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Radical Harmonies

December 15, 2023

Radical Harmonies is a 2002 American independent documentary film directed and executive produced by Dee Mosbacher that presents a history of women's music, which has been defined as music by women, for women, and about women. The film was screened primarily at LGBTQ film festivals in 2003 and 2004.

Radical Harmonies
DVD cover artwork
Directed byDee Mosbacher
Written byDee Mosbacher
Lisa Ginsburg
Produced byDee Mosbacher
Boden Sandstrom
Narrated byRegina Louise
Edited byLisa Ginsburg
Maria Leech
Dina Maria Munsch
Distributed byWoman Vision
Release date
  • June 2002 (2002-06)
Running time
88 minutes
CountryUnited States
LanguageEnglish

Using archival performance footage, still photographs, and interviews with many women involved in the early years and heyday of women's music, Radical Harmonies presents a history of the genre that one scholar has described as "the soundtrack for the cultural arm of radical feminism".[1] The film depicts "women's music as both a cultural network comprising visual arts, dance, theater, and music, and as a utopian vision of women's community".[1] The interviewees include not only women's music pioneers such as Cris Williamson, Holly Near, Linda Tillery, Mary Watkins, Ferron, Alix Dobkin and Bernice Johnson Reagon but also festival producers, concert promoters, sound engineers, sign language interpreters, dancers, comedians, choral conductors, photographers, journalists, record distributors, and record label executives who were part of the cultural movement that was essentially unknown to mainstream audiences. Younger musicians and bands such as Toshi Reagon, Ubaka Hill, Bitch and Animal, and Tribe 8 are also featured, as well as interviews with mainstream artists Amy Ray and Ani DiFranco who "insist on the importance of the women's music movement to their own careers".[2]

The documentary is a Woman Vision film. Director Mosbacher, a lesbian feminist activist filmmaker and psychiatrist, established Woman Vision as a nonprofit organization "to promote equal treatment of all people through the production and use of educational media".[3] Musicians involved in the film's production include June Millington as associate director, Margie Adam as associate producer, and Judith Casselberry as production consultant.

Synopsis edit

Radical Harmonies opens with some of the film's participants answering the question "What is women's music?" and makes the point that there is not a single definition of the genre.[2] The film next puts the women's music movement into historical context by linking it to second-wave feminism as well as the civil rights, peace, and labor movements of the 1960s and 1970s in the United States. It discusses the sexism that pervaded the male-dominated music industry in the 1970s, and the struggle of the women's music movement with homophobia within both the larger society as well as the feminist movement. Interviews are conducted with some of the women involved with the sound, lighting, recording, production and record distribution industries, as well as the founding of Olivia and Redwood Records. The origins and scope of women's music festivals is documented, and they are described in the film's narration as "the heart and soul of the movement".[4] The film discusses contributions in the area of accessibility from women's music events to the larger society, recognizing that "sliding scale ticket prices, sign-language interpreters, and wheelchair access … were first instituted in the women's music movement".[2] The broadening of the focus of women's music from "white girls with guitars"[1] to include more women of color and to incorporate other musical genres such as "classical, choral, jazz and improvisation, rhythm and blues, indigenous, non-Western, punk, rock, and nonvocal genres"[2] as well as performance genres such as comedy, dance, and theater is detailed. The film discusses separatism and women-only spaces at some music festivals, and tells the "terrifying and inspirational tale" of two women's "efforts to launch Camp Sister Spirit and the Gulf Coast Women's Festival in Ovett, Mississippi".[2] The women's music response to homophobia in general and specifically the anti-gay rights crusades of Anita Bryant in the mid-1970s is covered. The film ends with interviews and performance segments from a younger, more radical generation of women's music performers, and a "cross-generational conversation among the musicians themselves".[2]

Interviewees edit

The following musicians or others involved in the women's music cultural network are named and seen onscreen in an interview setting, usually for small amounts of screen time.

