The Song of the Yue Boatman (Chinese: 越人歌; pinyin: Yuèrén Gē; lit. 'Song of the man of Yue') is a short song in an unknown language of southern China said to have been recorded around 528 BC. A transcription using Chinese characters, together with a Chinese version, is preserved in the Garden of Stories compiled by Liu Xiang five centuries later.[1]
The song appears in a story within a story in the Shànshuō (善說) chapter of the Garden of Stories. A minister of the state of Chu, who is infatuated with an attractive nobleman, the Lord of Xiangcheng, relates to him an incident in which the 6th-century BC prince Zixi (子晳), the Lord of È (鄂), on an excursion on his state barge, was intrigued by the singing of his Yue boatman,[a] and asked for an interpreter to translate it.[3][4] It was a song of praise of the rural life, expressing the boatman's secret pleasure at knowing the prince:[1]
There are trees on the mountains and there are branches on the tree
The mountains have trees, the trees branches,
心悅君兮君不知。
I adore you, oh! you do not know.
my heart has spoken to my lord, my lord does not understand.
On hearing this, the prince embraced the boatman and covered him with his embroidered coverlet.[3] The minister/narrator goes on to remark: "Zixi, Duke of E, was a brother of the Chu king by the same mother, his administrative position was that of prime minister, his peerage was that of a prince, yet a Yue boatman was able to enjoy intercourse with him to his satisfaction".[4] Thus, the minister convinces Lord of Xiangcheng to let him hold his hand, which he had previously refused upon noticing the minister's feelings.
The story became an emblem of same-sex love in imperial China.[4] For example, it was included in the chapter on love between men in Feng Menglong's anthology Qing Shi (情史, 'History of Love', c. 1628–1630).[8]
The words of the original song were transcribed in 32 Chinese characters, each representing the sound of a foreign syllable:[1]
濫兮抃草濫予昌枑澤予昌州州𩜱州焉乎秦胥胥縵予乎昭澶秦踰滲惿隨河湖
As with the similarly recorded Pai-lang songs, interpretation is complicated by uncertainty about the sounds of Old Chinese represented by the characters.[9] In 1981, the linguist Wei Qingwen proposed an interpretation by comparing the words of the song with several Tai languages, particularly Zhuang varieties spoken today in Guangxi province.[1] Building on Wei's work, Zhengzhang Shangfang produced a version in written Thai (dating from the late 13th century) as the closest available approximation to the original language, using his own reconstruction of Old Chinese.[1][9] Both Wei's and Zhengzhang's interpretations correspond loosely to the original 54-character Chinese rendition, and lack counterparts of the third and ninth lines of the Chinese version. Zhengzhang suggests that these lines were added during the composition of the Chinese version to fit the Chu Ci poetic style.[1] Zhengzhang's interpretation remains controversial, both because of the gap of nearly two millennia between the date of the song and written Thai and because Thai belongs to the more geographically distant Southwestern Tai languages.[10]
Qin Xiaohang has argued that although the transcription does not represent a true writing system for the non-Chinese language, such transcription practice formed the basis of the later development of the Sawndip script for Zhuang.[11]
Notes
^At that time, "Yue" referred to non-Chinese peoples in the area south of the Yangtze River.[2]
^ abcdefZhengzhang, Shangfang (1991). "Decipherment of Yue-Ren-Ge (Song of the Yue boatman)". Cahiers de Linguistique Asie Orientale. 20 (2): 159–168. doi:10.3406/clao.1991.1345.
^Meacham, William (1996). "Defining the Hundred Yue". Bulletin of the Indo-Pacific Prehistory Association. 15: 93–100. doi:10.7152/bippa.v15i0.11537.
^ abHawkes, David (1989). Classical, Modern, and Humane: Essays in Chinese Literature. Chinese University Press. p. 94. ISBN978-962-201-354-4.
^ abcStevenson, Mark; Wu, Cuncun, eds. (2013). Homoeroticism in Imperial China. Routledge. pp. 14–15. ISBN978-0-415-55144-1.
