiley & Sons, Inc., 2016.
24. Meade, Teresa A. 2010. A history of modern Latin America: 1800 to the present. Chichester, West Sussex, U.K.: Wiley-Blackwell)(39)
25. Daniel Valcarcel. La rebellion de Tupac Amaru (Mexico, 1947)
26. "DE MICAELA BASTIDAS A MAGDA PORTAL: RECUPERACIONES CRÍTICO-LITERARIAS DE LAS INDEPENDENTISTAS DEL PERÚ" (PDF).{{cite web}}: CS1 maint: url-status (link)
27. Sarah C. Chambers; John Charles Chasteen (2010). Latin American Independence: An Anthology of Sources. Indianapolis: Hackett Publishing Company, Inc. pp. 36, 37. ISBN 9780872208636.
28. Mal, Gata; ra (February 25, 2015). "Execution of Tupac Amaru". I Am Hip-Hop Magazine. Retrieved February 12, 2021.
29. "The Rebellion of Tupac Amaru II: From Personal Interests to a Continental Anti-Colonial Movement – StMU History Media". Retrieved October 13, 2022.
30. McFARLANE, Anthony (1995). "Rebellions in Late Colonial Spanish America: a Comparative Perspective". Bulletin of Latin American Research. 14 (3): 313–338. doi:10.1111/j.1470-9856.1995.tb00013.x. ISSN 1470-9856.
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Further reading

• Brown, Kendall W. "Túpac Amaru (José Gabriel Condorcanqui)" in Encyclopedia of Latin American History and Culture, vol. 5, pp. 279–280.
• Fisher, Lillian Estelle, The Last Inca Revolt, 1780-1783 (1966)
• Robins, Nicholas A. Native Insurgencies and the Genocidal Impulse in the Americas
• Charles F. Walker: The Tupac Amaru Rebellion. The Belknap Press of Harvard University Press, 2014. ISBN 978-0-674-05825-5 (Print); ISBN 978-0-674-41637-6 (eBook)
• Pugh, Helen 'Andean Storm' (2020) ISBN 9781005701161
• Means, Philip A. "The Rebellion of Tupac-Amaru II, 1780-1781." The Hispanic American Historical Review 2.1 (1919): 1-25

External links

•   Media related to Túpac Amaru II at Wikimedia Commons
• "BookRags Biography on José Gabriel Túpac Amaru." 1 January 2006.
• Orders for execution of Túpac Amaru II, 1781, by magistrate José Antonio de Areche.
• “The Political Force of Images,” Vistas: Visual Culture in Spanish America, 1520-1820.