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Shin Sang-ok

January 01, 1970

In this Korean name, the family name is Shin.

Shin Sang-ok (Korean: 신상옥; born Shin Tae-seo; October 11, 1926 – April 11, 2006) was a South Korean filmmaker with more than 100 producer and 70 director credits to his name. His best-known films were made in the 1950s and 60s, many of them collaborations with his wife Choi Eun-hee, when he was known as "The Prince of South Korean Cinema". He received posthumously the Gold Crown Cultural Medal, the country's top honor for an artist.

Shin Sang-ok
신상옥
Sang-ok in 1978
Born
Shin Tae-seo

(1926-10-11)October 11, 1926
Seishin, Chōsen (now Chongjin, North Hamgyong Province, North Korea)
DiedApril 11, 2006(2006-04-11) (aged 79)
Seoul, South Korea
Other namesSimon Sheen
Occupation(s)Film director, producer
Years active1952–2002
SpouseChoi Eun-hee (divorced 1976, remarried 1983)
Korean name
Hangul
신상옥
Hanja
申相玉
Revised RomanizationShin Sangok
McCune–ReischauerShin Sangok

In 1978, Shin and Choi were kidnapped by North Korean leader Kim Jong-il for the purpose of producing critically acclaimed films. The two remained in captivity for 8 years until 1986, when they escaped and sought asylum in the United States. Shin continued to produce and direct films in America, now under the pseudonym "Simon Sheen", before eventually returning to South Korea for his final years.

Early life edit

The son of a prominent doctor of Korean medicine, Shin was born Shin Tae-seo (Korean: 신태서) in Chongjin, in the northeastern part of the Korean Peninsula, at the time occupied by Japan and currently a part of North Korea. Shin studied in Japan at Tokyo Fine Arts School, the predecessor of Tokyo National University of Fine Arts and Music, before returning to Korea three years later.[1][2]

Shin started his film career as an assistant production designer on Choi In-kyu's Viva Freedom!, the first Korean film made after the country achieved independence from Japan. During the "Golden Age" of South Korean cinema in the late 1950s and 1960s, Shin worked prolifically, often directing two or more films per year, earning the nickname the "Prince of South Korean Cinema".[3] Shin featured the Western princess, female sex workers for American soldiers, in The Evil Night (1952) and A Flower in Hell (1958).[4] The production company he started, Shin Films, produced around 300 films during the 1960s,[2] including Prince Yeonsan (1961), the winner of the Best Film prize at the first Grand Bell Awards ceremony and a Grand Bell Award-winning 1964 remake of Na Woon-gyu's 1926 Beongeoli Sam-ryong.

During the 1970s, Shin became less active, while South Korea's cinema industry in general suffered under strict censorship and constant government interference. Most of the films he directed during this period ended up being flops.[2] After Shin ran afoul of the repressive government in 1978, General Park Chung Hee closed Shin's studio.[citation needed]

North Korean period (1978–1986) edit

Further information: Abduction of Shin Sang-ok and Choi Eun-hee

In 1978, Shin's former wife, Choi Eun-hee, an actress who starred in many of his films, was kidnapped in Hong Kong and taken to North Korea. Shin himself came under suspicion of causing her disappearance and when he traveled to Hong Kong to investigate, he was kidnapped as well. The kidnappings were on orders of future leader Kim Jong-il, who wanted to establish a film industry for his country to sway international opinion regarding the views of the Workers' Party of Korea.[5][6] The North Korean authorities have denied the kidnapping accusations, claiming that Shin came to the country willingly. Shin and Choi made secret audiotapes of conversations with Kim Jong-il, which supported their story.[6][7][8][9]

Shin was put in comfortable accommodation, but after two escape attempts was placed in a prison for over two years. Once his re-education in North Korean ideology was thought complete, he was taken to Pyongyang in 1983 to meet Kim Jong-il and learn why he had been abducted to North Korea.[6] His ex-wife was brought to the same dinner party, where she first learned that Shin was also in North Korea. They remarried shortly afterwards, as suggested by Kim Jong-il.[8][10]

From 1983 on, Shin directed seven films, with Kim Jong-il acting as an executive producer. The last and best-known of these films is Pulgasari, a giant-monster film similar to the Japanese Godzilla. In 1986, eight years after his kidnapping, Shin and his wife escaped while in Vienna for a film festival.[6] They managed to obtain political asylum from the US embassy in Vienna and Kim Jong-il became convinced that the couple had been kidnapped by the Americans. Shin and his wife lived covertly for two years in Reston, Virginia, under American protection and authorities debriefed the couple about Kim Jong-il and their experience in North Korea.[7][8][9]

Later career (1986–2006) edit

Shin and his wife moved to Los Angeles, where he worked in the 1990s under the pseudonym Simon Sheen, directing 3 Ninjas Knuckle Up and working as an executive producer for 3 Ninjas Kick Back and 3 Ninjas: High Noon at Mega Mountain.

