Suzanne Mallouk
Suzanne Mallouk (born September 10, 1960) is a Canadian-born painter, psychiatrist, and psychoanalyst based in New York City. She is best known for being amongst a core of East Village creatives in the 1980s and for her relationship with artist Jean-Michel Basquiat, both of which are chronicled by her friend Jennifer Clement in Widow Basquiat: A Memoir. In 2015, Vogue magazine listed Basquiat and Mallouk among "The 21 Most Stylish Art World Couples of All Time."[1]
Suzanne Mallouk | |
|---|---|
| Born | September 10, 1960 Orangeville, Ontario, Canada |
| Education | Hunter College St. George's University School of Medicine William Alanson White Institute |
| Occupation(s) | Psychiatrist Psychoanalyst Painter |
Mallouk was involved in the pursuit of justice for the death of Michael Stewart, a victim of police brutality in 1983. In 1985, Mallouk had a one-woman show at the Vox Populi Gallery in the East Village. She also had a brief music career as singer and songwriter performing under the stage name Ruby Desire. From 1990 to 2005, she pursued her education and became a Doctor of Medicine with a specialty in psychiatry.
Life and career
Mallouk was born in Orangeville, Ontario, Canada on September 10, 1960. Her Palestinian father and her British mother, a naval officer, met and married in Beirut, Lebanon before moving to Canada.[2] As a teenager, she became involved with the 1970s Punk movement and was particularly taken with Iggy Pop and was inspired by the book Rene Ricard: 1979–1980, and for those reasons she chose to move to New York City to become an artist, after attending art school at H.B. Beal in London, Ontario.[3][4]
Mallouk arrived in Manhattan on Valentine's Day in 1980 and spent the night at the Seville Hotel before relocating to the Martha Washington Hotel.[5] Upon her arrival, Mallouk developed an anonymous telephone relationship with poet Rene Ricard, whose number she found in the phone book.[6] Mallouk worked as a waitress at Max's Kansas City, then a cigarette girl at the Ritz.[7]
While bartending at Night Birds bar in the East Village, she met Jean-Michel Basquiat.[8] From 1981 to 1983, they had an on-again, off-again relationship and remained friends until his death in 1988.[8][9] In 1981, Basquiat moved into her apartment and she supported him financially while he focused on painting.[10] Basquiat and Mallouk moved into a loft provided by gallerist Annina Nosei in SoHo in 1982.[8] She witnessed his transition from a penniless artist to become a millionaire.[8] Basquiat referred to her as "Venus" in his paintings as seen in A Panel of Experts (1982), which depicts a fight between Mallouk and Madonna, his girlfriend at the time.[11] She is also mentioned as "Venus" in the drawing Cheese Popcorn (1982).[12] Mallouk is depicted in the drawings Self Portrait with Suzanne (1982) and Big Shoes (1983).[13]
Mallouk was dating aspiring artist and model Michael Stewart at the time of his death from police brutality in 1983.[10][14][15] Stewart had been detained by the New York City Transit Police for writing graffiti in the subway and was brought to Bellevue Hospital battered.[16][17] Mallouk went to the hospital with Stewart's family; she took photos of him as he lay in a coma and gave them to the press.[18] Stewart died from his injuries on September 28, 1983, thirteen days after his arrest at the age of 25.[19] Mallouk helped organize the Michael Stewart Justice Committee. "I hired his legal team, raising money from the arts community," she said.[20] "I went to every gallery that was showing graffiti art and asked for donations. I also got a large donation from Keith Haring, who gave the money from a sale of one of his paintings. Madonna did a show at Danceteria and also donated all the proceeds."[20] The officers arrested in connection to Stewart's death were acquitted of all charges in November 1985.[19]
Mallouk worked for designer Maripol at Fiorucci.[21] She posed for the Italian painter Francesco Clemente, and three of the paintings were shown at Galerie Bruno Bischofberger in Zurich for Collaborations: Basquiat, Clemente, Warhol in 1984.[22][23] She was also photographed by Andy Warhol and these photographs are in the Andy Warhol Museum Archive. From February 9 – March 7, 1985, Mallouk had a solo exhibition at Colin de Land's Vox Populi Gallery on East 6th Street in the East Village.[24][25] Later that year, she participated in the 92nd Street Y's "Artists' Hospitality Tour," where she discussed the development of her work with tourists in her studio.[26] Her work is now held in private collections internationally and at the Nakamura Keith Haring Collection in Hokuto, Japan.[27]