Performances edit

The following musicians, bands, comedians, dance troupes, or sign language interpreters are named and seen in either archival or contemporary performance footage, usually for small amounts of screen time. There are no full-length song performances in the film.[5]

Critical response edit

Reviews of the film were mixed. As of December 2018, there are no reviews or scores collected on Rotten Tomatoes or Metacritic.

Scholarly books and journals in general praise the film for its "archival function" and "impassioned testimony"[2] in documenting an important aspect of American lesbian culture from the early 1970s to the late 1990s. The film was described by some critics as "long-awaited" and "celebratory",[1] containing "dazzling concert footage",[6] and as "an impressively comprehensive look at a unique and influential musical subculture".[7] In her book Songs in Black and Lavender, musicologist Eileen Hayes states that "in part because of its medium, celebratory tone, and rockist frame, Sandstrom and Mosbacher's film will dictate the way women's music is perceived for decades to come".[8]

But scholars also criticize the filmmakers for shying away from a "deeper analysis" of the "persistent conflicts around racism and separatism" within the culture of women's music.[2] Multiple scholarly critics[2][7] noted the complete absence within the film of any mention of the "women-born-women-only policy" or "anti-trans policy"[6] at the Michigan Womyn's Music Festival, despite that controversy generating annual protests outside of the festival site beginning in 1991.[6][7]

Reviews in the mainstream, alternative, and gay press are also mixed, with male reviewers somewhat less enthusiastic about the film than female reviewers. Dennis Harvey wrote in Variety that the film is a "whirlwind tour through three decades of mostly lesbian-targeted, folk rocking 'women's music' " and "is entertaining on its own terms, but offers little for those not already well-acquainted with this musical scene".[5] In the Chicago Reader, reviewer Patrick McGavin wrote "Although visually and formally plain, the work is enlivened by expressive performances from Holly Near, Ronnie Gilbert, and Sweet Honey in the Rock that showcase the liberating power of the music".[9] The Washington, D.C. gay newspaper Metro Weekly review gave the film five out of five stars, with reviewer Nancy Legato writing "In the sheer volume of footage and inclusion of voices, Mosbacher … has managed a huge accomplishment".[10] In two different newspapers in Miami, a male reviewer deemed the film "mildly compelling",[11] while a female reviewer described it as "lively", "bursting with terrific live clips" and featuring "insightful interviews".[12]

A review in Library Journal, which helps librarians with purchasing decisions, concluded with "strongly recommended for all women's studies and music collections".[13] As of December 2018, the film is held in 227 libraries worldwide.[14]

Screenings edit

The film was shown primarily at LGBTQ film festivals in the United States between 2003 and 2004. It has also been shown at benefits for women's organizations or other non-profit organizations, as well as at some colleges and universities, usually as part of classes or workshops on feminism, gender equality, or gay studies.[15][16][17]