At first, Shin was reluctant to go back to South Korea, because he feared that the government's security police would not believe the kidnapping story; he eventually returned to South Korea permanently in 1994 and continued to work on new movies. The same year, he was invited to the Cannes Film Festival as a jury member. His last movie as a director was an unreleased 2002 film called Kyeoul-iyagi (The Story of Winter).

In 2004, Shin underwent a liver transplant. He died of complications caused by hepatitis two years later. At the time of his death he was planning a musical about Genghis Khan. South Korean President Roh Moo-hyun posthumously awarded Shin the Gold Crown Cultural Medal on April 12, 2006, the country's top honor for an artist.

In media edit

In 2015, an English language biography of his life (along with Choi Eun-hee), called A Kim Jong-Il Production: The Extraordinary True Story of a Kidnapped Filmmaker, was published by Paul Fischer.[11]

In January 2016, at the 2016 Sundance Film Festival, in the World Cinema Documentary Competition, a documentary about the North Korean ordeal, entitled The Lovers and the Despot and directed by Robert Cannan and Ross Adam, was presented.[12]

In 2017, BBC Radio 4 broadcast a drama Lights, Camera, Kidnap!, based on Shin's ordeal, written by Lucy Catherine, directed by Sasha Yevtushenko, and starring Paul Courtenay Hyu as Shin and Liz Sutherland as Choi.[13]

Works edit

Filmography edit

Partial filmography as director:

Writer edit

Bibliography edit

  • Shin Sang-ok (2007). I Was a Film (in Korean). Seoul: Random House Korea.
  • Shin Sang-ok; Choi Eun-hee (1988). Chogugŭn Chŏhanŭl Chŏmŏlli [My Motherland is Faraway] (in Korean). Vol. 2. Monterey: Pacific Artist Cooperation.
  • —; — (1988). The Kingdom of Kim Jong-il (in Korean). Tonga Il-bosa.
  • —; — (1994). Sugi: Nere Kim Jong il Ipnida [Diary: My Name is Kim Jong-il] (in Korean). Seoul: Haenglim Publisher.
  • —; — (2001). Uriŭi Talchurŭn Kkŭnaji Anatta [Our Escape has not Ended yet] (in Korean). Seoul: Wŏlgan Chosŏnsa.
  • Shin Sang-ok; Choi Eun-hee; Yi Chang-ho (2009). Yŏnghwa kamdok Sin Sang-o: kŭ ŭi sajin p'unggyŏng kŭrigo parŏn 1926-2006 영화 감독 신 상옥: 그 의 사진 풍경 그리고 발언 1926-2006 [Walks and Works of Shin Sang-ok: The Mogul of Korean Film] (in Korean). P'aju-si: Yŏrhwadang. ISBN 9788930103459.