In the late 1980s, Mallouk performed under the name Ruby Desire at nightclubs such as Area, Madam Rosa's, and Palladium.[6] She was signed to Les Disques Du Crépuscule and released a cover of Donna Summer's "Bad Girls" in 1987.[28] Mallouk co-wrote the song "Like This Like That" by Madagascar, which was released on Capitol Records in 1988. With Capitol records, she toured Europe as the song climbed the British dance charts. After the tour, she decided to leave the music business, to go to school, as she worked as a bartender as the Tunnel nightclub.[29]
The death of Basquiat in August 1988 and the AIDS epidemic were catalysts for Mallouk to leave the East Village.[30] She went on to receive a bachelor's degree in psychology and chemistry from Hunter College in New York.[31] In 2001, she graduated from St. George's University School of Medicine in Grenada, British West Indies.[32] She completed her internship in internal medicine and residency in general psychiatry at Beth Israel Medical Center. She is a diplomat of the American Board of Psychiatry and Neurology and she became a member of the American Psychoanalytic Association, after completing psychoanalytic training at the William Alanson White Institute in New York City. Mallouk continues to paint, and has a private practice in New York City as a psychiatrist and psychoanalyst.[33]
Claire Forlani as Gina Cardinale in the Julian Schnabel film Basquiat (1996) is a composite of Basquiat's girlfriends, including Mallouk.[34]
Widow Basquiat
In 2000, Mallouk's close friend Jennifer Clement published Widow Basquiat: A Memoir, a poetic memoir about Mallouk's relationship with Basquiat—told from Mallouk's perspective.[6][4] The book was "inspired by" Mallouk's own writings and stories.[35] "Widow Basquiat" was a nickname Rene Ricard gave to Mallouk years before Basquiat's death.[30] The first American edition was released as Widow Basquiat: A Love Story in 2014.[36]
Discography
- 1987: Ruby Desire – "Bad Girls" (Interior Music IM002)
- 1989: Madagascar – "Like This Like That" from the compilation Black Havana (Capitol CDP 7 90923 2) (credited as Desire)
Filmography
- 1984: Who Killed Michael Stewart?
- 2010: Jean-Michel Basquiat: The Radiant Child
- 2010: Basquiat, Une Vie
- 2011: Gray: Live at the New Museum
- 2017: Basquiat: Rage to Riches
References
- ^ Borrelli-Persson, Laird (May 15, 2015). "The 21 Most Stylish Art World Couples of All Time: From Frida and Diego to Basquiat and Suzanne Mallouk". Vogue. Retrieved 2021-01-19.
{{cite web}}: CS1 maint: url-status (link) - ^ Clement 2014, p. 8
- ^ Clement 2014, p. 19
- ^ a b Reynolds, Mark (February 23, 2015). "The Woman Who Had the Front-Row Seat to the Height of Basquiat's Career". Pop Matters. Retrieved 2021-01-02.
Originally published in England in 2000, Widow Basquiat begins as the life story of Canadian-born Suzanne Mallouk. Her mother was a nursery school teacher who took in troubled children and draft dodgers. Her father was a self-made man who beat Suzanne and her siblings. At some point, she became enamored of Iggy Pop, and for that reason chose New York as the place she bolted to in 1980 once she decided to leave home.
{{cite news}}: CS1 maint: url-status (link) - ^ Clement 2014, p. 21
- ^ a b c Lewis, Miles Marshall (July 17, 2001). "Portrait of the Artist's Girlfriend". The Village Voice. Retrieved 2021-01-01.
Both Jean-Michel and Suzanne left home at 15.
{{cite news}}: CS1 maint: url-status (link) - ^ Clement 2014, p. 24
- ^ a b c d "The Jean-Michel Basquiat I knew…". the Guardian. September 3, 2017. Retrieved 2020-12-31.
{{cite web}}: CS1 maint: url-status (link) - ^ "Opinion | The Sale of a Basquiat". The New York Times. May 19, 2017. ISSN 0362-4331. Retrieved 2020-12-31.
{{cite news}}: CS1 maint: url-status (link) - ^ a b Haden-Guest, Anthony (November 1988). "Burning Out". Vanity Fair. Retrieved 2020-12-31.
{{cite magazine}}: CS1 maint: url-status (link) - ^ Clement 2014, p. 106
- ^ "Spotlight: Jean-Michel in Black and White". Gagosian Quarterly. 2019-01-25. Retrieved 2021-01-20.