Awards edit

References edit

  1. ^ a b c d Hayes, Eileen M. (Spring–Summer 2004). "Radical Harmonies". Ethnomusicology. 48 (2): 312–314. ISSN 0014-1836. JSTOR 30046279.
  2. ^ a b c d e f g h i Mockus, Martha (2005). "Reviews: Radical Harmonies". Women & Music. 9: 111–116. doi:10.1353/wam.2005.0011. ISSN 1090-7505. S2CID 191673266.
  3. ^ "Welcome to Woman Vision". www.womanvision.org. 2018. Retrieved December 27, 2018.
  4. ^ Dee Mosbacher (director) (2002). Radical Harmonies (DVD). San Francisco, California: Woman Vision. 40:41 minutes in. OCLC 53071762.
  5. ^ a b Harvey, Dennis (July 8, 2002). "Radical Harmonies". Variety. Los Angeles, California. Retrieved January 3, 2019.
  6. ^ a b c Tucker, Sherrie (Spring 2005). "Radical Harmonies". American Music. 23 (1): 133–135. doi:10.2307/4153053. ISSN 0734-4392. JSTOR 4153053. Retrieved December 29, 2018.
  7. ^ a b c Seymour, Nicole (April 2005). "Dee Mosbacher, dir. Radical Harmonies". Journal of Popular Music Studies. 17 (1): 88–91. doi:10.1111/j.1524-2226.2005.0036b.x. ISSN 1524-2226.
  8. ^ Hayes, Eileen M. (2010). Songs in Black And Lavender. Urbana: University of Illinois Press. p. 47. ISBN 9780252035142. OCLC 437115733.
  9. ^ McGavin, Patrick Z. (n.d.). "Radical Harmonies". Chicago Reader. Chicago, Illinois. Retrieved January 3, 2019.
  10. ^ Legato, Nancy (October 24, 2003). "Radical Harmonies". Metro Weekly. Washington, D.C. Retrieved January 3, 2019.
  11. ^ a b Anderson, John (April 24, 2003). "Queer As Film Folk". Miami New Times. Miami, Florida.
  12. ^ a b Ogle, Connie (April 25, 2003). "Queer As Film". Miami Herald. Miami, Florida. p. 6G.
  13. ^ Cantu, Amy (September 1, 2004). "Radical Harmonies". Library Journal. 129 (14): 198–199. ISSN 0363-0277.
  14. ^ "Mosbacher, Dee". OCLC WorldCat Identities. OCLC Online Computer Library Center. Retrieved December 30, 2018.
  15. ^ "Radical Harmonies". Stanford University Event Calendar. November 28, 2006. Retrieved January 3, 2019.
  16. ^ Fequiere, Roxanne J. (April 10, 2009). "Women In Music: Famed feminist folk singer Cris Williamson is honored with a residence at Berklee". thecrimson.com. The Harvard Crimson. Retrieved January 3, 2019.
  17. ^ Edwards, Margot (March 17, 2009). "Women in Music Panel Features Cris Williamson, April 8". www.berklee.edu. Berklee College of Music. Retrieved January 3, 2019.
  18. ^ a b c d e f g "Radical Harmonies (2002) Release Info". www.imdb.com. Retrieved January 3, 2019.
  19. ^ Hamlin, Jesse (June 27, 2002). "Coming Up This Weekend". San Francisco Chronicle. San Francisco, California. Retrieved January 3, 2019.
  20. ^ Tumang, Patricia Justine (Winter 2003). "Radical Resistance, Radical Harmonies" (PDF). www.astraeafoundation.org. Astraea Lesbian Action Foundation. p. 3. Retrieved January 6, 2019.
  21. ^ "Womenstock". Bay Windows. Boston, Massachusetts. November 21, 2002.
  22. ^ "Screen Candy and Food For Thought". Bay Windows. Boston, Massachusetts. May 1, 2003.