See also edit

References edit

  1. ^ "Accounting practices blamed for slump in Japanese films" by Kakumi Kobayashi, Japan Times, October 13, 2000, retrieved January 26, 2006
  2. ^ a b c Biography at asianfilms.org 2006-02-10 at the Wayback Machine
  3. ^ "Pleasure and Pain" 2008-02-13 at the Wayback Machine by Chuck Stephens, The Village Voice, February 27 – March 5, 2002
  4. ^ Cho, Inēs (2002-01-18). . Joongang Daily. Archived from the original on 2013-06-19. Retrieved 2013-04-12.{{cite news}}: CS1 maint: unfit URL (link)
  5. ^ "Same Bed, Different Dreams". This American Life. 2015-05-02. Retrieved 2015-05-01.
  6. ^ a b c d "The producer from hell" by John Gorenfeld, The Guardian, April 4, 2003, retrieved January 26, 2006
  7. ^ a b Sebag-Montefiore, Clarissa (Jan 28, 2015). "The Day North Korea Really Did Steal the Show - The Book 'A Kim Jong-Il Production' Explores a Bizarre Case in Cinema History". The Wall Street Journal. New York. from the original on January 29, 2015. Retrieved Aug 27, 2015.
  8. ^ a b c Fischer 2015.
  9. ^ a b Kirby, Michael Donald; Biserko, Sonja; Darusman, Marzuki (7 February 2014). "Report of the detailed findings of the commission of inquiry on human rights in the Democratic People's Republic of Korea - A/HRC/25/CRP.1". United Nations Human Rights Council: 288–289 (Paragraph 905). from the original on February 27, 2014. In 1978, South Korean Actress Ms Choi Un-hee was abducted from Hong Kong after travelling there to meet people in the movie industry. After being forced onto a boat by DPRK agents, Ms Choi demanded an explanation from the abductors, to which they replied "Madam Choi, we are now going to the bosom of General Kim Il-sung". On her arrival in the DPRK on 22 January, she was met by Kim Jong-il who took her on a tour of Pyongyang. Upon learning of her disappearance, Ms Choi's ex-husband Shin Sang-ok, a leading filmmaker, went to Hong Kong to look for her. He was also abducted from Hong Kong by the same DPRK agent in July 1978. Kim Jong-il said to Mr Shin upon his arrival in the DPRK "I had ordered the operations group to carry out a project to bring you here as I wanted a talented director like you to be in the North." This information is consistent with the accounts from former DPRK officials who were personally involved in abductions who indicated that Kim Jong-il personally signed off on abduction orders. During their time in the DPRK, Mr Shin Sang-ok and Ms Choi Un-hee were involved in a number of DPRK-produced movies of which Kim Jong-il was the executive producer. The couple escaped into the United States Embassy while visiting a film festival in Vienna in 1986. They later settled in the United States; Mr Shin has since passed away. {{cite journal}}: Cite journal requires |journal= (help)
  10. ^ Obituary The Economist, April 27, 2006
  11. ^ Paul Fischer (2015). A Kim Jong-Il Production: The Extraordinary True Story of a Kidnapped Filmmaker. Flatiron Books. ISBN 978-1250054265. Retrieved March 9, 2015.
  12. ^ "The Lovers and the Despot: study of Kim Jong-Il's cinephilia is hard to adore" by Jordan Hoffman, The Guardian, 24 January 2016, retrieved October 22, 2016
  13. ^ Radio Drama Reviews, 2017
  14. ^ Schönherr 2011, p. 11.
  15. ^ Schönherr 2011, p. 14.
  16. ^ Lee Hyangjin (2000). Contemporary Korean Cinema: Culture, Identity and Politics. Manchester: Manchester University Press. p. 67. ISBN 978-0-7190-6008-3.
  17. ^ Schönherr 2011, p. 15.
  18. ^ Schönherr 2012, p. 81.
  19. ^ Schönherr 2011, p. 18.
  20. ^ Schönherr 2012, p. 85.
  21. ^ Fischer 2015, p. 312.

Works cited edit

  • Fischer, Paul (2015). A Kim Jong-Il Production: The Incredible True Story of North Korea and the Most Audacious Kidnapping in History. London: Penguin Books Limited. ISBN 978-0-241-96999-1.
  • Schönherr, Johannes (2011). "The North Korean Films of Shin Sang-ok" (PDF). 社会システム研究 (22). Retrieved 7 January 2018.
  • — (2012). North Korean Cinema: A History. Jefferson: McFarland. ISBN 978-0-7864-9052-3.

Further reading edit

  • Breen, Michael (2011). Kim Jong-il: North Korea's Dear Leader (2nd ed.). Hoboken: John Wiley & Sons. ISBN 9781118153796.
  • Bärtås, Magnus; Ekman, Fredrik (2015). All Monsters Must Die: An Excursion to North Korea. Toronto: House of Anansi. ISBN 978-1-77089-881-3.
  • Choi Eun-hee (2007). Ch'oe Ŭn-hŭi ŭi kobaek: yŏnghwa poda tŏ yŏnghwa kat'ŭn sam 최 은희 의 고백: 영화 보다 더 영화 같은 삶 [Confessions of Choi Eun-hee] (in Korean). Seoul: Random House Korea. ISBN 9788925513997.
  • Chung, Steven (2014). Split Screen Korea: Shin Sang-ok and Postwar Cinema. Minneapolis: University of Minnesota Press. ISBN 978-0-8166-9134-0.