- ^ Hoban, Phoebe (1998). Basquiat: A Quick Killing in Art. New York: Viking. p. 338. ISBN 978-0-670-85477-6.
- ^ McClinton, Dream (June 28, 2019). "Defacement: the tragic story of Basquiat's most personal painting". The Guardian. Retrieved 2021-01-19.
{{cite web}}: CS1 maint: url-status (link) - ^ Fretz, Eric (2010). Jean-Michel Basquiat: A Biography. ABC-CLIO. p. 112. ISBN 978-0-313-38056-3.
- ^ Nielson, Erik (September 16, 2013). "'It Could Have Been Me': The 1983 Death Of A NYC Graffiti Artist". NPR.org. Retrieved 2021-01-01.
{{cite web}}: CS1 maint: url-status (link) - ^ Roberts, Sam (September 29, 1983). "Death Stirs Police Brutality Charges". The New York Times. ISSN 0362-4331. Retrieved 2021-01-18.
{{cite news}}: CS1 maint: url-status (link) - ^ (Clement 2014, p. 118)
- ^ a b "The Case of Michael Stewart, the New York Artist Some Say Was Sentenced to Death for Drawing on Subway Tile". Inside Edition. December 19, 2020. Retrieved 2021-01-01.
{{cite web}}: CS1 maint: url-status (link) - ^ a b Barker, Matt (July 15, 2019). "The brutal death that politicised New York's art world". BBC. Retrieved 2020-12-31.
{{cite web}}: CS1 maint: url-status (link) - ^ Clement 2014, p. 117
- ^ Clemente 2014, p. 146
- ^ Willett, Edward (2010). Andy Warhol: Everyone Will be Famous for 15 Minutes. Enslow Publishing, LLC. p. 143. ISBN 978-0-7660-3385-6.
- ^ Raynor, Vivien; Grundberg, Andy (February 15, 1985). "The Downtown Scene: A Aample of What's New and Still Fresh South of 14th Street". The New York Times. ISSN 0362-4331. Retrieved 2021-01-18.
{{cite news}}: CS1 maint: url-status (link) - ^ "Vox Populi, Suzanne Mallouk, Folded Card, 1985". Gallery 98. 2018-05-16. Retrieved 2021-01-01.
{{cite web}}: CS1 maint: url-status (link) - ^ Bennetts, Leslie (September 27, 1985). "Weekend Guide". The New York Times. ISSN 0362-4331. Retrieved 2021-01-18.
{{cite news}}: CS1 maint: url-status (link) - ^ "スザンヌ・マルーク Suzanne Mallouk 作品展示 ｜ お知らせ/イベント ｜ 小淵沢アート＆ウェルネス" (in Japanese). Retrieved 2021-01-19.
{{cite web}}: CS1 maint: url-status (link) - ^ Clement 2014, p. 166
- ^ Clement 2014, p. 174
- ^ a b Clement, Jennifer (2014). Widow Basquiat: a love story (First American ed.). New York: Broadway Books. ISBN 978-0-553-41991-7. OCLC 881824199.
- ^ "The Mudd Club Reunion: Suzanne Mallouk and Rodrigo Salomon". Robert Carrithers. Retrieved 2021-01-01.
- ^ "Dr. Suzanne Mallouk, MD | New York, NY | Healthgrades". www.healthgrades.com. Retrieved 2021-01-01.
- ^ Clement 2014, p. 179
- ^ Berger, Doris (2014). Projected Art History: Biopics, Celebrity Culture, and the Popularizing of American Art. Bloomsbury Publishing USA. p. 285. ISBN 978-1-62356-032-4.
- ^ Walker, Rebecca (February 9, 2014). "From Muse To Outcast, A Woman Comes Of Age In 'Widow Basquiat'". National Public Radio. Retrieved 2021-01-01.
She chronicles her close friend Suzanne Mallouk's love affair with Basquiat in elegant, spare, riveting prose, and constructs a textured narrative Mallouk describes as "inspired by" her own writings and stories. Drawing from Mallouk's memories Clement takes us from innocent crush to live-in-lover, from muse and confidant to outcast: collateral damage of Basquiat's drug habit and suffocating paranoia.
{{cite news}}: CS1 maint: url-status (link) - ^ "What It Was Like to Be Basquiat's Lover". Vulture. December 15, 2014. Retrieved 2021-01-22.
{{cite web}}: CS1 maint: url-status (link)