  23. ^ Hornblow, Deborah (May 29, 2003). "Gay Film Fest Turns Sweet 16". Hartford Courant. Hartford, Connecticut. p. CAL section, 8. Retrieved January 6, 2019.
  24. ^ Nechak, Paula (June 5, 2003). "It's One Big Whirl in SIFF's Last Full Week". Seattle Post-Intelligencer. Seattle, Washington. p. 31. Retrieved January 8, 2019.
  25. ^ Popick, Jon (June 11, 2003). "Doc… doc… doc… goose!". City Newspaper. Rochester, New York. Retrieved January 6, 2019.
  26. ^ a b Gardner, Chris (July 22, 2003). "'Mudge,' 'Porn' top Outfest awards". The Hollywood Reporter. Los Angeles, California.
  27. ^ Ridley, Jim (September 11, 2003). "Nashville New Music Conference". Nashville Scene. Nashville, Tennessee. Retrieved January 8, 2019.
  28. ^ Hoff, Al (October 23, 2003). "Pittsburgh International Lesbian and Gay Film Festival". www.pghcitypaper.com. Retrieved January 4, 2019.
  29. ^ "Radical Harmonies". www.cineffable.fr. November 2003. Retrieved January 6, 2019.
  30. ^ Miller, Sarah Bryan (November 15, 2003). "Today at the 12th Annual St. Louis International Film Festival". St. Louis Post-Dispatch. St. Louis, Missouri. pp. 38–39.
  31. ^ Gonzalez, Ed (November 12, 2003). "The Objects of Our Affection". City Pages. Minneapolis, Minnesota.
  32. ^ Zakosek, Matt (November 3, 2003). "Homosexual filmmakers deal with AIDS, female". The Chicago Maroon. University of Chicago (Illinois).
  33. ^ "Notes that made a movement, Documentary, concert". Daily Hampshire Gazette. Northhampton, Massachusetts. February 12, 2004. p. D3.
  34. ^ "Calendar: Music". Daily Hampshire Gazette. Northhampton, Massachusetts. February 13, 2004. p. 10.
  35. ^ Higgins, Polly (March 4, 2004). "Calendar". Tucson Citizen. Tucson, Arizona. p. Calendar section, L18. Retrieved January 4, 2019.
  36. ^ "Radical Harmonies". www.reelout.com. 2004. Retrieved January 6, 2019.
  37. ^ Shapiro, Gregg (March 17, 2004). "Movie Maven". Windy City Times. Chicago, Illinois. Retrieved January 4, 2019.
  38. ^ "In and Out". Bay Windows. Boston, Massachusetts. May 6, 2004.
  39. ^ "In Brief". Knoxville News Sentinel. Knoxville, Tennessee. May 25, 2004. p. B2.
  40. ^ "Special Screenings". Kalamazoo Gazette. Kalamazoo, Michigan. June 9, 2006.
  41. ^ "What's Happening Tuesday in Southwest Michigan". Kalamazoo Gazette. Kalamazoo, Michigan. March 19, 2007.
  42. ^ . rainbow.at. April 2009. Archived from the original on April 17, 2009. Retrieved January 4, 2019.
  43. ^ Heath, Jr., Glenn (August 11, 2015). "Blow Out bleeds red, white, and blue". San Diego City Beat. San Diego, California. Retrieved January 4, 2019.
  44. ^ "For Their Benefit". San Diego Union Tribune. San Diego, California. August 11, 2015. p. B-2.
  45. ^ "Dee Mosbacher, Nanette Gartrell". The New York Times. January 16, 2005. Retrieved December 19, 2018.
  46. ^ a b "Dee Mosbacher". HuffPost. Retrieved January 3, 2019.
  47. ^ a b "Radical Harmonies (2002): Awards". www.imdb.com. Retrieved January 3, 2019.