External links edit

  • Gombeaud, Adrien (December 23, 2000). "A Conversation with Shin Sang-okk". www.koreanfilm.org. Retrieved 2007-05-07.
  • Shin Sang-ok at IMDb
  • The Korea Society Film Journal: Review of "Flowers of Hell" 2012-02-22 at the Wayback Machine


January 01, 1970
shin, sang, this, korean, name, family, name, shin, korean, 신상옥, born, shin, october, 1926, april, 2006, south, korean, filmmaker, with, more, than, producer, director, credits, name, best, known, films, were, made, 1950s, many, them, collaborations, with, wif. In this Korean name the family name is Shin Shin Sang ok Korean 신상옥 born Shin Tae seo October 11 1926 April 11 2006 was a South Korean filmmaker with more than 100 producer and 70 director credits to his name His best known films were made in the 1950s and 60s many of them collaborations with his wife Choi Eun hee when he was known as The Prince of South Korean Cinema He received posthumously the Gold Crown Cultural Medal the country s top honor for an artist Shin Sang ok신상옥Sang ok in 1978BornShin Tae seo 1926 10 11 October 11 1926Seishin Chōsen now Chongjin North Hamgyong Province North Korea DiedApril 11 2006 2006 04 11 aged 79 Seoul South KoreaOther namesSimon SheenOccupation s Film director producerYears active1952 2002SpouseChoi Eun hee divorced 1976 remarried 1983 Korean nameHangul신상옥Hanja申相玉Revised RomanizationShin SangokMcCune ReischauerShin Sangok In 1978 Shin and Choi were kidnapped by North Korean leader Kim Jong il for the purpose of producing critically acclaimed films The two remained in captivity for 8 years until 1986 when they escaped and sought asylum in the United States Shin continued to produce and direct films in America now under the pseudonym Simon Sheen before eventually returning to South Korea for his final years Contents 1 Early life 2 North Korean period 1978 1986 3 Later career 1986 2006 4 In media 5 Works 5 1 Filmography 5 2 Writer 5 3 Bibliography 6 See also 7 References 7 1 Works cited 8 Further reading 9 External linksEarly life editThe son of a prominent doctor of Korean medicine Shin was born Shin Tae seo Korean 신태서 in Chongjin in the northeastern part of the Korean Peninsula at the time occupied by Japan and currently a part of North Korea Shin studied in Japan at Tokyo Fine Arts School the predecessor of Tokyo National University of Fine Arts and Music before returning to Korea three years later 1 2 Shin started his film career as an assistant production designer on Choi In kyu s Viva Freedom the first Korean film made after the country achieved independence from Japan During the Golden Age of South Korean cinema in the late 1950s and 1960s Shin worked prolifically often directing two or more films per year earning the nickname the Prince of South Korean Cinema 3 Shin featured the Western princess female sex workers for American soldiers in The Evil Night 1952 and A Flower in Hell 1958 4 The production company he started Shin Films produced around 300 films during the 1960s 2 including Prince Yeonsan 1961 the winner of the Best Film prize at the first Grand Bell Awards ceremony and a Grand Bell Award winning 1964 remake of Na Woon gyu s 1926 Beongeoli Sam ryong During the 1970s Shin became less active while South Korea s cinema industry in general suffered under strict censorship and constant government interference Most of the films he directed during this period ended up being flops 2 After Shin ran afoul of the repressive government in 1978 General Park Chung Hee closed Shin s studio citation needed North Korean period 1978 1986 editFurther information Abduction of Shin Sang ok and Choi Eun hee In 1978 Shin s former wife Choi Eun hee an actress who starred in many of his films was kidnapped in Hong Kong and taken to North Korea Shin himself came under suspicion of causing her disappearance and when he traveled to Hong Kong to investigate he was kidnapped as well The kidnappings were on orders of future leader Kim Jong il who wanted to establish a film industry for his country to sway international opinion regarding the views of the Workers Party of Korea 5 6 The North Korean authorities have denied the kidnapping accusations claiming that Shin came to the country willingly Shin and Choi made secret audiotapes of conversations with Kim Jong il which supported their story 6 7 8 9 Shin was put in comfortable accommodation but after two escape attempts was placed in a prison for