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Shin Kyeong-nim

Shin Kyeong-nim (Korean신경림; born April 6, 1936) is a South Korean writer who is known as a "poet of the people"[1]

Shin Kyeong-nim at SIBF 2014
LanguageKorean
NationalitySouth Korean
Korean name
Hangul
신경림
Hanja
申庚林
Revised RomanizationSin Gyeongrim
McCune–ReischauerSin Kyŏngrim

Life edit

Shin Kyeong-nim was born on April 6, 1936[2] in North Chungcheong Province, South Korea. When he was young, Shin Kyong-rim frequented the people of Korea's rural villages and collected the traditional songs they sang.[3] Much of his poetry represents a modernization of things he heard then Shin Kyeong-nim graduated in English Literature from Dongguk University, from which time he strove to become a creative writer. In 1955 and 1956, he made his formal literary debut with the publication of poems "Day Moon" (Natdal), "Reeds" (Galdae) and "Statue of Stone" (Seoksang). He taught elementary school in his hometown for a period of time, before moving to Seoul to work as an editor for Hyundae munhak and Donghwa Publishers. But his strong desire to create poetry continued.[4]

Work edit

Shin, widely known as a poet of the people, has literally spent decades writing verse on basically one subject: the life and people of Korean farming villages. Although the focus of his debut works, "Reed” (Galdae) and "Graveside Epitaph” (Myobi) is not restricted to the lives of farmers, the bulk of his remaining poems do treat of that particular topic. The poems of his first collection, Farmer's Dance (Nongmu, 1975), are coherent in their depiction of the actualities of farming life but retain a certain sense of poetic lyricism that lends them a measure of grace.[1]

While Shin's poetry is largely concerned with farmers and farming villages, he makes a great deal of effort to present them in their full historical and social context. And although he does treat of trials and travails of the farmers and village people, the works are usually firmly based in sense of warm and placid emotion. Generally speaking, Shin Gyeongrim's poetry tends to display less of the pent-up anger and violent protest of the workers' poems by other poets, but it doesn't not necessarily follow that Shin's farmer poems hold no significant message. In fact, the farming villages present in most of his poems can easily be understood as symbols for the national community, and, symbols aside, the same grievances that Shin sets forth in his poetry on behalf of his farmers could easily be extended to cover the grievances of the other laboring classes as well, with little to no stretch of the imagination. Always taking the side of the poor and oppressed, Shin displays more of a solemn ideology than a refined artistry, and composes verses reminiscent of folk songs in form and in that they are readily accessible to all readers. Shin actually did borrow some technical elements from traditional Korean folk songs, such as the familiar rhythm of four beats and the patterns of repetition and refrain.[1]

Shin's various poetry collections, such as The Pass (Saejae), A Folksong Travel Diaries (Minyo Gihaeng), The South Han River (Namhangang), and The Path (Gil), further reveal his love of things Korean, and take as their subjects Korean folk songs and places. In particular, the narrative poem “The South Han River” (Namhangang) is an active attempt to observe history with farmers as the protagonists. It is an extensive work that displays an epic scale.[1]

His prizes include the Han Yong-un literature prize, awarded in 1974 for Nongmu (Farmers' dance), the Korean literature writers award in 1981, the Isan literature prize in 1990,[1] and the Ho-Am Prize 2009[2]

Works in translation edit

  • Variations: Three Korean Poets (3인 시선-사랑의 변주곡)
  • Farmers' Dance (농무) [1]
  • A love song for the earnest (신경림 시선집)
  • 『ラクダに乗って』申庚林詩選集 (신경림 시선집 ‘낙타를 타고’)
  • Le rêve d'un homme abattu (쓰러진 자의 꿈)

Works in Korean (partial) edit

Poetry Collections

  • Let's Cross Over the Moon, (Dal neomse, 1985)
  • A Poor Love Song (Gananhan salangnolae, 1988)
  • Dreams of the Fallen (Sseurujin Ja-ui kkum, 1993.

Collections of Criticism

  • The Truth of Life and the Truth of Poetry, (Salmui Jinsilgwa Sijeok Jinsil, 1983)
  • Understanding Our Poetry (Uli siui ihae, 1986).

Awards edit

  • Han Yong-un literature prize (1974 for Nongmu (Farmers' dance))
  • Korean Literature Writers Award (1981)
  • Isan Literature Prize (1990)
  • Ho-Am Prize (2009)

References edit

  1. ^ a b c d e "Shin Kyeong-nim" LTI Korea Datasheet 2013-09-21 at the Wayback Machine. LTI Korea Library. Retrieved 8 November 2013.
  2. ^ a b "Naver Search" (in Korean). Naver. Retrieved 8 November 2013.
  3. ^ Anthony, Brother. "SHIN KYONG-RIM". Sogang University. Retrieved 13 November 2013.
  4. ^ "신경림 2013-09-21 at the Wayback Machine". LTI Korea Library. Retrieved 8 November 2013.