External links edit

  • Official website, includes a streaming copy of the entire film
  • Radical Harmonies at IMDb
  • Radical Harmonies at AllMovie

December 15, 2023
radical, harmonies, 2002, american, independent, documentary, film, directed, executive, produced, mosbacher, that, presents, history, women, music, which, been, defined, music, women, women, about, women, film, screened, primarily, lgbtq, film, festivals, 200. Radical Harmonies is a 2002 American independent documentary film directed and executive produced by Dee Mosbacher that presents a history of women s music which has been defined as music by women for women and about women The film was screened primarily at LGBTQ film festivals in 2003 and 2004 Radical HarmoniesDVD cover artworkDirected byDee MosbacherWritten byDee MosbacherLisa GinsburgProduced byDee MosbacherBoden SandstromNarrated byRegina LouiseEdited byLisa GinsburgMaria LeechDina Maria MunschDistributed byWoman VisionRelease dateJune 2002 2002 06 Running time88 minutesCountryUnited StatesLanguageEnglishUsing archival performance footage still photographs and interviews with many women involved in the early years and heyday of women s music Radical Harmonies presents a history of the genre that one scholar has described as the soundtrack for the cultural arm of radical feminism 1 The film depicts women s music as both a cultural network comprising visual arts dance theater and music and as a utopian vision of women s community 1 The interviewees include not only women s music pioneers such as Cris Williamson Holly Near Linda Tillery Mary Watkins Ferron Alix Dobkin and Bernice Johnson Reagon but also festival producers concert promoters sound engineers sign language interpreters dancers comedians choral conductors photographers journalists record distributors and record label executives who were part of the cultural movement that was essentially unknown to mainstream audiences Younger musicians and bands such as Toshi Reagon Ubaka Hill Bitch and Animal and Tribe 8 are also featured as well as interviews with mainstream artists Amy Ray and Ani DiFranco who insist on the importance of the women s music movement to their own careers 2 The documentary is a Woman Vision film Director Mosbacher a lesbian feminist activist filmmaker and psychiatrist established Woman Vision as a nonprofit organization to promote equal treatment of all people through the production and use of educational media 3 Musicians involved in the film s production include June Millington as associate director Margie Adam as associate producer and Judith Casselberry as production consultant Contents 1 Synopsis 1 1 Interviewees 1 2 Performances 2 Critical response 3 Screenings 4 Awards 5 References 6 External linksSynopsis editRadical Harmonies opens with some of the film s participants answering the question What is women s music and makes the point that there is not a single definition of the genre 2 The film next puts the women s music movement into historical context by linking it to second wave feminism as well as the civil rights peace and labor movements of the 1960s and 1970s in the United States It discusses the sexism that pervaded the male dominated music industry in the 1970s and the struggle of the women s music movement with homophobia within both the larger society as well as the feminist movement Interviews are conducted with some of the women involved with the sound lighting recording production and record distribution industries as well as the founding of Olivia and Redwood Records The origins and scope of women s music festivals is documented and they are described in the film s narration as the heart and soul of the movement 4 The film discusses contributions in the area of accessibility from women s music events to the larger society recognizing that sliding scale ticket prices sign language interpreters and wheelchair access were first instituted in the women s music movement 2 The broadening of the focus of women s music from white girls with guitars 1 to include more women of color and to incorporate other musical genres such as classical choral jazz and improvisation rhythm and blues indigenous non Western punk rock and nonvocal genres 2 as well as performance genres such as comedy dance and theater is detailed The film discusses separatism and women only spaces at some music festivals and tells the terrifying