over two years Once his re education in North Korean ideology was thought complete he was taken to Pyongyang in 1983 to meet Kim Jong il and learn why he had been abducted to North Korea 6 His ex wife was brought to the same dinner party where she first learned that Shin was also in North Korea They remarried shortly afterwards as suggested by Kim Jong il 8 10 From 1983 on Shin directed seven films with Kim Jong il acting as an executive producer The last and best known of these films is Pulgasari a giant monster film similar to the Japanese Godzilla In 1986 eight years after his kidnapping Shin and his wife escaped while in Vienna for a film festival 6 They managed to obtain political asylum from the US embassy in Vienna and Kim Jong il became convinced that the couple had been kidnapped by the Americans Shin and his wife lived covertly for two years in Reston Virginia under American protection and authorities debriefed the couple about Kim Jong il and their experience in North Korea 7 8 9 Later career 1986 2006 editShin and his wife moved to Los Angeles where he worked in the 1990s under the pseudonym Simon Sheen directing 3 Ninjas Knuckle Up and working as an executive producer for 3 Ninjas Kick Back and 3 Ninjas High Noon at Mega Mountain At first Shin was reluctant to go back to South Korea because he feared that the government s security police would not believe the kidnapping story he eventually returned to South Korea permanently in 1994 and continued to work on new movies The same year he was invited to the Cannes Film Festival as a jury member His last movie as a director was an unreleased 2002 film called Kyeoul iyagi The Story of Winter In 2004 Shin underwent a liver transplant He died of complications caused by hepatitis two years later At the time of his death he was planning a musical about Genghis Khan South Korean President Roh Moo hyun posthumously awarded Shin the Gold Crown Cultural Medal on April 12 2006 the country s top honor for an artist In media editIn 2015 an English language biography of his life along with Choi Eun hee called A Kim Jong Il Production The Extraordinary True Story of a Kidnapped Filmmaker was published by Paul Fischer 11 In January 2016 at the 2016 Sundance Film Festival in the World Cinema Documentary Competition a documentary about the North Korean ordeal entitled The Lovers and the Despot and directed by Robert Cannan and Ross Adam was presented 12 In 2017 BBC Radio 4 broadcast a drama Lights Camera Kidnap based on Shin s ordeal written by Lucy Catherine directed by Sasha Yevtushenko and starring Paul Courtenay Hyu as Shin and Liz Sutherland as Choi 13 Works editFilmography edit Partial filmography as director A Flower in Hell 1958 To the Last Day 1960 Prince Yeonsan 1961 Seong Chun hyang 1961 The Houseguest and My Mother 1961 The Memorial Gate for Virtuous Women 1962 Rice 1963 Red Scarf 1964 Deaf Sam yong 1964 Phantom Queen 1967 Prince Daewon 1968 Ghosts of Chosun 1970 A Woman with Half Soul 1973 The Three Day Reign 1973 At 13 Years Old 1974 An Emissary of No Return 1984 14 Runaway 1984 15 Love Love My Love 1985 16 Salt 1985 17 The Tale of Shim Chong 1985 18 Pulgasari 1985 19 Breakwater 1985 20 Mayumi 1990 21 Vanished 1994 3 Ninjas Knuckle Up 1995 Writer edit Galgameth 1996 Bibliography edit Shin Sang ok 2007 I Was a Film in Korean Seoul Random House Korea Shin Sang ok Choi Eun hee 1988 Chogugŭn Chŏhanŭl Chŏmŏlli My Motherland is Faraway in Korean Vol 2 Monterey Pacific Artist Cooperation 1988 The Kingdom of Kim Jong il in Korean Tonga Il bosa 1994 Sugi Nere Kim Jong il Ipnida Diary My Name is Kim Jong il in Korean Seoul Haenglim Publisher 2001 Uriŭi Talchurŭn Kkŭnaji Anatta Our Escape has not Ended yet in Korean Seoul Wŏlgan Chosŏnsa Shin Sang ok Choi Eun hee Yi Chang ho 2009 Yŏnghwa kamdok Sin Sang o kŭ ŭi sajin p unggyŏng kŭrigo parŏn 1926 2006 영화 감독 신 상옥 그 의 사진 풍경 그리고 발언 1926 2006 Walks and Works of Shin Sang ok The Mogul of Korean Film in Korean P aju si Yŏrhwadang ISBN 9788930103459 See also editNorth Korean abductions of South KoreansReferences edit Accounting practices blamed for slump in Japanese films by Kakumi Kobayashi Japan Times October 13 2000 retrieved January 26 2006 a b c Biography at asianfilms org Archived 2006 02 10 at the Wayback Machine Pleasure and Pain Archived 2008 02 13 at the Wayback Machine by Chuck Stephens The Village Voice February 27 March 5 2002 Cho Ines 2002 01 18 The Reel