^Shuoyuan "Shanshuo (Excellent Persuasion)". Sibu Congkan First Series version: Vol. 4, p. 22/136 of 136. Siku Quanshu version: Vol. 10-13, p. 55/158
^New Songs from the Jade Terrace "Vol. 4" p. 11/140
^Liu Xiang (author) & Henry, Eric P. (translator), (2021), Garden of Eloquence / Shuoyuan 說苑. Seattle: University of Washington Press. p. 658, n. 117
^Vitiello, Giovanni (2000). "Exemplary Sodomites: Chivalry and Love in Late Ming Culture". Nan Nü: Men, Women, and Gender in Early and Imperial China. 2 (2): 207–257. doi:10.1163/156852600750072259. p. 256.
^ abHolm, David (2013). Mapping the Old Zhuang Character Script: A Vernacular Writing System from Southern China. BRILL. pp. 784–785. ISBN978-90-04-22369-1.
^Sagart, Larent (2008). "The expansion of Setaria farmers in East Asia: a linguistic and archeological model". In Sanchez-Mazas, Alicia; Blench, Roger; Ross, Malcolm D.; Peiros, Ilia; Lin, Marie (eds.). Past human migrations in East Asia: matching archaeology, linguistics and genetics. Routledge. pp. 133–157. ISBN978-0-203-92678-9.
^Qín, Xiǎoháng 覃晓航 (2010). Fāngkuài Zhuàng zì yánjiū 方块壮字研究 [Research on Zhuang square characters]. 民族出版社. pp. 80, 81. ISBN978-7-105-11041-4.
External links
Shuoyuan 11.13, CText project.
January 04, 2023
song, boatman, chinese, 越人歌, pinyin, yuèrén, song, short, song, unknown, language, southern, china, said, have, been, recorded, around, transcription, using, chinese, characters, together, with, chinese, version, preserved, garden, stories, compiled, xiang, fi. The Song of the Yue Boatman Chinese 越人歌 pinyin Yueren Ge lit Song of the man of Yue is a short song in an unknown language of southern China said to have been recorded around 528 BC A transcription using Chinese characters together with a Chinese version is preserved in the Garden of Stories compiled by Liu Xiang five centuries later 1 Contents 1 Setting 2 Old Yue text 3 Notes 4 References 5 External linksSetting EditThe song appears in a story within a story in the Shanshuō 善說 chapter of the Garden of Stories A minister of the state of Chu who is infatuated with an attractive nobleman the Lord of Xiangcheng relates to him an incident in which the 6th century BC prince Zixi 子晳 the Lord of E 鄂 on an excursion on his state barge was intrigued by the singing of his Yue boatman a and asked for an interpreter to translate it 3 4 It was a song of praise of the rural life expressing the boatman s secret pleasure at knowing the prince 1 Chinese version of the songText English translation by Zhengzhang Shangfang English translation by Stevenson and Wu今夕何夕兮 Oh What night is tonight What evening is this搴舟中流 b we are rowing on the river that I take a boat into the stream 今日何日兮 Oh What day is today What day is this得與王子同舟 that I get to share a boat with a prince that I share a boat with my prince 蒙羞被好兮 The prince s kindness makes me shy Shy am I for having taken to you 不訾詬恥 I take no notice of people s mocking cries I fear not the shame of denunciation 心幾頑而不絕兮 Ignorant but not uncared for My longing is intense and without let 得知王子 I made acquaintance with a prince with thoughts only for my prince 山有木兮木有枝 There are trees on the mountains and there are branches on the tree The mountains have trees the trees branches 心悅君兮君不知 I adore you oh you do not know my heart has spoken to my lord my lord does not understand On hearing this the prince embraced the boatman and covered him with his embroidered coverlet 3 The minister narrator goes on to remark Zixi Duke of E was a brother of the Chu king by the same mother his administrative position was that of prime minister his peerage was that of a prince yet a Yue boatman was able to enjoy intercourse with him to his satisfaction 4 Thus the minister convinces Lord of Xiangcheng to let him hold his hand which he had previously refused upon noticing the minister s