and inspirational tale of two women s efforts to launch Camp Sister Spirit and the Gulf Coast Women s Festival in Ovett Mississippi 2 The women s music response to homophobia in general and specifically the anti gay rights crusades of Anita Bryant in the mid 1970s is covered The film ends with interviews and performance segments from a younger more radical generation of women s music performers and a cross generational conversation among the musicians themselves 2 Interviewees edit The following musicians or others involved in the women s music cultural network are named and seen onscreen in an interview setting usually for small amounts of screen time Amy Ray Alix Dobkin Amy Horowitz Ani DiFranco Barbara Price Bernice Johnson Reagon Bitch and Animal Boden Sandstrom Bonnie J Morris Brenda and Wanda Hensen Cassie Culver Catherine Roma Cris Williamson Debbie Lempke Diane Gomez Edwina Lee Tyler Elizabeth Seja Min Ferron Ginny Berson Gwen Avery Havens Levitt Hazel Dickens Helen Hooke Holly Near Ivy Young Jackie Strano Joan E Biren JEB Judith Casselberry Judy Dlugacz Julie Wolf June Millington Kay Gardner Krissy Keefer Kristin Lems Laurie Fuchs Lin Daniels Linda Shear Linda Tillery Lisa Vogel Margie Adam Mary Byrne Mary Watkins Maxine Feldman Miriam Abrahams Nancy Vogl Patricia Thumas Penny Rosenwasser Ramona Galindez Rhiannon Robin Tyler Ronnie Gilbert Sherry Hicks Slade Bellum Sue Fink Susan Abod Susan Freundlich Susann Schanbaum Teresa Trull Terry Grant Toni Armstrong Jr Toshi Reagon Tret Fure Ubaka Hill Performances edit The following musicians bands comedians dance troupes or sign language interpreters are named and seen in either archival or contemporary performance footage usually for small amounts of screen time There are no full length song performances in the film 5 Alive Alix Dobkin Ani DiFranco Azucar y Crema Barbara Higbie Bernice Johnson Reagon Bitch and Animal The Butchies Casselberry Dupree Cassie Culver Catherine Roma Chicago Women s Liberation Rock Band Cris Williamson Deidre McCalla Dianne Davidson Doralynn Folse Edwina Lee Tyler Ellen Seeling Fanny Ferron Gwen Avery The Hail Marys Holly Near Indigo Girls Jackie Strano Jean Fineburg JUCA Judith Casselberry June Millington Karen Williams Kate Clinton Kay Gardner Kinnie Starr Linda Tillery Lisa Weems Malvina Reynolds Margie Adam Maria Zemantauski Mary Watkins Meg Christian Melissa Ferrick Michigan Womyn s Music Festival Inspirational Choir The Murmurs Nancy Vogl Nedra Johnson Patricia Thumas Rhiannon Robin Flower Ronnie Gilbert Sexpod Shelly Doty Sherry Hicks Slade Bellum Susan Freundlich Sweet Honey in the Rock Teresa Trull Toshi Reagon Tret Fure Tribe 8 Ubaka Hill Ulali Vicki Randle The Washington Sisters Wild Mango Wallflower Order The Women s PhilharmonicCritical response editReviews of the film were mixed As of December 2018 there are no reviews or scores collected on Rotten Tomatoes or Metacritic Scholarly books and journals in general praise the film for its archival function and impassioned testimony 2 in documenting an important aspect of American lesbian culture from the early 1970s to the late 1990s The film was described by some critics as long awaited and celebratory 1 containing dazzling concert footage 6 and as an impressively comprehensive look at a unique and influential musical subculture 7 In her book Songs in Black and Lavender musicologist Eileen Hayes states that in part because of its medium celebratory tone and rockist frame Sandstrom and Mosbacher s film will dictate the way women s music is perceived for decades to come 8 But scholars also criticize the filmmakers for shying away from a deeper analysis of the persistent conflicts around racism and separatism within the culture of women s music 2 Multiple scholarly critics 2 7 noted the complete absence within the film of any mention of the women born women only policy or anti trans policy 6 at the Michigan Womyn s Music Festival despite that controversy generating annual protests outside of the festival site beginning in 1991 6 7 Reviews in the mainstream alternative and gay press are also mixed with male reviewers somewhat less enthusiastic about the film than female reviewers Dennis Harvey wrote in Variety that the film is a whirlwind tour through three decades of mostly lesbian targeted folk rocking women s music and is entertaining on its own terms but offers little for those not