Story Joongang Daily Archived from the original on 2013 06 19 Retrieved 2013 04 12 a href Template Cite news html title Template Cite news cite news a CS1 maint unfit URL link Same Bed Different Dreams This American Life 2015 05 02 Retrieved 2015 05 01 a b c d The producer from hell by John Gorenfeld The Guardian April 4 2003 retrieved January 26 2006 a b Sebag Montefiore Clarissa Jan 28 2015 The Day North Korea Really Did Steal the Show The Book A Kim Jong Il Production Explores a Bizarre Case in Cinema History The Wall Street Journal New York Archived from the original on January 29 2015 Retrieved Aug 27 2015 a b c Fischer 2015 a b Kirby Michael Donald Biserko Sonja Darusman Marzuki 7 February 2014 Report of the detailed findings of the commission of inquiry on human rights in the Democratic People s Republic of Korea A HRC 25 CRP 1 United Nations Human Rights Council 288 289 Paragraph 905 Archived from the original on February 27 2014 In 1978 South Korean Actress Ms Choi Un hee was abducted from Hong Kong after travelling there to meet people in the movie industry After being forced onto a boat by DPRK agents Ms Choi demanded an explanation from the abductors to which they replied Madam Choi we are now going to the bosom of General Kim Il sung On her arrival in the DPRK on 22 January she was met by Kim Jong il who took her on a tour of Pyongyang Upon learning of her disappearance Ms Choi s ex husband Shin Sang ok a leading filmmaker went to Hong Kong to look for her He was also abducted from Hong Kong by the same DPRK agent in July 1978 Kim Jong il said to Mr Shin upon his arrival in the DPRK I had ordered the operations group to carry out a project to bring you here as I wanted a talented director like you to be in the North This information is consistent with the accounts from former DPRK officials who were personally involved in abductions who indicated that Kim Jong il personally signed off on abduction orders During their time in the DPRK Mr Shin Sang ok and Ms Choi Un hee were involved in a number of DPRK produced movies of which Kim Jong il was the executive producer The couple escaped into the United States Embassy while visiting a film festival in Vienna in 1986 They later settled in the United States Mr Shin has since passed away a href Template Cite journal html title Template Cite journal cite journal a Cite journal requires journal help Obituary The Economist April 27 2006 Paul Fischer 2015 A Kim Jong Il Production The Extraordinary True Story of a Kidnapped Filmmaker Flatiron Books ISBN 978 1250054265 Retrieved March 9 2015 The Lovers and the Despot study of Kim Jong Il s cinephilia is hard to adore by Jordan Hoffman The Guardian 24 January 2016 retrieved October 22 2016 Radio Drama Reviews 2017 Schonherr 2011 p 11 Schonherr 2011 p 14 Lee Hyangjin 2000 Contemporary Korean Cinema Culture Identity and Politics Manchester Manchester University Press p 67 ISBN 978 0 7190 6008 3 Schonherr 2011 p 15 Schonherr 2012 p 81 Schonherr 2011 p 18 Schonherr 2012 p 85 Fischer 2015 p 312 Works cited edit Fischer Paul 2015 A Kim Jong Il Production The Incredible True Story of North Korea and the Most Audacious Kidnapping in History London Penguin Books Limited ISBN 978 0 241 96999 1 Schonherr Johannes 2011 The North Korean Films of Shin Sang ok PDF 社会システム研究 22 Retrieved 7 January 2018 2012 North Korean Cinema A History Jefferson McFarland ISBN 978 0 7864 9052 3 Further reading editBreen Michael 2011 Kim Jong il North Korea s Dear Leader 2nd ed Hoboken John Wiley amp Sons ISBN 9781118153796 Bartas Magnus Ekman Fredrik 2015 All Monsters Must Die An Excursion to North Korea Toronto House of Anansi ISBN 978 1 77089 881 3 Choi Eun hee 2007 Ch oe Ŭn hŭi ŭi kobaek yŏnghwa poda tŏ yŏnghwa kat ŭn sam 최 은희 의 고백 영화 보다 더 영화 같은 삶 Confessions of Choi Eun hee in Korean Seoul Random House Korea ISBN 9788925513997 Chung Steven 2014 Split Screen Korea Shin Sang ok and Postwar Cinema Minneapolis University of Minnesota Press ISBN 978 0 8166 9134 0 External links editGombeaud Adrien December 23 2000 A Conversation with Shin Sang okk www koreanfilm org Retrieved 2007 05 07 Shin Sang ok at IMDb The Korea Society Film Journal Review of Flowers of Hell Archived 2012 02 22 at the Wayback Machine Retrieved from https en wikipedia org w index php title Shin Sang ok amp oldid 1208553683, wikipedia, wiki, book, books, library,

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