shin, kyeong, this, korean, name, family, name, shin, korean, 신경림, born, april, 1936, south, korean, writer, known, poet, people, sibf, 2014languagekoreannationalitysouth, koreankorean, namehangul신경림hanja申庚林revised, romanizationsin, gyeongrimmccune, reischauer. In this Korean name the family name is Shin Shin Kyeong nim Korean 신경림 born April 6 1936 is a South Korean writer who is known as a poet of the people 1 Shin Kyeong nim at SIBF 2014LanguageKoreanNationalitySouth KoreanKorean nameHangul신경림Hanja申庚林Revised RomanizationSin GyeongrimMcCune ReischauerSin Kyŏngrim Contents 1 Life 2 Work 3 Works in translation 4 Works in Korean partial 5 Awards 6 ReferencesLife editShin Kyeong nim was born on April 6 1936 2 in North Chungcheong Province South Korea When he was young Shin Kyong rim frequented the people of Korea s rural villages and collected the traditional songs they sang 3 Much of his poetry represents a modernization of things he heard then Shin Kyeong nim graduated in English Literature from Dongguk University from which time he strove to become a creative writer In 1955 and 1956 he made his formal literary debut with the publication of poems Day Moon Natdal Reeds Galdae and Statue of Stone Seoksang He taught elementary school in his hometown for a period of time before moving to Seoul to work as an editor for Hyundae munhak and Donghwa Publishers But his strong desire to create poetry continued 4 Work editShin widely known as a poet of the people has literally spent decades writing verse on basically one subject the life and people of Korean farming villages Although the focus of his debut works Reed Galdae and Graveside Epitaph Myobi is not restricted to the lives of farmers the bulk of his remaining poems do treat of that particular topic The poems of his first collection Farmer s Dance Nongmu 1975 are coherent in their depiction of the actualities of farming life but retain a certain sense of poetic lyricism that lends them a measure of grace 1 While Shin s poetry is largely concerned with farmers and farming villages he makes a great deal of effort to present them in their full historical and social context And although he does treat of trials and travails of the farmers and village people the works are usually firmly based in sense of warm and placid emotion Generally speaking Shin Gyeongrim s poetry tends to display less of the pent up anger and violent protest of the workers poems by other poets but it doesn t not necessarily follow that Shin s farmer poems hold no significant message In fact the farming villages present in most of his poems can easily be understood as symbols for the national community and symbols aside the same grievances that Shin sets forth in his poetry on behalf of his farmers could easily be extended to cover the grievances of the other laboring classes as well with little to no stretch of the imagination Always taking the side of the poor and oppressed Shin displays more of a solemn ideology than a refined artistry and composes verses reminiscent of folk songs in form and in that they are readily accessible to all readers Shin actually did borrow some technical elements from traditional Korean folk songs such as the familiar rhythm of four beats and the patterns of repetition and refrain 1 Shin s various poetry collections such as The Pass Saejae A Folksong Travel Diaries Minyo Gihaeng The South Han River Namhangang and The Path Gil further reveal his love of things Korean and take as their subjects Korean folk songs and places In particular the narrative poem The South Han River Namhangang is an active attempt to observe history with farmers as the protagonists It is an extensive work that displays an epic scale 1 His prizes include the Han Yong un literature prize awarded in 1974 for Nongmu Farmers dance the Korean literature writers award in 1981 the Isan literature prize in 1990 1 and the Ho Am Prize 2009 2 Works in translation editVariations Three Korean Poets 3인 시선 사랑의 변주곡 Farmers Dance 농무 1 A love song for the earnest 신경림 시선집 ラクダに乗って 申庚林詩選集 신경림 시선집 낙타를 타고 Le reve d un homme abattu 쓰러진 자의 꿈 Works in Korean partial editPoetry Collections Let s Cross Over the Moon Dal neomse 1985 A Poor Love Song Gananhan salangnolae 1988 Dreams of the Fallen Sseurujin Ja ui kkum 1993 Collections of Criticism The Truth of Life and the Truth of Poetry Salmui Jinsilgwa Sijeok Jinsil 1983 Understanding Our Poetry Uli siui ihae 1986 Awards editHan Yong un literature prize 1974 for Nongmu Farmers dance Korean Literature Writers Award 1981 Isan Literature Prize 1990 Ho Am Prize 2009 References edit a b c d e Shin Kyeong nim LTI Korea Datasheet Archived 2013 09 21 at the Wayback Machine LTI Korea Library Retrieved 8 November 2013 a b Naver Search in Korean Naver Retrieved 8 November 2013 Anthony Brother SHIN KYONG RIM Sogang University Retrieved 13 November 2013 신경림 Archived 2013 09 21 at the Wayback Machine LTI Korea Library Retrieved 8 November 2013 Retrieved from https en wikipedia org w index php title Shin Kyeong nim amp oldid 1211010583, wikipedia, wiki, book, books, library,

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