already well acquainted with this musical scene 5 In the Chicago Reader reviewer Patrick McGavin wrote Although visually and formally plain the work is enlivened by expressive performances from Holly Near Ronnie Gilbert and Sweet Honey in the Rock that showcase the liberating power of the music 9 The Washington D C gay newspaper Metro Weekly review gave the film five out of five stars with reviewer Nancy Legato writing In the sheer volume of footage and inclusion of voices Mosbacher has managed a huge accomplishment 10 In two different newspapers in Miami a male reviewer deemed the film mildly compelling 11 while a female reviewer described it as lively bursting with terrific live clips and featuring insightful interviews 12 A review in Library Journal which helps librarians with purchasing decisions concluded with strongly recommended for all women s studies and music collections 13 As of December 2018 the film is held in 227 libraries worldwide 14 Screenings editThe film was shown primarily at LGBTQ film festivals in the United States between 2003 and 2004 It has also been shown at benefits for women s organizations or other non profit organizations as well as at some colleges and universities usually as part of classes or workshops on feminism gender equality or gay studies 15 16 17 San Francisco International Lesbian and Gay Film Festival Frameline World premiere June 28 2002 18 19 Benefit for Astraea s Lynn Campbell Memorial Fund New York City premiere October 21 2002 20 Screening sponsored by the Women s Studies Department Massachusetts Institute of Technology November 23 2002 21 London Lesbian and Gay Film Festival April 3 2003 18 Miami Gay and Lesbian Film Festival April 27 2003 11 12 Boston Gay and Lesbian Film Festival May 2 2003 22 Connecticut Gay amp Lesbian Film Festival June 6 2003 23 Seattle International Film Festival June 7 2003 24 Fundraising benefit for ImageOut The Rochester Lesbian and Gay Film amp Video Festival June 19 2003 25 Outfest Los Angeles July 2003 26 Nashville Gay and Lesbian Film Festival September 2003 27 Milwaukee LGBT Film amp Video Festival October 11 2003 18 Pittsburgh International Lesbian and Gay Film Festival October 24 2003 28 Paris Cineffable International Lesbian and Feminist Film Festival November 8 and 9 2003 29 St Louis International Film Festival November 15 2003 30 Minneapolis St Paul LGBT Film Festival November 17 2003 31 Reeling 2003 The Chicago Lesbian and Gay International Film Festival November 2003 32 Benefit for the Institute for the Musical Arts IMA s Rock n Roll Camp for Teen Girls Scholarship Fund February 15 2004 33 34 Southern Arizona Wingspan LGBT Film Festival March 7 2004 18 35 Kingston ReelOut Queer Film and Video Festival March 10 2004 18 36 Reykjavik Gay and Lesbian Film Festival March 13 2004 18 Women in the Director s Chair International Film amp Video Festival March 20 2004 37 Boston Gay and Lesbian Film Festival May 8 2004 18 38 Knoxville Heritage Night May 26 2004 39 Kalamazoo YWCA June 13 2006 40 Kalamazoo Public Library March 29 2007 41 Kunst Kultur Frauenfeste Clubnachte Vienna Austria April 16 2009 42 Benefit for the Women s Museum of California at Art Rocks Film San Diego August 16 2015 43 44 Awards edit2002 Won Best Documentary audience award at the 26th San Francisco International Lesbian and Gay Film Festival 45 46 47 2003 Won the audience award for Outstanding Soundtrack at Outfest the Los Angeles LGBT film festival 46 47 26 References edit a b c d Hayes Eileen M Spring Summer 2004 Radical Harmonies Ethnomusicology 48 2 312 314 ISSN 0014 1836 JSTOR 30046279 a b c d e f g h i Mockus Martha 2005 Reviews Radical Harmonies Women amp Music 9 111 116 doi 10 1353 wam 2005 0011 ISSN 1090 7505 S2CID 191673266 Welcome to Woman Vision www womanvision org 2018 Retrieved December 27 2018 Dee Mosbacher director 2002 Radical Harmonies DVD San Francisco California Woman Vision 40 41 minutes in OCLC 53071762 a b Harvey Dennis July 8 2002 Radical Harmonies Variety Los Angeles California Retrieved January 3 2019 a b c Tucker Sherrie Spring 2005 Radical Harmonies American Music 23 1 133 135 doi 10 2307 4153053 ISSN 0734 4392 JSTOR 4153053 Retrieved December 29 2018 a b c Seymour Nicole April 2005 Dee Mosbacher dir Radical Harmonies Journal of Popular Music Studies 17 1 88 91 doi 10 1111 j 1524 2226 2005 0036b x ISSN 1524 2226 Hayes Eileen M 2010 Songs in Black And Lavender