feelings The story became an emblem of same sex love in imperial China 4 For example it was included in the chapter on love between men in Feng Menglong s anthology Qing Shi 情史 History of Love c 1628 1630 8 Old Yue text EditSee also Old Yue language The words of the original song were transcribed in 32 Chinese characters each representing the sound of a foreign syllable 1 濫兮抃草濫予昌枑澤予昌州州𩜱州焉乎秦胥胥縵予乎昭澶秦踰滲惿隨河湖 As with the similarly recorded Pai lang songs interpretation is complicated by uncertainty about the sounds of Old Chinese represented by the characters 9 In 1981 the linguist Wei Qingwen proposed an interpretation by comparing the words of the song with several Tai languages particularly Zhuang varieties spoken today in Guangxi province 1 Building on Wei s work Zhengzhang Shangfang produced a version in written Thai dating from the late 13th century as the closest available approximation to the original language using his own reconstruction of Old Chinese 1 9 Both Wei s and Zhengzhang s interpretations correspond loosely to the original 54 character Chinese rendition and lack counterparts of the third and ninth lines of the Chinese version Zhengzhang suggests that these lines were added during the composition of the Chinese version to fit the Chu Ci poetic style 1 Zhengzhang s interpretation remains controversial both because of the gap of nearly two millennia between the date of the song and written Thai and because Thai belongs to the more geographically distant Southwestern Tai languages 10 Qin Xiaohang has argued that although the transcription does not represent a true writing system for the non Chinese language such transcription practice formed the basis of the later development of the Sawndip script for Zhuang 11 Notes Edit At that time Yue referred to non Chinese peoples in the area south of the Yangtze River 2 In Shuoyuan s received text this line reads 搴中洲流 5 There are several other readings the reading 搴舟中流 is from the anthology New Songs from the Jade Terrace 6 7 References Edit a b c d e f Zhengzhang Shangfang 1991 Decipherment of Yue Ren Ge Song of the Yue boatman Cahiers de Linguistique Asie Orientale 20 2 159 168 doi 10 3406 clao 1991 1345 Meacham William 1996 Defining the Hundred Yue Bulletin of the Indo Pacific Prehistory Association 15 93 100 doi 10 7152 bippa v15i0 11537 a b Hawkes David 1989 Classical Modern and Humane Essays in Chinese Literature Chinese University Press p 94 ISBN 978 962 201 354 4 a b c Stevenson Mark Wu Cuncun eds 2013 Homoeroticism in Imperial China Routledge pp 14 15 ISBN 978 0 415 55144 1 Shuoyuan Shanshuo Excellent Persuasion Sibu Congkan First Series version Vol 4 p 22 136 of 136 Siku Quanshu version Vol 10 13 p 55 158 New Songs from the Jade Terrace Vol 4 p 11 140 Liu Xiang author amp Henry Eric P translator 2021 Garden of Eloquence Shuoyuan 說苑 Seattle University of Washington Press p 658 n 117 Vitiello Giovanni 2000 Exemplary Sodomites Chivalry and Love in Late Ming Culture Nan Nu Men Women and Gender in Early and Imperial China 2 2 207 257 doi 10 1163 156852600750072259 p 256 a b Holm David 2013 Mapping the Old Zhuang Character Script A Vernacular Writing System from Southern China BRILL pp 784 785 ISBN 978 90 04 22369 1 Sagart Larent 2008 The expansion of Setaria farmers in East Asia a linguistic and archeological model In Sanchez Mazas Alicia Blench Roger Ross Malcolm D Peiros Ilia Lin Marie eds Past human migrations in East Asia matching archaeology linguistics and genetics Routledge pp 133 157 ISBN 978 0 203 92678 9 Qin Xiǎohang 覃晓航 2010 Fangkuai Zhuang zi yanjiu方块壮字研究 Research on Zhuang square characters 民族出版社 pp 80 81 ISBN 978 7 105 11041 4 External links EditShuoyuan 11 13 CText project Retrieved from https en wikipedia org w index php title Song of the Yue Boatman amp oldid 1128778848, wikipedia, wiki, book, books, library,