Urbana University of Illinois Press p 47 ISBN 9780252035142 OCLC 437115733 McGavin Patrick Z n d Radical Harmonies Chicago Reader Chicago Illinois Retrieved January 3 2019 Legato Nancy October 24 2003 Radical Harmonies Metro Weekly Washington D C Retrieved January 3 2019 a b Anderson John April 24 2003 Queer As Film Folk Miami New Times Miami Florida a b Ogle Connie April 25 2003 Queer As Film Miami Herald Miami Florida p 6G Cantu Amy September 1 2004 Radical Harmonies Library Journal 129 14 198 199 ISSN 0363 0277 Mosbacher Dee OCLC WorldCat Identities OCLC Online Computer Library Center Retrieved December 30 2018 Radical Harmonies Stanford University Event Calendar November 28 2006 Retrieved January 3 2019 Fequiere Roxanne J April 10 2009 Women In Music Famed feminist folk singer Cris Williamson is honored with a residence at Berklee thecrimson com The Harvard Crimson Retrieved January 3 2019 Edwards Margot March 17 2009 Women in Music Panel Features Cris Williamson April 8 www berklee edu Berklee College of Music Retrieved January 3 2019 a b c d e f g Radical Harmonies 2002 Release Info www imdb com Retrieved January 3 2019 Hamlin Jesse June 27 2002 Coming Up This Weekend San Francisco Chronicle San Francisco California Retrieved January 3 2019 Tumang Patricia Justine Winter 2003 Radical Resistance Radical Harmonies PDF www astraeafoundation org Astraea Lesbian Action Foundation p 3 Retrieved January 6 2019 Womenstock Bay Windows Boston Massachusetts November 21 2002 Screen Candy and Food For Thought Bay Windows Boston Massachusetts May 1 2003 Hornblow Deborah May 29 2003 Gay Film Fest Turns Sweet 16 Hartford Courant Hartford Connecticut p CAL section 8 Retrieved January 6 2019 Nechak Paula June 5 2003 It s One Big Whirl in SIFF s Last Full Week Seattle Post Intelligencer Seattle Washington p 31 Retrieved January 8 2019 Popick Jon June 11 2003 Doc doc doc goose City Newspaper Rochester New York Retrieved January 6 2019 a b Gardner Chris July 22 2003 Mudge Porn top Outfest awards The Hollywood Reporter Los Angeles California Ridley Jim September 11 2003 Nashville New Music Conference Nashville Scene Nashville Tennessee Retrieved January 8 2019 Hoff Al October 23 2003 Pittsburgh International Lesbian and Gay Film Festival www pghcitypaper com Retrieved January 4 2019 Radical Harmonies www cineffable fr November 2003 Retrieved January 6 2019 Miller Sarah Bryan November 15 2003 Today at the 12th Annual St Louis International Film Festival St Louis Post Dispatch St Louis Missouri pp 38 39 Gonzalez Ed November 12 2003 The Objects of Our Affection City Pages Minneapolis Minnesota Zakosek Matt November 3 2003 Homosexual filmmakers deal with AIDS female The Chicago Maroon University of Chicago Illinois Notes that made a movement Documentary concert Daily Hampshire Gazette Northhampton Massachusetts February 12 2004 p D3 Calendar Music Daily Hampshire Gazette Northhampton Massachusetts February 13 2004 p 10 Higgins Polly March 4 2004 Calendar Tucson Citizen Tucson Arizona p Calendar section L18 Retrieved January 4 2019 Radical Harmonies www reelout com 2004 Retrieved January 6 2019 Shapiro Gregg March 17 2004 Movie Maven Windy City Times Chicago Illinois Retrieved January 4 2019 In and Out Bay Windows Boston Massachusetts May 6 2004 In Brief Knoxville News Sentinel Knoxville Tennessee May 25 2004 p B2 Special Screenings Kalamazoo Gazette Kalamazoo Michigan June 9 2006 What s Happening Tuesday in Southwest Michigan Kalamazoo Gazette Kalamazoo Michigan March 19 2007 Filmscreening Radical Harmonies FZ rainbow at April 2009 Archived from the original on April 17 2009 Retrieved January 4 2019 Heath Jr Glenn August 11 2015 Blow Out bleeds red white and blue San Diego City Beat San Diego California Retrieved January 4 2019 For Their Benefit San Diego Union Tribune San Diego California August 11 2015 p B 2 Dee Mosbacher Nanette Gartrell The New York Times January 16 2005 Retrieved December 19 2018 a b Dee Mosbacher HuffPost Retrieved January 3 2019 a b Radical Harmonies 2002 Awards www imdb com Retrieved January 3 2019 External links editOfficial website includes a streaming copy of the entire film Radical Harmonies at IMDb Radical Harmonies at AllMovie Retrieved from https en wikipedia org w index php title Radical Harmonies amp oldid 1155281760, wikipedia, wiki, book, books, library,

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